international music festival/course

vitoria-gasteiz
17-26 august
2015
vitoria-gasteiz
NAZIOARTEKO MUSIKAKO IKASTAROA CURSO INTERNACIONAL DE MÚSICA
international music festival/course
Violin ••• Catalin Bucataru | Nathaniel Vallois
Viola ••• Jon Thorne | Leo de Neve
Cello ••• Nabí Cabestany | Alexander Baillei
Clarinet ••• Milan Rericha | Harri Mäki
Piano ••• Charles Wiffen | Albert Nieto
Vocal ••• Lorena García
String Quartets ••• Jon Thorne
Accompanist FCIMV ••• María Ángel García
www.vitoriamusic.es
www.vitoriamusic.com
vitoria-gasteiz
objectives
The aim of the course is to give music
students the opportunity to widen
and improve their theoretical and
practical skills through participating in
an intensive study programme consisting
of classes for individuals and groups.
The course is intended for
students of intermediate, higher
and postgraduate levels.
Welcome to FCIMV 2015
Íñigo Alonso
(FCIMV Artistic Director)
9th
9 international music festival/course
th
VITORIA-GASTEIZ
FCIMV
2015
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7 -- 2
26
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2015
FCIMV
“with great gratitude we should like to thank
Ingrid Jonientz from Cologne in Germany
for her support and sponsoring of our festival. She and her partner have always been
friends of culture and friends of Spain”
FCIMV
vitoria-gasteiz
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teachers and su
VIOLIN
Nathaniel Vallois
(Birmingham Conservatoire)
Catalín Bucataru
(“Musikene” San Sebastian Conservatoire)
VIOLA
Leo de Neve
(Royal Flemish Conservatory Antwerp)
Jon Thorne
(Royal Academy of Music)
CELLO
Alexander Baillei
(Bremen Hochschule)
Nabí Cabestany
(Cataluña Conservatoire “ESMUC”)
INTERNATIONAL MUSIC FESTIVAL/COURSE
ubjects
CLARINET
VOCAL Milan Rericha
Lorena García
(Musik Hochschule Lugano and Janacek Academy)
Harri Mäki
(Sibelius Academy)
STRING QUARTETS
Jon Thorne
(Badke Quartet)
PIANO
Charles Wiffen
(Bath University)
Albert Nieto
ACCOMPANIST María Ángel García
(Conservatorio Superior de Música de Castilla-La Mancha)
]
5
plan of studies
Individual lessons in technique and musical
interpretation: All students will receive from their
professors a minimum of five lessons lasting 60 minutes
each, during which they will develop their instrumental
technique and work on two or three works of their
own choice. Classes will be given in the morning and
afternoon starting at 9.30. The maximum of students
for each professor shall be 10.
Chamber Music lessons: all students that choose this option in the enrolment form will be part of
chamber music groups, under the direction of one of
the professors of the course (a list of works will be
posted on our website shortly).
The students will choose those pieces they would
like to work from the list posted in our website, which
must be specified in the enrolment form in order of
preference (we advise to bring your own parts).
When, in the professor’s judgement, the group or
student has prepared its chosen work sufficiently, it will
be performed at a public concert. In case the number
of participants outnumbers the expectations, there will
be an audition prior to the concerts, in any case the
director of the course will take the final decision.
period, enrolment and course fees
The course will begin on Monday 17 August and will
end on 26 August with the students’ concert. The day of
arrival at the accommodation is 16 August, and the day
of departure is 27 August in the morning, before 12:00.
The application fee (130 euros) and 50 euros of
INDIVIDUAL LESSONS:
Application fee: ............................ 130€
Tuition fee active: ......................... 270€
Tuition fee listener: ....................... 100€
the accommodation fee (in case you choose the “Hostel
of the Cathedral”) has to be transferred at the time of
application, the 270 euros of the tuition fee no later
than 28 July and the rest of the accommodation fee
will be paid at your arrival at the Hostel.
STRING QUARTET:
Application fee: ............................ 130€
Tuition fee active: ......................... 270€
CHAMBER MUSIC:
Tuition fee active: ......................... 50€
Account holder: Asociación de Amigos de la Música de Cámara Vitoria-Gasteiz
Concept: Student Name/Group + Instrument
Bank: BANCO SANTANDER
Account number: IBAN ES70 0030 3400 7100 0046 5271
BIC-SWIFT ESPCESMMXXX
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]
www.vitoriamusic.es
CURSO INTERNACIONAL DE MÚSICA
INTERNATIONAL MUSIC FESTIVAL/COURSE
points of interest
Students applying as part of a chamber music group
only pay one inscription fee regardless of the number of
musicians. All students are advised to bring the scores
for works they wish to work upon individually (piano
parts included). Also they will be in charge of carrying
their own insurance.
All students can add a second instrument at a price
of 125 euros.
inscription
You can apply by post or online.
We only accept applications that include all of the
following information:
•F
ully completed application form (online register
optional).
• CV
• Photo
• Bank transfer receipt of application fee and 50
euros deposit for accommodation (if you choose
this option).
On receipt of the information we will send a confirmation email as acceptance to the course.
If you want to apply by mail, please send the information to this address:
INIGO ALONSO (Artistic Director FCIMV)
C/ SAN ANTONIO, 34-3º DCHA
01005 VITORIA (ALAVA), ESPAÑA
Contact Number: +34 656770446 / + 44 7950469773
In case of cancellation the application deposit will
not be refunded.
Account number:
IBAN ES70 0030 3400 7100 0046 5271
BIC-SWIFT ESPCESMMXXX
accommodation
The organisation offers to act as intermediary in
arranging lodgings in residences only within the duration of the course. The price will be 16,50 euros
per person per night in the “Hostel of the Cathedral”.
Those interested should send 50 euros of the cost of
their stay, together with their application fee.
The accommodation is intended primarily for active students and listeners. Those accompanying students should consult the organisation. Other options
are Hotel Dato and Apartahotel San Fermin.
location of the course
Conservatorio de Música “Jesús Guridi”
Plaza de la Constitución, 9
01009 Vitoria-Gasteiz (Álava)
www.vitoriamusic.com
]
7
CATALIN BUCATARU
violin
C
atalin made his solo debut at the age of ten
winning the First Prize at the Festival Cintarea Romaniei and at fourteen won the First
Prize at the Concurso del Festival Internacional
de Jóvenes Orquestas de Murcia.
In 1992 he became member of the Euskadi
Symphony Orchestra and in 1996 won the First
Prize at the Concurso Internacional de Música
de Cámara Ciudad de Manresa.
He has played at many important Spanish
Festivals such as Quincena Musical de San
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Sebastian, Ciclo de Música Contemporánea de
Málaga and Temporada de Música de Cámara
de Bilbao.
He has worked with different ensembles:
Cuarteto ïndigo, Cuarteto Cadem, Cuarteto
Gala, Quinteto Neofusión, Camerata Cambrensis and Kuraia.
Since 2001 he is violin teacher at the Basque
Conservatoire “MUSIKENE” San Sebastian and
he is regularly invited to give masterclasses all
across Spain.
NATHANIEL VALLOIS
violin
N
athaniel Vallois was born in Paris and later studied in Israel and in London. His
teachers included Miriam Solovieff, Yair Kless,
Itzhak Rashkovsky and Ruggiero Ricci, and
he has drawn much inspiration from his association with the great American violinist
Camilla Wicks. The recipient of many prizes
and awards, he has concertized extensively as
soloist and chamber musician, including many
concerto and recital appearances in London’s
main venues and across Britain. He has performed concertos by Bartók, Beethoven, Berg,
Brahms, Britten, Bruch, Dvorak, Glazunov,
Mendelssohn, Mozart, Shostakovich, Sibelius,
Tchaikovsky and Walton. He was a founder
member of the London Archduke Piano Trio and
performs with many chamber music groups.
He is the Senior Violin Teacher and Lecturer
at the Birmingham Conservatoire, and is on the
violin and chamber music staff at the Purcell
School of Music. As well as being regularly
invited to play and teach in music courses and
festivals in Britain, he has performed, broadcast and given masterclasses in the U.S.A,
France, Germany, Spain, Israel, Romania, Turkey, South Africa. In 2014 he gave a tour of
recitals and masterclasses in China, and performed and taught in Brazil.
Nathaniel’s recordings include a recital CD
of French music entitled Beau Soir and a CD
of chamber music by Hugh Wood on Toccata Classics, which was awarded 5 stars by the
BBC Music Magazine. He has a great interest
in historical artists and recordings, is a regular
contributor to The Strad magazine and consultant for record companies.
]
9
LEO DE NEVE
viola
L
eo de Neve began his studies (already at a
very young age) under the guidance of Kati
Sebestyen at the Royal Conservatory of Brussels
and later with Bruno Giuranna in Berlin and Ervin Schiffer in Tilburg.
For 16 years he was the 1st Principal Viola in
‘deFilharmonie’ in Antwerp and in ‘La MonnaieOpéra’ in Brussels.
As promotor of his instrument he is a constant source of inspiration for contemporary composers and premiered works by Celis, Henderickx
and Shegmans.
He is also a member of the ‘Spiegel String
Quartet’ www.spiegelstringquartet (in Residence - Royal Conservatory in Antwerp) and
the ‘Arpae Ensemble’ www.arpae.be (flute,
viola, harp). With these ensembles as well as
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soloist he performs regularly in Europe, Asia
and South Africa.
He has recorded many CDs with works by
Chausson, Lekeu, Schubert, Debussy, Bartok,
Schumann, Janacek, Jongen, Scarlatti… for
many labels: MDG, Naxos, Marco Polo, Phaedra, Megadisc, Vox Temporis, …
Because teaching is very important to him,
he gives masterclasses (Europe, Japan...) and
he is professor ‘viola’ and coordinator ‘lower
strings’ at the Royal Conservatory of Antwerp
(Artesis University), where he likes to give his
knowledge and experience as a soloist, chamber musician and orchestral musician at the
service of upcoming young musicians.
He is playing a beautiful italian D. Techler
(Rome 1702) viola.
JON THORNE
viola/string quartets
J
on Thorne studied at the London College of
Music with Maureen Smith and Penny Filer,
then at the Royal College of Music with Simon
Rowland-Jones and later with Mark Knight.
Upon leaving the RCM, Jon joined the Bournemouth Symphony Orchestra.
Jon left the BSO to form the Bronte String
Quartet. Prizewinners at both the Royal OverSeas League and the Cremona International
Quartet Competitions, the Bronte Quartet played at venues such as London’s Wigmore Hall,
Queen Elizabeth Hall and Purcell Room, and
many festivals throughout the UK and abroad.
Jon joined the Badke Quartet in 2009 and
has played with them at venues throughout the
UK and abroad including the Wigmore Hall (live
on BBC R3), Kings Place, the Aix, Montreux,
Ljubljana and Mecklenburg Festivals and the
Concertgebouw. They have also broadcast on
BBC R3, Classic Fm and on French National
Radio and TV. Forthcoming engagements include a return to the Concertgebouw, Esterhazy
Court Theatre and a tour of the USA.
In addition to his work with the Badke Quartet, Jon has played with many of the major
orchestras in the UK and currently holds the
position of Principal Viola with the Oxford Philomusica. He has also been guest principal with
The Philharmonia, The London Philharmonic
Orchestra, English Chamber Orchestra and
Bournemouth Symphony Orchestra.
Jon has appeared on numerous film releases, from Batman to Almodovar. Jon also performs on many pop albums, from Amy Winehouse to Primal Scream. He recently appeared
as a Soloist on the Naxos release of the Puccini
Requiem and Malpiero De Profundis with the
Vassari Singers.
Jon is a strong believer in music education
and is a Viola & Chamber Music Professor at
the Royal Academy of Music, London. Previously he taught viola at the Royal College of
Music, the Royal Welsh College of Music and
Drama and the Royal Holloway University. He
is viola and chamber music coach for various
courses and has given masterclasses at festivals across the UK and Europe. He is also a
trustee of Vacation Chamber Orchestras.
Jon is a Juror for the European Music Festival for Young People in Neerpelt, Belgium and
has been Juror for The Royal Overseas League
Chamber Music Competition, North London Music Festival Viola Competition, Trinity College
of Music’s John Barbirolli Quartet Competition,
the Somerset Young Musician or the Year, Ripon Young Musician of the Year, Hurstpierpoint
College and Tiffin School.
Jon plays a fine viola by Giovani Grancino
1692.
]
11
NABÍ CABESTANY
cello/chamber music
N
abi Cabestany is active in many facets
and styles, his work focuses on chamber
music performances which has led him to give
concerts throughout Europe, Japan and United
States with musicians such as James Campbell
or Christian Zacharias. Some of his concerts
have been radio and television broadcasted.
His recordings are with ensembles ranging
from duo with piano to solo performance with
orchestra. He has given several recitals of solo
cello, which extends the dedication to contemporary music. As a soloist he has premiered
works by Joaquim Homs, Xavier Benguerel,
Benet Casablancas, Xavier Pagès, Voro Garcia.
He has recorded a number of CDs of Spanish
composers.
Born in Barcelona, he began his music training at the Montserrat Boys Choir. At the University of Arts in Berlin he graduated as student
of Prof. Wolfgang Boettcher following a Postgraduate Education and Interpretation degree
at the Royal Academy of Music in London. He
earned the prestigious Artist Diploma from Indiana University where he studied with Janos
Starker with a grant from “la Caixa” foundation.
He received Honor Prize at the Maria Canals
International Competition in Barcelona.
Founding member of the “Barcelona Barroc”,
an early music ensemble which performs with
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various combinations, he developed his passion
for music and it led him to perform baroque
cello at festivals in the United States, Portugal,
France, Spain, Holland and Costa Rica.
As an orchestral musician he has collaborated with the Symphony Orchestra of the
Bavarian Radio (Munich) served as assistant
principal of the Gustav Mahler Jugendorchester,
Youth Orchestra of the European Union (EUYO)
and the Pacific Music Festival, performing under the baton of Riccardo Muti, Lorin Maazel,
Vladimir Ashkenazy and Claudio Abbado among
others. He collaborated as soloist and principal with the Symphony Orchestra of the Balearics, the Symphony Orchestra of Castilla y
Leon, Ciudad de Granada Orchestra, Valencia
Community Orchestra, Orquestra de Cadaqués
and the Orchestre de Chambre de Toulouse.
He is currently on leave from the Barcelona
Symphony where he has been member for 12
years as a soloist and as assistant soloist.
Nabí has an intense educational activity, particularly in the training of young cellists. He
has been teacher at the International Music
Course and Festival in Cervera and he is also
member of the School of Music of CataloniaBarcelona and the Institut Supérieur des Arts
de Toulouse.
ALEXANDER BAILLEI
cello
A
lexander Baillie is internationally recognised
as one of the finest cellists of his generation. He began playing the cello at the comparatively late age of twelve having been directly
inspired by the late Jacqueline du Pré. He went
on to study at London’s Royal College of Music
and with André Navarra in Vienna.
He has appeared with many British orchestras and has worked with Sir Simon Rattle, Sir
John Eliot Gardiner and has appeared regularly
as cello soloist in concertos, recitals and festivals throughout the world. He has given notable first performances of works by Penderecki,
Hans Werner Henze, Takemitsu, Colin Matthew
and H.K.Gruber. Recordings include the Tippett
Triple Concerto with the composer conducting
and the Shostakovich First Concerto with Benjamin Zander and the Boston Philharmonic.
His version of the Britten Cello Suites achieved the highest acclaim in the New York press.
He features in the film “Dvorak...who?” about
the motivation for young people falling in love
with classical music. Together with pianist partner James Lisney he has been promoting the
Beethoven Project in England and Germany.
He is Professor of Cello at the Hochschule
für Künste, Bremen and founder member of
“Gathering of the Clans” Cello School.
]
13
HARRI MÄKI
clarinet
H
arri Mäki began studying the clarinet with
Kari Kriikku. He graduated from Conservatoire de Musique de Geneve with the Premiere
Prix from the class of Thomas Friedli. He has
also studied privately with Osmo Vänskä, Antony Pay, John McCaw and Charles Neidich.
He is the solo clarinetist and a founding
member of the Tapiola Sinfonietta (established
in 1988). He is also the Lecturer on Clarinet at
the Sibelius Academy and the Artistic Director
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]
of Crusell Festival in Uusikaupunki.
He teaches clarinet master classes and
chamber music both in Europe and NorthAmerica. Mäki has performed frequently as a
soloist and a chamber musician in most European countries, South America, Far-East and
USA. Harri Mäki’s performances as a soloist and
chamber musician can also be heard on the BIS
and Ondine labels.
MILAN RERICHA
clarinet
I
nternationally respected clarinet virtuoso
and teacher MILAN RERICHA performs as
a soloist and teaches master classes around
the world.
In May 2013 he was chosen among the
final four candidates for the prestigious post
of Professor of Clarinet classes at the Vienna
Conservatory.
As a soloist he collaborates with leading orchestras such as Porto Alegre Symphonic Orchestra OSPA, Solistes Europeens Luxembourg,
Bucharest Philharmonic Orchestra, Prague Philharmonia, Brixia Symphonic Orchestra, Tokyo
Chamber Orchestra, ...
Milan Rericha has performed in major concert halls in the USA (New York - Carnegie Hal,
San Francisco - Symphony Hall, Chicago - Symphony Hall), Japan ( Tokyo - Suntory Hall), etc.
In Europe he performed at prestigious music
festivals like Festwochen Luzern, Salzburger
Festwochen, Wiener Festwochen, Schleswig Holstein Festival, Prague Spring, Menuhin Music Festival, City of London Music Festival, BBC
Music Festival,...
As a teacher, Milan Rericha worked in many
countries around the world. He has led master
classes at music academies in Argentina (Buenos Aires, Mendoza) , Brazil (Porto Alegre, Sao
Paulo), Colombia (Bogota ), Japan (Tokyo, Kyoto, Saporo), China ( Beijing ), USA ( Chicago,
Boston, San Francisco), Italy (Rimini, Porlezza,
Milano), Slovenia (Krško) and Spain (Musica
de Salceda). He taught clarinet master class in
Dresden (Musikhochschule C.M.Weber), Enschede and Amsterdam, JAMU in Brno Conservatory,
in Prague Conservatory and Conservatory in Teplice.
Since 2004 he recorded exclusively for the
Swiss publishing company MARCOPHON - EMR.
In 2002 he became a professor at the prestigious Academy of Music in Lugano, Switzerland.
In 2011 Gonzalez Reeds has selected Milan
as their main artist. Since 2012, he is the ambassador of the Czech company RZ, which is
a manufacturer of woodwind instruments and
playing the clarinet master RZ.
Since 2013 he is the artistic director of the
Association CCA - Czech Clarinet Art, which is
also the organizer of the International Clarinet
Competition.
]
15
ALBERT NIETO
piano
A
lbert Nieto holds a doctorate of the University of Valencia with his research about
Francisco Llácer Plá. Su obra pianística: Un
piano sugerente.
His piano career, especially dedicated to Spanish and contemporary music, has made him
obtain the recognition of the public and critics.
On the research side he has also addressed this
repertoire, and proof of this is the recent publication of his critical edition of Isaac Albéniz’s
Iberia, which has been accompanied by the
recording of some of his pieces and has been
highly praised by critics.
Albert has performed with orchestras such
as the Symphonic of Barcelona, Balearic Islands, Bilbao, Vallés, Belgrade, Antwerp; and
with musicians such as Joan Enric Lluna, Jaime
Martin, François Monciero and Asier Polo, Santiago Juan and Victor Parra. He is a founding
member of Trio Gerhard.
He has performed at festivals such as the
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Quincena Musical of San Sebastian, Santander, Granada, Peralada, Bordeaux, Fundación
Juan March and Musée Marmottan Monet in
Paris and has premiered over seventy works
by Spanish composers.
Albert Nieto is regularly invited to give
courses by other Music Academies and centers for teacher training. He currently is
professor at the Conservatorio Superior de
Música de Castilla-La Mancha.
He regularly writes articles for magazines
and is author of the books La digitación pianística (Piano fingering), Contenidos de la
técnica pianística (Piano techniques), El pedal
de resonancia: el alma del piano (The sustain
pedal: the soul of the piano), and La clase
colectiva de piano (The piano group class).
Forthcoming is the book “La gestualidad expresiva del pianista: el espíritu del directo”
(The gestures of the pianist: the spirit of live
performance).
CHARLES WIFFEN
piano/chamber music
C
harles Wiffen is Head of the Department
of Music and Associate Dean of Music and
Performing Arts at Bath Spa University and
previously lectured at the Royal College of Music where he was Grove Research Fellow from
1998 to 2004. He has also taught at Trinity
College of Music in London, and regularly performs and gives masterclasses at Dartington
International Summer School and at Festival/
Curso Internacional de Musica Vitoria-Gasteiz
in Spain.
Born in London, Charles has performed as
a pianist extensively throughout the UK, as
well as further afield in France, Spain, Italy,
Belgium, Germany, the USA, Israel, China,
Taiwan, Japan and Africa. He has given recitals
in London’s Wigmore Hall and Purcell Room,
and in Manchester’s Bridgewater Hall, and his
festival appearances have included the Arundel,
Brighton, Bath, BBC Proms, Buckingham, Chelsea and Warwick Festivals. He has also performed in the Park Lane Group series in London
and was selected by the late Isaac Stern to
perform in ‘Jerusalem Encounters’. Charles has
broadcast for BBC Radio 3 and Classic FM and
has recorded several CDs for labels including
Toccata Classics. He is a member of the London
Archduke Trio and Contemporary Consort.
Charles studied at the University of the Witwatersrand in Johannesburg, and at the Royal
College of Music in London. His teachers included Maria Curcio and Yonty Solomon and he
has had lessons and masterclasses from Emanuel Ax and Yefim Bronfman. He also played
in chamber music classes for Isaac Stern and
Yo-Yo Ma. Awards include the Oude Meester
Music Prize, the Jim Joel Prize and the Marjorie
and Arnold Ziff Memorial Prize.
]
17
LORENA GARCÍA
vocal
L
orena Garcia was born in Vitoria-Gasteiz
and studied at the Conservatorio Superior
de Musica “Jesus Guridi” with Amaia Añua
and Isabel Alvarez. From an early age she
was recognised as a great voice singing as a
soloist in Escolanía Udaberria and Coro Psallite. She continued her studies in Barcelona
at the Conservatorio Superior del Liceo with
Carmen Bustamante and Manel Cabero graduating with the highest marks. Furthermore
she received lessons from Begoña Alberdi, focussing on Lied and Opera.
She was introduced to the world of early
music by counter tenor Carlos Mena which led
her to study in Salamanca, El Escorial, Daroca
(Zaragoza), Granada and Sant Feliu de Guíxols
(Girona), with teachers such as Marta Almajano, Maria Cristina Kiehr, Jennifer Smith, Jose
Antonio Carril, Cristina Miatello, Jordi Savall,
Montserrat Figueras and Adriana Fernández.
These studies culminated in a degree in historic
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]
voice by ESMUC (Cataluña Music School).
In 1997 she made her debut with Capilla
Peñaflorida and the Euskadi Symphony Orchestra in Bach’s “St John’s Passion” at the
Victoria Eugenia Theatre. She has sung as a
soloist internationally and has been working
with conductors such as Juanjo Mena, Enrique
García Asensio, Jordi Savall, Óscar Gershenson
and Gabriel Garrido.
She has performed and recorded with La Capilla Real de Madrid, La Capilla Real de Catalunya, Speculum, Ensemble Scandicus, Il Nobil
Diletto, Les Alysés and Ensemble Elyma.
She currently teaches Music Education, Physic-Corporal Therapeutics, Cos-art for musicians
and singers at the Tortosa Music Conservatoire
and at Vilanova i la Geltrú Conservatoire (Barcelona). She is also conducting research about
“The problems singers face with Historic interpretations”.
MARÍA ÁNGEL GARCÍA
accompanist FCIMV
M
aría Ángel García was born in Yecla
(Murcia). She has already achieved an
impressive artistic career: She has won first
prizes in well renowned national and international piano competitions.
She has performed to critical acclaim in
numerous concerts and solo recitals in Spain,
Portugal, England, Germany, Austria and the
United States. She performs regularly for prestigious Festivals and Workshops in Spain and
England.
Maria Angel lives in Bath, U.K and combines
her concert career with teaching.
Since 2007 she teaches piano at Bath Spa
University and also accompanies at many Festivals, Masterclasses, Competitions and Choirs.
]
19
FCIMV
www.vitoriamusic.es
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vitoria-gasteiz
NAZIOARTEKO MUSIKAKO IKASTAROA CURSO INTERNACIONAL DE MUSICA
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