Pictorial Modernism Art Deco
Transcription
Pictorial Modernism Art Deco
Chapter 14 Pictorial Modernism Art Deco Plakatstil • “Plakatstil” - German for Poster Style • Lucian Bernhard won a poster competition with this poster • “Reduced communication to one word and two matches.” • Poster design for Priester matches, c.1905. Color became the means of projecting a powerful message with minimal information. Plakatstil - Poster Design • During WWI (1914 - 1918) when radio and other electronic means of communication were not widespread, the poster was the major means of communication, • Posters promoted propaganda and visual persuasion, boosted public moral, promoted fundraising efforts for the war, • American posters honored soldiers, home, family and public contributions to the war effort. American (and allies) used a literal approach to design. • German design was radically different. The approach was more symbolic with words and images integrated. (clinched fist, piercing arrows etc.) Plakatstil • Leading Plakatstil designer - Ludwig Hohlwein • Art changed with evolution of social change • Characterized by: texture, decorative pattern, flat images • Hohlwein was primary design of Hitler’s propaganda posters Hohlwein - 1915 One of the last posters that Hohlwein designed for the Nazi’s. His reputation was seriously damaged by his collaboration with the Nazi Regime. Bernard - 1915 Clenched fist in medieval armor and blackletter typography captured the Germanic spirit and created national pride. Art Deco Art Deco is an elegant style of decorative art, design and architecture which began as a Modernist reaction against the Art Nouveau style. It is characterized by the use of angular, symmetrical geometric forms. One of the classic Art Deco themes is that of 1930sera skyscrapers such as New York's Chrysler Building and Empire State Building. Art Deco • Term is used to identify popular geometric works of the 1920’s and 1930’s. • Provided aesthetic sensibility in graphics, architecture and product design during the decades between the two world wars. Otto Arpke Deutsche Luft Hansa, 1926