National Small Works 2015 - Washington Printmakers Gallery
Transcription
National Small Works 2015 - Washington Printmakers Gallery
Washington Printmakers National Small Works 2015 5 August—30 August, 2015 Juror, Greg Jecmen Associate Curator of Old Master Prints and Drawings National Gallery of Art First Prize | Larinda Meade | Morning Walk | Softground, aquatint, drypoint Second Prize | Amy Bucholtz | The Great Awakening | Drypoint National Small Works 2015 The Washington Printmakers Gallery is pleased to present 35 outstanding prints by artists from across the United States in its National Small Works 2015. This annual juried exhibition of the Washington Printmakers Gallery, now in its eighteenth year, has attracted an exciting range of entries in both traditional and experimental printmaking, and has permitted us to collaborate with many well-known curators from some of the most prestigious museums and galleries in the region. Our list of past jurors includes Helen Frederick, founder and former Director of Pyramid Atlantic Art Center; Krystyna Wassermann, Curator of Book Arts at the National Museum of Women in the Arts; Linda C. Simmons, Curator Emerita of the Corcoran Gallery of Art; Eric Denker, Senior Lecturer, Education Division, the National Gallery of Art; Jane Farmer, independent curator; Stephen Phillips, Assistant Curator of The Phillips Collection; Joann Moser, Senior Curator of Graphic Art at the Smithsonian American Art Museum; Katherine L. Blood, Curator of Prints and Drawing at the Library of Congress; and Ann Shafer, Assistant Curator for Prints, Drawings and Photographs at the Baltimore Museum of Art. Our curator for this 18th Exhibition is Greg Jecmen of the National Gallery of Art in Washington, DC. Mr. Jecmen has selected the following artists and works for awards: First Prize to Larinda Meade, Morning Walk Second Prize to Amy Buchholz, The Great Awakening Third Prize to Theresa Martin, Tim Clary Fourth Prize to Donald Furst, 309 Elm Street Honorable Mention to David Avery, The Coming of the Cocklicranes No. 1 (Spring) Honorable Mention to Dirk Hagner, Willows at Friedrichstadt Honorable Mention to Alex Keto, Fan Dance and Liquid Night Honorable Mentionto John Semple, Switchhouse WRJ Honorable Mention to William Waitzman, August Lake and Silver Sky The Washington Printmakers Gallery thanks Mr. Jecmen for his contribution to this remarkable exhibit, and congratulates the artists selected. For providing the awards to the artists in this exhibition, we also thank the Washington Print Foundation and these companies, whose products have served artists nationwide for many years: Speedball Plaza Artist Materials & Picture Framing Renaissance Graphic Arts Juror’s Statement When I initially was asked by the Washington Printmakers Gallery to be juror for their 2007 National Small Works exhibition, I expressed some doubt, for what did a curator who specialized in prints executed prior to 1900 know of contemporary printmaking? But I do know what makes a good print, whatever its date, and I went on to have a most enjoyable experience. Thus, when asked again, I quickly accepted the invitation to jury the present show. This year there were a total of 177 submissions by 43 artists, out of which 35 works by 29 artists were chosen for this exhibition. The majority of works submitted were done by traditional printmaking techniques—relief, intaglio, lithograph, monotype and screenprint—with a number of digital prints and photographs. While some of the prints submitted were abstract, the majority were of time-honored subjects: the human figure, portraiture, landscape, and still-life. All of the artists selected here reveal a profound dedication to the craft of printmaking. They are especially committed to experimenting with their chosen medium, and take great care in the making and inking of the matrix, choosing papers, and the final hand pulling or printing. Larinda Meade skillfully and sensitively combines softground, aquatint and drypoint to create a stirring landscape in Morning Walk. Amy Buchholz’s The Great Awakening displays an incredibly delicate mastery of the drypoint technique. Theresa Martin provides an arresting portrait, much in the spirit of German Expressionism, in her three-color reduction linoprint of Tim Clary. Donald Furst creates an evocative scene of a simple subject in 309 Elm Street, a lithograph in which he adeptly worked by scraping ink from the stone. An honorable mention goes to David Avery, Dirk Hagner, Alex Keto, John Semple, and William Waitzman. I would like to end by thanking Washington Printmakers Gallery member Peggy Parker for inviting me to judge the 18th annual National Small Works show. I also would like to thank the Gallery’s director, Brian VanFleet, for answering practical questions and helping me through some technical difficulties in the vetting process. I want to heartily applaud the Gallery’s inception of this important annual, nationwide competition, one of the many ways in which it fosters and celebrates the original, artist-made print. Finally, I want to congratulate WPG on its 30th anniversary—may the WPG happily celebrate more anniversaries to come! Gregory Jecmen 2015 NSW Artists Geoffrey Agrons California In Your Bedroom Later Archival pigment print from original digital photo 12” x 8” $500 * David Avery Honorable Mention California The Coming of the Cocklicranes No. 1 (Spring) Etching 5.88” x 5.25” The Coming of the Cocklicranes No. 2 (Summer) Etching 6.25” x 5.13” $470 each Richard John Barnes Maryland Who Decides Archival inkjet print 12” x 9” $250 Joan Dix Blair Massachusetts Shale Series, Arrowhead #2 Sugar lift aquatint 5” x 5” $500 * Amy Buchholz 2nd Place Winner New York The Great Awakening Drypoint 9” x 6” $450 Ann Chernow Connecticut Rendezvous in Black Stone lithograph 14” x 11” $500 * Donald Furst 4th Prize Winner North Carolina 309 Elm Street Stone lithograph 7.5” x 10” $300 Jennifer Gover Massachusetts Mach 1 Etching 2.88” x 4” $300 * Dirk Hagner Honorable Mention California Willows at Friedrichstadt Etching, relief, letterpress Poem by Rainer Maria Rilke 5” x 9.5” $650 Ann Johnston-Schuster Washington State Shadow of the Turning Subtractive woodcut 10.75” x 16” $750 * Alex Keto Honorable Mention Maryland Fan Dance Digital photograph Liquid Night Digital photograph 8” x 12” $300 each Kathryn Lesh Washington State Alita #1 (1 in triptych) Alita #2 (2 in triptych) Alita #3 (3 in triptych) Monotype 10” x 8” each $3600, sold as triptych only * Theresa Martin 3rd Prize Winner Kansas Tim Clary Reduction linocut 8” x 6” $220 Kathy McGhee Ohio Aerie Screen print with intaglio chine collé 13” x 9” Jean-Pierre Plé Washington, DC Ridgeline Digital photograph 12” x 12” $180 Omen Screen print 9” x 13” $550 each James Reinke Wisconsin Oak Wetland Linocut 7” x 5” $220 * Larinda Meade 1st Prize Winner Maine Morning Walk Softground, aquatint, drypoint 9” x 9” $175 Craig Morgan Washington, DC River in Winter Etching 12” x 11.75” $380 Bruce Muirhead New York Dark Mirror Intaglio 12” x 12” $500 Varsha Patel California Dawn Multiplate etching and aquatint 6” x 9” $200 William Salzillo New York Trapeze Etching, aquatint 12” x 12” $450 Lois Sellers Pennsylvania Oak Bluffs afternoon Gum dichromate print 14” x 18” $450 * John Semple Honorable Mention Vermont Switchhouse WRJ Etching 9” x 6” $600 Emily Shepardson Virginia Dreamed Fish Swam Through the House and Ate All the Bread Monoprint 11.25” x 9.5” $450 * William Waitzman Honorable Mention New York August Lake Screen print Silver Sky Screen print 13” x 10” $575 each Richard Paul Weiblinger Maryland Pier with Fog 2739 Digital photograph 8” x 10” $200 Sandra Chen Weinstein California Chinese Willows Giclee print 11” x 14.5” $650 Angela Franks Wells North Carolina Garden Onion Copperplate photogravure 6” x 6” $300 Linda Yoshizawa California Fall’s Hidden Shadows Solarplate etching 7” x 4” $200 Third Prize | Theresa Martin | Tim Clary | Reduction linocut About the Juror Gregory Jecmen received a BA in art history from Manhattanville College (1983) and an MA in art history from the University of Chicago (1984). He pursued doctoral studies at the University of Maryland. After internships at the Metropolitan Museum of Art, New York; the Cleveland Museum of Art; and the National Gallery of Art, Washington, DC, Jecmen was hired as a curatorial assistant for the print and drawing department at the NGA. In 1988 he assumed his current position. Fourth Prize | Donald Furst | 309 Elm Street | Stone lithograph WPG Washington Printmakers Gallery 641 Wisconsin Avenue NW Washington, DC 20007 202.669.1497 Artists’ Reception and Announcement of Winners Sunday, August 9, 3:00-5:00 This exhibition is presented by the Washington Print Foundation, a nonprofit organization established by the Washington Printmakers Gallery in 2005 to foster the creation and appreciation of original fine art prints and photographs.