FRANK AMY WINEHOUSE

Transcription

FRANK AMY WINEHOUSE

FOLD
HEAD
C M
Y B
986 618-2
PAGE 16
PAGE 01
C M
Y B
120.5MM
(4.74”)
120.5MM
(4.74”)
241MM
(9.49”)
NON EU
CD BOOK SADDLE STITCH
SEL#:
LABEL:ISLAND RECORDS
ARTIST:AMY WINEHOUSE
TITLE:FRANK
TEMPLATE: UMG_CD_BOOK_SADDLE_JUL00.qxt
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DATE: 15.01.04
L/S: 150
FILE NAME: 9866182_BK
JOB #:T61367
SEPARATOR: SONICON
4
25
25
50
50
75
75
100
100
TECH: PJF
CYAN
YELLOW
PMS
MAGENTA
BLACK
PMS
TOTAL
NUMBER OF
COLORS
B AC
4
95
95
97
97
99
99
75
50
25
10
CM
MY
CY
T
K
ON
FR
CTP
TARGET
C M
Y B
SAFETY
TRIM
BLEED
AMY
WINEHOUSE
FRANK
C M
Y B
119.5MM
(4.71”)
FOLD
HEAD
C M
Y B
YOU SENT ME FLYING
YOU SHOULD BE STRONGER THAN ME
YOU BEEN HERE 7 YEARS LONGER THAN ME
DON’T YOU KNOW? YOU SUPPOSED TO BE THE MAN
NOT PALE IN COMPARISON TO WHO YOU THINK I AM
YOU ALWAYS WANNA TALK IT THROUGH
I DON’T CARE
I ALWAYS HAVE TO COMFORT YOU WHEN I’M THERE
BUT THAT’S WHAT I NEED YOU TO DO
STROKE MY HAIR
I’VE FORGOTTEN ALL OF YOUNG LOVE’S JOY
FEEL LIKE A LADY, BUT YOU MY LADY BOY
BUT INSTEAD YOU’RE LONGER THAN FROZEN TURKEY
WHY’D YOU ALWAYS PUT ME IN CONTROL?
ALL I NEED IS FOR MY MAN TO LIVE UP TO HIS ROLE
YOU ALWAYS WANNA TALK IT THROUGH- I’M OK
I ALWAYS HAVE TO COMFORT YOU EVERY DAY
BUT THAT’S WHAT I NEED YOU TO DO. ARE YOU GAY?
FEEL LIKE A LADY, BUT YOU MY LADY BOY
HE SAID ‘THE RESPECT I MADE YOU EARN –
THOUGHT YOU HAD SO MANY LESSONS TO LEARN’
I SAID ‘YOU DON’T KNOW WHAT LOVE IT GET A GRIP’ –
SOUNDS AS IF YOU’RE READING FROM SOME OTHER TIRED SCRIPT
I’M NOT GONNA MEET YOUR MOTHER ANYTIME
I JUST WANNA RIP YOUR BODY OVER MINE
SO TELL ME WHY YOU THINK THAT’S A CRIME
FEEL LIKE A LADY AND YOU MY LADY BOY
LENT YOU OUTSIDAZ AND MY NEW BADU
WHILE I WAS THINKING YOU DIDN’T HAVE A CLUE
TOUGH TO SORT FILES WITH YOUR VOICE IN MY HEAD
SO THEN I BRIBED YOU DOWNSTAIRS WITH A MARLBORO RED
SO NOW I FEEL SO SMALL DISCOVERING YOU KNEW
HOW MUCH MORE TORTURE WOULD YOU HAVE PUT ME THROUGH?
YOU PROBABLY SAW ME LAUGHING AT ALL YOUR JOKES
OR HOW I DIDN’T MIND WHEN YOU STOLE ALL MY SMOKES
AND ALTHOUGH MY PRIDE’S NOT EASILY DISTURBED
YOU SENT ME FLYING WHEN YOU KICKED ME TO THE KERB
WITH YOUR BATTERED JEANS AND YOUR BEASTIES TEE
NOW I CAN’T WORK LIKE THIS WITH YOU NEXT TO ME
AND ALTHOUGH HE’S NOTHING IN THE SCHEME OF MY YEARS
IT JUST SERVES TO BLUDGEON MY FUTILE TEARS
AND I’M NOT USED TO THIS
I OBSERVE, I DON’T CHASE
SO NOW I’M STUCK WITH THESE CONSEQUENCES
THRUST IN MY FACE
AND THE MELODRAMAS OF MY DAY DELIVER BLOWS
THAT SURPASS YOUR REJECTION, IT JUST GOES TO SHOW
A SIMPLE ATTRACTION THAT REFLECTS RIGHT BACK TO ME
SO I’M NOT AS INTO YOU AS I APPEAR TO BE
HIS MESSAGE WAS BRUTAL, BUT THE DELIVERY WAS KIND
MAYBE IF I GET THIS DOWN, I’LL GET IT OFF MY MIND
IT SERVES TO CONDITION ME AND SMOOTHEN MY KINKS
DESPITE MY FRUSTRATION FOR THE WAY THAT HE THINKS
AND I KNEW THE SPEECH, WHEN IT CAME, WOULD BE TO THAT EFFECT
AT LEAST YOU’RE ATTRACTED TO ME WHICH I DID NOT EXPECT
DIDN’T THINK YOU’D GET MY NUMBER DOWN AS SUCH
BUT I’VE NEVER HATED MYSELF FOR MY AGE SO MUCH
PAGE 02
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C M
Y B
120.5MM
(4.74”)
120.5MM
(4.74”)
241MM
(9.49”)
NON EU
SEL#:
TITLE:FRANK
0
1
1
2
2
3
3
4
DATE: 15.01.04
L/S: 150
JOB #:T61367
SEPARATOR: SONICON
4
25
25
50
C M
Y B
50
75
75
100
100
TECH: PJF
CYAN
YELLOW
PMS
MAGENTA
BLACK
PMS
TOTAL
NUMBER OF
COLORS
B AC
T
K
4
95
95
97
97
99
99
75
50
25
10
CM
MY
CY
ON
FR
CTP
TARGET
SAFETY
TRIM
BLEED
C M
Y B
STRONGER THAN ME
119.5MM
(4.71”)
FOLD
HEAD
C M
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CHERRY
HER NAME IS CHERRY; WE JUST MET
BUT ALREADY SHE KNOWS ME BETTER THAN YOU
SHE UNDERSTANDS ME
AFTER 18 YEARS
AND YOU STILL DON’T SEE ME
LIKE YOU OUGHT TO DO
MAYBE WE COULD TALK ‘BOUT THINGS
IF YOU WERE MADE OF WOOD AND STRINGS
WHILE I LOVE HER EVERY SOUND
I DON’T KNOW HOW TO TUNE YOU DOWN
YOU SO THICK AND MY PATIENCE IS THIN
SO I GOT ME A NEW BEST FRIEND
WITH A PICKUP THAT PUTS YOU TO SHAME
AND CHERRY IS HER NAME
AND WHEN I’M LONELY, CHERRY’S THERE
AND SHE PLAYS ALONG WHILE I SING OUT HER BLUES
I COULD BE CRYING AND YOU DON’T CARE
YOU WON’T CALL ME BACK YOUR STUBBORN AS A MULE
MAYBE WE COULD TALK ‘BOUT THINGS
IF YOU WERE MADE OF WOOD AND STRINGS
YOU MUST THINK I’VE GONE TOO FAR
I’M TALKING ‘BOUT MY NEW GUITAR.
I HEARD LOVE IS BLIND
WHEN YOU WALK IN THE BAR
AND YOU’RE DRESSED LIKE A STAR
ROCKING YOUR F-ME PUMPS,
AND THE MEN NOTICE YOU
AND YA GUCCI BAG CREW,
CAN’T TELL WHO HE’S LOOKING TO
COS YOU ALL LOOK THE SAME
EVERYONE KNOWS YA NAME
AND THAT’S YOUR WHOLE CLAIM TO FAME
NEVER MISS A NIGHT, COS YOUR DREAM IN LIFE?
IS TO BE A FOOTBALLER’S WIFE
YOU DON’T LIKE PLAYERS
THAT’S WHAT YOU SAY
BUT YOU REALLY WOULDN’T MIND A MILLIONAIRE
YOU DON’T LIKE BALERS
THEY DON’T DO NOTHING FOR YA
BUT YOU’D LOVE A RICH MAN 6’2 OR TALLER
YOU’RE MORE THAN A FAN
LOOKING FOR A MAN
BUT YOU END UP WITH ONE-NIGHT STANDS
HE COULD BE YOUR WHOLE LIFE
IF YOU GOT PAST ONE NIGHT
BUT THAT PART NEVER GOES RIGHT
IN THE MORNING YOU’RE VEXED
HE’S ONTO THE NEXT
AND YOU DIDN’T EVEN GET NO TEXT
DON’T BE TOO UPSET IF THEY CALL YOU A SKET
COS LIKE THE NEWS EVERY DAY YOU GET PRESS
I COULDN’T RESIST HIM, HIS EYES WERE LIKE YOURS
HIS HAIR WAS EXACTLY YOUR SHADE OF BROWN
HE’S JUST NOT AS TALL, BUT I COULDN’T TELL
IT WAS DARK AND I WAS LYING DOWN.
YOU ARE EVERYTHING. HE MEANS NOTHING TO ME
I CAN’T EVEN REMEMBER HIS NAME
WHY YOU SO UPSET? BABY YOU WEREN’T THERE
AND I WAS THINKING OF YOU WHEN I CAME
WHAT DO YOU EXPECT? YOU LEFT ME HERE ALONE
I DRANK SO MUCH AND NEEDED YOUR TOUCH
DON’T OVERREACT, I PRETENDED HE WAS YOU
YOU WOULDN’T WANT ME TO BE LONELY
SO HOW CAN I PUT IT SO YOU UNDERSTAND?
I DIDN’T LET HIM HOLD MY HAND
BUT HE LOOKED LIKE YOU, TELLING YOU HE LOOKED
LIKE YOU
BUT HE WASN’T YOU. NO HE WASN’T YOU
BUT YOU CAN STILL TRUST ME- THIS AIN’T INFIDELITY
IT’S NOT CHEATING, YOU WERE ON MY MIND
YES HE LOOKED LIKE YOU
BUT I HEARD LOVE IS BLIND
C M
Y B
YOU CAN’T SIT DOWN RIGHT
COS YA JEANS ARE TOO TIGHT
AND YOU’RE LUCKY IT’S LADIES NIGHT
WITH YOUR BIG EMPTY PURSE
EVERY WEEK IT GETS WORSE
AT LEAST YOUR BREASTS COST MORE THAN HERS
SO YOU DID MIAMI COS YOU GOT THERE FOR FREE
BUT SOMEHOW YOU MISSED THE PLANE
SO YOU DID TOO MUCH E - MET SOMEBODY
AND SPENT THE NIGHT GETTING CANED
WITHOUT GIRLS LIKE YOU THERE’D BE NO FUN
WE’D GO TO THE CLUB AND NOT SEE ANYONE
WITHOUT GIRLS LIKE YOU THERE’S NO NIGHTLIFE
ALL THOSE MEN JUST GO HOME TO THEIR WIFE
DON’T BE MAD AT ME COS YA PUSHING THIRTY
AND YOUR OLD TRICKS NO LONGER WORK
YOU SHOULD’VE KNOWN FROM THE JUMP
THAT YOU’LL ALWAYS GET DUMPED
SO DUST OFF YOUR FUCK… ME… PUMPS…
PAGE 04
THERE IS NO GREATER LOVE THAN WHAT I FEEL FOR YOU
NO SWEETER SONG, NO HEART SO TRUE
THERE IS NO GREATER THRILL THAN WHAT YOU BRING TO ME
NO SWEETER SONG THAT WHAT YOU SING TO ME
YOU’RE THE SWEETEST THING I HAVE EVER KNOWN
AND TO THINK THAT YOU ARE MINE, YOU ARE MINE ALONE
THERE IS NO GREATER LOVE IN ALL THE WORLD IT’S TRUE
NO GREATER LOVE THAN WHAT I FEEL FOR YOU
PAGE 05
C M
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120.5MM
(4.74”)
(THERE IS) NO GREATER LOVE
SAFETY
TRIM
BLEED
C M
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FUCK ME PUMPS
120.5MM
(4.74”)
241MM
(9.49”)
NON EU
SEL#:
TITLE:FRANK
0
1
1
2
2
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3
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4
DATE: 15.01.04
L/S: 150
JOB #:T61367
SEPARATOR: SONICON
25
25
50
50
75
75
100
100
95
TECH: PJF
CYAN
YELLOW
PMS
MAGENTA
BLACK
PMS
TOTAL
NUMBER OF
COLORS
B AC
4
95
97
97
99
99
75
50
25
10
CM
MY
CY
T
K
ON
FR
CTP
TARGET
119.5MM
(4.71”)
FOLD
HEAD
C M
Y B
TAKE THE BOX
WISH I COULD SAY IT BREAKS MY HEART
LIKE YOU DID IN THE BEGINNING
IT’S NOT THAT WE GREW APART
A NIGHTINGALE NO LONGER SINGING
IT’S SOMETHING I KNOW YOU CAN’T DO
SEPARATE SEX WITH EMOTION
I SLEEP ALONE; THE SUN COMES UP
YOU’RE STILL CLINGING TO SOME NOTION
EVERYTHING IS SLOWING DOWN
RIVER OF NO RETURN
RECOGNISE MY EVERY SOUND
THERE’S NOTHING NEW TO LEARN
YOU’LL NEVER GET MY MIND RIGHT
LIKE TWO SHIPS PASSING IN THE NIGHT
WANT THE SAME THING WHEN WE LAY
OTHERWISE MINE’S A DIFFERENT WAYS
OH, IT’S YOU AGAIN
LISTEN, THIS ISN’T A REUNION
SO SORRY IF I TURN MY HEAD
YOURS A FAMILIAR FACE, BUT THAT DON’T
MAKE YOUR PLACE SAFE IN MY BED
I NEVER THOUGHT MY MEMORY
OF WHAT WE HAD COULD BE INTRUDED
BUT I COULDN’T LET IT BE
I NEEDED IT AS MUCH AS YOU DID
NOW IT’S NOT HARD TO UNDERSTAND
WHY WE JUST SPEAK AT NIGHT
THE ONLY TIME I HOLD YOUR HAND
IS TO GET THE ANGLE RIGHT
EVERYTHING IS SLOWING DOWN
RIVER OF NO RETURN
RECOGNISE MY EVERY SOUND
THERE’S NOTHING NEW TO LEARN
YOU’LL NEVER GET MY MIND RIGHT
LIKE TWO SHIPS PASSING IN THE NIGHT
WANT THE SAME THING WHEN WE LAY
OTHERWISE MINE’S A DIFFERENT WAY
OH – IT’S YOU AGAIN
LISTEN, THIS ISN’T A REUNION
SO SORRY IF I TURN MY HEAD
YOURS IS A FAMILIAR FACE
BUT THAT DON’T MAKE YOUR PLACE SAFE
IN MY BED
YOUR NEIGHBOURS WERE SCREAMING
I DON’T HAVE A KEY FOR DOWNSTAIRS
SO I PUNCHED ALL THE BUZZERS
HOPING YOU WOULDN’T BE THERE
SO NOW MY HEAD’S HURTING
YOU SAY I ALWAYS GET MY OWN WAY
BUT YOU WERE IN THE SHOWER WHEN I GOT THERE
I’D HAVE WANTED TO STAY
BUT I GOT NOTHING TO SAY
COS YOU WERE SO BEAUTIFUL BEFORE TODAY
BUT THEN I HEARD WHAT YOU GOT TO SAY
MAN, THAT WAS UGLY
THE MOSCHINO BRA YOU BOUGHT ME LAST CHRISTMAS
PUT IT IN THE BOX
FRANK’S IN THERE AND I DON’T CARE
PUT IT IN THE BOX
NOW TAKE IT…. TAKE THE BOX
TAKE THE BOX
I CAME HOME THIS EVENING
AND NOTHING FELT LIKE HOW IT SHOULD BE
I FEEL LIKE WRITING YOU A LETTER
BUT THAT’S NOT ME. YOU KNOW ME
FEEL SO FUCKING ANGRY
I DON’T WANNA BE REMINDED OF YOU
BUT WHEN I PUT MY SHIT IN YOUR KITCHEN
I SAID GOODBYE TO YOUR BEDROOM
IT SMELLED LIKE YOU
MR FALSE PRETENCE, YOU DON’T MAKE SENSE
I JUST DON’T KNOW YOU
BUT YOU MAKE ME CRY, WHERE’S MY KISS GOODBYE?
I THINK I LOVE YOU
OCTOBER SONG
TODAY MY BIRD FLEW AWAY
GONE TO FIND HER BIG BLUE JAY
STARLIGHT BEFORE SHE TOOK FLIGHT
I SUNG A LULLABY OF BIRD LAND EVERY NIGHT
SANG FOR MY AVA EVERY NIGHT
AVA WAS THE MORNING, NOW SHE’S GONE
SHE’S REBORN LIKE SARAH VAUGHAN
IN THE SANCTUARY SHE HAS FOUND
BIRDS SURROUND HER SWEET SOUND
AND AVA FLIES IN PARADISE
WITH DREAD I WOKE IN MY BED
TO SHOOTING PAINS UP IN MY HEAD
LOVEBIRD, MY BEAUTIFUL BIRD
SPOKE UNTIL ONE DAY SHE COULDN’T BE HEARD
SHE JUST STOPPED SINGING
PAGE 06
PAGE 07
C M
Y B
120.5MM
(4.74”)
120.5MM
(4.74”)
241MM
(9.49”)
NON EU
SEL#:
TITLE:FRANK
0
1
1
2
2
3
3
4
C M
Y B
4
DATE: 15.01.04
L/S: 150
JOB #:T61367
SEPARATOR: SONICON
25
25
50
50
75
75
100
100
95
TECH: PJF
CYAN
YELLOW
PMS
MAGENTA
BLACK
PMS
TOTAL
NUMBER OF
COLORS
B AC
T
K
4
95
97
97
99
99
75
50
25
10
CM
MY
CY
ON
FR
CTP
TARGET
SAFETY
TRIM
BLEED
C M
Y B
IN MY BED
119.5MM
(4.71”)
FOLD
HEAD
C M
Y B
UNDERSTAND ONCE HE WAS A FAMILY MAN
SO SURELY I WOULD NEVER, EVER GO THROUGH IT FIRST HAND
EMULATE ALL THE SHIT MY MOTHER HATE
I CAN’T HELP BUT DEMONSTRATE MY FREUDIAN FATE
MY ALIBI FOR TAKING YOUR GUY
HISTORY REPEATS ITSELF, IT FAILS TO DIE
AND ANIMAL AGGRESSION IS MY DOWNFALL
I DON’T CARE BOUT WHAT YOU GOT, I WANT IT ALL
IT’S BRICKED UP
AND I QUESTION
MY DESTRUCTIVE
AND I QUESTION
AMY AMY AMY
ALTHOUGH I’VE BEEN HERE BEFORE
AMY AMY AMY
HE’S JUST TOO HARD TO IGNORE
MASCULINE WITHIN YOUR SHELL
I THINK YOU’D WEAR ME WELL
AMY AMY AMY
WHERE’S MY MORAL PARALLEL?
YOU WON’T HELP YOURSELF
SO MUCH FROM SOMEONE ELSE
YOU DON’T HELP YOURSELF
YOU GOT A DEGREE IN PHILOSOPHY
SO YOU THINK YOU CLEVERER THAN ME
BUT I’M NOT JUST SOME DRAMA QUEEN
COS IT’S WHERE YOU AT, NOT WHERE YOU BEEN
WHAT DO YOU EXPECT FROM ME?
TO HOLD YOUR HEAD ABOVE THE SEA
AND CARRY YOU EVEN THOUGH YOU BIGGER
DON’T YOU KNOW? YOU CRUSH MY TINY FIGURE
ANYWAY, WE STILL SO YOUNG
AND THIS ISN’T YESTERDAY
IN MY HEAD AND SHOVED UNDER MY BED
MYSELF AGAIN- WHAT IS IT BOUT MEN?
SIDE HAS GROWN A MILE WIDE
I’M NURTURING- I
AND I’LL TAKE THE
AND I’LL SAVE MY
FOR BEHAVIOURAL
ATTRACT ME, TIL IT HURTS TO CONCENTRATE,
DISTRACT ME; STOP ME DOING WORK I HATE,
AND JUST TO SHOW HIM HOW IT FEELS,
I WALK PAST HIS DESK IN HEELS,
ONE LEG RESTING ON A CHAIR,
FROM THE SIDE HE PULLS MY HAIR
I CAN’T HELP YOU IF
YOU CAN ONLY GET
JUST WANNA DO MY THING
WRONG MAN AS NATURALLY AS I SING
TEARS FOR UNCOVERING MY FEARS
PATTERNS THAT STICK OVER THE YEARS
IT TAKES ME HALF AN HOUR TO WRITE A VERSE
HE MAKES ME IMAGINE IT FROM BAD TO WORSE
MY WEAKNESS FOR THE OTHER SEX
EVERY TIME HIS SHOULDERS FLEX
THE WAY THE SHIRT HANGS OFF HIS BACK
MY TRAIN OF THOUGHT SPINS RIGHT OFF TRACK
AMY AMY AMY
AMY AMY AMY
YOU KNOW YOU’RE TOO HARD TO IGNORE
AMY AMY AMY
SO MUCH FROM SOMEONE ELSE
YOU DON’T HELP YOURSELF
CREATIVE ENERGY OF YOU,
WHERE ALL MY LYRICS GO UNUSED,
COS WHEN I CLOCK BLACK HAIR BLUE EYES
I DRIFT OFF AND FANTASIZE
IN MY HEAD AND SHOVED UNDER MY BED
SIDE HAS GROWN A MILE WIDE
AMY AMY AMY
AMY AMY AMY
YOU’RE TOO HARD TO IGNORE
MASCULINE YOU SPIN A SPELL
AMY AMY AMY
AMY AMY AMY
AMY AMY AMY
NOW YOU KNOW YOU’RE TOO HARD TO IGNORE
AMY AMY AMY
PAGE 08
PAGE 09
C M
Y B
120.5MM
(4.74”)
120.5MM
(4.74”)
241MM
(9.49”)
NON EU
SEL#:
TITLE:FRANK
0
1
1
2
2
3
3
4
DATE: 15.01.04
L/S: 150
JOB #:T61367
SEPARATOR: SONICON
4
25
25
C M
Y B
50
50
75
75
100
100
TECH: PJF
CYAN
YELLOW
PMS
MAGENTA
BLACK
PMS
TOTAL
NUMBER OF
COLORS
B AC
4
95
95
97
97
99
99
75
50
25
10
CM
MY
CY
T
K
ON
FR
CTP
TARGET
SAFETY
TRIM
BLEED
C M
Y B
AMY AMY AMY
WHEN I WALK IN YOUR SHOES I
UNDERSTAND A MAN CONFUSED
THEY MUCH TOO BIG, BUT I DON’T CARE
FEEL THE WEIGHT YOUR SHOULDERS BEAR
NOW I REALLY EMPATHISE
LOOKING THROUGH YOUR BLOODSHOT EYES
AND I KNOW YOU.. YOU SO FRUSTRATED
BUT WE ALL BECOME WHAT WE ONCE HATED
BESIDES, NOBODY CAN BE THAT WISE
YOU CAN ONLY GET
WHAT IS IT ABOUT MEN?
IT’S BRICKED UP
AND I QUESTION
MY DESTRUCTIVE
AND I QUESTION
HELP YOURSELF
119.5MM
(4.71”)
FOLD
HEAD
C M
Y B
C M
Y B
SAFETY
TRIM
BLEED
C M
Y B
PAGE 10
PAGE 11
C M
Y B
120.5MM
(4.74”)
120.5MM
(4.74”)
241MM
(9.49”)
NON EU
SEL#:
TITLE:FRANK
0
1
1
2
2
3
3
4
4
DATE: 15.01.04
L/S: 150
JOB #:T61367
SEPARATOR: SONICON
25
25
50
50
75
75
100
100
TECH: PJF
CYAN
YELLOW
PMS
MAGENTA
BLACK
PMS
TOTAL
NUMBER OF
COLORS
B AC
T
K
4
95
95
97
97
99
99
75
50
25
10
CM
MY
CY
ON
FR
CTP
TARGET
119.5MM
(4.71”)
FOLD
HEAD
C M
Y B
C M
Y B
C M
Y B
SAFETY
TRIM
BLEED
THANK YOU ROY AYERS, COUNT BASIE, BEASTIE BOYS,
BEN FOLDS FIVE, TONY BENNETT, CLIFFORD BROWN,
RAY CHARLES, NAT COLE, D’ANGELO, SAMMY DAVIES,
DUKE ELLINGTON, DONNY HATHAWAY, MAHALIA
JACKSON, MICHAEL JACKSON, LOUIS JORDAN,
QUINCY JONES, KING PLEASURE, CAROLE KING,
LEFT EYE, CHARLIE MINGUS, THELONIUS MONK,
MINNIE RIPPERTON, SALT N PEPA, FRANK SINATRA,
JAMES TAYLOR, TEENA MARIE, SARAH VAUGHAN,
DINAH WASHINGTON AND STEVIE WONDER.
THESE SONGS ARE DEDICATED TO THE MEMORY OF
MY UNCLE’S - JACK SELNER AND HAROLD WINEHOUSE
PAGE 12
PAGE 13
C M
Y B
120.5MM
(4.74”)
120.5MM
(4.74”)
241MM
(9.49”)
NON EU
SEL#:
TITLE:FRANK
0
1
1
2
2
3
3
4
4
DATE: 15.01.04
L/S: 150
JOB #:T61367
SEPARATOR: SONICON
25
25
50
50
75
75
100
100
95
TECH: PJF
CYAN
YELLOW
PMS
MAGENTA
BLACK
PMS
TOTAL
NUMBER OF
COLORS
B AC
T
K
4
95
97
97
99
99
75
50
25
10
CM
MY
CY
ON
FR
CTP
TARGET
119.5MM
(4.71”)
FOLD
HEAD
C M
Y B
C M
Y B
IN MY BED WRITTEN BY AMY WINEHOUSE, SALAAM REMI. PUBLISHED BY: EMI MUSIC PUBLISHING LTD, SALAAM REMI
MUSIC. ACCOMPANIED BY 21ST CENTURY JAZZ. RECORDED AT CREATIVE SPACE, MIAMI, FL. MIXED AT CIRCLE HOUSE,
MIAMI FL. PRODUCED AND ARRANGED BY SALAAM "THE CHAMELEON" REMI. RECORDED AND MIXED BY GARY "MON"
NOBLE FOR "A PATH TO YOUR SOUL" ASSISTANT ENGINEER: STEVE "ESP" NOWA. VOCALS, GUITAR: AMY WINEHOUSE,
ELECTRIC BASS, DRUMS: SALAAM REMI, BARITONE, TENOR, ALTO SAXES, FLUTES: VINCENT HENRY, ORGAN RHODES: JOHN
ADAMS TRUMPET, BASS TRUMPET, FLUGEL HORN: BRUCE PURSE, BACKGROUND VOCALS: JENI FUJITA. TAKE THE BOX
WRITTEN BY AMY WINEHOUSE. PUBLISHED BY: EMI MUSIC PUBLISHING LTD, COPYRIGHT CONTROL. RECORDED AT EMI MUSIC
PUBLISHING STUDIOS, LONDON. PRODUCED BY AMY WINEHOUSE. ADDITIONAL PRODUCTION BY JONY ROCKSTAR FOR Z
MANAGEMENT. MIXED BY TOM ELMHIRST FOR THIS MUCH TALENT. HORN: TIMOTHY HUTTON, GUITAR: JEREMY SHAW,
ADDITIONAL DRUMS: RICHARD WILKINSON, VOCALS: AMY WINEHOUSE. OCTOBER SONG WRITTEN BY AMY WINEHOUSE, MATT
ROWE & STEFAN SKARBEK. PUBLISHED BY: EMI MUSIC PUBLISHING LTD, UNIVERSAL MUSIC, BMG MUSIC PUBLISHING.
ASSISTANT ENGINEER: JOHN PIRETTI. ALL VOCALS: AMY WINEHOUSE, GUITAR: EARL CHINNA SMITH & AMY WINEHOUSE,
BASS: DELROY "CHRIS" COOPER, KEYBOARDS: LENNY UNDERWOOD, SAX: TEODROSS AVERY, DRUMS: ERROL CAMPBELL,
PERCUSSION: ERROL CAMPBELL & GORDON WILLIAMS. PRODUCED BY COMMISSIONER GORDON FOR SONGS OF DAVID.
RECORDED BY COMMISSIONER GORDON AT THE HEADQUARTERS, NJ AND MAYFAIR STUDIOS, LONDON. PROGRAMMING:
COMMISSIONER GORDON. ASSISTANT ENGINEER: HOUSTON "HOUSE" BOWEN & BEN BRYANT. MIXED BY COMMISSIONER
GORDON AT PLATINUM SOUND STUDIOS, NYC. WHAT IT IS ABOUT MEN WRITTEN BY AMY WINEHOUSE, FELIX STARBUCK
HOWARD, PAUL WATSON & LUKE SMITH. PUBLISHED BY: EMI MUSIC PUBLISHING LTD, COPYRIGHT CONTROL. RECORDED AT
THE HEADQUARTERS, NJ & MAYFAIR STUDIOS, LONDON BY COMISSIONER GORDON. PRODUCED BY COMMISSIONER GORDON
FOR SONGS OF DAVID. RECORDED BY COMMISSIONER GORDON AT THE HEADQUARTERS, NJ AND MAYFAIR STUDIOS,
LONDON. PROGRAMMING AND TURNTABLES: COMMISSIONER GORDON. ASSISTANT ENGINEER: HOUSTON "HOUSE" BOWEN &
BEN BRYANT. ASSISTANT ENGINEER: JOHN PIRETTI. MIXED BY COMMISSIONER GORDON AT PLATINUM SOUND STUDIOS, NYC.
ALL VOCALS: AMY WINEHOUSE, GUITAR: EARL CHINNA SMITH, BASS: DELROY "CHRIS" COOPER, RHODES & ORGAN:
DONOVAN JACKSON, DRUMS: WILBURN SQUIDDLEY COLE, PERCUSSION: RUDY BIRD & GORDON WILLIAMS, SAX: TEODROSS
AVERY, TRUMPET: TANYA DARBY, TROMBONE: STAFFORD HUNTER. HELP YOURSELF WRITTEN BY AMY WINEHOUSE & JIMMY
HOGARTH. PUBLISHED BY: EMI MUSIC PUBLISHING LTD, DALMATIAN SONGS, BMG MUSIC. PRODUCED BY JIMMY HOGARTH.
HORN, WURLITZER, HAMMOND ORGAN: MARTIN SLATTERY, PROGRAMMED BY JIMMY HOGARTH, DRUMS, BASS, GUITAR,
PERCUSSION: JIMMY HOGARTH, MIXED BY JIMMY HOGARTH & CAMERON CRAIG, VOCALS: AMY WINEHOUSE. “HELP
YOURSELF” CONTAINS ELEMENTS FROM “YOU WON’T BE SATISFIED UNTIL YOU BREAK MY HEART” (F. JAMES/L. STOCK).
PUBLISHED BY WARNER/CHAPPELL MUSIC LTD. USED BY PERMISSION. ALL RIGHTS RESERVED. AMY AMY AMY WRITTEN BY
AMY WINEHOUSE, MATT ROWE & STEFAN SKARBEK. PUBLISHED BY: EMI MUSIC PUBLISHING LTD, COPYRIGHT CONTROL, BMG
MUSIC PUBLISHING, UNIVERSAL MUSIC PUBLISHING LTD. RECORDED AND MIXED AT MAYFAIR STUDIOS LONDON. PRODUCED
BY MATT ROWE. TRUMPET: STEFAN SKARBEK AND MATT ROWE, BACKGROUND VOCALS: MATT ROWE, STEFAN SKARBEK, FELIX
HOWARD, VOCALS: AMY WINEHOUSE. OUTRO WRITTEN BY AMY WINEHOUSE & SALAAM REMI. PUBLISHED BY: EMI MUSIC
PUBLISHING LTD, SALAAM REMI MUSIC. GUITAR: AMY WINEHOUSE, ORGAN, DRUMS: SALAAM REMI, BARITONE, TENOR, ALTO
SAXES: VINCENT HENRY, RHODES: JOHN ADAMS, TRUMPET, BASS TRUMPET, FLUGEL HORN: BRUCE PURSE, BACKGROUND
VOCALS: JENI FUJITA. ACCOMPANIED BY 21ST CENTURY JAZZ. RECORDED AT CREATIVE SPACE, MIAMI, FL. MIXED AT CIRCLE
HOUSE, MIAMI, FL. PRODUCED & ARRANGED BY SALAAM "THE CHAMELEON" REMI. RECORDED AND MIXED BY GARY "MON"
NOBLE FOR "A PATH TO YOUR SOUL". ASSISTANT ENGINEER: STEVE "ESP" NOWA. p 2003 UNIVERSAL ISLAND RECORDS LTD
A UNIVERSAL MUSIC COMPANY. THE COPYRIGHT IN THIS SOUND RECORDING AND ARTWORK IS OWNED BY UNIVERSAL
ISLAND RECORDS LTD. BIEM/MCPS ALL RIGHTS RESERVED. UNAUTHORISED COPYING, REPRODUCTION, HIRING, LENDING,
PUBLIC PERFORMANCE AND BROADCASTING PROHIBITED. WWW.AMYWINEHOUSE.COM WWW.ISLANDRECORDS.CO.UK
MANAGEMENT: NICK GODWYN. A&R NICK SHYMANSKY. CO ORDINATOR KATE LOWER. ALL AT BRILLIANT 19 LTD. COVER
PHOTOGRAPHY BY CHARLES MORIARTY. ALL OTHER PHOTOGRAPHY BY VALERIE PHILLIPS.
DESIGN BY MICHAEL NASH ASSOCIATES. MADE IN THE EU. LC00407 9866182
PAGE 14
C M
Y B
120.5MM
(4.74”)
120.5MM
(4.74”)
241MM
(9.49”)
NON EU
SEL#:
TITLE:FRANK
0
1
1
2
2
3
3
4
DATE: 15.01.04
L/S: 150
JOB #:T61367
SEPARATOR: SONICON
4
25
25
50
50
75
75
100
100
TECH: PJF
CYAN
YELLOW
PMS
MAGENTA
BLACK
PMS
TOTAL
NUMBER OF
COLORS
B AC
T
K
4
95
95
97
97
99
99
75
50
25
10
CM
MY
CY
ON
FR
CTP
TARGET
C M
Y B
SAFETY
TRIM
BLEED
INTRO WRITTEN BY AMY WINEHOUSE. PUBLISHED BY EMI MUSIC PUBLISHING LTD. PRODUCED BY COMMISSIONER GORDON
FOR SONGS OF DAVID. VOCALS AND GUITAR BY AMY WINEHOUSE. RECORDED AND MIXED BY COMMISSIONER GORDON AT
THE HEADQUARTERS, NJ. MASTERING ENGINEER: TOM COYNE. STRONGER THAN ME WRITTEN BY AMY WINEHOUSE & SALAAM
REMI PUBLISHED BY: EMI MUSIC PUBLISHING LTD, SALAAM REMI MUSIC. ACCOMPANIED BY 21ST CENTURY JAZZ. RECORDED
AT CREATIVE SPACE, MIAMI, FL. MIXED AT CIRCLE HOUSE MIAMI, FL. PRODUCED & ARRANGED BY SALAAM "THE
CHAMELEON" REMI. RECORDED BY GARY "MON" NOBLE FOR "A PATH TO YOUR SOUL". ASSISTANT RECORDING ENGINEER:
STEVE "ESP" NOWA. GUITAR: AMY WINEHOUSE, ORGAN, DRUMS: SALAAM REMI, BARITONE, TENOR, ALTO SAXES: VINCENT
HENRY, RHODES: JOHN ADAMS, TRUMPET, BASS TRUMPET, FLUGEL HORN: BRUCE PURSE, VOCALS: AMY WINEHOUSE. YOU
SENT ME FLYING WRITTEN BY AMY WINEHOUSE/FELIX HOWARD. PUBLISHED BY: EMI MUSIC PUBLISHING LTD. PRODUCED BY
SALAAM "THE CHAMELEON" REMI BASED ON AN ORIGINAL DEMO RECORDED BY FELIX HOWARD, PAUL WATSON, AND LUKE
SMITH. RECORDED AND MIXED BY GARY "MON" NOBLE FOR "A PATH TO YOUR SOUL". ASSISTANT ENGINEER: STEVE "ESP"
NOWA. VOCALS, GUITAR: AMY WINEHOUSE, DRUMS, PERCUSSION: SALAAM REMI, PIANO, BASS, KEYBOARD: LUKE SMITH,
MIXED AT CIRCLE HOUSE, MIAMI, FL. RECORDED AT CREATIVE SPACE, MIAMI, FL. CHERRY WRITTEN BY AMY WINEHOUSE &
SALAAM "THE CHAMELEON" REMI. PUBLISHED BY: EMI MUSIC PUBLISHING LTD, SALAAM REMI MUSIC. RECORDED AT
CREATIVE SPACE, MIAMI, FL. PRODUCED & ARRANGED BY SALAAM "THE CHAMELEON" REMI. RECORDED AND MIXED BY
GARY "MON" NOBLE FOR "A PATH TO YOUR SOUL". GUITAR: AMY WINEHOUSE, DRUM PROGRAMMING: SALAAM REMI,
MIXED BY SALAAM REMI, VOCALS: AMY WINEHOUSE. FUCK ME PUMPS WRITTEN BY AMY WINEHOUSE & SALAAM REMI.
PUBLISHED BY: EMI MUSIC PUBLISHING LTD, SALAAM REMI MUSIC. ACCOMPANIED BY 21ST CENTURY JAZZ. RECORDED AT
CREATIVE SPACE, MIAMI, FL. MIXED AT CIRCLE HOUSE, MIAMI, FL. PRODUCED & ARRANGED BY SALAAM "THE CHAMELEON"
REMI. RECORDED AND MIXED BY GARY "MON" NOBLE FOR "A PATH TO YOUR SOUL". I HEARD LOVE IS BLIND WRITTEN BY
AMY WINEHOUSE. PUBLISHED BY: EMI MUSIC PUBLISHING LTD. ACCOMPANIED BY 21ST CENTURY JAZZ. RECORDED AT
CREATIVE SPACE, MIAMI FL. MIXED AT CIRCLE HOUSE MIAMI FL. PRODUCED AND ARRANGED BY SALAAM "THE CHAMELEON"
REMI. RECORDED AND MIXED BY GARY "MON" NOBLE FOR "A PATH TO YOUR SOUL". ASSISTANT ENGINEER: STEVE "ESP"
NOWA. GUITAR, VOCALS: AMY WINEHOUSE, ELECTRIC UPRIGHT BASS: SALAAM REMI, ORGAN: JOHN ADAMS, BARITONE,
TENOR, ALTO SAXES, FLUTE: VINCENT HENRY, TRUMPET, BARITONE HORN, FLUGEL HORN: BRUCE PURSE, DRUMS: TROY
WILSON. TEO LICKS WRITTEN BY AMY WINEHOUSE. PUBLISHED BY: EMI MUSIC PUBLISHING LTD. PRODUCED BY
COMMISSIONER GORDON FOR SONGS OF DAVID. ALL VOCALS: AMY WINEHOUSE, GUITAR: EARL CHINNA SMITH, BASS:
GREGORY JACKSON, KEYBOARDS: DONOVAN JACKSON, DRUMS: EROL CAMPBELL, PERCUSSION: COMMISSIONER GORDON.
RECORDED AND MIXED BY COMMISSIONER GORDON AT THE HEADQUARTERS, NJ. MASTERING ENGINEER: TOM COYNE.
(THERE IS) NO GREATER LOVE WRITTEN BY ISHAM JONES, MARTY SYMES. PUBLISHED BY: MUSIC SALES CORPORATION,
BANTA MUSIC. PRODUCED BY COMMISSIONER GORDON FOR SONGS OF DAVID. VOCALS: AMY WINEHOUSE, PIANO: LENNY
UNDERWOOD, DRUMS, PERCUSSION, AND EFFECTS: COMMISSIONER GORDON, SAX AND FLUTE: ROBERT AARON, GUITAR: IAN
BARTER. RECORDED BY COMMISSIONER GORDON AT THE HEADQUARTERS, NJ, MAYFAIR STUDIOS, LONDON, AND PLATINUM
SOUND STUDIOS, NYC. ASSISTANT RECORDING ENGINEER: HOUSTON "HOUSE" BOWEN & BEN BRYANT. MIXED BY
COMMISSIONER GORDON AT PLATINUM SOUND STUDIOS, NYC. ASSISTANT MIXER: BRENT WILLIAMS.
119.5MM
(4.71”)
FOLD
FOLD
10.3MM
(.41”)
i
C M
Y B
INTRO
STRONGER THAN ME
Y O U S E N T M E F LY I N G
CHERRY
F**K ME PUMPS
I HEARD LOVE IS BLIND
( T H E R E I S ) N O G R E AT E R LOV E
I N MY B E D
TA K E T H E B OX
OCTOBER SONG
W H AT I S I T A B O U T M E N
H E L P YO U R S E L F
AMY AMY AMY
OUTRO
6
02498 66182
6
i
AMY W I N E H O U S E
AMY W I N E H O U S E
C M
Y B
SPINE
6.4MM
(.25”)
HEAD
SHOW THRU
MAX AREA
C M
Y B
117.5MM
(4.63”)
FRANK
FRANK
137.8MM
(5.42”)
9 8 6 618 2
9 8 6 618 2
i
P 2003 UNIVERSAL ISLAND RECORDS LTD g 2003 UNIVERSAL ISLAND RECORDS LTD. A UNIVERSAL MUSIC COMPANY. THE
COPYRIGHT IN THIS SOUND RECORDING AND ARTWORK IS OWNED BY UNIVERSAL ISLAND RECORDS LTD. BIEM/MCPS ALL RIGHTS
RESERVED. UNAUTHORISED COPYING, REPRODUCTION, HIRING, LENDING, PUBLIC PERFORMANCE AND BROADCASTING PROHIBITED.
MADE IN THE EU. MANAGEMENT: NICK GODWYN. A&R NICK SHYMANSKY. LC00407 9866182
SAFETY
TRIM
BLEED
SPINE
6.4MM
(.25”)
C M
Y B
MANAGEMENT: NICK GODWYN. A&R NICK SHYMANSKY.
150.6MM
(5.93”)
SHOW THRU
TYPE SAFETY
AREA
CD INLAY CLEAR TRAY
NON EU
SEL#:
ARTIST: AMY WINEHOUSE
TITLE: FRANK
TEMPLATE: UMG_CD_INLAY_CLEAR_JUL00.qxt
DATE:15.01.04
L/S:
FILE NAME:9866182_IL
JOB #:T61367
SEPARATOR:SONICON
TECH:
CYAN
YELLOW
MAGENTA
BLACK
TOTAL
NUMBER OF
COLORS
4
10.3MM
(.41”)
FOLD
FOLD
SPINE
6.4MM
(.25”)
HEAD
SHOW THRU
MAX AREA
C M
Y B
C M
Y B
117.5MM
(4.63”)
SAFETY
TRIM
BLEED
C M
Y B
SPINE
6.4MM
(.25”)
C M
Y B
137.8MM
(5.42”)
150.6MM
(5.93”)
SHOW THRU
TYPE SAFETY
AREA

FRANK AMY WINEHOUSE

Transcription

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