Jordan - Euromed Audiovisuel
Transcription
Jordan - Euromed Audiovisuel
Film and audiovisual data collection project EU funded Programme STATISTICAL DATA COLLECTION PROJECT ON THE FILM AND AUDIOVISUAL MARKETS IN 9 MEDITERRANEAN COUNTRIES National Monographs: 4. Jordan EUROMED AUDIOVISUAL III / CDSU in collaboration with the European Audiovisual Observatory Dr. Sahar Ali, Media Expert, CDSU Euromed Audiovisual III Under the supervision of Dr. André Lange, in charge of the Information on markets and financing Dept. European Audiovisual Observatory (Council of Europe). September 2013 Euromed Audiovisual III 1 Film and audiovisual data collection project Disclaimer “The contents of this publication are the sole responsibility of Euromed Audiovisual III programme and can in no way be taken to reflect the views of the European Union, or of the European Audiovisual Observatory or of the Council of Europe of which it is part.” The report is available on the programme‘s web site: www.euromedaudiovisuel.net The original version of this publication was done in French. English translation was provided by the translation service of the Euromed Audiovisual III Programme. Euromed Audiovisual III 2 Film and audiovisual data collection project NATIONAL AUDIOVISUAL LANDSCAPES IN THE NINE PARTNER COUNTRIES JORDAN 1. BASIC DATA .....................................................................................................................6 1.1 Institutions.....................................................................................................................6 1.2 Points of reference .......................................................................................................6 1.3 Internal Policy ...............................................................................................................8 1.4 Jordan‘s membership and that of its public audiovisual organisms of international organizations active in the audiovisual sector .....................................................................9 1.5 Rapprochement with the European institutions .............................................................9 1.5.1 European Union ....................................................................................................9 1.5.2. The Council of Europe .........................................................................................13 2. TELECOMMUNICATIONS INFRASTRUCTURES DEVELOPMENT ...............................15 2.1 Telecommunications Regulatory Commission (TRC) ..................................................15 2.2 Data on the telecommunications market .....................................................................15 Fixed line telephone markets ............................................................................................16 Subscriptions to fixed phone in Jordan, 2012 ....................................................................16 Mobile phone market ........................................................................................................16 3. REGULATORY FRAMEWORK OF FREEDOM OF EXPRESSION AND OF TELEVISION ........................................................................................................................20 3.1 Information and Communication Institutional framework .............................................20 3.2. Ministry of Information and Communication ...............................................................20 3.2. Law on the press and publication ...............................................................................21 3.3 Laws pertaining to the audiovisual sector ....................................................................21 3.3.1 Law n°35 of 2000 .................................................................................................21 3.3.2 Law No. 71 of 2002 ..............................................................................................22 3.4 Censorship regime applicable to films and audiovisual works .....................................22 3.6 The Audiovisual Commission ....................................................................................23 3.6.1 Recommendation of June 2013 ............................................................................25 4. DISTRIBUTION MODALITIES OF AUDIOVISUAL SERVICES ......................................26 4.1 Number of households and number of TV households ................................................26 4.2 Terrestrial Broadcasting ..............................................................................................26 4.2.1 Terrestrial analog television ..................................................................................26 4.2.2 Terrestrial digital television (TDT) .......................................................................26 4.3 Cable Television .........................................................................................................27 4.4 Satellite Television ......................................................................................................27 4.5 Internet Television.......................................................................................................28 4.5.1 Applications for smartphones and tablets .............................................................28 5. JORDANIAN TELEVISUAL LANDSCAPE ......................................................................29 5.1 Number of channels established in Jordan ..................................................................29 5.1.1 Another list of Jordanian channels ........................................................................31 5.2 Main Jordanian Channels .........................................................................................34 5.2.1 Jordan Radio and Television Corporation (JRTV) .................................................34 5.2.1.1 JTV ....................................................................................................................35 5.2.2 JO SAT.................................................................................................................37 5.2.3 Ro‘ya TV ..............................................................................................................39 5.3 Jordan Media City (JMC) ............................................................................................40 5.4 Arab Telemedia Group ...............................................................................................41 Euromed Audiovisual III 3 Film and audiovisual data collection project 6. AUDIENCE RATING OF TELEVISION CHANNELS ........................................................42 6.1 Characteristics of 2011 panel ......................................................................................42 6.2 Table: Share of audience market of some Jordanian and Arab channels (2011) .........43 6.3 Characteristics of 2012 panel .....................................................................................44 6.4 Audience market share of some Jordanian and Arab channels (2012) ........................45 7. PUBLICITY MARKET ......................................................................................................46 7.1 Televisual publicity market ..........................................................................................46 7.2. Written Press .............................................................................................................47 7.3 Publicity on the Internet...............................................................................................48 7.4 Radio publicity and external publicity ..........................................................................48 8. AUDIOVISUAL SERVICES ON REQUEST AND VIDEO SHARE SITES .......................49 8.1 Online audiovisual services on demand ......................................................................49 8.2 Video Share Sites .......................................................................................................49 8.3 Branded channels of Jordanian distributors on video share channels .........................50 8.4 Audience of the online video sites in Jordan ...............................................................50 8.4.1 Ranking of the most visited web sites in Jordan, December 2011 ........................51 8.4.2 Ranking of the 20 most popular sites in Jordan (by 6 May 2013) ..........................52 8.5 Facebook, Twitter and LinkedIn ..................................................................................53 8.5.1 Facebook .............................................................................................................53 8.5.2 LinkedIn................................................................................................................56 8.5.3 Twitter ..................................................................................................................57 9. THE FILM MARKET .........................................................................................................59 9.1 Background.................................................................................................................59 9.2 Department of film and photography ...........................................................................60 9.3 The film industry in Jordan: realities and prospects .....................................................60 9.4 The Royal Film Commission .......................................................................................61 9.4.1 Jordan Film Fund (JFF) ........................................................................................62 9.4.2 The « Alternative cinema project » .......................................................................64 9.4.3 The Film House ....................................................................................................65 9.5 Film production in Jordan ............................................................................................68 9.5.1 Films produced in 2007-2012 ...............................................................................68 9.5.2 Production companies ..........................................................................................69 9.5.3 Amman Filmmakers Cooperative ..........................................................................69 9.6 Film distribution ...........................................................................................................70 9.6.1 Market shares of production studios- 2012 ...........................................................70 9.6.2 Distribution companies .........................................................................................72 Selim Ramia & Co .........................................................................................................72 Empire International ......................................................................................................72 9.6.3 Market shares per distributor ................................................................................72 9.7 Cinema exhibition .......................................................................................................74 9.7.1 Ranking of films shown in Jordanian cinemas according to nationality – 2012......74 9.7.2 Cinema reports – week 52/2012- from 20.12.2012 to 26.12.2012 ........................76 9.7.3 Ranking of films according to box-office earnings 2012- to 16/12/2012 (52nd week) ......................................................................................................................................78 9.8 Coproduction ..............................................................................................................82 9.9 Distribution of Jordanian films abroad .........................................................................85 9.10 The physical video and video on demand market ......................................................86 9.11 National Film events..................................................................................................87 9.11.1 The Jordan Short Film Festival (JSFF) ...............................................................87 9.11.2 Karama Human Rights Film Festival (HRFF) ......................................................87 9.11.3 European Film Festival in Jordan .......................................................................88 Euromed Audiovisual III 4 Film and audiovisual data collection project 9.11. 4 Franco Arab Film Festival ..................................................................................88 9.11.5 Arab Film Festival ...............................................................................................89 10. COPYRIGHT AND RELATED RIGHTS IN JORDAN .....................................................90 11. PIRACY ..........................................................................................................................90 12. TRAINING OF AUDIOVISAUL PROFESSIONALS ........................................................91 12.1 Jordan Media Institute (JMI) ......................................................................................91 12.2 SAE Institute .............................................................................................................92 12.3 Other main centres for audiovisual training ...............................................................93 Euromed Audiovisual III 5 Film and audiovisual data collection project 1. BASIC DATA 1.1 Institutions Jordan – officially the Hashemite Kingdom of Jordan – is a constitutional monarchy with at its head king Abdullah II. Its first Constitution was proclaimed in 1952 by king Talal 1st. According to the first article: ―The Hashemite kingdom of Jordan is an Arab, sovereign and independent State. It is indivisible and inalienable and no part of its territory may be ceded. The people of Jordan are part of the Arab nation and it has a parliamentary system of government with a hereditary monarchy.‖1 With 6.4 million inhabitants in 2013, approx. 80% of whom live in urban areas, Jordan is one of the smallest countries in the region. As its natural resources (and its water resources in particular) are limited, with a low industrial base, the services sector is predominant (representing approx. 70% of the GDP). A great number of Jordanians are of Palestinian origin as Jordan is the only Arab State which granted citizenship to Palestinians. Some Palestinians still live in various refugee camps scattered throughout the West Bank and in northern Jordan (10 official Palestinian refugee camps are located in Jordan). The United Nations Relief and Works Agency (UNRWA) for the Palestinian refugees is responsible for the wellbeing of the refugees, including their health and education. Even though it is not a signatory to the UN Refugee Convention, Jordan signed an agreement protocol with the UN High Commissioner for Refugees concerning their treatment and asylum seekers.2 Within the same context, the conflicts and political upheavals in the other countries of the region have affected the Kingdom which is carrying on with its tradition of hospitality towards asylum seekers and refugees. Even though the number of Iraqis registered with the HCR in Jordan is stable and amount to approx. 29.000, Jordan‘s resources are being strained due to the increasing number of Syrian refugees fleeing from the violence in their country. At the end of September 2012, over 102 000 Syrian refugees were registered with the HCR and their numbers were increasing on a daily basis.3 The Jordanian government estimates the number of Syrian refugees in the country as in excess of 540.000. On 23rd April 2013, it sent a request for help to the Humanitarian Aid and Civil Protection department of the European Commission (ECHO) to respond to the crisis of refugees in the country. In October last year the civil protection mechanism of the European Union provided aid in kind (blankets, heating and ambulances) whereas ECHO‘s humanitarian aid to Jordan increased up to a total of 61.5 million Euros.4 1.2 Points of reference Jordan is a Middle Eastern country surrounded by Syria to the north, Iraq to the north-east, Saudi Arabia to the east and to the south, and finally Israel and the West Bank to the West. 1 st 1 January 1952 Constitution, Digithèque MJP, http://mip.univ-perp.fr/constit/jo1952.htm. Versions in Arabic and English are accessible on the WIPO site. The Constitution of The Hashemite Kingdom of Jordan, 1952, http://www.wipo.int/wipolex/fr/text.jsp?file_id=227813 2 European Neighbourhood and Partnership Instrument, Jordan, Strategy Document 2007 – 2013, National Indicative Programme 2007-2010, p.11; http://ec.europa.eu/world/enp/pdf/country/enpi_csp_nip_jordan_fr.pdf 3 Jordan- Operations profile – UNHCR; http://www.unhcr.fr/pages/4aae621d5c5.html 4 ―EU supports health care of Syrian refugees in Jordan‖, EU Neighbourhood InfoCentre-An ENPI Project, 18-07-2013; http://www.enpi-info.eu/mainmed.php?id=33979&id_type=1&lang_id=469 Euromed Audiovisual III 6 Film and audiovisual data collection project The main indicators of the World Bank1 Per Capita GDP, PPP (USD current international ) 2002 2003 2010 2011 3,540.0 3,690.0 5,800.0 5,930.0 5,0 5,2 6,0 6,2 9,584.2 10,197.8 26,425.4 28,840.2 5,8 4,2 2,3 2,6 72,3 72,4 73,3 Population, total (in millions) GDP (USD current (in millions) GDP annual growth PIB (%) Life expectancy at birth years Source: World Bank 1 Population: 6.474.051 (August 2013) according to the estimations of the Department of Statistics2 ; 6.5 million in 2012 according to the 2012 UNFPA Report on the State of the World Population3 Surface area: 91.860 km2 Birth rate: 2.65% (2012 estimation) Demographic growth rate estimated at: 1.9 % (2010-2015) In 2011, the age group between 15 and 19 years represented 10.97% of the population; the male youth rate amounts to 51.5% and the urban population rate is estimated at 82.6%.4 Level of illiteracy: 6.7%5 GDP (2012 estimation): 30.98 billion USD; GDP per capita (2012 estimation); 6.000 USD. Growth rate (2011): 2.6%; unemployment rate (ILO) (2011): 12.3 %6 Ratio of the poor population depending on the national poverty threshold (% of the population): 2008: 13.37 Currency/rate of exchange: Jordanian Dinar (JOD)8 1 JOD = 1.09783 EUR The Kingdom‘s official language is Arabic. English is widely used in education and the medias. http://search.worldbank.org/data?qterm=Jordan&language=Fr&format=html& type exact=indicators 2 http://www.dos.gov.qov.jo/dos home a/main/index.htm 3 http://www.unfpa.org/webdav/site/global/shared/swp/2012/FR SWOP2012 Report.pdf 4 Department of Statistics, Jordan Statistical Yearbook 2011, http://www.dos.gov.jo/dos a/Population A.pdf#=3 5 home a/main/cd yb2011/pdf http:/www.dos.gov.jo/dos home a/main/jorfig/2011/10.pdf 6 According to the ―Présentation de la Jordanie‖ (Presentation of Jordan), Site of the French Ministry of Foreign Affairs, http://www.diplomatie.gouv.fr/fr/dossiers-pays/jordanie/presentation-de-la-jordanie/ 7 http://donnees.banquemondiale.org/indicateur/SI.POV.NAHC 8 Here we use the code ISO 3c: JOD Euromed Audiovisual III 7 Film and audiovisual data collection project 1.3 Internal Policy Shaken by the ―Arab Spring‖, the Kingdom has, since January 2011, been experiencing an unprecedented social and political protestation movement whose amplitude has been subdued compared with the different countries of the region. This movement is peaceful in general but with occasional and localized clashes. The demonstrators‘ claims are both economic and political1. Even though the State has a Constitution since 1952 and the parties were re-established in 1989, political life is governed by the notables, businessmen and heads of tribes, and the centre of political life is still incarnated by the king who holds executive power. Monarch of a country whose borders had been traced by the English Mandatory Power, the king of Jordan stands for the unity of a society with numerous social, ethnic and religious fractures and subject to an explosive regional environment. In order to dampen the wave of protestation triggered off in the Kingdom, king Abdallah II, on Sunday 12 June 2011, started reforms leading to a parliamentary system. This reform was elaborated by a commission which was set up by the government to try and respond to the claims of the demonstrators who had assembled, for several weeks, in the wake of the Tunisian and Egyptian movements2 “so that now there is a greater separation between the legislative, executive and judicial power. These are only small measures but important ones nevertheless”, explained the researcher Jallel Al Husseini.3 But between the shock wave of the Arab Spring and the kingdom‘s internal difficulties in a context of a world crisis, political life in Jordan is struggling to have a proper structure. On 23 January 2013, the Jordanians had to renew their Parliament which had been dissolved in October 2012 in a strained social- political context. The only structured Opposition party is the Islamic Action Front capable of mobilizing numerous partisans and it called for the boycotting of the 23 January elections where the loyalists were victorious. ―Due to the slow pace of political reforms and the deterioration of the standards of living, dissatisfaction is perceptible in greater numbers of the Jordanian population……..Political life is anemic in this very fragmented country, between the capital Amman and the governorates, between the tribes, between native Jordanians and Jordanians-Palestinians, who are themselves divided between an economic elite and the refugees in the camps or in the poor quarters of the country’s big towns. The greatest demonstrations and riots seen in the last two years are in fact epi-phenomena which no political force has managed to channel.―4 In addition to these political and social contestations, there was another one, less spectacular but tenacious, in search of the freedom of the press. In Jordan the question of the freedom of the press had furthermore given rise to mobilisation beyond the Jordanian borders. In August, the American NGO for the defence of the citizens‘ right of access to the Internet, Electronic Frontier Foundation, addressed the king to ask him not to censure the access to sites. Mid-2012, behind the apparent calm, popular pressure continued weighing on the Jordanian monarchy.5 1 ―Presentation de la Jordanie ― (Presentation of Jordan), site of the French Ministry of Foreign Affairs, op.cit. 2 ―The king of Jordan promised to accelerate democratic reforms‖, Le Monde.fr with AFP and Reuters. 13.06.2011, http://www.lemonde.fr/proche-orient/article/2011/06/13/e-roi-de-jordanie-promet-d-accelerer-les-reformesdemocratiques 1535285 3218.html 3 Pierre Puchot, ―Yémen, Jordanie, Bahrein: ou en sont les mouvements révolutionnaires?‖ Grotius International Géopolitiques de l‘humanitaire, 02.09.2012, http://www.grotius./fr/yemen-jordanie-bahrein-ou-en-sont-les-mouvements-revolutionnaires/ 4 Laurent de Saint Périer. « Jordanie-Jalal Al Husseini : « La vie politique est anémique dans ce pays très fragmenté », Jeune Afrique, 04/02/2013 : http://www.jeuneafrique.com/Article/ARTJAWEB20130204111604/ 5 Jillian C. York, ―EFF to Jordanian Ministry of Information: Keep the Internet Open‖, Electronic Frontier Foundation‖, August 9, 2012, https://www.eff.org/deeplinks/2012/08/eff-jordanian-ministry-information-keep-internet-open#footnote1 Euromed Audiovisual III 8 Film and audiovisual data collection project After the 23 January 2013 legislative elections, the government resigned. The Prime Minister, Abdallah El Nsour, had his mandate renewed, but his government nominated on 30 March, had been greatly reshuffled. The State Minister for Information, the Minister of Political and Parliamentary Affairs is Mohammed El Momani. Barakat Awajan is the minister of Culture. Hatem El Halouani is the Minister of Telecommunications and Information Technologies. 1.4 Jordan’s membership and that of its public audiovisual organisms of international organizations active in the audiovisual sector Jordan is a member of the United Nations and the different UN agencies which play a role in the audiovisual domain, especially UNESCO, WIPO (World Intellectual Property Organisation) and WTO (World Trade Organisation). The kingdom is also a member of UNICT ( a UN specialized institution for information and communication technologies). It is also a member of the Arab League, ALECSO and ISESCO (the Islamic Organisation for Education, Sciences and Culture). Jordan‘s Audiovisual Commission (AVC) is a member of RIRM – MNRA – the Mediterranean Network of Regulatory Authorities. The Jordanian public Television- Jordan Radio and Television (JRTV) is a member of: - ASBU : Arab States Broadcasting Union EBU-UER: European Broadcasting Union COPEAM: Permanent Conference of the Mediterranean Audiovisual Operators. The Telecommunications Regulation Commission (TRC) is a member of: - AREGNET: Arab Regulators Network for Telecommunications & Information Technologies Jordan Media City (JMC) is a member of the World Teleport Association (WTA). 1.5 Rapprochement with the European institutions 1.5.1 European Union 1 The EU has a close partnership with Jordan which plays a role for moderation and reform in a politically unstable region. The EU aims to support it in this domain. The EU-Jordan relations mean close cooperation in the domain of democratic reforms and the modernisation of the economy. The present content of these relations is defined in the action plan adopted in line with the European neighbourhood policy. The Association Agreement provides the legal basis for this. The EU‘s mission is to help Jordan implement its internal reform process. The strategy and the priorities concerning this aid are presented in the strategy document and the national indicative programme. 1 Acording to the page ―European Union – External Action, consulted on 18 April 2013, http://eeas.europa.eu/jordan/index fr.htm Euromed Audiovisual III 9 Film and audiovisual data collection project Financial Assistance Since 2007, the EU‘s financial assistance to Jordan stems mainly from the IEVP – ENPI – the European Neighbourhood and Partnership Instrument. In addition to this instrument, Jordan is also eligible for a wide range of thematic budgetary lines from the EU. The European Neighbourhood and Partnership Instrument (ENPI) is the main financial mechanism for the aid granted to Jordan, on a bilateral or regional basis. The pluri-annual strategic framework of cooperation between the EU and Jordan has been set down in the Country Strategy Document (CSD) which at present covers the 2007 – 2013 period. Within the framework of the CSD, two national indicative programmes (NIP) define the priorities of the EU-Jordan financial cooperation for the periods 2007 – 2010 and 2011- 2013. As for the 2011-2013 NIP, the EU has allocated an indicative budget of 223 MEUR to support Jordan in the following domains: - Democracy, human rights, medias and justice (45 MEUR) Development of trade, enterprises and investments (40 MEUR), Sustainable growth process (93 MEUR) and Implementation of the action plan (45 MEUR). The EU‘s financial assistance for Jordan within the framework of the NIP 2007 – 2010 amounted to 265 MEUR. It concentrated on four prioritary objectives: - Political reform and good governance (17 MEUR ) Development of trade, enterprise and investments (63 MEUR) Sustainable growth process (55 MEUR) and Strengthening of institutions and financial stability (130 MEUR). On a regional level, the Barcelona Conference convened in November 1995 the 15 countries of the European Union and the 12 Mediterranean partner countries, which led to the Barcelona Declaration, an ambitious programme for dialogue, exchange and cooperation to guarantee peace, stability and prosperity in the region. This unprecedented political engagement covers the ―Politics and Security‖, ―Economic and Financial‖ and ―Social, Cultural and Human‖ aspects. This bilateral partnership was established through an association agreement with each Mediterranean partner and the European Union. The main objectives of the Association Agreement are as follows: - Strengthening the political dialogue Establishing the necessary conditions for the progressive liberalization for the exchange of goods, services and capital, Developing well balanced economic and social relations between the parties, Supporting the South-South integration initiatives Promoting cooperation in the economic, social, cultural and financial domains. In October 2002, the EU and Jordan signed the first support Programme for the Association Agreement (20 million EUR) instituting an association between the European Community and its member States and the Hashemite Kingdom 1 Article 73 of the Agreement refers to the promotion of cooperation and activities of common interest for the development of the society of Information and Telecommunications. Article 85 refers to the promotion of cultural 1 EURO-MEDITERRANEAN AGREEMENT establishing an Association between the European Communities and their Member States, of the one part, and the Hashemite Kingdom of Jordan, of the other part; http://eeas.europa.eu/delegations/jordan/documents/eu_jordan/eu_jordan_assoc_agrmt.pdf Euromed Audiovisual III 10 Film and audiovisual data collection project cooperation and the exchange of information, whilst at the same time establishing a sustainable dialogue in the cultural sphere in a spirit of mutual respect for the cultures. This cooperation aims to: - Conserve and restore the historical and cultural heritage (monuments, sites, objects, rare books and manuscripts etc.) Exchange of exhibitions and artists Training of persons working in the domain of culture. Respecting democratic principles and human rights also constitute an essential element of the Association Agreements. The Neighbourhood policy: a new framework for the future In 2003, the European Union launched the neighbourhood policy which completes, specifies and goes into greater depth about the Euro-Mediterranean partnership. Through the European Neighbourhood Policy, the EU tries to avoid the creation of new lines of division between the extended EU and its neighbours to the East and the southern and eastern shores of the Mediterranean. The European Neighbourhood policy goes beyond the existing relations to offer a political relationship and greater economic integration, thus strengthening the stability, security and wellbeing of all concerned. This relationship is based on a mutual engagement to promote common values, such as: - Respecting the rules of law Good governance Respect of human rights Promotion of good neighbourhood relations Market economy Sustainable development. These ideas are crystallized through differentiated Action Plans, which are established jointly by the EU and each of the partner countries, taking into account the specificities of each one of them. These Action Plans define a programme of political and economic reforms with short and medium term priorities. Elaborated within the framework of the European Neighbourhood and Partnership Instrument ENPI, the Strategy Document per country1 provides a framework within which the aid of the EC will be available to Lebanon during the 2007-201311 period. It states the objectives of cooperation, the political response and the EU prioritary cooperation domains founded on an in-depth evaluation of the country‘s political agenda and its political and socio-political situation2. Jordan participated in the Euro-Mediterranean ministerial conference for Culture in May 2008 in Athens and confirmed the ―Strategy for the Development of the Euro-Mediterranean Audiovisual Cooperation‖3 developed within the framework of the Euromed Audiovisual II 1 European Neighbourhood and Partnership Instrument-Jordan, Strategy Document per country 2007-2013 and the National Indicative Programme 2007-2010, EU. http://ec.europa.eu/world/enp/pdf/country/enpi csp nip jordan fr.pdf 2 For more information on the development of the neighbourhood policy with Jordan, see Implementation of the European Neighbourhood Policy in Jordan; Progress in 2011 and recommendations for action‖, Joint Staff Working Docum ent, Accompanying the document Joint Communication to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions, European Commission , Brussels, 15.05.2012; http://ec.europa.eu/world/enp/docs/2012 enp pack/progress report jordan en.pdf 3 Strategy for the development of the Euro-Mediterranean audiovisual cooperation, 2008, Euromed Audiovisual II, EuromedEuropean Commission http://www.euromedaudiovisuel.net/Files/2008/12/11/1229005879810.pdf Euromed Audiovisual III 11 Film and audiovisual data collection project Programme. As for the audiovisual cooperation with the European Union, Jordan was the partner of the first two Euromed Audiovisual Programmes and is at present the partner of the Euromed Audiovisual III Programme (2011-2013)1. Access to the MEDIA MUNDUS Programme The MEDIA MUNDUS Programme of the European Union was adopted through decision 1041/2009/EC of the EUROPEAN PARLIAMENT AND Council on 21 October 2009 setting up an audiovisual cooperation programme with the professionals of third countries (MEDIA MUNDUS) 2 with a budget of 15 million Euros for a 3 -year- period (2011 – 2013), this new programme aims to strengthen cultural cooperation and commercial ties between the European Cinematography industry and that of third countries. It comes after the International MEDIA preparatory programme. Its implementation responds to a strong demand from the different audiovisual stakeholders to facilitate and strengthen cooperation between the European countries and third countries The MEDIA MUNDUS programme supports projects in the following domains: - Support for training: capacity building of the professionals in Europe and in third countries. Support for market access to contribute to the financing of projects meant to promote access of audiovisual works to international markets. These projects refer to the development phases and/or pre-production (for example the international market of co-productions) and upstream activities (namely events which facilitate the international sale of the works). - Aid for distribution and circulation: to enhance the distribution, promotion, projection and dissemination, under optimal conditions, of European works on the markets of the third countries and the audiovisual works of the third countries in Europe. - Cross-cutting activities: to contribute towards the financing of cross-cutting projects covering several priorities of the programme, for example, training sessions followed by promotional events during co-production meetings3. To be eligible for financing through MEDIA MUNDUS, the projects must be proposed and implemented jointly by European professionals and the professionals of third countries with the aim of promoting the creation of networks on an international level. The future creative Europe Programme On 25th November 2011 the European Commission adopted its Proposition for a Regulation of the European Parliament and the Council establishing the creative 4 Europe Programme. This proposition was the object of a first ―Global Approach‖ adopted by the Council of Ministers on 10th May 2012. 1 Programme Euromed Audiovisual III (2011-2013), http://www.euromedaudiovisuel.net/p.aspx?t=general&mid=85&I=fr 2 See: Decisions adopted jointly by the European Parliament and the Council, Decision No. 1041/2009/EC of the EUROPEAN PARLIAMENT AND THE COUNCIL on 21 October 2009 setting up the audiovisual cooperation programme with the professionals of third countries (MEDIA MUNDUS); http://eur-lex.europa.eu/LexUriServ/LexUriServ.do?uri=OJ:L:2009:288:0010.0017.FR.PDF 3 http://register.consilium.europa.eu/pdf/en/12/st09/st09097.en12.pdf 4 http://ec.europa.eu/culture/creative-europe/documents/proposal-regulation_fr.pdf Euromed Audiovisual III 12 Film and audiovisual data collection project The ―Creative Europe‖ programme should have a global budget of approx. 1.3 billion Euros for the 2014-2020 period, representing an increase of nearly 9% compared with the existing MEDIA and Culture programmes. The new programme is subject to a final approval by the European Parliament and the Council during August 2013. Article 16 of the proposition of the Commission makes provisions for the accessibility to the future Programme of the countries coming under the European neighbourhood policy (of which Jordan is a part), according to modalities defined with these countries in the framework-agreements which refer to their participation in the programmes of the Union. This participation would be possible provided that the required conditions are complied with, including, for the MEDIA aspect, those conditions established by directive 2010/13/EU of the European Parliament and the Council of 10 March 2012 aiming at the coordination of some of the legislative, regulatory and administrative provisions of the member States pertaining to the supply of audiovisual media services, through the disbursement of additional credits. 1.5.2. The Council of Europe Jordan is part of the countries included in the neighbourhood policy of the Council of Europe set up in 2011. A document entitled ―2012-2014 Priorities for Jordan within the framework of cooperation with the neighbourhood‖ was established by the Secretariat of the Council of Europe in May 20121; the short term prioritary domains concern constitutional justice, legislation and electoral practices, independence and efficacy of the judicial system and the organisation of seminars on the Conventions of the Council of Europe. Freedom of expression, freedom of the medias and the relationships between social medias and youth are part of the medium term domains of action: 1. Freedom of expression/freedom of the medias The Council of Europe could promote the elaboration of legal and institutional guarantees for the freedom of expression, better quality journalism and a pluralist media landscape for traditional and new medias, in conformity with the European and international standards, through the following means: - Assistance concerning the regulatory framework of the freedom of expression and the medias. The first questions which would be dealt with pertain to the regulation of new medias - Support for the implementation of the regulatory framework pertaining to the medias and self-regulation. - Capacity building activities for journalists. The questions to be dealt with as a priority could be: the training of journalists on the media coverage of elections (activity to be undertaken under the aegis of the Venice Commission): joint training for the medias and the police. Initially the assistance could be give through the Jordanian Institute of the Medias. The Council of Europe could also help to promote ethical and tolerant journalism and react effectively to the violations of the law and ethics, including incitements to hatred. 2. Social medias/youth The Internet, interactive platforms and networks have transformed the environment of the medias and of communication, which are considered as having real perspectives of emancipation. But at the same time, these platforms have strengthened the capacity of hateful and racist organized groups to get through to the public. In this new communication 1 https://wcd.coe.int/ViewDoc.jsp?id=1937345&Site=COE Euromed Audiovisual III 13 Film and audiovisual data collection project environment, it is wise to ensure the positive utilisation of information and communication technologies to offset the discourse of hate and to promote a culture of tolerance and understanding, gender equity and the viability of democracy. The key stakeholders to develop the positive utilisation potential are the youth. Jordan could participate in the Council of Europe project, ―Youth against the online discourse of hate‖ which aims to provide the young and youth organisations with the motivation, skills and the necessary means to recognize and to combat the online violations of human rights. This project is based on the engagement and determination of young bloggers and cybermilitants of human rights to prepare and mobilize other young people against all online forms of racism and discourse of hate. To build more democratic and more solidary societies, it is essential for youth to actively participate in decisions and actions. Participating and being an active citizen means having the right, the means and the possibility of participating in decisions, influencing decisionmaking and engaging in actions and activities to contribute to the construction of a better society. Thus the Council of Europe could train youth animators as well as officers –incharge and the staff of non governmental youth organisations and students organisations so that they could be taught about human rights, intercultural dialogue, participation of youth and education on democratic citizenship. An intermediate implementation report of June 2013 from the Secretariat of the Council of Europe points out that no concrete request has been received hitherto from the Jordan authorities concerning the last two propositions1. The European audiovisual observatory, extended partial agreement of the Council of Europe, is involved, as a service provider, in the present data collection project of the Euromed Audiovisual III Programme of the European Union. 1 Jordan Cooperation priorities with the neighbourhood Implementation provisional report. Document prepared by the Secretariat of the Council of Europe. https://wcd.coe.int.ViewDoc.jsp?id=2080529&Site=CM Euromed Audiovisual III 14 Film and audiovisual data collection project 2. TELECOMMUNICATIONS INFRASTRUCTURES DEVELOPMENT 2.1 Telecommunications Regulatory Commission (TRC) Created by the Law on Telecommunications No. 13 in 1995 1, the Telecommunications Regulatory Commission (TRC) is the entity responsible for regulating the market of telecommunications and information technologies in Jordan. The TRC is a body quite independent from the Ministry of Telecommunication and Information Technologies (MoICT) but respects the government‘s general policy in exercising its functions. The TRC‘s mission is to set up a regulatory framework likely to establish a competitive telecommunications market and to ensure the different services at affordable prices for a wide section of the Jordanian population. 2.2 Data on the telecommunications market As for digital radio broadcasting, the TRC is responsible for regulating cable TV, IPTV, mobile TV and the Audiovisual Commission (AVC) for digital land-based Hertzian television and also via satellite with direct home reception. The AVC is also responsible for the radio and audiovisual sector. It is in charge for radio and TV broadcasting inside and outside the country. The following table gives the entities responsible for the five relevant domains identified within the framework of regional initiatives for the Arab States region and which had been adopted by the CMDT-10 - WTDC-10 (World Communication Development Conference) organized by the ITU (International Telecommunications Union). Jordanian entity per regional initiative: Responsible national entity Access to broadband networks TRC Digital Radio broadcasting TRC, AVC Open source code softwares MoICT Digital contents in Arabic Cybersecurity National Information Technologies Centre MoICT Source :ICT Adoption and prospects in the Arab States region 2012, ITU, Geneva, p.71 ; http://www.itu.int/dms_pub/itu-d/opb/ind/D-IND-AR-2012-PDF-F.pdf 1 Law on telecommunications No. 13 of 1995 and its amendments. http://www.trc.gov.jo/index.php?option=com content&task=view&id=144&land=Arabic Euromed Audiovisual III 15 Film and audiovisual data collection project Fixed line telephone markets At the end of 2011, Orange was the country‘s only RTPC-PSTN (Public Switched telephone network) service operator. Direct inward dialing services (DID) had been proposed by several VoIP operators, such as Viacloud, Batelco, Tarasol, Orange, Zain, MetroBeam, (Kulacom) and XOL (Mada). The other competitors proposed prepaid phone cards. Orange Jordan had an overall figure of 3.5 million clients at the end of 2011, an increase of 17.6% compared with 20101 Subscriptions to fixed phone in Jordan, 2012 T1 T2 T3 T4 Fixed phone subscriptions (thousands) 419,533 416,512 407,846 400,082 Rate of penetration 6.7% 6.6% 6.4% 6.3% Source: Telecommunications Regulatory Commission (TRC), Telecoms market statistics http://www.trc.gov.jo/index.php?option=com_content&task=view&id=1942%20&Itemid=1228 2012 - Mobile phone market The Jordanian mobile phone market is divided between three GSM operators : the historical operator, Zain, Orange and Umniah. There is strong competition between these three operators. The Jordanian mobile phone services company (JMTS/ Zain) was founded in September 1995 and obtained its operating licence for 15 years. Competition started in 2000 with the arrival of MobileCom (today known under the name of Orange) and intensified in June 2004 with the emergence on the market of Xpress (the operator of the iDEN networks),and then, in 2005, of Umniah. Orange Mobile launched its 3G services in March 2010. A year later, Zain Jordan started providing its HSPA+/3G2 At the end of 2012, the total number of mobile phone subscriptions amounted to 8, 9 million, representing a 140% rate of penetration. During the first six months of 2012, the number of mobile phone subscriptions increased by 10%, representing, at the end of June 2012, a figure of 8 340 928, which is a penetration rate of 132%. The following table shows the adoption of mobile telephones in Jordan. Mobile phone subscriptions in Jordan - 2012 T1 T2 T3 T4 Mobile phone subscriptions 7 758 698 8 340 928 8 767 564 8 984 252 Penetration rate 123% 132% 138% 140% Source: Telecommunications Regulatory Commission (TRC) 1 2 http://www.orange.com/fr/groupe/notre-presence/pays/les-activites-du-Groupe-en-Jordanie ICT adoption and prospects in the Arab region in 6the Arab States region 2012, op.cit Euromed Audiovisual III 16 Film and audiovisual data collection project Number of mobile phone subscriptions in detail per company - 2012 Company name Postpaid Prepaid Total Zain 454 184 2 920 677 3 374 861 Orange 218 960 2, 966, 138 3 185 098 Umniah 67 259 2 294 969 2 362 228 FRiENDi 0 62 065 62 065 740 403 8 243 849 8 984 252 Total Source:http://www.trc.gov.jo/index.php?option=com_content&task=view&id=2335&lang=arabic Broadband Internet market The Jordanian Internet market is competitive. At the end of November 2011, Jordan had 16 suppliers of operational Internet services providing ADSL services: Orange/Jordan Telecom, FAI Zain, Umniah/Batelco, MEC, NEXT, Cyberia, TEdata, Sama, Tarasol, JCS, Nuegroup, Kulacom, Blink, Mada Jordan, LaSilkee and VTEL. Out of these 16 providers of ADSL Internet services, seven proposed leased line services ; namely Orange/Jordan Telecom, Zain FAI, Cyberia, Sama, Kulacom, Blink et LaSilkee. Cinq FAI proposed WiMAX services: Umniah/ Batelco, Wi-Tribe, Kulacom, Mada Jordan and The Blue Zone. The operators of the WiMAX systems are authorized to provide fixed voice services using the WiMAX technology. JSC, Damamax and Vtel provide broadband services using fiber optics1. In March 2013, Orange Jordan declared that the introduction of the 4G technology was not necessary for the country. According to the Managing Director of Orange Jordan, JeanFrançois Thomas « 3G technology meets the current needs in the country and it was launched a few years ago... the focus should be on introducing further improvements to 3G technology»2. At the end of 2012, the total number of subscriptions to the high speed Internet (ADSL) amounted to 4 260 000 with an estimated rate of penetration of 67%. Broadband subscriptions amounted to 691,619, corresponding to a rate of penetration of 17%. Broadband Internet subscriptions in Jordan – 2012. Indicator Internet users Internet penetration rate Dial-up High speed subscription (ADSL) Wi-Max Leased Line Cable TV Mobile broadband Total Rate of penetration Measurement Unit in millions % in millions % T1 T2 T3 T4 3 344 53% 18 132 201 070 105 071 977 3 005 350 627 678 882 3 535 56% 10 626 204 395 96 923 1,070 3 081 427 641 743 736 4 029 63% 9 240 198 003 106 843 1,018 3 171 556 557 874 832 4 260 67% 828 192 738 103 198 923 3 434 691 619 992 740 11% 12% 14% 17% Source: Telecommunications Regulatory Commission (TRC), Telecoms market statistics 2012-op.cit. 1 2 Ibid Orange Jordan not planning to introduce 4G, AME Info.com, The ultimate Middle East Buisness resource, March 10 – 2013, http://www.ameinfo.com/orange-jordan-planning-introduce-4g-332695 Euromed Audiovisual III 17 Film and audiovisual data collection project Telecoms market statistics (T1-T2/2013) Number of fixed line subscriptions At home Business Total Penetration rate / population Number of mobile phone subscriptions Postpaid Prepaid Total Rate of penetration/ population Internet users Number of users Rate of penetration/ population Internet subscriptions Dial-up Broadband subscriptions (ADSL) Wi-Max Leased Line CableTV Mobile broadband Total Rate of penetration/population T1 252 788 140 081 392 869 6.1% T1 730 051 8 745 120 9 475 171 147% T1 4 435 144 69% T1 588 193 553 109 125 1 204 3 750 812 717 1 120 937 17.4% T2 249 774 138 255 388 029 6.0% T2 726 830 9 228 962 9 955 792 150% T2 4 641 916 70% T2 685 191 503 103 184 1 381 4 206 988 774 1 289 733 19.0% Source :http://www.trc.gov.jo/index.php?option=com_content&task=view&id=2597&Itemid=1228 Access to broadband1 networks Four commercial technologies of broadband access are at present on sale on the Jordanian market: DSL, FTTx, WiMAX and GSM 3G (UMTS/ HSPA). Furthermore, in addition to the broadband networks used at present by commercial operators, MoICT is setting up throughout the country, a national broadband network (NBN). This is an open access network set up by the Jordanian government to respond to the increasing traffic demand linked to the faster pace of dissemination of this technology which made it possible to connect over 600 public schools and universities as well as 58 governmental entities. Several health centres and « information stations » in the country have also been connected to a fiber optics network based on the IP/Ethernet technologies. Other projects are at present being examined and which aim to use this network in order to support the private sector in Jordan. Digital Radiobroadcasting The Audiovisual Commission (AVC) and the TRC are the two entities responsible for regulating the digital radio broadcasting market in Jordan. In April 2013 there were 28 private providers and a public satellite services provider. (See the section on public and private satellite channels). The following table gives more details about the digital radio broadcasting technologies in Jordan. 1 ICT Adoption and prospects in the Arab region, op.cit. Euromed Audiovisual III 18 Film and audiovisual data collection project Digital radio broadcasting technologies in Jordan, April 2013 Digital radio broadcasting technology State of the market Services providers Entity responsible for regulating the service Land-based digital TV Non operational N/D AVC DTH by satellite Operational 1pubic channel and 28 private channels* AVC IPTV Operational Orange Jordan TRC and AVC TV mobile (IP based ) Operational Orange Jordan TRC TV mobile (DVB) Non operational N/D TRC Note: * The satellite DTH services providers designate the channels and not the radio broadcasters or the operators (a radio broadcaster/operator can be running more than one channel). The data include free channels and correspond to April 2011. Source: Arab Advisors Group, National regulators cited in « ICT Adoption prospects the Arab region 2012, op.cit. The ITU (RRC-06) radiocommunications regional conference in Geneva in June 2006 adopted a plan for land-based digital radio broadcasting concerning 116 countries (mainly in Africa and in Europe), in the 174–230 MHz and 470–862 MHz frequency bands. This plan (known as the Plan GE06), has set the date of 17 June 2015, at the latest, as the deadline for stopping analogue transmissions (for some countries using certain frequency bands the deadline has been set for 17 June 2020). The Arab countries are part of Plan GE06. They are thus getting ready to migrate from analogue radio broadcasting to land-based digital broadcasting. The plan retained for migrating to digital radio broadcasting in this region is presented in the table below.1 Switching away from the analogue system in Jordan is scheduled for 2015. Algeria Mobile television radio broadcasting Service (IP/ DVB based) Not available Bahreïn Available Available Planned 2013 Available Available Available Available Not available Available Not available Available Available Not available Available Available Not available Not available Disponible Available Not available Planned Not available Available Not available Available Not available Not available Available Not available Not available Available Available Not available Not available Not available Available Not available Planned availabale Planned Not available Not available Not available available Available Planned Not available Not available available Available * Planned Available Planned Not available 2015 Unclear 2015 2015 2015 2015 unclear 2015 2015 uncertain uncertain 2015 2015 2014 2015 2013 2015 Country Egypt Iraq Jordan Koweït Lebanon Libya Mauritania Morocco Oman Palestinian Authority Qatar Saudi Arabia Sudan Syrian Arab Republic Tunisia United Arab Emirates Yemen IPTV service Land-based digital radio broadcasting Service Switch date from analogue Available Planned 2014 * According to available information Source: Arab Advisors Group, cited in Migration from analog TV to digital TV : Overview of the situation in the Arab States region , ITU News, Nº 2 2012; https://itunews.itu.int/Fr/2371-Passage-de-la-television-analogique-a-la-television-numerique.note.aspx 1 See Switch from analogue to digital television: the big picture of the Arab region, ITU News, No 2 2012 Euromed Audiovisual III 19 Film and audiovisual data collection project In cooperation with the European Union and within the framework of the Jordan-EU twinning project in the telecommunications1 sector, the TRC organized a workshop on « terrestrial digital television and optimal use of the digital dividend‖, on the 3 and 4 July 2010, in Amman.2 The workshop was part of the permanently deployed efforts of the Jordanian authorities to accelerate the implementation of the switch from analog to the digital3 3. REGULATORY FRAMEWORK OF FREEDOM OF EXPRESSION AND OF TELEVISION 3.1 Information and Communication Institutional framework Article 15 of the 1952 Constitution guarantees the freedom of expression and of the press 4: (i)The State must guarantee the freedom of opinion. Each Jordanian must be free to express his opinion in words, in writing or through photographic representation and other forms of expression, within the limits of the law. (ii)Freedom of the press and publications must be ensured within the limits of the law. (iii) The publication of newspapers is not to be suspended or their licences withdrawn, except in conformity with the provisions of the law. (iv) If martial law is declared or a state of emergency, limited censure of the newspapers, brochure, books and transmissions in affairs affecting public security or national defence security may be imposed by law. (v) Control of the newspapers’ resources is to be regulated by law. 3.2. Ministry of Information and Communication The Ministry of Information was abolished in 2002 and replaced in 2005 by the State Ministry for Information and Communication. At the beginning it was annexed to the Ministry of Culture before acquiring, in 2007, the status of an independent State Ministry. The Ministry is in charge of regulating the functioning of the medias in Jordan, namely the JRTV and the Jordanian press agency. The press office affiliated to the Ministry grants licences to Arab and foreign medias operating in the kingdom. 5 1 The Jordan EU twinning project in the telecommunications sector is part of the third support programme for the Association Agreement (Jordan-UE signed in 2009. In accordance with this programme, five twinning projects were implemented in the following areas: agriculture, telecommunications, conformity assessment and acceptance of industrial products, cadastral system and capacity building for the gendarmerie directorate. : http://ec.europa.eu/europeaid/where/neighbourhood/countrycooperation/jordan/jordan_fr.htm 2 Workshop on ―Digital Terrestrial Television and Optimal use of http://www.trc.gov.jo/index.php?option=com_content&task=view&id=2503&lang=english the Digital Dividend‖, TRC; 3 Summary of ―Digital Terrestrial Television and Optimal use of the Digital Dividend Workshop‖; http://www.trc.gov.jo/index.php?option=com_content&task=view&id=2509&lang=english 4 The Constitution of The Hashemite Kingdom of Jordan 1952,, http://www.wipo.int/wipolex/fr/text.jsp?file_id=227814 5 Jordan Media Monitor - JMM Euromed Audiovisual III 20 Film and audiovisual data collection project 3.2. Law on the press and publication Law No. 8 of 1998 on the press and publications determines the conditions of exercising freedom of the press and the status of journalists1. The impact of the « Arab Spring » of 2011 was felt in Jordan through the multiplication of articles and the electronic press, giving a feeling of greater freedom for the journalists. The freedom of expression was debated at a meeting on ―Modern Media and Future Challenges,‖ organized by the Amman Private University in June 2011.2 However, from the end of 2011, the Centre for Defending the Freedom of Journalists (CDFJ) expressed its concerns. The Centre for Defending the Freedom of Journalists published in September 2012 a report highlighting the increasing repression of journalists and cameramen by the police and Jordanian3 parliamentarians. And yet, in May 2013, Nidal Mansour, chairman of the CDJF, admitted that since the Arab Spring, the freedom of journalists had made progress 4. A report of the Jordan Press Association published in 2013 indicates that a large majority of the sector‘s professionals believe that they are working in a very free environment 5. However, the adoption in August 2012 by the government of a draft law reforming the 1998 law was denounced by the journalists and by Reporters without Borders as a threat to restrict the rights of the journalists6. One of the aspects questioned in particular is the obligation of web site editors to obtain a licence. In principle this law came into force in January 2013, but the editors refused to follow the procedure of obtaining a licence, which led to the blocking of 247 out of the 400 existing information sites by the director of the Press and Publication Department7. At the 62nd World Congress of the International Press Institute in Amman in May 2013, king Abdullah reaffirmed the importance of the professional and accountable medias in defining the future, by supporting the process of reforms. 8 3.3 Laws pertaining to the audiovisual sector 3.3.1 Law n°35 of 2000 Even though the Jordanian public television (JTV) started transmitting in 1968, it is only in 2000 that a public law was promulgated to regulate the radio and national television. 1 Law No. (8), for the Year 1998 Press and Publications Law: http://www.jpa.jo/english/JPALaw.aspx 2 Despite challenges, Jordan can excel in media field – Odwan‖, The Jordan Times, 6 June 2011 3 24 assaults against journalists registered over past four months – report », The Jordan Times, 17 September 2012 http://jordantimes.com/24-assaults-against-journalists-registered-over-past-four-months----report 4 Jordan‘s media gained from Arab Spring, but more is needed‖, The Jordan Times, 4 May 2013. 5 Jordanian media ―free‖- JPA survey‖, The Jordan Times, 24 June 2013. http://jordantimes.com/jordanian-media-free----jpasurvey 6 Dismay after Government approve repressive Media Bill‖, Reporters without Borders, 30 August 2012http://en.rsf.org/jordandismay-after-government-approves-30-08-2012.43300.html 7 Activists threaten escalatory measures against gov‘t decision‖, The Jordan Times, 8 June 2013, http://jordantimes.com/newswebsites-journalists-protest-against-govt-move-to-enforce-amended-press-lawhttp://jordantimes.com/activists-threatenescalatory-measures-against-govt-decision News websites‘ journalists protest against gov‘t move to enforce amended press law, The Jordan Times, 3 June 2013, http://jordantimes.com/news-websites-journalists-protest-against-govt-move-to-enforce-amended-press-law 8 ―King meets IPI Executive Director‖, News Release Media & Communication Directorate Royal Hashemite Court (Jordan), 23 May 2013, http://kingabdullah.jo/index.php/en US/news/view/id/10899/videoDisplay/1.html; ―Responsible media are partners in shaping Jordan‘s future—King‖, The Jordan Times, 23 May 2013, http://jordantimes.com/responsible-media-are-partners-in-shaping-jordans-future----king Euromed Audiovisual III 21 Film and audiovisual data collection project This law No. 35 of 20001 set up a public institution called « mu‘asassat al iza‘a wal television al-urdunnya » (Jordanian Institution for radio and television) which manages the country‘s public radio and television. According to article 3 of law 35 of the year 2000, the institution enjoys administrative and financial 2 independence. The same public institution is also regulated by law No. 71 of 2002. 3.3.2 Law No. 71 of 20023 Law No. 71 of 2002 which set up the Audiovisual Commission – AVC), regulates the audiovisual, both the public and the private sector in Jordan. 3.4 Censorship regime applicable to films and audiovisual works The censorship dept. of the Audiovisual Commission (AVC) (see below) is the body acting as censor in Jordan. The Dept. exercises a prior control over the films to be shown within the Hashemite kingdom. Censorship is regulated by regulation No. 63 of 2004 (Regulation for the control and approval of audiovisual works) promulgated in conformity with article 26 and para. c of article 32 of the audiovisual law No. 71 of 20024. According to article 4 of this Regulation, any work subjected to censorship must fall under the following prohibitions². - Causing prejudice to His Majesty the King and the royal family Infringing one of the monotheistic religions Not to include any seditious material or that which promotes racism, sectarianism or against the safety and security of the State. Not to include any sensational, pornographic material or that which promotes violence or criminality, deviation or abuse of public order and public morality. Article 10 of the same regulation gives the Commission‘s director general the right, if reasons are justifiable, to cancel the authorisation to show a work (whether it be a work produced locally or imported). The owner of the work is obliged to stop the projection as soon as he is aware of the facts and to export it within ten days. Furthermore, the Commission has the right to confiscate the work and to destroy it. There is very little information about the implementation of these measures. But there does not seem to be a major problem for national productions5. There is however, a censorship problem with the importation of Western films especially linked to 1 The Arabic text of law n°35 of 2000 can be found on : http://www.lob.gov.jo/ui/laws/search_no.jsp?no=35&year=2000 2 Olga Del Rio Sanchez, La mission de service public audiovisuel dans la région Maghreb/Machrek, Institut Panos Paris et Observatoire Méditerranéen de la Communication, mai 2012; (Olga Del Rio Sanchez, The audiovisual public service mission in the Maghreb/Machrek region, Institute Panos Paris and the Mediterranean Communication Observatory, May 2012) http://www.academia.edu/2134048/LA_MISSION_DE_SERVICE_PUBLIC_AUDIOVISUEL_DANS_LA_REGION_MAGHREB_M ASHREK 3 Provisional Law No. (71) for the year 2002, Audiovisual Media http://www.euromedaudiovisuel.net/Files/2010/03/26/1269563837472.pdf?1269563857670. The Arabic version of the law is accessible on the Petra Jordanian press agency http://www.petra.gov.jo/public/Arabic.aspx?Lang=1&Page_Id=1096&Menu_ID=35&Site_ID=2 Law: site) 4 The Arabic version of Regulation No. 63 of 2004 (Regulation for the control and approval of audiovisual works) promulgated in conformity with article 26 and para. c of article 32 of the audiovisual law No. 71 of 2002 is accessible on the Audiovisual Commission site) http:// www.avc.gov.jo/bylawrec.html 5 For example, the film team of Transit Cities, produced in 2010, recognizes that censorship has not been a big problem)« Homeward bound: Jordanian movie Transit Cities‖, Gulfnew;com, 16 December 2010, http://m.gulfnews.com/homeward-bound-jordanian-movie-transit-cities-1.730765 Euromed Audiovisual III 22 Film and audiovisual data collection project issues of representing nudity. Thus in 2006, « The Da Vinci Code » was forbidden in Jordan and in other Arab countries1 Dina Mansour wrote: « Surprisingly, as this is about a non-Moslem religion, the book and the film (The Da Vinci Code, Ron Howard, 2006 ) were immediately forbidden in the Arab and Moslem countries in the region – including in Egypt, Jordan, Syria, Iran and the Lebanon – because, as explained by the Secretary General of the Jordanian Council of Churches, Archbishop Hanna Nour, « (they ) infringe on the Christian and Moslem religious symbols and question what is written in the Gospels and the Koran on the person of Christ.‖ In fact, in the Arab and Moslem world, the question of religion is taboo. The Da Vinci Code, like many other foreign films and the films produced locally, represent the constant shock between art and culture which characterizes the Arab societies which are so deeply influenced by cultural and religious traditions2 ». At the beginning of June 2013, a feature film « Hamilton – In the Interest of the Nation », a Jordano-Swedish co-production, was shown on the occasion of the celebration of the Swedish national day at the Al Hussein Cultural Centre (HCC). Some scenes had been censored before the film was shown and this gave rise to a controversy and considerable reaction in Jordan. Furthermore, according to the Jordan Times, due to a last minute decision, some scenes were censored whilst the film was being shown triggering off debates on the freedom of expression and cultural sensitivities on the social medias. Justifying the elimination of these scenes before showing the film, the Director of the Centre, Abdul Hadi Raji Majali, declared to the Jordan Times : We discovered that the film included some scenes which are unsuitable for the general audience and where the nudity transgresses the rules of our centre‖. The executive producer of this Jordano-Swedish coproduction, Johan Mardell, expressed his thoughts on this potential censorship before the film was shown. Commenting on the historical and cultural differences between Europe and the Middle East, Mardell said « « violence could have been left un-censored because of the history of the region which has been marked by wars and conflicts, whereas some of the most intimate scenes can be censored3‖. 3.6 The Audiovisual Commission 4 The Audiovisual Commission (AVC) had been created by the audiovisual law (law No. 71 of 2002) so as to function as a regulation mechanism with a financial and administrative dependence status. 1 “Egypt, Lebanon and Jordan. Where http://www.resetdoc.org/story/00000000056 The Da Vinci Code Scares‖, ResetDoc, 17 November 2006, 2 Mansour, Dina. ―Egyptian Film Censorship: Safeguarding Society, Upholding Taboos‖. Alphaville: Journal of Film and Screen Media 4 (Winter 2012) ; http://www.alphavillejournal.com/Issue%204/HTML/ArticleMansour.html 4 Gaelle Sundelin, ―Censored Swedish movie stirs controversy‖, the Jordan Times, Jun 08,2013 http://jordantimes.com/censored-swedish-movie-stirs-controversy 3 Ibid. 4 http://www.avc.gov.jo Euromed Audiovisual III 23 Film and audiovisual data collection project The 2002 audiovisual law, article 3, is in direct contradiction with the status of this Jordanian authority, as, on the one hand, it enjoys financial and administrative independence, and on the other hand, it is linked both financially and administratively to the Ministry of Information 1 Article 4 defines the basic tasks which the authority must carry out : Examine requests for licences monitoring the functioning of operators holders of licences granting of licences for the different audiovisual equipment used in television broadcasting in coordination with the telecommunications regulation committee approval of the offices of correspondents of the radio and television stations by virtue of a special decree Nowhere does the article mention public medias inasfar as the prerogatives of the Authority refer only to the operators who hold licences (article 4). As for the power to grant licences, the Authority, through its director, sends its recommendations to the Minister of Information and informs him of the approval in principle or the rejection of the request. The Council of Ministers, on the basis of the Minister‘s recommendation, can then grant, renew or reject a licence request (article 16 ). In addition to the fact that the Council of Ministers has the last word concerning the granting of a licence, it can refuse granting a licence without having to explain its motivation or justifying its decision, and without the applicant being given the possibility of appealing against the decision. Article 18 is very clear and categorical on that topic: ―The Council of Ministers has the right to refuse a licence to anyone without having to explain the motivations for its decision ». According to article 6 of law 2002, the Jordanian regulation authority comprises a director and an executive unit. The director is nominated by the Council of Ministers at the recommendation of the Minister of Information. The Council of Ministers also determines the salaries and social benefits. The director is at the same time the president of the executive unit of the authority composed of employees and contractual staff. The law does not give any further details about the number of members to be nominated, the duration of their mandate, the required professional criteria and the circumstances under which the mandates may be terminated. The law article mentions only that, for the contractual staff, the nominations, salaries, promotions, rights and duties must be determined through the internal rules and regulations. Article 8 enumerates the duties of the director and clearly shows that in fact he plays an auxiliary role vis-à-vis the Minister of Information: « the director is responsible to the Minister for all the activities of the authority ». By virtue of the 2002 law, the authority‘s mandate is to examine the complaints submitted by a licence holder in the audiovisual domain against another person in the same domain, against the telecommunications sector or vice-versa; it is also its duty to adopt adequate procedures and to make appropriate decisions in this respect in coordination with the specialized authorities, excepting financial issues (article 8 para. K)2. By 03/09/2010, the Commission had granted 43 licences to private television channels, 42 of which were operational. In February 2013 the Commission gave us an updated directory which included 38 channels,(See section 5.1 The number of channels established in Jordan). 1 Olga Del Rio Sanchez, La mission de service public audiovisuel dans la région Maghreb/Machrek, Institut Panos Paris et Observatoire Méditerranéen de la Communication, op.cit. 2 Provisional Law No. (71) for the year 2002, Audiovisual Media Law, op.cit Euromed Audiovisual III 24 Film and audiovisual data collection project 3.6.1 Recommendation of June 2013 On 5 June 2013, the Jordanian Parliament voted a recommendation of the Parliamentary Administrative Committee to abolish the Department for Press and Publications and Audiovisual Commission to merge them into one organism entitled « Medias Organism ». This organism will be founded after the ratification of the draft law on the restructuring of the institutions and governmental constituencies. The interventions of the parliamentarians supported the idea of a merger and the establishment of a Medias Organism regrouping the two institutions. This resolution was made two days after the decision of the Dept. of Publication and the Press to block 292 internet sites which had not obtained a licence. Until August 2013, the Jordanian Parliament site published online all the Jordanian laws promulgated and enforced but did not include the law pertaining to the merger of the two media institutions.1 1 http://www.lob.gov.jo/ui/laws/listall.jsp consulted on 28/08/2013 Euromed Audiovisual III 25 Film and audiovisual data collection project 4. DISTRIBUTION MODALITIES OF AUDIOVISUAL SERVICES In Jordan, television services are provided on the basis of different modalities: analog television without subscription in the decimetric waves bands (UHF), cable and Hertzian television without licence, multipoint video distribution system (MVDS) and direct-to-home satellite service (DTH). The main digital television services are provided through satellite operators and video-digital radio broadcasting operators using a satellite multipoint video distribution system (DVB-MS). 4.1 Number of households and number of TV households The number of households in 2011 is estimated at 1,157.21. AGB STAT IPSOS, organism responsible for the audience counting in Jordan, defines the numbers as amounting to 4 017 000 TV households in 2012, and those receiving cable/satellite as amounting to 3 941 882. The rate of television penetration via cable and satellite is thought to be 98.1%2. It should be pointed out that the Statistics Dept. indicates that the rate of Jordanian families possessing a TV set is estimated at 98.9% and the rate with a satellite receiver at 96.9%3. No. of households & TV households (000s) 2009-2015 GAGR (09-11) GAGR (11-15) 2009 2010 2011 2012 2013 2014 2015 No. 0f households 1,106 1,151 1,191 1,226 1,259 1,293 1,328 3.8% 3.1% No. of TV households 1,046 1,088 1,129 1,168 1,206 1,243 1,279 3.9% 3.2% Source: Informa cited in Arab Media Outlook 2011-2015 4.2 Terrestrial Broadcasting 4.2.1 Terrestrial analog television In 2001 and due to considerable losses (over 5 million dinars), Jordan merged these two terrestrial radio broadcasting services, Jordan 1 and 2, into its satellite channel (Jordan Space Channel)4 At present Jordan has a terrestrial television channel which is also transmitted directly to individuals (DTH) via satellite5. 4.2.2 Terrestrial digital television (TDT) By signing the Geneva convention in 2006, Jordan pledged to migrate to TDT in 2015. The conference for launching the twinning with the European Union and the Telecommunications Regulatory Commission of Jordan (TRC) was inaugurated in Amman on the 15th January 2012. 1 Statistics Dept.), Selected Indicators 2011; http://www.dos.gov.jo/dos_home_a/main/jorfig/2011/1.pdf 2 Eurodata TV Worldwide - One Television Year in the World 2013 issue Ipsos MediaCT 3 Statistics Dept. Selected Indicators 2011, op.cit. 4 Jordan drops Terrestrial channels‖, Satellite Today.com, January 17,2001 http://www.satellitetoday.com/st/feature/16152.html 5 ITC Adoption and prospects: the big picture of the Arab region 2012, op.cit. Euromed Audiovisual III 26 Film and audiovisual data collection project The TRC requested an institutional twinning financed by the European Commission. This twinning aims to guide the transition to an all digital TV transmission in Jordan scheduled for 2015, to manage the distribution of the digital dividend, to oversee and promote the development of new generation networks and to set up a suitable regulatory framework 1 Jordan planned to transit to the digital in two phases. The first phase concerns the main television radiobraodcasting station (11 towns), and it started at the beginning of 2012 and should be completed by the end of the year. The second phase concerns rural and isolated areas and will be implemented between 2013 and 2015. At the end of the first stage, there will be an overlappoing period of one year between the analogue and the digital system, to enable the final users to adapt their receivers. Jordan Radio and Television which is responsible for overseeing the smooth transition, was allocated a budget for this purpose for 2012 and 20132. . TVIP is operational in Jordan thanks to Orange Jordan which is the only provider of the country‘s TVIP services. Orange Jordan started commercializing its TVIP and video services upon demand during the last quarter of 2008 and is the only provider of 3G mobile television services in Jordan3. 4.3 Cable Television There is only one cable operator in Jordan, the Jordanian company for cable television and Internet obtained its licence from the committee responsible for the telecommunications sector. 4.4 Satellite Television Like all the south Mediterranean and Arab cities, Jordanian towns are studded with satellite dishes and practically each urban household has its own satellite dish which provides over 900 free channels. The satellite is the most wide spread means of transmission, the most effective and the most preferred by Jordanian households. According to the data published by the European operator Eutelsat in 2010, Jordan has 1 028 000 TV households, 1 002 000 of which are equipped for satellite4 reception, i.e. 97,4 % of equipped TV households. The European satellite operator Eutelsat ensures the transmission of almost the totality of Jordanian channels. In 2012 Eutelsat announced: 340.000 Jordanian households were receiving the transmission of HotbirdTM signals, and the same number of Jordanian households are likely to receive the (DTH/SMATV) satellite signals. As for reception via Atlantic Bird TM 4 A, Eutelsat specified that it amounts to a figure of 944.000. The Egyptian Nilesat satellite and the Arab Arabsat satellite ensure transmission of Jordanian channels to cover the Arab world. Jordan uses Hot Bird to transmit to Europe and Telestar to transmit to North America. 1 On 15th January 2012, the twinning launching conference was opened in Amman by Mr. Basem Rousan, the Jordanian Minister of Information & Technologies. Amongst the participants were the representatives of TRC, its president Mr. Mohammad Al-Taani, representatives of partner institutions, the representative of the European Union and the French ambassador to Jordan. The twinning associates the TRC and counterpart French, Italian and Spanish administrations. For France, are included in the project the National Frequency Agency, the ―Autorité de régulation des communications électroniques et de postes (ARCEP = Electronic Communications and postal regulatory authority), the French Network and Information Security Agency and the Higher Audiovisual Council. The French twinning offer, steered by the General Directorate for competitiveness, th industry and services, was accepted by the Jordanian government on 16 December 2010. The twinning contract of twenty one months, came into force in October 2011. See: ―Twinning with the Jordanian regulator‖, Letter of the Audiovisual Higher Counc il, No. 257, February 2012, p.13.‖ 2 Switch from analogue to digital television : the big picture in the Arab region, ITU News, op.cit 3 Ibid 4 EUTELSAT, Cable and Satellite TV Survey 2010; http://www.eutelsat.com/products/pdf/cable-satellite-survey-2010.pdf Euromed Audiovisual III 27 Film and audiovisual data collection project 4.5 Internet Television As in the rest of the world, the reception of live channels on the internet (fixed line or mobile) is possible in Jordan. The channels available are listed on web sites such as Global Internet TV1, IPTV Guide2 or Lyngsat Stream3 The following table shows the channels available online. Jordan TV 7 Stars TV Fact International (Al-Hakika) Roya TV Art Media TV Shada TV Karameesh TV Sources : Lyngsat: http://www.lyngsat-stream.com/tvcountry/Jordan ; media.com/tvjordan.php Toyor Al Jannah http://www.global-itv.com/itv.com et http://www.arabe- The web-TV channels can also be received through the aggregator services which insert the signal into their own player. A web-TV channel aggregator like Livestation lists, for example, 14 information channels in Arabic (including Al Jazeera, BBC, France 24, Euronews, RT, CNBC, Deutsche Welle, Sky News)4. The Arab Media5 site proposes streaming the channels of the different Arab countries, including four Jordanian channels: Toyor Al Jannah, Karameesh TV, Roya TV et Jordan TV. 4.5.1 Applications for smartphones and tablets Television channel signals can also be received for reading on a PC or tablet via applications available in the « Application stores » such as iTunes Stores (Apple), Google Play Store (Google), Amazon Appstore for Android (Amazon). As for the Google Play Store (formerly « Android Store »), Jordan is one of those countries where free 6 applications and payable7 applications can be distributed. 1 http://www.global-itv.com/ 2 http://www.iptv-guide.com/cbc/jor.htm 3 http://www.lyngsat-stream.com/ 4 http://www.livestation.com/en/wsj# 5 http://www.arabe-media.com 6 http://support.google.com/googleplay/android-developer/answer/138294?hl=en 7 http://support.google.com/googleplay/android-developer/answer/143779?hl=en Euromed Audiovisual III 28 Film and audiovisual data collection project 5. JORDANIAN TELEVISUAL LANDSCAPE 5.1 Number of channels established in Jordan The number of channels which obtained licences from the Audiovisual Commission up to 14/03/2013 amounts to 38 satellite channels and one terrestrial channel. The AVC lists the satellite channels established in Jordan (according to the transmission system)1. The following list has 12 satellite channels which obtained licences from the AVC and transmit via (Playout Equipments). Licence date Transmitter Name of company Name of owner 1 Seven Stars 03/06/2006 Arabesco for industry & commerce Kassem Rashid 2 Al Hakika 10/10/2006 Al Hakaek company Mohamed El Hashemy 3 Melody Aflam 27/03/2007 Jordanian Radiotelevision company Moetassem Haddaden 4 Al-Thakhafia Al-Ordoniya 12/06/2012 Royal Cultural Centre Royal Cultural Centre 5 Al Babeleya 10/07/2007 Al Babeleya production and televisual distribution company Sadek Motlak 6 Aghanena 18/09/2007 Aghanena Media Company Karam Rassam 7 Oyoun El Watan 15/04/2008 Jeddah Al Jadida Media company Omar El Amoudy 8 Live 15/04/2008 Port Col (BC) Ink. Jordanie Jean-Claude Rizk 9 FM 17/06/2008 Port Col (BC) Ink. Jordan Jean-Claude Rizk 10 Aoutan 13/05/2008 Aoutan Media company Abel-Rahman El Oumi 11 Ahl El Koran 12/10/2010 El Hoda for the medias Abdallah Basfar 12 BM Irak 31/07/2012 Bark El Mass for the medias Ammar El Aly The following table shows 7 channels which obtained licences and transmit through fiber optics. Distributor License date Company name Name of owner 1 Nourmina 03/06/2006 Nourmina for the medias Thaer El Erian/ Ahmed El Rakybat 2 Roya TV 10/10/2006 Watan for satellite transmission Michel Sayegh 3 Daleel TV 23/03/2010 Daleel satellite company Abdel Rahman El-Naseyan 4 JOSAT 03/03/2009 International Transmission for Media Services Company.of Jordanian Professionals for investment 5 Seha TV 23/06/2009 Dar Ema'a for medias Abdel Mohsen Aldriss 6 Al Tagheir 10/05/2011 Al Daher for the audiovisual Sheikh Tarek Al Abdullah 7 Ca TV 03/01/2012 Zung jing international media/Jordan Lee Chung Kay 1 These lists were given us by the director general of AVC, Mr. Rasmy Mahassenah during our data collection mission in Jordan in January 2013. Euromed Audiovisual III 29 Film and audiovisual data collection project This third list enumerates the channels which transmit directly from their studios. Transmitter Date licence Name of company 1 Shada 07/03/2007 2 Télévision Baghdad 27/02/2007 Noun Commerce & Services Ayham Mahmoud/ Ahmed Abou Safeya 3 Hala TV 31/07/2012 Trodos for Production & Distribution Hegaz Investment/ Solameco LTD/ Moetassem Bassam/ Ateya haddadeen/ Saba El faks Al-Majd satellite channel Name of owner Fahd El Shamemry The table below gives the names of channels which obtained licences from the AVC but which have not yet started transmitting. Transmitter Date licence Name of company Name of owner 1 ATV 21/12/2004 Al-Ordoniyah LTD for audiovisual transmission Agaeb Investmen Co/Arab Centre Co. 2 ANB 04/04/2012 Arab Information Co. General Mediterranean Jordan for Investment The following table enumerates the channels with licences which transmit from the JordanoSaudi Company in Amman. The channels Al Barea'a and Al Ordon Al Youm obtained their licences but are not yet transmitting, as specified in the AVC list. Transmitter Date licence Name of company Name of owner 1 Alathar 22/12/2009 Sabhat El baraka for satellite diffusion Sadek Mohamed Al Ghazali 2 Al Haqiqa 26/07/2011 Al Haqiqa International for studies & Media Zakareya El Sheikh 3 Keef 26/07/2011 Keef TV for satellite diffusion Abdel Rahman Sultan 4 Nasaem 26/07/2011 Nassaem for satellite diffusion Mansour Karaoui 5 Al Kassim 27/07/2010 6 Al Barea'a 21/06/2011 7 Al Ordon Al Youm 23/08/2011 Euromed Audiovisual III Al Kassim for satellite diffusion Al Barea'a for satellite diffusion Ein for satellite diffusion Fahd Al Arini Abdullah Al Jahni Mohamed Al Ajlouni 30 Film and audiovisual data collection project The two satellite channels which obtained their licences from AVC but which transmit from outside Jordan are listed in the following table: Transmitter Date licence Name of company Name of owner 1 Noor 09/10/2007 Noor TV for satellite diffusion Abdel Rahman Al Nasseyan 2 Al Iqtessadeya 30/06/2009 Al Iqtessadeya for satellite diffusion Badr Al Azl Finally the AVC lists classifying the ATV Jordanian channel as a channel which obtained its licence in 2004 but so far has not started transmitting. 1 Transmitter Licence date Name of company ATV 21/12/2004 Al Ordoneya LTD for television diffusion Name of owner Agaeb for Investment/ Arab Center for audiovisual services 5.1.1 Another list of Jordanian channels The Lyngsat site proposed a list of Jordanian channels including channels which are not on the list given us by AVC. For the sake of transparency and diversification of sources, we hereby give the list below elaborated by Lyngsat. Euromed Audiovisual III 31 Film and audiovisual data collection project Name of channel Satellites web site Streaming Concept 1 Aghanina TV Eutelsat 7 West A http://www.aghanina.tv n.a Musical varieties 2 Al Arrab TV n.a http://www.alarrabtv.com n.a teleshopphing 3 Al DiyarSat TV Express AM22 / Eutelsat 7 West A http://www.aldiyarsat.net n.a News/Iraqi channel 4 Al Haqiqa TV Badr 4/Eutelsat Hot Bird 13B /Nilesat 102 (ADD) n.a n.a News 5 Al Haqeeqah Al Dawliyah n.a http://www.factjo.com n.a News 6 Al Senaaea n.a http://www.tviic.com n.a Industrial 7 Al Taghier Eutelsat 7 West A http://www.altaghier.tv LyngSat Stream News/ Iraqi channel 8 Al Yarmouk TV Eutelsat 7 West A [email protected] n.a n.a 9 Al-Mergab TV Nilesat 201 http://www.mergab.com n.a Current affairs 10 Al-Mergab TV 2 Eutelsat 7 West A http://www.mergab.com n.a Current affairs 11 Arab Motors TV Badr 6 http://www.arabmotors.tv n.a Adverts 12 ART Media Eutelsat 7 West A http://artmedia-tv.com LyngSat Stream Adverts 13 Deretna TV n.a http://www.deretna.net n.a Generalist 14 Farashah TV n.a http://farashah.net n.a Women 15 Ghinwa TV Musical Channel Nilesat 102 http://www.ghinwa.tv n.a Musical varieties 16 Hawa Jordan Eutelsat 7 West A http://www.hawajordan.net http://www.hawajordan.net/ News 17 Iraq Economic Eutelsat 7 West A n.a n.a Economic 18 JBC TV Eutelsat 3C /Eutelsat 7 West A http://www.jbctv.tv n.a n.a Euromed Audiovisual III 32 Film and audiovisual data collection project 19 Jordan TV (Al Ordoniyah) Badr 4/Eutelsat Hot Bird 13B /Nilesat 102 (ADD) / Galaxy 19 http://www.jrtv.jo LyngSat Stream Generalist 20 JOSAT Eutelsat 7 West A n.a n.a Generalist 21 Karameesh Eutelsat 7 West A http://www.karameesh.jo http://www.karameesh.jo/tv.php?pageid=6 Children 22 Karamesh Plus Eutelsat 25C/ Eutelsat 21B http://www.karameesh.jo http://www.karameesh.jo/tv.php?pageid=6 Children 23 Mersal TV Nilesat 102 http://www.mersaltv.com/ n.a Sms NART TV - National Adiga 24 Television Eutelsat 25C /Eutelsat 7 West A http://www.narttv.tv n.a Circassian culture 25 Nourmina TV n.a http://www.nourminatv.com n.a Generalist 26 Roya Eutelsat 7 West A http://www.roya.tv/ LyngSat Stream Generalist 27 Semsem TV Kids Channel Nilesat 201 http://www.semsem.tv http://www.ustream.tv/ Children 28 7 Stars TV Nilesat 102 (ADD) http://www.7stars.tv LyngSat Stream Culture 29 Shada TV Eutelsat 8 West A http://www.shadatv.tv LyngSat Stream News 30 Shehan TV Eutelsat 7 West A n.a n.a Generalist 31 Shefaa TV Badr 4 http://www.shefaa.net n.a Religious 32 Toyor Al-Janah Eutelsat 7 West A http://www.toyoraljanah.com n.a Children 33 Toyor Al-Janah 2 n.a http://www.toyoraljanah.com n.a Children 34 Zweina Baladna n.a n.a n.a n.a Source: http://www.lyngsat-address.com/tv/Jordan.html Euromed Audiovisual III 33 Film and audiovisual data collection project 5.2 Main Jordanian Channels 5.2.1 Jordan Radio and Television Corporation (JRTV) 1 The Jordanian institution for radio and television JRTV is a public institution called: ―mu‘asassat al iza‘a wal television al-urdunnya » which manages the country‘s public television and radio. It was founded in 1985 after the merger of the Jordan Radio company and the national Jordan Television. In 1969 the Jordanian television was admitted into the European Broadcasting Union (EBU). The Jordanian radiotelevision operates three television channels and four radio stations using frequency modulation transmission to cover the whole territory. Historical background2 The beginnings go back to September 1948 when the Jerusalem radio stations started transmitting. The first radio transmission was that of the Hashemite Jordanian radio of Jerusalem. Since the unification of the territories on the two shores of the Jordan, and more precisely on 24 April 1950, the radio bears the same name as today: the radio of the Hashemite Kingdom of Jordan. In October 1956, King Hussein inaugurated the second station transmitting from Amman. On 11 July 1966, the first stone of Jordanian television was laid and transmission started with four hours per day and increased gradually to last the whole day .In 1972, Jordanian television was one of the first in the region to have a second channel which basically transmitted programmes in English and in French, with a specific edition of the news broadcast in both of these languages. JRT is the first Arab television to have adopted the system of colour transmission when it had six studios in 1974. In 1985 Jordan Radio and the national Jordan Television merged to constitute the present corporation (Jordan Radio and Television Corporation). A new building with radio studios and a number of television studios was built in 1997. JRTC transmits three television channels: two terrestrial channels (JTV 1 and JTV 2) and the Al Ordoniyah satellite television channels, launched in 1993. The Jordanian TV series are still considered as quality audiovisual productions and they started with the creation of the Jordanian TV which provided them with the necessary televisual space for their propagation. 1 http://jrtv.gov.jo/ 2 http://images.jordan.gov.jo/wps/wcm/connect/gov/$$!!941/$$!!946/$$!!1063/$$!!894/ Euromed Audiovisual III 34 Film and audiovisual data collection project 5.2.1.1 JTV The Council of Ministers is empowered to decide on any internal regulation pertaining to the financial and administrative management of the national television – Jordan TV1. JTV is steered by a board of directors comprising nine members who are all nominated by the Council of Ministers. The president of this board can be one of the Ministers, and is nominated by the Council of Ministers, at the suggestion of the Ministers and submitted for approval by the King. (article 6 of law n°35 of 2000). The mandate of this president may be revoked through a decision of the Council of Ministers at the recommendations of the ministers. According to Olga Del Rio Sanchez, all these measures and other connected provisions make the JTV institution dependent on the Government and furthermore the process of recruitment and management of human resources is not in line with the demands of transparency and equity2. The Panos Paris3 Institute emphasizes that the operating budget of the national channel depends to the tune of 70% on the public budget determined by the Government and approved by Parliament, and this corresponds on average to an annual amount of 18 million JOD. Furthermore, the channel on average mobilizes 6 million through publicity and sponsoring. In line with the analysis made by the Institute, the journalistic content and the technical quality of the programmes leaves a lot to be desired, and according to the staff members, the present budget is only just enough to cover the operating costs and does not make it possible to offer competitive salaries in order to retain qualified staff. The teams of researchers engaged on the detailed analysis project for the effective implementation project coordinated by the consortium constituted by the Institute of Panos Paris (France) and the Mediterranean Communication Observatory (Spain) with the financial support of Irish Aid, the Catalan Agency for Development Cooperation and the Open Society Institute, have made the following recommendations4 for Jordan: 1. The independence of the national channel should be guaranteed by a new law which ensures that the members of the board of directors are proposed by civil society organisations and that the director be elected by the board of directors. Furthermore, the recruitment of the personnel should follow a transparent procedure and be open to all Jordanian citizens. 2. Each Jordanian household pays one Dinar in tax in addition to the electricity bill and the government determines the amount of the public budget which it allocates to 1 Olga Del Rio Sanchez, La mission de service public audiovisuel dans la région Maghreb/Machrek, op.cit. (The mission of the audiovisual public service in the Maghreb/Machrek region,op.cit.) 2 Ibid. 3 As stated by the Panos Paris Institute: » The NGO and activists for many years now have been mobilizing to demand more freedom of expression and more media pluralism in the Arab countries. As in most cases these claims did not yield any concrete result, the PANOS Paris Institute and the civil society partners in eight Arab countries decided to adopt a more pragmatic approach so as to demonstrate why and how the national audiovisual medias were not carrying out a public service mission‖. See: ―Civil society is mobilizing for a veritable audiovisual public service mission‖, PSB Newsletter, No. 11, Panos Paris-Omec, June 2011, http://www.panosparis.org/IMG/pdf/PSB_newsletter_JUIN_2011_FR.pdf 4 Ibid Euromed Audiovisual III 35 Film and audiovisual data collection project television. National television should be able to collect the audiovisual licence fees itself and raise funds through publicity, patronage and financed programmes (at 30% maximum) so as to guarantee the independence of its functioning and production. 3. Even if all the above suggestions were to be implemented through new legal provisions, national television would inevitably have to completely restructure its personnel. The channel at present employs approx. 1500 persons but has no qualified staff which is necessary to produce quality programmes and this is the consequence of decades of governmental control and the recruitment process based on favouritism. It will be necessary to set up a training strategy for the technical personnel and compensation measures could be used to negotiate departures. ―Media Use in the Middle East, An Eight-Nation Survey‖1 stresses that television constitutes the most popular and reliable media for news broadcasts and information for Jordanian adults and Jordan TV has a high audience rating. 96% of the persons questioned in the kingdom confirmed that television is the most important source for news and latest news. The study indicates that out of a total of 1250 Jordanians interviewed, Al Jazeera is the main source of television information, with 62%, followed by Jordan TV with 48%, followed by the other channels: Al Arabiya : 29%, Al Haqiqa Al Dawliya : 26% and Noor Al Ordon : 23%. The high rate of 48% given by the Jordanians for Jordan TV as revealed by the « Media Use in the Middle East » survey is evidence of the confidence which Jordanian have in their local television. Within the same context, the Minister of State for Information and Communication, Mohammad Momani, stressed the important role played by the State media and their high level of professionalism whilst at the same time appealing for the development of their performance2, during a meeting with the Director General of JRTV, Ramadan Rawashdeh and the employees of the Jordanian radio television public service on 25 August 2013. 5.2.1.2 Al Ordoniyah Basically extracting its content from the Jordanian public channels, JTV 1 and JTV 2, Al Ordoniyah is the satellite channel of the Jordanian public radio broadcasting service (Jordan Radio and Television Corporation). Like most of the Arab public satellite channels, Al Ordoniyah re-diffuses the programmes of the public channels. As a general channel, the mission of Al Ordoniyah is to connect Jordanian citizens abroad with the culture and the daily life of their country. Its programming includes entertainment programmes, Jordanian and Arab televised series as well as debates and information bulletins. 1 Media Use in the Middle East: An Eight-Nation Survey, Northwestern University in Qatar, Harris Interactive, 24 April 2013; http://fr.scribd.com/doc/137906439/Media-Use-in-the-Middle-East-An-Eight-Nation-Survey-NU-Q/ces Eight-Nation-SurveyUniversity in Qatar – Harris Interactive, 24 April 2013; http://fr.scribd.com/doc/137906439/Media-Use-in-ttion-Survey-NU-Q 2 ―Momani highlights ‗important role‘ of state media‖, The Jordan Times, Aug 25, 2013; http://jordantimes.com/momanihighlights-important-role-of-state-media Euromed Audiovisual III 36 Film and audiovisual data collection project Even though the language used is Arabic, the channel transmits some programmes in English and in French. An info flash is transmitted daily in these two languages. 5.2.2 JO SAT Belonging to the international transmission Company for audiovisual services, as registered with the Audiovisual Commission, Josat is a private satellite channel. It obtained its licence as a general channel in March 2009. The channel is known for its often stormy political debates and the numerous transmissions stopped by the Jordanian authorities. On the Thursday evening, 5th July 2012, during a political debate on the Josat TV private television channel, the discussion turned nasty and one of the guests, the MP Mohamed Al Shawabkeh, brandished a pistol towards his adversary, the former opposition Parliamentarian Mansour Eddine Mourad who accused him of being a spy for the Syrian government1. In August of the same year, the channel‘s transmission was suspended for three weeks « In the morning of 28 July 2012, the channel‘s transmission was stopped without any prior notification »2, declared the presenter Rula Al Hroub to the press. According to numerous observers, the channel transmission was cut off because of the last edition of the talk show ―talking to the point‖ (Kalam fi al Samim) animated by Rula Al Hroub who had invited to the podium four opposition figures in order to debate political reforms and the law on elections. The opposition figure and ex-MP Ghazi Abou Gneib Al Fayez had expressed several criticisms about the king3. The Audiovisual Commission was blamed by the press for the channel being suspended. Refuting the press accusations, the Director General of the Audiovisual Commission, Amjad Qadi, denied all involvement of the Commission in the suspension of the Josat transmission, declaring ―we had nothing to do with this decision. The accusations are groundless and the owner of the chain is aware of this‖, adding that ―the decision had been made by the Saudi Media City―4. The Amman Criminal Court had to judge the case and make a decision as the Josat channel had been accused during the trail by the Commission of incitement against the regime and infringing the dignity of the King and the status of an official institution, in addition to violating article 22 of the audiovisual law. At the end of November 2012, the Director General of the Audiovisual Commission, Amjad Qadi and Maen Anaswah, an employee of the commission, testified at the Amman Criminal Court in the trial of the Josat satellite channel. 1 http://www.jeuneafrique.com/Article/ARTJAWEB20120706181844/. A video of the scene translated into English by MEMRI TV Videos is accessible on Youtube on : http://www.youtube.com/watch?v=ryBzU5rUwZE. See also: ―Deputy may face charges after drawing gun in on-air brawl‖, The Jordan Times, 17 July 2012, http://jordantimes.com/deputy-may-face-charges-after-drawing-gun-in-on-air-brawl 2 http://www.assabeel.net/local-news/local/100275 3 on the same subject, see also : http://arabic.arabianbusiness.com/business/media-marketing/2012/jul/28/256387/#.UexNSKxvj_Q 4 Hani Hazaimeh, ―Audiovisual Commission ‗had no hand‘ in Josat suspension‖, The Jordan Times, Jul 29, 2012 http://jordantimes.com/audiovisual-commission-had-no-hand-in-josat-suspension Euromed Audiovisual III 37 Film and audiovisual data collection project During the session, Josat contested the government‘s accusations, affirming that the Commission had suspended the channel‘s transmission after the transmission of the political talk-show on local affairs1. In January 2012, the hearings continued and the Anti-Corruption Commission accused the channel of financial violations causing losses of approx. 60 million JOD for the shareholders 2. Within the same context, and despite the parliamentary immunity granted to the newly elected MP Rula Al Hroub, the Amman Criminal Court decided, at the end of January 2013, to continue with the trial started by the Audiovisual Commission against Josat and the presenter‘s programme, in view of the fact that the trial was started before the election of the MP to the 17th Lower Chamber. Citing article 86 of the Constitution, the Court decided that, ―as the trial had been started against Hroub on 25 July 2012, before her name was published in the Official Gazette as an MP on 29 January 2013, her immunity had no effect on the trial―3. Less than a month after this decision, the Criminal Court decided to suspend the trial started against the Josat satellite chain because of the programme of the presenter Rula Hroub4. The case continued. In March 2013, the Amman Court of Appeal rejected the request submitted by Rateb Tarawney, Rula Hroub‘s lawyer, contesting the decision of the Criminal Court which refused to suspend the legal procedures against his client after her election as an MP5. It should be pointed out that, despite the fact that the trial went on Josat started re-transmitting three weeks after its suspension, from outside Jordan, by transmitting through the NileSat orbit, frequency 10815 and polarisation 274856. 1 ―Two new witnesses testify in Josat hearing‖, The Jordan Times, Nov 28, 2012, http://jordantimes.com/two-new-witnessestestify-in-josat-hearing 2 Court hearings in Josat, Amwal and Kurdi cases continue, The Jordan Times, Jan 27, 2013, http://jordantimes.com/courthearings-in-josat-amwal-and-kurdi-cases-continue 3 Khaled Neimat, ‗‘MP's trial to go forward despite immunity‘‘, The Jordan Times, Feb 06, 2013, http://jordantimes.com/mps-trial-to-go-forward-despite-immunity 4 Court freezes proceedings in case against Hroub, The Jordan Times , Feb 19, 2013, http://jordantimes.com/court-freezesproceedings-in-case-against-hroub 5 Court rejects plea against continuing MP‘s trial, The Jordan Times, Mar 07, 2013 http://jordantimes.com/court-rejects-plea-against-continuing-mps-trial 6 ―Josat revient de nouveau―, ( Josat back again ) Jordan http://jordannewsagency.wordpress.com/2012/08/17/ الفضائية-جوسات-قناة-جديد-من-تعود-«جوسات Euromed Audiovisual III news agency, 17/08/2012, 38 Film and audiovisual data collection project 5.2.3 Ro’ya TV1 Established in Amman and launched on 01/01/2011, Roya TV is a private satellite chain belonging to the media group « Sayegh Group » owner of the channel « Decision-makers » transmitting from Dubai. The aim of creating the channel was the elaboration of a new media vision with a high level of professional performances so as to respond to the expectations and aspirations of the Arab and Jordanian TV viewers inside and outside the region. The channel proposes a range of cultural, topical and entertainment programmes. The colour of the channel‘s logo defines the category of the transmitted programmes: blue for topical subjects, green for sport and orange for children‘s programmes etc. The channel‘s internet site is one of the most efficient and most updated amongst the multiple sites of televised channels in the region. Roya TV offers all the categories of its programmes on line, and the transmission is available on live streaming2. Home page of web site of Roya TV ; http://www.roya.tv/ 1 http://www.roya.tv/ 2 http://www.roya.tv/Home.aspx?BlocksPage=Roya_Livestream Euromed Audiovisual III 39 Film and audiovisual data collection project 5.3 Jordan Media City (JMC)1 Jordan Media City (JMC), one of the oldest media cities in the Middle East, was founded in 2001 as the first private media city in the region in order to provide for the industry of regional and international medias a media platform using the latest technologies. There are two names for Jordan Media City. It is also known as the Jordan-Saudi Media City for the following reason. Jordan Media City is a private company which was set up after an agreement between the government of the Hashemite Kingdom of Jordan and the Dallah Production Company2. The capital invested for the creation of Jordan Media City is estimated at 10 millions JOD (15.8 MEUR). However, in February 2013, the Jordanian site allofjo.net (Kol alordon) announced that the Jordanian government had approved the contribution of a strategic partner in the city amounting to 75% ; thus increasing the company‘s capital to reach a figure of 15 millions JOD (16 MEUR)3. Without specifying a date, the same source indicates that the government had sold the city to the Dallah Saudi Company for a sum of 4 million JOD. We cannot confirm or infirm this information in view of the absence of other sources for this item of information. JMC awarded a contract of several million USD in order to provide the equipment and software necessary for the implementation of 90 channels (playout) and 100 channels (back-hauled) plus a system of archiving and software applications for running the system. The video art servers provide an ideal platform for transmission quite independently of the format. The multiple services offered by JMC ensure, amongst other things, access to the central storage system archiving the contents of the channels. Arab Sat, Nile Sat, Yah Sat, HotBird & Asia Sat/TV & Radio Satellite Broadcasting. Satellite capacity Leasing. Solutions Téléport Turnaround TV, Radio & EPG services. Satellite to Fiber Add-Hook, Fiber to Satellite Add-Hook services. Connexion globale SD/HD Satellite, Fibre or Internet. Téléport 24/7 & MCR Add insert & services de différé (time-shifted) Furthermore, JMC now provides new services for all the channels linked to JMC Teleport. These services are as follows: ˗ ˗ 1 Technical monitoring and instantaneous reporting for the transmitting channel Electronic Programme Guide Service (EPG) for each channel http://www.jordanmediacity.com/en/ 2 Dallah Production Compagny est un groupe d‘investissement de renommée appartenant au milliardaire et magnat des médias saoudien, Cheikh Saleh Kamel, également propriétaire du bouquet ART.(Dallah Production Company is a well known investment group belonging to the millionaire and magnate of the Saudi medias, Cheikh Saleh Kamel, also owner of the « bouquet ART ») 3 ‗‘La cité médiatique et « un nouveau souhait‘‘, (« The Media City » and « a new hope ») www.allofjo.net, 04.02.2013 ; http://www.allofjo.net/index.php?page=article&id=42856 Euromed Audiovisual III 40 Film and audiovisual data collection project It should be pointed out that on 1st June 2013, JMC signed a contract with the Arab Satellite Telecommunications Organisation (Arabsat) for the transmission of 6 high definition channels (HD) from the date of the signing of the contract1. Jordan Media City (JMC) is a member of the World Teleport Association (WTA)2. 5.4 Arab Telemedia Group Producer of televized content and teleseries disseminated on the most important screens of the Arab radiotransmitter, the Arab Telemedia Group is the first Arab producer to have been awarded the Emmy Award for its Al Itijah (2008) televised series. The group‘s archives preserve over 5000 hours of Jordanian and Arab teleseries. The group is the first Arab producer awarded the International Emmy Award for the socio-political series Al Ijtiyah (2008)3. The Arab Telemedia Group intends to launch two satellite channels before the end of this year. The 26 years of experience in the production of Jordanian televized series are behind the launching of these two satellite channels, the first of which will be devoted to entertainment and the second to topical matters and news. « We are working so as to position ourselves amongst the five great Arab Satellite radiotransmitters »stressed Talal Awamleh, owner and Managing Director of the AT4 group. 1 Ibid. 2 Depuis 1985, l'Association de Téléport Mondiale (WTA) a été la seule association commerciale qui se concentre sur les activités de communications satellites. Ses membres sont les opérateurs les plus novateurs du monde des téléports, des indépendants aux multinationales, des prestataires de services de niche aux transporteurs hybrides mondiaux. (Since 1985, the World Teleport Association (WTA) has been the only commercial association which concentrated on satellite communication activities. Its members are the most innovative operators of the teleports world, independent and multinational operators, niche services providers and world hybrid transporters. See: http://www.worldteleport.org/ 3 http://www.arabtelemedia.net/about/about.php 4 Ibid Euromed Audiovisual III 41 Film and audiovisual data collection project 6. AUDIENCE RATING OF TELEVISION CHANNELS In order to determine the audience of channels, the TNS company used the old method of the listening log1. 6.1 Characteristics of 2011 panel Terrestrial analog Transition : No Based on Period: Distribution TV (% individuals): Total individuals 15+ 16June- 12 July 2011 Cable & satellite: 99.7% Sun-Sat/ 03:00-02:59 Source: TLM June –July 2011. Size of universe Zone: Based on 4, 494,600 individuals. 4,500, 000 Urban centres Delayed audience measurement No Instrument used Guest audience measurement No Size of panel: 1,800 CATI – Computer Assistance Size of universe Cab/Sat: Telephone Interview 4,485, 150 (since 2003) Source: Eurodata TV Worldwide - One Television Year in the World 2012 issue Ipsos MediaCT – All rights reserved. - Audience share of the main channels in 2011. Ten best performances of the channels throughout the whole day. Evolution of the share is based on a June-July 2011 wave in 2011 compared with the mid-April to mid-May 2010 wave. Pursuant to the agreements with Médiamétrie / Eurodata TV Worldwide we are not entitled to provide the data in their online electronic version. This data is available in print, and may be provided on request. - Average daily listening time (per individual - in H: MIN) en 2011 Pursuant to the agreements with Médiamétrie / Eurodata TV Worldwide we are not entitled to provide the data in their online electronic version. This data is available in print, and may be provided on request. 1 Eurodata TV Worldwide 2012– One Television Year in the World 2012 issue AGB STAT IPSOS. Annual overview of TV consumption and audiovisual landscapes in more than 90 territories around the world. Euromed Audiovisual III 42 Film and audiovisual data collection project 6.2 Table: Share of audience market of some Jordanian and Arab channels (2011) Channel 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 ABU DHABI AL OULA ABU DHABI DRAMA AL ARABIYA AL JAZEERA AL JAZEERA SPORTS +1 AL JAZEERA SPORTS +2 AL JAZEERA SPORTS GLOBAL AL MAJD AL-QURAN AL KARIM BBC ARABIC FATAFEAT FOX FOX MOVIES JORDAN TV 1 JORDAN TV SAT LBC MBC 1 MBC2 MBC3 MBC4 MBC ACTION MBC DRAMA* MBC MAX MELODY AFLAM MELODY DRAMA NATIONAL GEOGRAPHIC ABU DHABI NICKELODEON ARABIA PANORAMA ACTION ROTANA CINEMA ROYA TV SPACETOON SYRIA DRAMA TOP MOVIES ZEE AFLAM Market share 2011 (in %) Prime time Whole day 19:00-23:59 2.4 2.8 1.3 1.6 2.9 2.8 5.9 6.3 0.6 0.8 1.2 1 0.5 0.5 0.9 0.6 0.3 0.2 1.0 0.6 0.6 0.3 2.0 2.4 2.9 2.8 7.1 6 1.7 3.4 11.1 7.5 5.0 6.5 3.1 1.8 6.4 10.7 4.0 5.3 5.7 6.9 2.6 3.0 3.3 3.1 1.1 1.0 1.2 1.0 2.0 0.9 0.7 0.7 4.0 4.1 0.5 0.4 1.1 0.6 1.2 1.1 0.6 0.6 1.2 0.9 Status Type Commercials Reception Access Technical Penetration (in %) Public Public Private Private Private Private Private Private Public Private Private Private Public Public Private Private Private Private Private Private Private Private Private Private Private Private Private Private Private Private Private Private Private General TV series News/business News/business Sports Sports Sports Religious News/business Entertainment TV fiction Films Generalist Generalist Generalist Generalist Films Children Generalist Films TV series Films Films TV series Documentary Children Films Films Generalist Children TV series Films Films Yes Yes Yes Yes Yes Yes Yes Yes n.a Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes C,S C,S C,S C,S C,S C,S C,S C,S C,S C,S C,S C,S T,C,S C,S C,S C,S C,S C,S C,S C,S C,S C,S C,S C,S C,S C,S C,S C,S C,S C,S C,S C,S C,S FTA FTA FTA FTA Pay TV Pay TV Pay TV FTA FTA FTA FTA FTA FTA n.a FTA FTA FTA FTA FTA FTA FTA FTA FTA FTA FTA n.a FTA FTA FTA FTA FTA n.a FTA n.a n.a n.a n.a n.a n.a n.a n.a n.a n.a n.a n.a n.a n.a n.a n.a n.a n.a n.a n.a n.a n.a n.a n.a n.a n.a n.a n.a n.a n.a n.a n.a n.a * Newly rated channel in 2011 Source: Eurodata TV Worldwide - One Television Year in the World 2012 issue Ipsos MediaCT – All rights reserved. Euromed Audiovisual III 43 Film and audiovisual data collection project 6.3 Characteristics of 2012 panel Characteristics of 2012 panel Based on Period: Distribution TV (%individuals): Terrestrial analog transition Total individuals 15+ 22 June- 19 July 2012 Cable & satellite: 98.1% Size of universe Sun-Sat/ 03:00-02:59 Terrestrial : 1.6% 4, 017,000 Zone: No Source: TLM June –July 2012. Delayed audience measurement Based on 4, 017,000 individuals. No Size of panel: Urban centres 3,200 Instrument used : Guest audience measurement CATI – Computer Assistance No Size of universe Cab/Sat: Telephone Interview 3, 941,882 (since 2003) Source: Eurodata TV Worldwide - One Television Year in the World 2013 issue Ipsos MediaCT - ALL RIGHTS RESERVED Audience share of main channels in 2012 Ten best performances of the channels based on the whole day. Evolution of share is based on a period of June-July in 2012 and 2011. Pursuant to the agreements with Médiamétrie / Eurodata TV Worldwide we are not entitled to provide the data in their online electronic version. This data is available in print, and may be provided on request. Average daily listening time (per individual - in H: MIN) Pursuant to the agreements with Médiamétrie / Eurodata TV Worldwide we are not entitled to provide the data in their online electronic version. This data is available in print, and may be provided on request. Euromed Audiovisual III 44 Film and audiovisual data collection project 6.4 Audience market share of some Jordanian and Arab channels (2012) Period: 22 June to 19 July Market share 2012 (in %) Channel 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 28 30 ABU DHABI AL OULA AL AMAKEN DRAMA* AL ARABIYA AL HAKEKA AL DEWALEH* AL JAZEERA AL JAZEERA SPORTS +1 AL MAJD AL-QURAN AL KARIM DUBAI TV* FOX MOVIES JORDAN TV 1 JORDAN TV SAT KARAMESH* LBC MBC 1 MBC2 MBC3 MBC4 MBC ACTION MBC DRAMA* MELODY AFLAM MELODY DRAMA NATIONAL GEOGRAPHIC ABU DHABI NOOR JORDAN* NOURMINA* ROTANA CINEMA ROYA TV SAUDI AL QURAN KAREM* TOYOR AL JANAH 1* TOYOR AL JANAH 2* ZWEINA BALADNA* Access Technical Penetration (in %) C,S C,S C,S n.a C,S C,S FTA FTA FTA n.a FTA Pay TV n.a n.a n.a n.a n.a n.a Yes C,S FTA n.a Generalist Films Generalist Generalist Children Generalist Generalist Films Children Generalist Films TV series Films TV series Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes C,S C,S T,C,S C,S n.a C,S C,S C,S C,S C,S C,S C,S C,S C,S FTA FTA FTA n.a n.a FTA FTA FTA FTA FTA FTA FTA FTA FTA n.a n.a n.a n.a n.a n.a n.a n.a n.a n.a n.a n.a n.a n.a Private Documentary Yes C,S FTA n.a Public Private Private Private n.a n.a n.a n.a Music Generalist Films Generalist Religious Children Children Music Yes Yes Yes Yes n.a Yes Yes Yes n.a C,S C,S C,S n.a C,S C,S n.a n.a FTA FTA FTA n.a FTA FTA n.a n.a n.a n.a n.a n.a n.a n.a n.a Status Type 2.8 1.7 2.3 3.8 3.9 1 Prime time 19:00-23:59 4.3 1.6 2.4 2.8 5.1 1.2 Public Public Private Public Private Private Generalist TV fiction News/business Lifestyle News/business Sports Yes Yes Yes Yes Yes Yes 3.2 1.6 Private Religious 2 1.5 5.9 1.1 0.6 0.9 10 3.5 1.8 6.1 2.8 4.3 2.0 1.1 3.5 1.7 7.1 1.3 0.3 0.9 8 3.7 1.1 10.9 3.6 3.1 2.2 1.2 Private Private Public Public n.a Private Private Private Private Private Private Private Private Private 1.6 1.5 2.8 0.6 2.2 1.1 1 1.5 0.9 1.8 2.1 0.3 2.5 0.7 0.7 0.5 0.3 1.3 Whole day Commercials Reception * Newly measured channel in 2011 Source: Eurodata TV Worldwide - One Television Year in the World 2012 issue Ipsos MediaCT – All rights reserved. Euromed Audiovisual III 45 Film and audiovisual data collection project 7. PUBLICITY MARKET The Arab Media Outlook 2011-2015 report states that, as the country‘s economy was growing slowly, the Jordanian publicity market had a 5% drop in 2011 1. The main contributors to this market are the telecommunications sector, the banking and real estate sectors. The report forecast a 5% upswing in publicity income in 2012. It also forecast an increase on the publicity market until it reached a level of 7.5 % of the average annual growth rate and the Compound Annual Growth Rate during the2011-2015 forecast period. 7.1 Televisual publicity market The local TV publicity market is relatively small2. TV publicity income has increased since 2009. The Arab Media Outlook estimates the growth of TV publicity in Jordan as reaching a level of 11% of the average annual growth rate and thus earning 11 million USD. The TV audience is dominated by Arab terrestrial and satellite channels representing 16% of the country TV households. There are 38 FTA satellite channels based in Jordan whose main types include channels for children and commercial channels. The penetration of payable TV at present is low in the country and was estimated at 4% in 2011. Al Jazeera Sports represents the most popular Pay-TV service with approx. 60% of the pay TV market3. The IPTV services are provided by Orange Jordan which launched IPTV in Jordan in 2008. 1 Arab Media Outlook 2011-2015 – Arab Media Exposure and Transition, Forecasts and analysis of Traditional and Digital Media in The Arab World,4th edition, Dubai Press Club, UAE, 2012;http://www.arabmediaforum.ae/userfiles/EnglishAMO.pdf 2 Ibid 3 Informa 4 Ibid Euromed Audiovisual III 46 Film and audiovisual data collection project Net advertising income in Jordan (2012 – 2015) Source: Arab Media Outlook 2011-2015, p.183 7.2. Written Press Achieving 72% of the country‘s total publicity income, newspapers have the highest contribution amongst all the publicity platforms. The publicity income of the newspapers is estimated at 75 million USD. The Arab Media Outlook forecasts a 1.3% growth of the average annual growth rate of publicity income of the newspapers during the 2011-2015 forecast period. The Jordanian press has seven Arabic daily newspapers.The best known ones are Ad Dustour, Al Ghad and Al Rai whose circulation is estimate at over 50.000 copies1. The kingdom‘s press also has the daily Anglophone The Jordan Times and 16 Arabic weekly newspapers. Most newspapers have a web portal and the level of internet use for reading the news is high (44% use the Internet as a source of daily and global news).2 Arab Media Outlook specifies that the contribution of magazines to the total publicity income is low because of the lack of local magazines on the market. Luxury is a new magazine launched in 2011. Amongst the popular magazines is one for women called Anty. Within the same context, Majaletna is a magazine which caters for the interests of youth and proposes local news and diverse opinions. Finally Layalina is an inter-regional magazine whose circulation is estimated at 15.000 copies in Jordan. 1 2 Arab Media Outlook 2011-2015, op.cit. Informa. Euromed Audiovisual III 47 Film and audiovisual data collection project 7.3 Publicity on the Internet Jordan is an important regional centre for digital medias and Internet companies. According to Arab Media Outlook, Internet publicity revenue in Jordan has attained 4.2 million USD in 2011. The forecast is that the revenue will reach a growth rate of 43% of the average annual growth rate to attain a figure of 18 million USD in 2015. The Jordanian group « Jabbar Internet Group » is one of the pioneer providers of online services for electronic commerce (e-commerce) and online markets (i.e Souq.com, sukar.com) ; cash payment platforms (i.e Cash U) ; Group Buying Services (i.e. Cobone) ; online games (i.e. Tahadi Games) ; online travel (i.e. joob.com), and the digital publicity agency (i.e.Ikoo). Arab Media Outlook also stresses that Jordan is considered as one of the most important centres for online games in the region with several multi-player online game portals such as (Tarneeb (card games), Fuzztak (table games ), Happy Oasis (farm games ), and Yahoo! Maktoob Games which was developed by Jordanian Internet companies. Amongst the pro-eminent developers and editors of online games is Aranim Media Factory, Quirkat studios (based in the UAE with high- tech studios in Jordan), Tahadi Games, Wizards Production, and Beladcom (development of games for beginners and focused on the development of a client base for virtual worlds 3D). Jordan‘s Oasis 500, a main incubator in the region, has also strongly encouraged the development of the online games ecosystem by setting up an interactive electronic games laboratory which provides information on the design principles of online games. 7.4 Radio publicity and external publicity Arab Media Outlook 2011-2015 indicates that in 2011, the radio publicity revenue in Jordan is estimated at 11 million USD. The forecast is that there will be an 11% growth of the average annual growth rate (AAGR) during the forecast period from 2011 to 2015. Most of the thirty radio stations in Jordan are commercial stations playing Arabic and English pop music. A number of community radios have been set up such as Farah Alnas (radio for women and youth) and radio stations broadcasting from the Jordanian University in Amman. Amongst the most popular radios in Jordan are: Radio Fann relaunched in 2011 and Hala FM which is owned by the Jordanian Armed Forces and which was launched in October 2010 and broadcasts news and songs. External publicity is estimated at approx. 7% of all the publicity revenue, and represents a much higher rate than the one achieved by the magazines and digital publicity. The estimations of Arab Media Outlook suggest a slight increase of external publicity which would reach 8% in terms of global market share. Like the whole region and compared with the other platforms, external publicity is less subject to the impact of online migration. Arab Media Outlook forecasts strong growth of the AAGR attaining 12% during the projected period. Euromed Audiovisual III 48 Film and audiovisual data collection project 8. AUDIOVISUAL SERVICES ON REQUEST AND VIDEO SHARE SITES 8.1 Online audiovisual services on demand Ro‘ya TV is one of the rare radiobroadcasters in the Middle East providing an online catch-up television service. The web site of the channel http://www.roya.tv/ provides free videos of all its programmes and news streaming. There are also links to all the channel‘s programmes. A payable option is also available for the VOD content as well as for the direct transmission of programmes of different categories and televized series on the site http://www.my-tv.us/ . From Brazil, my-tv.us proposes for tele-internauts 29 top-range Arabic channels, Arabic films and Egypian, Syrian, Jordania televized series etc.. Amongst the Jordanian channels, there are also Karameesh TV et Taha TV. Istikana1, one of the main portals of on demand audiovisual services in the region, announced in February 2013, a partnership with the Umniah2 Jordanian telecommunications enterprise. This partnership will enable the Umniah 3G subscribers to have access to an audiovisual treasure of archives of films and Egyptian, Syrian, Jordanian and Arab teleseries. Thanks to an agreement concluded between Istikana and Arab Radio & Television (ART), one of the biggest archives of films in the region, the VOD Istikana platform has over 4000 hours of audiovisual archives. The online audiovisual services provided by Istikana are free at present, but the company is envisaging adopting a model of payable access in general3. 8.2 Video Share Sites The development of broadband networks represents an opportunity for the video share platforms financed through publicity. In March 2011, Google Arabia announced the launching of geo-location formulas in 8 Arab countries: Algeria, Egypt, Jordan, Morocco, Saudi Arabia, Tunisia and Yemen4. Google.com.jo ensures researches in Arabic and English. It should be pointed out that some time later, Google launched its geo-location formula for the Lebanon, the eleventh in the MENA5 region. On 30 April 2012, Google and YouTube in the Middle East and Africa announced the arrival of the « Home Page ad » on YouTube. The biggest world platform for entertainment in the MENA region, YouTube thus offers an ad space on the home page. With over 6.2 million daily online prints from Saudi Arabia, the United Arab Emirates, Egypt and Morocco and approx. 5.2 million mobile daily prints making a gigantic impact from the media viewpoint of media planning. On its blog, Google Arabia announced in October 2012 a programme to « arabize the Internet » in collaboration with the university world, in order to offset the domination of English on the Internet and the tendency of Arab Internet users to 1 http://www.istikana.com/ 2 Nina Curley, Video-on-Demand Portal Istikana Announces Deal with Umniah in Jordan, Wamda, February 4, 2013, http://www.wamda.com/2013/02/video-on-demand-portal-istikana-announces-deal-with-umniah-in-jordan 3 Ibid. 4 http://thenextweb.com/me/2011/03/10/youtube-launches-localized-versions-for-mena/ 5 http://www.vip4soft.com/news/1338.html Euromed Audiovisual III 49 Film and audiovisual data collection project write in English. Google has created a tool which makes it possible to transcribe Arabazi (Arabic written in Latin characters) into traditional1 Arabic characters. 8.3 Branded channels of Jordanian distributors on video share channels In addition to their own website, some Jordanian channels (like many European channels) use the possibilities offered by the « branded channels » on video share platforms like YouTube and Dailymotion. JTV Jordanian television or JRTV as displayed on its YouTube page on 8 July 2012. On 12/08/2013, the number of subscribers amounted to 3 850 registering 1 300 306 viewings2. On 22 December 2010, Roya TV created its own channel on YouTube which proposed a selection of the channel‘s programmes. On 12/08/2013, the channel‘s site had 82 678 subscribers and 30 074 635 viewings3. On the same date, the content of Karameesh TV channel on You Tube comprised 1 271 videos and recorded 27 539 subscribers and 32 036 viewings4. 8.4 Audience of the online video sites in Jordan The national cyber-governance programme aims to improve the government‘s performance in terms of the services delivery, efficacy, precision, rapidity, profitability, transparency, client satisfaction and inter-governmental integration. The official online administration portal of the Jordanian government (www.jordan.gov.jo) was launched during the last quarter of 20065. In its report « ICT Adoption and ICT perspectives in the Arab States region 2012 6, ITU proposes a table of the 20 most visited sites in Jordan in December 2011, elaborated by Alexa7. The following table shows the twenty most visited web portals by the internauts in Jordan. As shown in the table, in the Arab States region, the adoption of online contents in Arabic is lagging behind compared with the contents offered by world web sites such as Facebook, Google and Youtube. The innovative local portals are Sarayanews.com, Khaberni.com and ammonnews.net : online information sites which take up the tenth, twelfth and fourteenth places of the most visited sites by the Jordanian internet users 8. 1 Google Arabia blog, 5 December 2012; http://google-arabia.blogspot.fr/ 2 http://www.youtube.com/user/JRTVChannel/about 3 http://www.youtube.com/user/RoyaTV/about 4 http://www.youtube.com/watch?v=33e-wOSvMdw 5 moict.gov.jo/MoICT_StrategicAgreements.aspx. 6 ICT Adoption and prospects in the Arab region 2012, Summit, connecting the Arab World 2012, International Telecommunications Union (ITU) ; http://www.itu.int/pub/D-IND-AR-2012 7 (Alexa is a site (branch of Amazon Inc.) which produces international classifications and per country of the Internet sites visited. The reliability of these ratings is contested by the Internet audience rating specialists, as it is based on a less elaborate methodology that those of the audience rating payable services (of the type proposed by Comscore, Nielsen, Médiamétrie). In situations where non sophisticated ratings are not available, Alexa is nevertheless recognized as a useful indicator. For a m ore complete and updated classification, see: http://www.alexa.com/topsites/countries/JO 8 Op.cit, http://www.itu.int/pub/D-IND-AR-2012 Euromed Audiovisual III 50 Film and audiovisual data collection project 8.4.1 Ranking of the most visited web sites in Jordan, December 2011 Rank web site Targeted users Site language by default* Description 1 Facebook.com Worldwide English Online social network 2 google.jo Worldwide Arabic World search site 3 Youtube.com Worldwide English Video distribution & share site 4 google.com Worldwide English World search site 5 yahoo.com Worldwide English Various online services 6 live.com Worldwide English e-mail services site 7 maktoob.com Regional Arabic Various online services 8 Kooora.com Regional Arabic Sports 9 blogspot.com Worldwide English Online blogging 10 Sarayanews.com Local Arabic Online information site 11 wikipedia.org Worldwide English Encyclopaedia 12 Khaberni.com Local Arabic Online information site 13 Twitter.com Worldwide English Online social network 14 ammonnews.net Local Arabic Online information site 15 xnxx.com Worldwide English Adult content 16 msn.com Worldwide English Various online services 17 4shared.com Worldwide English Online storage 18 babylon.com Worldwide English Translation software 19 alrai.com Local Arabic Online information site 20 linkedin.com Whole world English Employment services network Note: * the language by default is the language which first appears when web site is opened. Source: Alexa. Out of the twenty sites mentioned above, several sites have a considerable volume of videos: ˗ ˗ ˗ Social network and video share sites : Facebook.com (US), Youtube.com (US), google.com.jo, (JO) Information site http://www.khaberni.com (JO), without mentioning the owner. This site is considered as a central source of information and news about Jordan. Information site http://www.ammonnews.net/ in Arabic and its English version http://en.ammonnews.net/ so that the readers can react and instantaneously post their comments on local and regional developments.(private site and no mention of the owner ). The consultation about the classification of the 20 most popular sites in May 2013 indicates considerably different results, and in particular the appearance in the classification of six mainly local and regional news sites. Euromed Audiovisual III 51 Film and audiovisual data collection project 8.4.2 Ranking of the 20 most popular sites in Jordan (by 6 May 2013) Rank Site Description 1 Facebook Social net work 2 Google.jo Search tool 3 YouTube Video distribution open platform 4 Google Search tool 5 Yahoo! Portal 6 Windows Live Microsoft (Hotmail) messaging 7 garaanews.com Online information site 8 Blogspot.com Blogging site 9 sarayanews.com Online information site 10 kooora.com Sports 11 khaberni.com Online information site 12 panet.co.il Info & film downloading site, TVseries, etc. 13 Wikipedia Encyclopaedia 14 alwakeelnews.com Online information site 15 Twitter microblogging social network 16 opensooq.com Free site for classified ads. 17 Amazon.com Online Commerce 18 LinkedIn Professional vocation social network 19 ammonnews.net Online information site 20 alghad.com Portal of Al ghad daily newspaper in Arabic Source: Alexa; http://www.alexa.com/topsites/countries/JO Euromed Audiovisual III 52 Film and audiovisual data collection project 8.5 Facebook, Twitter and LinkedIn 8.5.1 Facebook Whilst the local content sites and the topical political sites are amongst the twenty best sites in the country, Facebook is the most popular social site in Jordan, with a 90.85% penetration rate, followed by YouTube and Twitter. Facebook users in the Arab region , 2011 (Ranked according to Internet user penetration rate ) Country Population Internet users Facebook users FB penetration (Population) FB penetration (Internet users) Jordan 6, 249,000 2, 187,519 1, 987,400 31.80% 90.85% Tunisia 10, 732,470 3, 432,988 2, 799,260 26.08% 81.54% Lebanon 4, 222,835 1, 730,914 1, 367,220 32.38% 78.99% UAE 8, 494,706 4, 574,578 2, 769,020 32.60% 60.53% Syria 21, 381,110 5, 113,749 2, 932,680* 13.72% 57.35% Palestine 4, 231,084 1, 280,172 711,440 16.81% 55.57% Kuwait 3, 697,292 1, 853,394 880,720 23.82% 47.52% Bahreïn 1, 316,750 715,928 316,340 24.02% 44.19% Egypt 81, 348,421 21, 671,400 9, 391,580 11.54% 43.34% Qatar 1, 707,756 854,958 323,280 18.93% 37.81% Algeria 37, 100,000 7, 767,641 2, 835,740 7.64% 36.51% KSA 28, 376,355 13, 600,000 4, 534,760 15.98% 33.34% Morocco 32, 419,800 12, 728,464 4, 075,500 12.57% 32.02% Oman 2, 859,456 1, 146,880 362,280 12.67% 31.59% Libya 6, 000,000 1, 355,796 391,880 6.53% 28.90% Iraq 33, 564,325 5, 510,556 1, 303,760 3.88% 23.66% Sudan 41, 919,367 6, 959,517 1, 440,740* 3.44% 20.70% Yemen 24, 312,000 3, 327,558 318,420 1.31% 9.57% Source: internetworldstats.com , *Arab Social Media Report by Dubai School of Government, figures dated June '12 According to Madar Research Developement, by 6 September 2012, Jordan ranked 56th in the world classification of Facebook penetration in relationship with the population with 2, 456,100 users. Euromed Audiovisual III 53 Film and audiovisual data collection project In terms of Facebook penetration compared with the number of internauts in 2011, Jordan was in the 1st class in the MENA region, with a 90.85% penetration rate. Tunisia came second with an 81.54% penetration rate followed by Lebanon with 78.99 %. The Arab ICT Use - 20121 report stresses the importance of some factors which visibly contribute to the increased rate of Facebook penetration amongst the Internet users in some countries. The record 90.85% achieved by Jordan is doubtlessly partly due to the creation of several Facebook accounts by the same user. According to the same source, this is the case in most of the countries in the region because of the constraints imposed on the freedom of expression. This incites some people, especially those involved in political activism and who are worried in using their own account, to spread the information through other accounts. The 2011 figures in the following table give more information on Facebook penetration per population and per Internet users in each Arab country. Egypt occupied the first place amongst the Arab countries and ranked 21st in the world classification of Facebook users with a penetration rate of 9.83% in 6 months. Saudi Arabia was in second place with 5.24 million users followed by Morocco in the third position with 4.72 million. By 6th September 2012, the number of Arab Facebook users amounted to 46, 422,540, i.e. approx. 5% of the rate of users on a world wide2 level. Use of Facebook in the Arab region (per number of users) On 6 September 2012 World ranking Country No. Of users Increase 6 months % change 21 Egypt 11, 472,400 +983,820 9.39% 32 KSA 5, 240,720 +97,080 1.89% 37 Morocco 4, 764,560 +338,240 7.67% 43 Algeria 3, 736,440 +407,880 12.25% 47 Tunisia 3, 157,860 +204,060 6.90% 48 UAE 3, 078,000 +168,140 5.78% n.a Syria* 2, 932,680 − − 56 Jordan 2, 456,100 +232,100 10.43% 62 Iraq 2, 087,760 +536,220 34.58% 71 Lebanon 1, 519,660 +78,660 5.45% n.a Sudan* 1, 440,740 − − 81 Palestine 1, 012,980 +95,760 10.47% 86 Koweït 772,440 -127,520 -14.19% 89 Qatar 699,420 +126,600 44.99% 95 Libya 633,640 +168,960 36.36% 96 Yemen 576,500 +140,420 32.20% 102 Oman 485,140 +63,780 15.11% 110 Bahreïn 355,500 +10,620 3.07% 46, 422,540 3, 524,820 n.a TOTAL Source: www.socialbakers.com *Arab Social Media Report by Dubai School of Government, figures dated June '12; http://www.madarresearch.com/ 1 Arab ICT Use and Social Networks Adoption Report - 2012, Madar Research & Development, Sponsored by: KACST, Dubai, United Arab Emirates, p. 89; http://www.kacst.edu.sa/en/about/publications/Other%20Publications/Arab%20ICT%20Use%20Report%202012.pdf 2 Ibid Euromed Audiovisual III 54 Film and audiovisual data collection project In the MENA region, and more precisely in the south Mediterranean partner countries of the Audiovisual Euromed Programme, Jordan, with 2.4 million users, is in the 6 th position, preceding Lebanon which occupies the 71 st place in the world classification with 1.5 million users, and Palestine (1.1 million). Egypt has the 21 st world ranking and is at the top of the list in terms of Facebook users in the region with 11.4 million. Morocco, 37th world ranking with 4.7 million users, is followed by Algeria and Tunisia with 3.7 et 3.1 million users and respectively occupying the 43rd et 47th places in world ranking. With Libya, with 633.640 estimated Facebook users, the number of Facebook users in the south Mediterranean countries amounts to 31, 686, 320. Facebook users in South Mediterranean countries ( On 6 September 2012) 1.1 Palestine 1.5 Lebanon 2.4 Jordana Users (prr millions) 2.9 Syria 3.1 Tunisia 3.7 Algeria 4.7 Morocco 11.4 Egypt 0 2 4 6 8 10 12 Source: www.socialbakers.com *Arab Social Media Report by Dubai School of Government, figures dated June '12; http://www.madarresearch.com/ Share of Facebook users per gender (Men / Women) In some south Mediterranean countries, May 2013 Jordan Morocco 38% 41% 59% The share of Facebook users in Jordan is 59% for men and 41% for women, compared with 58% and 42% in Tunisia. Euromed Audiovisual III 62% In Morocco, the share is 62% for men and 38% for women, compared with 67% and 33% in Algeria. 55 Film and audiovisual data collection project Lebanon Egypt 36% 45% 55% 64% The share of Facebook users, men in Egypt est is 64% against 36% for women, compared with 59% and 41% in Palestine. In Lebanon, the share is 55% for men against 45% for women, compared with 65% and 35% in Libya. Source: http://www.socialbakers.com/facebook-statistics/ ; consulted on 25/05/2013 8.5.2 LinkedIn LinkedIn is a professional network for the business world linking professionals or job seekers with employers and heads of enterprises. LinkedIn is not a social entertainment network like Facebook, but rather a network bringing together professionals of the same opinion. On 2 August 2012, there were 175 million LinkedIn members in the world. The United States are in the first place in terms of the number of users which amount to 65, 445,702 users; the penetration rate per population amounts to 21.10% of the total population 1. As for the MENA region, the United Arab Emirates are in the lead with 1, 002,568 users, with a penetration rate of 11.80% per population, and a penetration rate per Internet users of 21.92%2. Preceded by Qatar and Bahreïn, Jordan is in the fourth position in the region with 178,425 LinkedIn users, a penetration rate per population of 2.92% and a penetration rate of 9.47% per Internet users. Arab users of LinkedIn – September 2012 (Classification per penetration rate of Internet users. ) World ranking Country Population Internet users LinkedIn users Penetration (Population) Penetration ( Internet users ) 22 UAE 8, 494,706 4, 574,578 1, 002,568 11.80% 21.92% 45 Qatar 1, 707,756 854,958 181,593 10.63% 21.24% 49 Bahreïn 1, 316,750 715,928 92,529 7.03% 12.92% 47 Jordan 6, 113,000 1, 884,599 178,425 2.92% 9.47% 48 Koweït 3, 697,292 1, 853,394 169,572 4.59% 9.15% 23 KSA 28, 376,355 13, 600,000 681,939 2.40% 5.01% 37 Egypt 81, 348,421 21, 671,400 596,163 0.73% 2.75% Source: http//www.socialbakers.com cited ins Arab ICT Use and Social Networks Adoption report 1 Arab ICT Use and Social Networks Adoption Report – 2012, Madar Research & Development, Sponsored by: KACST Dubai, United Arab Emirates, op.cit, p.93 2 Ibid. Euromed Audiovisual III 56 Film and audiovisual data collection project 8.5.3 Twitter Twitter‘s environment is more dynamic than any other online social tool and the frequency of its use is directly related to the major national or international events affecting its users and determining their need to instantly share news and opinions. These events could be a natural or man-made disaster, an election campaign, a major social or sporting event or any other event with the capacity to provoke interest and/or controversy. Such events can cause a peak in Twitter use or lead to steady growth over longer periods of time. In the case of the Arab world, political and popular upheavals underway since 2011 in several Arab States, a movement known as the « Arab spring » have contributed to a marked increase in the use of Twitter during that year. Depending on the intensity of events unfolding, the frequency of Twitter use progressed or slowed down accordingly. According to Twitter: more than 280 millions tweets per day were sent all over the world in February 20121. The Arab Social Media Report, stated that in March 2012, 18 Arab countries recorded a daily average of 3.64 millions tweets accounting for 1.3 % of world tweets. The report indicated an increase in the use of Arabic compared to other languages, estimating that 62.1% of these tweets were in Arabic (i.e 2.26 millions tweets), whereas 32.6 % were in English and 5.3% were in other languages2. Twitter penetration in southern Mediterranean countries, June 2012 (Ranked by Twitter penetration ) Rank Country Internet Penetration Twitter*Penetration Twitter penetration (Internet Users) 1 Lebanon 43.52% 1.83% 4.20% 2 Jordan 37.02% 0.95% 2.56% 3 Palestine 33.46% 0.79% 2.35% 4 Egypt 29.39% 0.36% 1.22% 5 Morocco 45.24% 0.11% 0.26% 6 Tunisia 35.02% 0.11% 0.32% 7 Libya 23.24% 0.07% 0.31% 8 Syria 25.52% 0.05% 0.20% 9 Algeria 23.56% 0.02% 0.10% TOTAL 295.97% 4.29% 11.52% Source: Figures from Arab Twitter Penetration by Country, June 2012 (Ranked by Twitter Penetration), MRD, *Arab Social Media Report 1 Cited in Arab ICT Use and Social networks Adoption report – 2012, op.cit. 101 2 Ibid. Euromed Audiovisual III 57 Film and audiovisual data collection project Amongst southern Mediterranean countries, Jordan ranks second, as shown in the table above, with a twitter penetration of 0.95% and 2.56% Twitter penetration by Internet users. The Arab Social Media Report stresses that Egypt, with the region‘s largest community of internet users (over 24 million) and only 1.22 % of these Twitter users, presents the greatest potential for Twitter growth in the Arab world. Morocco also has one of the greatest growth potentials, with less than 0.3 % of approximately 15 million internet users using Twitter. Percentage of active Twitter users compared to Internet users in some Arab countries - June 2012 Egypt Palestine Twitter users Jordan Lebanon KSA Internet users (non Twitter users) USE Qatar Bahrein Koweït 0% 20% 40% 60% 80% 100% Source: Arab Social Media Report and Madar Research & Development Euromed Audiovisual III 58 Film and audiovisual data collection project 9. THE FILM MARKET 9.1 Background1 Jordanian cinema started in 1958 when a group of young, motivated Jordanians designed filming, development and editing equipment. At the same time, another group set to work on the first Jordanian feature film lasting over 90 minutes, Struggle in Jerash or Seraa fi Garesh by the filmmaker Fakhri Abaza , directed by Wassef El Sheikh Yassin. In 1964, thanks to a similar collective undertaking, the second Jordanian feature film My dear homeland or Watani habibi by Abdallah Akoush came into being. The film's pamphlet emphasized the fact that it was a purely Jordanian piece of work : screenplay, production, actors and director. A huge military presence was assigned to the film to ensure it became the starting point of the Jordanian film industry. The film pictured the victories of the Arab army against Israeli military forces through a love story that was reminiscent of Egyptian storylines of the times. In the mid-sixties, the director Farouk Agrama released his feature film Storm over Petra or Assefa Ala El Batra’a. The film was a coproduction between Jordan, Lebanon and Italy. The « Italian International » company handled international distribution while the « Petra » company dealt with local and Arab distribution. The end of the sixties saw the production of two feature films by the director Abdel Wahab El Hendi. The first, The road to Jerusalem (Al Tarik Ila Al-Quds), and the second Struggle until liberation (Keffah hatta el tahrir). These two films were known for weaknesses in their screenplays and filming techniques. Jordanian television produced several feature films in the early seventies. Amongst which : The Balfour Declaration (Waed Belfor) by the filmmaker Ahmed El Anani ; The Viper (Al Afaa) that represented Jordan at the Damascus Film Festival in 1972 ; the short film The Green Branch (Al Ghosn al akhdar) that won a prize at the Oberhausen Festival and finally the local comedy : The Twelth Son (Al Ibn al thani ashr). At the same time, the director Mohamed Azizeyah made his feature film The Beggar (Al Shahaz) in 1972. In 1986, the short film The Shoe (Al Heza’a), by the filmmaker Mohamed Tamilah and the director Mohamed Olwah revealed the hardships of a family living in a Jordanian refugee camp. The film was screened in several Arab and international festivals. Many years went by before any new productions came to enrich Jordanian cinematography. The feature film Oriental Story (Hekaya Sharkeya) by Najdat Anzour came out in 1991. Faysal Al Zoebi 's two short films: Not Quite Exactly (Lays kazalek tamaman) 40 min long and The Chameleon (Al Herba’a) 24 min long which is an adaptation of a tale by the famous Russian author, Anton Chekov, came out during the same year. Dealing with the Arab Israeli conflict, in its different historical, civilisation and religious dimensions, Faysal Al Zoebi's first short film Not Quite Exactly tries to break away from the ideological treatment of the conflict by focussing on its sentimental and human repercussions. The last short film from 1991 is by Ihab El Khatib: The Leaves of the Sea (Awrak El Bahr). 1 Najeh Hassan, Thresholds of joy , (Atabat Al bahja), Fadaat, Amman, 2012. See also by the same author Screens of Darkness, Screens of light, writing of Jordanian films, (Shashat al atma, Shashat al nour, Ketaba fi aflam ordoniyah), Ministry of Culture, Amman, 2003. These books, in Arabic, by the Jordanian author and film critic, Najeh Hassan are amongst the rare Jordanian and Arab references on the history of Jordanian cinema available to provide an historical overview. Euromed Audiovisual III 59 Film and audiovisual data collection project The year 1994 was marked by the release of three short films directed by Nabil Al Shoumari in cooperation with the director Abdel Hakim Abou Jalila. These were: The Dress (Al Thawb); Good Morning (Sabah Al Kheir) and The Discovery (Al Ektechaf). 9.2 Department of film and photography The first institution dedicated to film production in the Hashemite Kingdom was founded in 1964 and was known as the ―Department of Film and Photography ―. The department used to depend on the ministry of culture and information. It was essentially in charge of the production and distribution of films both inside and outside the Kingdom. 1 Most documentaries and short films produced by this department were largely focussed on Arab rights in Palestine and sought to bring Israel‘s violent intentions to the notice of world public opinion. Besides films devoted to promoting tourism in Jordan, the following titles sought to defend the Palestinian cause: - A year after the Defeat (Am baed al-nakssah) Industries of Men ( Massane‘ Al Rejal) The Establishment of Israel is Illegal (Qeyam Israël gheir kanouni) In 1968, the department was attached to Jordanian television which provided filmmakers and professionals with training abroad in order to promote the establishment of a national film industry. This explains the flourish in film production that lasted until the mid-seventies before it entered its decades long decline. At the same time, the stagnation of local production did not prevent the development of private companies and institutions specialised in film production outside the country, particularly in Egypt, Lebanon and Turkey, using the distribution capacity of Egyptian films throughout the Arab countries. This also explains why Jordanian capital was unable to invest in Jordanian film production despite the presence of qualified operators and of cinemas. 9.3 The film industry in Jordan: realities and prospects Already in the early 2000s, the Jordanian film industry had embarked on a new path. Young film-makers and directors who had followed trainings provided by the Royal Film Commission aspired to and obtained production subsidies from this same institution, and managed to put their stamp on the local and Arab cinematographic landscape with new energizing works. Yet, the many audiovisual and film production companies present in the Kingdom did not call upon the creative potential of these young Jordanians. Companies preferred to invest in television programmes and series rather than to provided the necessary equipment and infrastructure to the film industry or provide funding to young people to produce films. This approach also explains the absence of mechanisms to organise festivals, forums and workshops on the cinema. 1 Najeh Hassan, thresholds of joy , (Atabat Al bahja), op.cit. Euromed Audiovisual III 60 Film and audiovisual data collection project Thus, more than fifty years after the release of the first Jordanian feature film, Conflict at Garesh, and in the absence of private and public initiatives to establish a proper film industry in the country, feature and short films nevertheless managed to emerge, thanks primarily to individual efforts. Admittedly, many of the films produced over the last ten years were made, in one way or another, with the help of the Royal Film Commission. Although, it must be pointed out that the institution is more a place providing training in the different aspects of filmmaking than an institution geared only to film production. 9.4 The Royal Film Commission The Royal Film Commission (RFC)1 was established with a vision to develop an internationally competitive Jordanian film industry. Created under the Law n. 27 of 2003 on The Royal Film Commission and approved according to Law n. 22 published by Parliament in 2008, the RFC is a financially and administratively autonomous Jordanian governmental organisation directed by a Board of Commissioners chaired by His Royal Highness Prince Ali Bin Al Hussein. La RFC reflects His Majesty's King Abdullah II's wish to see Jordan play a cultural and economic role of regional and international standing. The RFC is a member of the ‘Association for Film Commissioners International (AFCI)2 Missions ˗ ˗ ˗ ˗ ˗ ˗ 1 2 Encourage Jordanians and Middle-Easterners to tell their stories in order to contribute to multicultural understanding and promote freedom of expression ; Create educational programmes for Jordanians working or wishing to work in the film industry ; Promote a cinema culture throughout Jordan in order to provide spectators with a broad variety of quality films ; Position Jordan as a destination for international audiovisual productions by providing studios and the necessary creative resources as well as technical and financial assistance ; Provide administrative and support services for local, regional and international productions ; Provide employment in all areas of cinematographic art. http://www.film.jo/ http://www.afci.org/ Euromed Audiovisual III 61 Film and audiovisual data collection project Production Services The RFC provides productions with the following services: ˗ ˗ ˗ ˗ ˗ ˗ Obtaining of required permits within four days Assistance in choosing filming locations Facilitating customs clearance of technical equipment. Provide a local workforce at competitive prices Consultation with the public and private sectors Providing financial support Screenings The Royal Film Commission organises regular film screenings both in Amman and in the different towns of the Kingdom. In developing a local cinema-going audience, the RFC seeks to develop the necessary base for a strong and sustainable Jordanian film industry. A variety of short-films, documentaries and feature films by Jordanian, Arab and foreign filmmakers are thus shown. It may be noted that all events sponsored by the RFC are free and enable spectators to see quality films that are screened neither in commercial cinemas nor on television. Directors, film-makers and film critics are often present after the film show for a debate with the public. The RFC has entered into partnerships with the Ismailia Film Festival for Shorts and Documentaries (Egypt), the European Commission and the French embassy. These partnerships enable the RFC to show international films of different genres that are rarely screened in Jordanian commercial cinemas. Since 2010, a bus fitted out by Orange Telecommunications and the RFC, tours the four corners of the Kingdom showing educational and entertainment films for children who have very little access to cultural activities. Studios The RFC is working to create and develop studios with the essential equipment required for any film production.1 Audiovisual archives In cooperation with Jordanian Television and the Centre National du Cinéma (CNC, France) and French experts, the RFC has started implementing a project to set up the Jordanian audiovisual archives.2 9.4.1 Jordan Film Fund (JFF) The Royal Film Commission supports activities and programmes designed to develop the potential of an independent film industry with a view to ensuring its economic viability and continuity. To this end, the Jordan Film Fund (JFF) was established in 2011 to provide the financial and professional assistance necessary to the development and production of film projects. 1 The Royal Film Commission Guide. 2 Ibid. Euromed Audiovisual III 62 Film and audiovisual data collection project Through the allocation of funds to production, development and postproduction, the JFF's mission consists in enabling film-makers to tell their stories and create new jobs in the Kingdom‘s film industry. , Financial assistance is provided on the basis of criteria linked to the quality and the success potential of the film project submitted. The total budget allocated in the form of financial assistance to film projects in 2012 amounted to 500.000 JOD or 533.153 EUR 1. The JFF's second edition provided grants to 19 films. Commenting on the results of the JFF Jury for the 2013 subsidies, the Director General of the RFC declared: « ―This year most of the projects submitted tackled important current issues, and were of very high standards. We are confident that our support for these projects will contribute to the development of the Arab and Jordanian Film Industry»2. The results were to be announced at the end of 2012, but due to government budget restrictions, the meetings of the Jury were postponed. The winning projects in the second cycle of grants provided by the JFF, included feature and short films (fiction and documentary) in production, development and post-production phases. The following films won grants: Production of feature films: 1. The Kidnap (Director : Dima Hamdan; Producer: Pascal Diot) 2. Long Live Saddam (Director: Katia Jarjoura; Producer: Khalid Haddad) 3. 3000 Nights (Director: Mai Masri; Producer: Rami Yasin) Production of documentaries: 1. The Shortcut (Director : Bahaa Hussien; Producer : Dalia Thafer Nimer) 2. Borhan (Director : Mahmoud Massad; Producer : Omar Massad) 3. I am here (Director: Vesna Orehovac; Producer: Tayseer Masharqah) Development of feature films: 1. 2. 3. 4. 5. Solid Water (Film-maker: Bashar Abbas; Producer: Ahmad Aqeel) 200 Meters (Film-maker: Ameen Nayfeh; Producer: Lama Abu Hassan) The Collaborator of Bethlehem (Film-maker: Hani Naimi; Producer: Linda Mutawi) Me, Myself and Murdoch (Film- maker: Yahya Abdallah; Producer: Rula Nasser) Bed Mattress Story (Film-maker: Nawal Abo Arqoob; Producer: Tayseer Masharqah) Development of fiction documentaries: 1. Occupy Culture: The Axis of Evolution (Film-maker and producer : Linda Mutawi) 2. A Doctor Who Shall Remain Unnamed (Film-maker: Dalia Al Kury; Producer: Nadine Kirresh) Short film production: 1. The Wheel (Director : Said Zagha; Producer: Akram Al Ashqar and Ahmad Al Khatib) 2. The Jordanian Spinster (Director: Hanadi Elyan; Producer : Laila Abbas) 1 Converted using the exchange rates posted by Aonda currency converter : http://www.oanda.com 2 See ―The Jordan Film Fund Announces Grants to 19 Cinematic Projects‖, Sat, 06/15/2013, http://www.film.jo/?q=node/10473; Euromed Audiovisual III 63 Film and audiovisual data collection project 3. Report (Director : Muhammad El Khairy; Producer: Mervat Aksoy) 4. The Kidnapping (Director : Rakan Mayyasi; Producer: Fahda Bandar) 5. Al Yasmeen (Director Mais Salman; Producer: Sahem Muheisen) 6. Virgin of Ignorance Era (Director: Median Mustafa; Producer: Tayseer Masharqah) The jury that year consisted of the Lebanese film critic Ibrahim Al-Ariss, the Syrian Director Nabil Al-Maleh, the Lebanese director, Hady Zaccak, the Jordnaian film critic, Mahmoud Zawawi, as well as George David and Nada Doumani from RFC. 9.4.2 The « Alternative cinema project » Through the partnership between RFC and The Jordanian Higher Council for Youth (HYC), a selection of films was shown in all Jordanian governorates where no cinemas existed. With other partners such as the cultural centres, local and international foundations, the RFC organized thematic screenings throughout the year. In September 2007, the Royal Film Commission launched the Alternative Cinema project in cooperation with the Higher Council for Youth. The project consists of developing and disseminating film culture amongst young people and civil society in the various governorates of the Kingdom. To implement the project, the Commission managed to obtain rights for many high quality films in order to screen them in the youth centres of 12 Jordanian governorates. By making the films accessible to all, the Alternative Cinema‘s main goal was to disseminate a film culture by providing the public with the opportunity of seeing local and foreign films. Similarly, the project supports film professionals in the Kingdom by promoting the screening of their film, providing them with the possibility of showing their experience and establishing a dialogue with the public. Alternative Cinema‘s successful initiative over several years incited the Royal Film Commission and the ministry of youth and sport to renew the Alternative Cinema‘s Memorandum on 10 January 20121. Trainings and workshops Training activities provided by the RFC include workshops, seminars and debates on the film industry, animation, filming, cinematography, editing and production. Training programmes target members of all ages. To achieve its goals the RFC set up six Film-clubs in cooperation with the Jordanian Fund For Human Development, in Irbid, Taybeh, Aqaba and Madaba ; and at Zarqa in cooperation with the Community Development Committee (CDC). These film clubs serve educational and entertainment purposes. Young people, guided by instructors, were invited to tell their stories through films. Cooperation with regional and international partners plays a very important role in providing know-how and added value to RFC‘s various educational programmes. We might mention, for example, cooperation with the University of Southern California (USC) and the Sundance Institute. The RFC has established other partnerships with film professionals and institutions in the Middle East, such as Egypt, Abu Dhabi, Lebanon, Iraq, Palestine, Tunisia and Syria. 1 http://www.film.jo/?q=ar/node/10121 Euromed Audiovisual III 64 Film and audiovisual data collection project On the regional level, the RFC organises the Annual Rawi Screenwriters‘ Lab, providing independent Arab filmmakers with the opportunity of developing their screenplay. Moreover, the rawi Alumni Support Program supports filmmakers during these creative sessions so as to help them crystallize their project. Three feature films; «Transit Cities», «The last Friday» and «Dalia’s Drama» were produced as part of RFC educational programmes where Jordanian filmmakers were able to produce their narrative film while being professionally monitored. 9.4.3 The Film House Located in an old Amman villa built in 1919, and bought in 2006 by the RFC Board, the Film House seeks to become a local and regional centre for creativity and cinematography, developing talents and promoting a network of artists and filmmakers. It is the first centre of its kind in Jordan. Interested persons can view films, initiate and develop their own projects in the Film House with the help of various resources: ˗ ˗ ˗ ˗ ˗ ˗ The film library, including DVDs, equipped with seven screening units. The workshop area equipped with a projector, a screen and a sound mixer. An equipment bank that rents cameras, sound recording and lighting equipment. Eight computers equipped with editing software. (Avid and Final Cut Pro) A terrace with a seating capacity of 250 with a broad view over the citadel and the center of Amman. A state of the art sound unit Jordan served as a filming location for many local and international productions, including the titles figuring in the following table. Euromed Audiovisual III 65 Film and audiovisual data collection project Year 2012 2011 2010 2009 2008 2007 Title Cool Water Zero Dark Thirty Shatru Al-Dakheel Facebook Romance Krrish 3 Savior Over-Sized Coat Last Days on Mars Similar Differences* en post-production My Love Awaits by the Sea* en post-production When Time Becomes a Woman May in the Summer The United The Viral Facto Hamilton: In The Interest of the Nation Lamma Shoftak Power Struggle: Season 2 Prometheus When Monaliza Smiled Line of Sight InchAllah Viswaroopam 7 Hours Difference Bedouin The Devils Double The Killer Elite Peace After Marriage The Last Friday Power Struggle Transit Cities Fish Above Sea Level Cherkess This is my Picture when I was Dead Scorched Fair Game Cheluveye…Ninne Nodalu Viver A Vida Transformers: Revenge of the Fallen Kajaare 31 North 62 East Morgan Palsson The Shooting of Thomas Hurndall Hurt Locker Euromed Audiovisual III Director Ali Samadi Ahadi Kathryn Bigelow Raj Chakraborty Naji Abu Nuwar Dr. Mohydeen Quandour Rakesh Rochan Robert Savo Nawras Abu Saleh Ruairi Robinson Mohamed Lutfi Mais Darwazeh Ahmad Alyaseer Cherien Daibes Amin Matalqa Dante Lam Katherine Windfeld Annemarie Jacir Al Jazeera Childrens Channel Ridley Scott Fadi Haddad Aseel Mansour Anais Barbean - Lavalette Chandrahaasan Dima Amr Igor Voloshi Warren Lee Tamahori Gary McKendry Bandar Albuliwi & Ghazi Albuliwi Yehya Abdullah Al Jazeera Childrens Channel Mohamed Hushki Hazim Bitar Mohieddine Quandour Mahmoud al-Massad Denis Villeneuve Doug Liman Raghu Ram Jayme Mojardim Michael Bay Pooja Bhatt Tristan Loraine Fredrik Boklund Rowan Joffe Kathryn Bigelow 66 Country of production Germany USA India Jordan Jordan India Belgium Jordan United Kingdom Jordan Jordan Jordan Jordan USA China Sweden Palestine United Kingdom USA Jordan Jordan Canada India Jordan Russia Belgium Australia USA Jordan United Kingdom Jordan Jordan Jordan Jordan Canada USA India Brazil USA India USA Sweden United Kingdom USA Film and audiovisual data collection project 2006 2005 2004 2002 2001 2000 1999 1998 1997 1993 1991 1989 1984 1977 1971 1970 1965 1962 1960 1957 Mission Captain Abu Raed Redacted Battle for Haditha A Lost Man Recycle The Holy Family A Journey to Iraq The Soccer Academy Free Zone The Search for John the Baptist Where is Iraq? Die Baghdad Bahn Waiting Spiritual Warriors Lawrence of Arabia: The Battle for the Arab World Gerry The Mummy Returns Son of God Red Planet Mission to Mars Don‘t Forget Your Passport Hedersmord Mortal Kombat: Annihilation Son of the Pink Panther An Oriental Story Indiana Jones and the Last Crusade The Ambassador Sinbad and the Eye of the Tiger The Snake The Storm Storm on Petra Lawrence of Arabia Watani Habibi Orient Struggle in Jerash Hammad Zou‘by Amin Matalqa Brian de Palma Nick Broomfield Danielle Arbid Mahmoud Al Massad Raffaele Merts Benjamin Wilbanks Christina Coppola Amos Gitai Mark Hufnail Baz Shamoun Roland May Rashid Mashrawi David Raynr James Hawes Gus Van Sant Stephen Sommers Jean-Claude Bragand Anthony Hoffman Brian de Palma Gordon Sivell Peter Lfgren & Lena Pettersson John Leonetti Blake Edwards Najdat Anzour Steven Spielberg J.Lee Thompson Sam Wanamaker Jalal Toumeh Roger Cardinal Farouk Ajrama David Lean Abdallah Kawash Arne Hverven Wassef Al Sheikh Source: Royal Film Commission - Jordan, Jordan's Hall of Films; http://www.film.jo/?q=node/297 Euromed Audiovisual III 67 Jordan Jordan USA - Canada United Kingdom France Jordan Italy USA USA Spain - France- Israel – Belgium USA Canada Germany Palestine USA United Kingdom United Kingdom USA United Kingdom USA - Australia USA Canada Sweden USA USA - Italy Jordan USA USA United Kingdom Jordan Canada Jordan United Kingdom Jordan Norway Jordan Film and audiovisual data collection project 9.5 Film production in Jordan 9.5.1 Films produced in 2007-2012 The Royal Film Commission provided us with the titles of films produced between 20007 and 2012. According to this document, Jordan produced 17 feature films and 6 documentaries during this period. List of Jordanian films produced in 2007- 2012 Year Film Director Type Al-Dakheel Naji Abu Nuwar Feature Similar Differences Mohamed Lutfi Feature My Love Awaits by the Sea Mais Darwazeh Documentary When Time Becomes a Woman Ahmad Alyaseer Feature Facebook Romance Mohydeen Qandour Feature May in the Summer Cherien Daibes Feature Over-Sized Coat Nawras Abu Saleh Feature Line of Sight Aseel Masour Feature When Monalisa Smiled Fadi Haddad Feature A 7 Hour Difference Deema Amr Feature The Last Friday Yahya Alabdallah Feature Uncle Nashaat Aseel Mansour Documentary Transit Cities Mohamed Hushki Feature Fish Above Sea Level Hazim Bitar Feature Cherkess Mohieddine Quandour Feature This is my Picture when I was Dead Mahmoud al-Massad Documentary The United Amin Matalqa Feature 2009 Amreeka* Cherien Dabis Feature 2008 Perforated Memory Sandra Madi Documentary The Mission Hammad Zou‘by Feature Captain Abu Raed Amin Matalqa Feature Recycle Mahmoud Al Massad Documentary Always Look them in the Eyes Azza el Hassan Documentary 2012 2011 2010 2007 *This Jordanian film was shot outside Jordan Source: Royal Film Commission - January 2013 Jordanian films produced 2007-2010 20 15 17 10 6 5 0 Fiction Documentary Source: Royal Film Commission - unpublished - January 2013 Euromed Audiovisual III 68 Film and audiovisual data collection project 9.5.2 Production companies Besides productions financed by the Royal Film Commission and individual production initiatives, there is a number of private film and audiovisual production companies in Jordan as listed below: Film and audiovisual production companies in Jordan Name of the company Paper and pen film company for cinematographic production Taef Institution for cinema and TV production Name of the company (in Arabic) شركة أفالم ورقة وقلم لإلنتاج السينمائي مؤسسة طيف لإلنتاج السينمائي والتلفزيوني Prime Time Production برايم تايم لإلنتاج Arab Telemedia Group المركز العربي للخدمات السمعية البصرية Pionneer Audiovisual Society Albert Haddad Production شركة الرواد للصوتيات والمرئيات شركة البير حداد لإلنتاج Hakaya Amman for artistic production and distribution حكايا عمّان لإلنتاج والتوزيع الفني Al Shrouk institution for audiovisaul production مؤسسة الشروق لإلنتاج اإلعالمي Amman Filmmakers Cooperative Immagination for film industry Sanodkhan Film Production 612 Film laboratory تعاونية عمان لصناعة األفالم ايمجيشن لصناعة األفالم سانودخان لالنتاج السينمائى لألفالم612 معمل Source: Najeh Hassan Entries joy Readings Jordanian films, op.cit. 9.5.3 Amman Filmmakers Cooperative1 Founded as a Film club in 2002, by Hazim Bitar, the Amman Filmmakers cooperative‘s aim was to promote independent Jordanian and Palestinian diasporas filmmaking through training workshops, monitoring, experimentation and networking. The Cooperative wanted to enable student filmmakers to produce films with the help of amateur actors using scant resources and low-cost digital filming tools. Since 2003, Amman Filmmakers Cooperative graduate directors and actors have made over 50 short films with the highest selection rate in the history of Jordanian cinema. Many of these films were selected for well-known festivals such as the: Clermont-Ferrand 1 http://jordanianfilms.com/aboutafc.htm Euromed Audiovisual III 69 Film and audiovisual data collection project International Short Film Festival (France); Huesca International Film Festival (Spain); Tampere International Short Film Festival (Finland); Seagate-Foyle International Film Festival (Northern Ireland); Locarno International Film Festival (Switzerland); and were shown in other regional film festivals such as in Dubai at the Middle East International Film Festival, in the UAE at the International Film Festival; in Egypt at the Ismailia Film Festival; at the Tangiers Film Festival in Morocco; in Tunisia at the Carthage Film Festival, etc.1 In 2007, the Cooperative and the Spanish embassy in Jordan entered into cooperation to launch a project called « Films of Hope » consisting of workshops for underprivileged Jordanian communities. In order to promote activities by the graduates of their different workshops the AFC, in cooperation with local NGOs, set up small production units to enable students to continue making films after the workshops were over. To mark the first anniversary of the Arab spring in Jordan and coinciding with the Cooperative‘s suspension of activities during the Jordanian short film festival, the Amman Filmmakers Cooperative decided to suspend their activities on 14 May 2012, as a sign of protest against the assassination, during a peaceful demonstration, of the protesters Khairy Jamil, Mohammad Ajouri, and Najem Azyzah Zoubi, killed by pro-regime gangsters2. Nevertheless, the list of training and monitoring workshops the AFC provided is still available at http://jordanianfilms.com/education.htm despite the suspension of the Cooperative‘s activities. A limited selection of films produced and directed by Amman Filmmakers Cooperative students can be accessed through http://youTube.com/JordanianFilms. 9.6 Film distribution 9.6.1 Market shares of production studios- 2012 According to the data provided by Empire, Gulf Films and the Jordanian company Selim Ramia & Co rank highest in terms of market shares in 2012 with 14.95% and 12.75% respectively. Empire IND achieved 7.78% and ranked 7th preceded by the American companies Columbia Pictures, Warner Bros, 20th Century Fox, and Paramount whose shares varied between 8.25% and 9.83%. The following table shows market shares divided between the 15 major Arab and American production and distribution companies whose films were distributed in Jordan in 2012, Gulf Film, Selim Ramia & Co, Columbia Pictures, Warner Bros, Paramount, Empire IND, etc. 1 Ibid. 2 http://jordanianfilms.com/suspend.htm Euromed Audiovisual III 70 Film and audiovisual data collection project 1 GF Gulf Film 152 321 1 106 285 Market share 14.95% 2 SR&Co Selim Ramia & Co 129 833 1 016 153 12.75% 3 COL Columbia Pictures 100 128 792 508 9.83% 4 WB Warner Bros 93 483 666 822 9.18% 5 FOX 20th Century Fox 84 027 637 417 8.25% 6 PAR Paramount 83 431 610 275 8.19% 7 Emp/Ind Empire IND 79 298 632 528 7.78% 8 UNI Universal 72 967 524 658 7.16% 9 WD's Walt Disney Studios Motion Pictures 63 637 517 786 6.25% 10 EAG Eagle Film USA 57 157 423 627 5.61% 11 JG Jaguar Film 50 674 378 716 4.97% 12 ITAL Italia Film (ind ) 28 692 206 069 2.82% 13 PP Prime 21 276 160 981 2.09% 14 IND Others 859 6 891 0.08% 15 JC Joseph Chacra & Sons ( ind ) 852 6 116 0.08% 1 018 635 7 686 832 100.00% Name of the company Admissions TOTAL G.B.O Market shares of Arab and American production and distribution companies in in Jordanian cinemas for 2012 PP IND JC 2.09% 0.08% 0.08% ITAL 2.82% GF 14.95% JG 4.97% EAG 5.61% WD's 6.25% SR&Co 12.75% UNI 7.16% COL 9.83% Emp/Ind 7.78% PAR 8.19% FOX 8.25% WB 9.18% Source : Empire International – April 2013 Euromed Audiovisual III 71 Film and audiovisual data collection project 9.6.2 Distribution companies In view of the fact that Selim Ramia & Co and Empire International hold between them more than 50% of market shares in terms of distribution in Jordanian cinemas in 2012, with total admissions exceeding 500.000, it seems important to provide an overview of the two companies below. Selim Ramia & Co1 Major provider of entertainment services, Selim Ramia & Co was established in 2007, providing investors, exhibitors and television viewers with new standards in terms cinema experience. Co-founder of ‗Gulf Film LLC Group, SR & CO is one of the foremost companies in market share acquisition in Lebanon, Jordan and Syria. Combining strategic choices in multiplex locations with the latest blockbusters, superior service and quality food, the Grant Cinemas owned by SR & Co, have, in the space of a few years, become the choice cinema destination in Lebanon, Kuwait, Jordan and soon Erbil in Iraq. SR & Co‘s revolutionary multiplex in Kuwait has not only built on the company‘s forty years experience in the cinema industry but also attests to the company‘s prosperity achieved not by chance but through a steadfast determination be a successful conglomerate that is second to none in the Middle East. Empire International2 Present in Lebanon since 1992, the Empire group‘s expansion strategy is remarkable both inside and outside of Lebanon. Empire International distributes, in particular, Columbia TriStar and Twentieth Century Fox films and has offices in Jordan, Dubai, Bahrain, Syria, and Egypt. In Jordan, Empire is very successful. In 2012 it achieved 25.86% of market shares in terms of distribution, and thus ranked second after Selim Ramia & Co. 9.6.3 Market shares per distributor Some production companies figuring in the last table on Market shares of production studios – 2012, are amongst the main film distributors in Jordan, The distribution market in Jordan is divided amongst eight companies. Two well-known companies: Selim Ramia & Co and Empire International between themselves hold more than 50% of market shares. According to box office earnings of films distributed in 2012, data provided by Empire and compiled in the following table, list the main distributors and their market shares of Jordanian cinemas in 2012. 1 Voir : http://www.srndco.com/ 2 For more information on the Empire Group see : http://www.circuit-empire.com/history.asp Euromed Audiovisual III 72 Film and audiovisual data collection project Market shares per distributor Distributor Admissions 2012 Market share per distributor SELIM RAMIA & Co 282 154 27.70% EMPIRE INTERNATIONAL 263 453 25.86% FOUR STAR FILMS 156 398 15.35% JOSEPH CHACRA & SONS 94 335 9.26% ITALIA FILM 92 329 9.06% Eagle Film USA 57 157 5.61% JAGUAR FILM 50 674 4.97% PRIME PICTURES 21 276 2.09% Others / Arab & Ind 859 0.08% 1 018 635 100.00% Market shares per distributor - 2012 JAGUAR FILM 4.97% PRIME PICTURES 2.09% Others 0.08% Eagle Film USA 5.61% ITALIA FILM 9.06% Selim Ramia & Co 27.70% JOSEPH CHACRA & SONS 9.26% FOUR STAR FILMS 15.35% EMPIRE INTERNATIONAL 25.86% Source: Empire International - April 2013 Euromed Audiovisual III 73 Film and audiovisual data collection project 9.7 Cinema exhibition 9.7.1 Ranking of films shown in Jordanian cinemas according to nationality – 2012 A total of 211 films were screened in Jordanian cinemas in 2012. American films ranked highest with a total of 157 films. Egyptian films were in second position with a total of 17 films. Ranking of films shown in Jordanian cinemas according to nationality1 2012 Country USA Egypt France Great Britain Jordan China Germany Palestine Lebanon India Turkey Number of films 157 17 11 5 4 4 3 3 3 3 1 Cinema theatres It is important to point out that no reference specifically mentions the exact number of cinemas existing in Jordan. However, from research carried out by the film critic Najeh Hassan 2, in 2013 it was estimated that there were 53 cinemas in Jordan, 47 of which were in multiplexes that were part of shopping malls in Amman. Moreover, the capital also counted 4 less exclusive cinemas. Multiplexes In recent years, Jordanian, Arab and Foreign investors involved in distribution have built new multiplexes in the capital, Amman. Located in the Souwaifiya quarter, Prime cinemas is the latest of these multiplexes. Grand Zara Grand CityMall Prime Cinemas Grand Cinemas Cinema City Rainbow 1 Figures collected by the author and film critic, Najeh Hassan from distributors and investors in Jordan and published separately in the Jordanian daily paper Al Rai as part of several articles by the author describing cinematographic activities in the Kingdom in 2012. 2 Ibid. Euromed Audiovisual III 74 Film and audiovisual data collection project The following table drawn up by Empire International ,owner of multiplexes in Lebanon and one of the most important film distributors in Jordan, indicates the number of admission during the 52nd week of 2012. During that week the film market increased by 43%. The table also indicates the total number of ticket sales and the global box office revenue from the different cinemas (up to 26 December 2012). The total number of admissions grossed a box office estimated at 7,686, 832, 00 JOD (8.1 millions EUR). Total Average Admissions/week Admissions Week 52 Admissions week51 Up /Down% G.B.O. Week. 52 Total admissions 2012 (up to date) Total G.B.O 2012 (up to date) 19 589 20 302 14 205 43% 153 073 1 018 635 7 686 832.00 Ticket price According to information collected on the spot, the price of a cinema ticket varies from 8 to 10 JOD i.e. 8.5 to 10.5 EUR. Euromed Audiovisual III 75 Film and audiovisual data collection project 9.7.2 Cinema reports – week 52/2012- from 20.12.2012 to 26.12.2012 Film title SILVER LININGS PLAYBOOK JACK REACHER KILLING THEM SOFTLY LIFE OF PI TWILIGHT : BREAKING DAWN 2 THE IMPOSSIBLE TAD THE LOST EXPLORER STOLEN ALEX CROSS Euromed Audiovisual III DIST. ITAL F PAR ITALF FOX JAG/GF JAG GF GF GF Cinema GRAND ZARA GRAND CITYMALL PRIME CINEMAS CINEMA CITY RAINBOW TOTAL GRAND ZARA GRAND CITYMALL PRIME CINEMAS CINEMA CITY RAINBOW TOTAL GRAND ZARA GRAND CITYMALL PRIME CINEMAS CINEMA CITY RAINBOW TOTAL GRAND ZARA GRAND CITYMALL PRIME CINEMAS CINEMA CITY RAINBOW TOTAL GRAND ZARA GRAND CITYMALL PRIME CINEMAS CINEMA CITY RAINBOW TOTAL GRAND ZARA GRAND CITYMALL PRIME CINEMAS CINEMA CITY RAINBOW TOTAL GRAND ZARA GRAND CITYMALL PRIME CINEMAS CINEMA CITY RAINBOW TOTAL GRAND ZARA GRAND CITYMALL PRIME CINEMAS CINEMA CITY RAINBOW TOTAL GRAND ZARA GRAND CITYMALL Week of release ADM. Week 52 2 2 1 1 1 1 537 728 1 265 411 2 348 1 466 328 4 553 3 3 308 165 473 1 1 1 1 1 1 1 803 570 1 373 147 1 040 481 52 1 720 1 7 3 2 2 0 1 3 Up/ Down % 0 615 722 0 0 1 337 0 0 598 421 0 0 1 019 -5% -54% 1 679 1 455 204 3 338 1 6 6 1 ADM Week 51 0 0 899 597 0 0 1 496 -8% 0 827 827 145 145 0 102 0 0 0 0 102 214 0 503 42% Total ADM. Per cinema 0 1 152 1 450 0 0 2 602 411 2 348 1 466 328 0 4 553 0 1 891 1 384 0 0 3 275 0 1 679 1 455 204 0 3 338 425 11 340 7 850 304 0 19 919 147 1 040 481 52 0 1 720 0 827 0 0 0 827 961 1 835 693 252 0 3 741 165 1 718 76 G.B.O. Week.52 0.00 1 015.00 G.B.O. Total Per cinema 0.00 8 295.00 10 336.00 0.00 0.00 18 631.00 2 877.00 17 058.00 10 551.00 2 296.00 0.00 32 782.00 0.00 13 699.00 9 961.00 0.00 0.00 23 660.00 0.00 13 833.00 11 803.00 1 632.00 0.00 27 268.00 2 975.00 82 251.00 55 885.00 2 128.00 0.00 143 239.00 1 029.00 7 493.00 3 364.00 364.00 0.00 12 250.00 0.00 6 743.00 0.00 0.00 0.00 6 743.00 6 727.00 13 384.00 4 973.00 1 764.00 0.00 26 848.00 1 528.00 1 155.00 12 496.00 3 858.00 5 186.00 9 044.00 2 877.00 17 058.00 10 551.00 2 296.00 32 782.00 2 213.00 1 180.00 3 393.00 13 833.00 11 803.00 1 632.00 27 268.00 5 812.00 4 035.00 9 847.00 1 029.00 7 493.00 3 364.00 364.00 12 250.00 6 743.00 6 743.00 1 015.00 Film and audiovisual data collection project PRIME CINEMAS 1 CINEMA CITY RAINBOW 214 TOTAL PLAYING FOR KEEPS ARGO THE HOBBIT RISE OF THE GUARDIANS HOTEL TRANSYLVANIA SKY FALL FLIGHT EAG WB SR&Co PAR COL SR&Co PAR GRAND ZARA GRAND CITYMALL PRIME CINEMAS CINEMA CITY RAINBOW TOTAL GRAND ZARA GRAND CITYMALL PRIME CINEMAS CINEMA CITY RAINBOW TOTAL GRAND ZARA GRAND CITYMALL PRIME CINEMAS CINEMA CITY RAINBOW TOTAL GRAND ZARA GRAND CITYMALL PRIME CINEMAS CINEMA CITY RAINBOW TOTAL GRAND ZARA GRAND CITYMALL PRIME CINEMAS CINEMA CITY RAINBOW TOTAL GRAND ZARA GRAND CITYMALL PRIME CINEMAS CINEMA CITY RAINBOW TOTAL GRAND ZARA GRAND CITYMALL PRIME CINEMAS CINEMA CITY RAINBOW TOTAL 1 2 64 64 1 5 398 2 2 2 398 565 1 372 1 568 3 505 1 4 3 3 1 6 9 3 0 9 9 9 3 0 1 3 5 4 413 413 0 360 0 0 360 166 723 473 0 0 1 362 292 292 0 0 0 503 0 364 319 0 0 683 0 0 398 0 0 398 788 1 694 1 696 0 0 4 178 0 514 176 127 0 817 0 0 290 0 0 290 168 612 405 0 0 1 185 0 0 540 154 0 694 -57% -91% 0% -49% 24% 15% -58% Source : Empire International – Amman/Beirut, April 2013 Euromed Audiovisual III 77 218 0 0 2 101 0 364 383 0 0 747 0 866 4 031 0 0 4 897 1 353 3 066 3 264 0 0 7 683 32 2 255 799 314 0 3 400 24 6 953 7 614 1 219 0 15 810 3 924 15 332 16 247 1 222 0 36 725 491 2 830 3 487 539 0 7 347 1 528.00 451.00 451.00 2 867.00 2 867.00 3 955.00 11 300.00 12 622.00 27 877.00 3 292.00 3 292.00 0.00 2 912.00 0.00 0.00 2 912.00 1 162.00 5 237.00 3 324.00 0.00 0.00 9 723.00 2 081.00 2 081.00 1 582.00 0.00 0.00 15 233.00 0.00 2 600.00 2 686.00 0.00 0.00 5 286.00 0.00 6 325.00 28 897.00 0.00 0.00 35 222.00 9 720.00 25 349.00 26 407.00 0.00 0.00 61 476.00 192.00 18 383.00 6 484.00 2 512.00 0.00 27 571.00 144.00 56 865.00 61 569.00 9 752.00 0.00 128 330.00 27 419.00 111 094.00 115 967.00 8 554.00 0.00 263 034.00 3 437.00 20 660.00 24 957.00 3 773.00 0.00 52 827.00 Film and audiovisual data collection project 9.7.3 Ranking of films according to box-office earnings 2012- to 16/12/2012 (52nd week) Release date Ran g 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 FILM OMAR & SALMA 3 AVENGERS 3D SKYFALL SPIDER MAN 4, 3D Amazing s m DARK KNIGHT RISES TAKEN 2 EXPENDABLES 2 MADAGASCAR 3, 3D SHERLOCK HOLMES 2 ICE AGE 4 3D SNOW WHITE AND THE Huntsman TWILIGHT Breaking Dawn Part 2 AL MASLAHA STEP UP 4 REVOLUTION MEN IN BLACK 3, 3D HUNGER GAMES HOTEL TRASYLVANIA 3D BABA, Arabic THIS MEANS WAR SAFE HOUSE BRAVE 3D MIRROR MIRROR GAME OVER, Arabic THOUSAND WORDS TITANIC 3D WRATH OF THE TITANS 3D HOBBIT : AN UNEXPECTED JOURNEY HOW I SPENT MY MUMMER C VOW, THE FLIGHT JOHN CARTER 3D PARANORMAL ACTIVITY 4 TED WHAT TO EXPECT W Y Expecting SAFE BOURNE LEGACY UNDERWORLD 4 3D LORAX,THE RESIDENT EVIL RETRIBUTION 3D POSSESSION THINK LIKE A MAN BATTLESHIP JOURNEY 2, 3D HERE COME THE BOOM CONTRABAND MR AND MRS OWEYS Euromed Audiovisual III 12-Jan-12 3-May-12 25-Oct-12 5-Jul-12 16-Aug-12 4-Oct-12 16-Aug-12 14-Jun-12 28-Dec-11 28-Jun-12 31-May-12 15-Nov-12 24-May-12 16-Aug-12 24-May-12 22-Mar-12 25-Oct-12 16-Aug-12 23-Feb-12 9-Feb-12 16-Aug-12 15-Mar-12 5-Jul-12 22-Mar-12 5-Apr-12 29-Mar-12 13-Dec-12 5-Apr-12 9-Feb-12 22-Nov-12 8-Mar-12 18-Oct-12 30-Aug-12 31-May-12 26-Apr-12 6-Sep-12 19-Jan-12 15-Mar-12 13-Sep-12 11-Oct-12 12-Jul-12 19-Apr-12 9-Feb-12 1-Nov-12 26-Jan-12 25-Oct-12 DIST. SR&Co WD,S SR&Co COL WB GF EAG/GF PAR WB FOX UNI JAG/GF GF JAG/GF COL EAG/GF COL SR&Co FOX UNI WD,S GF GF PAR FOX WB SR&Co Prime P GF PAR WD,S PAR UNI EAG/GF GF UNI COL UNI COL GF COL UNI WB COL UNI GF Numbe r of screen s 3 4 4 5 5 4 5 5 4 6 4 3 2 3 5 3 1 4 4 4 4 3 2 4 3 5 3 1 2 4 4 3 3 3 2 4 4 4 4 1 2 4 4 3 4 2 Week. # 30 15 9 8 12 8 11 11 6 9 13 6 13 11 7 13 9 12 13 10 7 10 6 9 6 4 2 21 8 5 4 9 9 8 4 4 2 10 4 7 5 5 5 5 4 6 Work day./ GBO 7 277 15 134 3 951 16 466 9 919 12 089 2 279 5 114 5 827 5 280 4 569 15 836 0 905 11 032 2 660 4 093 199 4 994 2 756 1 192 3 080 2 746 5 105 4 784 9 729 7 878 0 2 104 6 245 6 583 3 786 4 057 1 934 6 112 4 558 2 538 3 299 5 321 2 711 2 873 6 080 4 362 3 686 4 461 677 Weekend BOX OFFICE 19 913 41 063 47 621 49 997 33 503 32 470 7 223 17 380 30 617 22 322 12 277 35 235 13 795 3 082 25 412 12 575 28 234 637 13 779 11 321 4 573 8 344 8 081 11 422 11 630 21 716 21 734 0 6 058 15 828 16 363 6 546 11 216 5 050 15 385 13 876 8 476 12 275 13 789 6 559 8 959 12 893 11 038 9 595 12 085 5 911 Weekend Admission s 2 425 5 031 6 652 6 134 4 739 4 528 1 006 2 141 4 904 2 743 1 702 4 905 1 681 378 3 102 1 803 3 460 79 1 958 1 632 562 1 200 1 921 1 617 1 417 2 651 2 684 0 888 2 200 2 001 910 1 568 703 2 161 1 936 1 193 1 538 1 684 904 1 253 1 810 1 351 1 327 1 719 719 78 Weekend BOX OFFICE 25 341 46 792 68 593 62 721 45 987 34 577 15 328 25 438 40 057 27 237 14 606 40 050 16 351 7 007 29 381 14 311 45 144 7 962 15 456 13 317 8 993 9 454 11 244 13 021 13 872 23 999 23 891 0 7 289 19 173 18 239 7 389 13 190 6 083 17 817 15 967 10 803 13 395 15 874 7 314 11 467 14 446 12 423 10 613 14 299 8 863 Weekend Admission s 3 087 5 734 9 567 7 692 6 473 4 959 2 144 3 186 6 410 3 346 2 026 5 574 1 991 852 3 590 2 051 5 534 980 2 198 1 917 1 098 1 359 2 655 1 844 1 690 3 565 2 953 0 1 066 2 667 2 232 1 026 1 847 848 2 504 2 230 1 356 1 679 1 940 1 008 1 602 2 029 1 522 1 469 2 032 1 082 Week BOX OFFICE 68 477 64 441 105 384 94 822 103 028 48 395 63 191 36 444 57 883 46 646 21 115 52 502 24 580 50 126 39 628 20 804 65 351 28 772 20 600 19 265 33 681 12 224 35 727 17 966 20 227 29 231 33 599 7 099 12 118 22 523 23 614 11 324 18 036 10 143 21 866 21 591 18 811 15 853 21 035 9 296 19 097 17 982 15 425 13 508 20 648 49 905 Week Admission s 8 366 7 886 14 744 11 629 14 432 6 885 9 202 4 493 9 274 5 769 2 940 7 305 2 995 6 130 4 845 2 973 8 016 3 523 2 933 2 763 4 105 1 756 4 387 2 544 2 468 2 365 4 178 998 1 778 3 133 2 893 1 578 2 525 1 420 3 074 3 018 2 364 1 991 2 574 1 286 2 671 2 523 1 891 1 873 2 938 4 542 CUM BOX OFFICE 578 388 332 866 263 034 264 991 231 427 205 042 191 318 194 146 154 940 178 993 147 753 143 239 152 322 152 818 143 270 129 135 128 330 113 255 92 311 84 578 83 655 71 593 84 541 62 718 73 192 67 410 61 476 52 770 45 166 52 827 57 237 49 011 47 175 45 741 45 964 45 488 51 401 49 517 49 597 43 443 39 579 39 160 44 328 38 435 37 308 42 057 CUM Admission s 71 345 40 934 36 725 32 681 32 387 28 721 26 701 24 174 23 668 22 305 20 699 19 919 19 674 18 748 17 570 16 298 15 810 13 849 12 967 12 292 11 453 11 044 10 392 8 961 8 923 8 212 7 683 7 479 7 448 7 347 6 999 6 848 6 591 6 402 6 388 6 347 6 332 6 211 6 074 6 018 5 543 5 534 5 444 5 336 5 309 5 205 Film and audiovisual data collection project 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 DARK SHADOWS ARGO TETA RAHIBA HELM AZIZ WATCH THE JACK REACHER LOOPER FIVE YEAR ENGAGEMENT LUCKY ONE STOLEN MAN ON A LEDGE TOTAL RECALL ONE FOR THE MONEY RISE OF THE GUARDIANS 3D LIFE OF PI, 3D ABRAHAM LINCOLN 3D KILLING THEM SOFTLY CHRONICLE WHEN MOMALIZA SMILED GREY THE DEVIL INSIDE ATM GHOST RIDER 2,3D DESCENDANTS, THE COLD LIGHT OF DAY,THE DARKEST HOURS SILVER LININGS PLAYBOOK CABIN IN THE WOODS PROMETHEUS 3D CHERNOBYL DIARIES PREMIUM RUSH MACHINE Gun Preacher SINISTER AL ANISSA MAMY LOCK OUT ALEX CROSS RED DAWN SAAH WA NOSF Arabic PARANORMAN 3D SAVAGES House at the end of the Street PIRATES BAND OF MISFITS 3D IMPOSSIBLE THE RAVEN CAMPAIGN DREDD 3D PROJECT X AWAKENING SET UP ROCK OF AGES ANNA KARENINA TRESPASS ACT OF VALOR FRANKENWEENIE 3D APPARITION Euromed Audiovisual III 10-May-12 22-Nov-12 16-Aug-12 28-Jun-12 27-Sep-12 20-Dec-12 18-Oct-12 17-May-12 26-Apr-12 8-Nov-12 2-Feb-12 30-Aug-12 26-Jan-12 29-Nov-12 20-Dec-12 21-Jun-12 6-Dec-12 9-Feb-12 20-Sep-12 23-Feb-12 1-Mar-12 12-Jul-12 16-Feb-12 26-Jan-12 5-Apr-12 12-Jan-12 13-Dec-12 10-May-12 7-Jun-12 12-Jul-12 20-Sep-12 12-Jan-12 29-Nov-12 22-Nov-12 28-Jun-12 6-Dec-12 29-Nov-12 11-Oct-12 13-Sep-12 4-Oct-12 1-Nov-12 5-Apr-12 20-Dec-12 17-May-12 13-Sep-12 27-Sep-12 12-Apr-12 23-Aug-12 5-Jan-12 28-Jun-12 6-Dec-12 14-Jun-12 1-Mar-12 4-Oct-12 27-Sep-12 WB WB Prime P EMP/ID FOX PAR ITAL UNI WB EAG/GF JAG/GF COL JAG/GF PAR FOX FOX ITAL FOX Prime P ITAL PAR GF GF FOX JAG/GF FOX ITAL EAG/GF FOX ITAL COL GF GF Prime P GF GF ITAL GF UNI UNI ITAL COL JAG/GF ITAL WB GF WB GF GF WB UNI GF GF WD,S WB 3 2 1 3 3 4 3 4 3 3 3 4 2 4 3 4 2 3 1 3 4 2 3 1 3 3 2 3 4 2 4 2 2 1 2 3 2 1 2 4 3 4 4 2 2 3 4 2 2 2 2 2 2 2 2 6 5 7 7 4 1 5 5 5 7 3 3 4 4 1 3 3 3 8 5 4 5 2 3 4 1 2 4 2 5 2 4 3 5 2 3 1 3 3 3 3 3 1 6 3 3 2 2 2 2 1 3 2 4 1 3 354 3 454 0 2 136 4 191 8 525 3 570 2 716 1 586 3 229 2 746 3 573 1 097 2 496 4 504 2 576 5 083 4 319 0 3 979 2 345 448 5 219 1 645 3 653 3 603 2 046 601 3 357 2 159 3 664 1 631 2 191 0 1 465 2 481 3 150 958 1 937 1 213 2 064 1 830 1 955 1 327 2 449 1 979 2 557 1 181 2 558 1 089 1 591 1 374 1 817 1 735 1 352 7 910 10 138 0 7 345 9 141 20 057 8 358 6 727 5 060 8 246 7 734 10 067 2 942 7 009 13 379 7 403 9 710 9 097 0 8 701 4 012 5 142 9 830 6 120 7 151 1 305 5 428 4 946 7 375 5 480 8 607 4 539 4 863 0 4 649 6 723 7 230 2 506 4 955 368 4 419 4 984 5 716 3 234 5 178 4 389 5 269 3 791 5 026 3 634 4 659 3 386 2 968 4 808 3 795 1 095 1 402 0 904 1 277 2 786 1 159 942 707 1 138 1 118 1 410 437 867 1 632 903 1 339 1 269 0 1 246 566 719 1 204 856 999 162 757 627 905 758 1 203 663 670 0 634 928 994 303 609 468 616 620 801 446 724 537 756 529 785 506 647 471 412 593 529 79 8 720 11 508 0 8 534 10 048 22 659 9 464 7 978 6 435 9 032 8 897 11 916 3 565 7 715 15 488 8 948 10 667 9 803 0 9 510 4 937 6 765 11 085 7 315 7 515 9 255 6 312 5 758 9 026 6 777 9 757 4 991 5 474 0 5 934 7 623 7 779 2 945 5 429 3 824 4 963 6 167 6 922 3 667 5 710 4 979 6 136 4 748 5 678 4 550 5 569 4 127 4 523 4 955 4 400 1 208 1 593 0 1 051 1 407 3 146 1 312 1 119 901 1 247 1 288 1 667 531 954 1 892 1 094 1 470 139 0 1 366 698 944 1 358 1 023 1 050 1 140 881 770 1 107 940 1 363 727 755 0 755 1 052 1 069 356 667 531 692 718 969 507 799 309 883 663 890 635 775 572 634 611 613 11 656 15 704 11 958 13 735 12 966 32 782 13 403 12 130 9 402 13 529 16 992 17 206 11 385 9 261 27 268 14 895 12 906 12 614 0 11 606 7 194 11 090 14 325 10 764 11 128 12 879 9 587 7 963 13 274 10 684 12 146 6 807 7 432 4 845 9 124 10 031 9 518 6 029 6 896 5 432 7 084 7 195 12 250 5 102 7 356 7 511 8 006 7 917 7 422 7 900 8 002 6 695 5 748 5 403 5 829 1 620 2 176 1 477 1 695 1 814 4 553 1 863 1 701 1 315 1 877 2 435 2 407 1 646 1 145 3 338 1 825 1 783 1 762 0 1 665 1 024 1 548 1 758 1 508 1 562 1 585 1 337 1 114 1 627 1 489 1 698 997 1 028 610 1 254 1 384 1 308 758 847 754 989 896 1 720 706 1 027 923 1 152 1 105 1 175 1 101 1 112 929 162 666 812 36 640 35 222 38 087 38 205 33 491 32 782 32 700 29 341 29 421 26 848 25 765 26 157 27 283 27 571 27 268 27 123 23 660 22 652 24 238 20 836 20 769 20 830 23 567 20 464 19 968 21 414 18 631 17 270 19 463 16 131 15 765 14 844 15 644 17 157 15 299 15 233 14 798 15 378 15 389 12 828 12 453 13 491 12 250 11 648 11 549 13 093 10 685 10 921 9 710 10 365 102 670 9 860 9 695 10 754 9 532 5 116 4 897 4 726 4 722 4 669 4 553 4 545 4 117 4 100 3 741 3 691 3 660 3 464 3 400 3 338 3 319 3 275 3 170 3 005 2 993 2 915 2 898 2 881 2 862 2 781 2 630 2 602 2 399 2 385 2 253 2 210 2 163 2 159 2 146 2 104 2 101 2 040 1 903 1 888 1 787 1 740 1 721 1 720 1 622 1 614 1 598 1 544 1 523 1 493 1 448 1 428 1 371 1 361 1 333 1 324 Film and audiovisual data collection project 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 AFTER LIFE CATCH.44 MONSTER IN PARIS WOMAN IN BLACK FREELANCERS CORIOLANUS 3D SEVEN BELOW BAIT 3D BATTLE OF 2 EMPIRES WAHED SAHIH Arabic HUGO 3D WRECK IT RALPH RED LIGHT IRON LADY 5 DAYS OF WAR ILLUSIONAUTS HIDDEN FACE,THE FEW BEST MEN A AND SOON THE DARKNESS TINKER BELL 3D DREAM HOUSE TAD THE LOST EXPLORER 3D THE DOUBLE 11.11.11. WE BOUGHT A ZOO HAYWIRE ARBITRAGE AMPHIBIOUS 3D SAMMYS 3D PLAYING FOR KEEPS REKLAM VANISHING ON 7TH Street SPACE DOG TUCKER AND DALE VS EVIL STREET DANCE 3 3D END OF WATCH BEAUTY & THE BEAST 3D EXTREMELY LOUD & Incredibly c RUBY SPARKS WARRIOR REEF 2 HAIRY TOOTH FAIRY 2 CASH FLOW, Leb TRANSIT FLOWERS OF WAR BLOOD CREEK J.EDGAR LAWLESS HAZZ SAEED KATY PERRY GONE RUM DIARY A VERY HAROLD & KUMAR 3D BEBO WA BASHEER Euromed Audiovisual III 19-Jul-12 GF 21-Jun-12 GF 19-Jan-12 ITAL 23-Feb-12 EMP/ID 11-Oct-12 ITAL 19-Jan-12 PP 16-Aug-12 Prime P 15-Nov-12 EAG/GF 27-Sep-12 EMP/ID 14-Jun-12 GF 19-Jan-12 EAG/GF 1-Nov-12 WD,S 20-Sep-12 EAG/GF 29-Mar-12 GF 2-Aug-12 JC 21-Jun-12 Prime P 4-Oct-12 FOX 21-Jun-12 ITAL 5-Jan-12 GF 26-Jul-12 WD,S 15-Mar-12 GF 20-Dec-12 GF 12-Apr-12 GF 7-Jun-12 EAG/GF 1-Mar-12 FOX 23-Feb-12 GF 8-Nov-12 ITAL 22-Mar-12 ITAL 25-Oct-12 GF 13-Dec-12 EAG/GF 3-May-12 GF 19-Apr-12 GF 12-Jan-12 GF 2-Aug-12 GF 19-Apr-12 EMP/ID 25-Oct-12 EMP/ID 16-Feb-12 WD,S 15-Mar-12 WB 29-Nov-12 FOX 2-Feb-12 EAG/GF 6-Dec-12 GF/ECS 7-Jun-12 GF 19-Apr-12 GF 9-Aug-12 GF 28-Jun-12 ITAL 28-Dec-11 GF 1-Mar-12 WB 6-Sep-12 ITAL 11-Oct-12 OTHERS 6-Sep-12 PAR 1-Mar-12 JAG/GF 8-Mar-12 EAG/GF 23-Feb-12 WB 15-Mar-12 GF 2 2 3 1 2 1 1 2 2 2 1 2 1 2 3 1 2 2 2 1 2 2 2 2 3 2 2 3 1 2 2 2 1 2 3 1 2 3 2 2 1 2 1 2 2 1 3 2 2 2 2 2 3 2 5 4 2 4 2 3 3 2 3 5 1 3 2 3 3 6 3 1 2 3 2 1 3 2 2 1 2 2 1 2 3 2 1 3 2 2 3 1 1 1 2 2 2 1 2 2 2 1 3 1 1 1 1 2 1 668 726 1 057 768 1 666 0 0 1 707 526 502 680 1 124 965 889 766 0 800 1 162 1 068 336 1 302 2 430 2 265 3 038 2 190 3 974 0 0 3 530 2 152 1 773 2 276 3 563 2 464 2 406 2 330 0 2 144 2 914 2 310 1 121 2 748 340 311 373 308 550 0 0 429 302 214 282 440 342 352 324 0 298 406 374 139 405 2 839 2 750 3 290 2 427 4 345 0 0 4 000 2 679 2 232 2 500 3 935 2 804 2 681 2 653 0 2 356 3 628 3 700 1 475 3 060 396 379 404 341 601 0 0 486 374 268 310 485 390 394 369 0 328 505 505 183 450 1 571 792 679 1 544 690 1 179 910 3 115 2 098 2 050 3 731 2 641 3 164 2 605 446 288 284 530 364 388 320 3 457 2 925 2 579 4 392 3 093 3 730 4 848 494 402 358 625 425 458 593 995 1 113 548 185 1 486 393 815 1 300 829 782 690 506 458 510 245 206 807 447 0 927 355 463 775 704 1 951 2 583 1 982 939 3 178 1 480 2 804 3 077 2 288 1 999 2 333 1 476 828 1 200 1 288 1 340 1 789 1 731 0 2 502 651 1 344 2 189 1 669 236 364 245 130 386 208 338 433 319 292 286 205 99 168 177 213 250 240 0 311 90 198 269 204 2 245 2 883 2 280 1 487 3 656 2 620 3 489 3 314 2 513 2 498 2 512 1 750 983 1 406 1 893 2 174 1 933 2 111 0 2 601 983 1 638 2 443 1 848 272 409 248 205 444 367 422 466 350 364 308 243 118 197 260 348 270 292 0 323 136 241 300 225 80 4 212 5 456 5 436 3 357 5 465 4 744 3 449 4 979 3 867 4 630 4 128 4 709 4 000 3 698 3 871 2 054 3 392 6 086 4 514 2 529 3 875 6 743 4 347 5 589 3 442 5 687 4 401 6 167 6 183 4 835 3 386 3 463 3 081 2 708 4 409 3 932 4 485 4 093 3 723 3 211 2 770 3 163 2 267 2 251 2 546 2 680 3 027 2 967 775 3 240 2 800 2 588 3 053 2 504 589 753 668 471 757 666 488 605 541 562 512 581 556 544 539 253 473 849 736 313 569 827 621 769 479 808 606 758 757 683 410 493 380 376 535 551 545 574 519 469 340 441 274 317 350 428 423 412 95 402 398 383 376 304 9 308 8 627 9 805 8 498 8 606 8 322 7 920 8 588 7 471 8 350 8 269 8 033 6 289 5 552 6 116 6 844 6 107 6 086 5 298 6 740 5 606 6 743 5 590 5 932 5 805 5 687 5 829 6 375 6 183 5 286 5 775 4 899 5 390 4 739 5 382 4 607 4 707 4 093 3 723 3 211 3 816 3 275 3 661 3 124 3 166 2 680 3 055 2 967 3 230 3 240 2 800 2 588 3 053 3 064 1 301 1 206 1 201 1 197 1 192 1 172 1 117 1 041 1 040 1 027 1 021 1 020 878 853 852 850 850 849 846 837 832 827 825 818 811 808 803 784 757 747 703 699 664 662 656 646 582 574 519 469 468 457 453 438 434 428 427 412 406 402 398 383 376 374 Film and audiovisual data collection project 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 FINDING NEMO 3D BUNRAKU ELEPHANT WHITE SANTAS MAGICAL CRYSTAL BIG MIRACLE KINGDOM OF ANTS BODYGUARD AND ASSASSING STAR WARS EP 1 3D SECRET WORLD OF ARRIETTY W.E BANAT EL AMM SALMON FISHING IN YEMEN HIT AND RUN IRON SKY GARFIELD 3 CARNAGE BURNING BRIGHT 13-Sep-12 19-Jul-12 24-May-12 13-Dec-12 8-Mar-12 20-Sep-12 26-Jul-12 9-Feb-12 26-Apr-12 5-Apr-12 16-Feb-12 9-Aug-12 13-Sep-12 20-Sep-12 28-Dec-11 8-Mar-12 17-May-12 WD,S GF GF GF UNI EMP/ID GF FOX EMP/ID GF GF GF EMP/ID GF/Faln GF Prime P GF 2 2 2 1 3 1 2 3 2 2 3 2 1 2 1 1 2 1 2 2 1 1 3 1 1 2 1 1 2 2 1 1 2 1 713 1 128 0 2 037 1 763 1 260 251 246 172 2 300 2 110 1 442 282 294 197 782 221 571 410 326 627 515 174 589 70 0 0 597 1 797 737 1 290 1 761 933 1 322 1 308 575 969 1 139 575 0 968 253 90 179 216 132 192 160 80 136 160 71 0 131 2 119 921 1 531 1 903 1 192 1 520 1 566 729 1 387 1 380 1 196 0 1 122 173 174 175 176 177 178 179 CHASING MAVERICK SOLDIESR OF FORTUNE INTOUCHABLES TROUBLE WITH THE CURVE TINKER TAILOR SOLDIER SPY BENEATH THE DARKNESS ARTHUR 3 EXPATRIATE WONT BACK DOWN BEL AMI WAR HORSE WAY THE DARK HORSE BANTALON JULIETTE 8-Nov-12 21-Jun-12 15-Mar-12 29-Nov-12 29-Apr-12 26-Apr-12 3-May-12 18-Oct-12 4-Oct-12 24-May-12 1-Mar-12 23-Feb-12 22-Nov-12 24-May-12 JAG/GF EMP/ID EMP/ID WB GF EMP/ID GF GF JAG/GF EMP/ID WD,S Prime P Prime P Prime P 1 2 2 2 2 1 2 1 1 2 1 1 1 1 1 1 1 1 1 2 1 1 1 1 1 1 2 1 372 347 500 311 348 187 245 215 114 116 398 0 0 0 796 914 987 988 1 006 467 846 473 381 462 483 0 0 0 110 128 138 139 143 65 119 65 53 65 67 0 0 0 816 1 062 1 113 1 124 1 117 600 937 585 486 543 590 0 0 0 Source: JORDAN to week 52 – Top Grossing Film 2012, Up to 16.12.2012, Rank by ADM, Empire International – Amman/Beirut, April 2013 Euromed Audiovisual III 81 264 113 212 233 169 220 192 101 195 193 148 0 152 2 969 2 561 2 170 2 759 2 275 1 691 2 164 2 416 1 353 2 017 2 240 1 073 1 676 1 820 2 046 1 484 1 673 365 356 299 339 320 208 301 295 192 293 275 149 236 255 254 209 229 2 969 2 561 2 520 2 759 2 275 2 523 2 164 2 416 2 079 2 017 2 240 1 946 1 676 1 820 2 046 1 761 1 673 365 356 349 339 320 311 301 295 294 293 275 270 268 255 254 248 229 113 149 156 158 159 84 131 80 68 76 82 0 0 0 1 633 1 610 1 481 1 449 1 367 840 2 314 944 864 844 825 410 234 200 228 226 208 204 194 118 167 131 123 118 114 58 33 26 1 633 1 610 1 481 1 449 1 367 1 206 1 193 944 864 844 825 410 234 200 228 226 208 204 194 169 167 131 123 118 114 58 33 26 Film and audiovisual data collection project 9.8 Coproduction A coproduction agreement or treaty gives full access to national funds, quotas and tax breaks. It requires the formal advance and post completion approval from the organisations in all the countries involved. These organisations are authorised by their government to approve coproductions (often the film institute, the film centre, the ministry or the governmental department responsible for cinematography). Officially, according to the RFC, Jordan has no coproduction agreements 1. Yet individual or private coproduction initiatives have resulted in Jordanian coproductions. Data on coproductions is to be found in the report Census and Analysis of film & Audiovisual Co-productions in the South-Mediterranean Region 2006-20112. - Number of co-productions in Jordan per year and per genre (2006-2011). FICTION DOC. TOTAL 2006 0 0 0 2007 1 1 2 2008 0 0 0 2009 0 0 0 2010 0 1 1 2011 1 2 3 Post-Prod. 1 1 2 TOTAL 3 5 8 Source Euromed Audiovisual III (L. Rosant, 2012) 3.5 3 2.5 2 1.5 1 0.5 0 1 DOC. FICTION Interview with Mme Nada Doumani, Communication & Culture Manager at Royal Film Commission, January 2013. 2 L. ROSANT, Census and Analysis of film & Audiovisual Co-productions in the South-Mediterranean Region 2006-2011, EUROMED AUDIOVISUAL III, Tunis, May 2012; http://euromedaudiovisuel.net/Files/2012/05/29/1338310192044.pdf Euromed Audiovisual III 82 Film and audiovisual data collection project - Co-production partner countries with Jordan (2006-2011) (The projects are not listed in the table) Pays Fiction Documentaries Total % U.S.A. 2 0 2 15% France 1 1 2 15% U.A.E 1 3 4 31% Netherlands 0 2 2 15% Germany 0 2 2 15% Lebanon 0 1 1 8% TOTAL 4 9 13 Source: Euromed Audiovisual III (L. Rosant, 2012) Parteners countries of cooproduction with Jordan Lebanon 8% U.S.A. 15% Germany 15% France 15% Netherlands 15% A.U.E 31% Source Euromed Audiovisuel III (L. Rosant, 2012) Euromed Audiovisual III 83 Film and audiovisual data collection project - Number of countries included per co-production Fiction Documentary Total % 2 countries 2 2 4 50% 3 countries 1 2 3 38% 4 countries 0 1 1 13% Total 3 5 8 Source Euromed Audiovisual III (L. Rosant, 2012) - List of films co-produced with Jordan per year Year Film title Director Genre CAPTAIN ABU RAED Amin Matalqa Fiction RECYCLE Mahmoud al Massad Documentary THIS IS MY PICTURE WHEN I WAS DEAD Mahmoud al Massad Documentary CONFESSION & STRUGGLE Eliane Raheb Documentary THE LAST FRIDAY Yahya Alabdallah Fiction UNCLE NASHAAT Aseel Mansour Documentary THE LEOPARDESS Naji Abu Nowar Fiction MY JINN Dalia Al Kury Documentary WHEN I SAW YOU Annemarie Jacir Fiction BLESSED BENEFITS Mahmoud Al Massad Fiction 2007 2010 2011 2012 Euromed Audiovisual III 84 Film and audiovisual data collection project 9.9 Distribution of Jordanian films abroad According to the European Audiovisual Observatory LUMIERE data base, between 1996 and 2012, 5 Jordanian films were distributed in Europe. 3 of these films were Jordanian co-productions with the United States, the Netherlands, Denmark and the United Arab Emirates. The other two films were Jordanian productions. The film that ranked highest amongst these in terms of box office earnings was Cherkess and it only grossed 14 008 admissions. The very successful Captain Abu Raed came second in the list with 10 670 admissions. Film Captain Abu Raed Recycle A 7 Hour Difference This Is My Picture When I Was Dead Cherkess Production countries Year of production JO / US 2007 NL/JO /DE 2007 JO AT BE BG CY 38 CZ DE DK EE ES FI 8 311 1 185 FR GB GR HU IE IT LT LU LV MQ MT NL PL 2010 JO 2010 RO SE TR 1 136 10 670 231 2011 NL/JO/AE PT 231 215 215 32 38 8 311 1 185 1 168 32 231 215 14 008 14 008 14 008 25 156 Source: European Audiovisual Observatory - LUMIERE database Over the period under review, the market share of Jordanian films distributed in the European Union is insignificant: less than 0%. From European Audiovisual Observatory data, non-European and non-American films generally represent cumulative market shares estimated at between 1% and 2% in the EU1. 1 The European Audiovisual Observatory LUMIERE database (http://lumiere.obs.coe.int) provides a systematic compilation of data available on the box-office of films distributed in European cinemas since 1996. It is the result of cooperation between the European Audiovisual Observatory and different specialised national sources as well as the European Union MEDIA Programme. The European Union coverage rate is in the order of 90 %. However, for less successful films, the base has some gaps due to t he fact that some countries do not provide complete listings of all distributed films. Euromed Audiovisual III 85 Total EUR (EU 27) Film and audiovisual data collection project 9.10 The physical video and video on demand market With respect to DVD distribution, Jordan belongs to zone 2 which includes Japan, Europe, South Africa , the Middle East and Egypt1. The video market is not well documented. Various Jordanian publishers or those from other Arab countries (in particular the Saudi group Rotan) publish national films. American studios distribute their films in the original version. The main sales outlets are specialised department stores (Virgin Megastore). Although the consumption of films and television series on line is dominated in Jordan, as in the rest of the world, by piracy, attempts have been made to launch legal offers aimed at the whole Arabic speaking market. Saudi Arabia and the Gulf States seem as if they will be the main market in the start up phase. The site shofha.com, run from Egypt by LINKonLINE, a subsidiary of LINKdotNET (a company belonging to Orascom Telecom Holding), is available on the internet in Jordan and provides a catalogue of Arab films 2. We have no data on the popularity or success of this service in Jordan. We are not aware of any legal sites offering VOD established in Jordan. It is not, however, difficult to find free streaming providers on the internet (thus more than likely unauthorised) 3. The site http://www.bokra.net offers Arab, Turkish and foreign films, TV series and television programmes by streaming. Similarly, the http://www.3afrit.net/ site offers Lebanese, Egyptian and Moroccan films. The trigon-film.ch site offers two Jordanian films for 26 CHF / 21 EUR. These films are: When I saw you (2012) and Last Friday (2012)4. However, the French site Universciné 5 (devoted to auteur cinema) proposes around fifteen Lebanese films (or co-produced with a Lebanese minority) but no Jordanian films. This is also the case for the global film initiative catalogue that offers a number of Arab and Middle Eastern films in VoD and streaming for 24.95 USD but lists no Jordanian films6. 1 The industry has devised a system of zones mainly serving to restrict exports of records outside the designated regions, enabling publishers to keep control over sales prices and the individual release date in each region of the world. 2 See S. ALI, Data collection initiative of statistics on the film and audiovisual markets of 9 Mediterranean countries. First interim report national reports : ÉGYPTE, Euromed Audiovisua lIII / European Audiovisual Observatory, 2012, p.66. http://www.euromedaudiovisuel.net/Files/2012/09/17/1347873169237.pdf 3 The Watcharabicmovies.net provides free access to Arab films http://www.watcharabicmovies.net/ 4 http://www.trigon-film.ch/fr/countries/Jordanie/orderby/director 5 http://www.universcine.com/films/pays/Liban 6 http://catalogue.globalfilm.org/ Euromed Audiovisual III 86 Film and audiovisual data collection project 9.11 National Film events 9.11.1 The Jordan Short Film Festival (JSFF) Founded in 2004 by the director of Palestinian origin, Hazim Bittar, the Jordan Short Film Festival (JSFF) was conceived with the intent of providing a platform for independent filmmakers in Jordan and in the Arab world to show their films and be in touch with latest developments in filmmaking on the international level. The JSFF is managed by the Amman Filmmakers Cooperative (AFC), a filmmaker‘s cooperative based in Amman 1. Recently, the JSFF launched two major competitions: the international short film competition and the Arab short film competition. Other competitions are held at the same time as the festival, such as the mobile phone film competition and All.Films.Look.Alike: a competition for amateur filmmakers. The JSFF organises periodical screening of films each year in different regions of the country and in conjunction with other international film festivals. The JSFF has established partnerships with a number of cultural institutions including the Shoman Foundation, the Clermont -Ferrand Film Festival, the French Cultural Centre, the Spanish Agency for Cultural Cooperation and the Arab Fund for the Arts and Culture (AFAC). The JSFF is the only nationally managed short film festival in Jordan. 9.11.2 Karama Human Rights Film Festival (HRFF)2 Karama HRFF was created in June 2009 in response to the need to establish a dialogue and advocacy for human rights. The founding committee known as Ma'mal 612 or Laboratory 612 after the Jordanian production company that initiated the festival, in made up of Sawsan Darwaza, Ehab Khatib and Ayman Bardawil. The festival‘s main theme is human dignity (Karama means dignity in Arabic).The main theme of the films selected for the festival is mankind in general; children, women and refugees. The political, economic social and civil rights, as well as the role of cinema and culture are also part of the festival themes. The exchange of expressions, ideas, opinions and experiences on human rights issues in the region and in the world has become crucial with the upheavals occurring in the Arab region since early 2011. 1 http://jordanianfilms.com/ 2 http://www.humanrightsfilmnetwork.org/festivals/karama-human-rights-film-festival Euromed Audiovisual III 87 Film and audiovisual data collection project Along with the HRFF, Ma'mal 612 organises cultural events on human rights issues: plays, art exhibitions and concerts. Moreover, the organisation has launched an awareness raising campaign in schools and universities and has created a Forum for Arab youth. In 2012, the organisers will be launching another forum for youth called «Change Makers of Jordan». Finally, the idea of setting up a network of Arab human rights films is in the process of being implemented. The third edition of the Festival is planned for 5 to 10 December 2013 in Amman. 9.11.3 European Film Festival in Jordan The 24th edition of the European Film Festival in Jordan was held from 30 September to 7 October 2012 on the theme of ―Transitions‖. Throughout the week, films from fourteen European countries were shown in different places around the Kingdom. «Transitions » was the theme of the 2012 European Film Festival. Transition suggests change, it is a rite of passage involving struggle, adaptation and success. It is also a common denominator of human experience, be it in Jordan, European countries or anywhere in the world. Hence the theme of this year « Transitions » because of its universal character » explained Joanna Wronecka, head of the EU delegation in Jordan.1. Jordanian youth were not left out during the festival. Indeed, in the cities of Zarqa, Irbid and Sahab, 54 young Jordanian filmmakers came up with their vision of « Transition‖ such as they were able to capture it with their mobile phones2. 9.11. 4 Franco Arab Film Festival Under the auspices of her Royal Highness Princess Rym Ali, and on the occasion of the 50th anniversary celebration of the French Institute of Jordan, the Franco Arab film festival held its 19th edition from 13 to 22 June 2013. The programme included eighteen unreleased films of Arab, French or francophone production, meetings with guests, workshops and debates, a ‗very cinematic‖ music event and a competition of Jordanian short films. The 19th 1 ‗‘the 24th European Film Festival opens in Jordan under the them ―Transitions‖, 5 October 2012, http://euromediterranee.blogspot.com/2012/10/le-24e-festival-du-film-europeen-souvre.html 2 Ibid. For more information, see also the European Film Festival in Jordan website http://www.eufilmfestivaljordan.com/site/ Euromed Audiovisual III 88 Film and audiovisual data collection project edition attracted around 3500 spectators! This edition also paid tribute to Ali Maher, a major and emblematic figure of the Jordanian artistic scene who passed away a few days before the opening of the festival1. While this edition participated in the celebration of the fiftieth anniversary of the French Institute of Jordan, it also marked a major turning point in the Festival‘s international dissemination with this year - besides the Palestinian territories for the fourth consecutive year and France in the Paris outer suburb of Noisy-le-Sec in November 2013 for the second time - two new editions launched in 2013: one in Lebanon and the other in Iraq. The Jordanian edition of the festival opened on 13 June 2013, in the royal cultural centre with A portée de vue by the Jordanian filmmaker, Aseel Mansour, in the presence of Princess Rym Ali and of Caroline Dumas, French ambassador to Jordan. In addition to this, eighteen recently produced films were presented: documentaries, fiction and animated films (for children and adults) from Egypt, Morocco, Lebanon, Tunisia, France ... but also from Jordan.2. In October 2012, although the FFFA has been held every year for the last eighteen years in Amman, the Trianon hosted the 1st edition of the Franco-Arab Film Festival, until 21 October, in Noisy-le-Sec with the screening of unreleased films and meetings with filmmakers.3 9.11.5 Arab Film Festival The second edition of the AFF was held for the second consecutive year from 5 to 9 August 2012. The festival was organised under the auspices of the Jordanian minister of culture and the Royal Film Commission. The programme included a selection of the best modern Arab films some of which had won awards while others were shown for the first time. Amongst these, the Lebanese film Mercedes, by Hady Zakkak, th Kuwaiti film Tora Bora by Walid Al Awady, and the Jordanian film Monaliza smile by Fady Haddad shown for the first time during this edition4. 1 th ‗‘19 edition of the Franco Arab Film Festival in Jordan‖ from 13 to 22 June 2012, http://latitudefrance.diplomatie.gouv.fr/19eedition-du-Festival-du-film.html 2 Ibid. 3 ère Cécile Thomachot, ‗‘1 édition du festival du film franco-arabe Noisy-le-Sec France Cinéma‘‘, Respect Mag, urbain, social et métissé, 13 Octobre 2012, http://www.respectmag.com/2012/10/13/1ere-edition-du-festival-du-film-franco-arabe-6782 4 nd The 2 Edition of the Arab Film Festival; https://www.facebook.com/events/347468571997282/ Euromed Audiovisual III 89 Film and audiovisual data collection project 10. COPYRIGHT AND RELATED RIGHTS IN JORDAN Jordan is party to the following international instruments: ˗ ˗ - Berne Convention (Paris Act) since July 1999 WIPO Convention since July 1972 TRIPS agreement since April 2000 WIPO treaty on copyright since April 2004 WIPO treaty on Performances and Phonograms since May i 2004 Beijing treaty on audiovisual performances since June 2012. Copyright is placed under the authority of the Copyright Protection Office, which is a department of the National Library. The law relative to copyright and related rights dates to 1992 (law n° 22 of 1992 on the protection of copyright)1. Law n° 52 of 20012 results from the amendments made to law n°22 of 1992. According to article 31 of law n°52 of 2001, the protection period for cinematic and television works is of fifty years from their date of publication, on condition that the beginning of the period be calculated from the first of January of the calendar year after actual publication. The latest amendments to law n° 22 of 1992 on the protection of copyright date to 2005 and figure under law n° 8 and law n° 9 of 2005 the texts of which are only available in Arabic 3. Under the law, the court, at the request of the injured party or the intellectual property protection body, can undertake proceedings against any violation of Copyright or related rights in Jordan. 11. PIRACY In its historical charter : Chart of countries special 301 placement (1989-2011) and IIPA 2012 special 301 recommendations4, the International Intellectual Property Alliance (IIPA) maintained Jordan on the Watch List only from 1997 to 1999. Despite the gradual and significant progress made by Jordan to combat piracy, the 2009 Special 301 report on Copyright Protection and Enforcement5, the IIPA stressed the persistence of piracy problems in Jordan and pointed out that the Kingdom had to meet the obligations of its free trade agreement signed with the United States. 1 The text of law n°22 of 1992 exists in English, French and Arabic on the World Intellectual Property Organisation WIPO : http://www.wipo.int 2 The text of law n˚52 of 2001 can be found in English on the Euromed Audiovisual Programme legal database l : http://www.euromedaudiovisuel.net/Files/2010/03/26/1269563837284.pdf?1269563842990 3 Law n°8 of 2005 on copyright protection : http://www.wipo.int/wipolex/ar/text.jsp?file_id=222632 Law n°9 of 2005 on copyright protection : http://www.wipo.int/wipolex/ar/text.jsp?file_id=226707 4 http://www.iipa.com/pdf/2012SPEC301HISTORICALCHART.pdf 5 http://www.iipa.com/rbc/2009/2009SPEC301JORDAN.pdf Euromed Audiovisual III 90 Film and audiovisual data collection project Piracy continues to harm intellectual property holders in Jordan who can barely survive commercially. According to the IIPA report, piracy rates of musical works is thought be in the order of 90 %, while that of business software is in the order of 60%. However, in 2008, the government took several measures recommended by the IIPA to curb the scourge of piracy. An IPR (Intellectual Property Rights) Division similar to the one established in Lebanon, was set up under the Public Security Department. The Division is responsible for undertaking anit-priacy action all over Jordan. Other priority actions were recommended in the 2009 report, amongst which: Devote more resources to the National Library of Jordan, including staff, to carry out effective and regular inspections with the support of other National Library performance monitoring bodies to ensure accountability. Ensure that proceedings against pirates proceed efficiently until they are sentenced by the courts, with dissuasive fines and sanctions as the case may be. Ensure that the IPR division within the Jordanian customs pay particular attention to pirated imports that come in across the Syrian borders. JORDAN Estimated Trade Losses Due to Copyright Piracy (in millions of U.S Dollars) and level of Piracy : 2007-2008 2008 2007 INDUSTRY Business Software Records & Music Motion Pictures Books Entertainment software Totals Loss 11.0 NA NA NA NA 11.0 Level 58% 90% NA NA NA Loss 11.0 NA NA NA NA 11.0 Level 60% 90% NA NA NA Source: 2009 Special 301 report on Copyright Protection and Enforcement, Jordan, IIPA. 12. TRAINING OF AUDIOVISAUL PROFESSIONALS In the light of the state of its audiovisual and cinematic creative industries, Jordan is in a position to provide the necessary academic training to cover almost all the needs of the sector. 12.1 Jordan Media Institute (JMI) At the initiative of Her Royal Highness Princess Rym Ali, a world-renowned journalist1, the Jordan Media Institute was founded on 14 August 2006 and officially inaugurated in February 2010. 1 Besides the many positions Her Highness occupied in the field of journalism and audiovisual media on the regional and international levels, Princess Rym Aly is also a member of the Board of Commissioners of the Royal Film Commission since July 2005. In October 2012, Princess Rym Ali was awarded the Excellence in Media Award by the Global Thinkers Forum. http://www.jmi.edu.jo/en/content/40/Founder ; See also : http://www.globalthinkersforum.org/the-gtf-excellence-awards/ Euromed Audiovisual III 91 Film and audiovisual data collection project "The purpose of the JMI is to provide a new standard of education in journalism in Jordan and in the region. It seeks to boost the confidence of the public in journalism and to give a new generation of writers and thinkers the capacity to set standards of journalism in the Kingdom and in the region, as well as to promote outstanding Arab journalists enabling them to join the ranks of the international media» stated Her Highness.1 The Jordan Media Institute is a not-for-profit institution regarded as one of the most prestigious schools of journalism. It seeks to become a centre of excellence for teaching journalism in Jordan and in the region and provides training according to two main pillars A one year Masters in journalism Training programmes in journalism The purpose of the Institute is to introduce students to the highest standards in the practice of journalism while concentrating on the traditional aspects of journalism such as writing and reporting, ethics and community issues. This, combined with courses on new media, enable JMI graduates to compete at the regional and international levels. Expert academics in the field of journalism from Jordan, the region and all over the world have devised a unique programme of practical and theoretical studies. The programme is considered a reference in terms of the profession's best international practices, while taking into account the unique character of the Arab region. The institute has world class facilities, including newsrooms and studios, enabling students to learn sophisticated production techniques that they will later use as professionals. 12.2 SAE Institute2 Founded in 2007, SAE Amman seeks to build the creative, technical and media capacity of young people and semi-professionals though the provision of exceptional learning opportunities. The institute confers a variety of diplomas in digital filming, digital animation, audiovisual engineering, multimedia, game design and digital journalism in addition to a wide range of short courses. The learning experience in the Amman SAE is rich, varied and unique, focusing on manual practice and voice training while developing teamwork and individual talents. The SAE creative community brings together regional and international staff and students from more than 23 countries who have embarked on successful careers in music, audiovisual media and cinema. The SAE Amman campus is one of the largest campuses amongst the over 50 SAE campuses in the world. The institute has the best equipped studios in the region; facilities include fully equipped classrooms with more than 180 computers and 30 different applications, television studios, a green screen, a virtual studio, as well as all the necessary facilities for audiovisual recordings, learning and fine tuning interactive 3D animation and for web development. 1 http://www.jmi.edu.jo/en/content/39/About-JMI 2 The SAE Institute is amongst the most important private universities in the world for audiovisual pr oduction, film production, interactive 3D animation, Web development and game design; ; http://amman.sae.edu/en-gb/home/ Euromed Audiovisual III 92 Film and audiovisual data collection project Besides certificates delivered for short intensive courses and professional trainings, the Institute delivers diplomas for one, two or three years of study. The SAE diplomas are jointly certified by SAE International and the Ministry of Higher Education in Jordan, through the Al Quds College and the Al Balqa University. The SAE degree is validated by Middlesex University in the United Kingdom1. SAE Amman is operated by Luminus Media2 and is associated with the German Jordan University. 12.3 Other main centres for audiovisual training Yarmouk University – Faculty of Mass Communication comprising three departments : ˗ Department de Journalism ˗ Radio and Television department ˗ Department of Public Relations and Marketing. Khawarizmi College: (Cinema & Televison Diploma). Red Sea Institute of Cinematic Arts (RSICA): « Masters in Cinematic Arts » (inaugurated in October 2008) Higher Media Council: opening of a training centre in 2004, but its scope is very limited. In service training of the PETRA press agency opened in 2005 and limited to the media. 1 http://luminuseducation.com/sae/sae-amman-information 2 Foremost in vocational and technical training in the MENA region, Luminus Education includes several schools, colleges and institutes offering fully accredited post secondary training programmes, as well as tailor-made courses for industry and commercial partners. The Luminus Education portfolio includes the Al Quds College (leading college in Jordan for marketing), the SAE Institute Amman, Arcana Training Academy, and Bell Amman (one out of more than 35 international academies in English). Luminus Education is planning to open new schools in Jordan, Egypt, Lebanon, Saudi Arabia and Iraq. See : http://luminuseducation.com/page/who-we-are Euromed Audiovisual III 93 Film and audiovisual data collection project Bibliography of the main reports and documents consulted - Constitution of 1 January 1952, MJP on-line library, http://mjp.univ-perp.fr/constit/jo1952.htm. The Arabic and English versions are available on the WIPO site: The Constitution of The Hashemite Kingdom of Jordan 1952, http://www.wipo.int/wipolex/fr/text.jsp?file_id=227813 - European Neighbourhood and Partnership instrument, JORDAN, Strategy Document 2007 -2013, National indicative programme 20072010, p.11; http://ec.europa.eu/world/enp/pdf/country/enpi_csp_nip_jordan_fr.pdf - Jordan -operations profile 2013 – UNHCR; http://www.unhcr.fr/pages/4aae621d5c5.html - « EU supports health care of Syrian refugees in Jordan » Neighbourhood Info Centre- An ENPI Project, 1807-2013; http://www.enpi-info.eu/mainmed.php?id=33979&id_type=1&lang_id=469 - Department of Statistics, Jordan Statistical Yearbook http://www.dos.gov.jo/dos_home_a/main/cd_yb2011/pdf_a/Population_A.pdf#page=3 - « Présentation de la Jordanie », French Ministry of Foreign http://www.diplomatie.gouv.fr/fr/dossiers-pays/jordanie/presentation-de-la-jordanie/ - http://donnees.banquemondiale.org/indicateur/SI.POV.NAHC - « Le roi de Jordanie promet d'accélérer les réformes démocratiques », Le Monde.fr with AFP and Reuters, 13.06.2011, http://www.lemonde.fr/proche-orient/article/2011/06/13/le-roi-de-jordanie-promet-d-accelererles-reformes-democratiques_1535285_3218.html - Pierre Puchot, « Yémen, Jordanie, Bahreïn: où en sont les mouvements révolutionnaires? », Grotius International Géopolitiques de l’humanitaire, 02.09.2012, http://www.grotius.fr/yemen-jordanie-bahrein-ouen-sont-les-mouvements-revolutionnaires/ - Laurent de Saint Périer, « Jordanie- Jalal Al Husseini : "La vie politique est anémique dans ce pays très fragmenté", Jeune Afrique, 04/02/2013 ; http://www.jeuneafrique.com/Article/ARTJAWEB20130204111604/ - Jillian C. York, ―EFF to Jordanian Ministry of Information: Keep the Internet Open‖, Electronic Frontier Foundation‖, August 9, 2012, https://www.eff.org/deeplinks/2012/08/eff-jordanian-ministry-information-keepinternet-open#footnote1_qnbno72 - Web page: ―European Union –External http://eeas.europa.eu/jordan/index_fr.htm - EURO-MEDITERRANEAN AGREEMENT establishing an Association between the European Communities and their Member States, of the one part, and the Hashemite Kingdom of Jordan, of the other part; http://eeas.europa.eu/delegations/jordan/documents/eu_jordan/eu_jordan_assoc_agrmt.pdf - European neighbourhood and partnership instrument - Jordan ; Country strategy paper 2007-2013 and national indicative programme 2007-2010, EU. http://ec.europa.eu/world/enp/pdf/country/enpi_csp_nip_jordan_fr.pdf - ―Implementation of the European Neighbourhood Policy in Jordan; Progress in 2011 and recommendations for action‖, Joint Staff Working Document, Accompanying the document Joint Communication to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions, European Commission, Brussels, 15.05.2012; http://ec.europa.eu/world/enp/docs/2012_enp_pack/progress_report_jordan_en.pdf - Strategy for the development of Euro-Mediterranean audiovisual cooperation, 2008, Euromed Audiovisual II, Euromed- European Commission http://www.euromedaudiovisuel.net/Files/2008/12/11/1229005879819.pdf - Euromed Audiovisual Programme III (2011-2013), http://www.euromedaudiovisuel.net/p.aspx?t=general&mid=85&l=fr - Decisions adopted jointly by the European Parliament and Council, Decision n 1041/2009/CE by the European Parliament and Council of 21 October instituting an audiovisual cooperation programme with professionals of third party countries (MEDIA Mundus) ; http://eur-lex.europa.eu/LexUriServ/LexUriServ.do?uri=OJ:L:2009:288:0010:0017:FR:PDF Euromed Audiovisual III action‖, consulted on 18 2011, Affairs April site, 2013, o 94 Film and audiovisual data collection project - Jordan. Neighbourhood cooperation priorities interim implementation report. Document drawn up by the Council of Europe Secretariat, https://wcd.coe.int/ViewDoc.jsp?id=2080529&Site=CM - Adoption and prospects for ICT in the Arab States region http://www.itu.int/dms_pub/itu-d/opb/ind/D-IND-AR-2012-PDF-F.pdf - Law on telecommunications n ° 13 of 1995 and its http://www.trc.gov.jo/index.php?option=com_content&task=view&id=144&lang=arabic - Telecommunications Regulatory Commission (TRC), Telecom market statistics http://www.trc.gov.jo/index.php?option=com_content&task=view&id=1942%20&Itemid=1228 - Orange Jordan not planning to introduce 4G, AME Info.com, The ultimate Middle East Business resource, March 10 – 2013, http://www.ameinfo.com/orange-jordan-planning-introduce-4g-332695 - Switching from analogue to digital television: The big picture in the Arab region ITU News, Nº 2 2012; https://itunews.itu.int/Fr/2371-Passage-de-la-television-analogique-a-la-television-numerique.note.aspx - Workshop on ―Digital Terrestrial Television and Optimal use of the Digital http://www.trc.gov.jo/index.php?option=com_content&task=view&id=2503&lang=english - Summary of ―Digital Terrestrial Television and Optimal use of the Digital Dividend Workshop‖; http://www.trc.gov.jo/index.php?option=com_content&task=view&id=2509&lang=english - The Constitution of The Hashemite 1952,http://www.wipo.int/wipolex/fr/text.jsp?file_id=227814 - Jordan Media Monitor - JMM : jmm.jo/ - Law No. (8), for the Year 1998 Press and Publications Law: http://www.jpa.jo/english/JPALaw.aspx - ―Despite challenges, Jordan can excel in media field – Odwan‖, The Jordan Times, 6 June 2011. - « 24 assaults against journalists registered over past four months –– report », The Jordan Times, 17 September 2012, http://jordantimes.com/24-assaults-against-journalists-registered-over-past-four-months---report - ―Jordan‘s media gained from Arab Spring, but more is needed‖, The Jordan Times, 4 May 2013. - ―Jordanian media ‗free‘ — JPA survey‖, The Jordan Times, 24 June 2013. http://jordantimes.com/jordanianmedia-free----jpa-survey - « Dismay after Government approve repressive Media Bill », Reporters without Borders, 30 August 2012, http://en.rsf.org/jordan-dismay-after-government-approves-30-08-2012,43300.html - ―Activists threaten escalatory measures against gov‘t decision‖, The Jordan Times, 8 Juin 2013, http://jordantimes.com/activists-threaten-escalatory-measures-against-govt-decision - News websites‘ journalists protest against gov‘t move to enforce amended press law, The Jordan Times, 3 June 2013, http://jordantimes.com/news-websites-journalists-protest-against-govt-move-to-enforceamended-press-law - ―King meets IPI Executive Director‖, News Release Media & Communication Directorate Royal Hashemite Court (Jordan), 23 May 2013, http://kingabdullah.jo/index.php/en_US/news/view/id/10899/videoDisplay/1.html ; - ―Responsible media are partners in shaping Jordan‘s future — King‖, The Jordan Times, 23 May 2013, http://jordantimes.com/responsible-media-are-partners-in-shaping-jordans-future----king - Arabic version of law n°35 of http://www.lob.gov.jo/ui/laws/search_no.jsp?no=35&year=2000 - Olga Del Rio Sanchez, La mission de service public audiovisuel dans la région Maghreb/Machrek, Institut Panos Paris et Observatoire Méditerranéen de la Communication, mai 2012; Euromed Audiovisual III 2012, Kingdom 2000 UIT, Geneva, p.71; amendments, 2012 - Dividend‖, TRC; of Jordan accessible at : 95 Film and audiovisual data collection project http://www.academia.edu/2134048/LA_MISSION_DE_SERVICE_PUBLIC_AUDIOVISUEL_DANS_LA_REG ION_MAGHREB_MASHREK - Provisional Law No. (71) for the year 2002, Audiovisual Media http://www.euromedaudiovisuel.net/Files/2010/03/26/1269563837472.pdf?1269563857670. - The Arabic version of the law can be found on the site of the Jordanian press agency Petra: http://www.petra.gov.jo/public/Arabic.aspx?Lang=1&Page_Id=1096&Menu_ID=35&Site_ID=2 - The Arabic version of By-law n˚63 of 2004 (By-law to control and approve audiovisual works) promulgated under article 26 and para.c of article 32 of the Law on audiovisual n˚ 71 of 2002 can be accessed on the Audiovisual Commission site: http://www.avc.gov.jo/bylawrec.html - « Homeward bound: Jordanian movie Transit Cities‖, Gulfnews.com, http://m.gulfnews.com/homeward-bound-jordanian-movie-transit-cities-1.730765 - ―Egypt, Lebanon and Jordan. Where The Da Vinci Code Scares‖, ResetDoc, 17 November 2006, http://www.resetdoc.org/story/00000000056 - Mansour, Dina. ―Egyptian Film Censorship: Safeguarding Society, Upholding Taboos‖. Alphaville: Journal of Film and Screen Media 4 (Winter 2012) ; http://www.alphavillejournal.com/Issue%204/HTML/ArticleMansour.html - Gaelle Sundelin, ―Censored Swedish movie stirs controversy‖, The Jordan Times, Jun 08, 2013; http://jordantimes.com/censored-swedish-movie-stirs-controversy - http://www.avc.gov.jo - Khaled Neimat “Lower House merges, cancels independent bodies‖,The Jordan Times Jun 05, 2013; http://jordantimes.com/lower-house-merges-cancels-independent-bodies - http://www.lob.gov.jo/ui/laws/listall.jsp - Department of statistics, Selected Indicators 2011; http://www.dos.gov.jo/dos_home_a/main/jorfig/2011/1.pdf - Eurodata TV Worldwide - One Television Year in the World 2013 issue Ipsos MediaCT - ―Jordan drops Terrestrial channels‖, Satellite http://www.satellitetoday.com/st/feature/16152.html - «Jumelage avec le régulateur jordanien », La Lettre du Conseil Supérieur de l’Audiovisuel, n◦ 257, février 2012 - Lyngsat: http://www.lyngsat-stream.com/tvcountry/Jordan - http://www.global-itv.com/itv.com - http://www.arabe-media.com/tvjordan.php - EUTELSAT, Cable and Satellite TV Survey 2010; http://www.eutelsat.com/products/pdf/cable-satellitesurvey-2010.pdf - Lists of satellite channels in Jordan – unpublished document. - http://jrtv.gov.jo/ - «La société civile se mobilise pour une véritable mission de service public audiovisuel», PSB Newsletter, numéro 11, Panos Paris-Omec, juin 2011, http://www.panosparis.org/IMG/pdf/PSB_newsletter_JUIN_2011_FR.pdf - Media Use in the Middle East: An Eight-Nation Survey, Northwestern University in Qatar, Harris Interactive, 24 April 2013; http://fr.scribd.com/doc/137906439/Media-Use-in-the-Middle-East-An-Eight-Nation-Survey-NU-Q - ―Momani highlights ‗important role‘ of state media‖, The Jordan http://jordantimes.com/momani-highlights-important-role-of-state-media Euromed Audiovisual III Today.com, 16 December January Times, 17, Aug 25, Law: 2010, 2001; 2013; 96 Film and audiovisual data collection project - http://www.jeuneafrique.com/Article/ARTJAWEB20120706181844/. A video of the scene translated into English by MEMRI TV Videos is available on You Tube at : http://www.youtube.com/watch?v=ryBzU5rUwZE. - ―Deputy may face charges after drawing gun in on-air brawl‖, The Jordan Times, 17 July 2012, http://jordantimes.com/deputy-may-face-charges-after-drawing-gun-in-on-air-brawl - Hani Hazaimeh, ―Audiovisual Commission ‗had no hand‘ in Josat suspension‖, The Jordan Times, Jul 29, 2012 http://jordantimes.com/audiovisual-commission-had-no-hand-in-josat-suspension - ―Two new witnesses testify in Josat hearing‖, The Jordan Times, Nov 28, 2012, http://jordantimes.com/twonew-witnesses-testify-in-josat-hearing - ‗‘Court hearings in Josat, Amwal and Kurdi cases continue‘‘, The Jordan Times, Jan 27, 2013, http://jordantimes.com/court-hearings-in-josat-amwal-and-kurdi-cases-continue - Khaled Neimat, ‗‘MP's trial to go forward despite immunity‘‘, The Jordan Times, Feb 06, 2013, http://jordantimes.com/mps-trial-to-go-forward-despite-immunity - Court freezes proceedings in case against Hroub, The Jordan http://jordantimes.com/court-freezes-proceedings-in-case-against-hroub - Court rejects plea against continuing MP‘s trial, The Jordan Times, Mar 07, 2013 http://jordantimes.com/court-rejects-plea-against-continuing-mps-trial - ―Josat revient de nouveau―, Jordan news agency, http://jordannewsagency.wordpress.com/2012/08/17/الفضائية-جوسات-قناة-جديد-من-تعود-جوسات - http://www.roya.tv/ - http://www.roya.tv/Home.aspx?BlocksPage=Roya_Livestream - http://www.jordanmediacity.com/en/ - ‗‘La cité médiatique et « un nouveau http://www.allofjo.net/index.php?page=article&id=42856 - http://www.worldteleport.org/ - http://www.arabtelemedia.net/about/about.php - Eurodata TV Worldwide 2012– One Television Year in the World 2012 issue AGB STAT IPSOS. Annual overview of TV consumption and audiovisual landscapes in more than 90 territories around the world. - Arab Media Outlook 2011-2015 – Arab Media Exposure and Transition, Forecasts and analysis of Traditional and Digital Media in The Arab World,4th edition, Dubai Press Club, UAE, 2012;http://www.arabmediaforum.ae/userfiles/EnglishAMO.pdf - http://www.istikana.com/ - Nina Curley, Video-on-Demand Portal Istikana Announces Deal with Umniah in Jordan, Wamda, February 4, 2013, http://www.wamda.com/2013/02/video-on-demand-portal-istikana-announces-deal-with-umniah-injordan - http://thenextweb.com/me/2011/03/10/youtube-launches-localized-versions-for-mena/ - http://www.vip4soft.com/news/1338.html - ICT Adoption and prospects in the Arab States region 2012, Connect Arab Summit 2012, International Telecommunications Union (ITU); http://www.itu.int/pub/D-IND-AR-2012 - http://www.alexa.com/topsites/countries/JO - Arab ICT Use and Social Networks Adoption Report - 2012, Madar Research & Development, Sponsored by: KACST, Dubai, United Arab Emirates; http://www.kacst.edu.sa/en/about/publications/Other%20Publications/Arab%20ICT%20Use%20Report%202 012.pdf Euromed Audiovisual III souhait‘‘, Times, Feb www.allofjo.net, 19, 2013, 17/08/2012, 04.02.2013 ; 97 Film and audiovisual data collection project - http://www.madarresearch.com/ - http://www.socialbakers.com/facebook-statistics/ - Najeh Hassan, Thresholds of joy, (Atabat Al bahja), Fadaat, Amman, 2012 - Najeh Hassan, Screens of darkness, Screens of light, Jordanian screenwriting, (Shashat al atma, Shashat al nour, Ketaba fi aflam ordoniyah), Ministry of culture, Amman, 2003 - http://www.film.jo/ - http://www.afci.org/ - The Royal Film Commission Guide. - ―The Jordan Film Fund Announces Grants to 19 Cinematic Projects‖, Sat, 06/15/2013, http://www.film.jo/?q=node/10473 - http://www.film.jo/?q=ar/node/10121 - Royal Film Commission - Jordan, Jordan's Hall of Films; http://www.film.jo/?q=node/297/M - Royal Film Commission – Jordan. Un-published data, January 2013 - http://jordanianfilms.com/aboutafc.htm - http://jordanianfilms.com/suspend.htm - Empire International – Beirut. Unpublished data, April 2013. For information on http://www.circuit-empire.com/history.asp - http://www.srndco.com/ - Figures collected by the author and film critic Najeh Hassan from distributors and investors in Jordan and and published separately in the Jordanian daily Al Rai in several articles by the author providing an overview of cinema in the Kingdom in 2012. - JORDAN to week 52 – Top Grossing Film 2012, Up to 16.12.2012, Rank by ADM, Empire International – Amman/Beirut, April 2013 - Ranking of films according to box office earnings 2012- up to 16/12/2012 ( week 52 ), Empire International – Amman/Beirut, unpublished data, April 2013 - L. ROSANT, Census and Analysis of film & Audiovisual Co-productions in the South-Mediterranean Region 2006-2011, EUROMED AUDIOVISUAL III, Tunis, May 2012; http://euromedaudiovisuel.net/Files/2012/05/29/1338310192044.pdf - LUMIERE base of the European Audiovisual Observatory (http://lumiere.obs.coe.int) - S. ALI, Data collection initiative covering the film and audiovisual markets in nine Mediterranean countries. First interim report national Monographs: EGYPT, Euromed Audiovisual III / European Audiovisual Observatory, 2012, p.66. http://www.euromedaudiovisuel.net/Files/2012/09/17/1347873169237.pdf - The site Watcharabicmovies.net; http://www.watcharabicmovies.net/ - http://www.trigon-film.ch/fr/countries/Jordanie/orderby/director - http://www.universcine.com/films/pays/Liban - http://catalogue.globalfilm.org/ - http://jordanianfilms.com/ - http://www.humanrightsfilmnetwork.org/festivals/karama-human-rights-film-festival Euromed Audiovisual III Empire see: 98 Film and audiovisual data collection project - ‗‘Le 24e Festival du Film européen s'ouvre en Jordanie sous le thème des «Transitions»‘‘, 5 octobre 2012, http://euro-mediterranee.blogspot.com/2012/10/le-24e-festival-du-film-europeen-souvre.html - Site of the European Film Festival : http://www.eufilmfestivaljordan.com/site/ - ‗‘19 édition du Festival du film franco-arabe en Jordanie‘‘, http://latitudefrance.diplomatie.gouv.fr/19e-edition-du-Festival-du-film.html - Cécile Thomachot, ‗‘1ère édition du festival du film franco-arabe Noisy-le-Sec France Cinéma‘‘, Respect Mag, urbain, social et métissé, 13 Octobre 2012, http://www.respectmag.com/2012/10/13/1ere-edition-du-festivaldu-film-franco-arabe-6782 - The 2nd Edition of the Arab Film Festival; https://www.facebook.com/events/347468571997282/ - Text of the law n°22 of 1992 exists in English, French and Arabic on the World intellectual property organisation WIPO: http://www.wipo.int - Text of the law n˚52 of 2001 can be accessed in English on the Euromed Audiovisual Programme Legal database: http://www.euromedaudiovisuel.net/Files/2010/03/26/1269563837284.pdf?1269563842990 - Chart of countries special 301 placement (1989-2011) and IIPA 2012 special 301 recommendations, http://www.iipa.com/pdf/2012SPEC301HISTORICALCHART.pdf - 2009 Special 301 report on Copyright Protection http://www.iipa.com/rbc/2009/2009SPEC301JORDAN.pdf - ‗‘The Excellence in Media Award‘‘ http://www.jmi.edu.jo/en/content/40/Founder - http://www.globalthinkersforum.org/the-gtf-excellence-awards/ - http://www.jmi.edu.jo/en/content/39/About-JMI - SAE Institute: http://amman.sae.edu/en-gb/home/ - Luminus Education: http://luminuseducation.com/sae/sae-amman-information e Euromed Audiovisual III awarded by and 13 au 22 Enforcement, the Global juin Jordan, Thinkers 2012, IIPA; Forum. 99 Film and audiovisual data collection project Annex. List of executives and persons interviewed in Jordan (January 2013) 1. Ms Nada Doumani, Communication & Culture Manager - Royal Film Commission (RFC) 2. Mr. Rasmi Mahasnah, Director general of Censorship – Audiovisual Commission (AVC) 3. Mr. Mohannad Al Bakri, General Manager, Luminus Media / SAE Institute 4. Ms. Rula Nasser, Producer et Filmmaker, 5. Mr. Adnan Awamlah, CEO of Arab Telemedia Group 6. Mr. Fayez El sayegh, Executive Director of Roya TV 7. Mr. Hassan Shomer, author, filmmaker and film critic. Euromed Audiovisual III 100