Тhe catalogue

Transcription

Тhe catalogue

12TH LESSEDRA WORLD ART PRINT ANNUAL
2013
CONTEMPORARY ART PROJECTS
The Catalogue presents
371 Artists from 51 countries
The exhibition is held
June 13 – September 30 2013
Lessedra Gallery
25, Milin Kamak Street, Lozenetz
1164 Sofia, Bulgaria
The project is presented on the web
www.lessedra.com
link Annual
The Art Village
Summer Residency
2013
40 color pages
with 150 photographs
and 20 images
of works
With Special Thanks for the cooperation to:
Japan Artists Association
Japan Hanga Forum & Japan Print Society
Mr. Tsutomu KONO
ARCHIVO GRAFICO, Mexico
Prof. Felipe Cortes Reyes
Book cover design: Atanas Vassilev
Concept for the book: Georgi Kolev
and Christophor Krustev
Pre - press: Christophor Krustev
Print:
Publisher:
LESSEDRA Gallery & Contemporary Art Projects
25, Milin Kamak Street, Lozenetz
1164 Sofia, Bulgaria
Tel.: (++359 2) 865 04 28, (++359 2) 866 38 57
e-mail: [email protected]
[email protected]
www.lessedra.com
© Lessedra
2
Argentina – 1 Australia – 4 Austria – 5 Belgium – 8
Brazil – 3 Bulgaria – 27 Canada – 21 China – 1 Costa Rica – 1
Croatia – 2 Cyprus – 1 Czech Republic – 2 Denmark – 4
England – 22 Estonia – 3 Finland – 12 France – 12 Germany – 15
Greece – 4 Hungary – 2 Iceland – 2 India – 1
Iran – 2 Ireland – 5 Israel – 6 Italy – 4 Japan – 58 Korea – 3
Lithuania – 1 Luxembourg – 1 Mexico – 11 Mongolia – 1
The Netherlands – 9 New Zealand – 3 Nigeria – 2 Norway – 3
Poland – 13 Portugal – 1 Romania – 3
Scotland – 1 Serbia – 1 Slovenia – 9 Republic of South Africa – 1
Spain – 6 Sweden – 9 Switzerland – 13
Taiwan – 1 Thailand – 1United Arab Emirates – 1
U. S. A. – 47 Wales – 1
2013
PRIZE WINNERS
First Prize
PAOLO CIAMPINI, Italy
Second Prize
MIWAKO OSO, Japan
Third Prize
ALICJA SNOCH – PAWLOWSKA, Poland
Prize for Mid Career (Bulgarian) Artist
VESSELIN DAMYANOV – VES
7 Special Prizes
ANDREW GRABAR, U. S. A.
TH
12 ANNUAL INTERNATIONAL JURY
LEONARDO RIAL
Spain – First Prize Winner Mini Print 2012
CAROL HAYMAN
USA – Professor of Anthropology,
Austin Community College
KARLA WOISNITZA
Germany
JETTE ASDIS EWERLÖF
Denmark
SNEZHINA BISSEROVA
Bulgaria – Artist & Art Teacher School of Arts
and Sofia University
BOUYAN FILCHEV
Bulgaria – Professor of Art, Sofia University
COLIN GILLESPIE, England
FELIKS SARV, Estonia
ELEANORA HOFER, Republic of South Africa
LAURENT WILMET, Belgium
RIKHARDUR VALTINGOJER, Iceland
SIGUTE BRONICKIENE, Lithuania
12th LESSEDRA WORLD ART PRINT ANNUAL – MINI PRINT
3
2013
DEDICATED TO BULGARIA
BARRY COTTRELL, England
James Joyce in Oxford I, 2013, Linocut and Wood Engraving
Collage, 16 x 24,5 cm
THIS IS THE LINOCUT/WOOD ENGRAVING
CELEBRATING MY EXHIBITION AT LESSEDRA IN
2007 and my stay in Dobromir’s studio. During my stay,
I had a discussion with Dobromir, in which we planned
to collaborate on a project to make a comic strip about
James Joyce in Oxford. Dobromir drew two visual ideas
as examples of possible James Joyce in Oxford comic
strip ideas. I have made an interpretation of one of
them.
In the print James Joyce is saying: „Life is honey and
than you die” while correct English would be: “Life is
honey and then you die.” However, James Joyce is
famous for being difficult to understand and I prefer
Dobromir’s enigmatic: “Life is honey and than you die”
4
because it makes no sense at all!
James Joyce never visited Oxford which is why there is
so much ‘visual noise’ in the print – marks in the background which represent nothing except the metaphorical „fog” of James Joyce, legendary literary genius,
who has never been to the place (Oxford) where he
now finds himself being depicted as the figment of
some future artists’ imaginations.
Dobromir’s dancing bear is holding a banner (wood
engraving) saying “dobar den” which is a subtle indication of the collaboration between DOBromir and BARry.
At the bottom right there is also a wood engraved date
in Roman numerals MMVII, the date of my exhibition at
Lessedra!!
2013
DEDICATED TO BULGARIA
KARLA WOISNITZA, Germany
Happy Rada Postcards (2B, 1/8), 2013, Mixed Media,
Fine Art Print, 10 x 15 cm
TRAVELLING ARTIST`S BOOK
MADELEINE SAMSON, Canada
Aurore/Nocturne, 2011, Artist` s Book, Album of seven
Digital Prints, 24 x 18 x 1,5 cm, Cardboard Box covered,
Jet Ink Print on Gampi
Pray for Japan, March 2011, Travelling Artist` s Book,
Collaboration with Artist Nicole Royer, Watercolor with Sea
Water, Collage with Newspaper Reports, 31 x 15 x 1 cm
Presented also on page 24 with a print
Jette Asdis Ewerlöf
signing the book
Carol Hayman,
signing the book
Leonardo Rial signing the book
Karla Woisnitza signing the book
5
2013
PRIZE WINNERS 2012
FIRST PRIZE
LEONARDO RIAL, Spain,
CANG – 3, 2012, Mixed Media and Bold
Embossing, 29 x 23 cm
Prize for Young Emerging (Bulgarian) Artist
VENELINA POPOVA, Bulgaria,
Sea Monster, 2012, Siligraphy, 11,5x13,5 cm
POLINA PETROVA, Bulgaria,
Rainy, 2012, Etching, Aquatint, Soft Ground, 20x12 cm
6
2013
Featured Artist CAROL HAYMAN, U. S. A.
Carol Hayman – Artist’s Statement
Technique/process: Polymer Plate Intaglio,
also called photo-etching, photo-gravure, or
solar plate
The intaglio or etching starts out first as a
print from a digital camera, then using a photocopier, I copy the print onto a transparency
for overhead projectors. The transparency is
laid over a polymer-coated metal plate and
exposed to light. The plate is washed and
hardened. When the plate is dry, it is inked,
damp paper laid on it, then run through an intaglio press, as an etching. This new process
of creating solar plates uses non-toxic light
and water and is combined with the intaglio
press, which has been in use for centuries.
Turning photographs into fine art prints is a
laborious, but satisfying, printmaking process.
The anthropological dimension of my subject
matter lends itself well to the handmade look
of the technique, which is excellent for creating detailed works that draw the viewer in for
a closer look.
7
2013
Featured Artist CAROL HAYMAN, U. S. A.
Subject: Manikins or Mannequins
These intaglio prints are from a series I have
been working on for the past three years.
The subject matter of these prints is the surreal presentation of artificial women (and a
few men and children) in various stages of
decomposition. The dents and missing body
parts contrast with the usual decorative role
of manikins, and the battered statues are
a visible reminder of the hidden nature of
battering. The manikins also visually comment on the position of women in society as
fashion conscious consumers. The manikins are models for advertising clothing for
dress shops and department stores. In the
past real people were used to model the latest fashions for customers, or for fittings by
dressmakers, even standing in department
store windows. Artists have also commented on this by installing themselves in store
windows (Jamie Blackburn – Art4Habitat,
January 2011) and even in museum settings
(most recently Jesus Benavente and Jennifer
Remenchik at AMOA).
The tableaux in the prints are unposed, photographed as observed. The perspective and
the process render the resulting image almost
abstract. The history is revealed in multiple
layers as if listening to overheard, whispered
snatches of conversations and glimpsing frozen, dramatic gestures. My work illustrates
specific places, public narrative events, and
little glimpses of other worlds caught in everyday situations.
The depiction of women’s bodies, clothed
and nude, has always been a staple of art
in many different media, from Greek statues
(which also are missing limbs) to modern
film. Because of the dilapidated condition
of the figures, a viewer might make a connection with horror, zombie, or science fiction movies. The feeling is that these figures
have a history, a life of their own that has momentarily paused, but might continue when
the viewer turns away.
CAROL HAYMAN, U. S. A.
1.Laughing Man, 2.959, 3.Glamour Dresses, 4.The Model,
5.Under the Table, 6.Muneca, 7.School Girl
All works - Polymer Plate Intaglio, Image size 20 x 25 cm
8
INTERNATIONAL ARTISTS
2013
CONTEMPORARY ART PROJECTS
2
8
1
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3
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11
13
7
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39
40

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