1 9 T H /20 T H CENTURY AMERICAN/EUROPEAN

Transcription

RAGO
1 9 TH/ 2 0 TH C E N T U R Y A M E R I C A N / E U R O P E A N A R T
T H U R S D AY , N O V E M B E R 5 , 2 0 1 5
1 9 TH / 2 0 TH A M E R I C A N / E U R O P E A N A R T
Thursday, November 5, 2015 at 10:00 am
POST–WAR AND CONTEMPORARY ART
Thursday, November 5, 2015 at 1:30 pm
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TEXT GLOSSARY:
Name of the artist (country of origin/date of birth-death)
Title of the work, date of creation
In italics-the actual title given to the work by the artist
Without italics-an untitled work with a description based on the imagery or style
Medium and frame (if applicable)
Signature
Size: height x width; height x width x depth (for three-dimensional objects)
Paintings are measured by the size of the support
Sight: size of the visible work if obscured, framed or matted
Image: size of the image
Plate: size of the print impression
Sheet: size of the paper
Printer: name of master printer or workshop where a print is made
Publisher: publisher of the print
Literature: reference to the work of art in a book, exhibition catalogue or article
Exhibition: exhibition history
Provenance: ownership history
C O V E R I L L U S T R A T I O N S : lot 36 (front), lot 10 (back)
CONTENTS:
19th/20th C. Art, lots 1–250, page 1
Shipping Information, page 151
Artist Listing, page 142-143
Condition Report Form, page 153
Terms of Sale, page 146
Absentee Bid Form, page 154
Auction Staff, page 150
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Eliane Talec
1:
J U L E S G U E R I N (American, 1866-1946)
Untitled (Washington Monument)
Mixed media on linen mounted to board (framed)
Signed
28” x 20”
provenance
Private Collection, Maryland
$3,000–5,000
RAGO ARTS AND AUCTION CENTER >
1
2:
HAYLEY LEVER
(American, 1876-1958)
Outside Stowe, VT
Oil on canvas (framed)
Signed
8 1/4” x 10”
provenance
Estate Collection, Florida
$1,500–2,000
3:
COLIN CAMPBELL COOPER
(American, 1856-1937)
Untitled
Gouache on paperboard (framed)
Signed
10 5/8” x 13 5/8”
provenance
Private Collection, New Jersey
$1,200–1,800
4:
D A N I E L R I D G W A Y K N I G H T (American, 1839-1924)
Untitled
Signed
22” x 18 1/4”
provenance
$15,000–20,000
2
updated catalogue and condition information on ragoarts.com
3
5:
R I C H A R D L O R E N Z (American, 1858-1915)
Untitled
Signed
22” x 18”
7:
FREDERICK WILLIAM MacMONNIES
(American, 1863-1937)
Bacchante and Infant Faun, 1894
Bronze
Signed and dated “F. MacMonnies 1894”
with foundry stamp “JABOEUF & ROUARD /
FONDEURS / A PARIS”
34” high
provenance
provenance
Private Collection
$3,000–5,000
Private Collection, Delaware
$6,000–8,000
6:
G E O R G E E L M E R B R O W N E (American, 1871-1946)
Water Carrier
Signed
32” x 39 1/2”
provenance
Private Collection
$1,000–1,500
4
5
8:
G R A C E H E L E N T A L B O T (American, b. 1901)
Untitled, 1924
Bronze
Signed and dated “GRACE HELEN TALBOT 24”
with foundry stamp “Roman Bronze Works N.Y.”
13 1/2” high
provenance
$4,000–6,000
9:
H E N R Y L I N D E R (American, 1854-1910)
10:
E D W A R D B E R G E (American, 1876-1924)
Boy and Girl Andirons, early 20th c.
Bronze
Each initialed “HL” with foundry mark “ROMAN
BRONZE WORKS N.Y.”
25 1/2” high (each)
Duck Mother
Bronze (piped as a fountain)
Signed “Berge” with foundry stamp “Roman Bronze
Works N.Y.”
42” high
provenance
provenance
$4,000–6,000
6
$12,000–18,000
7
11:
EDWARD BERGE
(American, 1876-1924)
12:
EDWARD BERGE
(American, 1876-1924)
13:
EDWARD BERGE
(American, 1876-1924)
Poppy
Bronze on marble base
Signed “Berge (c)” with foundry
stamp “GORHAM FOUNDERS
7 1/4” high
9 1/2” high (with base)
Wildflower
Bronze
Signed “Berge” with foundry stamp
“AMER. ART FDRY N.Y. B7
7” high
Duck Mother, ca. 1930
Bronze
Signed “Berge” with foundry stamp
“R.B.W.”
8” high
provenance
provenance
provenance
$800–1,200
14:
L O U I S E A L L E N H O B B S (American, -1953)
15:
L O U I S E A L L E N H O B B S (American, -1953)
Justice, 1914
Bronze
Signed and dated “LOUISE ALLEN HOBBS MCMXIV” with
foundry stamp “GORHAM CO FOUNDERS/QYX”
16 1/2” high
Untitled, 1916
Bronze
Signed and dated “LOUISE ALLEN MC.M.X.VI” with foundry
stamp “IDEAL CASTING CO. PROV. R.I.”
28” high
provenance
provenance
$800–1,200
$800–1,200
$1,500–2,500
8
$1,500–2,500
9
18:
J O S É G A L L E G O S Y A R N O S A (Spanish, 1859-1917)
Untitled
Oil on panel (framed)
Signed
13 3/4” x 20”
provenance
$10,000–15,000
16:
E D G A R D O S I M O N E (Italian/American, 1890-1948)
17:
A L F R E D O P I N A (Italian, 1883-1966)
Reneé, 1923
Bronze fountain
Signed, dated and titled “Edgardo Simone/New York/
Aug 1923/Original/Made in Italy/10 RENEE” with foundry
“FOND:ART - LAGANA/Napoli”
19” x 16” x 7 1/2”
Porteur de Fruit, early 20th c.
Bronze
Signed “A. Pina”
with foundry stamp “J.PANNINI / PARIS / CIRE PERDUE”
20” high
provenance
provenance
$3,000–5,000
$5,000–7,000
10
11
19:
GEORGE STENGEL
(American, 1872–1937)
Untitled
Signed
30 1/2” x 25 1/4”
provenance
Private Collection, New York
$3,000–5,000
20:
CULLEN YATES
(American, 1866-1945)
Maine Seascape
Signed
12” x 16”
21:
J A M E S C A R R O L L B E C K W I T H (American, 1852-1917)
Untitled (Santa Barbara), 1917
Oil on board
Signed and dated
13 3/4” x 10 1/8”
provenance
provenance
$1,000–2,000
$6,000–8,000
12
13
22:
R I C H A R D B L O S S O M F A R L E Y (American, 1875-1954)
Untitled
Oil on panel (framed)
Signed
9 1/2” x 13 1/2”
provenance
$800–1,200
24:
F R E D E R I C K C O B U R N (Canadian, 1871-1960)
Untitled (Winter-Drawing Logs)
Oil on board (framed)
Signed
12” x 18”
provenance
$8,000–12,000
23:
G E O R G E E L M E R B R O W N E (American, 1871-1946)
Percé Rock, Gaspé Peninsula, Canada
Signed
25 1/8” x 30”
provenance
Chapellier Galleries, New York (label on verso)
Private Collection
$3,000–5,000
14
15
25:
A L B E R T L Y N C H (Peruvian, 1851-1912)
26:
P A U L C A D M U S (American, 1904-1999)
Untitled (Two Actresses on Stage)
Signed
22 1/2” x 15 5/8”
provenance
Waiting for Rehearsal
Etching (framed)
Signed, titled and numbered 59/175
11” x 7 7/8” (plate)
15” x 11 1/2” (sight)
literature
Davenport 56
$4,000–6,000
provenance
$800–1,200
27:
J O H N G R A B A C H (American, 1886-1981)
Untitled (Ballet), 1920s (Ashcan School)
Signed
36” x 42”
provenance
exhibition
John R. Grabach: Century Man, The Morris Museum, Morristown, NJ,
July 5 - September 24, 2006 travelled to
The Butler Institute of American Art, Youngstown, Ohio, January 14 - March 4, 2007 and
Springfield Art Museum, Springfield, Missouri, April 7 - June 3, 2007 (cat. no. 19)
John R. Grabach/1880-1981, Salmagundi Club, New York, May 20 - June 13, 2008
literature
John R. Grabach: Century Man by Gary T. Erbe, American Art Review June 2006 (cat. no.
19, illustrated pg. 25)
$18,000–22,000
16
17
28:
JOHN GRABACH
(American, 1886-1981)
Construction (Hoover Dam), 1937
Lithograph (framed)
Signed and titled
12 1/4” x 15 7/8” (sight)
exhibition
John R. Grabach: Century Man,
The Morris Museum, Morristown,
NJ, July 5 - September 24, 2006
travelled to
The Butler Institute of American
Art, Youngstown, Ohio, January 14
- March 4, 2007 and Springfield Art
Museum, Springfield, Missouri, April
7 - June 3, 2007 (cat. no. 55)
John R. Grabach/1880-1981,
Salmagundi Club, New York, May 20
- June 13, 2008
literature
R E Y N O L D S B E A L (American, 1866-1951)
Sells Floto Circus, 1930
Two mixed media on paper (framed separately)
Each signed, dated and titled
12” x 15 7/8” (sight) and 10 3/4” x 13 1/4” (sight)
provenance
John R. Grabach: Century Man by
Gary T. Erbe, American Art Review
June 2006 (cat. no. 55)
30:
$2,000–3,000
provenance
$600–800
29:
THOMAS HART BENTON
(American, 1889-1975)
Haystack, 1938
Lithograph
Signed
From an edition of 250
11 3/4” x 16” (sheet)
publisher
Associated American Artists,
New York
literature
Fath 21
provenance
Private Collection, Connecticut
$800–1,200
31:
H E N R Y M A R T I N G A S S E R (American, 1909-1981)
Untitled
Watercolor on paper (framed)
Signed
14 3/8” x 21 3/8” (sight)
provenance
Private Collection
$1,000–1,500
18
19
32:
H E N R Y M A R T I N G A S S E R (American, 1909-1981)
Untitled
Three watercolors (framed separately)
Two signed
14 3/4” x 21 5/8” (sight) largest
7 3/4” x 9 7/8” (sheet) smallest
provenance
Private Collection
$1,500–2,500
34:
L U I G I L U C I O N I (American/Italian, 1900-1988)
Untitled (Barn on the Road), 1948
Signed and dated
10 1/8” x 14”
provenance
Associated American Artists, New York (label on
verso)
$4,000–6,000
35:
K O N R A D C R A M E R (American/German, 1888–1963)
Untitled
Oil on canvas
Signed
16 1/8” x 20 1/8”
White Flowers in White Vase, ca. 1928
Estate stamp
16” x 12”
provenance
33:
J O H N L . L L O Y D (American, 1884-1967)
provenance
ACA Galleries, New York (label on verso)
$600–800
$1,500–2,500
20
21
36:
M I L T O N A V E R Y (American, 1885-1965)
Untitled (Seated Nude), ca. 1947-49
Signed
11” x 16 1/2”
provenance
Private Collection
$30,000–50,000
22
23
37:
ALFRED MORANG
(American, 1901-1958)
39:
ALFRED MORANG
(American, 1901-1958)
Church in Afternoon Light, 1945
Signed and dated
15”x 18”
provenance
Untitled (Nude), 1942
Oil on canvas mounted to board
(two sides, framed)
Signed and dated twice
16” x 20”
provenance
Private Collection, Rhode Island
$3,000–5,000
$3,000–5,000
38:
ALFRED MORANG
(American, 1901-1958)
40:
ALFRED MORANG
(American, 1901-1958)
My Garden
Signed and titled
20” x 16”
Chaotic Night
Signed
16”x 20”
provenance
provenance
$3,000–5,000
24
$3,000–5,000
25
41:
B E N S H A H N (American, 1898-1969)
Untitled
Two ink on paper
Each with estate authentication
Largest: 17” x 13 1/2” (sheet)
Smallest: 9 1/8” x 12 1/2” (sheet)
provenance
The Estate of Ben Shahn, New Jersey
43:
$1,000–1,500
Untitled
Three ink on paper
Largest: 9” x 6” (sheet)
Smallest: 8” x 5” (sheet)
provenance
$1,000–1,500
42:
Untitled
Two ink on paper
Largest: 16 1/2” x 12” (sheet)
Smallest: 9 1/2” x 13 1/8” (sheet)
provenance
44:
L O U I S S C H A N K E R (American, 1903-1981)
Untitled, 1944
Gouache on paper
Signed and dated
14 1/4” x 21 3/8” (sheet)
provenance
$1,000–1,500
$800–1,200
26
27
45:
C A R O L I N E R I S Q U E (American, 1886-)
Untitled (Child with Fish)
Signed “C Risque” with foundry stamp “Roman Bronze Works
N.Y.”
21” high
22 1/2” (with base)
provenance
$2,000–3,000
46:
W I L L I A M Z O R A C H (American, 1887-1966)
47:
M A R I O N W A L T O N (American, 1899-1996)
Adam with Child
Terracotta on wood base
Signed
6 1/8” x 7 1/2” x 4”
7” x 8 3/4” x 5 3/8” (with base)
Sleep, ca. 1929-30
Fieldstone on wood base
Signed
8 1/2” high
provenance
exhibition
Private Collection, Pennsylvania
$1,200–1,800
Marion Walton, Weyhe Gallery, New York, 1933
literature
Fort, Ilene Susan, The Figure in American Sculpture: A
Question of Modernity, Los Angeles County Museum, 1995,
plate 75
FREDERICK WILLIAM MacMONNIES
(American, 1863-1937)
49:SCHULTZ
(American, 20th C.)
Bacchante and Infant Faun, 1893
Bronze
Signed and dated “F. MacMonnies 1893” with foundry mark
“H. ROUARD Fondeur/PARIS”
16 5/8” high
Untitled (Art Deco figure)
Bronze
Signed “Schultz” with foundry stamp “Limerick Co. Baltimore”
14 3/4” high
provenance
provenance
provenance
Collection of the artist until 1988
Paul Magriel, New York
$800–1,000
28
48:
$800–1,000
$3,000–5,000
29
50:
EDITH BARRETTO STEVENS PARSONS
(American, 1878-1956)
Untitled, early 20th c.
Bronze candle holder
Signed “E. B. Stevens” with foundry mark “Roman Bronze
Works N.Y.”
7 3/8” high
provenance
$1,000–1,500
53:
J O S E D E C R E E F T (American, 1884-1982)
Untitled (Kneeling Woman), ca. 1930
Carved wood
Signed
14” high
provenance
$1,500–2,500
54:
S A M U E L R O T H B O R T (American, 1882-1971)
Jacob’s Ladder, ca. 1940
Carved wood on wood base
54” high
exhibition
51:
ROBERT INGERSOLL AITKEN
(American, 1878-1949)
52:
EMILY SPACHMAN
(American, 20th C.)
Untitled (Mother and Child), early 20th c.
Bronze
Signed “AITKEN (co)” with foundry stamp “RBW”
3 1/4” high
Untitled (Mother and Child), early 20th c.
Signed “EMILY SPACHMAN” with foundry stamp “Roman
Bronze Works, N.Y.”
5 1/4” high
provenance
$1,200–1,800
provenance
$400–600
Samuel Rothborth: Sculpture and Self-Portraits, Giampietro
Gallery, New York, 1978
provenance
Estate of the artist
$300–500
30
31
56:
J O H N F U L T O N F O L I N S B E E (American, 1892-1972)
Shag Rock, 1949
Oil on Masonite (framed)
Signed
26” x 40”
provenance
55:
D A N I E L G A R B E R (American, 1880-1958)
Three works of art:
Improvidence, ca. 1926
Etching and drypoint (framed)
Signed and titled
7 7/8” x 11 3/4” (plate)
8 1/2” x 12 1/8” (sight)
Holcomb’s Mill, 1922
Etching (framed)
Signed and titled
5” x 6 1/4” (plate)
5 3/8” x 6 5/8” (sight)
Forest Entrance, 1932-33
Etching (framed)
Signed and titled
5 3/4” x 6 3/4” (plate)
6 1/8” x 7” (sight)
provenance
Note: This work will be included in the forthcoming Folinsbee
Catalogue Raisonné.
$12,000–18,000
$2,500–3,500
32
33
57:
HENRY BAYLEY SNELL
(American, 1858 - 1943)
59:
WILLIAM FRANCIS TAYLOR
(American, 1883-1970)
A Stiff Breeze
Oil on illustration board (framed)
Signed
7 1/2” x 10 1/2”
Hillside, Lumberville
Signed
12” x 16”
provenance
provenance
Worcester Art Museum,
Massachusetts (label on verso)
Salmagundi Club (label on verso)
Jim’s of Lambertville, New Jersey
(label on verso)
$2,000–3,000
$3,000–5,000
58:
ALFRED NUNAMAKER
(American, 1915-1988)
60:
Untitled (Bass Rocks, Gloucester)
Oil on canvasboard (framed)
Signed
8” x 10”
Untitled
Signed
13 1/4” x 16 1/4”
provenance
$1,000–1,500
34
JOHN WELLS JAMES
(American, 1893-1951)
provenance
$3,000–5,000
35
61:
R O B E R T S P E N C E R (American, 1879-1931)
New Hope-Lambertville Covered Bridge
Signed
25” x 30”
provenance
The artist
$40,000–60,000
36
37
64:
ANTONIO PIETRO MARTINO
(American, 1902-1988)
Untitled (Reflections)
Signed
25” x 30”
provenance
$3,000–4,000
62:
GLENN STUART PEARCE
(American, 1909-1986)
Willow Creek, ca. 1940
Oil on canvas (artist frame)
Signed and titled
30 1/8” x 40 1/8”
provenance
$1,200–1,800
63:
ANTONIO PIETRO MARTINO
(American, 1902-1988)
65:
GIOVANNI MARTINO
(American, 1908-1997)
Essington
Oil on paper board (framed)
Signed and titled
12 1/2” x 14”
Untitled (White House Reflections)
Signed
25 1/8” x 30 1/8”
provenance
provenance
$1,500–2,500
38
$2,000–3,000
39
66:
STANLEY RECKLESS
(American, 1892-1955)
Untitled
Oil on canvas (Newcomb Macklin frame)
Signed
24” x 20”
provenance
$3,000–5,000
68:
B R O R J U L I U S O L S S O N N O R D F E L D T (Swedish/American, 1878-1955)
Fruit and Pink Flower, 1942
Signed
34” x 48”
exhibition
B. J. O. Nordfeldt: An American Expressionist (traveling exhibition organized
by Richard Stuart Gallery, Pipersville, PA), November 7, 1984 – March 23,
1986, (cat. no. 49)
67:
JOHN F. FOLINSBEE
(American, 1892-1972)
Tulips, ca. 1964
Oil on board (Badura frame)
Signed
24” x 16”
literature
Estate of the artist
Ollendorff Fine Arts, New York (label on verso)
Richard York Gallery, New York (label on verso)
Laurence Oliver Gallery, Philadelphia (label on verso)
Richard Stuart Gallery, Pennsylvania (label on verso)
Pedersen Gallery, Lambertville
John Folinsbee, Catalogue Raisonné, no. 312
provenance
$8,000–12,000
exhibition
Paintings, Drawings and Lithogpahs by John
Folinsbee, Gunnery School, 1976 (cat. no. 27)
provenance
$3,000–5,000
40
41
71:
L O U I S B O S A (American, 1905-1981)
The Skater
Signed
12” x 30”
provenance
$2,500–3,500
69:
BROR JULIUS OLSSON NORDFELDT
(Swedish/American, 1878-1955)
Haycocks
Signed
16” x 22”
provenance
$800–1,200
70:
BROR JULIUS OLSSON NORDFELDT
(Swedish/American, 1878-1955)
72:
L O U I S B O S A (American, 1905-1981)
Two works of art:
Untitled, 1909
Etching (Badura frame)
Signed
7” x 5 3/4” (plate)
7 5/8” x 6 3/8” (sight)
Untitled (Nuns Skiing)
Gouache on paper (framed)
Signed
5 7/8” x 9 3/4” (sight)
provenance
Untitled (Nuns Skating)
Gouache on paper (framed)
Signed
4 1/2” x 7 3/8” (sight)
provenance
$800–1,200
$800–1,200
42
43
73:
LLOYD RAYMOND NEY
(American, 1893-1965)
Untitled, 1938
Oil on canvas (Newcomb-Macklin frame)
Signed and dated
30” x 25”
provenance
$4,000–6,000
74:
CARRIG-ROHANE FRAME
Carved frame with gold leaf, 1911
Signed and dated
36 1/2” x 31 1/2” (outside dimension)
30” x 25 1/4” (inside dimensions)
75:
C H A R L E S R O S E N (American, 1878-1950)
Cliff Dwellings, ca. 1918-20
Signed
32 1/4” x 40”
exhibition
Carnegie Institute, Pittsburgh, 1931
Form Radiating Life: The Paintings of Charles Rosen, James A.
Michener Art Museum, New Hope, October 13, 2006- January
28, 2007 traveled to Samuel Dorsky Museum of Art, New
Paltz, New York, February 17, 2007-May 20, 2007 (pl. 37)
provenance
$5,000–7,000
provenance
$1,800–2,800
44
45
76:
MAXIMILIAN (MAXO) VANKA
(Croatian/American, 1889-1963)
Untitled (Still Life)
Signed
16” x 19 3/4”
provenance
$1,800–2,800
77:
CHARLES ROSEN
(American, 1878-1950)
Turrets
Signed
25 1/8” x 30”
provenance
CHARLES COINER
(American, 1898-1989)
Untitled
Signed
24” x 36”
78:
$3,000–5,000
provenance
Bianco Gallery, Pennsylvania (label
on verso)
$800–1,200
79:
PAUL KEENE, JR.
(American, 1920-2009)
Untitled
Signed
27” x 34”
provenance
$1,000–2,000
46
47
80:
CHARLES EVANS
(American, 1907-1992)
Untitled, 1957
Signed and dated
50” x 40”
provenance
$3,000–5,000
81:
LEE GATCH
(American, 1902–1968)
The Lamb, 1954
Oil on canvas mounted to panel
Signed
9” x 37”
provenance
Hirshhorn Museum and Sculpture
Garden, Smithsonian Institute,
Washington, D.C. (label on verso)
$2,000–3,000
82:
L O U I S S T O N E (American, 1902-1984)
Untitled #574, ca. 1940
Signed
24 1/4” x 20”
provenance
$5,000–7,000
48
49
83:
JOSEPH MEIERHANS
(American, 1890-1980)
85:
JOSEPH BARRETT
(American, b. 1936)
Untitled (Artist in Studio)
Oil on board (Badura frame)
9” x 12”
provenance
Church Street, Lambertville, NJ, 2005
Signed, dated and titled
32” x 30”
provenance
Private Collection, South Carolina
$2,000–3,000
$3,000–5,000
84:
TOBIAS MUSICANT
(American, 1921-2004)
86:
JOSEPH BARRETT
(American, b. 1936)
Untitled
Signed
10” x 8”
New Houses
Signed and titled
26” x 26”
provenance
provenance
$1,000–1,500
Note: Artist frame also accompanies
this lot (photo online)
$2,000–3,000
50
51
87:
J O S E P H B A R R E T T (American, b. 1936)
Canal Autum (sic)
Oil on canvas (artist framed)
Signed and titled
14 1/8” x 14 1/8”
provenance
Private Collection, Illinois
$1,200–1,800
90:
ANTHONY MICHAEL AUTORINO
(American, b. 1937)
Woodbury Road, 1985
40” x 48”
provenance
$2,500–3,500
88:
B E R N A R D B A D U R A (American, 1896-1986)
89:
Hand carved and incised gold leaf frame (with mirror)
Signed
25 3/4” x 31 1/2” (rabbet)
30 3/4” x 36 1/4” (outside)
Hand carved and incised gold leaf frame, 1967
Signed and dated
24 5/8” x 36” (outside dimension)
21” x 32 3/8” (inside dimension)
provenance
$800–1,200
91:
(American, b. 1937)
Canal at Lumberville, PA, 1988
Oil on linen (framed)
9” x 12”
provenance
provenance
Private Collection, Arizona
$800–1,200
$800–1,200
52
53
92:
(American, b. 1937)
94:
FREDERICK WILLIAM HARER
(American, 1879-1947)
Studies of Farm Animals
Four oil on canvas mounted to boards (framed separately)
Each signed
Smallest: 4” x 4 1/2”
Largest: 6 1/2” x 8 3/8”
provenance
Frame in Spanish 17th c. Style, ca.
1920
Carved basswood, tempera and 23k
gold leaf
31 3/8” x 25 1/4” (outside dimensions)
24 1/4” x 18 1/8” (inside dimensions)
exhibition
The Regilded Age, The Newark
Museum, Newark, New Jersey, May 23,
1991-August 4, 1991
The Frame in America 1860-1960,
International Institute for Frame
Study, Federal Reserve Board, January
24-March 17, 1995
$800–1,200
provenance
David A. Crafts Collection
$2,000–3,000
93:
RICHARD WEDDERSPOON
(American, 1889-1976)
Bentley House, Leesburg, VA
Signed and titled
30 1/8” x 30 1/8”
provenance
95:
Hand carved and incised gold leaf frame
27 1/2” x 23 1/2” (outside dimension)
20 1/2” x 24 1/2” (inside dimension)
provenance
$800–1,200
$1,200–1,800
54
55
96:
EVELYN FAHERTY
(American, 1919-2015)
98:
GUSTAVE CIMIOTTI
(American, 1875-1969)
New Hope Boathouse
Oil on board (Joseph Barrett frame)
Signed
7” x 9”
Ogunquit, Maine
Signed
16” x 20”
provenance
provenance
$800–1,200
97:
EVELYN FAHERTY
(American, 1919-2013)
Untitled (Fall Farm Scene)
Signed
8” x 10”
provenance
$800–1,200
$1,500–2,500
99:
TWO LANDSCAPES:
L A R S H O F T R U P (Swedish/American, 1874-1954)
Untitled, 1934
Oil on canvasboard
Signed and dated
8” x 10”
Untitled
Oil on paperboard
Signed
9” x 12”
M A N U E L V A L E N C I A (American, 1856-1935)
provenance
$800–1,200
56
57
100: ANDREW WYETH
(American, 1917-2009)
Fox, 1957
Pencil on paper (framed)
Signed and dated
8 5/8” x 11 5/8” (sheet)
provenance
Nicholas Wyeth, Inc., New York
(label on verso)
$3,000–5,000
Lots 102–115 from a collection of art by Joseph Stella
belonging to Josephine M. Lettera. This collection of over
500 hundred works was inherited by Ms. and Mrs. Lettera
from Mrs. Giovanni Stella, the artist’s sister-in-law.
102:
J O S E P H S T E L L A (American, 1877-1946)
Untitled (Dogs)
Three mixed media on paper
Each has an Estate stamp
8 3/4” x 7 5/8” (sheet)
4 1/2” x 5 7/8” (sheet)
provenance
Giovanni Stella, M.D. (the brother of the artist)
Mrs. Giovanni Stella
Josephine M Lettera, New York
Private Collection, Washington, D.C.
$700–900
101:
HELEN JACOBS
(British, 1888-1970)
Illustration for The Land of Never
Grow Old
Watercolor and ink on paper
(framed)
Signed
15 3/8” x 9 3/4” (sight)
provenance
103:
Untitled
Two mixed media on paper
7 3/4” x 9 3/4” (sheet)
6 1/2” x 10” (sheet)
$1,200–1,800
provenance
$500–700
58
59
1 0 6 : J O S E P H S T E L L A (American, 1877-1946)
1 0 4 : J O S E P H S T E L L A (American, 1877-1946)
1 0 4 A : J O S E P H S T E L L A (American, 1877-1946)
Untitled
Charcoal on paper
Signed
20 7/8” x 16” (sheet)
Untitled
Watercolor on paper
Estate stamp
20” x 14” (sheet)
provenance
$1,000–1,500
Untitled (Landscapes)
Three color pencil and graphite on paper
8 1/4” x 10 1/2” (sheet, each)
provenance
$600–800
provenance
$800–1,000
107:
105:
Two works of art:
Untitled
Oil on unstretched canvas
Signed
14” x 18 1/2”
Untitled
Watercolor on paper
Estate stamp
10 3/4” x 14 7/8” (sheet)
Untitled
Three pencil on paper
Two have the Estate stamp
9 1/2” x 12 3/4” (sheet, two)
10” x 13” (sheet)
provenance
provenance
$600–800
$700–900
60
61
108: JOSEPH STELLA
(American, 1877-1946)
Untitled (Flowers)
Three mixed media on paper
9” x 12 3/4” (sheet)
10 7/8” x 7 7/8” (sheet)
8 3/4” x 6” (sheet)
provenance
Giovanni Stella, M.D. (the brother of
the artist)
110:
Untitled
Two mixed media on paper
7 3/4” x 9 3/4” (sheet)
6 1/2” x 10” (sheet)
$700–900
provenance
$500–700
109: JOSEPH STELLA
(American, 1877-1946)
Untitled (Studies)
Two pencil on paper
5 1/2” x 4” (sheet)
3 1/2” x 2 3/4” (sheet)
provenance
Giovanni Stella, M.D. (the brother of
the artist)
111:
Untitled
Oil on canvas
Signed
15” x 18”
$400–600
provenance
$2,500–3,500
62
63
112:
Untitled (Portraits)
Two pencil on paper, one charcoal
Each have the Estate stamp
10 3/4” x 8 1/2” (sheet, two)
11 1/8” x 8 1/4” (sheet)
10 1/8” x 9 1/8” (sheet)
114:
Untitled (Nude studies)
Three pencil on paper
12” x 9 1/4” (sheet, each)
provenance
Giovanni Stella, M.D. (the brother of the
artist)
provenance
$600–800
$700–900
115:
Untitled
Two charcoal and watercolor on paper
Each have the Estate stamp
22” x 17” (sheet, each)
Untitled (Portraits)
Four pencil on paper
6 5/8” x 4 1/2” (sheet, each)
provenance
113:
provenance
$800–1,200
64
$500–700
65
118:
LEON DOLICE
(American, 1892–1960)
Untitled (Central Park)
Signed
18 1/8” x 24 1/4”
provenance
Private Collection, North Carolina
$800–1,200
116:
J O S E P H S O L M A N (American, 1909-2008)
Two works of art:
Seated Woman
Gouache and pencil on newsprint (framed)
Initialed
13” x 10” (sight)
Looking Out the Window
Gouache and pencil on newsprint (framed)
Initialed
10 1/8” x 7 1/8” (sight)
119:
ROBERT JUNIPER
(Australian, 1929-1983)
Daydawn, Ghost Town near Cell, WA,
1969
Mixed media on paperboard (framed)
Signed and dated
36” x 48”
provenance
Skinner Galleries, Australia (label on
verso)
S. L. Segal, Esq., Australia
Private Collection
$3,000–5,000
provenance
$2,000–3,000
117:
R O B E R T P H I L I P P (American, 1895-1981)
Flowers and Fruit
Signed and titled
32 1/2” x 15 1/2”
provenance
$1,000–1,500
66
67
120:
G E O R G E C O N S T A N T (American, 1892-1978)
121:
M A R C H A V E R Y (American, b. 1932)
Untitled, 1956
Signed and dated
24” x 18”
Nursing Mother and Child, 1965
Signed and dated
19 7/8” x 9 7/8”
provenance
provenance
$1,200–1,800
Private Collection, Florida
$800–1,200
Rolph Scarlett was the first American artist selected to exhibit alongside Wassily Kandinsky, Paul Klee, and Rudolph Bauer
for Solomon R. Guggenheim’s Museum of Non-Objective Painting in 1940. Scarlett’s acceptance into the Museum as a
primary exhibitor and chief lecturer resulted in a close friendship with its co-founder and director, Baroness Hilla Rebay,
who championed the non-objective mode of abstraction in the U.S. Throughout his life Scarlett created in a variety of
styles: Geometric Abstraction, Non-Objective, Abstract Expressionist and his Lyrical figurative abstractions. According to
Harriet Tannin, his student, confidant, executrix and author of The Baroness, the Mogul, and the Forgotten History of the
First Guggenheim Museum, “Scarlett, to earn his stipend from Hilla Rebay, was only allowed to paint geometric abstractions
for the Museum during the day, but at nights, he would secretly paint his lyrical figurative and abstract compositions, as
these were his true voice.” Scarlett’s work is represented in the permanent collections of numerous museums including the
Guggenheim (which still owns over thirty works), the Smithsonian Institution, the Whitney Museum of American Art, the
Los Angeles County Museum of Art, the Montreal Museum of Art, and the de Young Museum in San Francisco.
68
122:
R O L P H S C A R L E T T (American, 1891-1984)
Untitled, ca. 1938
Mixed media on board (framed)
Signed
38 1/4” x 29 7/8” (sight)
exhibition
The Fourth Dimension, Levis Fine Art, New York, August 7 – September 5, 2009
provenance
The artist
Harriet Tannin, Executor for the Estate of Rolph Scarlett
Levis Fine Art
$7,000–10,000
69
123:
Endless Universe, ca. 1935
Mixed media on board (framed)
Signed
29 7/8” x 37 5/8” (sheet)
exhibition
provenance
The artist
Levis Fine Art
exhibition
Untitled, ca. 1938
Signed
46” x 35”
124:
$5,000–7,000
provenance
The artist
Levis Fine Art
$5,000–7,000
70
71
125:
K A R L K O R A B (Austrian, b. 1937)
Untitled
Two etching and aquatints (framed separately)
Largest: 14” x 16 1/2” (plate), 19 3/8” x 31” (sheet)
Smallest: 12 3/8” x 14 1/8” (plate), 20” x 20 3/8” (sheet)
127:
BALCOMB GREENE
(American, 1904-1990)
Wind, Ocean, Fog (No. 2), 1963
Signed
53” x 66”
provenance
Saidenberg Gallery, New York (label
on verso)
provenance
$2,500–3,500
$3,000–5,000
126:
A . V A N G E E M (American, 20th C.)
Abstraction, 1930
Signed
28” x 18”
128:
BALCOMB GREENE
(American, 1904-1990)
Nude in Yellow Ochre, 1952
Oil on canvas (Heydenryk frame)
Signed
36” x 48”
exhibition
Carnegie Institute International
Exhibiton, Pittsburgh, 1952 (cat. no.
101)
Pennsylvania Academy of the Fine
Arts, 1954 (cat. no. 77)
Annual Exhibition of Paintings,
Sculpture, Watercolors and Drawings,
Whitney Museum of American Art,
New York, January 12 – February 20,
1955
California Palace of the Legion of
Honor, San Francisco
Yale University Art Gallery
Bertha Schaeffer Gallery, New York
provenance
David Findlay Jr. Gallery, Inc., New York
(label on verso)
provenance
$3,000–5,000
$800–1,200
72
73
129:
BALCOMB GREENE
(American, 1904-1990)
Untitled, ca. 1950
Signed
36” x 48”
provenance
$2,000–3,000
131:
M O S E S S O Y E R (American, 1899-1974)
132:
R A M Ó N P I C H O T S O L E R (Spanish, 1924-1996)
Untitled (Artist’s Model)
Oil on canvas
Signed
26” x 20”
Composición en gris
Signed and titled
28 3/4” x 23 3/4”
provenance
provenance
Private Collection, Canada
$5,000–7,000
130:
ALAN GUSSOW
(American, 1931-1997)
Two works of art:
Meadow at Gull Rock, 1962
20” x 23”
Deep in the Woods, 1965
Oil on canvas laid on Masonite (framed)
14” x 16”
provenance
Private Collection, California
$3,000–5,000
Peridot Gallery, New York (labels on versos)
$1,500–2,500
74
75
133:
JANE FREILICHER
(American, 1924-2014)
Misty Pond, 1969
24” x 20”
provenance
Fischbach Gallery, New York (label
on verso)
Tibor De Nagy Gallery, New York
(label on verso)
$4,000–6,000
134:
MICHAEL KARAS
(American, b. 1954)
Untitled
Signed
18” x 25”
provenance
$1,500–2,500
135:
N E L L B L A I N E (American, 1922-1996)
Summer Bouquet and Chair, 1963
24” x 20”
provenance
$5,000–7,000
76
77
136:
VYTAUTAS KASIULIS
(Lithuanian, 1918-1995)
Untitled (Still Life)
Pastel on paper (framed)
Signed
12 7/8” x 16 3/4” (sheet)
provenance
$800–1,200
137:
ROGER BEZOMBES
(French, 1913-1994)
Untitled
Two gouache on paper mounted to board (framed separately)
Each signed
6 1/2” x 7 5/8” (each)
138:
B E R N A R D C A T H E L I N (French, 1919–2004)
Anemones au Vas Bleu, 1968
Signed and dated
25 1/2” x 18 3/8”
provenance
provenance
$800–1,200
David Findlay Gallery, New York (label on verso)
$5,000–7,000
78
79
141:
139:
G U Y B A R D O N E (French, b. 1927)
La Salute, Venice
Signed
13” x 20”
provenance
Findlay Galleries, New York (label on verso)
ALEXANDRE-LOUIS JACOB
(French, 1876-1972)
Untitled
Oil on burlap (framed)
Signed
51 3/8” x 45”
provenance
$5,000–7,000
$800–1,200
1 4 0 : N I C O L A I C I K O V S K Y (Russian/American, 1894–1987)
Untitled, 1947
Signed and dated
16” x 20”
provenance
142:
GEORGES STEIN
(French, 1870-1955)
Paris
Oil on canvas laid to board (framed)
Signed and titled
15” x 21 1/2”
provenance
Private Collection, USA (most likely
acquired from a New York Gallery,
ca. 1930s)
Sotheby’s, New York, 1996
$4,000–6,000
$800–1,200
80
81
143:
LOUIS NEILLOT
(French, 1898-1973)
Untitled
Oil on burlap (framed)
Signed
23 1/2” x 28 5/8”
provenance
$2,500–3,500
144:
RENE GENIS
(French, 1922–2004)
Eglise de Belle Fontaine
Signed
32 1/4” x 25 3/4”
provenance
145:
David B. Findlay Galleries, New York
(label on verso)
B E R N A R D C A T H E L I N (French, 1919–2004)
Untitled
Signed
22” x 18”
$800–1,200
provenance
DuBose Gallery, Texas (label on verso)
$5,000–7,000
82
83
146:
B R U N O C A S S I N A R I (Italian, 1912-1992)
Two works of art:
Untitled (Woman in Yellow)
Mixed media on paper (framed)
Signed
22” x 15 5/8” (sight)
Untitled (Man on Horseback)
Charcoal on paper (framed)
Signed
21 1/2” x 28 3/8” (sight)
provenance
148:
JEAN JANSEM
(French/American, 1920-2013)
Untitled (Street Scene)
Signed
7 1/2” x 9 1/4” (sight)
provenance
$4,000–6,000
$1,200–1,800
149:
JEAN JANSEM
(French/American, 1920-2013)
Untitled, 1969
Signed
25” x 17 1/2” (sight)
provenance
$800–1,200
147:
B R U N O C A S S I N A R I (Italian, 1912-1992)
Untitled
Mixed media on paper laid to board (framed)
Signed
13 1/2” x 21 1/8” (sight)
provenance
$1,000–1,500
84
85
150:
H U G U E S C L A U D E P I S S A R R O (French, b. 1935)
151:
H U G U E S C L A U D E P I S S A R R O (French, b. 1935)
Hangars a Coolgreany, 1996
Oil on canvas
45 3/4” x 35”
La Ferme de Newtown, 1996
Oil on canvas
45 3/4” x 35”
provenance
provenance
Private Collection
Accompanied by Certificate of Authenticity by artist
Private Collection
Accompanied by Certificate of Authenticity by artist
$8,000–12,000
86
$8,000–12,000
87
152:
HUGUES CLAUDE PISSARRO
(French, b. 1935)
154:
PAUL-EMILE PISSARRO
(French, 1884-1972)
Untitled
Oil pastel on paper (framed)
Signed
13 1/2” x 19 5/8” (sight)
Brouillard sur L’orne
Signed
18 1/4” x 22 1/4” (sheet)
provenance
provenance
Private Collection
Findlay Galleries, Chicago
Private Collection
$2,000–3,000
Note: Accompanied by original label
and price tag.
$3,000–5,000
153:
LELIA PISSARRO
(French, b. 1963)
155:
PAUL-EMILE PISSARRO
(French, 1884-1972)
La Chapelle au Moine sous la Neige
Signed and titled
15” x 18”
Chalutiers Aux Grands Mats
Oil pastel on paper (framed)
Signed
9 5/8” x 13 1/4” (sheet)
exhibition
provenance
Lelia Pissarro, The Legend
Continues, Newman Galleries,
Boston, Massachusetts, November
18-December 2, 1989
$1,000–1,500
Private Collection
provenance
Private Collection
Note: Accompanied by signed
exhibition catalogue and drawing.
$2,000–4,000
88
89
156:
CHARLES KVAPIL
(Belgian,1884-1958)
Untitled
Signed
25 1/2” x 36 1/4”
provenance
$2,500–3,500
158:
Y U R I K R A S N E Y (Russian, 1925–2005)
Untitled
Acrylic on canvas (framed)
Signed
43 1/4” x 80”
provenance
$7,000–10,000
157:
JAVIER VILATO RUIZ
(Spanish, 1921-2000)
Untitled, 1957
Oil on canvas
Signed and dated
36 3/8” x 28 5/8”
provenance
$2,000–3,000
90
91
159:
SUZANNE EISENDIECK
(German/French, 1908-1998)
Charmille à L’Hautil
Signed and titled
23 5/8” x 29”
provenance
161:
J A C Q U E S B A R T O L I (French, 1920–1995)
Conversation
Signed and titled
24” x 19 5/8”
provenance
$800–1,200
$1,500–2,500
162:
C A N D I D O P O R T I N A R I (Brazilian, 1903-1962)
Sketch for Coffee Harvest, ca. 1956
Pencil on paper mounted to board (framed)
Signed
5” x 10” (sheet)
provenance
Private Collection, Connecticut
Note: Accompanied by the book Retrato De Portinari.
$6,000–8,000
160: SUZANNE EISENDIECK
(German/French, 1908-1998)
Pygmalion
Signed and titled
25 5/8” x 21 1/4”
provenance
$1,500–2,500
92
93
163:
RUFINO TAMAYO
(Mexican, 1899-1991)
Dos Cabezas de Mujer from Mujeres,
1969
Lithograph in colors (framed)
Signed and numbered 10/150
21 5/8” x 28 3/8” (sight)
literature
Pereda 106
provenance
Raydon Gallery, New York (label on
verso)
$1,500–2,500
164:
RUFINO TAMAYO
(Mexican, 1899-1991)
Venus Noire, 1969
29 1/2” x 22” (sight)
printer
Atelier Désjobert, Paris
publisher
Touchstone Publishers, New York
literature
Pereda 110
provenance
165:
F R A N C I S C O Z U N I G A (Mexican, 1912-1998)
Untitled, 1972
Bronze on wood base
Signed, dated and numbered V/V
11” high (without base)
13” high (with base)
provenance
$1,000–1,500
$6,000–8,000
94
95
166:
Two works of art:
Untitled, 1961
Signed and dated
23 5/8” x 18 1/4”
La Sembradora, 1976
24 3/8” x 34 1/4” (sight)
provenance
$3,000–5,000
167:
J O S É C L E M E N T E O R O Z C O (Mexican, 1883-1949)
Pulqueria, 1928
Lithograph (framed)
13 5/8” x 17 1/4” (sight)
literature
Hopkins 11
168:
Untitled, 1974
Bronze on wood base
Signed, dated and numbered XXII/XXVIII
11 1/2” high (without base)
provenance
provenance
Private Collection
$800–1,200
$6,000–8,000
96
97
169:
RUFINO TAMAYO
(Mexican, 1899-1991)
Femme souriante from the Mujeres
Suite, 1969
Lithograph in colors
Signed and noted P de A I/X
22 1/4” x 30 3/8”
publisher
Touchstone Publishers, New York
literature
Pereda 123
provenance
Shulman Family Collection
$1,500–2,000
171:
Two untitled works of art:
Untitled
Gouache and watercolor on paper
Signed
18 3/4” x 23 3/8” (sheet)
Untitled
Gouache and watercolor on paper
Signed
18 3/4” x 23 3/8” (sheet)
provenance
$1,000–1,500
170:
WIFREDO LAM
(Cuban, 1902-1982)
Le Regard Vertical Portfolio, 1973
Five lithographs in colors (with
original portfolio box of poems)
Each signed and numbered 18/99
25 1/4” x 19 5/8” (sheet, each)
provenance
$2,000–3,000
172:
Two works of art:
Untitled
Gouache on paper
Signed
18 3/4” x 23 3/8” (sheet)
Untitled
Gouache on paper
Signed
18 3/4” x 23 3/8” (sheet)
provenance
$1,000–1,500
98
99
173:
ROLPH SCARLETT
(American, 1891-1984)
175:
Two works of art:
Two works of art:
Untitled
Gouache on paper
Signed
23 1/2” x 18 5/8” (sheet)
Untitled
Ink on paper
Signed
13 7/8” x 16 1/2” (sheet)
Untitled
Ink and watercolor on paper
Signed
15” x 18” (sheet)
Untitled
Gouache on paper
Signed
23 1/2” x 18 5/8” (sheet)
provenance
provenance
$1,000–1,500
$600–800
174:
ROLPH SCARLETT
(American, 1891-1984)
Two works of art:
Untitled Portrait
Pastel on black paper
Signed
12” x 9” (sheet)
Untitled Portrait
Gouache on paper
Signed
12” x 8” (sheet)
provenance
176:
Two works of art:
Untitled
Watercolor on paper
Signed
13 5/8” x 11” (sheet)
$600–800
Untitled
Monoprint in colors on paper
Signed
12” x 12” (sheet)
provenance
$800–1,200
100
101
177:
LE CORBUSIER
(Swiss/French, 1887-1965)
Les des sont jetes, 1959
18 3/4” x 24 7/8” (sight)
provenance
$1,200–1,800
1 8 0 : M . C . E S C H E R (Dutch, 1898-1972)
178:
JEAN (HANS) ARP
(French, 1886-1966)
179:
WILLI BAUMEISTER
(German, 1889-1955)
Untitled, 1962
Woodcut in colors (framed)
9” x 7” (sight)
Visieren (Sitzende Figur), 1921-22
Lithograph (framed)
Signed
19 3/4” x 14 3/4” (sheet)
provenance
printer
publisher
Van Dishoeck
provenance
provenance
Additional images online
$6,000–8,000
$1,500–2,000
publisher
102
Scholastica (De vreeselijke a avonturen van scholastica), 1933
Book of nineteen woodcuts with text by Jan Walch
Numbered 190 from the intended edition of 300
12 3/4” x 9 3/4” (closed)
Joh. Enschedé, Netherlands
Staatliches Bauhaus Weimar
$800–1,000
103
181:
A L B E R T G L E I Z E S (French, 1881-1953)
Personnages, 1916
Ink on tan wove paper (framed)
Inscribed Barcelone 16
10 3/4” x 8 1/8”
provenance
$1,500–2,500
182:
ALBERT GLEIZES AND
JEAN METZINGER
(French, 1881-1953 and 1883-1956)
Du Cubisme, 1947
Portfolio with text and 11 etchings,
engravings and aquatints (in original
box)
Numbered 198 from an edition of 435
10” x 8” (sheet, each)
publisher
Compagnie Française des Arts
Graphiques, Paris
provenance
$3,000–5,000
183:
E D O U A R D V U I L L A R D (French, 1868-1940)
La Patisserie from Paysages et Interieurs, 1899
Lithograph in colors on paper (framed)
14 1/8” x 11 1/16” (sight)
15 3/8” x 12” (sheet)
literature
R.-M. 41
provenance
$7,000–9,000
104
105
184:
J U A N G R I S (Spanish, 1887-1927)
Two works of art:
Marcelle La Brune, 1921
Signed and dated in the plate
13 3/8” x 10 3/8” (sight)
Boris, 1921
Lithograph (framed)
Numbered 16/50
Signed and dated in the plate
13 3/8” x 10 3/8” (sight)
literature
Kahnweiler 2
provenance
$2,500–3,500
186:
E D V A R D M U N C H (Norwegian, 1863-1944)
Omega’s Flight from Alpha & Omega series, 1908-09
Lithograph on paper (framed)
Signed
17 1/4” x 23 3/8” (sight)
literature
S. 323, W. 353
185:
A F T E R E D V A R D M U N C H (Norwegian, 1863-1944)
Forms in Space, 1905
Included in the periodical “Edvard Munch/von Dr. Max Linde,”
1905
10 7/8” x 8 1/2” (sheet)
publisher
provenance
Irving Galleries, Milwaukee (label on verso)
$10,000–15,000
Friedrich Gottheiner’s Verlag, August Brenzinger, BerlinCharlottenburg
provenance
$1,000–1,500
106
107
189:
J O A N M I R Ó (Spanish, 1893-1983)
Demi-mondaine à sa fenêtre, 1975
Etching and aquatint in colors
(framed)
36” x 25” (sheet)
printer
Morsang, Paris
187:
F E R N A N D L E G E R (French, 1881-1955)
La Lecture, 1953
23 3/4” x 32 3/4” (sheet)
publisher
publisher
Maeght, Paris
literature
D. 742
provenance
$2,000–3,000
Fernand Léger Musee
literature
Saphire E23
provenance
$2,000–3,000
188:
F E R N A N D L E G E R (French, 1881-1955)
1 9 0 : J O A N M I R Ó (Spanish, 1893-1983)
L’ encrier, 1933
Pochoir in colors (framed)
Signed and titled
11 1/2” x 14 7/8” (sight)
publisher
Untitled from Le Marteau sans
Maitre, 1976
Etching and aquatint in colors on
Japan nacre paper (framed)
Signed and numbered XXXIV/L
17 1/2” x 26” (sheet)
printer
J. Bucher and J. Becker
provenance
Morsang, Paris
Private Collections, New Jersey
$800–1,000
publisher
Le Vent d’Arles, Paris
literature
Dupin, Jacques. Miró Engraver.
Vol. IV
provenance
$1,500–2,500
108
109
191:
M A R C C H A G A L L (French/Russian, 1887–1985)
192:
M A R C C H A G A L L (French/Russian, 1887–1985)
L’ Opera from Paris - Derrière le Miroir, 1954
Unsigned proof
15 5/8” x 11 1/4” (sheet)
publisher
Untitled (XXe Siecle, No. 34), 1970
Lithograph in colors on Arches paper with wide margins
(framed)
17 3/8” x 13 3/8” (sight)
literature
Maeght, Paris
Cramer 24
Mourlot 608, DAP 608
literature
provenance
provenance
$2,000–3,000
$1,200–1,800
193:
P A B L O P I C A S S O (Spanish, 1881-1973)
Le Repos du Sculpteur Devant Un Nu A La Draperie:
Plate 21 from La Vollard Suite, 1933
Etching (frame)
Signed
10 3/8” x 7 1/2”
17 1/2” x 13 1/2” (sheet)
publisher
A. Vollard, Paris, 1939
literature
Bloch 160, Baer 313
provenance
Private Collection, Oregon
$7,000–9,000
110
111
194:
195:
Untitled, 1929
Lithograph in Le Manuscrit Autopraphe book
11” x 8 3/4” (sheet)
L’Atelier de Cannes, cover for Ces Peintres Nos Amis Vol. II,
1960
17 1/2” x 12 3/8” (sheet)
literature
Bloch 96
Mourlot XXVI
Cramer 17
provenance
Maravillas con Variaciones Acrosticas en el Jardin, 1975
Signed and numbered I/XV
20 5/8” x 29 1/4” (sheet)
provenance
printer / publisher
Mourlot, Paris
literature
Bloch 794
Mourlot 279
$2,000–3,000
196:
$3,000–5,000
provenance
$1,500–2,500
197:
Frontispice pour la Rame et la roue, poèmes de Rebé Cazelles,
1960
Lithograph in colors on paper (framed)
Signed 60/75
7 1/2” x 5 1/2” (sheet)
literature
Mourlot 205
provenance
Galerie Moderne at Brentano’s, New York (label on verso)
$2,000–3,000
112
113
198:
D’Aci i d’Allà, 1934
From Here and There: Figures by the Sea
Pochoir by Miró
12 7/8” x 10 3/4”
publisher
Llibreria Catalonia, Barcelona
provenance
$2,500–3,500
200: LA GUIRLANDE: ALBUM MENSUEL D’ART ET DE
L I T T É R A T U R E (The Garland: A Monthly Album of Art and
Literature), Paris
Eleven Art Deco magazines under the direction of Umberto
Brunelleschi, 1919-1920
Fifty seven full page hand-colored pochoir by Barbier,
Brunelleschi, Taquoy, Vallée, Bonotte, Domergue, and others
Limited edition of 800
11 1/4” x 7 3/4” (each)
printer
Francois Bernouard
provenance
$7,000–10,000
199:
XXE SIECLE NO. 4, ENGLISH EDITION
Chroniques du Jour, Paris, Christmas 1938
Original prints by Matisse, de Chirico, Miró, Arp, Laurens, Magnelli,
Zadkine, Helion, Duchamp and Max Bill
12 5/8” x 9 3/4”
provenance
$2,500–3,500
114
115
201:
HENRY MOORE
(British, 1898-1986)
204: JACQUES VILLON
(French, 1875-1963)
Six Reclining Figures, 1974-75
Lithograph in colors on paper
(framed)
16 7/8” x 21 3/4” (sight)
provenance
Les Roses, after Vincent Van Gogh,
1927
paper (framed)
Signed
15 1/16” x 19 5/8” (image)
22 1/16” x 30 1/16” (sheet)
publisher
$1,000–1,500
Galerie Bernheim-Jeune, Paris
literature
Ginestet & Pouillon 651
provenance
$2,000–4,000
205: GEORGES BRAQUE
(French, 1882-1963)
Août: Feuilles et Raisins, 1958
Aquatint in colors (framed)
9 5/8” x 12 5/8” (plate)
14 3/4” x 18 3/4” (sheet)
literature
202: RENE MAGRITTE
(Belgian, 1898-1967)
203: MAN RAY
(American, 1890-1976)
Two works of art:
The Rope Dancer Accompanies Herself
with Her Shadows
21” x 28 1/2” (sight)
Salon de Mai, 1965
Signed in plate
23 1/4” x 16 1/2” (sheet)
printer
Mourlot, Paris
Monument III, ca. 1965
Signed and numbered 53/125 IV
24 3/4” x 18 3/4” (sight)
provenance
publisher
Musee d’Art Moderne de la Ville de
Paris
literature
Kaplan/Baum #4
provenance
Vallier 135
provenance
$1,000–2,000
$1,800–2,400
$600–800
116
117
206: DERRIÈRE LE MIROIR: 10 ANS
D’ÉDITION, 1946-1956
Exhibition catalogue, 1956
With numerous color and black and
white lithographs, including two full
color, two-page fold-outs by Chagall
and Miró
15” x 11 1/4” (closed)
publisher
Maeght Éditeur, Paris
provenance
$1,200–1,800
207: XXE SIECLE, NOUVELLE SERIE, NO 22, NOEL
1963, E´QUIVALENCES ET CONFRONTATIONS
Three original lithographs, in colors, by Magritte, Victor
Brauner and César
Edition of approximately 2000
9 1/2” x 12 3/8” (sheet, each)
2 0 8 : S A L V A D O R D A L I (Spanish, 1904-1989)
Untitled, 1938
Graphite on paper (both sides) (framed)
Signed and dated
13 3/4” x 9 3/4” (sight, each side)
provenance
printer
Mourlot, Paris
publisher
Maeght, Paris
$8,000–12,000
provenance
$600–800
118
119
2 0 9 : S A L V A D O R D A L I (Spanish, 1904-1989)
210:
S A L V A D O R D A L I (Spanish, 1904-1989)
The Monkey and the Leopard from Le Bestiaire de La Fontaine,
1974
Hand-colored engraving on Japon paper (framed)
23 1/8” x 16” (plate)
26 7/8” x 17 7/8” (sight)
Venus from The Mythology, 1963-5
Etching and aquatint in colors on paper (framed)
19 1/2” x 15 1/2” (plate)
30” x 22 5/8” (sheet)
publisher
publisher
Pierre Argillet, Paris
Editions des Maitres Contemporaines, Agay, France
provenance
literature
Field 63-3 E
literature
Field 74-1
provenance
$3,000–5,000
$1,500–2,500
211:
S A L V A D O R D A L I (Spanish, 1904-1989)
Crucifixion, 1980
Black marble sculpture with sixteen brass appliqués, twelve metal rays and four red beads
Signed “Dalí” and numbered, inscribed and dated “92/750 © DALART N. V. 1980”
14” x 9 1/2” x 1 1/8”
provenance
$1,500–2,500
120
121
214:
Pl. 4 from Nous Avons, 1959
Etching and aquatint with hand
coloring on wove paper (framed)
Signed and noted épreuve d’artiste
5 1/8” x 7 5/8” (sheet)
printer
Crommelynck et Dutrou, Paris
publisher
Louis Broder, Paris
provenance
$2,000–3,000
212:
J O S E P H C O R N E L L (American, 1903-1972)
213:
J O S E P H C O R N E L L (American, 1903-1972)
Untitled (Hotel du Nord), 1972
Screenprint in colors (framed)
16 1/4” x 12 3/8” (sight)
Untitled (How to Make a Rainbow), 1972
Screenprint in colors with varnished stencils (framed)
15 1/4” x 11 3/4” (sight)
publisher
publisher
Brooke Alexander Editions, New York
provenance
$1,800–2,400
Brooke Alexander, New York
provenance
Arnold Klein Gallery, Michigan
$1,500–2,500
215:
L’ anneau, 1961
Lithograph in colors on two sheets
of paper (framed)
13 1/2” x 17 7/8” (sight)
literature
Mourlot 231
provenance
$1,200–1,800
122
123
216:
A N D R E M A S S O N (French 1896-1987)
L’ Odyssee, 1977-78
Twelve etchings and aquatints in colors in original portfolio
complete with colophon
Each signed and numbered 39/120
25 3/4” x 20” (sheet, each)
printer
Atelier Crommelynck, Paris
publisher
International Campaign of Unesco
provenance
Private Collection
$1,000–1,500
217:
H A R T W E L L Y E A R G A N S (American, 1915-2005)
Sun Bathers, 1965
Woodcut in colors on paper (framed)
Signed, dated, titled and numbered 6/50
19” x 16” (sight)
provenance
218:
JOURNAL DES DAMES ET DES MODES, PARIS, 1912-1914
Seventy nine issues in original titled wrappers with hand-colored pochoirs,
artists include George Barbier, Armand Vallee, H. Robert Dammy, Victor L.
Huer, Fabius (Alberto Fabio Lorenzi), Charles Martin, Maurice Taquoy, Gerda
Wegener and Roger Broders
From the edition of 1250 sets on Holland paper (from a total edition of 1279)
1-184 numbered and two unnumbered
9” x 6” (each)
provenance
$800–1,000
$8,000–10,000
124
125
219:
SALVADOR DALI
(Spanish, 1904-1989)
221:
Elephant Lily from Florals, 1972
Lithograph in colors with embossing
(framed)
19 1/2” x 14 1/4” (sheet)
Untitled
Acrylic on paper (framed)
Signed with artist’s seal
18” x 23 1/2” (sight)
printer
Drarger and Ateliers Rigal
publisher
literature
WALASSE TING
(American/Chinese, 1929–2010)
provenance
Private Collection, Princeton
$3,000–5,000
Éditions Graphiques Internationales
Field 72-7D
provenance
$1,500–2,500
220: SALVADOR DALI
(Spanish, 1904-1989)
222: CHEN CHI
(Chinese/American, 1912-2005)
Fall, 1968
Watercolor on paper (framed)
Signed and dated
20 3/4” x 21 3/4” (sight)
provenance
Judgement, 1981
paper (framed)
15 5/8” x 17 1/2” (plate)
23 3/4” x 19 3/4” (sight)
Grand Central Art Gallery, New
YorkPrivate Collection, New Jersey
provenance
$3,000–5,000
$1,000–1,500
126
127
223: WALTER HENRY WILLIAMS
(American 1920-1988)
Two works of art:
Caged Bird, 1966
Woodcut in colors
21 5/8” x 27 3/8” (sheet)
Girl with Butterflies #2, 1964
Woodcut in colors
23” x 30” (sheet)
provenance
$2,000–3,000
224: WALTER HENRY WILLIAMS
(American, 1920-1998)
Boy with Sunflowers, 1965
Woodcut in colors (framed)
Signed, dated, titled and noted Artist’s
Proof
12 1/4” x 24 1/4” (sight)
provenance
$800–1,000
2 2 5 : G E R H A R D M A R C K S (German, 1889-1981)
Hockender Neger (Crouching African)
Bronze
Artist’s cipher and foundry stamped “GUSS BARTH BERLIN”
11 1/2” high
provenance
Private Collection, Colorado
$6,000–8,000
128
129
226: NICOLA SIMBARI
(Italian, 1927-2012)
228: ARISTODIMOS KALDIS
(Turkish, 1899–1979)
Blu and Orange, 1968
20” x 24”
Aegean Church (No. 456)
40” x 32”
provenance
provenance
Wally Galleries, New York (label on
verso)
Private collection, New Jersey
Note: Accompanied by Certificate of
Authenticity from Wally Galleries
Kouros Gallery, New York (label on
verso)
provenance
$2,000–3,000
$2,500–3,500
227:
NOE CANJURA
(Salvadoran/French, 1922-1970)
(Turkish, 1899–1979)
Aurore
Signed and titled
18 1/4” x 13 1/8”
Landscape with Cypress
19 7/8” x 23 3/4”
provenance
provenance
Wally Galleries, New York
Note: Accompanied with receipt
from Wally Galleries.
$2,000–3,000
130
verso)
provenance
$1,200–1,800
131
(Turkish, 1899–1979)
Still Life
10 1/4” x 13 1/4”
provenance
verso)
provenance
2 3 2 : R O B E R T M O O R E K U L I C K E (American, 1924-2007)
$700–1,000
Untitled
Three oil on paper (framed separately)
5 1/8” x 3 1/4” (sight, each)
provenance
$1,500–2,000
231:
R O B E R T M O O R E K U L I C K E (American, 1924-2007)
Two works of art:
Untitled
Oil on silk mounted to artist board (framed)
8” x 9 1/4”
2 3 3 : R O B E R T M O O R E K U L I C K E (American, 1924-2007)
Untitled
Two etching and aquatints in colors (framed separately)
6 3/8” x 5 1/2” (sheet) and 6” x 5 1/4” (sheet)
Untitled
Oil on Plexiglas
Signed
6” x 5 1/2”
provenance
$700–900
provenance
$2,500–3,500
132
133
234: HESSAM ABRISHAMI
(Iranian, b. 1951)
Twilight of Love, 1998
20” x 18”
provenance
$1,500–2,500
(Iranian, b. 1951)
Untitled
Two mixed media on paper (framed
separately)
Each signed
13 3/4” x 8 3/4” (sight, each)
provenance
$800–1,000
(Iranian, b. 1951)
First Love, 1998
20” x 18”
provenance
237:
ROBERT JESSUP
(American, b. 1952)
Woman and Cat (Jasmine), 1983
59 3/4” x 72”
provenance
$1,000–1,500
$1,500–2,500
134
135
240: ROBERT WALTSAK
(American, b. 1944)
Rough Seas, 2015
30 1/8” x 36”
provenance
$1,500–2,000
2 3 8 : W A Y N E M O R R E L L (American, 1923-2013)
Londonderry, VT, Branch of West River, 1986
24” x 36”
provenance
$1,500–2,500
241:
VINCENT NARDONE
(American, b. 1937)
Pulse of the Glimmer Glass, 2007
Acrylic on eucalyptus board (framed)
24” x 30”
exhibition
Audubon Artists, Inc. 65th Annual
Exhibition, Salmagundi Club, New
York, 2007
provenance
Note: All proceeds go to the Vincent
Joseph Mangini Memorial Fund.
$3,000–5,000
2 3 9 : R . J O H N F O S T E R (American, 1908-1989)
Tree in Bloom
Signed
29 1/2” x 39 3/4”
provenance
Private Collection, Arizona
$1,000–1,500
136
137
2 4 2 : V I N C E N T N A R D O N E (American, b. 1937)
Fantasy on the Vine, 1996
Watercolor and collage on hemp paper (framed)
Signed and dated
16” x 25 1/2” (irregular sheet)
provenance
Note: All proceeds go to the Vincent Joseph Mangini
Memorial Fund.
$1,000–1,500
2 4 3 : V I N C E N T N A R D O N E (American, b. 1937)
Harvest Chaos, 1996
Watercolor and collage on hemp paper (framed)
Signed and dated
23 1/4” x 14 1/4” (irregular sheet)
provenance
Note: All proceeds go to the Vincent Joseph Mangini
Memorial Fund.
$1,000–1,500
244: NICHOLAS MUKOMBERANWA
(Zimbabwean, 1940-2002)
245: MIKLOS L. SEBEK
(American, b. 1941)
Untitled, 1970
Serpentine
Signed; 25” high; 29” (with base)
provenance
Torso, 1983
29” high
provenance
The Hemingway African Gallery and Photographic Safaris,
New York
$2,000–3,000
$2,000–3,000
138
139
248: JIMMY LUEDERS
(American, 1927-1995)
Fallen Flowers, 1979
Acrylic on canvas (framed)
Signed and dated
24 1/4” x 24 1/4”
provenance
$800–1,200
2 4 6 : H E N R Y M I T C H E L L (American, 1915-1980)
Untitled (Man)
Bronze
42” x 70” x 27”
provenance
$2,500–3,500
247:
S A M M A I T I N (American, 1928-2004)
Untitled
Enamel paint on wood on a wood base
Signed
9 1/2” high
249: JIMMY LUEDERS
(American, 1927-1995)
Parking, 1976
Acrylic on paper laid to cardboard
(framed)
Signed and dated
35” x 27”
provenance
provenance
$1,000–1,500
$800–1,200
140
141
G R E AT E S TAT E S A U C T I O N
December 5
2 5 0 : M A S S I M O C A M P I G L I (Italian, 1895-1971)
Four lithographs in colors (framed separately)
Three signed, dated and numbered
Smallest: 11 1/8” x 7 1/4” (sight)
Largest: 20 3/8” x 25 3/4” (sight)
provenance
catalogue online
November 13
ragoarts.com
$1,200–1,800
Charles Raoul Verlet
(French, 1857-1923)
La Douleur d’Orphée
142
$5,000–7,000
ARTIST LIST
ARTIST LIST
Abrishami, Hessam (Iranian, b. 1951).........................234, 235, 236
Escher, M.C. (Dutch, 1898-1972) . . ................................................. 180
Llyod, John L. (American, 1884-1967). . .......................................... 33
Rosen, Charles (American, 1878-1950).....................................75, 78
Aitken, Robert Ingersoll (American, 1878-1949)............................51
Evans, Charles (American, 1907-1992).. ......................................... 80
Lorenz, Richard (American, 1858-1915)........................................... 5
Rothbort, Samuel (American, 1882-1971)...................................... 54
Arnosa, José Gallegos Y (Spanish, 1859-1917). . .............................18
Faherty, Evelyn (American, 1919-2015)................................... 96, 97
Lucioni, Luigi (American/Italian, 1900-1988)............................... 34
Ruiz, Javier Vilato (Spanish, 1921-2000)..................................... 157
Arp, Jean (Hans) (French, 1886-1966)..........................................178
Farley, Richard Blossom (American, 1875-1954).. ......................... 22
Lueders, Jimmy (American, 1927-1995). . ............................. 248, 249
Scarlett, Rolph (American, 1891-1984)................... 122-124, 171-176
Autorino, Anthony Michael (American, b. 1937)...................... 90-92
Folinsbee, John Fulton (American, 1892-1972)...................... 56, 67
Lynch, Albert (Peruvian, 1851-1912).. ............................................ 25
Schanker, Louis (American, 1903-1981)....................................... 44
Avery, March (American, b. 1932).. ................................................ 121
Foster, R. John (American, 1908-1989)....................................... 239
MacMonnies, Frederick William (American, 1863-1937).......... 7, 48
Schultz (American, 20th C.)........................................................... 49
Avery, Milton (American, 1885-1965)............................................ 68
Freilicher, Jane (American, 1924-2014)...................................... 133
Magritte, Rene (Belgian, 1898-1967)........................................... 202
Sebek, Miklos L. (American, b. 1941)............................................ 245
Badura, Bernard (American, 1896-1986). . .........................88, 89, 95
Garber, Daniel (American, 1880-1958).. ......................................... 55
Maitin, Sam (American, 1928-2004). . .......................................... 247
Shahn, Ben (American, 1898-1969).................................. 41, 42, 43
Bardone, Guy (French, b. 1927)..................................................... 139
Gasser, Henry Martin (American, 1909-1981).. ........................ 31, 32
Man Ray (American, 1890-1976)................................................. 203
Simbari, Nicola (Italian, 1927-2012)............................................ 226
Barrett, Joseph (American, b. 1936).........................................85-87
Gatch, Lee (American, 1902–1968).................................................81
Marc Chagall (French/Russian, 1887–1985)......................... 191, 192
Simone, Edgardo (Italian/American, 1890-1948)...........................16
Bartoli, Jacques (French, 1920–1995).......................................... 161
Geem, A. Van (American, 20th C.)................................................ 126
Marcks, Gerhard (German, 1889-1981). . ....................................... 225
Snell, Henry Bayley (American, 1858 - 1943)................................ 57
Baumeister, Willi (German, 1889-1955) . . ......................................179
Genis, René (French, 1922–2004)............................................... 144
Martino, Antonio Pietro (American, 1902-1988).................... 63, 64
Soler, Ramón Pichot (Spanish, 1924-1996)................................. 132
Beal, Reynolds (American, 1866-1951). . ........................................ 30
Gleizes, Albert (French, 1881-1953)...................................... 181, 182
Martino, Giovanni (American, 1908-1997). . .................................. 65
Solman, Joseph (American, 1909-2008)...................................... 116
Beckwith, James Carroll (American, 1852-1917). . ...........................21
Grabach, John (American, 1886-1981).................................... 27, 28
Masson, Andre (French 1896-1987) . . ............................................ 216
Soyer, Moses (American, 1899-1974)............................................ 131
Benton, Thomas Hart (American, 1889-1975)............................... 29
Greene, Balcomb (American, 1904-1990)..............................127-129
Meierhans, Joseph (American, 1890-1980). . ................................. 83
Spachman, Emily (American, 20th C.). . .......................................... 52
Berge, Edward (American, 1876-1924)........................... 10, 11, 12, 13
Gris, Juan (Spanish, 1887-1927)................................................... 184
Metzinger, Jean (French, 1883-1956)......................................... 182
Spencer, Robert (American, 1879-1931).. ........................................61
Bezombes, Roger (French, 1913-1994).......................................... 137
Guerin, Jules (American, 1866-1946) . . ............................................. 1
Miró, Joan (Spanish, 1893-1983).. 189, 190, 196, 197, 198, 214, 215
Stein, Georges (French, 1870-1955). . ............................................142
Blaine, Nell (American, 1922-1996).. ............................................ 135
Gussow, Alan (American, 1931-1997)........................................... 130
Mitchell, Henry (American, 1915-1980)...................................... 246
Stella, Joseph (American, 1877-1946).. ................................. 102-115
Bosa, Louis (American, 1905-1981)........................................... 71, 72
Harer, Frederick William (American, 1879-1947)........................... 94
Moore, Henry (British, 1898-1986). . ............................................. 201
Stengel, George (American, 1872–1937).........................................19
Braque, Georges (French, 1882-1963).......................................... 205
Hobbs, Louise Allen (American, -1953).................................... 14, 15
Morang, Alfred (American, 1901-1958).......................37, 38, 39, 40
Stone, Louis (American, 1902-1984). . ............................................ 82
Browne, George Elmer (American, 1871-1946)........................... 6, 23
Hoftrup, Lars (Swedish/American, 1874-1954).. ............................ 99
Morrell, Wayne (American, 1923-2013).. ...................................... 238
Talbot, Grace Helen (American, b.1901). . ......................................... 8
Cadmus, Paul (American, 1904-1999). . .......................................... 26
Jacob, Alexandre-Louis (French, 1876-1972)................................ 141
Mukomberanwa, Nicholas (Zimbabwean, 1940-2002).. .............. 244
Tamayo, Rufino (Mexican, 1899-1991)..........................163, 164, 169
Campigli, Massimo (Italian, 1895-1971)....................................... 250
Jacobs, Helen (British, 1888-1970)...............................................101
Munch, Edvard (Norwegian, 1863-1944).............................. 185, 186
Taylor, William Francis (American, 1883-1970)............................. 59
Canjura, Noe (Salvadoran/French, 1922-1970).............................227
James, John Wells (American, 1893-1951).................................... 60
Musicant, Tobias (American, 1921-2004)...................................... 84
Ting, Walasse (American/Chinese, 1929–2010)...........................221
Carrig-Rohane Frame.. ......................................................................74
Jansem, Jean (French/American, 1920-2013.......................148, 149
Nardone, Vincent (American, b. 1937)......................... 241, 242, 243
Valencia, Manuel (American, 1856-1935)...................................... 99
Cassinari, Bruno (Italian, 1912-1992).................................... 146, 147
Jessup, Robert (American, b. 1952)............................................ 237
Neillot, Louis (French, 1898-1973)............................................... 143
Vanka, Maximilian (Maxo) (Croatian/American, 1889-1963)........ 76
Cathelin, Bernard (French, 1919–2004).............................. 138, 145
Journal des Dames et des Modes, Paris, 1912-1914 . . ................... 218
Ney, Lloyd Raymond (American, 1893-1965). . ............................... 73
Villon, Jacques (French, 1875-1963)............................................ 204
Chi, Chen (Chinese/American, 1912-2005).................................. 222
Juniper, Robert (Australian, 1929-1983)...................................... 119
Kaldis, Aristodimos (Turkish, 1899–1979).................. 228, 229, 230
Nordfeldt, Bror Julius Olsson (Swedish/American, 1878-1955)
............................................................................................. 68, 69, 70
Vuillard, Edouard (French, 1868-1940)........................................ 183
Cikovsky, Nicolai (Russian/American, 1894–1987)..................... 140
Cimiotti, Gustave (American, 1875-1969) . . .................................... 98
Karas, Michael (American, b. 1954).............................................. 134
Nunamaker, Alfred (American, 1915-1988). . .................................. 58
Waltsak, Robert (American, b. 1944). . .......................................... 240
Coburn, Frederick (Canadian, 1871-1960)...................................... 24
Kasiulis, Vytautas (Lithuanian, 1918-1995).. ............................... 136
Orozco, José Clemente (Mexican, 1883-1949). . ............................167
Wedderspoon, Richard (American, 1889-1976).. ............................ 93
Coiner, Charles (American, 1898-1989).......................................... 77
Keene, Jr., Paul (American, 1920-2009)........................................ 79
Parsons, Edith Barretto Stevens (American,. . ................................ 50
Williams, Walter Henry (American 1920-1988). . ................. 223, 224
Constant, George (American, 1892-1978).................................... 120
Knight, Daniel Ridgway (American, 1839-1924)............................. 4
Pearce, Glenn Stuart (American, 1909-1986). . .............................. 62
Wyeth, Andrew (American, 1917-2009)....................................... 100
Cooper, Colin Campbell (American, 1856-1937).............................. 3
Korab, Karl (Austrian, b. 1937)......................................................125
Philipp, Robert (American, 1895-1981)........................................ 117
XXe Siecle No. 4, English Edition, Christmas, 1938.................... 199
Corbusier, Le (Swiss/French, 1887-1965....................................... 177
Krasney, Yuri (Russian, 1925–2005).. .......................................... 158
Picasso, Pablo (Spanish, 1881-1973)............................193, 194, 195
XXe siecle, Nouvelle serie, No 22, Noel 1963,............................. 207
Cornell, Joseph (American, 1903-1972)................................ 212, 213
Kulicke, Robert Moore (American, 1924-2007). . ......... 231, 232, 233
Pina, Alfredo (Italian, 1883-1966)................................................... 17
Yates, Cullen (American, 1866-1945). . .......................................... 20
Cramer, Konrad (American/German, 1888–1963)........................ 35
Kvapil, Charles (Belgian,1884-1958)........................................... 156
Pissarro, Lelia (French, b. 1963)................................................... 153
Yeargans, Hartwell (American, 1915-2005)................................. 217
Creeft, Jose De (American, 1884-1982)......................................... 53
La Guirlande: Album Mensuel d’art et de. . ...................................200
Pissarro, Paul-Emile (French, 1884-1972).............................154, 155
Zorach, William (American, 1887-1966) . . ....................................... 46
Dali, Salvador (Spanish, 1904-1989). . .................. 208-211, 219, 220
Lam, Wifredo (Cuban, 1902-1982). . .............................................. 170
Pissarro, Hugues Claude (French, b. 1935).. ................. 150, 151, 152
Zuniga, Francisco (Mexican, 1912-1998)...................... 165, 166, 168
Derrière le Miroir: 10 Ans d’Édition, 1946-1956. . ......................... 206
Léger, Fernand (French, 1881-1955). . ....................................187, 188
Portinari, Candido (Brazilian, 1903-1962).. .................................. 162
Dolice, Leon (American, 1892–1960)............................................ 118
Lever, Hayley (American, 1876-1958)............................................. 2
Reckless, Stanley (American, 1892-1955) . . .................................... 66
Eisendieck, Suzanne (German/French, 1908 - 1998).. ......... 159, 160
Linder, Henry (American, 1854-1910).............................................. 9
Risque, Caroline (American, 1886-)................................................ 45
144
Walton, Marion (American, 1899-1996)..........................................47
145
TERMS OF SALE
Questions? Contact Miriam Tucker, Managing Partner
[email protected]
Rago Arts and Auction Center (Hereafter referred to as “the Auction
House”). 609-397-9374 (p) / 609-397-9377 (f)
All bidders are responsible for reading and understanding these
Terms of Sale, as well as any supplemental notices. If you have any
questions after having read the Terms of Sale, please contact the
C.E.O., Miriam Tucker, at [email protected] or 609.397.9374,
extension 141.
All items in our Unreserved Auctions are “As-Is, Where-Is.”
1. General
Each lot in this catalogue is offered for sale subject to the terms set
out below, as changed or supplemented by provisions a) written in
other places within these Terms of Sale, b) in written supplements to
this Catalogue or other materials prepared by us and c) as stated by
the auctioneer or posted in writing at the auction, prior to a bid being
accepted for a lot. No other communications by any employee of the
Auction House is intended to be binding, and such communications
are made for informational purposes only. By bidding at the auction
the buyer and all bidders agree to be bound by these terms or those
changed and supplemented, whether bidding in person, through a
representative, by phone, by internet, or other absentee bid.
Upon the fall of the auctioneer’s hammer, the successful bidder
becomes the buyer and owner of the property and is responsible for
the property, the amount of the successful bid, the buyer’s premium,
applicable taxes, and other charges provided for in the Terms of Sale
in U.S. Dollars, payable immediately.
The thirty (30) day warranty shall commence on the date of sale and
continue to run without any tolling even if the Buyer within that
thirty (30) day period 1) fails to inspect or pay, 2) requests delay in
shipment, 3) provides incorrect shipping address or information or 4)
is unavailable to receive shipment.
Sales Results: Preliminary results will be available online shortly
after each sale at www.ragoarts.com. Final sales results will be
available as soon as the Auction House has audited and verified all
sales, usually within one day of the auction.
The Auction House retains all rights to photographs and other
intellectual property contained in this catalogue.
2. Auctioneer’s Determination Final
A lot will be sold to the highest bidder as determined in the sole and
exclusive judgment of the auctioneer. The auctioneer will also have
the sole and exclusive power and authority to a) resolve any disputes
between bidders, b) determine whether to pass or re-offer a lot for
sale, c) reject or challenge any bid or advance in the bidding, d)
exclude any bidder from the premises and e) otherwise regulate the
bidders, the bidding and its increments.
3. Buyer’s Premium, Purchase Price, Taxes, and Billing
For purchases made in the room or by phone or by absentee bid
and paid for by check, cash, money order or wire transfer: A buyer’s
premium will be applied to the hammer price of each lot equal to 25%
on the first $200,000; 20% between $200,000 and $3 million.
For purchases made in the room or by phone or by absentee bid and
paid for by Visa, MasterCard, Discover or PayPal: A 2% surcharge
will be added to the total invoice (hammer price, buyer’s premium as
above, any applicable taxes).
For purchases made through any online bidding platform, regardless
of means of payment: A buyer’s premium will be applied to the
hammer price of each lot equal to 28% on the first $200,000; 23%
between $200,000 and $3 million.
Taxes: If you are shipping to a New Jersey address or if you pick up
the lots you have won at our New Jersey location, you must pay the
State’s 7% sales tax. The only exception is for those who hold a valid
resale license and file the completed New Jersey State Sales Tax
Form (New Jersey Seller’s Certificate Form ST3 or Non New Jersey
Seller’s Certificate Form ST-3NR) with Rago at time of payment. No
New Jersey sales tax is charged for purchases shipped out of state.
Billing: All successful bidders will be sent invoices by e-mail or mail
(if we do not have an email address on file) within the two business
days that follow the auction.
4. Methods of Payment and Fees
Cash. Check. Wire Transfers. Money Order. Visa. MasterCard. Discover.
PayPal. (NOTE: A 2% surcharge will be added for payments made by
Visa, MasterCard, Discover or PayPal. See Terms of Sale paragraph
3.)
146
All payments are due immediately upon receipt of invoice. We
reserve the right to hold all goods paid for by check until payment
has cleared.
If payment is not received within fifteen (15) days, the Auction
House reserves the right to impose from the date of sale a late
charge of 1 1/2% a month of the total purchase price.
5. Payment, Collection, and Shipping Responsibilities of Buyer
Buyer Obligations: On the fall of the auctioneer’s hammer, title to
the property immediately transfers to the successful bidder who,
in turn, becomes the buyer of the Property. The buyer immediately
assumes full risk and responsibility for the purchased Property,
including all costs and expenses of handling, shipping, insurance,
taxes, export, and otherwise, and is liable for the full purchase price,
plus the buyer’s premium, applicable taxes, and any other associated
expenses.
Collection of Property and Storage Charges: The buyer will pay for the
purchased Property immediately and remove it from the premises of
the Auction House within fourteen (14) days of the sale. We are not
responsible for any damage or loss on property purchased but not
removed from premises. If the purchased Property is not removed
within thirty (30) days of the sale, the buyer will thereafter be
assessed a $10 per lot storage charge per day. The Auction House
may, at its discretion, remove the purchased Property to public
storage at the buyer’s risk and expense. All associated charges will
be added to the total invoice and must be paid in full before the
Property will be released.
Those who choose to pick up their property from the Auction House
following the sale must call 24 hours in advance to arrange pick-up.
Regular hours for pick up are Monday – Friday, from 9:00 a.m. – 11:30
a.m. and from 1:30 p.m. to 5:00 p.m. Please bring your own packing
materials. The Auction House is closed on Federal holidays and on
Mondays following full auction weekends. Weekend pick-ups are
made by special arrangement and/or by appointment only. Note: New
Jersey sales tax of 7% must be added to your invoice when picking up
merchandise unless you have a valid resale number on file.
The buyer is responsible for the shipment of all purchased property.
We will work with any shipper of your choosing. If you have any
shipping preference for any reason, please make sure your shipper
carries insurance. We are not responsible for any damage or loss
that occurs while your objects are in another’s care. We will also not
be responsible for any damage or loss that occurs if you choose a
shipping method that we have advised against and we will require a
waiver from you acknowledging this.
As a convenience to the buyer, the Auction House will, if requested,
give your property to a third party shipper. This company will pack
and ship or arrange shipment for you via UPS, FedEx or other carrier,
fully insured, for a fee payable in advance by credit card. Shipments
are made within a few days after payment has been received.
All international customs, duties, and other tariffs are the
responsibility of the Buyer. The Auction House and all third party
shippers will declare the selling price as the value in all cases.
Shipping larger items: Larger items are objects such as furniture,
andirons, floor vases, or any other item whose safe packing will
exceed the limits of common carriers. The Auction House can arrange
delivery by freight almost anywhere in the United States, fully
insured, for a fee. The delivery of large, heavy, or expensive objects
is not an inexpensive proposition and we urge you to consider this
before bidding.
Firearms: Rago sells only antique firearms as defined by the U.S.
Bureau of Alcohol, Tobacco and Firearms. Due to New Jersey firearms
regulations, all handguns, pistols, and revolvers will only be shipped
via Federal Express and will only be delivered to a person who holds
a Federal Firearms License or a Curios and Relics License. Handguns,
pistols, and revolvers can only be picked up at Auction House by
a person who holds a Federal Firearms License or the proper New
Jersey handgun permits, which must be shown and logged. There are
no exceptions. No firearms will be sold or shipped internationally.
Property purchased and left at the auction house for 90 days will be
sold or donated for you.
6. Buyer Default
Remedies: If any of the Terms of Sale are not fully complied with by
the buyer, the buyer will be in default without need of notice by the
Auction House. The buyer shall be liable to the Auction House and
the consignor for the total purchase price, including all premiums,
charges, and expenses specified in the Terms of Sale. Interest shall
accrue at the rate of 18% per annum commencing with the date of
the auction. In addition to other remedies available to the Auction
House by law, the Auction House may, at its option, a) cancel the
sale of the lot(s) on which the buyer defaulted and of any other lots
sold to the defaulting buyer at the same or any other auction(s) and
retain as liquidated damages all payments made by the buyer, b)
resell the purchased Property, whether at public auction or private
sale, or c) pursue any combination of a) and b) above. In event of
default, the buyer will be responsible to the Auction House and
the consignor for any deficiency, any and all costs and expenses,
including reasonable attorneys’ fees, collection fees and expenses,
late charges, and other damages. The Auction House may, at its
discretion, apply any proceeds of sale otherwise due to the buyer or
monies of the buyer in the Auction House’s possession to reduce or
satisfy the buyer’s obligations.
Security Interest: As security for full payment to the Auction
House and the consignor of all amounts due, the buyer grants the
Auction House the right to retain a security interest in the Property
purchased at auction and in any other property or money of buyer
in the Auction House’s possession or coming the Auction House’s
possession (collectively, ’collateral’). The Auction House shall
have the rights of a secured creditor as provided by the Uniform
Commercial Code and other applicable law. Such security interest
in the Property or other collateral will cease when the Property is
physically delivered to the buyer or the buyer’s agent.
7. Warranties and Guarantees
All items are served “As-Is, Where-Is,” except as expressly stated
otherwise in the following paragraph:
All information in the catalogue concerning authenticity is
guaranteed for a period of thirty (30) days from the date of sale.
In that time, prior to payment to the consignor of the work, the
Auction House will allow the buyer to submit, at his own expense,
an opinion in writing from a recognized expert, pre-approved by
the Auction House and the purchaser, regarding authenticity. In
the event the work is judged inauthentic by the expert, the work
may be returned in the same condition as at time of sale and the
buyer’s full purchase price will be refunded. Refunds shall not include
costs of transportation, insurance, or other expenses that may have
been incurred by the buyer. It is the buyer’s responsibility to make
payment in a timely fashion such that the property can be released
and inspected within this thirty (30) day time frame. Should the
buyer not do so, or should the buyer request the auction house to
delay shipment, should he give an incorrect shipping address, or
be unavailable to receive shipment, the thirty (30) day warranty
shall still apply. If the Auction House has paid the consignor the
amounts due consignor as a result of the sale, the Auction House
will (i) refund to the buyer the amount of the buyer’s premium and
applicable taxes received from the buyer, and (ii) make written
demand upon the consignor for the payment of the balance of the
purchase price. If the consignor fails to honor the written demand for
a refund of the balance of the purchase price, the Auction House will
furnish buyer the name and address of the consignor, and assign to
buyer all of the Auction House’s rights for the return of the balance
of the purchase price of the affected lot. Upon this disclosure and
assignment, the Auction House will have no further liability to
buyer or responsibility to pursue the buyer’s claim. The Auction
House will extend reasonable cooperation to buyer, provided that
such cooperation does not require out-of-pocket expenditures by
the Auction House. This limited right of rescission is available only
to the original buyer and may not be relied upon by any heir, agent,
transferee, assign, or other third party or assigned to any subsequent
transferee of the Property which gives rise to the claim.
This Warranty does not cover any description that states there is
a conflict of specialist opinion; any description that states (or is
bracketed in a section described as) “as-is“ or “not guaranteed.”
This Warranty does not cover any typographical errors. This Warranty
does not cover wear on furniture. This Warranty does not cover
flakes, surface scratches, or manufacturing flaws in glass or ceramics.
The description of clocks and lighting devices, whether in catalogues
or condition reports, may be incomplete and not identify every
mechanical replacement, repair, or defect. The absence of reference
to the condition of a clock or lighting device does not imply it to
be in working condition or without defects, repairs, restorations, or
replacement parts.
The description of jewelry, whether in catalogues, condition reports,
or any other form, is rendered as opinion, including, but not limited
to, specialist opinion as to authenticity, the enhancement or
treatment of gemstones, the weight of gemstones, the country of
origin, the authorship or origin (manufacture) of an item, its period
(or c.) or the authenticity of its marks.
No warranty is made that any watch is in working condition or
without defects, restorations, or working parts.
Buyers are advised to check watch works prior to auction.
All measurements are approximate.
This disclaimer of liability on our part applies whether the
information is included in the catalogue, advertisements,
announcements, or communicated through our representatives, bills
of sale, or elsewhere, and whether written or oral.
No Warranty of Reproduction: Neither the consignor nor we make any
warranty or representation, express or implied, as to whether a buyer
will acquire any reproduction rights, copyrights or other intellectual
property rights in, or with respect to, the Property.
The Auction House makes no warranties, express or implied, as to the
merchantability or fitness for purpose except as otherwise expressly
stated in these Terms of Sale.
8. Qualifying to Bid
As a security measure for our consignors and our company,
all bidders must establish credit. You will be asked to furnish
identification and a valid credit card number, credit references and/
or (for absentee, phone and online bidders) an initial deposit in the
form of a pre-authorization hold equal to 10% of the low estimate
of the total number of lots on which you are bidding. First time and
international buyers bidding on Asian lots with a total low estimate
of $5,000 or greater will be asked to a) furnish an initial deposit
in the form of a pre-authorization hold equal to 30% and b) grant
the Auction House the right to charge your credit card 30% of the
selling price on the day of sale. If you are acting as another’s agent
or principal, we may request a letter of authorization. If you are
successful and do not remit payment as specified, the amount owed
will be charged to your credit card together with such charges set
forth in these terms of sale. If you have any questions, contact Eliane
Talec, ext. 118.
Bidding Numbers: All bidders must register and receive a bidding
number from the Auction House prior to bidding at the auction.
9. Bidding Increments
All unreserved bidding starts at 50% of the low estimate unless
there are two or more competing absentee bids in excess of this
figure. The auctioneer has the sole and exclusive power, discretion,
and authority to regulate the bidding and its increments.
Increments
• $10 until $100 is reached
• $25 until $500 is reached
• $50 until $1,000 is reached
• $1,000 until $30,000 is reached
• $10,000 over $100,000
10. Absentee Bids
Absentee bids are requested by no later than 6:00 p.m. on the
business day before the auction. We accept absentee bids by
phone, by mail, in person, or by fax. Absentee bidders are emailed
bid confirmations – If you do not receive a bid confirmation by the
afternoon prior to the auction, please call us. When you do receive a
bid confirmation, please double check for accuracy.
All absentee bidding is handled as though you are in attendance. We
buy all designated lots for you one bidding increment above where
competition stops. Please check and comply with these increments.
In case of failure to comply, we will reduce each off-increment bid to
the next lower figure.
“Plus” bids: Because of our structured bidding increments, it is more
likely that several people will leave identical bids. Since an earlier bid
left with the auction house wins in the event of a tie, a later bid with
an added “plus” bid to the next increment would win the piece.
Absentee bids left with third party online bidding platforms are sent
to the auction house as the lot comes up for auction and not before.
There is no time advantage to absentee bids left with third party
online bidding platforms.
All absentee bidder names and bids are held in strictest confidence,
disclosed only in the event of a question after the sale.
Absentee bidding is a convenience offered to our customers and,
while we will make every effort to execute your instructions, the
Auction House is not liable or responsible for any errors or failure
to do so. If you place absentee bids with the Auction House, then
choose to attend in person, bid by phone or any other means, it is
solely your responsibility to cancel any or all absentee bids prior to
the start of the auction.
147
11. Telephone Bids
Rago guarantees you a line and a phone agent for bidding until 4 PM
on the day prior to an auction. After that time, we will gladly accept
your absentee bids, even during the auction (up to 30 minutes before
a lot goes on the block). Changes to bid lists left with us prior to the
deadline will always be accommodated as best we can, as will followup phone bids for those who attend/must leave the auction and
other exceptional cases.
If you need condition reports, please request and review them prior
to reserving phone lines.
Telephone bidders are emailed bid confirmations – If you do not
receive a bid confirmation by the afternoon prior to the auction,
please call us. When you do receive a bid confirmation, please double
check for accuracy.
We can call you at two phone numbers ONLY during the auction. If
you are unsure of where you or your agent will be during the sale, we
recommend you leave absentee bids.
Please do not change your phone number after your phone lines have
been confirmed; if you do, the Auction House will not be responsible
for any breakdown in communications. Overseas phone numbers only
will be confirmed the day before the auction.
We do not have the capacity to assign phone agents to clients who
want to listen only or who will not bid the minimum selling price.
Therefore, if you bid by phone, you must be willing to open bidding
and bid to within 2/3 of the low estimate should the bidding go that
far. You may, however, leave absentee bids for any amount.
Bids are placed on the telephone at the discretion of the Auction
House and at the caller’s risk. Telephone bidding is a convenience
offered to our customers and, while we will make every effort
to execute your instructions, the Auction House is not liable or
responsible for any errors or failure to do so.
If you place absentee bids with the Auction House or Live
Auctioneers and also bid in person, by phone or any other means, it
is solely your responsibility to cancel any or all absentee bids prior to
the start of the auction. If you do not or cannot, regardless of reason,
you will be held responsible for the property’s purchase.
12. Internet Bids
The Auction House has also engaged the services of third party
online bidding platforms called Bidsquare and Live Auctioneers.
Please proceed to these sites for all necessary information on how
to bid and buy online using this system. The user of Bidsquare
and/or Live Auctioneers indemnifies and holds the Auction House
and its consignors harmless against any claim arising out of or
resulting from your use of the Bidsquare and/or Live Auctioneers
sites, including all losses, damages, liabilities, and all fees (including
attorney’s fees), costs, and expenses incurred in connection with
any claim. Under no circumstances, including, but not limited to,
negligence, shall the Auction House and its consignors be liable for
lost profits or any special, incidental, or consequential damages that
result from the use of, or the inability to use, this site.
If you place absentee bids with the Auction House and/or a third
party site and also bid in person, by phone or any other means, it is
solely your responsibility to cancel these absentee bids prior to the
start of the auction. If you do not or cannot, regardless of reason, you
will be held responsible for the property’s purchase.
Absentee bids left with third party online bidding platforms are
released to the Auction House when a lot comes up for sale. The
Auction House cannot distinguish these from bids made in real time.
They have no timed advantage.
13. Condition Reports
Condition reports are rendered as specialist opinion by the staff
of the Auction House and/or independent consultants and not as
statements of fact. We do not guarantee the content of written or
verbal condition reports.
Up-to-date condition reports can be accessed online at ragoarts.com.
If you would like additional information, please call (609) 397-9374,
fax condition report requests to (609) 397-9377 or e-mail them
to [email protected]. Our specialists will respond to requests as
quickly as possible.
Please be patient. We get many requests and we make every effort to
respond to all of them in a timely fashion. The Auction House is not
liable or responsible for any errors or failure to do so.
14. Reserves
A reserve is the confidential minimum price established by the
Auction House and the consignor. The reserve will never exceed the
low estimate of the lot. The Auction House prohibits consignors from
bidding on their own property, but may implement the reserve by
148
bidding on behalf of the consignor at the auction up to the reserve.
15. Estimates
The estimates provided in this catalogue are our opinion of the
price that a willing buyer would pay for the property at auction,
based, where possible, on prices paid for comparable items sold in
the past. They are neither a representation nor a prediction of the
actual selling price that will be realized at auction, post-auction
sale, or upon resale, which may be substantially different from these
estimates. We shall not be liable in any way for such a difference.
16. Withdrawal of Property from Sale
The Auction House reserves the right to withdraw property from
the sale for any reason and with no liability whatsoever for such
withdrawal.
17. Rescission by Buyer
All items are served “As-Is, Where-Is,” except as expressly stated
otherwise in Paragraph 7. Buyer acknowledges and expressly agrees
that the provisions of this Paragraph state the sole and exclusive
remedy available to a buyer in the event of non-conformity in
Property purchased. The buyer understands and agrees that the
exclusive remedy for any breach of the warranty shall be a rescission
of the sale and a refund of the original purchase price (bid plus
buyer’s premium), as well as any applicable taxes paid. Neither the
Auction House nor its Consignor shall be liable for damages beyond
the remedy expressly provided for herein, such as, but not limited
to, direct, indirect, special, incidental, punitive, or consequential,
including the loss of profit or revenue, cost of obtaining alternative
property, claims of customers of the buyer or otherwise.
18. Rescission by the Auction House
In the event the Auction House receives notice of an adverse claim
with respect to purchased Property, the Auction House shall have the
right (but not the obligation), in its sole and absolute discretion, to
rescind the sale to the buyer, upon written notice to the buyer. Upon
such notice, the buyer will promptly return the purchased property
to the Auction House’s premises in the same condition as when
purchased.
The Auction House will then promptly refund the purchase price,
including the buyer’s premium and applicable taxes paid. Buyer will
have no further recourse against the Auction House or the consignor,
and the Auction House and the consignor shall not be liable for any
damages of any nature suffered by the buyer.
19. Governing Law and Forum for Disputes
The laws of New Jersey shall govern the auctions of the Auction
House. Any disputes that may arise in connection with the auction
and/or any auction purchase, and all of the terms and conditions set
forth herein above, shall be governed by and construed in accordance
with New Jersey law. Anyone who participates in the auction and/or
makes auction purchases agrees to submit to the jurisdiction of the
courts of the State of New Jersey with respect to any dispute arising
in connection with the auction and/or any auction purchases. In the
event that the Auction House needs to bring an action to enforce the
terms and conditions herein and/or to collect any sum due and owing
to it the Auction House shall be entitled in addition to collect its
reasonable attorney’s fees, collection agency fees, and cost of suit.
20. Limitations of Liability
The Auction House acts only as the agent for the consignor and in no
event will be liable for any breach or default by the consignor.
21. Severability and Waiver
If any provision of portion of these Terms of Sale shall be deemed
unlawful, void, or unenforceable under applicable law, that provision
or portion shall be stricken and severed from the remaining
provisions, which shall remain in full force and effect. Failure to
enforce any of the provisions in these Terms of Sale shall not be
deemed a waiver of the right to enforce any other provisions of these
Terms of Sale.
22. No Assignment
Unless the Auction House consents in writing, buyers may not assign
their rights or any of their obligations related to an auction or other
sale by the Auction House.
23. No Modifications
These Terms of Sale may not be changed unless the Auction House
and buyer have agreed to do so in a written agreement signed by
both parties.
24. Export or Import - Endangered/Threatened/Prohibited Species
The State of New Jersey prohibits the import, sale, purchase,
barter, or possession with intent to sell of any ivory, ivory product,
rhinoceros horn, or rhinoceros horn product with exceptions that are
irrelevant to commercial sale. As used in this act “Ivory” means tooth
or tusk from any animal, including, but not limited to an elephant,
hippopotamus, mammoth, narwhal, walrus, or whale, or any piece
thereof, whether raw ivory or worked ivory, or made into, or part of,
an ivory product. As concerns worked products made of species legal
to sell under current Federal guidelines, it is the sole responsibility
of buyers to familiarize themselves with International and U.S.
state laws or requirements for import and export; to identify and
obtain any necessary export, import, endangered species or other
permit prior to bidding; and to abide by International and U.S. laws
and requirements. The Auction House and the Consignor make
no representations or warranties as to whether any lot is or is not
subject to export or import restrictions or any embargoes and will
have no responsibility with regard to these matters. a) International:
Several countries do not allow the importation of lots containing
materials made from endangered species. This includes, but is not
limited to coral and tortoiseshell. An export license may be required
for the export of certain materials, as well. b) State of California:
California Penal Code sections 653o - 653r make it illegal to import
into California for commercial purposes, to possess with intent to
sell, or to sell within the state, the dead body, or any part or product
thereof, of any polar bear, leopard, ocelot, tiger, cheetah, jaguar, sable
antelope, wolf (Canis lupus), zebra, whale, cobra, python, sea turtle,
colobus monkey, kangaroo, vicuna, sea otter, free-roaming feral
horse, dolphin or porpoise (Delphinidae), Spanish lynx, or elephant.
Starting in 2015, it will be unlawful to import into this state for
commercial purposes, to possess with intent to sell, or to sell within
the state, the dead body, or any part or product thereof, of any
crocodile or alligator. Should a buyer in California state an intent to
sell the certain animal parts named in California Penal Code sections
653o - 653r, the Auction House reserves the right to reject bids and
refuse to ship.
25. Firearms
Rago sells only antique firearms as defined by the U.S. Bureau of
Alcohol, Tobacco and Firearms. All Firearms will be sold in accordance
with State of New Jersey and Federal firearms laws and any relevant
State of New Jersey and Federal laws. It is the sole responsibility
of buyers to familiarize themselves with their local laws and
requirements for the possession of firearms; to identify and obtain
any necessary license or permit prior to bidding; and to abide by
all Federal, State and local laws and requirements. The Auction
House and the Consignor make no representations or warranties as
to whether any lot is or is not subject to such restrictions and will
have no responsibility with regard to these matters. Rago sells only
antique firearms as defined by the U.S. Bureau of Alcohol, Tobacco
and Firearms. Due to New Jersey firearms regulations, all handguns,
pistols, and revolvers will only be shipped via Federal Express and will
only be delivered to a person who holds a Federal Firearms License
or a Curios and Relics License. Handguns, pistols, and revolvers can
only be picked up at Auction House by a person who holds a Federal
Firearms License or the proper New Jersey handgun permits, which
must be shown and logged. There are no exceptions. No firearms will
be sold or shipped internationally.
26. Miscellaneous
Private Sales: These Terms of Sale shall apply to both auction and
private sales of property.
Paragraph Headings: Paragraph and subheadings are included in
these Terms of Sale for ease of reference and should not be used to
interpret the meaning of the substantive provisions.
stone offered through the Auction House. Buyers wishing to have
a grading or gemological report from an independent recognized
laboratory such as the Gemological Institute of America, the
European
Gemological Laboratories or the American Gemological Institute may
request one at their own expense or hire an independent adviser of
their choosing.
Weights given are based solely on measurements and known
gemological formulae; they are approximate, not exact. Weight may
differ once a stone is removed from its setting. Buyers are advised to
verify weight estimates prior to auction
ADDENDUM TO TERMS OF SALE: COINS AND CURRENCY
Grading is a not an exact science. It is a matter of opinion as
to condition and other attributes. Because of this, grading can
and will differ among third party grading services (even though
consensus grading is employed by most), independent experts,
dealers, collectors and auction houses, including our own. Due to the
subjectivity of coin and currency grading, a given piece evaluated
twice by the same expert may be assigned a different grade each
time. Opinion as to the grading, condition or other attributes of any
property may have a material effect on value.
Therefore all coins and currency are served “As-Is, Where-Is,” by
the Auction House except as to authenticity, as expressly stated in
the Terms of Sale. They are sold without any additional express or
implied warranty, including, but not limited to, grade. This includes
all coins and currency, including, but not limited to, those:
• Referencing the opinion of a third-party grading service;
• With no reference to the opinion of a third-party grading
service;
• With reference to the opinion of Auction House as to grading;
• Subsequently submitted to a third-party grading service for
determination or certification;
• Encapsulated and therefore unable to be physically examined.
The Auction House reserves the right to differ with the grades
assigned to property, by certificate or otherwise, regardless of the
grading service and will not be bound by any prior or subsequent
opinion, determination or certification by third-party grading
services including, but not limited to, National Guaranty Company
(NGC), Professional Coin Grading Service (PCGS), Paper Money
Guaranty (PMG) and Currency Grading and Authentication (CGA)
or any other any grading service, third party organization or dealer.
There is no guarantee or warranty implied or expressed that the
grading standards utilized by the Auction House will meet the
standards of any grading service at any time in the future.
The Auction House has graded uncertified coins and currency with
reference to the current interpretation of the American Numismatic
Association’s standards at the time of grading.
The Auction House reserves the right to re-grade property reconsigned for any reasons, including, but not limited to a change of
grading standards, differences in opinion, mishandling over time.
The Auction House will not be liable for any patent or latent defect
or controversy pertaining to or arising from any encapsulated coins
or currency. In any such instance, purchaser’s remedy, if any, shall be
solely against the service certifying.
Please note:
• Certain types of plastic may react with a coin’s metal or
transfer plasticizer to notes, causing damage. Avoid storage in
materials that are not inert.
• Catalog illustrations may not be to scale or reflect the
depicted property’s actual size.
ADDENDUM TO TERMS OF SALE: JEWELRY
For centuries, natural gemstones have been enhanced in a variety of
ways, including heating, oiling and other methods. These treatments
are accepted by the international jewelry and gemstone trade. The
Auction House makes no representations or warranties, express or
implied, as to whether natural stones have been treated or enhanced,
whether specifically referenced or not.
All stones have been identified by standard gemological field tests
as the mounting permits and the Auction House will make available
to prospective buyers any gemological certificates in its possession.
It will not always be feasible to obtain a qualified lab report on every
149
RAGO FINE ART DEPARTMENT
SHIPPING/RECEIPT OF PURCHASED PROPERTY
Auction Management: Meredith Hilferty, Miriam Tucker
A bid is a contract to buy. So on the fall of the auctioneer’s hammer, the successful bidder becomes the owner and assumes full responsibility
for the purchased property. This includes all costs and the expenses of any handling, shipping, insurance, taxes, or export.
Specialist-in-Charge: Meredith Hilferty
When the Auction Center receives and processes your payment, your property is released - for shipping, delivery by freight, or pick-up. Please
allow up to three weeks.
Senior Fine Art Cataloguer: Amy Hunt
NOTE: Some property in this sale may require specialized shipping. Please call us for our recommendations.
Client Relations Specialist: Mick Byers
Art Cataloguer: Sarah Ann Wilson
S H I P P I N G S M A L L I T E M S B Y C O M M O N C A R R I E R (UPS, FedEx, DHL or USPS):
We have engaged shippers to pick up several times a week from the auction house. Our recommended shippers for small items are
Masterpiece Shipping and The Flemington UPS Store. Once we receive your payment and the completed shipping form authorizing the
release of your property to the shipper, we will add your lot(s) to the list for the next pick up. You will receive a shipping quote for your
approval within 48 hours after the shipper has picked up your lot(s). If for any reason the quote is not acceptable to you, your property will be
returned to the auction house so that you can make alternate arrangements.
RAGO ARTS AND AUCTION CENTER
Partners-in-Charge: David Rago, Suzanne Perrault, Miriam Tucker
Chief Operating Officer: Michael Ingham
Chief Administrative Officer: Eliane M. Talec
Director, Estate Services: Sebastian Clarke
Director, Appraisal Services: Laurel Porcelli
Art Director: Anthony Barnes
Photography Studio Director: Lynnette Mager Wynn
Photographer: Jared Kramer
Client Services Manager: Karen Davies
Client Services: Martine Webber
Foreman of Operations: Croix Leadem
Masterpiece Shipping
David and Vicki Child, Owners-Operators
Buckingham Green
4950-C Old York Road
Buckingham, PA 18912-2000
T: 215-794-1199
F: 215-794-1177
The UPS Store #1752
203 Main Street
Flemington, NJ 08822
T: 908-806-4842
F: 908-806-4843
SHIPPING LARGER ITEMS BY FREIGHT:
(for example: furniture, bulky or odd shaped items) that exceed allowable dimensions or weight restrictions of UPS, Fed Ex and similar
carriers. The auction house can provide assistance in arranging for delivery by freight. Depending on the location, we can recommend a
variety of third party shippers. We are also happy to work with the freight company of your choosing. Please keep in mind that delivery
of these types of items can be an expensive proposition and we urge you to consider this before bidding. Please remember that it is your
responsibility to pay for all deliveries.
PICK UP AT RAGO:
Hours for pick up are Monday – Friday, from 9:00 a.m. – 11:30 a.m. and from 1:30 p.m. to 5:00 p.m. The shipping department closes each
day from 11:30 – 1:30. The Auction House is closed on Federal holidays and on Mondays following two and three day auctions. We require 24
hours’ notice in advance of pick up. Please bring your own packing materials.
Art Handlers and Movers:
Charles Chamberlin, Casey Kochis, Jason Kwon, Sean Leslie, Richard Palleschi, Justin Thomas
Controller: Lisa Kolva
Marketing Associate: Adrienne Lieberman
IMPORTANT NOTES:
• Weekend pick ups are made by special arrangement and/or by appointment only.
• New Jersey sales tax of 7% must be added to your invoice when picking up merchandise unless you have a valid resale number on file.
• All property must be paid for and removed from Rago Arts & Auction Center within 15 business days of the auction. Unless special
arrangements are agreed upon in writing before the sale. Storage fees are charged beginning on day 16. For more details see our Terms
of Sale.
Public Relations/Marketing Assistant: Robin Harris
Auction Administration: Rebecca Schild
Administrative Staff: Kathy Buscavage, Guy Benthin
Our thanks to the entire auction staff.
150
151
RAGO
CONDITION REPORT FORM
phone: 609.397.9374
fax: 609.397.9377
We are happy to provide you with condition reports on all lots as requested. We are neither professional restorers nor conservators
and specialist opinions are subjective and not a statement of fact. Therefore, we do not guarantee the content of the written or verbal
condition report. Not withstanding this report, all lots are offered and sold in accordance with the Terms of Sale listed in print and online
at ragoarts.com.
Lot#
Description
Specific Questions
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Name ______________________________________________________________________________________________________
Telephone _________________________________________________________________________________________________
E-mail _____________________________________________________________________________________________________
A new online bidding site with real goods you won’t find anywhere else.
Where what you see is what you get, from leading auctioneers you know and trust.
Live and timed auctions. New property added daily. Easy to navigate. Reliable. Private. Secure.
I N T E R N A L U S E O N LY
Bid live online for all Rago Auctions. Register Today.
Check Condition Online
Print Initials:_______________________
Add to/confirm in AuctionFlex
Date _______________________________________________________________
BIDDING FORM
RAGO
Buyer Number
ABSENTEE BID
PHONE BID
phone: 609.397.9374
fax: 609.397.9377
e-mail: [email protected]
Name ______________________________________________________________________
Business Name ___________________________________________________
Address ___________________________________________________________________________________________________
City _________________________________________________
State _____________________________________________
Zip Code ____________________________________________
E-mail ____________________________________________
Telephone __________________________________________
Fax ________________________________________________
CC # (Visa/MC/Disc.) ______________________________________________
If using Resale ID, a copy must accompany this form.
Exp. Date ______________
Country ____________________
CSV code (from back) ________________
Resale ID Number ______________________________________
Lot#
Description
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$ _______________________
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State __________________
Absentee/Contigency Phone
PLEASE ADHERE TO
THE BIDDING INCREMENTS
$10 until $100 is reached
$25 until $500 is reached
$50 until $1,000 is reached
$1,000 until $30,000 is reached
$10,000 over $100,000
Rago’s guarantees you a line
and a phone agent for bidding
until 4 PM on the day prior to
an auction. After that time,
we will gladly accept your
absentee bids, even during the
auction and will do our best to
accomodate before the lot goes
on the block.
T E L E P H O N E B I D P H O N E N U M B E R – D AY O F S A L E :
1).
________________________________________________________________________
2).
________________________________________________________________________
C H E C K , S I G N A N D D AT E B E L O W O R B I D S W I L L N O T B E E X E C U T E D
I
I
I
I
am bound by Terms of Sale
I have read the condition report(s) online / requested all needed information
am responsible to contact Rago if bid confirmation is not received by 5pm on the day prior to the auction
am responsible for canceling Absentee Bid if I choose to bid in person/by phone
understand the buyer’s premium (see below)
The buyer’s premium for each lot purchased is 25% on the first $200,000 of the hammer price, 20% on the portion from $200,000 through $3,000,000
Signature _____________________________________________________________
Date _____________________________________________________________
I N T E R N A L U S E O N LY
Check Boxes Above
Absentee/Plus
Print Initials:_______________________
New/Hold
AF: confirm contact info/check notes
Date/Time _________________________________________________________
Addendum
Increments
333 NORTH MAIN STREET
LAMBERTVILLE, NJ 08530
[email protected]
RAGOARTS.COM
609.397.9374

1 9 T H /20 T H CENTURY AMERICAN/EUROPEAN

Transcription

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