The International Magazine of Decorative Finishing and Fine Art
Transcription
The International Magazine of Decorative Finishing and Fine Art
Faux EffectsWorld A Faux Effects International, Inc. Publication Volume XI The International Magazine of Decorative Finishing and Fine Art $6.95 U.S. $7.95 CA ® SBright Sl arqW artist gallery S Maggie Oberc W Maggie Oberc, a native of a 13th Century city, Krosno (Poland), was exposed to great architecture and art through childhood. She found renovated and preserved sites of the late medieval and early renaissance buildings in her city mesmerizing, especially when she gained access to their attics full of “treasures” waiting to be given new form and purpose. At the age of eight Maggie painted her first mural of “Care Bears” on her bedroom wall long before learning that mural art is actually a profession, as if she anticipated her own future. Over the years her bedroom walls and furniture served as canvases, changing colors and styles every season. During Maggie’s years at art school, she mastered designing furniture, sculpture, décor and fashion accessories. One of her most original works of that period was the creation of a five-foot tall leather human size sculpture. Despite her art professors' discouragement to create this highly technically challenging sculpture, the project turned out to be a great success with many awards given for her innovation. The experience of producing something challenging revealed to Maggie that not only working with unusual media can be fun and creative, but also that no media can limit one's unsurpassable creativity. And decorative painting indulges both. In her earlier years in America, Maggie focused on designing and illustrating books and fine art. A passion for decorative finishing awoke when she painted the murals of a Mexican restaurant in New Jersey. Her creative strength was entrusted with its interior design, and soon after she began two other restaurant projects. Maggie found multitasking projects of designing and decorative painting challenging, and yet she needed improvement. In a search for a good faux finish school to help master decorative techniques, Maggie traveled to Dallas, TX where her relationship with Faux Effects International began, and later took courses at the Studio in Vero Beach, FL, which improved her methods even more. Presently, she continues her work on decorative and faux finishing projects and is thankful for all the knowledge afforded by the Faux Effects® organization. For more information, contact Maggie Oberc 609.214.2494 [email protected] 80 Volume XI