Heaven Eleven - Rick Anthony Bonner
Transcription
Heaven Eleven - Rick Anthony Bonner
THE RADAR | DESIGN POWER SHOWER: Designer John Gidding in the mod-luxe bath portion of his multiroom loft tableau. The custom wall is handmade of undulating natural wood. Furnishings are by Artefacto. Heaven Eleven Artefacto and eleven designers reinvent the show house with sexy ponyhair seating, daring white croc upholstery and even a luxe lobby bar | By Amanda Lester Trevelino | Photography by Erica George Dines | Warning: This is not your grandmother’s (or even your mother’s) decorators’ show house. At Brazilian furniture purveyor Artefacto’s inaugural interior design lab known as “Style House” fusty chintz, frou-frou valances and Regency sideboards are abandoned in favor of Artefacto’s sleek, contemporary furnishings— tricked out in everything from croc to chrome— and custom-made to the specifications of 11 of Atlanta’s most fearless interior designers: Wendy Blount, John Gidding, Michael Habachy, Haitham Haddad, Darcy Harris, Joel Kelly, Shon Parker, Rick Bonner and Rina Andrejev, Robert Spiotta, Bo Waddell and Jason Wertz. This hip, young “dream team” of modern décor masters have taken the show house concept out of the traditional manse and delivered diverse and innovative living environments in the compact 10,000 square feet of space on the second floor of Artefacto’s Buckhead showroom. And by the looks of the mobbed opening night bash, the project is introducing a whole new generation of trendy scenesters to the show house concept. Rooms range from a mod outdoor lounge courtesy of Rick Bonner and Rina Andrejev, to 54 | | Nov 2008 a gilded, Asian-accented boutique hotel lobby imagined by of-the-moment designer Wendy Blount. The latter is punctuated with a starburst studded wall, provocative revolver lamps by Philippe Starck and sultry persimmon light fixtures. “This is a really original idea for Atlanta,” says Jason Wertz of Wertz Contemporary Design who applauds Artefacto for having the vision to invite emerging and established talents to create unique vignettes using their collection. In fact, the concept is the brainchild of Artefacto Owner, Paulo Bacchi. Based in Brazil, Bacchi flew into town for the September opening of his first annual Style House in the U.S. “We are committed to showcasing provocative design,” says Bacchi, whose Style House is all the rage in Brazil. Among the Atlanta Style House’s stable of talent is designer John Gidding, the precocious star of HGTV’s Designed to Sell and Drawn to Perfection. Gidding grew up in Turkey, was educated in Switzerland, came to the U.S. for college at Yale and went on to Harvard Graduate School of Design. When he moved to Atlanta last year, Artefacto was the first store he visited. “I was impressed because they have a contemporary line but use natural, familiar materials,” he says. “I jumped at the opportunity to create a 1,000-square-foot loft.” His magnificent “Metroluxe” loft now takes center stage, literally and figuratively, with four richly textured rooms in varying shades of silver gray accented in vibrant paprika. Gidding says he is a big fan of shaping space, and he delivers on that notion with a textural curving wall dressed in soft cream and brown Argentinean leather and cow hide Pampa tiles that transition guests physically and visually from the living room to the bedroom and bath. The reverse side of the wall is finished in layers of marine-grade plywood that undulates toward the shower. The natural wood juxtaposes sleek Cuba mirrors in a silver finish and black glass mosaic tiles that flow from the shower floor to the bedroom where two evocative black leather headboards are stacked vertically with a theatrical beam of light focused between. The glossy galley kitchen by SieMatic with state-of-the-art Gaggenau appliances is softened by a roughhewn dining table and traditional armchairs continued... upholstered in lustrous silk. DESIGNER DENS Clockwise from top left: An outdoor living room by Rick Bonner and Rina Andrejev gets posh indoor treatment with silks, sheers, modern art and moulded side chairs lit from within. The pair pose on Artefacto’s hooded chaises. Michael Habachy’s modern French Le Salon des Fumeurs is trés sultry. ...continued But Gidding is not the only designer with a flair for the dramatic. Michael Habachy used his space as a platform for artistic expression and created a dark and daring, jet and emerald green 1940’s smoking lair complete with ebony damask wallpaper, a black silk Hatria sofa and art by Amy Rader that depicts a glamorous actress with a cigarette. (Look closely at the painting to see two nude female bodies entwined in smoke.) Before he even conceptualized the whole interior, Habachy picked a pair of black pony hide club chairs. “Furniture does not get any sexier, and I just knew that I had to have them in my space,” he says. “Th is was an opportunity for me to take a risk and show that black can be formal, risqué and sophisticated.” Haitham Haddad would likely agree. His “Capsule 5” is the ultimate media room enveloping visitors with touchable black walls and ceiling panels and inviting them to relax into a sunken midnight-colored Conrad sectional sofa. Wertz chose black and white as the palette for his 500-square-foot living room. “Having access to Artefacto’s range of beautiful pieces was like being a kid in a candy store,” he says. He anchored his space around a delicious white Pravda leather sectional sofa paired with Levive lounge chairs that are covered in tasteful black 56 | | Nov 2008 silk and contrasted by chrome-based white crocodile benches, but it is his commitment to artifacts and art that give the room a sense of global authenticity. A grouping of ankle bracelets from the Congo is reinterpreted as a chandelier. Zulu hats made from human hair punctuate a charcoal wall. Meanwhile, a massive mixed media work by Radcliffe Bailey and Kevin Archer’s “Drawing Series,” a sizeable diptych painstakingly created using a marker, establish a contemporary context. Designer Robert Spiotta also does an impressive job of mixing the historic with the contemporary in his Ralph Lauren-meetsloft Urban Stable bedroom. Here walls are treated to a multi-colored application of legacy wood salvaged from Atlanta’s National Pencil Company, and a huge equestrian painting by Marily Borglum Hageman dominates one wall. Many of the Style House designers applaud Artefacto’s commitment to marrying contemporary lines with environmentally friendly materials like woods that have been certified and approved for use by IBAMA (the Brazilian Environment Department), but Rick Anthony Bonner Interiors takes “green” a step further with their living wall. It’s made of lush green plants and comes complete with chirping crickets that truly lend a sense of nature to an outdoor living room as sumptuous as any interior. Custom canopies shield weather-hearty, LED light-up white furniture and a Bahama sofa in synthetic cotton. Leather and silk accents kick up the luxe factor. A three-dimensional sculpture made of reclaimed tires by Chakaia Booker is suspended over a stainless steel, mirrored credenza. “We fell in love with her work because it is in sync with Artefacto’s ecological conscience as well as our own,” says Bonner. For modern design aficionados, Artefacto’s Style House is an idea whose time has come, and because the Style House is on display for an entire year, you can expect the designers to keep it fresh by making seasonal changes to their environments. Next year, look forward to more original interpretations by a whole new roster of talented interior designers and architects. Meanwhile, Artefacto Vice President Kimberly McNatt says numerous events are in the works with the designers headlining educational programs, trunk shows, design advice symposiums, panels and more. You can even invite your grandmother. A Th e Style House is free of charge and is open to the public seven days a week at Artefacto’s showroom, 3050 Peachtree Road, 404.926.0004 or www.artefacto.com.