A Paint Horse owner`s guide to demystifying the genetics of spotting

APHA FILE PHOTO
A Paint Horse owner’s guide to demystifying
the genetics of spotting patterns.
Genetics IQ
Part 1 of 2
By IRENE STAMATELAKYS
B
efore DNA testing became common—before we downloaded
forms and pulled mane hairs and
received results via email—Paint Horse
breeders relied on collective wisdom and
trial and error in their quest to produce
those all-so-desirable colored foals. Breeders needed to experiment for years before
confirming a horse was a good, great or
poor color producer. Foaling time brought
lots of pleasant surprises, along with some
disappointment and occasional heartache.
While the arrival and development of
DNA testing has eliminated a lot of the
guesswork, many of us have a limited
understanding of the tools science has to
offer. Others have a good handle on Paint
Horse genetics, but advances and discoveries are happening at such a fast rate that
it’s challenging to keep up with the latest
developments.
With that in mind, the Paint Horse
Journal has developed a two-part series
to increase your genetics IQ. For novices, we’ll bring you up to speed on the
essentials. For genetics buffs, we’ll shed
light on some of the latest developments
and challenges facing researchers and
breeders. And for everyone, we’ll attempt
to answer the question, “How can these
genes enhance my Paint Horse breeding
program?”
Genetics Jargon
Before we get into spotting specifics, let’s start with some basic genetics terminology you probably learned
in biology class. Chromosomes can
be thought of as strings of genes—the
building blocks in all living organisms
that determine visible traits, like hair
color, and non-visible traits, like blood
type. A horse has 64 chromosome pairs,
inheriting half from the sire and half
from the dam.
Each gene has an address—a specifi c site on a specifi c chromosome.
We call this address a locus, with the
plural being loci. Quite often, geneticists use the locus name to refer to a
gene. And when a gene comes in different forms, those variations are called
alleles.
For example, the Tobiano locus has
two alleles: a tobiano allele (TO) and a
non-tobiano allele (n). Either can occur at
the Tobiano locus, but each chromosome
PAINT HORSE JOURNAL | JANUARY 2016
83
can only carry one allele. Because chromosomes come in pairs, a horse carries
two alleles at a particular locus.
If a gene is dominant, like Tobiano,
the horse only needs one copy of the allele
from one parent to have a tobiano spotting pattern. For instance, a heterozygous
tobiano (n/TO) has one Tobiano allele; a
homozygous tobiano (TO/TO) has two.
Some genes are incompletely dominant. This means that heterozygotes
do not look the same as homozygotes.
Sabino 1 is one example, which we’ll
describe later.
A recessive gene is only expressed
in the homozygous state. Overo Lethal
White Syndrome, for example, is a
recessive condition; none of the known
spotting patterns are fully recessive.
Finally, phenotype is what something looks like on the outside—for our
purposes, that’s the outward expression of a white spotting pattern in Paint
Horses. Genotype refers to the horse’s
genetic makeup. Sometimes a horse can
carry a spotting pattern gene, but not
express it in a way that’s consistent
with how we think that gene should look
phenotypically.
Now that you’ve reviewed the lingo,
let’s take a look at the known mutations
responsible for Paint Horse spotting patterns: “The Big Six” and “The Dominant
Whites.” It’s important to note that these
genes do not determine whether or not
skin cells can produce melanin, which
is a class of pigment that’s responsible
for the dark color of skin, hair and more.
Rather, these genes influence the migration of melanocytes (melanin pigmentproducing cells) in the embryo.
All of these mutations are found on
the KIT gene, located on Chromosome
3. Researchers named them Dominant
White, although horse breeders might
use other terms to describe the patterns.
The alleles are dominant, meaning a
horse only needs to inherit one copy
of the mutation to produce phenotypes
that range from slightly increased face
and leg markings to sabino-like to completely white. We’ve bolded the entries
for three Dominant White genes known
to exist in the Paint Horse breed, and
show examples of each below.
COURTESY LAUREN BORK
Dominant White 5 (W5)
KELLY GRAPHICS LLC
Dominant White 20 (W20)
Name
Position on
KIT Gene
Dominant White 1 (W1)
Exon 15
Franches-Montagnes Horse: White horses
trace back to Cigale, a mare foaled in 1957
Dominant White 2 (W2)
Exon 2
Thoroughbred: White horses trace back
to KY Colonel, a chestnut with extensive
white markings, foaled in 1946.
Dominant White 3 (W3)
Exon 4
Arabian: Spotted horses trace back to R
Khasper, a near-white stallion foaled in 1996.
Dominant White 4 (W4)
Exon 12
Camarillo White Horse: White horses
trace back to Sultan, a stallion foaled in 1912.
Dominant White 5 (W5)
Exon 15
Thoroughbred: Horses trace back to
Puchilingui, a stallion foaled in 1984 with a
sabino-like coat pattern, and his offspring.
Dominant White 6 (W6)
Exon 5
Thoroughbred: Identified in a single white
horse.
Dominant White 7 (W7)
Intron 2
Thoroughbred: Identified in a partially
white filly.
Dominant White 8 (W8)
Intron 15
Icelandic Horse: Identified in a partially
white horse with mottled phenotype.
Dominant White 9 (W9)
Exon 12
Holsteiner: Identified in a completely
white horse.
(see photo at left)
Breed
Dominant White 10 (W10) Exon 7
Paint/Quarter Horse: Horses trace back
to GQ Santana, a stallion foaled in 2000,
and his offspring; expression ranges from
nearly all-white to horses with face/leg
white and belly spots.
Dominant White 11 (W11)
Intron 19
South German Draft Horse: Identified in a
completely white stallion and three white
offspring.
Dominant White 12 (W12)
Exon 3
Thoroughbred: Identified in a single horse
with sabino-like pattern.
Dominant White 13 (W13)
Intron 17
Quarter Horse/Peruvian Paso: Identified in
a crossbred family with two white animals.
Dominant White 14 (W14)
Exon 17
Thoroughbred: Identified in a completely
white horse.
Dominant White 15 (W15)
Exon 10
Arabian: Identified in a single horse with
partial depigmentation.
Dominant White 16 (W16)
Exon 7
Oldenburg: Identified in a family with
three almost completely white horses.
Dominant White 17 (W17)
Exon 12
Japanese Draft Horse: Identified in a completely white horse with one blue eye.
Dominant White 18 (W18)
Intron 8
Swiss Warmblood: Identified in a single
horse with extended white speckled areas.
Dominant White 19 (W19)
Exon 8
Part-Bred Arabian: Horses have bald faces,
extended white legs and irregular belly spots.
Dominant White 20 (W20) Exon 14
Multiple Breeds: Very common mutation;
incomplete dominant trait. Markings might
include a wide blaze, leg markings and small
belly spots. Has a subtle effect on depigmentation with a stronger effect on bays
than sorrels. Living homozygotes have been
found and tend to have more white.
Dominant White 21 (W21)
Icelandic Horse: Identified in a single
horse with a sabino-like pattern.
(see photo at left)
COURTESY KRISTEN MEYERS
COURTESY SUSANNA
MARINELLI
COURTESY BAR K 2 RANCH
Dominant White 10 (W10)
CASSIDY COBARR
The Dominant Whites
(see photo at left)
DON TROUT
CASSIDY COBARR
CASSIDY COBARR
The Big Six
The Dominant Whites
Exon 17
PAINT HORSE JOURNAL | JANUARY 2016
85
One of the biggest
challenges facing
researchers and Paint
Horse breeders alike is
the nomenclature of
It stands to reason that homozygosity increases the amount of
white markings—that seems to be the case for this 2015 cropout
colt by A Splash Of Silver (QH) and out of Dun Gone Classy (QH).
Both parents are n/SW1 and minimally colored; this loud colt carries two copies of the Splash White 1 gene.
The only completely dominant white spotting gene is Tobiano, which means a horse only
needs one copy of the gene to inherit the trait.
Color Genetics
Bookshelf
Want to learn more? Here are
two books to add to your equine
library.
Horse Genetics (2013, 2nd
Edition) by Ernest Bailey and
Samantha Brooks
This is the textbook Samantha uses for her equine genetics
class at the University of Florida,
but she says anyone who survived high school biology can
follow along. It covers the basic
genetics of the horse including
coat color, parentage, medical
and population genetics, cytogenetics, performance, breeding
systems and genetic conservation, and new advances such as
micro-satellite testing.
Equine Color Genetics
(2009, 3rd Edition) by D. Phillip
Sponenberg
Now in its third edition,
this work is an encyclopedia of
equine coat color genetics, with
in-depth yet accessible explanations and color photos illustrating each example. It’s an excellent resource for the Paint Horse
breeder and equine color genetics enthusiast.
The Nomenclature
Nightmare
One of the biggest challenges facing researchers and Paint Horse breeders alike is the nomenclature of spotting
patterns. Over the years, this system of
names used to designate a particular pattern has grown increasingly complex and
clumsy.
Samantha Brooks, Ph.D., is assistant
professor of equine physiology at the University of Florida. Her genetics research
led to the discovery of the Tobiano and
Sabino 1 genes.
“The nomenclature is a mess,” Samantha said. “It’s honestly my pet peeve.”
The problem is multi-dimensional. On
the one hand, you have researchers finding the mutations and, from a scientific
perspective, wanting to follow standard
naming conventions so that the names
make sense to fellow researchers. On the
other, you have stock horse breeders who
don’t necessarily use the same terms.
Sabino 1 is a good example.
“We struck out on our own when we
named Sabino 1,” Samantha said, “Based
on the murine (mouse) nomenclature, we
should have called it W for the Dominant
White locus.”
The term “dominant white” is not particularly descriptive either. It’s easy to
imagine the gene produces an all-white
horse—not exactly what Paint breeders
are aiming for. The name actually refers to
a dominant form of white spotting, which
ranges from extended face and leg markings to a completely white coat.
Researchers decided to call the gene
Sabino 1 for two reasons, Samantha
explains. First, the idea was to better
match the terminology used by horse
breeders. Second, they didn’t want to
scare or confuse people with connotations
based on the lethal dominant white genes
found in mice or the overo lethal white
gene in horses.
Things got a little more complex when
Bianca Haase, a research fellow at the
University of Sydney in Australia, began
discovering more genes based on the
Dominant White locus.
“When Bianca started finding her
white mutations, many of those were
homozygous lethal, and many of those
are completely white, but not all of them,”
Samantha said. “She found a couple in
the series­­—[some] that were potentially
viable as homozygous and some [that
were] heterozygous—that looked similar
to sabino, but she chose to keep with the
W symbol based on laboratory mouse
research. Perhaps some of those should
have been pulled out and called sabino
instead of dominant white, for the sake
of limiting confusion among breeders of
spotted horses.”
In the Paint world, the most famous
dominant white horse is GQ Santana,
who was the founding animal of the W10
mutation. But other W mutations vary
greatly in their expression—not all look
like GQ Santana; they can range from a
nearly all-white horse to a mostly solidcolored horse with a blaze and socks to
horses that look like what most horsemen
would call sabino.
“One that comes to mind is W20,”
Samantha said. “You’ll see a lot of W20
in the reining horses. It’s a very frequent
allele, and we know horses can be homozygous for it. They are perfectly healthy,
and homozygotes rarely have more than
30 percent white on the body. And yet
that allele got a Dominant White acronym because it is in the KIT gene and
[researchers wanted] to stick strictly to
murine nomenclature. The scientific convention doesn’t take into consideration
the issues that nomenclature can cause
us. W20 is one a lot of horse people would
call a splash white.”
Three mutations designated Splash
White can be confusing, too.
“My issue there is a scientific one
because you have two different genetic
loci that have the same acronym: SW.
That’s too confusing,” Samantha said. “At
the very least, they should have been split
up and given two different names. But that
is the nightmare that is nomenclature in
the scientific community. And then you
GAIL SHAW
CASSIDY COBARR
CASSIDY COBARR
spotting patterns.
While many Splash White carriers might look phenotypically similar, the
three known genes are very different. Hello Big Chex, a 2012 chestnut overo
stallion by Big Chex To Cash and out of Custom Princess (QH), carries a
single copy of the SW1 gene and is negative for other known white-spotting
patterns.
talk to horse people, and they call it something entirely different.”
The Mystical Modifier
It can be curious to ponder why one
horse might have more or less “color”
than another when both carry the same
spotting pattern mutation. Breeders
have often wondered about the existence
of an “enhancement” gene or perhaps a
gene that suppresses white.
“[Enhancement] is a word I don’t
like,” Samantha said, “in part because
it’s been applied to some known genes
where it doesn’t belong.”
The idea of a modifier gene comes
from Appaloosa genetics.
“In Appaloosas, we have two genes
that control white spotting,” Samantha
explained. “We have the main LP locus,
which is present in horses with anything from a completely white coat with
just a few spots to a horse who has
Appaloosa characteristics but no body
spots. On top of that you add the Pattern
locus, which we call PATN1. It controls
the amount of white, from one percent to
99 percent.”
PATN1 doesn’t produce a visible
spotting pattern itself, but it does control
the expression of other spotting genes.
And to get the desired Appaloosa phenotype, you need both the LP and PATN1
Free Live
Seminar:
“Paint Horse
Genetics”
2016 APHA Convention
Richmond, Virginia
February 26, 2016
1:30–2:30 p.m.
If you’re fascinated by
equine color genetics or want
to learn more ways to improve
your breeding program through
genetic testing, don’t miss this
unique learning opportunity
at the 2016 APHA Convention
in Richmond, Virginia. Samantha A. Brooks, Ph.D., assistant
professor of equine physiology
at the University of Florida, will
enlighten attendees with her
knowledge and research regarding Paint Horse genetics in this
free seminar. Plan to get an
education on genetics and all it
has to offer the APHA. To learn
more or to register online, visit
apha.com/events/convention.
PAINT HORSE JOURNAL | January 2016 87 COURTESY SUSANNA MARINELLI
Genetic Testing
The SW3 gene is relatively rare; one known carrier (n/SW3) is TD Celebri Te, a 2009 chestnut
overo stallion by TD Kid and out of Te Time Playmate (QH).
genes. Samantha notes researchers have
not yet documented any PATN1 effect on a
pattern other than LP.
“Really, Appaloosa is the product of
two loci, not just one,” Samantha said. “We
attribute it to one, but you have to have two
to get the pattern people want.
“The analogy [for Paints] is that LP
is like Tobiano and PATN1 is your mythical enhancement gene,” she said. “The
reality is that because Paint Horses work
with so many different patterns, we probably don’t have an enhancement gene.
But why else would you get some horses
that are 80 percent white and others that
have four socks and one white tuft in
their mane, but both are genetically Tobiano? You can imagine that there might
be a modifying locus that’s contributing
to that. Part of this variation is simply
due to chance. If there was a second gene
essential to the expression of a key Paint
pattern [like tobiano], I think we would
have found it by now.
“There are certainly genes that create
more white when added to Tobiano and perhaps some that create less white. I like the
term ‘modifying’ because it doesn’t imply a
particular type of effect. Modifiers are not
yet described genetically, and at this point
they are kind of mythical.”
Samantha’s theory is that some of
these mythical modifiers are actually white
spotting patterns.
88 January 2016 | PAINT HORSE JOURNAL
“With some of these W mutations—
particularly the ones that look like splash
white or sabino—that gene alone is not
enough to bump a horse from solid Paintbred up to Regular Registry,” she said.
“Folks have not attributed that gene as
a spotting pattern—they’ve just got this
horse with socks and a blaze, when it might
actually have a good spotting gene there.
“They tend to get called enhancement
genes because any time you add two spotting patterns together, you typically get
more white. People are giving the credit to
the more notable of the two patterns—let’s
say Tobiano—but they are also ignoring the
fact the horse is actually multi-patterned.
What people are calling an ‘enhancer’ is
just another spotting pattern that has a distribution that doesn’t perfectly align with
the APHA threshold for Regular Registry.
The horse might possess a perfectly valid
spotting pattern that can act and produce
color entirely on its own. I would categorize
these genes as a more minimal spotting
pattern, not an enhancer or modifier.”
In other words, that mythical modifier or enhancement gene is probably just
another spotting pattern—either known or
unknown—that is increasing the amount
of white on your Paint.
The Potential to Produce
While a horse’s genotype tells one
story, the expression of that combination
Find out exactly which colors and
patterns your stallion or mare carries
before the breeding season begins.
APHA’s official genetics testing partner, the Veterinary Genetics Laboratory at the University of California–
Davis, offers a Comprehensive Coat
Color test for $125. This simple procedure, done with 30 to 50 hairs (with
intact roots) from your horse, tests
for the presence of red factor, agouti,
cream, pearl, champagne, dun, silver,
gray, Tobiano, Frame Overo, Sabino 1,
Splash White 1, 2 and 3, and Dominant
White 5, 10 and 20. Results, sent by
email, take seven to 10 business days.
Order the test by calling APHA at 817222-6423, and learn more online at
vgl.ucdavis.edu.
of genes—his phenotype and the extent
of his white markings—is dependent on
multiple factors, including the interaction of different spotting patterns. It’s
also possible that environmental or
even randomly determined factors play
a role as well. We still have much to
learn in the area of equine color genetics;
the benefits of increasing our knowledge
and understanding, however, are clear:
improving the percentage of foals born
with a desirable color pattern and safeguarding the health of the horses we raise.
Coming up next month, ride along
with the Paint Horse Journal to the leading animal DNA parentage verification
laboratory in the world, the Veterinary
Genetics Laboratory at the University
of California–Davis. There, we’ll interview VGL Director Cecilia Penedo, Ph.D.,
about the importance of equine color testing, how these tests are conducted and
the results of a small, informal study of
a randomly selected group of Paints—
both Regular Registry and Solid PaintBred horses—to see how many carried a
known pattern gene, as we continue our
investigation on how these genes can be
used to enhance Paint Horse breeding
programs.
Irene Stamatelakys is a special contributor
for the Paint Horse Journal.
[email protected]
APHA FILE PHOTO
A Paint Horse owner’s guide to the power
and potential of genetic testing for spotting
patterns.
Genetics IQ
Part 2 of 2
By IRENE STAMATELAKYS
L
ast month, we shed some light
on the genetics behind the white
spotting patterns common to
the Paint Horse breed: Tobiano, Frame
Overo, Sabino 1, Splash Whites 1, 2 and
3, and Dominant Whites 5, 10 and 20.
We covered the essentials and touched
on some of the latest developments
and challenges facing researchers and
breeders, specifically the naming system and “mythical modifiers.”
This month, we go inside the Veterinary Genetics Laboratory at the
University of California–Davis to learn
more about the lab, how DNA tests are
conducted and the results of a small,
informal study of a randomly selected
group of Paints—both Regular Registry and Solid Paint-Bred—to see how
many carried a known pattern gene.
We’ll also take a closer look at the W20
mutation, which is relatively unknown
but highly prevalent in Paints. And we’ll
discuss the importance of color testing
with breeders and researchers as we
continue our investigation on how these
genes can be used to enhance Paint
Horse breeding programs.
Welcome to my Laboratory
Originally established in the 1950s to
provide parentage verification for cattle
registries, UC–Davis’ Veterinary Genetics Laboratory expanded its services
in the 1960s to include horses, offering
identity and parentage testing via blood
typing. Today, it is the leading animal
DNA parentage verification laboratory
in the world, serving as the official laboratory for 120 horse registries, in addition to offering genetic disease and coat
color testing to the general public.
While Paint Horse owners could
choose one of several private laboratories for equine coat color testing, a
significant percentage use VGL.
“For the last three years, we’ve
seen a significant increase in both coat
color and disease panel testing done
via APHA and a decrease in orders for
individual tests,” VGL Director Cecilia
87 PAINT HORSE JOURNAL | February 2016 COURTESY VETERINARY GENETICS LABORATORY
The University of California–Davis’ Veterinary
Genetics Laboratory is APHA’s official genetic
testing partner. Leaders in genetic testing, the
VGL offers a variety of coat color and pattern
tests along with genetic disease testing and
other services like parentage verification.
While we commonly think of frame overos that
have large patches of white “framed” by areas
of color, the pattern can be expressed more
minimally, too.
a test is ordered,
precautions are
taken to ensure
results are both
accurate and
timely.
said. “Being part of the university and
the School of Veterinary Medicine allows
our resident faculty to be engaged with
research, to keep abreast of latest developments and to teach and train students. All
this translates to a better service provided
to our customers.”
VGL’s commitment to research is also
key to their partnership with APHA. In
2015, the association commissioned a
small study looking at white pattern genes
in a randomly selected group of horses.
“We tested 298 Paints for all coat-color
and white-pattern mutations—19 mutations in all, roan not included,” Cecilia
explained. “There is still some analysis of
the data to be done, but the results give a
broad view of coat color variation in Paint
Horses.”
Of the nearly 300 Paints tested, the
following results were noted:
• Frame Overo present in 37% of the
sample
• Tobiano present in 32% of the
sample
• SW1 present in 9% of the sample
• SW2 present in 2% of the sample
• SW3 present in 1% of the sample
• Sabino 1 present in 3% of the sample
• W20 present in 39% of the sample
• W10 present in a single horse in the
sample
• W5 not present in the sample
• Appaloosa not present in the sample
“The Paint Horse breed is clearly
very diverse in color mutations,” Cecilia said. “The majority of known mutations can be found in the breed; there
CASSIDY COBARR
CASSIDY COBARR
Penedo, Ph.D., said. “Panel testing for
either disease or coat color for Paints is
only available through APHA and for a
relatively low cost. Owners are recognizing the value and taking advantage
of these membership services that are
clearly important and beneficial to the
breed.”
From the minute a test is ordered, precautions are taken to ensure results are
both accurate and timely. Cecilia says
this is a fairly detailed process, with many
checks along the way to safeguard accuracy. [See “Extracting DNA” for an indepth look at the process.]
“The breadth of genetic tests that we
have available, the high quality and accuracy of our results, our expertise and good
customer service set us apart,” Cecilia
From the minute
While it’s thought that homozygosity for a pattern like Splash White 1 might increase the amount
of visible white, that’s not always the case. Both of these foals tested as SW1/SW1 carriers—homozygous for the gene—but they display vastly different amounts of white.
are still white-spotting mutations to be
identified that we know are present in
the breed. More research is needed to
resolve some of these patterns. White
spotting is a very complex trait, with
many genes that cause depigmented
phenotypes, variable expression and
influence of genetic and non-genetic
factors.”
W20: Subtle but Effective
Interestingly enough, four out of
every 10 horses in the small APHA/
VGL study were W20 carriers. But
what do we know about this mutation?
Located on the KIT gene along with 22
other known white spotting patterns, it
was discovered in 2013 and is believed
to have a subtle effect on pigmentation.
Horses with W20 might have a wide
blaze, leg markings, small belly spots
and/or roaning throughout the coat,
but the gene might have an even greater
impact in amplification of white markings caused by other genes.
“It has been associated with
increased size of white markings and
with extended amounts of white when
combined with other white-spotting
mutations,” Cecilia said. “It will be
interesting to correlate the W20 results
with white-spotting phenotypes for this
group of Paints.”
Kao Castle, Ph.D., is the director of
Practical Horse Genetics, a laboratory
in Redfern, New South Wales, Australia. They began offering the W20 test
In the Roots:
Extracting DNA
Ever wonder what happens to your horse's mane hair sample once it arrives
at UC-Davis for testing? Veterinary Genetics Laboratory Director Cecilia Penedo
walked us through the process.
1. Hair samples delivered to the laboratory are given a unique VGL case
number used to track each sample in
the system. All information available
for the sample (case number, horse
ID, registration number, sex, date of
birth, name and registration number
of sire and dam, client ID, etc) is
logged into the computer database.
2. Samples are batched according to
tests ordered. DNA is extracted from
hair roots from each sample in a
batch.
3. The DNA extracts are subject to the
Polymerase Chain Reaction (PCR)
process, a laboratory technique
used to make copies and to amplify
the specific target DNA sequences
for each test. For parentage analysis,
the targets are the 21 markers used
for this purpose. For the diagnostic
tests, such as coat color and genetic
disease, samples are put through the
appropriate assays as ordered. All
diagnostic test panels include ID and
sex markers that allow further tracking of each sample to ensure the
correct sample is being tested. All
diagnostic tests are run in duplicate;
for each case, two independent DNA
extractions are done and their DNA
types are matched.
DNA typing is done by capillary
4. electrophoresis to separate the fluorescence-labeled PCR products and
allow us to visualize the outcomes of
the PCR tests. DNA types are determined using computer software
developed by the VGL.
5. DNA types are placed in the VGL
database and analysts review results,
prepare the information and send
reports to clients (registries or individual owners). Reporting of results
is done electronically.
“The turnaround time at the VGL is quite short considering all the quality
checks that we do before releasing a result. The majority of reports are sent
to APHA within three to four business days from receipt of sample, unless
there is a need to retest. If results are needed for prospective sale or breeding
contracts, owners should submit samples as early as possible,” Cecilia advised.
PAINT HORSE JOURNAL | February 2016 89 of coat-color panel
testing is that Paint
breeders have more
complete information
about their horses and
to make informed
decisions."
MEG MARTEL
are better equipped
Researchers think W20 might impact the expression of other white spotting genes. Oh Im
Awesome [AUS], for example, carries SW1 and W20 and displays more ragged edges to his
markings than what’s typically found on horses with only SW1.
commercially about six months after it
was discovered.
“It’s well-known that if you have a
frame overo stallion, and you are looking to breed foals with lots of white
markings, you should look for solid
mares with a fair bit of white—a blaze
and decently-high socks,” Kao said.
“That’s a pretty good description of a
horse with W20.”
Curious to see the effects of the
mutation, Kao requested a photo of
any horse that tested positive for
Frame Overo and W20. The main challenge was finding horses that carried
just the two genes because so many
were multi-patterned.
“One of the first things I noticed
was horses that were frame overo
and also had W20 seemed to be the
more loudly marked frame overos,”
Kao said. “With the relatively small
numbers that have come through, it
looks like it does increase the odds of
getting a loud frame overo with a nice
amount of white. But it’s definitely
not a rule. I have seen two instances
where a horse has been positive for
Frame Overo and W20 and just had
very minimal markings.”
While she hasn’t noticed a significant difference on tobianos carrying
W20, Kao found two horses that carried a Splash White mutation and W20
that looked different from a typical
splash white overo.
“There seemed to be a little bit
more white, and it changed the nature
of the markings,” she said, describing the edges as more ragged and
roany than a traditional splash white
pattern. She also thinks W20 boosts
the amount of white on a horse with
Sabino 1.
As luck would have it, a W20 test
led to a rare discovery.
“I had someone send a sample for a
filly who was homozygous for Sabino
1 that was completely white, and the
owner insisted that I test for W20
as well,” Kao recalled. “I said there
really is no point—the two are alternatives to one another. If your horse has
two Sabino 1 alleles, it can’t possibly
have a W20.”
But the owner insisted, and much
to Kao’s surprise, the filly carried
W20 as well.
“There has been a genetic recombination within the KIT gene,” she
explained. “In this case, Sabino 1
and W20 are on the same chromosome together and are being inherited
together. So there now is Sabino 1
without W20 and Sabino 1 with W20,
and those horses are pretty obviously sabino. It’s really an odd one.
Research-wise, it was a bit of luck.
“The mutation rate in the KIT gene
in horses must be unusually high. I
don’t think there are any other animal species where there are so many
mutations in the KIT gene. It’s very
interesting from a genetics or research
standpoint.”
Should You Test?
If you are still debating the value of
coat color testing, just talk to Cassidy
Cobarr, owner of Shining C Grulla Horses
in Wolfe City, Texas. A firm believer in
genetic testing, she tests all the horses in
her breeding program; Cassidy learned
the hard way a few years ago about trusting hearsay when she got a surprise from
a mare she was told was homozygous for
the Tobiano and black genes.
“I went ahead and bred her to my
solid grulla Quarter Horse stallion
who is heterozygous black and homozygous dun, and I thought I would
be guaranteed a grulla tobiano baby,”
Cassidy said.
To her surprise, the mare foaled a red
dun tobiano/splash white filly with a bald
face and blue eyes. “The only way that was possible,”
she said, “was if the mare was not
homozygous for black and carried other
spotting genes. So I tested her, and
sure enough she came back positive
for Splash White 1. It’s an example of
how genetic testing can also surprise
you sometimes, even when you think
you have it all figured out.
“I have a couple of mares in my program that I’ve tested who carry Splash
White 1, and all they have is a star
on their heads. One of my babies this
year is homozygous for Splash White
1 and only has four stockings and a
bald face, which is really common; I
also have a colt who is really obvious
that he’s homozygous splash because
he was so excessive compared to his
parents, who were very minimal.”
Cassidy says testing is worthwhile
compared to the investment needed to
produce a foal.
“It just really takes the gamble out
of the color when you breed something
that’s not homozygous,” Cassidy said.
While not all of her buyers care about
coat color genetics, some do. “My clients
that are looking for a breeding prospect—to them it’s very important, so I
like to have that available. It also helps
me price the animal because rarity plays
a big factor in price.”
Australians Gail and Rod Shaw of
Woodstock, New South Wales, have
been breeding and showing Paint
Horses for 30 years. They quickly
embraced genetic testing when it
became available.
“In 2003, we purchased Artful
Gunner,” Gail said. “At the time there
wasn’t any genetic testing for Splash
White, only Frame Overo. ‘Sonny’ did
test positive for Frame Overo, and all
our solid Paint mares tested negative.
“When testing for Splash White
became available, we found out that
Sonny carries SW1 and SW2 as well;
at the time, we didn’t know that this
was common for Gunner-bred horses.
We had no idea that he could throw
any combination of the genes. From
then on, we have color tested just
about all our foals.”
Sonny has sired a few multi-patterned foals that are completely white,
as has the Shaw’s newest stallion,
Hello Big Chex, who tested heterozygous for Splash White 1. This season
“Big Chex” sired a foal that is all white
out of a multi-patterned mare. They
think the foal may be homozygous
SW1 and plan to test when he’s older.
“I always tell potential breeders to
get their mares genetically tested prior
to breeding to Sonny or Big Chex. Just
because they are mostly solid in their
coat patterns doesn’t mean that they do
not carry some color genes,” Gail said.
From a health perspective, there
are other compelling reasons to test all
breeding animals for white pattern mutations—and that goes beyond avoiding
matings between Frame Overo carriers.
“I recommend that breeders avoid
matings between horses carrying SW2
or SW3 and between horses that have
W5 or W10,” Cecilia said. “There is
no hard evidence based on outcomes
from such matings, but we expect
them to cause health problems. The
prediction is that these could result in
homozygous foals [for example, foals
with genotypes SW2/SW2, SW3/SW3,
W5/W5, W10/W10] that would not be
Free Live
Seminar:
“Paint Horse
Genetics”
2016 APHA Convention
Richmond, Virginia
February 26, 2016
1:30–2:30 p.m.
If you’re fascinated by
equine color genetics or want
to learn more ways to improve
your breeding program through
genetic testing, don’t miss this
unique learning opportunity
at the 2016 APHA Convention
in Richmond, Virginia. Samantha A. Brooks, Ph.D., assistant
professor of equine physiology
at the University of Florida, will
enlighten attendees with her
knowledge and research regarding Paint Horse genetics in this
free seminar. Plan to get an
education on genetics and all it
has to offer the APHA. To learn
more or to register online, visit
apha.com/events/convention.
COURTESY GAIL SHAW
"One of the advantages
Horses carrying multiple pattern genes seem to often express greater white markings. Artful
Gunner is such an example: he carries the SW1, SW2 and Frame Overo genes and has sired foals
carrying different combinations of those genes.
PAINT HORSE JOURNAL | February 2016 91 Genetic Testing
Find out exactly which colors
and patterns your stallion or mare
carries before the breeding season
begins. APHA’s official genetics testing partner, the Veterinary Genetics
Laboratory at the University of California–Davis, offers a Comprehensive Coat Color test for $125. This
simple procedure, done with 30 to
50 hairs (with intact roots) from your
horse, tests for the presence of red
COURTESY SUSANNA MARINELLI
factor, Agouti, Cream, Pearl, Champagne, Dun, Silver, Gray, Tobiano,
Frame Overo, Sabino 1, Splash White
1, 2 and 3, and Dominant White 5,
10 and 20. Results, sent by email,
take seven to 10 business days.
Order the test by calling APHA at 817222-6423, and learn more online at
vgl.ucdavis.edu.
viable or those that could have severe
clinical problems.
“It is possible that even combinations of these [compound heterozygotes]—for example, DNA genotypes
SW2/SW3, or W5/W10 — could be
deleterious,” she explained. “Fortunately, SW3, W5 and W10 are infrequent or rare enough to not cause
breed-wide concern, unlike OLWS.
One of the advantages of coat color
panel testing is that Paint breeders
have more complete information about
their horses and are better equipped
to make informed decisions about
mate selection. This will minimize
risks of producing affected foals that
are aborted or have to be euthanized
after birth.”
The Breeder’s Toolbox
Genetic testing for white spotting patterns has come a long way. Until 2008,
the only commercial test available analyzed blood samples for genetic markers
for Tobiano but could not be used to officially prove homozygosity. Today, testing
of about 40 mane hairs with intact roots
92 February 2016 | PAINT HORSE JOURNAL
Though there’s still more to discover, knowledge and understanding of your Paint’s genetics
can help you make more informed decisions with regard to breeding.
can reveal with near-certainty if a horse
carries the genes for nine different spotting patterns—an amazing tool available
to the Paint Horse breeder. And yet, many
questions remain.
For example, some horses sport an
identifiable pattern—what we might
call sabino or splash white—but don’t
test positive for any of the known white
pattern genes. What causes those patterns? And what are the other factors,
perhaps genetic or environmental, that
influence the quantity and placement
of white? Why are some horses solid or
minimal white, and others who carry
the same mutations are loudly marked?
And finally, what impact do white
spotting genes play on a horse’s health?
One such example is deafness, found
with some frequency in frame overos
and splash whites.
In 2009, a small study evaluating
deafness in American Paint Horses was
published, shedding some light on the
question. K. Gary Magdesian, D.V.M., a
professor of medicine and epidemiology
at the University of California-Davis
School of Veterinary Medicine and
author of the Journal’s monthly “Vet’s
Bag” column, was the lead researcher.
He continues to investigate the genetic
link between white spotting patterns
and deafness and has nearly completed
a follow-up study. Stay tuned to future
issues of the Journal for complete
results and analysis.
Though we still have a great deal to
learn about white spotting patterns in
horses, greater knowledge and genetic
tests available today offer breeders
valuable tools to increase the percentage of foals born with desirable spotting patterns. At the same time, this
information also plays an important
role in equine health and welfare and
in responsible breeding by limiting
or preventing embryonic or neonatal
loss. Paint Horse breeding will always
involve an element of surprise, but
genetic testing for white spotting patterns can help improve the odds that
those surprises will be good ones.
Irene Stamatelakys is a special contributor
for the Paint Horse Journal.
[email protected]