Spotlight Spring 2014
Transcription
Spotlight Spring 2014
FREE to m e The mbers of Mar Frie lowe nds The magazine of The Marlowe Friends Issue 8 Spring 2014 Happy Days Fonzie, Richie, Mrs C and the rest of the gang arrive at The Marlowe for the coolest show around Swan Lake Matthew Bourne’s modern take on a classic; coming to Canterbury in May Samantha Womack From barmaids to beanstalks and her first pantomime season 365 DAYS OF PANTO FiND YOUR VOICE A look into the intensive, year-long job of putting on a show over the festive period • P16 The Marlowe’s new Literary Associate Simon Mendes de Costa talks about the challenges of writing • P13 CANTERBURY OPERATIC SOCIETY More than a 100 years old and not slowing down • P8 Contents 4 News 6 Happy Days Meet Fonzie, Richie, Mrs C and the rest of the gang when the musical comes to The Marlowe 8 Canterbury Operatic Society How they continue to evolve and attract new members 10 Matthew Bourne’s Swan Lake A look at the re-invention of an iconic production 12 Special Events Exclusive talks, workshops and tours running throughout the year 13 Simon Mendes da Costa The Marlowe’s Literary Associate talks about the challenges of writing Welcome FREE to me The mbers of Ma Friendrlowe s 14 In the Spotlight: Samantha Womack Exclusive chat about her first pantomime season and her time in EastEnders 16 365 days of panto A look at the year-long job of Evolution Productions’ Paul Hendy and Emily Wood Spotlight Issue 8 Spring 2014 Contributors Laura Kimpton Dawn Kingsford Amy Smith Sarah Munday Editor Sarah Munday 18 Staff Feature Keeping the house in order; Spotlight talks to the Front Of House management team 21 Laura Kimpton Columnist Laura Kimpton on taking to the stage 22 D iscounts and events for The Marlowe Friends Plenty of savings to be made and events to be enjoyed across Kent for our members Design Cog Design Photography Tim Stubbings timstubbings.co.uk ISSN 2046-4703 (print) ISSN 2046-4711 (online) The Marlowe Theatre The Friars, Canterbury Kent CT1 2AS Follow us on Twitter @marlowetheatre marlowetheatre.com Write to us with your comments at spotlight@ marlowetheatre.com Cause to celebrate for The Marlowe! Since October 2011, there has been an increase of 26 per cent in terms of customers coming through our doors. What did you do to celebrate your 21st birthday? I remember mine well: I spent most of the day driving home to Brighton from Nottingham University. I was in my Dad’s Mini, which I’d borrowed to move stuff, and it was thick fog all the way to London and rather scary. When I eventually got home I had a quiet time with my parents, although I remember Dad had got a bottle of champagne in. Students were very different then – we hardly drank at all! Turning 21 is a landmark occasion and I was honoured to join in the celebrations at the end of the summer for The Marlowe Friends coming of age. It was an evening of music, good company and many memories (report on page 4). Here’s to the next 21 years! Another reason to celebrate: we have now just passed our second anniversary of opening, and at the gathering of staff it was a time to reflect on our amazing achievements. We are “up” on all aspects of the business, and perhaps one of the most impressive figures is that since October 2011, average attendance has gone up from 710 (in the old theatre) to 895, an incredible 26 per cent increase. Many of these people will have been you, our Marlowe Friends, so thank you, once again for your loyal and continued support. Here’s to the next two years – and the rest! Page 6 2 Spotlight Spring 2014 Page 8 Page 14 Mark Everett Theatre director DAVID WEBB MARLOWE PEOPLE A Big Celebration MARLOWE FRIENDS Flag-waving and fizz were the order of the day at The Marlowe Friends 21st birthday celebration. Marlowe first-anniversary competition winners David and Helen Webb enjoyed their “intensive taster” of shows so much they have decided to become Friends. The group’s coming of age was marked at a Gala Night At The Proms with the Kent Concert Orchestra in September. According to Friends Chairman June Brewer, the evening surpassed all expectations: “To be part of a packed Marlowe audience SUPPORT IS NEEDED FUNDRAISING is always exciting but this was very special. The concert was superb and this was a real party – we had fizz and we had a cake and the atmosphere was just what you expect at a birthday party – joyful and, above all, friendly.” June is pictured cutting the cake on stage with Theatre Director Mark Everett. Give a little extra: that’s the message to Friends from The Marlowe Theatre Development Trust. Having supported the redevelopment of The Marlowe, the charity is now looking to support projects and activities developed and led by our creative and education team. From boosting the confidence of young people through more performances, nurturing more of our local playwrights to create new work, to providing an even better educational resource for our teachers and offering more subsidised tickets to schools, you can help make a real difference to the range of cultural experiences we can offer beyond our shows. From donating as little as £2 at the Box Office, to regularly giving £5 or more every month, you will not just be helping the theatre to develop and flourish but have an even warmer, closer relationship with your Marlowe Theatre. For further details contact the Development office on 01227 862031. David continues: “The shows we have seen enhanced our love of theatre and with such a variety, have broadened our horizons. We both thought it would be a great idea to continue the trend and attend on a regular basis, making the most of the benefits Friends get.” DISCOVERY tickets Anyone aged between 16 and 26, plus full-time students, can now benefit from reduced rate tickets 4 Spotlight Spring 2014 30 To date, more than 30 boys have so far sung the hits of the young Michael Jackson in Thriller Live in the West End and around the world. The need to have six of them at any one time has led the producers to launch a training academy to develop boys for the role of the singer. Wouldbe MJs get classes in singing and dancing every week, with terms lasting three months. Thriller Live is at The Marlowe Theatre in February. Meet Mia The Sittingbourne couple (pictured) won a pair of tickets to each production of a week or longer for a year last October, enabling them to: “Enjoy the hospitality and the excellent London West End standard of The Marlowe on a regular basis.” Discover the discounts in numbers Taking a closer look TOURS Theatre tours have been proving a big hit since they were reintroduced earlier this year. for top price seats. The discount applies to most week-long shows and also Studio productions, with tickets around £8. Simply book tickets in the usual way, and collect them on the day of the performance with photo ID. Theatre Director Mark Everett says: “This scheme gives young people the chance to take a risk and try something new, or to see a West End show on a budget. We’re excited to welcome a younger audience, and potentially our new generation of theatre-goers, into our venue.” To join the Discovery Tickets mailing list and for more information visit marlowetheatre.com/discovery. Responsible for the day-to-day Friends administration and all the Friend events taking place in the theatre, Amelia (Mia), our Friends Officer, is proud to be part of one of the most successful Friends schemes in the country but says there is always room for improvement: “Please contact me anytime if you have any comments or questions, if I’m not in the office I promise I will get back to you as soon as I can.” Call Mia on 01227 862309, or email her at [email protected]. Lots of you have taken up the chance to have a look around the building, including sneaky peeks at areas not usually seen by the public. Will Millar, who also works at Stage Door, is one of the tour leaders, and says he’s enjoyed meeting so many interesting and interested folk: “There is a magic to theatre and people find it fascinating to get a taste of that magic. As well as showing them the different areas, I also tell them a tale or two about the place, like the story about The Marlowe ghost!” The next tours are on Monday 23 December, Saturday 1 February, Tuesday 25 March and Wednesday 23 April. They all start at 11am and cost £10, which includes the tour, a hot drink and a slice of cake. Places are limited; to book, call the Box Office on 01227 787787. Summer 2013 Spotlight 5 Happy Days is a timeless piece of TV magic and the musical will appeal to the whole family. Meet Fonzie, Richie, Mrs C and the characters from Happy Days when the musical comes to The Marlowe Theatre in May. Dawn Kingsford meets up with Sugababes’ singer Heidi Range, who’ll be playing leading lady, Pinky Tuscadero. THE COOLEST SHOW AROUND E FACTS FROM THE FONZ Heidi Range as Pinky Tuscadero. Photo: Paul Coltas 6 Spotlight Spring 2014 Pinky is the older sister of Leather Tuscadero, played in the TV series by singer Suzi Quatro, and only appeared in two episodes. Happy Days first aired on January 15 1974, and ran until September 24, 1984. It spawned hit TV shows including Laverne & Shirley, Mork & Mindy and Joanie Loves Chachi. The Happy Days musical has been touring the States since 2008. Winkler’s leather jacket in the series hangs in the Smithsonian Institution (in Washington, the world’s largest museum and research complex). Morgan Fairchild, Tom Hanks and Robin Williams all made guest appearances in the TV series. yyyy… The Fonz is back! And he’s in the first UK stage show of the popular 1970s American sitcom, Happy Days. Henry Winkler (aka The Fonz) takes up the mantel in this new musical as Creative Designer, while the talented Amy Anzel is producer, and Sugababes’ star Heidi Range, plays the show’s gorgeous loveinterest, Pinky Tuscadero. Audiences will be catapulted back to 1950s Milwaukee and to Arnold’s diner for this milkshake of music, romance and magical family values, which will appeal to all ages. “As soon as I saw the script, I loved it”, says Heidi, speaking from her London home ahead of rehearsals. A long-time fan of the TV show, she adds: “The musical is a tribute to the original series, with all the usual characters, but a much bigger part for Pinky. “I’ve had the score a while and just can’t stop singing it around the house.” Producer and actor Amy (who also produced Legally Blonde) was instrumental in bringing Happy Days – A New Musical – to Britain, and knew the 30-year-old singer would be perfect for the part as soon as she stepped up to audition. Amy says: “We were looking for someone who could sing and dance, act and be naturally cool, just like Fonzie, and Heidi was good at all three. “It’s also nice that Heidi’s been performing for years with the Sugababes, but hasn’t done musical theatre since the band formed and is really excited about doing it.” While Heidi, who trained as a singer, dancer and actor, argues, she’s far from cool, admitting: “I’m a bit girlie, really”, her selfconfidence cannot be denied. She performed in front of 90,000 fans in Lisbon and appeared recently in Dancing On Ice and Celebrity Masterchef. The only thing that has been difficult, laughs the broad Liverpudlian, has been refining her American accent. “It really confuses my pug Bessie when I start speaking American to her!” Beloved Bessie will join her when she comes to Canterbury, which the former Atomic Kitten says she’s keen to explore. “I’ve gigged in Canterbury, but never got to look round; so, I plan to explore while I’m here.” The hardest part for Heidi will be being away from her family; she lives with sister Hayley and calls mum Karen five times a day. She muses: “Whatever happens in life, it doesn’t matter as long as you have your family. They make you what you are. “They all have plans to see the show and are very supportive and I will have Bessie with me, but I will miss them. As for the rest of the tour and the travelling, I’m really looking forward to it.” And of the show, she says: “Happy Days is a timeless piece of TV magic and the musical will appeal to the whole family, whether they’ve seen it before, or not.” Completing the line-up will be West End and Emmerdale actor Ben Freeman as The Fonz, and 1980s pop legend Cheryl Baker as Mrs Cunningham – whoa! Happy Days – A New Musical is at the Marlowe from Tuesday 27 to Saturday 31 May. Spring 2014 Spotlight 7 Formed in 1906, Canterbury Operatic Society have been going for over a century – and they show no signs of slowing down, writes an impressed Amy Smith. ANYTHING GOES The cooperation and backing we have received has enabled us to return to this wonderful venue again. David Bedford (Moon) and Lara Simpson (Erma) in Anything Goes. Photo: Harry Klib 8 Spotlight Spring 2014 I f anything, Canterbury Operatic Society (COS) continue to evolve, produce more contemporary pieces of work and attract new members each year. Their next production, Sweeney Todd, may seem a departure from previous productions – with its dark themes and an equally scary trademark Sondheim score. However COS are up for the challenge, with an exciting creative vision, 20-piece orchestra and experience of Sondheim from their 2011 production Into The Woods. A favourite of Director Stephen Cresswell, a huge Sondheim fan, the show was chosen for its challenging nature and popular appeal, with the musical winning an Olivier Award this year, and with the Oscar awardwinning film starring Johnny Depp released in 2007. The Marlowe Theatre has been hosting the society’s performances since 1952, the year after the old theatre first opened. For one week every year COS take over the theatre and perform their musical. They warmly welcome new members, whether performers or people who want to get involved behind the scenes. With the economic climate providing increasing difficulties, the company appreciates the continuing support of the theatre. Chairman Derry Martin says: “The society have been fortunate to have strong links with The Marlowe Theatre, and the cooperation and backing we have received has enabled us to return to this wonderful venue again.” Young people are also an increasingly crucial part of COS, as performer (and Spotlight columnist) Laura Kimpton (28) is keen to establish. She has been a member for 10 years now, having joined in her first year at university. Over that time she has seen changes in the society – most notably the change in the demographic of the company. On joining she was evidently one of the youngest members. Now, at least a third of the members are under the age of 30. Laura says: “I enjoy spending time with a group of like-minded people, doing something I love. It’s great to have a hobby which has an end result you can share with others and I’m really proud to be a part of our shows.” Perhaps it’s popular TV programmes such as Glee which have inspired young people to get involved with the arts, the all-encompassing marketing methods of social media, or the appeal of performing in the new Marlowe Theatre. For Laura, it was simply seeing a COS performance on stage and wanting to be part of that – and she’s never looked back. Young people are a crucial part of Canterbury Operatic Society, and any amateur theatre society, to ensure that membership does not remain static. Essentially, in the future they are what will keep the society going, and for now, they provide fresh ideas and new skills to the group. It’s great to have a hobby which has an end result you can share with others and I’m really proud to be a part of our shows. Sweeney Todd plays at The Marlowe Theatre from Wednesday 30 April to Saturday 3 May. Information on joining COS can be found at canterburyoperatic.co.uk. Spring 2014 Spotlight 9 Cheeky, funny and slightly irreverent – the 53-year-old’s work has been credited with bringing ballet to the masses. Swan Lake gets the Bourne Identity Grab the chance to see Matthew Bourne’s modern take on Swan Lake at The Marlowe Theatre in May. Dawn Kingsford looks back at the re-invention of an iconic production that ruffled the feathers of the dancing world. The provocative all-male corps de ballet in Bourne’s Swan Lake. Photo: Bill Cooper 10 Spotlight Spring 2014 I f you fancy trying ballet with a twist, then there’s no better place to start than with Swan Lake, Bourne style. While his re-interpretation may have shocked audiences when it premiered with its all-male corps de ballet at London’s Sadler’s Wells in 1995, Matthew Bourne’s creation has become one of the most popular productions ever made, earning him Tony Awards for Best Choreographer and Best Director of a Musical (the only British director to do this). Cheeky, funny and slightly irreverent – like Bourne himself – the 53-yearold’s work has been credited with bringing ballet to the masses. In a recent interview, he described the music as the starting point for his magical interpretations of the classics: “I play it for hours on end, walking around with a Walkman, on the Underground, everywhere; and just listen and try to feel something that hasn’t been recognised before. I wipe my mind of any memories of versions I’ve seen and look at the basic plot and try to pare it down to what it’s really about. Then I find a modern parallel.” The outcome is a blend of dance, humour and spectacle with extravagant, award-winning sets and costume design (Lez Brotherston). What’s so striking is just how bold and considered is Bourne’s rethinking of the traditional story and how imaginative his response to Tchaikovsky’s score. Widely hailed as the UK’s most popular and successful choreographer/ director, Bourne reflects on his own dancing and acting careers and influences including Fred Astaire and Rodgers and Hammerstein, to deliver his successful spin on the classics. As Artistic Director of his own company, New Adventures, he returns to The Marlowe a year on from his successful debut with Sleeping Beauty to direct his very personal production of Swan Lake, complete with its own, unique Bourne identity! Swan Lake is at The Marlowe Theatre from Tuesday 6 to Saturday 10 May. Spring 2014 Spotlight 11 The Marlowe Friends Special Events The Marlowe Friends enjoy a range of exclusive events throughout the year. West Side Story THEATRE TOURS MON 23 DEC 11am Tea and Tour JACK AND THE BEANSTALK FAMILY EVENTS Matthew Bourne’s Swan Lake Good companions Meet other Marlowe Friends for a drink (coffee or tea) and enjoy a talk by one of the company before the matinee. SAT 29 MAR 11.30am (talk 12 noon) Evita Parties, tours and talks for you and your family. TUES 25 MAR 11am Tea and Tour MON 30 DEC 5pm Jack And The Beanstalk Find Out About Talk & Tour (8-16 years) WED 23 APRIL 11am Tea and Tour THU 2 JAN 4.45pm Jack And The Beanstalk Meet The Cast SAT 10 MAY 12noon (talk 12.30pm) Matthew Bourne’s Swan Lake FRI 21 FEB Tom’s Midnight Garden Post-show Q&A with the cast after the 2pm performance SAT 24 MAY 11.30am (talk 12 noon) Dance Till Dawn Sat 19 Apr 5.30pm Peppa Pig Meet The Cast To book events, call our Box Office on 01227 787787 12 Spotlight Spring 2014 SAT 1 FEB 11am Tea and Tour FREE ARTIST TALKBACKS Talks with members of the cast and company, giving you the chance to ask questions and hear about life backstage. THU 7 NOV 6pm Fiddler On The Roof THU 19 JUNE 6pm Cats THU 17 JULY 5.30pm West Side Story Simon Mendes da Costa talks to Spotlight about the challenges of starting a writing career and his new role as The Marlowe’s Literary Associate FIND YOUR VOICE F inding your own voice takes time and I know how difficult writing is, but it is something you can do”, says Simon Mendes da Costa, The Marlowe’s new Literary Associate. The playwright took up his position in September, leading the theatre’s playwriting sessions and heading a script-reading panel. Whitstable resident Simon (55) is well qualified for the position: his play Losing Louis premiered at The Hampstead Theatre, London, in 2005 and starred Lynda Bellingham and Alison Steadman. It went on to a West End run, UK and international tours. It also had a separate production on Broadway. However, Simon was a late starter as a writer, working as a computer programmer and estate agent before embarking on an acting evening class in London, purely to “improve my social life.” The acting bug had bitten, and he worked with an amateur company for three years, and, at the age of 31, went to Bristol Old Vic drama school. After graduating, Simon worked in repertory theatre, supplementing his income as a computer programmer. He also joined a writing group: “I was there for three weeks when I was asked what I wrote – I said: ‘Do I have to?’ and they said ‘It is a writer’s group, you know!’ “Well, I had to write something for the next week and that was the first time I put pen to paper.” Simon struggled to write a short story, eventually giving up and deciding to write a sketch based on the breakdown of a relationship instead. He was told it was the best thing he had ever written, so decided to develop the characters and his first play emerged. Table For One opened at the Hen and Chickens Theatre in Highbury, London, in 2001. He never looked back, and in 2005 – the same year as Losing Louis – he was nominated for Most Promising Playwright at the Evening Standard Awards. He has written several more plays, and he is now in development for his next one. Simon was delighted when The Marlowe asked him to be its first Literary Associate: “I very much wanted to be part of something again and this is an exciting and interesting opportunity for me, the theatre, and hopefully, all those who take part in the workshops and those who submit new writing.” This is an exciting and interesting opportunity for me, the theatre, and hopefully, all those who take part in the workshops. For details of the playwriting sessions and script submissions, go to marlowetheatre.com. The Marlowe’s new Literary Department is supported by The Garfield Weston Foundation. Spring 2014 Spotlight 13 In the spotlight SAMANTHA WOMACK Every year we go to a panto as a family and I’m really lucky that most of my friends are actors so we go to see a few. Stepping into the Spotlight for this edition is Samantha Womack, star of stage and screen. Spotlight: Jack And The Beanstalk is your first pantomime season. Why now? Samantha Womack: I did a one-off panto for ITV in 1999 (Cinderella) and I really enjoyed it. Panto is an oldfashioned tradition that really involves all the family. Lots of actors are shy of doing it because it is such a discipline. Now I have the time and opportunity to do a panto season here in Canterbury, I’m really looking forward to it. Evolution have a very good reputation. There may be bigger hitters out there but they are not as heartfelt. Every year we go to a panto as a family and I’m really lucky that most of my friends are actors so we go to see a few. S: You will, of course, be known to most people as Ronnie Mitchell, from EastEnders. What was it like going back into the TV soap? SW: EastEnders is lovely because I know the character and now I get to take her in a new direction. I was at a loss as to where she would go next [after the baby-snatch storyline]. How could you go through all of that trauma? At first people were loving the pain she was in but they got fed up of seeing her crying all the time. Now I’m back I’m hoping audiences will see how Ronnie has changed and that she is stronger. When you go back to a show that is so successful you have to see whether the character still has room to breathe and develop. 14 Spotlight Spring 2014 S: During your three-year break from EastEnders you toured with an acclaimed production of South Pacific. Was that a conscious move away from television? SW: I love musical theatre. My grandmother was a choreographer and she had lots of old VHS tapes of Hello Dolly and South Pacific that I used to watch all of the time. I learnt every word to the songs and I understood the scores and thought there was really something quite special about a story set to music. I believe that, if done well, they really do transport you for two hours to a different, more romantic place. I like to be able to control my performance from start, to middle, to the end, which you can’t always do in television. After EastEnders I needed to see if I could still do other things. South Pacific was an absolute joy. S: You feature 46th in FHM magazine’s All-Time 100 Sexiest Hall Of Fame. How do you feel about that kind of attention, especially since you’ve turned 40? SW: If somebody could transport me back to my 20s and look at the FHM photo shoots and interviews I gave I would, with hindsight, have liked some guidance. Now as I’m older I’m not sure I would do the same again, especially now I have a 12-year-old son (Sam also has a daughter of eight). I think perhaps with guidance I would not have said certain things or done certain shoots. But otherwise I’m proud of what I did and what I achieved – and at coming first in other polls! See Sam play Fairy Sugarsnap in Jack And The Beanstalk at The Marlowe Theatre from Friday 29 to Sunday 12 January. Spring 2014 Spotlight 15 NOT JUST FOR CHRISTMAS Pantomime may be with us for just a few weeks over the festive season (six to be precise), but for Evolution Productions, it’s a yearlong job. Based in Eastry, near Deal, Evolution – husband-and-wife team Paul Hendy and Emily Wood – are responsible for eight shows across the country, including Canterbury. The Marlowe panto, seen by 83,000 people last year, is the closest to home, and they admit, closest to their hearts. Here is a typical year. JANUARY: Pantomime performances continue until the middle of the month. Paul begins casting for the forthcoming panto. He meets with top talent agents to recruit the stars he believes will deliver crowd-pleasing performances for Evolution Productions. FEBRUARY: Paul continues finalising details with forthcoming panto stars who will top the bill and their agents. Emily deals with the far less glamorous side of the business, by completing the accounts for the financial year. Panto producer, writer and director Paul Hendy – smokin’! 16 Spotlight Spring 2014 MARCH/APRIL: Household names from children’s television, light entertainment and the music industry sign contracts to appear in Evolution’s various pantomimes. MAY: Actors are cast for the other key panto roles. Emily plans the photo shoots for publicity for all seven productions. Liaising with agents and cast. JUNE: A busy month of cast press and publicity photo shoots. Costume designer Helga Wood meets with leading cast members to confirm sizes for costumes. JULY: A hectic month designing promotional images/programmes. AUGUST: The family take a break to recharge their batteries, but their phones and emails remain on. SEPTEMBER: Press launches are held at theatres across UK for all the pantomimes. Paul and Emily will give interviews to local and regional press about their forthcoming productions. The work on scripts begins. Emily drafts the rehearsal and performance schedules for the 300 children who will complete the cast. Meetings are held with musical and lighting directors. OCTOBER: Paul completes the scripts for all productions. Scripts are edited by Emily and all the sound effects and sound cues are identified for the musical director. Pyrotechnics are ordered and goody bags for the child cast members are put together. Paul monitors TV and radio to identify prospective cast members for next season. NOVEMBER: Final publicity products are produced. Rehearsals begin! Paul directs the Canterbury and Sheffield productions. Emily and Paul travel across the UK to visit all the productions at least twice a week during rehearsals and performances. DECEMBER: All the pantomimes are open at theatres and perform 13 shows a week. A West End show will perform six shows in a week. Paul and Emily aim to see at least another 20 pantomimes by rival production companies to identify prospective stars of next year’s panto. Top left: Emily Wood emerging from a stint as one half of Daisy, the panto cow. Top right: Paul Hendy directs Samantha Womack during the filming of the TV commercial for Jack And The Beanstalk. Spring 2014 Spotlight 17 You have to see individuals rather than a crowd. MEN ABOUT THE HOUSE “ W hen it’s working, it isn’t noticed”, says the man responsible for getting more than 350,000 customers through The Marlowe’s doors in the last year. Stephen Levine is the theatre’s Front Of House Manager and while much of the venue’s work goes on behind the scenes, his is a very obvious, but subtle, presence. The 43 year old, who lives in Folkestone, has been involved in theatre nearly all his working life: “I started off as a trainee manager with Tesco, but all I learnt was how to be a fishmonger and how to make doughnuts, and then I left!” he says. Stephen was known at his local 18 Spotlight Spring 2014 theatre, The Playhouse in his hometown of Harlow, Essex, because his dad was the sound technician for an amateur group, and started working there behind the bar in 1989. He was soon running the bar and then things really took off. Theatre jobs followed in York, Manchester, Birmingham, London and Middlesex, before he made the move to Folkestone. In 2012, Stephen joined The Marlowe Theatre. As a “career theatre manager” his philosophy is simple: “You have to see individuals rather than a crowd.” And it is these individuals Stephen, and his team of 30 ushers, plus his deputy, Adam Wood, is responsible for: Because we have such a wide variety of shows, we have very different audiences. “Customers and the building, which auditorium, or The Marlowe Studio, of course, involves safety. and do an initial clean (ahead of the “My team have to get people into the housekeeping staff) and hold a debrief. theatre and to their seats as easily as The work’s not over for the Duty possible. It’s a modern building and we Manager though, as they have to write do it in a modern way – for example, and send a show report, and walk their tearing ticket stubs on the door slows “route” around the building to confirm things down, so we don’t do this. there is no one left behind. One of the “It’s all about planning and setting technical team will do the same (taking up your ducks and knocking them a different route), and once they over, one by one.” have conferred, Stephen says training for Front Of the building House is ongoing, which is vital: “We can be shut. go through the fire evacuation process every week, and, of course, there are several first aiders. Much of it is about intuition though and having people with different personalities to deal with the different customers. Because we have such a wide variety I do enjoy the of shows, we have very diversity of it all. different audiences.” Before each show, the It’s not the same Front Of House team will thing week in, be briefed by Stephen week out. (or Adam). They will be told about that particular performance: the number of customers, if there are any access requirements, or large groups, the running and interval times, and where they will work. The staff then go to their “posts” and as well as welcoming and advising customers, sell ice creams, programmes and any show merchandise. Half an hour before the performance is due to begin, Stephen/Adam get a radio call from the technical staff to say they are ready to “hand over the house”. This means the house is open and under the control of Stephen/ Adam and customers can start taking their seats. When everyone is in, and the ushers have closed the doors, Stephen/Adam will give the house back to technical and the show can begin! After the performance when everyone has left the building, Stephen/ Adam and the team will go into the Left: Front Of House Manager Stephen Levine. Below: Adam Wood is the Deputy Front Of House Manager. Spring 2014 Spotlight 19 Laura Kimpton Above: Customers enter The Marlowe foyer. Left: Jordan Shingleton and Nicki Walraven share a joke with a customer. Stephen says this sometimes can be very late, and during the pantomime season, it can be after a three-show day, plus perhaps another show in The Marlowe Studio, when as many as 3,600 people have been in. “Every so often, I wake up tired the next morning and think, oh no, I’ve got to do it all again, but then I think I’ve got a job others would love and it’s a job where I’m employed to make people’s lives better.” Adam (32), who lives in Gillingham, started working in theatre, had a big gap, and has now come back into it. He studied law at the University of Reading (“where the most important thing I learnt was that I didn’t want to be a lawyer”) and then went on to do a degree in English Literature. At his Hereford home one holiday, he got a job in Box Office at the Courtyard Theatre and went on to become Deputy Box Office Manager. After two years apart from his girlfriend, Elizabeth, who he had met at uni, he decided to join her in her home town of Gillingham, where she still works as a scientist. Adam commuted to The Riverside Studios 20 Spotlight Spring 2014 in Hammersmith, for two years before deciding to study for an English and American Literature MA at Kent university. At the same time, he took a job in Box Office, working at The Marlowe Theatre Arena during the second pantomime (Robin Hood). After graduating last year, he took on his current role: “Having a knowledge of the way Box Office works helps me now – and I do remember when I was on Box Office looking at the Front Of House Manager and wondering what he was doing wandering around!”. It’s the variety of shows – and people – that keeps Adam focussed when times get tough: “I do enjoy the diversity of it all. It’s not the same thing week in, week out: it can be a children’s show and then burlesque, and each brings an entirely different audience and different demands. “I admit I’m not a theatre person, but sometimes when I am getting a tray of ice creams, or looking at customers in some bizarre outfit (for shows like Rocky Horror or Priscilla Queen Of The Desert), I think there are far worse jobs!”. I’ve got a job others would love and it’s a job where I’m employed to make people’s lives better. Once more unto the breach, dear friends... N ext time you go to the theatre, try taking a moment to breathe in the atmosphere in the auditorium before the performance begins. If you filter out those around you anxiously locating mobiles to be turned off or unwrapping sweets, you’ll find that beneath the hustle and bustle you can detect an air of anticipation, a tension that becomes almost palpable in the moments just before the curtain rises. As a keen amateur actress (see pages 8 and 9), these are some of my favourite moments. Hearing the buzz of the audience followed by that tell-tale hush that descends as the house lights go down, never fails to induce a blend of excitement and adrenaline. At this point props are set, costumes laid out for quick changes and the show becomes an entity in itself. I’ve often heard professional actors liken this feeling to jumping on a train leaving a station – there is no stopping until the interval so you might as well, or have no choice but to, throw yourself on board. This air of inevitability often results in a strange feeling of peace for the actor when they actually step out onto the stage; their path is set. It is in advance of this that the mental battle is fought – to focus, to capture the character about to be portrayed, and, in many cases, against self-doubt and fear. Backstage, preparation comes in a variety of forms: from quiet contemplation to getting “psyched up”, both physically and mentally, or purely praying that those lines, learnt inside out during rehearsals will be recalled when required. Most actors will face a preshow crisis of confidence at some stage in their careers, and indeed it is often said that the best performances are fuelled by a healthy dose of adrenaline, but for some stage fright is a constant enemy. Dame Eileen Atkins and Hearing the buzz of the audience followed by that tell-tale hush that descends as the house lights go down, never fails to induce a blend of excitement and adrenaline. Sheila Hancock are amongst those thespians who have confessed to battling this familiar demon night after night, developing their own coping mechanisms along the way. For others it strikes unexpectedly, and on occasion to a crippling extent. Strangely this is more common amongst experienced and mature actors. Michael Gambon recently revealed he was forced to pull out of an Alan Bennett premiere a few years ago after twice being hospitalised for collapsing during rehearsals, terrified he would be unable to remember his lines, whilst Stephen Fry famously suffered from stage fright so severe during Simon Gray’s Cell Mates he fled not only the production, but the country. As nerves are often thought of something to be conquered, along with the audiences and critics who inspire them, it is perhaps not surprising that there are several battle-inspired phrases in popular use in the theatre world (“slaying them in the aisles” and “knock ‘em dead” being just a few) or that thespians are a superstitious bunch (but more of this next time!). In the meantime, if on your next visit to the theatre you do take that minute to appreciate the pre-show atmosphere, spare a thought for the actors about to entertain you for the next few hours – they may well be fighting the fear to do so... Laura Kimpton: Marlowe Friend, passionate part-time performer, and looking forward to jumping onboard that train again soon! Spring 2014 Spotlight 21 Discounts for the Marlowe Friends The Riverside restaurant at the marlowe theatre The Marlowe Friends: from 10% off food and hot drinks, including pre-show menus Platinum Friends: from 15% off food and hot drinks, including pre-show menus The Marlowe Theatre The Friars Canterbury CT1 2AS 01227 862485 marlowetheatre.com A Simmonds Jewellers 5% discount on all purchases 27 St Margaret’s Street Canterbury CT1 2TG 01227 769842 Anthony Gray Clocks 10% discount on clock restoration South Goodwin House St Margaret’s Bay CT15 6DT 0845 2601631 anthonygrayclocks.com Build-A-Bear 10% discount on purchases of £15 or more (ask a member of our team for terms and conditions) Whitefriars, 7 Gravel Walk Canterbury CT1 2TF 01227 769295 buildabear.co.uk Butterflies Tea Room 10% discount on total spend Stone Street, Petham CT4 5PW 01227 709719 butterfliestearooms.co.uk Canterbury Camera Centre 10% discount on developing and printing (excl. digital) Unit 4, St Georges Centre Canterbury CT1 1UL 01227 763905 cant-cameras.demon.co.uk Canterbury Cathedral 2 for 1 on entrance and guided tours The Precincts Canterbury CT1 2EH 01227 762862 canterbury-cathedral.org Canterbury Tales Special discount ticket £6 per head on presentation of this voucher, valid until 31 December 2013 St Margaret’s Street Canterbury CT1 2TG 01227 479227 (info line) canterburytales.org.uk Cathedral Shop 10% discount (excl. online sales) 25 Burgate, Canterbury CT1 2HA 01227 865300 cathedral-enterprises.co.uk Chromos Art Shop 10% discount on art and craft supplies (excl. special offers and publications) 77 Stour Street, Canterbury CT1 2NR 01227 450836 chromosart.co.uk Crowthers Music 10% discount on music and CDs 1 The Borough, Canterbury CT1 2DR 01227 763965 crowthersofcanterbury.co.uk CUGLEYS OF HYTHE 10% discount on leather, suede and sheepskin clothing and small leather goods: 141 Hythe Street, Hythe CT21 5JL 01303 268597 Espression Paint Your Own Pottery Studio 10% discount on creatives 29 Palace Street Canterbury CT1 2DZ 01227 765665 [email protected] espression.co.uk Fudge Kitchen 10% discount 16 Sun Street Canterbury CT1 2HX 01227 479399 fudgekitchen.co.uk Funky Monks Clothing 10% discount 21 St Peters Street Canterbury CT1 2BQ 01227 781781 funkymonksclothing.co.uk Kent Ballooning 10% discount on all Flight Vouchers Yew Tree Studios Stanford North Ashford TN25 6DH 01303 812812 kentballooning.com Leo’s Pride 5-10% discount on most holidays 259 Canterbury Road Herne Bay CT6 7HD 01227 363636 leospride.co.uk Madame Oiseau Fine Chocolates 10% discount on all chocolates (purchases over £10) 8 The Borough Canterbury CT1 2DR 01227 452222 madame-oiseau.com contact@madame-oiseau. com Marlowe’s Florist 5% discount on all flowers St Margaret’s Street Canterbury CT1 2TH 01227 463275 marloweflorist.com Ortwin Thyssen Jewellery Maker 30% discount on any valuations of jewellery carried out by a registered independent valuer 53 Palace St, The King’s Mile Canterbury CT1 2DY 01227 788200 [email protected] jewellery-maker.co.uk Revivals 10% discount 42 St Peters Street Canterbury CT1 2BG 01227 768033 revivalscanterbury.co.uk Rituals 15% discount on full price items (free hand massages and free makeovers. We also offer free group make-up lessons) 21a Marlowe Arcade Canterbury CT1 2TJ 01227 458889 rituals.com Team Buckley 10% discount on all treatments 2 Broad Oak Road Canterbury CT2 7PW 01227 458430 teambuckley.co.uk Shows: the marlowe Studio Sun 10 Nov 7.30pm An Evening With Mandy Winters The Dressing Room 10% discount on all purchases 74 Northgate Canterbury CT1 1BB 01227 454712 dressingroomshop.co.uk Sun 15 Dec 7.30pm Tim Stubbings Photography Minimum 10% discount 01227 460604 [email protected] timstubbings.co.uk Whitstable Holiday Properties £20 discount on any holiday Hillcross Estates 224 Tankerton Road Whitstable CT5 2AY 01227 273318 hillcrossestates.co.uk Wildwood Woodland Discovery One child per family goes free (not available on bank holidays or in conjunction with any other offer) Wildwood Trust Herne Common Herne Bay CT6 7LQ 0871 7820081 wildwoodtrust.org Wilkinsons Taxis 10% discount on all metered fares Unit 4 Dunkirk Industrial Park London Road Faversham ME13 9LG 01227 450450 wilkinsontaxisltd.com Woodlands Hair Beauty & Holistic Therapies 15% discount on first treatment, including pamper packages 26A High Street Bridge Canterbury CT4 6EH 01227 830120 woodlands-bridge.co.uk Tinsel Time With The Totties Carolyn Allen and Paul Smith Tickets for both: £13.50, Concessions: £12.50, The Marlowe Friends: £11.50 Shows: MAIN AUDITORIUM 21 NOV 7.30pm Showstoppers With Cameo Opera Tickets: £18, £16 Concessions: £2 off top price, The Marlowe Friends: £2 off top price Noticeboard Wine and Wisdom The next quiz is at the Chaucer Club, Military Road, Canterbury, at 7pm on Monday 11 November. For details and to book a place/table, call Sandra Hooper on 01304 611470, or email [email protected]. Reviews of our outings can be found on The Marlowe Friends page of the website marlowetheatre.com All discounts on presentation of your Marlowe Friends card. 22 Spotlight Spring 2014 Spring 2014 Spotlight 23
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