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New Music Titles from
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Nicholas Maw: Odyssey
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Advertising
New Music Titles from
Ashgate Publishing…
Nicholas Maw: Odyssey
Sgt. Pepper and the Beatles
Landmarks in Music Since 1950
Edited by Olivier Julien
Kenneth Gloag
Includes 31 music examples
Jun 2008. 148 pgs. Hbk. 978-0-7546-3855-1
The Ashgate
Research Companion
to Japanese Music
It Was Forty Years Ago Today
Ashgate Popular and Folk Music Series
Includes 2 tables, 6 musical examples
and 5 musical figures
Aug 2008. 208 pgs. Hbk. 978-0-7546-6249-5
Musicological Identities
Essays in Honor of Susan McClary
Includes 81 b&w illustrations
and 112 music examples
Oct 2008. 472 pgs. Hbk. 978-0-7546-5699-9
May 2008. 288 pgs. Hbk. 978-0-7546-6302-7
Edited by George Odam
Guildhall Research Studies: 6
Includes 36 b&w illustrations
and 35 music examples
Jul 2008. 276 pgs. Pbk. 978-0-7546-5816-0
Dark Side of the Tune:
Popular Music and Violence
Bruce Johnson and Martin Cloonan,
Ashgate Popular and Folk Music Series
Includes 12 b&w illustrations
Nov 2008. 260 pgs. Hbk. 978-0-7546-5872-6
Kevin Holm-Hudson
Ashgate Popular and Folk Music Series
Includes 10 musical examples
Nov 2008. 210 pgs. Hbk. 978-0-7546-6139-9
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Includes 10 b&w illustrations
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Infant Musicality
New Research
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Johannella Tafuri
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The Rock Canon
Genesis and The Lamb
Lies Down on Broadway
Thresholds: Rethinking
Spirituality Through Music
Program & Abstracts
Landscapes of the Mind: The
Music of John McCabe
Edited by Jacqueline Warwick,
Steven Baur and Raymond Knapp
Edited by Alison Tokita
and David W. Hughes
SOAS Musicology Series
AMS/SMT
ASHGATE
Canonical Values in the
Reception of Rock Albums
Carys Wyn Jones
Ashgate Popular and Folk Music Series
Sep 2008. 182 pgs. Hbk. 978-0-7546-6244-0
Music, Informal Learning
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Lucy Green
Ashgate Popular and Folk Music Series
May 2008. 226 pgs. Hbk. 978-0-7546-6242-6
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Includes 6 b&w illustrations
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Come visit our booth in the book exhibit!
Anita Mercier
Includes 20 b&w illustrations
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Sep 2008. 186 pgs. Hbk. 978-0-7546-6169-6
From Pac-Man to Pop Music
Interactive Audio in Games
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Includes 7 b&w illustrations and 17 line drawings
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www.ashgate.com
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Desire, Drink and Death in
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Song, 1600–1900
Guilhermina Suggia: Cellist
Society for Music Theory
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paper $14.95 cloth $25.00
^
A Documentary Companion
John Henry, the Untold Story of an American Legend
DVORÁK TO DUKE ELLINGTON
A Conductor Explores America’s Music and Its African
American Roots
MUSIC AND COPYRIGHT
MAURICE PERESS
2008 658 pp. paper $165.00
THAT MOANING SAXOPHONE
HAROLD ROSEN, JUDITH TICK, Editor,
with PAUL BEAUDOIN, Assistant Editor
THE MUSIC OF JONI MITCHELL
LLOYD WHITESELL
2008 288 pp.; 75 music examples
cloth $99.00 paper $21.95
1
2004 (paper 2008) 272 pp. paper $24.95 cloth $53.00
The Six Brown Brothers and the Dawning of a
Musical Craze
BRUCE VERMAZEN
2004 (paper 2008) 320 pp.; 19 halftones
paper $24.95 cloth $45.00
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2
8/14/08
10:01 AM
Page 1
New, Recent, and Forthcoming from
H IGHER E DUCATION G ROUP
THE POP, ROCK, AND SOUL READER
Histories and Debates
Second Edition
David Brackett
The second edition of this richly-textured anthology includes
more than 100 readings from a wide range of sources.
Nov. 2008 608 pp. paper $29.95
THINKING MUSICALLY
Experiencing Music, Expressing Culture
Second Edition
Bonnie C. Wade
The second edition of this text incorporates music from
many diverse cultures and establishes the framework for
exploring the practice of music around the world.
(Global Music Series)
Nov. 2008 208 pp. paper $27.95
CONDUCTING
The Art of Communication
Wayne Bailey
Provides the most comprehensive treatment available of all
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June 2008 192 pp. spiral bound $49.95
HEARING THE MOVIES
Music and Sound in Film History
James Buhler, David Neumeyer, and Rob Deemer
Offers a new, concepts-based approach to the study of film
music that not only considers the film’s score but also examines how the music interacts with sound and dialogue.
Jan. 2009 448 pp. paper $50.00
MUSIC RESEARCH
A Handbook
Laurie J. Sampsel
Ideal for graduate-level music bibliography and research
courses, this book introduces music students to the major
print and electronic research tools available to them.
Jan. 2008 352 pp. cloth $39.95
FROM SOUND TO SYMBOL
Fundamentals of Music
Micheál Houlahan and Philip Tacka
Designed for a one-semester music fundamentals course,
this text clearly covers all essential topics, but with a unique,
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May 2008 512 pp. paper $80.00
TEACHING MUSIC IN HIGHER EDUCATION
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GRADUATE REVIEW OF TONAL THEORY
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The first graduate music theory review designed specifically
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Feb. 2009 240 pp. cloth $39.95
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
LISTEN
to the music.
HEAR
the elements.
EXPAND
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Mark Evan Bonds, University of North Carolina—Chapel Hill
With a listening-oriented approach and thorough integration of musical elements,
LISTEN TO THIS enables students to explore history, culture, and musical
styles through active listening—not just passive reading. Informed by over 300
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
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Is your bibliography represented comprehensively and accurately
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Visit the RILM booth for a demonstration.
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To schedule a session, visit our new website or write to
[email protected].
The tutorials are highly recommended for librarians, faculty,
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Browse new publications at the RILM booth:
Liber Amicorum: Music Festschriften, 1785–1966
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Music’s Intellectual History: Founders, Followers & Fads
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
C O M I N G FA L L 2 0 0 8
Music of the Peoples of the World, Second Edition
William Alves
ISBN-10: 0-495-50384-3 | ISBN-13: 978-0-495-50384-2
© 2009
Popular Music in America: The Beat Goes On,
Third Edition
Michael Campbell
ISBN-10: 0-495-50530-7 | ISBN-13: 978-0-495-50530-3
© 2009
AVA I L A B L E J A N U A RY 2 0 0 9
A Creative Approach to Music Fundamentals, TenthEdition
William Duckworth
w w w. c e n g a g e . c o m / m u s i c
ISBN-10: 0-495-57220-9 | ISBN-13: 978-0-495-57220-6
© 2010
Music Listening Today, Fourth Edition
With two CDs at no additional charge
Charles Hoffer
ISBN-10: 0-495-57191-1 | ISBN-13: 978-0-495-57191-9
© 2010
Western Music Listening Today, Fourth Edition
With two CDs at no additional charge
Charles Hoffer
ISBN-10: 0-495-57199-7 | ISBN-13: 978-0-495-57199-5
© 2010
Worlds of Music: An Introduction to the Music of the
World’s Peoples, Shorter Version, Third Edition
Jeff Todd Titon, et al.
ISBN-10: 0-495-57010-9 | ISBN-13: 978-0-495-57010-3
© 2010
Music in Western Civilization: Media Update
Craig Wright and Bryan R. Simms
ISBN-10: 0-495-57273-X | ISBN-13: 978-0-495-57273-2
© 2010
10EMU0003

New from UC Press
Booth # 304
Alton Augustus Adams, Sr.
Bill Ivey
First Black Bandmaster of
the United States Navy
How Greed and Neglect
Have Destroyed Our
Cultural Rights
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The Memoirs of Alton
Augustus Adams, Sr.
Mark Clague, Editor
Foreword by Samuel Floyd, Jr.
Music of the African Diaspora
$49.95 cloth
David W. Bernstein, Editor
The San Francisco
Tape Music Center
1960s Counterculture
and the Avant-Garde
Foreword by John Rockwell
Preface by Johannes Goebel
$27.50 paper, $65.00 cloth, with DVD
Joy H. Calico
Brecht at the Opera
Arts, Inc.
Michael Long
Beautiful Monsters
Imagining the Classic
in Musical Media
California Studies in 20th-Century Music
$24.95 paper, $60.00 cloth
Klára Móricz
Jewish Identities
Nationalism, Racism,
and Utopianism in
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California Studies in 20th-Century Music
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California Studies in 20th-Century Music
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Jacob Smith
John Deathridge
Performance and
Sound Media
$24.95 paper, $60.00 cloth
Wagner Beyond
Good and Evil
Vocal Tracks
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Charles Hiroshi Garrett
Struggling to Define
a Nation
American Music and the
Twentieth Century
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Booth # 304
Richard Taruskin
The Danger of
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Anti-Utopian Essays
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Richard Taruskin
On Russian Music
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NEW IN PAPERBACK
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Bach’s Cycle,
Mozart’s Arrow
An Essay on the Origins
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Mary E. Davis
Classic Chic
Music, Fashion, and
Modernism
California Studies in 20th-Century Music
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D. Kern Holoman
Writing about Music
A Style Sheet
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Lawrence Kramer
Why Classical Music
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Stephen Walsh
Stravinsky
The Second Exile: France
and America, 1934–1971
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
Selections for Every Music Library
UC Press journals stand on the leading edge of music scholarship.
From provocative theoretical studies to analysis of pioneering breakthroughs in music cognition, UC Press journals are at the forefront of
music research. For more information, please visit our website.
Music Theory Spectrum
19th-Century Music
ISSN: 0195-6167
ISSN: 0148-2076
The Journal of
Musicology
ISSN: 0277-9269
Journal of the
American
Musicological
Society
Music Perception
ISSN: 0730-7829
ISSN: 0003-0139
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
musicology
NEW FROM CHICAGO
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The Supernatural in Eighteenth-Century
Musical Theater
David J. Buch
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Louis XIV and the Politics of Spectacle
Georgia J. Cowart
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How the Royal Paris Opera Survived the
End of the Old Regime
Victoria Johnson
Giuseppe Verdi
Edited and with an Introduction
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The Works of Giuseppe Verdi, Series V: Chamber Music
Cloth $115.00
Cloth $45.00
Forthcoming in 2009
Cki_YWiIeY_WbB_\[
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The Politics of Participation
Thomas Turino
Chicago Studies in Ethnomusicology
Paper w/CD $22.00
Re-announcing
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Lucca, Archivio di Stato, MS 238; Lucca,
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Late Medieval and Early Renaissance Music in Facsimile
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Music and the Circulation of Power
Suzanne G. Cusick
With a Foreword by Catharine R. Stimpson
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Northern Gods in a Southern Land
Steven M. Friedson
Chicago Studies in Ethnomusicology
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New from the University of Michigan Press
OTHER AWARDWINNING
BACKLIST TITLES
Lennie Tristano
His Life in Music
Eunmi Shim
Old Roots, New Routes
The Cultural Politics of
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Pamela Fox and
Barbara Ching, Eds.
Hazel Scott
New Orleans Style and
the Writing of American
Jazz History
Bruce Boyd Raeburn
Ellington Uptown
The Pioneering Journey
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Karen Chilton
Duke Ellington, James P.
Johnson, and the Birth of
Concert Jazz
John Howland
Delightfulee
FORTHCOMING
IN PAPER
The Life and Music
of Lee Morgan
Jeffery S. McMillan
Counterculture
Kaleidoscope
Musical and Cultural
Perspectives on Late
Sixties San Francisco
Nadya Zimmerman
Don’t Deny My Name
Words and Music and the
Black Intellectual Tradition
Lorenzo Thomas
Lee Konitz
Conversations on
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Andy Hamilton
NOW IN PAPER
Haunted Heart
A Biography of
Susannah McCorkle
Linda Dahl

FORTHCOMING
Rhythm Is Our Business
Jimmie Lunceford and the
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Eddy Determeyer
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Someone to
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The Life and Music
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Frank Büchmann-Møller
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Head Hunters
The Making of Jazz’s
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Steven F. Pond
Winner of the IASPM-US
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ALSO FROM
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Listening to
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Theodore Gracyk
The Last Miles
The Music of
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Elevator Music
A Surreal History of
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Joseph Lanza
André Hodeir
Jazz Reader
André Hodeir
How Sondheim
Found His Sound
Steve Swayne
the university of michigan press
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ESSENTIAL JOURNALS FROM
Wiley-Blackwell
The Journal of Aesthetics
and Art Criticism
Published on behalf of the
American Society for Aesthetics
Edited by: SUSAN L. FEAGIN
The Journal of Aesthetics and Art Criticism
publishes current research articles, symposia,
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aesthetics and the arts. The term “aesthetics”,
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www.blackwellpublishing.com/jaac
Journal of Popular
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Published on behalf of the
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Editor-in-Chief: EMMETT PRICE
Music Analysis
Published in association with the
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Edited by: ALAN STREET
Journal of Popular Music Studies is a peerreviewed journal dedicated to research on
popular music throughout the world and
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Music Analysis is the international forum for the
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
M.A., M.Mus, D.Mus, and Ph.D.
ŠTeaching Assistantships
ŠKillam Graduate and
Post-Doctoral Fellowships
Musicology
Music Theory
Ethnomusicology
Composition
The Department of Music at the University of Alberta offers graduate students the opportunity to
pursue an M.A. or Ph.D in ethnomusicology, musicology or music theory within an active
musical environment located in a research-intensive Canadian university.
Our program encourages interdisciplinary research and learning in music, and is home to the
Canadian Center for Ethnomusicology and folkwaysAlive! (in partnership with Smithsonian
Folkways). Graduate study in music at the University of Alberta is characterized by a small
student body, individual attention, and multiple-year award packages. We also offer M.Mus. and
D.Mus. programs in composition and applied music studies.
Faculty:
Howard Bashaw
Mustafa Bor
Michael Frishkopf
Christina Gier
David Gramit
Mark Hannesson
Mary Ingraham
Henry Klumpenhouwer
Maryam Moshaver
Regula Qureshi
Federico Spinetti
20th Century, Composition and Analysis
Aural Skills, Theory
Arab World, Islam, Africa, Music Media
20th Century, Gender Studies, Film Music
19th Century, Social and Cultural History
Composition and Music Technology
Canadian Music, Choral Music, Culture and Politics
Theory
History of Theory, Analysis and Aesthetics
Professor Emerita, Director CCE, South Asia, Islam
Iran, Central Asia, Social and Political History
www.music.ualberta.ca
University of Alberta • Department of Music • 3-82 Fine Arts Building
Edmonton Alberta T6G 2C9 Canada
780-492-3263 [email protected]
Graduate Coordinator: Howard Bashaw ([email protected])

FACULT Y OF FINE ARTS - DEPARTMENT OF MUSIC
STUDYING
COMPOSITION • MUSICOLOGY • THEORY
DEGREES
-!-ASTEROF-USICAL!RTS-USICOLOGY
--US-ASTEROF-USIC#OMPOSITION
0H$#OMPOSITIONOR-USICOLOGY
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CANDIDATESCAPABLEANDINTERESTEDININTERDISCIPLINARYRESEARCHACTIVITIES
INTERNAL FUNDING
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EXTERNAL FUNDING
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Allan Bell: #OMPOSITION#OUNTERPOINT/RCHESTRATION-USICIN#ANADA
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Kenneth DeLong: #LASSICAL2OMANTIC0ERIODS/PERA.ATIONALISM-USIC
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David Eagle: #OMPOSITION%LECTROACOUSTIC-USIC)NTERACTIVE#OMPOSITION
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Kenneth Fields: 4ELE!RTS-USICON(IGH3PEED.ETWORKS)NTEGRATED-EDIA
!RTSAND4ECHNOLOGY3OUND3YNTHESISAND-EDIA#OMPOSITION
William Jordan: (ISTORYOF4HEORY!DORNOONMUSIC#OMPOSITIONVOCAL
CHORALINSTRUMENTAL
Friedemann Sallis:-USICOLOGY3KETCH3TUDIES2ECEPTION(ISTORY4HE
)NTERACTIONOF(ISTORICALAND4HEORETICAL0ERSPECTIVESINTH#ENTURY-USIC
Joelle Welling:4HEORY!NALYSISTHEARLYTH#ENTURY3ONG4EXT
-USIC2ELATIONS-USIC4HEORY0EDAGOGY
*Les travaux rédigés en français peuvent être acceptés au Département de musique.
Graduate Admission Deadline: January 15, 2009
For more information, please contact:
Fine Arts Student Success Team (FASST)
Phone (403) 220-5313 • Fax (403) 282-6925 • E-mail: [email protected]
www.finearts.ucalgary.ca

JJ-AMS directory.pdf
8/26/08
3:39:45 PM
musicology and music theory at CCM
“One of this country’s leading conservatories”
– The New York Times
Distinguished Faculty
David Carson Berry: Schenkerian topics, American
popular music, post-tonal analysis, Stravinsky, history
of theory (1750-1950)
Mary Sue Morrow: 18th-century topics (including
the symphony), sociology of music, nationalism,
music criticism & aesthetics
Steven J. Cahn: Schoenberg, aesthetics, theories of
history, imaging of musical phenomena,
behavioral-neural correlations of musicality
Samuel Ng: Brahms, metrical dissonance, phrase
rhythm, music perception, analysis & performance
Jeongwon Joe: 20th-century music, opera-cinema
studies, film music, cultural studies
Matthew Peattie: Medieval music, Beneventan
chant, modality, sources & transcription, musical
change
Jonathan Kregor: 19th-century aesthetics, Liszt,
music & memory, virtuosity & gender, art songs,
musical reproductions
Miguel Roig-Francoli: history of theory
(Renaissance), analysis of early music, 20th-century
topics, music theory pedagogy
Catherine Losada: post-tonal music,
transformational theory, musical collage, music after
1950
Stephanie P. Schlagel: Renaissance studies,
Josquin des Prez, the motet, reception history,
editing early music
bruce d. mcclung: American music, musical theater,
mass entertainment, manuscript studies, critical
editing
C
M
Y
CM
MY
CY
CMY
K
For details about graduate programs:
www.ccm.uc.edu/comp_theory_hist
For admissions & financial aid info:
www.ccm.uc.edu/admissions

EASTMAN SCHOOL OF MUSIC
The Eastman School of Music
offers graduate students in
musicology the opportunity to
pursue a PhD in the context
of a thriving music school
with an incomparable research
library. Thanks to a large and
distinguished faculty, students
enjoy exposure to all areas of
the discipline, with additional
opportunities for advanced study
in ethnomusicology (including
a new Master of Arts degree),
early music, music theory, and
performance. Graduate students
receive generous stipends, with
support normally assured for five
years. Alumni of the program
hold positions at top-ranked
institutions and have become
leaders in the field.
ADMISSIONS DEADLINE DECEMBER 1
FULL-TIME FACULTY
Patrick Macey, Chair
Renaissance music and culture
in Italy and France, Josquin,
music and rhetoric
Michael Alan Anderson
Medieval and Renaissance
music, Saints, the Divine
Office, Popular ritual, politics
Melina Esse
19th-century opera and
melodrama, film music, gender
and performance studies
Roger Freitas
17th-century music (especially
the cantata), performance
practices, the castrato
Holly Watkins
19th- and 20th-century music,
historical and contemporary
aesthetics, ecocriticism,
popular music
Daniel Zager
Renaissance and Baroque
music, Lassus, church music
history
SENIOR FACULTY
ASSOCIATES
Jürgen Thym
19th-century music,
German Lieder, 19th-century
symphony, music and text
relations
Gretchen Wheelock
Ellen Koskoff
18th-century music, Haydn
and Mozart, historical
performance practices,
reception history
Kim Kowalke
AFFILIATE FACULTY
Ethnomusicology, American
musics, women and music,
Balinese music and culture
20th-century musical
theater and opera, Sondheim,
Hindemith, and Weill
Ralph P. Locke
Exoticism and nationalism,
music culture in 19th-century
France and Italy, opera,
gender issues
Malcolm Bilson
Hans Davidsson
Robert D. Morris
Paul O’Dette
EMERITA
Kerala Snyder
Honey Meconi
Medieval and Renaissance
music, manuscript culture,
Hildegard, musical borrowing
800 388 9695 or 585 274 1060
[email protected]
www.esm.rochester.edu/musicology
08ESM_AMA_Conference.indd 1
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8/20/08 1:18:03 PM
MusicologyAd-08.qxd:Layout 1
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11:31 AM
Page 1
AT I L L I N O I S
w w w. m u s i c . u i u c . e d u
KARL KRAMER, DIRECTOR
Christina Bashford
social and cultural history, 19th-century Britain, chamber music,
reception history, research methodology
Donna A. Buchanan
Balkan, Russian, and Mediterranean musics; indigenous peoples;
music & power; music & cosmology; music in aesthetic systems
William Kinderman
18th to early 20th-century music, Mozart, Beethoven, Wagner,
aesthetics, creative process
Gayle Sherwood Magee
20th-century music, film music, Charles Ives, hymnody,
Music in the U.S.
Jeffrey Magee, chair
Music in the U.S., jazz, musical theater, African American
traditions, black-Jewish intersections
Gabriel Solis
jazz, rock, ethnomusicology, Australian indigenous music,
historiography, cultural memory
Katherine Syer
19th- & early 20th-century music, Wagner, opera production
history, contemporary theater
Tom Turino
Latin American and African musics, social theory, semiotics,
"folk revivals"
Tom R. Ward
Medieval and Renaissance, music and liturgy, 14th- & 15thcentury music theory, music in central European institutions
Emeritus Faculty
Resources
Affiliated Faculty
Visiting Faculty 2008-9
Charles Capwell, Lawrence Gushee, John Walter Hill,
Herbert Kellman, Bruno Nettl, Nicholas Temperley
Center for World Music, Philip Yampolsky, director
Hymn Tune Index Project, Nicholas Temperley, director
Sousa Archives and American Music Center, Scott Schwartz, archivist
Renaissance Archives, Herbert Kellman, director
Charlotte Mattax, harpsichord, historical performance
Anne Prescott, music of Japan
Dana Hall, jazz, African American traditions
I Ketut Gede Asnawa
Julia Byl
Mary Paquette-Abt
For more information, please contact Music Admissions Office
Phone: 217-244-7899, E-mail: [email protected]
Accredited institutional member of the National Association of Schools of Music since 1933.

PEABODY INSTITUTE
THE
OF THE JOHNS HOPKINS UNIVERSITY
PEABODY CONS E RVATORY
THE
OF THE JOHNS HOPKINS UNIVERSITY
PEABODY PREPAR ATORY
THE
OF THE JOHNS HOPKINS UNIVERSITY
PEABODY INSTITUTE
THE
OF THE JOHNS HOPKINS UNIVERSITY
M U S I C O L O G Y FA C U LT Y
Suhnne Ahn
Elam Ray Sprenkle
TRobert
H E Follet
PEABODY
E RVATORY
Andrew Talle,CONS
Chair
O
F
T
H
E
J
O
H
N
S
H
O
P
K
I
N
S
U
N
I
V
ERSITY
Richard Giarusso Elizabeth Tolbert
David Hildebrand Piero Weiss
John Moran
Susan Weiss
PEABODY PREPAR ATORY
THE
OF THE JOHNS HOPKINS UNIVERSITY
Compose your future…
whatever your passion.
www.peabody.jhu.edu
For information, contact the Office of Admissions
Toll Free 800-368-2521, in Maryland 410-659-8110
1 East Mount Vernon Place, Baltimore, MD 21202

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

the university of texas at austin
butler
school
of music
presents
,GLSIWSJ,PPMRKXSR
The Music and Life of Duke Ellington
April 15 - 17, 2009
-,(;<905.
James Lincoln Collier,
John Franceschina, the Butler Opera
Center’s opening night performance of Ellington’s
rarely performed comic opera Queenie Pie,
invited papers, and an all-Ellington concert by the UT
Jazz Orchestra.
Keynote speakers
*(33-697(7,9:
The conference organizers welcome submissions that address
Ellington’s music, life and times from any perspective, including
historical, sociological, analytical, theoretical, and performance.
Papers concerning Ellington’s music for the theater and for film
are especially welcomed. Proposals for round tables, lecture
recitals or novel formats will also be considered. Presentations
for individual papers should be approximately 30 minutes.
Abstracts of no more than 500 words and author biographies of
no more than 150 words should be sent to Prof. James Buhler
at [email protected] or fax 512/471-7836 by Monday,
November 3, 2008. Decision notification will be no later than
Monday, December 1, 2008.
Further information about the conference may be found by
visiting www.music.utexas.edu/campsconferences or by
contacting Prof. Jeff Hellmer, Director of Jazz Studies:
[email protected]

