Art with an Air Brush and Needle
Transcription
Art with an Air Brush and Needle
Profile and Collector Art with an Air Brush and Needle Judi Paul of Luxembears talks about her art and her collection. J udi Paul has always loved creating art. Starting at age seven she was knitting and sewing her own animal toys. Throughout the years she has drawn, painted and tried many crafts until the lifelong love of teddy bears and general stuffed toys recaptured her interest in 1999. Judi started out by recycling furs into bears but then discovered mohair in all its glorious diversity and a true love affair was born. Judi’s grandmother knitted toys for her, and her mother sewed toys for her as a child and therefore it is not surprising that the first mohair bear she sewed from a kit was given to her mother, who still proudly displays the bear. Judi however found the process of the kit bear unsatisfying and was soon immersed in designing and creating her own concept of bears. Musa Snow Leopard Luxembears “I have learnt so much from diving in and just doing it. For me the process is just so much fun! In the beginning I bought a lot of books on bear-making to get techniques and skills but now I tend to experiment myself,” she explains. I ask her if she has a favourite book “Not anymore, now I tend to devour books with photos of animals, as they are my real inspiration. Animals in nature and in the wild give me wonderful ideas. I often design, process and finish in my head before starting a new bear or animal in the fur.” I make the mistake of thinking I understand until Judi’s next comment catches me out. “I see bears in piles of leaves, my laundry basket, in a tree and in my children. I’ll just catch an idea and I make mental notes until I can dash into my workroom and start making my latest vision. People tell me that they can see me or my children’s eyes in my bears. My children do name my bears, so a little bit of me and my family will be in all my bears.” So if Judi has made the bear in her head, does the bearmaking flow smoothly? “Oh no. I do work on my designs until I am completely satisfied. They need to ‘speak’ to me as if they are alive. They need to pull at my heart strings before I show them to the world. Often I will set an unfinished bear on my kitchen counter so I can see it often throughout the day. Eventually it will be finished, when the thoughts enter my head about what I need to do to finish the bear. I have one on my counter now that has been there for more than two months. He’ll tell me when it’s time to finish him.” 28 Bear Creations Furnanda Bear Creations 29 Unknown artists 30 Bear Creations I know that Judi lives with her husband and children on a working dairy farm, so I have to wonder how much time she really has to make bears and sell them. “I make less than one hundred. I sell my bears on eBay, Bid 4 Bears (a bear auction site), on my own website, and at The Toy Shoppe in Richmond, Virginia, USA. I find it difficult to travel to trade shows at this point. I have done a very limited amount and would like to do more in the future. I do find it hard to part with certain creations though, as I know I will never again create the same bear. Also, my children guilt trip me into keeping many of them. “Oh Mom! You can’t sell this one!!!” or “Oh Mom, I love this one, can’t I have him?” Judi has won many prestigious awards and she tells me about the bear that won her first award in 2004. “In August of 2004 I lost three family members, my sister, nephew, and brother-in-law, suddenly and unexpectedly. As part of my healing process I created a bear in loving memory of my nine year-old nephew Hayden. I called this bear ‘Hayden’s Cub’. I knitted a blue sweater and hat and gave this bear the sparking eyes of my little nephew. Hayden’s Cub was created in loving memory of a little boy who will never grow old. It represents the child in us all who will never outgrow the warmth of a teddy bear. It just so Merrythought bears happened that Steiff was holding a bear artist contest and I debated whether or not to enter this bear. I almost missed the deadline, as I really wanted to keep him. Well, he won first place in the Steiff North American Bear Artist Contest in 2004.” Her bears are renowned for their faces and airbrush detail so I ask if she tweaks many of her patterns to perfect the design and detail. “I have so many styles and patterns I cannot even count them. Many designs I have only done once and then I move onto the next. I do not like repeating designs as there is no excitement in what will emerge if I already know the outcome. I really like adding firmly felted details to my bears’ faces and paws and I create animals ranging in size from 6” to 26”. The colours I prefer are natural bear colours, all shades of browns and sometimes white and cream. Mohair is my fabric of choice but I am currently experimenting with some beautiful French woven back plush to make a huge white tiger.” As Judi generally makes realistic style bears and other animals I wonder about her opinion on dressed bears. “Once in a while I like to dress or make a character bear. I have used pre-made clothes in the past but I feel that to truly be an artist design, it needs to be designed and made by the artist. So now I make all the clothing/costuming Anjo Noiji bears Various artists’ bears Bear Creations 31 Nadia Jacobs’ bears myself. It’s labour intensive to create costuming as sometimes I have travelled to several fabric stores to find just the right fabrics and trims to make just the right outfit that I have in mind.” Apart from her expertise as a Certified Air Brush artist of 22 years, I ask her if she has any tips to pass on to those starting out. “The best bear making tip I learned was to hold a bear in the mirror to check the ear placement. The best tip I could offer would be that when using eyes with pupils make sure the pupils are looking in the same direction. This gives bears a real or human-like gaze and avoids the walleyed or ‘blank’ stare. This could mean the difference between a good bear and a great bear.” Previously in our conversation, Judi had told me that as a child she slept on a ‘bed of soft toys’ sewn and knitted by her mother and grandmother. She even confessed to still having a soft spot for knitted animals and Mickey Mouse today. Not to be distracted, I have to know what bears an accomplished artist would collect and if her own knowledge of bear-making has changed her collecting style. “I have acquired my collection mainly from the internet, via eBay, and bear websites. There are so many artists that I admire, but if I am to name any, I think I’d name the artists who I have the most bear from Nadia Jacobs, Anjio Noji, Deborah Beardsley and Dennis Shaw. My all time favourite manufacturer has to be Merrythought. I have more Merrythought than any other kind of bear in my collection. In my bedroom I have more than 65 bears. Then in other parts of my house I have cabinets and shelves with lots of happy faces peering at me. I have always collected soft animals, and mohair bears since around 2000. It’s Bear Creations looking back at me from every room in my house. It makes me feel like I am surrounded by my friends.” I can’t argue with that as I know I’d love a Luxembear looking down at me too!! Judi teachers an online class at www.kranbearys.com Judi Paul of Luxembears can be contacted at Email - [email protected] Website - www.luxembears.com ❧ Quick Tips for Airbrushing As Judi has spent 22 years air-brushing I asked her for some quick tips. Equipment and Paints • Judi’s recommendation is a single action air brush as they do the mixing of air and paint for you. Much of her own fabulous work is done using a Passche H. • She uses a CO2 tank as a compressor set at 28psi. • Judi finds acrylic paints work well on both real fur and mohair because they are a plastic base they flow on soft and flexible. She sets the paint with a quick pass of the hair dryer. It has been suggested that a shoe shelf in the clothes dryer is also effective; the bear is stable and being heated evenly. • Judi uses Createx and Liquitex acrylic paints • She does thin the acrylic paints slightly even although the manufacturer suggests this is not needed. • Permanent inks are used occasionally by Judi. • Fabric dyes need to have the residue rinsed out and as this cannot be done on a completed bear, Judi is wary of the dye coming off with handling, smudging and losing definition. Techniques • Grade your colours, start with the lighter one first and build up to darker colours. • To avoid areas such as felt eye whites while working Judi suggests: 32 very nice when I know the artist but it has no bearing on what I will buy. It solely depends on the bear itself. It needs to ‘speak’ to me before I will adopt any bear. “I would have to say that even though my work has changed drastically over the years, my taste in collecting has not. I tend to collect bears very different from what I create. I don’t know why. I do, however, always like to keep several of my own pieces in my personal collection. I like to see my own work Before After – Use a finer needle and turn the psi of the compressor down to diminish overspray. – Point the brush paint flow away from the area – Work closer to the surface – Try masking the area but still work with flow pointed away. – Work with light strokes • Judi uses the overspray to blend her colours and area of work. As an example she only ever shades paw pads once they are sewn in and stuffed. She feels the overspray onto the mohair blends and leads into the shading, adding depth and realism to her work. Bear Creations 33