Making an impression along the Seine
Transcription
Making an impression along the Seine
N A G N I K A M ESSION R P IM G N O L A E N I E S E H T MANDY R O N M O R F NCE A R F E D E L TO Î 4 N A G N I K MA ESSION R P IM G N O AL EINE S E TH NDY A M R O N M FRO ANCE R F E D E L Î TO 6 12 18 24 30 34 40 MAP YOUR e Your Impr VISIT ssionist tr RESS PARIS, IMP ip IONIST CA PITAL Paris T THE GA SIONISM A TES OF PA RIS u, ntaineblea o F , u to a h C Bougival, Yerres Barbizon, ur-Loing, s te r o M Roi, Marly-Le- IMPRES AUVERS-SU Auvers-su R-OIS OOTSTEP E, IN THE F r-Oise GIVERNY, ART OF IM AT THE HE Giverny, V ernon INE ROUEN, SE VALLEY: TH E S OF VAN G PRESSIONIS M OF THE IM COUNTRY Rouen IMPRESSIV Cherbourg E NORMAN ppe, Hon , Caen, Die NIS IMPRESSIO Exhibition DY T CALENDA s and festi vals R fleur, Le H OGH avre PRESSIONIS TS Dieppe Fécamp np Informatio ppe p .3 6 ée de Die s u -m u a Châte .3 6 n panels p Informatio anels p .3 6 atte Île de la J p .1 6 Étretat Informa ls p .3 6 tion pane e Le Havr lr Musée Ma Musée Eu gène Bou Rouen ision p .2 0 PariscityV ns p .2 6 and garde e s u o h s p .2 7 Monet’ ionnismes s s re p im s y p .2 8 Musée de ôtel Baud Former H ail p .2 8 Culture tr rave p .2 8 Monet’s g din p .3 8 Cher Caen & bourg n p .3 7 rts de Cae -A x u a e B s Musée de ry p .3 7 omas Hen Musée Th Musée de Vernon p .2 onet p .8 ision p .2 0 PariscityV pluie p .2 0 ous 1 para s s e u ro 4 1 avoux p .2 Auberge R p .2 1 l’Absinthe Musée de p .2 1 Dr Gachet House of .2 2 ’s grave p Van Gogh .2 2 ’Auvers p Château d 3 ubigny p .2 Musée Da p .2 3 nist walk Impressio tudio p .2 3 use-cum-s o h ’s y n ig Daub Maison Fo urn ée de la aise | Mus & Chatou Musée de l’Orangeri e p .8 Paris -Oise r u s s r e Au v 9 ier p .1 1 rsay p .9 Musée d’O ous 4 roues s ie p .1 1 1 paraplu Grenouillè re p .1 7 C ro i s s y Paris 96 75 68 0 136 11 es 70 Impressio 62 in km Le Havre 67 5 105 191 17 5 2 1 136 2 90 206 13 6 3 2 217 8 252 210 18 2 250 352 29 3 8 3 7 409 356 34 Paris urg 33 34 e-Roi Marly-gl ival & Bou alk p.17 Rouen Le Havre 42 Giverny R ouen 52 Auvers-sur-Oise Giverny Oise 28 Yerres -surAuvers 73 Barbizon Yerres 60 Chatou n Barbizo Dist anc Vernon Giver ny rmottan M Opéra Garn 17 Chatou Cherbo Musée Ma l p .3 2 e cathedra m a -D e tr No rts p .3 3 s Beaux-A Musée de Seine aux p .3 9 r Honfleu re Montmart Musée de rdens Renoir ga p .1 0 nist walk Impressio nist w Se C family h aillebotte t aine n o F & zon ROUTE MAP ome p .1 6 ine ur-Loing s t e r o M ps” p .1 4 p .1 4 Barbizon e d s e tr in 5 tal des pe Millet p .1 partemen -François n a e J f Musée dé o uit p .1 5 m-studio inters circ a p House-cu n o iz Barb Barbi 4 Yerres “In Sisley bleau 5 ’s footste , S I R PA S S E R P IM T S I N IO L A T I P A C PARIS Claude Monet (1840-1926), La rue Montorgueil © musée d’Orsay, RMN Grand Palais, Patrice Schmidt FIRST IMPR ESSIONS city apital, the c e th to to move f the Le Havre lamation o c ft o r le p t e e n th o laude M ollowing autify In 1859 C orks to be g Paris”. F w in n c li fe b a u e p d aron d to as “ normous ction of B ordered e he referre e I ir II d n o e le th o al under pire, Nap f the capit Second Em o n o ti a it ve the san and impro to n. t change a e Haussman r g t h g oing brou ries, ts, brasse as underg r w e c n is r o a c P and café formation ens and ts: cafés n e The trans id s ublic gard e r p , s s it k f r o a p s habit eatres, r. These the living houses, th in numbe a r d e e p s o a e , r s c ircuse , all in ecoming dances, c er things etched, b k th s o d g n n a o d m ks, a ts visite race trac pressionis Im e th t es tha n life. were plac ew moder n e th f o s ved the chronicler d others lo n a e tt o b Today, ro, Caille w motifs. oir, Pissar e n n e f R o , s ty a n g ding net, De them ple Manet, Mo tings, inclu h offered ic in a h p w t , is fe n li s hectic ovide Impressio city and it f which pr o llection of o ll c a t t, s e e n g r ude Mo s the la orks by Cla Paris hold w f o r e b onal num ionists. e Impress an excepti th f o e m t of the ti an accoun 7 PLA H THE M C T A C O T CES OOD Good idea ! TAN MONE T ovement ssionist m re p Im e h th t. after whic ude Mone the work e ir m d ant” by Cla a v n le a il c et in le u n o o o s y , M t n a th orks by pressio w Im f “ o It is here c n ti o a ti blem s house collec d, the em e painter’ e largest th th s m a o h fr t was name e e com an Mon mily, they e Marmott exclusively artist’s fa 2 d e d ic a te d e The Musé th y b d m e 0 th 0 Italy a 2 e g u n q . Be asuri ormandy, the world space me apes of N a c s in d n d la te s n e e ed c ntre . Prese includ s. A hallow ollection in Giverny c ie il e L th f o , s s serie ster’s work mparable of works to the ma ollection by an inco c d t e rs w fi lebotte, o ll e nd, fo anet, Cail o has th M ls a t, m ro u and Holla o e C s d by e mu are signe sionism, th sterpieces of Impres a m r e th Morisot. O in. by Berthe nd Gaugu , Renoir a y le is S , o Pissarr RMOT MUSÉE MA 33 Monet 44 96 50 a rm o tt a n - Te l : 0 1 s ri Musée M a P 6 7501 is B o il ly , 2 r u e Lo u r .f n a o tt . w w w .m a rm t M o n d ay d ay ex ce p y er ev O p en 8 MUSÉE DE IE L’ORANGER e the Sistin museum is is th , n o s s Ma contains For André sionism. It s re p Im f s”, Chapel o “Nymphéa series of t s e rg t offered la e the ude Mon la C t a th iece tings a masterp eight pain te. These ta al S h c n fill two ov to the Fre nels. They a p 2 2 f o up enters are made light that in natural d lso e th a b u muse m a rooms roof. The d ze la g – e tion through th me collec er-Guillau lt a W e, e th u holds l Guilla m up by Pau t il u b s a which w iend of r and a fr le a e d rt a an d his wife nists – an io s s re p ted the Im ter comple er, who la lt a W day it is n o a T Je llection. o c e th d ie artists, and modif any other m g n o m of, a Picassos, composed enoirs, 12 R 5 2 , s e n 15 Cézann t collectio he larges (t s e ins. n ti u D 22 So d 29 era atisses an M 0 1 ), e in Europ e ri e , e l’ O ra n g is Musée d 7 5 0 0 1 Par e, rd ie .f r la co n co e- or an g er se u Pla ce d e .m w w w 7 0 0 4 77 8 , 1 M ay , Te l : 0 1 4 t Tu es d ay . d ay ex ce p y er ev D ec em b er O p en , an d 2 5 ly Ju 4 1 f in g o th e m o rn © Musée d’Orsay / Sophie Boegly © Musée Marmottan Monet © Musée de l’Orangerie KET DOUBLE TIC ÉE D’ORSAY US FOR THE M E L’ORANGERIE ED AND MUSÉ RSAY as sition, it w ersal Expo iv n U 48– 0 8 0 1 9 period r the 1 from the pecially fo s s d t il in u k b ll a n n o s of painti gs, train stati hold work ressionist to p 6 Im 8 A former t 9 s 1 te in grea a museum t, me of the ard Mane turned into g holds so in d il ire” u b ” by Édou e l a rb ic e p h l’ ty a balanço a r L u e” and “ jeuner s é tt 1914. This D le “ a d G n a la Monet. n de “Olympia” Rouen” by l au mouli e a d B “ le , including: s ra a d g é cath by De it étoilée” sseuses” t” and “La h’s “La nu Parlemen “Les Repa g o le G , s n a re v d cent , and “Lon um are Vin by Renoir the muse in s e c ie sterp ise”. Other ma ers-sur-O lise d’Auv g é L’ “ d n a 7 PA R IS eu r, 7 5 0 0 MUSÉE D’O n d ’H o n n e la Lé g io y , 1 r u e d a rs ’O o rs ay .f r d Musée w .m u se eb er . 2 5 D ec em 8 1 4 - w w 4 9 4 0 4 M ay an d 1 , ay d Te l : 0 1 n pt Mo y d ay ex ce O p en ev er 9 n t collectio permanen e th to s s Acce ibitions: orary exh and temp useums the two m to it is v a for €16. s p u rc h a se V a li d it y : e d a te o f s fr o m th th n o m e th re . IT GUIDED VIS E D’ORSAY SÉ TO THE MU WITH Y N R AND GIVE ION IS V PARISCITY to ided visit rny After a gu e for Give rsay, leav ’O d e e é s h u r the ous the M to discove h c a o c d in a luxury n that use ent garde ic if n g a m and Monet. to Claude to belong w w w .p a ri s c it y v is io n .c o m © ©musée de Montmartre / F. Reinhart © JP. De OPÉRA GAR ff ic e to u ri s t o v il la g e , re rt a tm a ri s Mon , 75018 P d u Te rt re 2 1 p la c e 1 2 62 21 2 Te l : 0 1 4 u id e. c o m -g re rt a tm m. w w w .m o n a m to 5 p p m ). y fr o m 1 0 a id Fr lo se d 1 -2 en (c Op m to 4 p m a 0 1 ys a d A ll o th er a rd e n R e n o ir g tm a rt re - e Mon Musée d 1 8 Pa ri s rt o t, 7 5 0 o C 1 2 ru e 7 9 25 89 3 Te l : 0 1 4 a rt re .f r tm n o ed em w w w .m u se y d a y. O p en ev er © D. Keller / Photo Event tive visit le interac b a d a lo n Dow d tablets. phones an ar for smart places de kes you to ta te u . ro h g e o Th Van G sarro and is P , ir o n to Re n panels informatio places New: five xplain the e s le u a S s artre. in Rue de h in Montm g o G n a V d by frequente RE MONTMART MUSÉE DE ENS RD RENOIR GA overlooks e museum th , s g in d il had ry bu ere Renoir 18th-centu . Here, wh 7th- and y 1 e f ll o a t V e e s ” ein tte d by a e of the S de la Gale Surrounde suggestiv au moulin w l ie a v B “ a abarets e d c n th a d of the painted o e ri e h a vineyard p t a n e th re Renoir’s e gold (it was he revives th spired by in m s u n e s e u his studio rd m a ree g ce Utrillo ), the son Mauri nded by th alançoire” u r b o e a h rr L u “ d s n d a is n a don museum in zanne Vala artre. The s opened where Su io d of Montm tu space wa s ’ tn rs e o it m is rt ff to good v a o p The a h is set 15 a new ic 0 h 2 w ly , re Ju paintings. art ited. In utte Montm also be vis el of the B d o lived can lm. m a n g o inin imati fi um, conta and an an m te s y s the muse g lightin a special effect by s SIONIST SP IN UES SOU WITH 4 RO S 1 PARAP LUIE ts pressionis s of the Im ri a P e th , ces u to joy the pla troduce yo way to en l driver to in a h u s it ters u w n u a g p n uti ers an ionist in A guided o s Impress cursion off u x o e m is fa h T e . ired th n 2 CV n an iPad. at so insp in a Citroe scapes th resented o y p it s c g d n n ti a in ts pa monumen e original them to th re a p m o c and to AN IMPRES s -1 p u e s -s o u w w w .4 ro 2 8 7 2 9 85 Te l : 0 1 5 10 CRT PI D F NIER 75 , since 18 the world d n u ro a a s stood t Famou house has ra e p o r xurious the Garnie s’s most lu ri a P f o e f on smann. the end o aron Haus B y b n w as id do Edgar Deg avenues la nd dance, a ic s u lo m . He ved A lover of the Opéra to r o it is v ular hearsals was a reg e wings, re th in n -o s the foyer. the going tivities in c a d n a e g on the sta © SI Montmartre NIST WALK IMPRESSIO TRE AR IN MONTM lagarde / a ra p lu ie .c o m 11 a rn ie r s O p é ra G 5 0 0 9 Pa ri l’ O p ér a , 7 Pla c e d e fr a d ep a ri s. to 5 p m w w w .o p er m 10am y d a y fr o rm a n c es n V is it s ev er o o p er fo o f a ft er n ys a d r . ex c ep t fo m to 1 p m fr o m 1 0 a en p o is y. w h en it and 1 Ma 1 Ja n u a ry C lo se d o n S S E R P IM M AT S I N IO S E T A G THE RIS A P F O EAU, L B E N I A T N U, FO O T A H C , L A UGIV RRES O E Y B , , G N N O I Z I O L B BAR -SUR T E R O M , I O R MARLY-LE- Caillebotte Gustave (1848-1894) Le Nageur (détail) © RMN-Grand Palais (musée d’Orsay) / Photo : Adrien Didierjean FIRST IMPR ESSIONS the iration to p s in f o ting at source as a gre ents in pain w m e v is o r r a p P tifs ailway, im the new m new mo on of the r e Whereas ti th c u d d e o r e tr the tivities off nists, the in ountry of leisure ac c Impressio f o e t th n e v in d a Seine, re t and the atmosphe ops of the lo d e equipmen e ll fi th n in fu s that the and. It wa Renoir’s e la Jatte d e close at h Îl e nouillère”, e th r n G o a d L “ n a s nists, . Monet’ midi à la Impressio as enjoyed he aprèsc w n g a n im ti d a o n and b urat’s “U of dances s”, and Se r e ti o n a period. C des ons of this ti ic p “Déjeuner e d b r pe tte” are su genteuil Grande Ja lived in Ar , e in e S e e work s along th Some of th westward . t y n n e r w e iv o h G net, w s, east nently in Claude Mo e at Yerre ng perma m li o tt h e s y il e r m oing. uil befo y his fa oret-sur-L and Véthe inspired b M s t a a w fe e li tt o is e Cailleb est is ears of h of Gustav bleau For e last 20 y e th in t ta n n e o p F s such edge of nd Sisley painters ( of Paris, a on on the e iz p b a r c a s B d n h f the r throug of the la cursors o The detou footsteps e r p e e th th in l, Schoo to follow e Barbizon a pretext th in ) u a e and Rouss as Millet nists. Impressio 13 OOD F IN SISLEY’S © musée départemental des peintres de Barbizon / Y. Bourhis © OT de MSL / Une Terre d’Image ©CRT Paris Île-de-France PLA H THE M C T A C O T CES OOTSTEPS y lfred Sisle parents, A h s li g n E roup Born to s with a g int in Pari a p to n w a beg hom ere , among w ts is rt d a g n of you . He settle d Pissarro n a t e n o d roun Renoir, M ur-Loing a f Moret-s o a re f a e in th 0 years o the last 2 t n e p s e alised 1880. H he immort re e h w , re e his life th that still ieval town d e m ll a m the s e circuits today. Fiv rm a h c s retains it admire chance to offer the by Sisley s painted e p a c s d n the la ounding nd its surr a t re o M in e. countrysid me e to u ri s O ff ic e d e t L o in g e ing in e S t oret-Sur-Lo d e M o re - 77250 M s oi am S e d 4 bis place 6 0 70 41 6 Te l : 0 1 6 fr -t o u ri sm e. w w w .m sl RTEMENT USÉE DÉPA AL DES PEIN TRE IZON S DE BARB . a museum y, is today ta s to d e rs us artists on painte life of the the Barbiz re e h w , the daily e s n n te a hings. a G tr e s and illu riod furnis e s p g The Auberg n s ti it in s a a p till h 100 or so inn that s It presents here of an p s o tm a lcoming in the we n M rb iz o es de Ba e s p e in tr d l ta n e é p a rt e m n Musée d 0 B a rb iz o ru e, 7 7 6 3 e 9 2 g ra n d 7 0 66 22 2 .f r Te l : 0 1 6 -b a rb iz o n es tr n e- p ei y, a d w w w .m u se es ep t Tu y d a y ex c u a ry . O p en ev er b er – 1 Ja n em ec D 4 2 d n a y 1 Ma 14 -STUDIO HOUSE-CUM ÇOIS MILLET AN OF JEAN-FR orked here ed and w v li t is rt a Th e , the year and 1875 9 4 8 1 n e dio betwe in this stu th. It was a e d s is h e f c o ous s ne d the fam te in a p e h s” that “L’angélu fe called seum still u of rural li m es”. The s u e n la g as and “Les al objects t’s person le il M gs s in in conta ce, draw esponden rr o c is h ginal well as ries of ori ings. A se v ra g n e d iz an Barb on rs of the te s a m y b works seen. n also be School ca te li e r on M a is o n -A 3 0 B a rb iz R u e, 7 7 6 e d 2 7 g ra n 5 0 66 21 5 Te l : 0 1 6 fr t. le il li er -m a y, w w w .a te ep t Tu es d y d a y ex c er ev 0pm .3 O p en -5 m 2p 1 2 .3 0 p m , ). 9 .3 0 a m to st u g u dA in Ju ly a n (6 .3 0 p m y a d es n ed C lo se d W a rc h . m b er to M ve o N m o fr © D. Blon ERS DISC IZON PAINT OVERY CIR CUIT footsteps ing in the w o ll Forest fo e e villag tainebleau th n f o o F ry to e v n isco arbizo ists ou on a d ry. From B by the art it takes y th c e n tu 9 1 e th equented This circu f fr o s e rs c te la in p e dscape pa will tour th of the lan serve) you e R re e h p gs. Bios eir paintin (UNESCO sites of th e th it is v and then sm e. fr iz o n to u ri ri sm e. c o m BARB a u -t o u w w .b a rb o n ta in eb le a d ed a t w a t w w w .f e d o w n lo le b b n a a d c a it lo st d o w n Th e c ir c u le a u Fo re Fo n ta in eb W a lk s in , B a rb iz o n 66 41 87 ri s m e d e l : 0 1 6 0 u o T e d o iz n - Te rb a B O ff ic e 0 3 , 776 rc Ja c q u et Pla c e M a S u n d a y. to y a d au n es ta in e b le O p en W ed 74 99 99 e de Fon l : 0 1 6 0 To u ri s m Te e d u a e le ic eb O ff in ta n Fo le , 7 7 3 0 0 o li d a ys . 4 ru e R o ya t p u b li c h d a y ex c ep y er ev en Op 15 din/ CRT PI D F © Christophe Brachet ATTE ÎLE DE LA J -SEINE UR (NEUILLY-S RRET) -PE LEVALLOIS ted it, illustra nist circu io s s re p rks The Im els on wo ation pan rm fo in h it w ing of y the sett inspired b chance tte, is the Ja la e d famous the Île ce made la p is th r t’s to discove rges Seura rld by Geo o w e th i d -mid aroun che après Un diman painting “ e Jatte”. à la Grand il a b le o n R o u te a va om s m e 9 2 .c ri w w w .t o u E FAMILY H OME es se in Yerr to the hou d e v o m most arents ome of his hen his p s w d te ld o in a rs p a 9 he was 12 ye use, 75 to 187 aillebotte aster’s ho . From 18 e m o h Gustave C r tains a m e n o m c m h u elements s ic h e ir be the perty, w ecorativ d ld ro u p r, o e y w v il t ri m a e th th ed on this fa alongside n be visit paintings roperty ca ctare park p e e -h 1 th important 1 h n ic a gs, n wh outbuildin be hired o numerous blets can a T . n e rd etable ga and a veg ty. nted reali in augme T CAILLEBOT 61 tt e 80 37 20 C a il le b o - Te l : 0 1 es P ro p ri é té rr Ye 330 C o n c y, 9 1 8 r u e d e b o tt e. c o m le il a ec a rg e. p ri et fr ee o f c h w w w .p ro ) er y d a y, ev en p o fi lm sh o w is sh o p a n d Th e p a rk , n o ti ep c . (v is it o r re 6 O c to b er Le C a si n a rc h to 1 om 15 M . fr d y en a k d ee y a t th e w o p en ev er o p en o n ly O c to b er , Fr o m 2 0 16 URNAISE e F o u rn a is M a is o n 0 C h a to u 0 4 bac, 78 3 ru e d u 2 4 80 63 2 Te l : 0 1 3 y d a y. er ev n t o p en R es ta u ra p en u rn a is e o M u sé e Fo S u n d a y. to y a d n es fr o m W ed e. c o m e- fo u rn a is w w w .m u se © D. Blon SSIONIS THE IMPRE T CIRCUIT er al, discov to Bougiv u to a h C enoir, From inted by R a p s e p a c xplained the lands issarro, e P d n a t e n Sisley, Mo anels with nd rmation p fo n s that sta by 30 i e painting th f o s n o rs reproducti the painte pot where s ry e v p e a m on th A detailed ir easels. ts in o set up the p , their e circuits th es s in la le p b ex arka sit other rem d n a t s re of inte nearby. me e To u ri s is te s O ff ic e d re s s io n n p -R o i d e s Im 0 M a rl y- Le d u Pa y s -7 ts n 816 a tt a b m o d es c 2 a ve n u e 61 61 35 0 3 1 0 s. fr Te l : ss io n n is te es -i m p re -d ys a .p www 17 din / CRT © OT Pays des impressionnistes ise nt his pra did not sti ir o n e R Auguste ise, which on Fourna is a M e e th for lace in th prettiest p e th “ d e e ll tt ue he ca This guing nd Paris”. dance to area arou o came h w s d w cro new attracted oking for ainters lo p d n a t, and flir s. their work ing motifs for s the sett a nt recre te ra e u ta s re Th e the terrac particular in , d o ri e e n Déjeu r of the p painting “ s u o m fa rves in Renoir’s taurant se ”. The res rs e ti o n a des C isine. um French cu the muse tinues to n o c it is v Th e ction of h its colle , which, wit nd rowing graphs, a to o h p , s engraving ts, evokes team boa s d n a g as sailin boating w in which free re the period a erful, c d the che n a e r la u p e po at th tim at reigned th re e h p s atmo . ressionists of the Imp © OT Pays des Impressionnistes © CDT 92 MAISON FO DE LA G THE MUSÉE RENOUILLÈ RE tte is guingue d 1928 th n a 5 5 8 1 tion Between for recrea ians avid s ri a P w dre as Monet y, as well it c e res th e eral pictu outsid ainted sev p o h w ir d and Reno objects an anvases, c h it W . g of it settin of ibited in a h x e s g in que, engrav Belle Épo tte of the e u g in u g p a this lace eeps alive k m u e s u nd the m , culture a to leisure ryone, e v e dedicated loved by s a w t a th . pleasure especially ssionists re p the Im r e C h a n o ri e -s u r- S ei n Espace 9 0 C ro is sy 2 8 7 e, u R e d n ra 12 g 2 0 53 61 0 m Te l : 0 1 3 u se u m .c o -m re le il nou y a w w w .g re d n u S d n n es d a y a O p en W ed . m p 6 to fr o m 2 .3 0 PI D F S R E V AU ISE, O R SU E H T F IN O S P E T S T FOO GOGH N A V R-OIS U S S R E V U A E Vincent van Gogh, L’église d’Auvers-sur-Oise, 1890 (détail), Collection Dr Gachet © RMN-Grand Palais (musée d’Orsay) / Hervé Lewandowski FIRST IMPR ESSIONS ther to his bro h g o G n a ne, Vincent v and Cézan l”, wrote o r fu r ti a u s a is e P b y Corot, fter seriously its made b g 1890, a is “Auvers is v in r e p s th r in e ft a -sur-Oise ty years a confined to to Auvers Theo. Thir n in e e d b le d tt a e s e re he h an Gogh ance, whe provided th r F e Vincent v f g o la il th v u e So het in th from the f his life of Dr Gac e returning c n e 70 days o s t e s r p la e e h th T t l. spita tist spen ore than mental ho ed. The ar painted m ir e u h q : e y r it h v g ti an Go inary crea r-Oise”. security V f extraord o d io r ’Auvers-su e d p e a s li g g in ’é r L mous “ there, du ding the fa lu c in , s e s buried 80 canva tery. He is s y m in d s-surces veile day Auver o ircumstan T c . d ic r g a a y tr e ere in tain its lage grav He died th d to main in the vil e g o a e n h a T m r e broth that has beside his ir museum a n e p o veritable cter. Oise is a que chara s e r tu ic p d r-Oise bucolic an Auvers-su in s n o ti a “Van al organis theme of e the cultur th t, s d u n g u u o A ril to 28 events ar From 2 Ap itions and ib h x e f o e). a season ng the Ois lo a h g o will offer G ” (Van l de l’Oise Gogh au fi 19 P H THE C T A C O T S LACE MOOD l Départ © Consei © ParisCityVision / MIR DISCOVER COME AND OISE RAUVERS-SU ord Gare du N ks Paris’s n li in a , tr ay A direct ery Saturd ur-Oise ev -s rs e v u A m with oliday fro d public h 6 Sunday an 1 0 ber 2 . to 30 Octo h rc a M 6 2 Paris • Leaving 9.38am du Nord – 1am Leave Gare ise – 10.2 ers-sur-O v u A e iv rr A to Paris • Return – 6.25pm rs-sur-Oise Leave Auve s – 6.55pm Arrive Pari chan p o ss ib le su b je c t to m T im et a b le o s il ie n .c w w .t ra n C o n su lt w g e. -OISE UVERS-SUR A & Y N R E GIV US IN A MINIB ITYVISION C WITH PARIS se it the hou rny to vis e iv G r fo e ud Depart ged to Cla that belon io d with tu s n d e n a s gard rgetting it fo t it o n t, n e Mon e. The vis ese bridg n a p Ja s u s in its famo sionnisme es impres d e é s u rnoon, m e ft the In the a . h c n lu efore ed Giverny b for a guid -sur-Oise rs e v u A gh head to re Van Go illage whe v e th to fe visit ys of his li last 70 da nown k t spent the s e of his b e m o s d and painte om where isit the ro V . s g n ti pain avoux. Auberge R e th in d he staye w w w .p a ri s c it y v is io n .c o m 20 N T EXCURSIO PLUIE IS N IO S S E IMPR 1 PARA UES SOUS WITH 4 RO at ise begins ers-sur-O v u A ey to rn it u ry “Jo The vis the itinera h it w u a ts ssionis ”. the chate the Impre f o e m ti e through th ay a visit ge, then p la il v s e th illage lane Lunch in oux, the v v a R e rg e r to the Aub xt head fo hurch. Ne e Valley, is and the c O e ugh th ro th m a d footsteps the Isle-A ise in the to n o P in and arrive o. of Pissarr w w w .4 ro u e s -s ra p lu ie o u s -1 p a .c o m AUBERGE R AVOUX reigns Gogh still n a V f o it x, The spir rge Ravou f the Aube o ic tt a e y in th ng his sta lived duri where he ur-Oise. ry of in Auvers-s m, the glo 5, his roo . o n here m o o In ro n atm sp laced by a p re m is h g dining roo Van Go trast, the n o c In . y joy of intimac ou will en e where y c la p ly e a v the w rm is a li cooking in e in u n e g use. simple, coffee-ho of an art re e h p s o atm O is e Ravoux u ve rs -s u rA u b e rg e , 95430 A ie ir a M la Pla c e d e 0 0 36 60 6 Te l : 0 1 3 o g h .f r g o n d ev a n d a y, w w w .m a is a y to S u n d W ed n es h ’s ro o m ; g o O p en fr o m G an b er fo r V to c O to M a rc h N o ve m b er M a rc h to o p en fr o m st a u ra n t. fo r th e re © Musée de l’Absinthe © Institut Van Gogh © 4 roues sous 1 parapluie DR GACHET MUSÉE DE L’ABSINTHE absinthe important w o h te a fe To illustr cultural li ocial and s e th in m was e museu century, th ntic of the 19th and authe a unique ts n s e s re p lated to it objects re f o n o nd ti c colle tchings a artoons, e C . n o ti p consum e visit. und out th ro s g tic n ti in pa ith aroma planted w is n e rd a Th e g roduction d in the p e s u ts n la p e. of absinth seum. in the mu le b a il a v a Tasting th e e l’A b s in u r- O is e Musée d 0 A u ve rs -s 3 4 5 9 é ll a C e 4 4 , ru 6 0 36 83 2 Te l : 0 1 3 e. c o m th n si b a li d a ys ep u b li c h o w w w .m u se ds and on en k ee w e O p en a t th m b er ; h to N o ve rc a M m o fr Sunday n es d a y to fr o m W ed . d A u g u st in Ju ly a n 21 emental du Val d’Oise / E. Hess ’S HOUSE societies, f learned o r e b m e m A doctor, engraver, ainter and p r u in Auversamate his home t h g u o b t engraved Dr Gache drew and e H . 2 7 8 1 sarro. sur-Oise in ne and Pis n za é C f o pany k in the com 90 he too est, in 18 u q re ’s o on At Pissarr his home Gogh into n a v t n e Vinc in Auvers r’s arrival dvice. the painte kinds of a ll a im h d and offere rtraits e three po d a m h g o Van G his stay in tor during use of the doc ay this ho home. Tod s r’ to c o d the hibitions. ing for ex is the sett r chet du D Ga M a is o n G a c h et , r u te Doc 7 8 r u e d u O is e ve rs -S u r95430 Au 7 2 1 8 6 03 Te l : 0 1 3 sm e. c o m ri u to eo is w w w .v a ld c h a rg e. day N o en tr y a y to S u n W ed n es d m o fr en p O c to b er . l to la te O fr o m A p ri merg GRAVE July ied on 29 an Gogh d a Vincent v avoux nd Auberge R e th t a 0 189 e village uried in th b s a w y d his bo ths later . Six mon rd a y ’s e v ra g died. Theo Theo also r e th ro b in his ’s rema s r husband e h t d a h ise so tha widow ers-sur-O v u A to d d. transferre be reunite ers would th ro b o ves the tw e two gra at joins th n of rd The ivy th the ga e ally from in g ri o e cam Dr Gachet. -s u d ’A u v e rs C im e ti è re O is e ve rs -s u r95430 Au e. h a rg Fr ee o f c r- O is e © G.Fey VAN GOGH’S ’AUVERS ssionists”, the Impre f o e im T rs of light, at the the maste “Journey f o it u d c rl ir o c w l tfu century to the the deligh of the 19 th ter fully in d n e n e to e As part of e th c e at a chan took plac au offers preciate avals that e the chate h p u l and to ap ia , c m o s is n e io th s s d pre tan to unders birth of Im ce on the n e u . fl in ri a ir nien P s and the Haussman f o re e h p the atmos s. CHÂTEAU D en re fr es h m se p a ra te au has 3 te a h c e N o te : th t a re a d ’A u v e rs e C h â te a u rs -s u r- O is 5 4 3 0 A u ve 9 ry Lé Rue de 8 4 48 48 4 Te l : 0 1 3 . .f r rs ve u c h o li d a ys te a u -a a n d p u b li y a d w w w .c h a n o M ep t y d a y ex c O p en ev er 22 BIGNY ove rtist to m is The first a es-Franço ise, Charl O ru -s rs w e y a cro d to Auv r joined b te la s a w Gogh. Daubigny incent van V g in d lu inc of others, aubigny nor, the D a m a in landscape Housed te to this u ib tr s y a m. museum p pressionis eralded Im h o h w r painte m b iè re s d e s C o lo M a n o ir S a n so n n e R u e d e la O is e ve rs -s u r95430 Au y. c o m ed a u b ig n w w w .m u se 0 0 36 80 2 id a y, Te l : 0 1 3 d a y to Fr es n ed W m o fr 5 .3 0 p m ; en p to O b er , 2 p m to c O to l o ve m b er fr o m A p ri et w ee n N to 5 p m b and 2pm h. a n d M a rc Sunday S a tu rd a y, en A ls o o p c h o li d a ys ee n A p ri l a n d p u b li 0 p m b et w m to 1 2 .3 a 0 .3 0 1 fr o m .3 0 p m 2 p m to 5 b er , a n d a n d O c to . h rc a m b er to M fr o m N o ve HOUSEDAUBIGNY CUM-STUD IO onument, Historic M a s a d ie if Class s original ing has it this build ot lost its and has n s g in h is furn here. ry atmosp ns 19th centu decoratio nding wall were io d tu The outsta 2 e-cum-s s u o h m 0 of this 20 his son, igny and b u a t, D y b nd Oudino painted Daumier a t, ro o C y sity but also b istic inten fy the art li p m e x e and od. of the peri a u b ig n y A te li e r D u r- O is e M a is o n 0 A u ve rs -s ny - 9543 ig b u a D 6 1 r u e 0 0 36 60 6 Te l : 0 1 3 n y. c o m ig b u a li er -d b er . w w w .a te to 3 0 O c to st . 6 M a rc h 2 m o fr id m -A u g u O p en -J u ly a n d id m n ee w C lo se d b et 23 liani / Mus © MTNG MUSÉE DAU © D. et M. Raskin © Pascal Greboval CRT IDF © Modig NIST WALK IMPRESSIO TEPS OF VAN GOGH, TS IN THE FOO PISSARRO ND CÉZANNE A an d more th ogh create G n a v t h n T Vince Oise. is uvers-surA in s g n e village 80 painti through th u o y e k ta also walk will knew, but places he e th to sarro, streets zanne, Pis ces of Cé a tr e th in igny. and Daub Dr Gachet re s” G o g h N a tu p p “V a n a e n o vi si ts h p s Th e n e) a ll o w a n d iP h o id ro d n ty A li a r re , (f o g m en te d a g e in a u ll vi e th m le tt er s to tr a c ts fr o n ie d b y ex a p m o c c a in te r. a tu re .f r b y th e p a a n g o g h -n a t w w w .v A va il a b le p p S to re . a n d th e A r- O is e u v e rs -s u ri s m e d ’A u to is e e O d O ff ic e u ve rs -s u r, 95430 A h g o G n a Pa rc V 1 0 36 71 8 fr Te l : 0 1 3 rs su ro is e. ve u a eri sm w w w .t o u ee Daubig ny FIRST IMPR ER GIVERNY, V NON Claude Monet (1840-1926), Les Nymphéas, 1908 © musée de Vernon , Y N R E V GI E H T AT T OF R A HE S S E R P IM M S I N IO ESSIONS d the il, boarde u e th é V t living a ow, iage wind was then r r o a h c w e t, th e h e throug laude Mon Giverny. H e. Looking is n In 1883 C li h y e n m s o a c G would be uch e Vernon– ven that ver find s a e train on th e n h “ f ld o u o it b that he w this little it, certain he spied h it w e v ly fell in lo immediate ain”. l place ag fu st house ti u a e b a k roughca in p s u o m d, which ht the fa 890 boug n and pon 1 e d r in a n g e is th h nted, ation of idge. He He first re to the cre panese br a lf J e s a im m h o g fr icatin admire e of his before ded and could used som s d e n li a li e h g it la ished w in the vil he embell properties l uction. a r e v e s from destr t up h s g e u s o u b o h r late lic wash e the pub v a s w joy, to y e mon re he kne e h T . ) 6 2 Jean 1883–19 nd his son Giverny ( a 1 in 1 9 s r 1 a e in Alice bove ent 43 y of his wife eau, and a Monet sp c th n a e e d m e le C th lars, Georges ickness, s and pop ndship of troubles, s k ie c fr ta s g y in a v h r , of lilies e unswe sionism. his series in 1914, th f o s h p of Impres t m r a iu e tr h l e ia r to lage at th all the pic erny, a vil iv G d n u o r a all painted 25 MOOD OUSE MONET’S H NS AND GARDE © Fondation Claude Monet P H THE C T A C O T S LACE onet la u d e M in s d e C rd ja t e n er y M a is o n 7 6 2 0 G iv M o n et , 2 e d u la C 8 4 r u e 1 2 .5 1 .2 8 .2 Te l : 0 2 .3 n et .c o m o -m d a ti o n w w w .f o n m y d a y fr o 6 O p en ev er m b er 2 0 1 ve o N 1 to 2 5 M a rc h 26 et ichel Mon In 1966 M eathed son) bequ s t’ e n o M te (Claude its comple house and s r’ e th fa his démie to the Aca ing been contents Paris. Hav e d s rt -A x l des Beau for severa abandon f o te ta s s in a ughca t us pink ro o m fa n e th years, restoratio bstantial u s d e ir u house req to the be opened ld u o c it most before he second T . 0 8 9 1 public in attraction id tourist a p r la u p po bbey of fter the A a y d e n a ter’s hous in Norm l, the pain e h ic M ton, Mont-Sain ntemplati isitor’s co v e th s e or invit lily pond efore the ome h whether b e dge. Th anese bri p Ja e th on sionism is of Impres r e th fa e of th daily life painter’s e th f o e v on illustrati l renovati e identica th to s k n tha d kitchen g room an of the livin e Monet, s of Claud m o ro d e b and the Blanche hedé and Alice Hosc . Hoschedé tion is nal attrac An additio on r’s collecti the painte se prints. of Japane uiset, © JC. Lo MUSÉE DES IMPRESSIO IVERNY NNISMES G ry 3 tempora unts 2 or o m r a e y rsors each the precu 2009 and o on both pened in ls o a s e t a u w b n m u of its am sionism This muse on Impres plural form s e e s th u c s fo in la lled s. It which exp ibition ca exhibition anent exh ovement – m rm e e p th a f o e is s mu um’s There and heirs during the ionisms). d s e s it re is p v e Im b of ven (Museum hibition. ich can e porary ex iddle”, wh m M te e e th th in f go “Monet e changin and tints. sure for th lo c r e to colour m n m a e su a p a n: it is painted ts attentio de Monet ri u e la m C o re to e h n um garde the field w Th e m u s e stands on m u e s u m e, the As an asid 1. ks in 189 c his haysta 27 musée de s impressi mes s s io n n is e s im p re d e é iv er n y s u 0 M , 2762 G u d e M o n et 9 9 r u e C la 5 2 51 94 6 Te l : 0 2 3 .f r . w w w .m d ig N o ve m b er a rc h to 6 M 5 2 n th . m o o m O p en fr y o f ea c h 1 st S u n d a n o y tr Fr ee en nge d fo r c h a ly . m s c lo se 4 to 1 3 Ju M a in ro o o fr io n m it ib h ex ra ry o f te m p o onnismes dy ô te l B a u iv er n y A n c ie n H , 27620 G et n o M e d u la C 8 1 r u e 3 2 21 10 0 day Te l : 0 2 3 en ev er y p o is u ra n t Th e re st a . m b er l to N o ve fr o m A p ri se g a rd en ro e th y to s. Fr ee en tr m in ia tu re a ll er y o f a n d th e g © Musée de Vernon Y at ters in wh e first pain th 7 8 8 1 In olony of ome the c h would bec re in searc artists we e. g la American il the v odation in m m o c c a d of e Bau y ce, Madam n e u q e s n In co r business change he decided to ment room ry/refresh e c ro g a from The lively staurant. re d n a l te to a ho became ly centre d n ie s fr d n a d evening r animate fo g in tt e the s Renoir, of Monet, y n a p m o d in the c ézanne an obinson, C R , lf a tc e M t before s until jus their wive r II. World Wa © Eure Tourisme @ Eure Tourisme, M. Aubry © Fondation Claude Monet ÔTEL BAUD © MTNG RH THE FORME CLAUDE MO NET’S GRAV E featuring is circuit th , 1 1 0 2 and Opened in n French n panels (i o ti rny a rm G fo ry of ive 20 in s the histo e b ri c s s e n d o roducti English) rough rep th s g in d il The walk and its bu aintings. p d n a s tcard ding of of old pos understan n a to l a is essenti net and t that Mo lage the impac on this vil rtists had a n a c ri e the Am abitants. of 500 inh wished n that he w o n k e b it any Monet let the comp Giverny, in in d e ri u an to be b nd son Je nd wife a o c e s is menceau h le of eorges C G . lt u a v ily t in the fam present a in he was a rt made ce inter l of the pa h the funera the Churc r 1926 at e b m e c e on 5 D . adegonde ho of Sainte-R was he w it es that o g ry coffin, to s The e over the p ra d k c the bla removed Monet”. black for o N “ g in y sa y a il a b le ie -G iv er n N o rm a n d R o u te a v . To u ri sm e re u u d E l’ n o e d is a t th e M a d es Po rt es e sm ri u ic e d e To & th e O ff a in te -R E g li s e S er n y iv 27620 G e. N o c h a rg RAIL CULTURE T 28 adegond e, VERNON Vernon on Giverny, in m o fr m k ections, nly 5 in its coll seum is o s u g m n ti le in tt a li p t arming pressionis Theodore et and ch t work by as many Im n h a It rt This discre . o e p in im e eS schedéired an side of th lanche Ho 015 acqu B 2 y in b l the other d n ra a e um ev onet, on’s muse are also s two by M on”. There illard. Vern u including rn V e d V n e a d rd le nna a collégia ts like Bo Butler, “L ionist artis s s re rt. p m a ti d Pos f anim l a Monet an 0 works o 0 4 f o n o collecti also has a MUSÉE DE e V e rn o n n Musée d 0 0 V er n o p o n t, 2 7 2 1 2 r u e d u 9 2 21 28 0 a y. Te l : 0 2 3 ep t M o n d c ex y day O p en ev er 29 GENI, DISCOVER ICATED ED THE APP D E! R TO THE EU r all g, discove positionin o e g g in E s U in the ure e and do e s to s is there p. It make aining ap rt te n e is and using th dioguides os and au e id v f o to e us ut his ry ation abo rm fo in s e s provid NI’s game ecture. GE share to and archit ability , and the s ze e it iz u q and book, mak s on Face e ri e v o c is nt your d ompanime useful acc d n a n fu a Eure. isit to the for your v fr o m re D o w n lo a d e A p p S to la y o r th G o o g le P ROUEN Claude Monet (1840-1926), la cathédrale de Rouen par temps gris, 1894, musée des beaux-arts de Rouen © .Lancien/C. Loisel, RMN & N E U O R E N I E S E TH EY: THE L L A V Y R T N U CO E H T F O S S E R P IM TS S I N IO FIRST IMPR ESSIONS e hat was th W . n e ft o the uen more particular visited Ro t in e n d o n a M beauty ta 3 Claude ed to ren the city’s id In 1892–9 d c e e r d e v e o H c e’s Hill. the e had dis t Catherin ffices of S o reason? H e n o th lk w a o w at are n during a g. dral in wh e cathedral th a c the buildin e f o th w e it ie s v o t opp a perfec room just re he had e th m o r F at ice. howing it s Tourist Off l, a r d e the cath ght. He ictures of p 0 3 ns of the li n io a it th d n e o r c o t m inted the go differen Monet pa nvases on and under a y c a d 4 1 e d th a f h mes o during etimes different ti cathedral y and som a e d th h c in a t e o hours nce set fo worked 11 he never o h g u o th time en. at any one ed in Rou y ta s e h s d with the 2 year night fille a d a h I either wrote: “ appeared , he later it g , in e d il m u n b down o by the ented as falling ld be pres Obsessed w u l o a w r d h e ic th h tings, w nism s: the ca Impressio ries of pain nightmare e d s e h is s h li T b ”. ta l art or yellow d-Ruel, es ternationa blue, pink aul Duran in P r e le th a e n d ments o lic by his gnised ele to the pub o c e r s a t further and Mone scene. 31 MOOD ROUEN CAT HEDRAL e Rouen x -A rt s d o u en es Beau , 76000 R Musée d Duchamp el rc a M e E sp la n a d 0 5 71 28 4 Te l : 0 2 3 r ro u en .f w w w .m b a ep t y d a y ex c er O p en ev h o li d a ys . c li b u and p o ll ec ti o n s. Tu es d a y m a n en t c to th e p er y tr en Fr ee -D a m e le N o tr e R o u en C a th é d ra le , 7 6 0 0 0 c a th éd ra la e d e c y a Pla ep t M o n d y d a y ex c O p en ev er . ry a u a n d 1 Ja n m o rn in g e. rg a h c N o en tr y 32 RTS epeaux rançois D In 1909 F nthropist) and phila n a m s s e en and (a busin ity of Rou c e th to ed , bequeath collection entire art is h m u e s rks its mu ortant wo ludes imp c in h ic h d w cathé rale ch as “La u s t, te e n o by M t-Denis, fê “Rue Sain d n a ” n e any de Rou well as m 1878”, as in ju 0 illebotte 3 a du ustave C G , o rr a s Pis ed by Camille lso includ isley. It a S d emaître, L d and Alfre n inchon a P y b s rk o several w ressionist local Imp t n a rt o p two im donation, lt of this u s re a s one of artists. A seum has u m s rt a ne s Rouen’s fi collection ressionist p Im t s e the larg Paris. outside of orloge the Gros-H m o fr s p te e majestic A few s stands th n e u o R c ri e. Built and histo otre-Dam N f o l ra d the Gothic ca ns, it was foundatio n a d damage on Rom but suffere 6 0 5 1 in lar completed in particu conflicts, s u o ri a v ral during he cathed 45 war. T der o the 1939– ollo (f un tomb of R e th s in ta nd con rmandy) a chy of No most ’s of the Du d of Englan e n o f o eart. the heart the Lionh : Richard s g in k s u famo ar ie u t th e ye N o rm a n d Th ro u g h o e Rouen m s ri u o e de T ra l th e O ff ic th e c a th ed vi si ts to ed id u r g o ff er s to d is c o ve io g u id es d u a s a l en c e. a s w el in d ep en d c o m p le te R o u en in 0 2 08 32 4 Te l : 0 2 3 com e. sm ri u en to w w w .r o u salle MBA © Musée des Beaux-Arts Rouen © Jean-François Lange / Métropole Rouen Normandie P H THE C T A C O T S LACE BEAUX-A MUSÉE DES DE ROUEN 33 FIRST IMPR nists. Impressio e th y b voured me subject fa dy to beco n ly a n m o r o e N th f whole o was not owed the ll The Seine a s y a w il a d of the r tings. The sprea r their pain fo r e tt a m ne Boudin subject And Eugè t. s a o c y “the sea Normand s because ls on the e e p s a a c e s d ir n e up th paint la Some set e Monet to d u la C g n e you advised th utiful”. are so bea y k s mp and e th d an tat, Féca e tr É t a talent ascapes picted se le with his e il d v u t o r e T n o d ntly, M Dieppe nfleur an Conseque e port of azzled Ho d th d in d te u a o tr B resse. bourg, arro illus Sainte-Ad rt in Cher mille Piss a a C r e . il h ta d e e ry of d ndie” ot practis and maste en Norma the Moris e r r e iè B m u d a n h A tings. bolic “C in 16 pain t and sym n a n ig o p a very producing in 1865. S S E R P IM T S I N IO Y D N A M R O N PE E Frits Thaulow (1847-1906), Moulin à eau, 1892 © Museum of art, Philadelphie CHE DIEP , N E A C , G R RBOU HAVR E L , R U E L F , HON ESSIONS 35 © musée Thomas Henry / D.Sohier P H THE C T A C O T S LACE MOOD SEUM IN D IEPPE tory es the his at conserv also m u e A place th au-mus te a h c e th , s, of Dieppe nist work Impressio l ra e v e s holds , Renoir , Pissarro in d u o B y e model notably b onzales, th G a v E , ll ea and, abov of Manet. il p in 1870 and pu ed Dieppe it is v s le Morisot Eva Gonza ith Berthe W . h c a e eb to paint th a member , she was tt a s s a C ale and Mary cle of fem closed cir ry e v e th of rs. nist painte Impressio e, d e D ie p p -m u s é e e p C h â te a u p ie D 200 a st es , 7 6 ru e d e C h 9 5 06 61 9 Te l : 0 2 3 fr te m b er . p e. e a n d S ep w w w .d ie p w ee n Ju n et b y a d to y c b er . ay and O O p en ev er et w ee n M b ys a d er es 1 N o ve m b C lo se d Tu ry , 1 M a y, a u n Ja 1 C lo se d o n ec em b er . and 25 D © Seine-Maritime Tourisme U CHATEAU-M © Florian Kleinefenn © CRT Normandie / M.G. Clement MUSÉE THO S ION PANEL rs how visito t theme, s is n io ts set up s s re rt here a is an Imp w s d te e a ll tr ta s s lu il els in of which ation pan nel offers its, each 29 inform . Each pa y n b e u d o Five circu e R rt d o an supp t, Le Havre ant sites, xplanation mp, Étreta 14 import a c ng. é F with an e , t e o p p p s ie t D a and painti th in n ls e painter made o th g n n their ease o ti n in o a ti p e s forma ction of th e museum s more in a reprodu ibited in th code give h h x s e a fl re A a . nels ortance on the pa of its imp produced re s rk o w e Many of th aritime. -M e b le of Sein is a v a il a e. c o m ) INFORMAT u ri sm a ri ti m e ” ri ti m e- to S e in e -M .s ei n e- m a er n y. w io n s d e w s w s r re o p a n d ie G iv 0 h u re “ Im sm e N o rm 5 12 10 1 c 3 ri u ro 2 b 0 To e : u h d el T n e (t th e M a is o e To u ri sm ti m e a n d e- M a ri ti m ei n e- M a ri S fr o m S ei n e d e e To u ri sm O ff ic es d o r a t th e 36 BEAUXMUSÉE DES ARTS DE C AEN um arts muse aen’s fine C r, ro e u ra q e e sev l the Con ngs includ ti f William o in a e p tl s ry a c val centu oudin, the medie Eugène B s. Its 19th t, rk e o n o w f M o e Located in Claud collection (such as tstanding Lépine, ed artists is n g has an ou o c , Stanislas re rg u y o b b s e inter L rk o (Albert nist w erican pa Impressio local ones by the Am s a rk o ll w e w a lso et. nnard) as there is a Pierre Bo laude Mon Note that ). y le te roach of C o p M p a s e le th Ju h s wit George affinities ll that has e h c it M n Joa x -A rt s es Beau Musée d AEN u, 1400 C Le c h â te a 0 1 30 47 7 Te l : 0 2 3 .c a en .f r w w w .m b a a y. ep t Tu es d y d a y ex c O p en ev er 37 MAS HENR Y est s the larg useum ha m is rg u o an-Franço Cherb tings by Je in a p f o n collectio thanks to e of Paris id ts u o ily. t le Mil e Ono fam ade by th m t om s e u q l artists fr the be are severa d te n e s e porari s Also repre re contem e w o h w tin the Coten the first as Fréret, h c u s t, ue, of Mille int La Hag rtist to pa a e p a c s d lan In short, d Le Véel. ffer. Fouace an lenty to o um has p this muse e n ry homas H Musée T C h er b o u rg 0 0 0 el , 5 0 4 r u e V a st 0 ay 3 23 39 3 , ev er y d Te l : 0 2 3 ep te m b er S to ay o rn in g . M m m y o a fr d n O p en g and Mo in rn o m nday ex c ep t S u h a rg e. c y tr N o en © Musée E.Boudin ÈNE BOUDIN to e all also , but abov rt o p e th ip to ille Corot clude a tr hom Cam always in w l , il in w d r u u o e ersed by ène B Honfl art of Eug urself imm o e Any visit to y th d n to fi d l ate ou wil Trouville”. um dedic plage de of skies. Y r la te r u the muse in s a p n o t bes rsati eir two d the very dy “Conve ontrast th c tu s u o u y o y n e n considere wh ere whe erine. f Jongkind e atmosph ith that o ainte-Cath w S f le o the seasid ty h s rc is u Ch re h lso compa wer of the You can a the bell to t, c je b u s e same views of th MUSÉE EUG 89 54 00 l : 0 2 3 1 o u d in ugène B fl eu r - Te n E o e H é 0 s 0 u 6 M 4 e B o is , 1 Homme d R u e d e l’ Ju ly . fr r. eu fl ay and 14 es -h o n ep t Tu es d c ex e w w w .m u se n m 2 6 Ju y d a y fr o O p en ev er © Floria MUSÉE MA LRAUX (MuMa) seum with , vincial mu ro p e th gar Degas ly ite simp Monet, Ed u e q d u is la ) x (C u ts alra pressionis (Musée M Manet s by the Im Th e M u M a rk o w o, Édouard f rr o a n s o is ti P c e there le ll il o tc 24). And ley, Cam the larges Boudin (2 Alfred Sis e , n ir è o g n the 1960s u e E R guste cursor . Built in re m p u e ir s e u th Pierre-Au m e and by this seasid light that Bonnard) a unique admired in s e g b n and Pierre ri to b s n e am catio bined of other n unusual lo ulture com c is f th o h t, s e a are plenty rr d a guste Pe eum offers pils of Au . Th e m u s n o by the pu ti c e rf e p e works to sets off th . ir a se of sea with a do 38 39 a lr a u x Le H a vr e Musée M u, 76600 C le m en c ea rd va le u 2 B o 2 5 19 62 6 Te l : 0 2 3 fr e. vr a eh a -l a y, w w w .m u m ep t Tu es d c ex y a d y er ev en Op . d 1 4 Ju ly 1 May an n Kleinefe nn LO C A T IO N E X H IB IT IO DATES from Jan. 22th from Marc h 10th h from Marc S S E R P IM T S I N IO R A D N E L CA from Marc 18th to July h 18th to Ju 10th 2016 ly 25th 20 16 6 ly 3rd 201 h 25th to Ju 16 pt. 26th 20 nd to S e 2 l ri p A from 16 pt. 26th 20 16th to Se from April 16 pt. 26th 20 th to S e 6 1 l ri p A from from Marc 16th from April from April ALS V I T S E F & S EXHIBITION to Sept. 26 16th to Se 2016 pt. 26th 20 16 Sept. 11th 2016 9th to from June Sept. 11th 2016 from June fr 25th to Oct . 3rd 2016 4th to Nov. 5th 2016 om Sept. 1 5th 2 from Nov. 1 Vue du jardin du musée des impressionnismes © Tamatoa Berteil th 3rd to from June from July 1 40 M a x im 2016 to Sept. 4th 2016 to July 10th 6th 2016 to Jan. 22th 016 to Mar 2017 ch 5th 201 7 NDIE IMP AL NORMA l’H Musée de NS [R e ]t ro u il ie n Lu c e va il le s in , -d ’œ u vr e fa n t. C h e fs e : C é z a n n e , C h a rda s s o .. . n e l’ t e rt is ic a P L’ a ç , n a ir o fr n tu re , Re d e la p e in e t, M o n e t, M a ti s s e n is m e . C o ro t, M a p re s s io n n im l’ à e m s ti D u ro m a n Pa ys a g e s . ro n s d e Pa ri s » vi n e « Le s . a n d ie n p le in a ir L’ a te li e r e s s io n n is te s e n N o rm re p Le s im r e t ja rd in ie e , p e in tr e tt o b le il a C e fe m m e s Po rt ra it s d lu m iè re li e r d e la te a l’ , in d u Eugène Bo ri s s e t. .. M o n e t, M o n n is te , ir o n e R M a n e t, la vi e im p re s s io Scènes de que d ’u n e é p o , p o rt ra it s in ra o F e Je a n n a tu re is te p a r n w , p a ys a g lo u a h T ts F ri s io n n is te tr e im p re s in e p n u q u e t, H e n ri Pa c s e c n ta u o C à s tm o s p h è re e in tr e d ’a p t, o h u B te s Fé li x re s s io n n is s d e s Im p p m te u a Ê tr e je u n e l à Pa ri s e espagno tr in e p n u S o ro ll a nch onet / Mu H o d le r / M . 4 1 -1 8 7 0 ) m e a z il le (1 8 is F ré d é ri c B e d e l’ im p re s s io n n s L a je u n e s RESSIONNIS TE die Impre al Norman v ti s e F e th e events in ortraits”. edition, th ssionist P d re ir p th Im “ s it f o For the theme ed under are group FESTIV Musée Ma 016 te m b er 2 l to 2 6 S ep ri p A 6 1 Fr o m n d y. u t N o rm a th ro u g h o is te .f r p re ss io n n a n d ie -i m rm o .n w w w ôtel Dieu, rmottan M Mantes-la-J olie onet, Paris tal épartemen Domaine d Musée du de Sceaux dré, Paris uemart An Musée Jacq y mes, Givern pressionnis im s e d e Musé rnon Vernon, Ve Musée de Le Havre ré Malraux, Musée And Rouen Beaux-Arts, Musée des r nt-Audeme d Canel, Po re lf A e sé u M Caen Beaux-Arts, Musée des nces res, Couta el-Moriniè sn e u Q e sé Mu herbourg as Henry, C , Honfleur ène Boudin Musée Eug y mes, Givern pressionnis im s e d e sé Mu onet, Paris rmottan M Musée Ma rsay, Paris Musée d’O m Musée Tho ssionniste TOUS IMPRESSIONNISTES FESTIVAL DU 16/04 AU 26/09/2016 41 normandie-impressionniste.fr DANS TOUTE LA NORMANDIE EXPOS, MUSIQUE, DANSE, THÉÂTRE, PHOTOGRAPHIE, ART CONTEMPORAIN, ATELIERS, FESTIVITÉS……... NOTE BOOK DY N A M R O N FROM ANCE R F E D E L Î TO ERNY ANDIE-GIV ISME NORM R U O T U D NY LA MAISON 620 GIVER MONET, 27 E D U A L C 80 RUE 4 45 01 (0)2 32 6 3 3 + INSTAGRAM : L E T TWITTER & , K O O B E C N FA JOIN US O ERNY.FR ANDIE-GIV M WWW.NOR 6th 2016 OVEMBER th T O N 5 2 H C R A M FROM M M > 5.45 P EEK - 10 A W A S Y A 7 D Texts : Raphaëlle Guillou, Cédric Lemagnent / Graphic design : www.monsieurt.fr & www.sentimentsdistingues.com / Print : Imprimerie Vincent / Cover : Claude Monet (1840-1926), Régates à Argenteuil, 1872 © Musée d’Orsay, RMN Grand Palais, Patrice Schmidt N A G N I K A M ESSION R P IM G N O L A E N I E S THE