Miky Fabrega Reinaldo Sanguino Timothy Berg

Miky Fabrega
Reinaldo Sanguino
Timothy Berg
These series of works are focused on myself and how my insides shattered as I went
I’m interested in ideas of individuality and desire, and how social class, gender, politics and
Things disappear.
through a very difficult human separation…as my world explodes I feel a remarkable
religion have influenced my understanding of those ideas. In my most recent work I’m playing
Sometimes things disappear as the result of an accident.
human energy and this brings life to its fullest. The use of abstract forms is new for
with blurring social classes and at the same time acknowledging the influence of minorities
Sometimes neglect causes things to disappear.
me…as I depart from my former being I engage in a new voyage of reconstruction.
and lowbrow art forms in our contemporary culture.
Sometimes things are intentionally made to disappear.
Fragmented worlds (the rings of Saturn) is the recording of human emotions as they
Reinaldo Sanguino is a 2007 nominee for the prestigious Louis Comfort Tiffany Biennial Award
pass through the subject, it’s a documentation of pain and hope.
and is one of the artists participating in the El Museo del Barrio 5th edition 2007 Biennial The
Miky Fabrega lives and works in Panama City, Panama. Fabrega’s work is
(S) Files in New York City. His work is included in numerous major private collections as well
included in the current Central American Biennial (El Salvador), Cuenca Biennial
as the permanent collections of the Museum of Fine Arts Houston, TX, the MINT Museum,
(Ecuador), Valencia Biennial (Venezuela) and the Museum of Contemporary
Charlotte, NC, the Minneapolis Institute of Arts, Minneapolis, MN.
One’s understanding of disappearance is the result of a specific perspective.
In reality most things do not disappear they simply transform. When they are
transformed beyond recognition they are said to have disappeared.
My recent work revolves around notions of cultural consumption. I intend to
create a tension between what is fun and what is grave in order to pose
Art (Costa Rica). He’s been awarded top honors in the Emerging Artists Award
fundamental questions about the consequences of over-consuming. I employ
Triennial of Central America (Costa Rica) and selected as an emerging artist grant
humor and metaphor to simultaneously disarm the viewer and challenge them to
nominee at the Cisneros Fontanalis Foundation (Venezuela/US).
evaluate the larger implications of our culture’s habit for making things disappear.
Black Holes & Revelations series
1.Pulsar, 2007 87 x 75 inches, acrylic on canvas
1.Squirrel away, 2005, 16 x 36 x 20 x 16 inches, ceramic, mixed media
2.Casiopea, diptych, 2007, 35 x 54 inches each, acrylic on canvas
1.Stage for One – Long Tail Star, triptych, 2007, 30 x 30 inches each,lambda print, plexiglas, edition 5
2.Enjoy it...while it lasts, 2007, 42 x 94 inches (4 piece installation), wood, mixed media
3.Titania, 2007, 22 x 19 inches, acrylic on canvas
2.Honoring A Queen, 2007, 45 x 70 inches, lambda print, plexiglas, edition 5
3.Apples taste sweetest when they’re going, 2006, 24 x 24 x 11 inches, ceramic, mixed media
Barbara Weissberger
K r i s Ta m b u r e l l o
Federico Lombardo
Since 2005 DEAN PROJECT has exhibited work by contemporary artists
Barbara Weissberger is currently working on a series of watercolor
Kris Tamburello’s photographs explore how our choices trigger
“Why portraits? They’re not portraits, in fact the real reference is missing, they’re
working in all mediums. Our mission is to further the development of
drawings based on collages that juxtapose images from muscle magazines
unexpected changes of thoughts, events and ultimately direction.
imaginary faces. The face is what interests me, from a separate point of view that’s
artworks addressing social issues that reflect our culture. DEAN PROJECT
and her own photographs of hamburgers, beef, 1970’s crocheted blankets,
“Our entire life is an ongoing choice for which we are responsible.
what becomes abstract and symbolic.”
is committed to promoting the work of our artists as well as providing a
butterflies, flowers, heaps of tires, cars, mushrooms and other vivid imagery.
Each successive event creates new possibilities exponentially.”
Federico Lombardo lives and works in Naples Italy. Lombardo is the recipient of
Exploring the continuum between the natural world and the artifacts of
He’s interested in the idea of capturing and transferring light, which
numerous prestigious awards and honors, including the 2nd Contemporary European
cultural production, unlikely combinations create a dizzying, cobbled-to-
doesn’t have a physical dimension, and representing it as a
Painting Award by the Frissiras Museum, Athens Greece and is included in the Italian
gether, super-sized world. Her work is exhibited widely including recent solo
three-dimensional image using a two-dimensional surface.
Factory exhibition at the 50th Venice Biennial.
exhibitions at Capsule Gallery, NYC, and the Pittsburgh Center for the Arts.
Tamburello’s photos transform mundane situations into rich and
Group exhibitions include the traveling exhibition “Figures of Thinking,” the
intriguing images of limitless possibilities.
bridge between artists, curators, collectors and institutions.
Mattress Factory Museum, Pittsburgh, and in New York, White Columns,
PS1, DUMBO Art Center and Schroeder Romero. She is the recipient of a
Guggenheim Fellowship for 2007. Upcoming is a solo exhibition at Hallwalls
Contemporary Art Center, Buffalo, NY, Spring 2008.
1.Untitled 1, 2007, watercolor on paper, 16 x 23 inches
1.#982, 2007, 25 x 25 inches, watercolor on paper
Cover: Timothy Berg, Tip of the Iceberg, 2007, 37 x 14 x 12 inches, ceramic, wood.
2.#981, 2007, 25 x 25 inches, watercolor on paper
Inside cover: Reinaldo Sanguino, Tiffany’s LE, Gods & Designers series, 2007,
3.#980, Avalanche, watercolor on paper, 25 X 25 inches, 2007
1.Light Stripes, triptych, 2007, 24 x 20 inches each, lambda print, plexiglas, edition 6
3.Untitled 3, 2006, watercolor on paper, 16 x 23 inches
4.#977, Good Year, 2007, 25 x 25 inches, watercolor on paper
2.Free Fall Flow, 2007, 30 x 24 inches, endura metallic print, black, museum box, edition 8
4.Untitled 3, 20067 watercolor on paper, 22 x 35 inches
18 x 18 x 20 inches, original ceramic, cardboard, plexiglas
2.Untitled 2, 2006, watercolor on paper, 16 x 23 inches