soundroom
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soundroom
soundroom P O R T E D 8 X 1 0 , 4 X 1 0 & 2 X 1 0 INNOVATIVE PRODUCT S P E A K E R C A B I N E T S S Series Cabinets AGUILAR OUTSTANDING TONE BY JONATHAN HERRERA ® OUTSTANDING VALUE nents of its high-end GS-series cabinets into a lower-cost design. But the S cabs aren’t L OUTSTANDING CONSTRUCTION et’s face it: Though we may play the simply down-market rehashes; compared to occasional big-money show, most of the GS cabs, the S cabs are lighter, smaller, us spend our post-gig drives anx- and voiced with a more forward midrange— iously wondering if the two grimy qualities that Aguilar engineered with the jour- Jacksons the bandleader peeled off will be neyman gigger in mind. enough dough to balance out that night’s The S cabs have the same 18-gauge steel beer bill, parking ticket, and gas money. grille, crossover, and tweeter as the GS cabs. That’s why buying ultra-high-end gear like They also feature Aguilar-designed Eminence that made by New York’s Aguilar Amplifica- drivers like the GS series, but the 10s in the tion can sometimes be a financial fantasy. S cabs have stamped (as opposed to cast) You’d have to do a year’s worth of Top 40 frames and smaller magnets. The S and GS gigs (and cut back on that bar tab) to get cabs share the same crossover, L-pad, and even close. But not anymore: Aguilar intends tweeter. Each S-cab is constructed from the S cabs to be a “new standard” for afford- Medium Density Fiberboard (MDF). Owing able cabinets, packing some of the compo- to its density, stiffness, and void-free composition, MDF is an excellent speaker cabinet material. Unlike their slot-ported Aguilar S 210 List price: $549; approx. street price: $400 Pros: Punchy mids; sweet tone. Cons: None. Aguilar S 410 List price: $849; approx. street price: $640 Pros: Full lows, clean highs, and fat tone. Cons: Slightly slow attack. Aguilar S 810 List price: $1,349; approx. street price: $1,000 Pros: Portable for an 8x10; articulate sound. Cons: None. Contact: 800-304-1875; www.aguilaramp.com brethren, the S cabs all feature tubular rear porting, which contributes to the cabs’ small footprint and lower weight. mounted with machine bolts and T-nuts, Affordable or not, the S cabs fea- which are more dependable than wood- ture excellent construction with desir- screws. The high-quality plastic corners are able details. To reduce internal made from durable rubberized plastic and resonance, each cab is extensively were securely fastened on the test cabinets. braced and lined with synthetic 2"- The perforated steel grilles were rattle- and thick insulation. The woofers are buzz-free throughout testing. As opposed to the black GS covering, the S cabs utilize finer-textured gray carpet; it was skillfully applied. The steel recessed-bar handles felt sturdy and were well placed for easy lifting. To prevent air leaks and whistling noises, the 60 BASS PLAYER ? N O V E M B E R 2 0 0 4 Each S cab has 1/4" and Speakon jacks. The S 410 and S 210 also feature tweeter-attenuating 50watt L-pads, adjustable via a back-panel knob. The “surround” is the area around the speaker cone that flexes as the speaker moves. The S cabs have “M” roll surrounds, as opposed to pleated surrounds. The S cab’s surrounds are glued to the cone with about 1/2" of overlap. Some speaker engineers feel that rolled surrounds allow for greater cone excursion than pleated designs and that a 1/2" overlap reinforces the cone, reducing the potential for cone crease. S cabs’ q" jacks are sealed with silicone sealant and encased in heatshrink tubing. highs were a little tamer on the 4x10, likely due to the greater woofer-to-tweeter ratio. The S 410 I Need A Roadie has good headroom and sensitivity, producing Staffers and I tested the S cabs on a variety of powerful tone that spoke well, even with vigor- gigs and in the Soundroom. Testing amps included ous B-string attacks. T E C H S P E C S Aguilar S 810 Type: 8x10, rear-ported the Aguilar DB 750, Ampeg SVT5-PRO, Gallien- On a zydeco gig, one staffer appreciated the Krueger 1001RB-II, Glockenklang Bass Art Clas- S 410’s warmth and depth. He dug the 4x10s big sic, Thunderfunk TFB420, Hartke HA4000, and soundstage and full-bodied output, and was espe- Eminence stamped-frame drivers our Demeter VTBP-201S and Crest CA-9. Test cially drawn to its “woody and organic” midrange. Frequency response: 42Hz–3.3kHz basses included a variety of active and passive In the Soundroom, I got vicious bridge-pickup funk Power handling: 1,000 watts RMS 4- and 5-strings. out of the S 410 as well as deep, thumpy reggae Impedance: 4Ω tones. The S 410 was a solid all-around performer. Sensitivity: 104dB SPL (1W/1m) Woofers: Custom-designed Dimensions: 45" x 23q" x 17" S 210 Weight: 131 lbs Despite the S 210’s conservative 250-watt power S 810 rating, staffers and I rocked the cab with some Thanks to its space-efficient design, the S 810 is powerful heads. Provided we didn’t get too remarkably small for an 8x10. In fact, with its 3" Aguilar S 410 aggressive, the little wonder didn’t seem to mind. rear wheels and well-placed top handles, it’s the Type: 4x10 + tweeter, rear-ported The 210 has a warm, deep, and punchy sound easiest 8x10 I’ve ever had to move. Tilting it back Woofers: Custom-designed with a low-mid emphasis that cuts. The powerful dolly-style was a cinch. The cabinet feels rugged, tweeter gives the S 210 a good deal of clarity and but rear skid rails would enhance durability. detail, adding sheen to slap and grind when I played pickstyle. Eminence stamped-frame drivers Tweeter: P.Audio HT-410 1" phenolic Some 8x10s assault the ear with enormous booty and thick low-end response; the S 810, by compression driver with horn Frequency response: 42Hz–16kHz The 210 was a groovy little slap, funk, and rock contrast, supplies articulation, balance, and excel- Power handling: 500 watts RMS cab, with good articulation and a firm response. lent note definition. It doesn’t have overwhelm- Impedance: 4Ω or 8Ω One staffer reported that the S 210 was meaty ing, earth-shattering bass, but it did provide solid Sensitivity: 101dB SPL (1W/1m) and authoritative on a pair of bar gigs, one with thump with a flatwound-strung Fender Precision. Dimensions: 24" x 22w" x 16y" a funky guitar trio, the other with a horn-laden I didn’t miss a tweeter, as the S 810’s massive air Weight: 83 lbs blues band. The cab’s inherent low-mid bark movement felt natural on its own. Even without a places it about midway on the chronological tone tweeter, the Aguilar had good treble response— Aguilar S 210 continuum; the S 210 has modern sizzle with a but if you need sizzly edge, it’s not the cab for Type: 2x10 + tweeter, rear-ported healthy dose of vintage corpulence. For a 2x10, you. With all musical styles, the S 810 remained Woofers: Custom-designed the Aguilar handled a B string well, exhibiting a precise and controlled, providing clear upper-mid smooth and sweet transition into the low regis- definition and tight lows. Tweeter: P.Audio HT-410 1" phenolic For The Masses Frequency response: 42Hz–16kHz S 410 The Aguilar S cabs, with their distinctive voice, Power handling: 250 watts RMS You might expect the S 410 to sound like a big- assertive tone, and durable construction, are well Impedance: 4Ω or 8Ω ger, louder version of the S 210, and it does, but suited to the frequent gigger. Each cab boasts Sensitivity: 101dB SPL (1W/1m) only to a certain extent. Whereas the S 210 is a unique sound, but there’s a common thread Dimensions: 15" x 22w" x 16y" midrange-focused, the 4x10 has a more author- of punchiness, poise, and warmth throughout Weight: 52 lbs itative low-end response and a fuller, fatter sound. the line that belies the S cabs’ affordable price. What it gains in girth it loses in quickness; the 2x10 The Aguilar S cabs provide great tone at a Made in: USA felt slightly more responsive to transients. The delectable value. Warranty: Three years Eminence stamped-frame drivers compression driver with horn ter while staying taut and well behaved. BP N O V E M B E R 2 0 0 4 ? BASS PLAYER 61