Learn at Home: Sewing 101
Transcription
Learn at Home: Sewing 101
Learn at Home: Sewing 101 Getting to Know Your Machine Anatomy of a Sewing Machine Stitching Corners, Made easy! Basic Maintenance and Cleaning Easy-to-sew ice-breaker projects for getting to know your new machine. Page 18 - 2 1 Click to navigate Table of Contents Anatomy of a Sewing Machine . . . . . . . . . . . . . . 3 Sewing Machine Features & Functions . . . . . . . . . . 4 Feature Focus — Feed Dogs . . . . . . . . . . . . . . . 6 Bobbin Winding . . . . . . . . . . . . . . . . . . . . 7 Bobbin Case. . . . . . . . . . . . . . . . . . . . . . 8 Thread Tension. . . . . . . . . . . . . . . . . . . . . 9 Page 6 Tension Extremes. . . . . . . . . . . . . . . . . . . 10 Get to know the doggies! Starting & Stopping a Stitch Line. . . . . . . . . . . . . 11 There’s more to this dog than meets the eye. Needle Threader & Needles. . . . . . . . . . . . . . . 12 Stitches & Terms . . . . . . . . . . . . . . . . . . . . 13 Sewing Supply List. . . . . . . . . . . . . . . . . . . 14 Sew Smarter Presser Feet. . . . . . . . . . . . . . . . . . . . . . 15 Pinning & Pressing . . . . . . . . . . . . . . . . . . . 16 Right from the start — Your SAH Learn to Sew Guide will Basic Maintenance . . . . . . . . . . . . . . . . . . . 17 teach you the basics of sewing and have you making your first project as soon as you open the box. Be brave and sew what you love! Easy First Project. . . . . . . . . . . . . . . . . . . . 18 Appliqué Project. . . . . . . . . . . . . . . . . . . 20 Appliqué Prep and Ideas. . . . . . . . . . . . . . . . 21 Good to Know . . . . . . . . . . . . . . . . . . . . 22 © 2012 Janome Canada Ltd. and Janome Shop at Home; all content distributed free for personal use only. Page 2 ——————— Learn at Home — S e w i n g 1 0 1 : G e t t i n g t o K n o w Y o u r M a c h i n e ——————— PAGES PAGES Anatomy of a Sewing Machine Each machine is different Please consult your owners manual for specific details for your SAH machine < 26 <1 2> 4> 5> < 22 3> < 25 28 > <6 27 > 7> 21 > 8> < 23 <9 < 29 20 > 19 > 10 > 11 > 12 > < 17 32 > 30 > < 18 14 > 33 > 31 > 1. Bobbin winder stopper 12. Feed dogs (below presser foot) 23. Stitch selection panel 2. Bobbin winder spindle 13. Extension table 24. Presser foot 3. Additional spool pin goes here 14. Accessory storage (inside) 25. Needle 4. Spool holder/cap 15. Free arm 26. Needle clamp screw 5. Spool pin 16. Drop feed lever 27. Foot holder 6. Bobbin winder thread guide/ tension 17. Hook cover plate (bobbin cover) 28. Setscrew 7. Thread take up lever 18. Bobbin cover release button 29. Carrying handle 8. Thread tension dial 19. Reverse stitch lever 30. Handwheel 9. Thread tension discs (within thread path) 20. Stitch length dial 31. Power switch and power socket 10. Thread cutter 21. Pattern selector dial 32. Foot lifter 11. Throat plate (stitch or needle plate) 22. Stitch width dial 33. Foot pedal Sew Encourage Curiosity — Get acquainted with all of the parts and operations of your new sewing machine. Don’t be afraid to turn the dials and push the buttons. The two of you will soon be best friends! Smarter ——————— < 15 16 > 14 > 13 > Page 3 < 24 Learn at Home — S e w i n g 1 0 1 : G e t t i n g t o K n o w Y o u r M a c h i n e ——————— PAGES Sewing Machine Features & Functions Each machine is different — Please consult your owners manual for specific details for your SAH machine 1. Bobbin Winder Stopper — Causes a filled bobbin to stop winding. 2. Bobbin Winder Spindle — Secures the bobbin in place for winding. 3. Additional Spool Pin — A second spool allows for twin needle stitching, or sewing with two threads 4. Spool Holder/Cap — Secures spool to stay on pin, guides thread from spool into thread path. 5. Spool Pin — Either horizontal or vertical. Holds thread spool. 6. Bobbin Winder Thread Guide Tension — Maintains even tension on thread during bobbin winding. 7. Thread Take Up Lever This lever pulls the thread from the spool, through the tension and feeds it through to the needle. It keeps thread from tangling in thread path. The sewing machine will jam if the take up lever unthreads. 8. Thread Tension Dial — Adjust the degree of drag or ‘pinch’ on the upper thread. Higher number indicates more tension. 9. Thread Tension Discs (within thread path) — Keep thread taut in the thread path and pulling up the bobbin thread just enough for a balanced stitch. Always thread machine with tension discs open (presser foot up) to properly seat thread in thread path. ——————— the side of the machine. To use: raise presser foot, lift the stitched piece and drag both the bobbin and upper thread through the cutter to trim both threads. 11. Throat Plate — Removable flat metal or resin plate below the presser foot through which the feed dogs raise and the needle passes. A standard plate has an oval shaped needle Computerized Conveniences Achieving Similar Results — Mechanical and computerized sewing machines achieve similar results in generally the same manner. Different features and functions are often a matter of convenience and preference. Mechanical machines will use levers and dials while computerized machines will often use digital displays and automatic function buttons like those seen on the Juno M1230Q. 1. Speed Control Slider Page 4 10. Thread Cutter — Mounted along Learn at Home — 2. Start/Stop 4> 3> <1 <2 3. Auto Lock, Reverse S e w i n g 1 0 1 : G e t t i n g t o K n o w Y o u r M a c h i n e ——————— 4. Needle Up/Down PAGES Sewing Machine Features & Functions 25. Needle — Pierces fabric to allow for joining upper and bobbin threads in a locked stitch. Different needle sizes accommodate different threads and fabrics. The higher the needle number, the larger the needle. Larger needles are used with heavier fabrics. 26. Needle Clamp Screw — Secures the needle in proper position in order to create a balanced stitch. opening wide enough for all stitches, whiles an optional straight stitch plate is for centre straight stitch only, and can offer more thread/stitch control. Push or hold to take several stitches or continually reverse stitch. Most often used for locking stitches and securing seams. 12. Feed Dogs — Feed fabric 20. Stitch Length Dial — To manually through the sewing path. 13. Extension Table — Flat bed of the machine for sewing. 14. Accessory Table Storage — Holds sewing accessories (removable). 15. Free Arm — Created when acces- sory table is removed. Allows for sewing in narrow spaces like cuffs or hems. 16. Drop Feed Lever — Lowers feed dogs so that fabric can be moved freely, or not moved at all for button sewing. 17. Hook Cover Plate (Bobbin Cover) — Covers the bobbin and bobbin case. 18. Bobbin Cover Release Button — Push to release the bobbin cover. Always use JANOME bobbins : ) 19. Reverse Stitch Lever (or button (or digitally) select the length of a stitch. A higher number gives a longer stitch. Common length is 1.8 – 2.2mm. 21. Pattern Selector Dial (or stitch number key) — To select stitch pattern or turn through the steps of a four — step buttonhole. ——————— 27. Setscrew — Secures the foot holder in place. Turn this screw to attach feet remove the foot holder and attach the walking or darning foot. 29. Carrying Handle — Retractable or flip handles are built in to carry the machine. 30. Handwheel — Used to manually raise or lower the needle with precision. Always turn towards you. 22. Stitch Width Dial — To manually (or digitally) select the width of a zigzag or other stitch. When used with a straight stitch, the stitch width controls the NEEDLE POSITION. — To turn the machine on or off. Always turn the machine off when changing needles or presser feet. 23. Stitch Selection Panel — Visual 32. Presser Foot Lifter — Handle representation of stitch menu. 24. Presser Foot — Presses fabric in place during stitch formation. Releases thread tension when raised with presser foot lifter. Different presser feet support different stitch effects such as a blind hem or zipper insertion. on computerized machines) Page 5 27. Foot Holder (Ankle) — Securely holds most presser feet by snapping or sliding in them place. The small lever at the back of the foot holder is depressed to release/change feet. Learn at Home — 31. Power Switch and Power Socket behind the needle used to lift or lower the presser foot. Can sometimes be lifted higher for extra clearance. 33. Foot Pedal — Used to regulate the machine speed by pressing down like a gas pedal. Can be disconnected on some machines and replaced with the start/stop button. S e w i n g 1 0 1 : G e t t i n g t o K n o w Y o u r M a c h i n e ——————— PAGES Feature Focus SAH machine feed systems vary between 3 (back), 4 (center) and 7 piece feed dogs (front). The 7-piece superior feed provides more points of contact between the machine and fabric to make the feeding process all the more smooth and precise. Feed Dogs Teeth to Lift & Pull — After a stitch is locked together, the fabric is fed the distance of the next stitch. This feeding is accomplished by the action of the feed dogs. A series of metal teeth along a thin metal bar rise up through the sewing machine’s needle plate to lift and pull fabric along the stitch path. The drop feed control keeps the feed dogs lowered and allows for free motion sewing where the user controls the feeding pace and direction of the fabric. An even-feed or walking foot is an accessory foot which provides a second, upper set of feed dogs that add even greater control to the fabric movement. This foot is particularly useful for stitching quilts and other thick or multi-layered projects. Cleaning Your Feed Dogs — Unscrew the needle plate and give the feed dogs a thorough brushing (an old toothbrush works well for this). Lift out any fluff balls rather than blowing them aside as you don’t want debris pushed deeper into the machine. Replace the needle plate cover, and tighten the screws to hold it in place. Seam Guide Lines Accurate & Consistent Stitching — The markings etched in the needle plate are convenient for stitching accurate and consistent seam lines. The number indicates the distance from the centre needle position. Centimeter and fractional inch markings are included. Page 6 ——————— Learn at Home — S e w i n g 1 0 1 : G e t t i n g t o K n o w Y o u r M a c h i n e ——————— PAGES Bobbin Winding One of the first steps in beginning to sew is to wind a bobbin. Whether for a SAH mechanical or computerized machine, the process is about the same. Wind the bobbin at a moderately fast and consistent speed, and you will be ready to sew. While you’re at it, wind several and you can sew the day away! Winding Bobbins — The setup is the same for horizontal or vertical thread delivery 1. Prepare the machine for bobbin winding by disengaging the clutch (pulling out the hand wheel) if necessary. 2. Set the spool on the spool pin and secure it in place with the spool cap. 5. Place the bobbin on the bobbin winder spindle & push the spindle to the right, towards the stopper. (On computerized machine, a code on the screen indicates the bobbin winder is engaged) 3. Wind the thread around the bobbin winder tension disc in a ‘U-turn,’ not a wrap around as with some other machines. 8. Press on the foot pedal until the bobbin is full. It will start to ‘sputter’ and stop as the fully wound thread contacts the stopper. 6. Hold the bobbin thread securely between your fingers as you start to wind. 9. Disengage the winder by pushing the spindle to the left. 10. Cut the thread at the bobbin and 7. After several turns of the bobbin, 4. Bring the thread up through one of the small holes in the outer rim of either side of the bobbin, not through the center hole! Page 7 ——————— snip the thread tail so as not to get it caught in the winding thread. Learn at Home — thread the machine for sewing. Be careful NOT to keep the upper thread in the bobbin winder tension. You must remove the thread from this tension disc and secure it in the first thread guide of the threading path. Remaining in the upper bobbin tension disc will inhibit sewing and break threads. S e w i n g 1 0 1 : G e t t i n g t o K n o w Y o u r M a c h i n e ——————— PAGES Bobbin Case Front Loading Bobbin Cases You will quickly get a feel for the placement of a few simple parts and bobbin winding will be a snap! 3> <1 <4 <2 1. The Hook Cover 2. The Latch 3. The Horn 4. The Bobin Case It is perfectly normal to see a few drips of oil on a new machine. Check the general bobbin case area. Remove the case and check inside as well. Swipe it away with paper towel. When loading a new bobbin into the case, be sure that the thread is unwinding away from you (see image in your manual). Draw the thread back towards you, into the bobbin case slot, then snap it under the tension spring and into the delivery eye. [arrows to spring & eye 2. The tail of the thread makes a ‘P’ shape when correctly positioned. The image on the cover is a helpful reminder. 4. Pop the cover back on, drawing the tail backward, over the needle plate (see image above). You are now ready to raise the bobbin thread by holding the upper thread as you lower and raise the needle. Gently pull on the upper thread to raise a loop of bobbin thread. Top Loading Bobbin Case Although the two cases look different, they perform the same function. In the case of the top-loading bobbin, it is easier to know when thread is running low. Reloading your next bobbin is simple. 1. Release the cover with a push of the release. Page 8 ——————— 3. Draw the thread to the left. Feel it snap into the notch, and then between the tension blades. Continue to draw it backward into the notch at about the “9 o’clock” position. Learn at Home — S e w i n g 1 0 1 : G e t t i n g t o K n o w Y o u r M a c h i n e ——————— PAGES Thread Tension Understanding Tension The mention of thread tension can scare off many-a-sewing enthusiast, but once you understand the system, there is little to fear. Balanced stitches, where threads meet and form a solid stitch within a smooth flat seam or stitch line, are a result of good tension. Good tension comes from these components working together to have the same amount of thread on each side of the stitch: The Tension Dial — This dial sets the closeness of the tension discs. A higher Take-Up Lever numbered setting increases the pressure between the discs, increasing the drag on the upper thread which in turn pulls the bobbin thread more towards the top of the fabric. A lower setting reduces drag and allows upper thread to flow more freely, sometimes allowing the bobbin thread to pull the upper thread to the back of a project. Thread Guides — Along the thread path, including the guide on the take-up lever. These assorted guides cumulatively increase the tension on the thread as well as add to its proper alignment for a straight stitch. Improper threading is often the cause of stitch troubles. Before adjusting tension, double check all threading. Front Loading Top Loading The Tension Discs — Located within the thread path, before the take up lever. (These are not easily visible.) The presser foot must be lifted to open the tension discs for proper threading. Bobbin Case Tension Screw Heavier threads will fill the tension discs more than normal sewing threads. Tension may need to be reduced when using these. The opposite is true for ultra-fine threads that may require higher tension. Bobbin Case Tension Spring — The tension screw controls the bobbin case tension. Most tension issues can be resolved with upper tension adjustments. Sew Smarter smooth stitching — Balanced tension may not always equal good tension! Top and bobbin threads may be staying on their own sides of the fabric, but seams may still either pucker or gap. This indicates that adjustments need to be made to get a smooth, well-balanced stitch. Page 9 ——————— A second bobbin case allows you to freely adjust bobbin tension, keeping the original case set for everyday sewing. With experience, you can adjust bobbin tension by turning the screw in small increments (turn right to tighten or left to loosen). A quarter turn is sufficient to make a change. Work over a soft cloth to catch this tiny screw if it falls from the bobbin case while adjusting. As you advance, you may wish to try ‘bobbin sewing’ using ultra-heavy threads in the bobbin since they are too heavy to pass through a needle. Rather than loosening the bobbin tension, consider bypassing it all together. Other Factors — The thread, fabric or stitch selection, as well as the needle plate or presser foot being used also affect tension. Learn at Home — S e w i n g 1 0 1 : G e t t i n g t o K n o w Y o u r M a c h i n e ——————— PAGES Tension Extremes Try this: Put two different color threads in the top and bobbin. Crank the tension all the way up to 9 or 10 and stitch a straight and zigzag stitch. Turn it down to 0 or 1. Stitch through one or two layers of cotton to see the effects. Over-tightened tension causes puckering, while loosened tension shows thread loops on the back side of the stitching. Keep these tips in mind when evaluating your machine’s thread tension: 1.Always TEST your stitches with the same threads and fabrics being used in your project to set your machine up for each individual circumstance. 2.Use compatible threads: extreme variances in weight or content make balancing a stitch more difficult 3.Loops of bobbin thread at the top suggest that the bobbin is not inserted correctly. Sew Smarter 4.Loops of upper thread at the back, or ‘thread nests’ in the bobbin case indicate that the thread is not in the take up lever (sometimes the thread will ‘jump out’ of the take up if it is not clicked snugly into position). Having the presser foot up while sewing can cause the machine to jam or thread nesting. Dust bunnies — Clean your machine regularly. Dust bunnies and balls of thread can throw off tension. Cleaning the bobbin case, feed dogs and even the upper discs themselves. This can be done by ‘flossing’ between the discs with a folded piece of tightly woven fabric (like a batik). Page 10 ——————— 5. Check threading before making tension adjustments. Be sure that every thread guide is used. 6.Use a fresh needle. Bent or dull needles impede good stitching. 7. Use a proper sized needle for the job. Forcing a heavy thread through a small Learn at Home needle can cause thread breaks or puckers. — S e w i n g 1 0 1 : G e t t i n g t o K n o w Y o u r M a c h i n e ——————— PAGES Starting & Stopping a Stitch Line Start and Stop — Methods for solid seam construction Auto-lock Button — This ‘bulls eye’ but- Auto–lock Stitch — Available on select Reverse — Pushing the reverse button or lever at the beginning and ending of a seam is a quick and easy method, but can leave bulky or noticeable areas of excess stitching Manually Shorten Stitch Length ton on some SAH machines can be used to take four locking stitches in place and then stop. It is also used to complete a decorative stitch pattern before stopping and locking. SAH machines, this utility stitch begins with locking stitches and, at the touch of the reverse button, ends with locking stitches. Reverse vs. Auto-lock — Reverse stitching (top) is quick and easy, but autolock (bottom) secures with less bulk at the beginning and end of the seam. — Temporarily adjust stitch length to the shortest setting, for compact, difficult to loosen stitches. Head off sewing frustrations by securing your threads at the beginning and ending of each seam line. Starting Tips — Try one or more of these tips for a clean start to your sewing 1. Don’t forget to raise the bobbin thread up above the stitch plate when using a new bobbin. Hold the upper thread tail and either push the needle up/down button or turn the hand wheel to draw the bobbin thread up in a loop. 2. Start sewing with the needle in the down position. 3. Prevent unthreading. Hold thread tails pinched between the fingers of your left hand as you start to sew. Release after a few stitches. Page 11 ——————— 4. Draw the bobbin thread up to the top of the fabric. Similar to raising the bobbin thread up, in this case, both of the thread tails will be at the TOP side of the fabric. This is particularly useful with free-motion sewing. Do this before locking stitches in place, by lowering and raising the needle while holding the upper thread tail to catch the bobbin tail in the thread loop, pulling it up through the fabric. Learn at Home — 5. Use a Starter Square. When starting at the leading edge of the fabric, it is not uncommon to get a thread tangle, as the feed dogs are not yet propelling the fabric along the stitch path. The fabric edge could also be pulled into the zigzag stitch plate. A starter square (AKA a ‘startie-stoppie’ or ‘stitch buddy’) 1s a scrap of fabric abutted against the project fabric to be stitched. It gives the stitch line a bit of a ‘running start’ before getting to the leading edge of the project. (An optional straight stitch plate can also help with this scenario. You can purchase this plate from your Janome dealer) S e w i n g 1 0 1 : G e t t i n g t o K n o w Y o u r M a c h i n e ——————— PAGES Needle Threader & Needles Needle Vari ety Needle Know How Your sewing machine needles: petite, but powerful tools that are responsible for bringing precision and stability to your stitching. It’s worth getting to know a little bit more about these hard working helpers. Needle Stash Needle sizes are marked with both the European (60 – 120) and American (8 – 19) measurements. A size 60/8 needle is the finest needle for delicate fabrics and a 120/19 is the heaviest for fabrics like upholstery. Size is related to the needles blade diameter. A size 75 needle has a .75mm blade. Aside from the blade size, needles also have different types of tips, points, eyes, scarves and grooves. The groove guides thread down the needle, across the notched scarf and through the eye. More information can be found on the websites of quality producers like Schmetz or Klasse. Needle Storage As you grow in your sewing skills, you will find that keeping a collection of varied needles on hand will be a necessity. Changing a needle every eight hours is the standard rule of thumb, but if you have to change needle type, you can keep track of your needles with something as easy as a dollar store pincushion. Simply mark each section with a ‘needle type’ as a holding area for those gently used needles. Your SAH manual has a comprehensive needle guide on which needle should be used with what fabric. Needle threader — An easy-to-use convenience, available on some SAH machines 1. Lower and raise the needle to its highest position with a turn of the hand wheel or by pushing the needle up/down button. 2. Pull the needle threader controller down and swing it forward towards the back of the needle. This engages the wire threading hook through the eye of the needle. <2> 3. With the right hand, gently draw the thread across the path of the threader, which positions the thread just under the wire hook. Hold the threader controller in place with the left hand as needed. <3> <4> Learn at Home <5> TO THE POINT — Signs that it is time to change a damaged or unsuitable needle: a ‘banging’ noise as you sew, skipped or breaking stitches, shredding thread, puckering seams or wonky tension. Smarter ——————— 5. Pull on the newly created thread loop to draw the thread tail through the eye. Sew Page 12 4. Keep a light hand on the thread as you release the controller to go back upwards. The hook will draw the thread back through the needle. — S e w i n g 1 0 1 : G e t t i n g t o K n o w Y o u r M a c h i n e ——————— PAGES Stitches & Terms Stitch Categories Navigate your machine’s menu to discover some of your favourite ‘go-to’ stitches. Don’t hesitate to experiment with varying stitch length, width or varying thread type to change its look. Utility Stitches: These are usually at the beginning of any machine stitch menu because they are the most frequently used, but don’t let the utility word throw you off. You can embellish, couch, stitch with heavy thread and imagine all sorts of uses for this humble category. Stitches include: straight, zigzag, straight stretch, auto-lock stitch and tricot stitch (triple zigzag). Sculpture: Sometimes called ‘saddle stitches.’ The multiple stitch passes of this stitch make it stand out, and it looks great in topstitching. Can also be used to create the hand-look quilt stitch. Satin Stitches: So named for the ‘satiny finish’ created by the short stitch length when stitched in a lustrous thread. Patchwork: Also known as the feather stitch. Great for topstitching quilt seams. Heirloom: These stitches capture the look of traditional heirloom sewing. They are often created with a wing needle, which cuts a larger whole in fabric. Smocking: While smocking comes and Seam Finishes: These are often grouped together in larger stitch menus. Appliqué: Variations on the most common appliqué stitch, the blanket stitch. Try different versions for heavier thread appearance or more distant spaced stitches. goes in fashion, these stitches never go out of style. Decorative: A general term used to describe most stitches outside of the utility category. General Sewing Terms — Good to know Baste: Temporary stitching to hold things in place. By machine, you baste using your longest stitch setting. Loosening the tension makes removal easier. Bias: The 45 degree thread line in fabric. When cut on the bias, fabric will have a more fluid drape and stretch. Bias strips are great for binding. Bias can be tricky to sew, so use extra pins. Hand: The drape and ‘feel’ of fabric. (Soft, smooth, crisp…) Raw Edge: The cut edge of fabric which will often fray if left unfinished. The fraying bits are sometimes called ‘whiskers.’ Can also refer to a type of appliqué where the edges are left to show through stitching or be unstitched. Page 13 ——————— Seam: Two pieces of fabric sewn together create a seam. The line of sewing is called the seam line. The distance between the cutting edge of a pattern and the seam line is called the seam allowance (commonly 5/8˝ in garments and 1/4˝ in quilting). Seam finishes are the assorted techniques used to ‘clean up’ or hide the raw edge of a seam (including overcast stitching). Selvedge: The factory woven edges of fabric often used to print collection details and colour registration dots are known as the selvedge. This part of the fabric behaves differently than the rest, so it is usually cut off, and quite often used as a decorative embellishment. Topstitching: Your spell checker won’t like it, but you can use this as one word. This is the functional or decorative stitching that Learn at Home — shows on the outside of a project. It can be enhanced with heavy threads or increased stitch length. It is not limited to the straight stitch. When used close to the edge of stitching, this is often called edgestitching. Warp and Weft: Not often used in your vocabulary, but good to know: the lengthwise grain, parallel to the selvedge is the warp fibre and the crosswise grain is the weft fibre. A good way to remember is weft goes from weft to right. Shot silks will often use different colour warp and weft fibres for an iridescent effect. WST/RST: You have to know this one as it is in patterns all the time! Wrong Sides Together (WST) and Right Sides Together (RST) are the two most common directions for aligning fabric together for sewing S e w i n g 1 0 1 : G e t t i n g t o K n o w Y o u r M a c h i n e ——————— PAGES Sewing Supply List 〉〉 Take your time So you have just purchased your new sewing machine and you want to get busy sewing. Every project has a list of tools and supplies and your stash may not be quite there yet. Take your time. Add to your supplies slowly. You do not need EVERY tool, notion, fabric or thread seen in the magazines. To get you started, things you might need Add-ons — Nice to have • Your first pattern • Your machine • Sewing needles: You have a few with your machine. You will need specialized ones for topstitching or fine fabrics. • A means of cutting: Good scissors will serve you well • Fresh sewing thread: Black, neutrals and your favourite colour will be a good start • Fabric: A bundle of a few fat quarters will give you the means to embellish and make small items (like our coasters!). Pressing, starching and cutting up old clothes will also give you some good scraps. • Small trimming scissors for cutting out appliqué and trimming threads • Separate, budget priced scissors for cutting paper and patterns. Leave your sewing scissors for fabric only and they will stay sharp longer • A magnetic pincushion makes holding and gathering pins much easier. Of course, making a sweet, soft cushion is a good idea too. • More bobbins (a sewist can never have too many, and Janome bobbins are very affordable. PLEASE, Always use Janome brand bobbins for your machine) • Slowly add to your fabric and thread stash • Iron and ironing surface (board, mini board or mat will do) • Pins • A means of measuring (tape measure) • A hand sewing needle for little details • Lint brush and small screw driver if they did not come with your machine • Fusible webbing and or interfacing. Depending on what you are sewing, having a small stash of this will come in handy. • A good sewing reference book will be used often. No matter how experienced you are, there is always something new to learn! The Sewing Answer Book by Barbara Weiland Talbert and The Sewing Bible by Ruth Singer are two excellent resources. Signs that you are really enjoying your sewing • Bobbin keeper box or ring to keep your collection from unwinding • Thread storage rack or box • Fold away cutting table • A dedicated sewing chair that works for you to keep your shoulders, back and neck in good shape. • Auxiliary thread stand for managing any size of thread with your machine (a cup at the back of your machine will work, but these stands are reasonably priced and do a good job) • If you are quilting, look at investing in a rotary cutter, ruler and mat. They make cutting so much easier. Local sewing lounges and your dealer will quite often let you use their classroom supplies for a small fee. This could help you to know if the tools are right for you. • Machine carrying tote or case for classes and getaway weekends • Sewing lamp Page 14 ——————— Learn at Home — S e w i n g 1 0 1 : G e t t i n g t o K n o w Y o u r M a c h i n e ——————— PAGES Presser Feet Feet First Various assortments of these feet are found in your SAH machines. Others can be purchased through your Janome dealer. Your manual will help you to select the best foot for each stitch. The All Purpose Foot (A) The Zipper Foot (E) The Adjustable Buttonhole Foot The Overedge Foot (C) The Sating Stitch/ Craft Foot (F) The 1/4˝ Seam Foot (O) Designed for optimal control of most utility and straight stitching (Packaged on the machine when new). Neatly finish seams and prevent unraveling. Even Feed Foot (Walking Foot) Evenly feed quilts, garments or home décor projects, as well as knits, velvet and velours through your machine with this extra set of feed dogs. Page 15 ——————— Install a zipper, but also use to attach piping and cording. A beveled channel beneath this foot allows for smooth delivery of heavier stitches, F2 (in some machines) has an open toe. Darning Foot for Free Motion Embroidery A spring loaded foot that allows you to stipple and thread paint with a clear view and consistently formed stitch. Learn at Home — Creating perfectly aligned buttonholes. Sew a perfect quarter inch seam for consistent quilt block assembly. The Adjustable Blind Hem Foot (G) Place folded edge against the adjustable guide for an invisible blind hem — great for top stitching. S e w i n g 1 0 1 : G e t t i n g t o K n o w Y o u r M a c h i n e ——————— PAGES Pinning & Pressing 1> Pinning 2> 3> Pins hold fabric in place until you are ready to sew. They keep fabric in one area from shifting while you sew another area. They are also handy to mark an area for altering. You might use two different types of pins in your sewing: straight pins and safety pins. 4> Straight pins can vary in length and headtype. Shorter length pins are known as sequin pins and are designed to hold small embellishments in place. Dressmaker pins are the most used, mid length pins, suitable for most sewing tasks. Quilting pins are longer and can pass through the thick layers of a quilt. 6> 5> 7> 1. Glass Head Pin Cheaper plastic-head pins seem like a good bargain, but they do not hold up well. Glass head pins resist bending and do not melt with ironing. Flat, flower head pins are useful, especially when laying your rotary cutting ruler over pinned fabric. 2. Silk Pin 3. Flat Head (Tailor’s) Pin 4. Applique Pin 5. Safety Pin 6. Flower Head Pin Specialty pins, like silk pins or fork (twoprong) pins are designed for specific tasks. The fork pin offers more control with slippery fabrics, while the fine silk pins do not leave visible holes in your fabric. 7. Fork Pin Insert pins perpendicular to a seam. This will make it much easier to remove them as you The bad, the worse and the headless! Top 3 faults of plastic head pins: they bend, they melt & their heads pop off. ——————— Safety Pins (also known as basting pins) come in a variety of sizes and finishes. Some can be quite small and difficult to easily open and close, while others can be so large that they create a visible hole in your fabric. Some quilters like to use curved safety pins for quick basting. Avoid oversized pins. Remove pins as you sew. Do not sew over pins. Broken pins or needles in your bobbin case (and eyes) = bad. Ironing vs. Pressing Pressing uses heat, moisture and pressure to manipulate fabric. While ironing is a means of removing wrinkles, pressing is a sewing technique, used to blend stitches into fabric, tidy up seams (pressing them to one side or open), set curves or sharpen creases. To properly press, you don’t need to move the iron much. Pick the iron up and set it down, pressing downward with just enough pressure to feel your fabric push into the ironing pad surface (no need to exert huge force). Lift and move to the next area. Let the iron, heat and steam do their work. Rapidly dusting the iron over a large area may remove a few wrinkles and work out the arms, but pressing keeps a project on track, properly shaped and sized. Page 16 approach the machine needle. Perpendicular pinning also helps to prevent puckering. Learn at Home — Pressing can be more effective when using steam. Steam can come from the iron’s water reservoir, a spritz with a spray bottle or it can be created from pressing through a damp cloth. Spray starch (traditional and newer scented products) also eases wrinkles away and keeps fabric crisp with a professional finish. Pressing aids come in different forms. Pressing cloths, made of cotton or silk organza protect delicate fabrics and prevent ‘iron shine.’ Teflon sheets protect the iron and the ironing board from getting gunked up with residue from fusible webbing or interfacing. Dressmaker’s hams and seam rolls are also useful for pressing curves and garments. S e w i n g 1 0 1 : G e t t i n g t o K n o w Y o u r M a c h i n e ——————— PAGES Basic Maintenance A clean machine is a happy machine! “Low Maintenance” is something we all like to hear, and that is what you get with your SAH machine. Regular cleaning of the bobbin area and feed dogs is all that you really need to look after. Of course you will want to change your needles as needed too. After a year or two, you may want to bring your machine in for a check-up and interior cleaning to get the dust and fibres out of the spots that you can not reach with a lint brush. You can talk to your dealer about this. Cleaning — Front-loading machines 1. Turn off your machine. Raise the needle to its highest position, lower the hook cover and remove the bobbin case by lifting its hinged latch. 2. Push aside each of the hook race ring holders. 3. Remove the hook cover (shuttle race ring), noting what the top of the ring looks like. 4. Remove the shuttle, lifting it out of its ‘nested’ position inside of the shuttle race. 5. Brush and wipe out the inside of the shuttle race and reassemble the unit. Cleaning — Top-loading machines Knob Stopper 1. Turn off your machine. Raise the needle to its highest position and pop open the bobbin cover. Page 1 7 2. Unscrew the needle plate and remove the bobbin case. ——————— Learn at Home — 3. Brush away the dusty bits (ewww…). Clean the interior of the case with a soft cloth. 4. Replace the bobbin case. Be sure that it feels properly seated in position. You should be able to gently wiggle the knob on the case towards the somewhat bouncy feeling stopper. S e w i n g 1 0 1 : G e t t i n g t o K n o w Y o u r M a c h i n e ——————— 5. Replace the needle plate and tighten the screws to secure it. Replace the cover by pushing the two prongs to the left and then clicking the cover down into position. PAGES Easy First Project 〉〉 PROJECT MATERIALS • 4 – approximate 4 to 4.5” squares of cotton fabric • 4 squares of felt, same size as fabric • Top and bobbin thread in a colour that contrasts with the fabric • Hand sewing needle • All purpose sewing foot (A) • Your SAH sewing machine, we used the G1206 Coasters — Blissful Pivots Pivoting, or turning a corner with the needle in the down position, is one of those super simple techniques that you will use whenever you sew. A little bit of practice will give you time to get to know your new sewing machine a little better. There are TWO versions of Blissful Pivots: Outside and Inside Outside — Raw Edge Finish 1. Pin fabric and felt WST (Wrong Sides 2. Place under the needle, top side up, and lower the needle into the down position, about 1/4˝ in from both edges. 3. Start sewing. Remember to hold the thread tails. Reverse to lockstitch and continue sewing. Slow down as you approach 1/4˝ from the next edge. 4. Once near the corner, stop sewing. If your needle is not in the down position, turn the hand wheel towards you to pierce the fabric. If taking one more stitch would extend your sewing line too far, you can firmly hold the fabric in place while turning the hand wheel to effectively not move forward. Together). 6. Repeat at each corner. You can stop after completing all sides, but continuing around the entire square two or three times, with slightly wonky lines gives an interesting finish and more practice pivoting. 7. When finished, reverse (or lockstitch) to secure threads. OPTION: Mark 1/4˝ corners inside from each corner with a pencil dot, or just “eye” the measurement. Perfection is not the goal. 5. With the needle down, lift the presser foot, turn the corner and lower the presser foot again. Page 18 ——————— Learn at Home — 8. Trim loose threads and press. S e w i n g 1 0 1 : G e t t i n g t o K n o w Y o u r M a c h i n e ——————— PAGES Easy First Project 9. Press flat. Be careful to turn under the edges of the gap and press these flat as well. Inside — Turned Edge Finish The steps here are very similar to the Outside version. The difference is that you are working with fabrics RST, leaving a gap in the single stitch line for turning right-side-out, and hand closing the gap. You may choose to finish with a top stitch. 5. As you make the final pivot to the first side, prepare to stitch only about 1/3 of the way down. This will leave a gap in the centre of the first side for turning. 6. Finish stitching with a reverse or locking stitch. Snip threads. 1. Pin fabrics RST (Right Sides Together). 2. Staring about 2/3 of the way down the first side, lower the needle to begin sewing. Use the OUTSIDE EDGE of the presser foot as a guide, aligning the fabric edge with the edge of the foot. 10. Use a hand needle to close this opening with a whip stitch. (Basically pull the knotted thread through the seam near the opening from the inside to bury the knot within the seam. Pierce the folded edge of each fabric with the needle and draw the sides together. Repeat until the gap is closed. Knot thread inside the seam and clip.) 7. Clip all four corners, careful not to cut the stitches. This makes for less bulk when turning out the corners. 11. TOP STITCH OPTION: Top stitching adds a nice finish to anything from coasters to garments. This is a good opportunity to practice. This stitch line runs close to the fabric edge. The goal is to leave a gap when done 3. Stitch as in step 3 of “Outside Pivot”. Stop about 1/4˝ from the edge and pivot. The Presser foot edge should align with this next fabric edge. You may have to play a bit with the first corner to pivot at the right time, but this gets easier with practice. 4. Continue around the second, third 8. Turn right-side-out. Gently push out all corners. You may need to use a pointed object like a blunt pencil to help with this, but be gentle. The corner stitching will open if pushed too much. and fourth sides. Page 19 ——————— Learn at Home — Note: the fabric may need to be coaxed (pushed) along at the beginning until the feed dogs can catch the fabric and do their job. Starting between 1/8 and 1/4˝ from the edge, take a locking stitch and start sewing. Continue around all sides as you did above. Press flat to finish. Fill your glass with refreshing beverage of choice to celebrate your first project. Cheers! S e w i n g 1 0 1 : G e t t i n g t o K n o w Y o u r M a c h i n e ——————— PAGES Appliqué Project 〉〉 PROJECT MATERIALS Background material of choice. We used: • One 8.5 x 30˝ strip of plain background fabric • Two 8.5 x 3.5˝ strips of print fabric for ends • Scrap fabrics for houses and hearts • Small piece of fusible webbing for fusing hearts (brands like Wonder Under or Steam a Seam work well) • Two or more thread colours with matching bobbins wound House He{art}: A Moving on Project Appliqué: the art of stitching one fabric shape to another, is the focus for this project. Appliqué can take many forms, but the most casual stitched form would be raw edge appliqué. You can choose to use a simple straight stitch, which will be fairly similar in form to our Blissful Pivots, or you can play with your machine’s selection of decorative stitches. We have also added a simple bit of fused appliqué with the small hearts. While raw edge appliqué gives a soft and ‘thready’ edge, the fused appliqué has a firmer edge. A first step is to decide what type of background that you would like your appliqué practice piece to be on. We stitched a few fabrics together to create little table scarf <2> Page 2 0 (to practice our seams), but you can use a pillow, tea towel, tote bag, or any other flat surface. Our simple house motif is made from rectangles and triangles. You choose the size; no templates needed! 3. On each long edge of the scarf, fold the fabric edge over about 1/4˝. Press and then fold again to encase the raw edge in the hem. Press and pin in place. Sew On! Appliqué is an easy embellishment technique that has many applications. It is especially fun for customizing kids projects with names, favourite animals or themes. Eventually you can try out different forms of appliqué like faced or turned edge. 4. Stitch the hem in place from the back side. Use the presser foot edge as a guide. Repeat steps 3 & 4 on the short edges of the scarf. When done, all four sides will be hemmed. Preparing Your Base fabric 5. Either at this point or after the appliqué 1. Pin together the shorter edge of the plain and print fabrics at each end of the scarf. Using the presser foot edge as a guide, stitch a straight seam line from one outside end to the other. Remember to lock your stitches at each end. Repeat for the other end of the scarf. <3> ——————— 2. Press the seam open and flat from the back side. Learn at Home <4> — is added, embellish the joining seem lines with a decorative or zigzag stitch. This serves to hold the seam flat. You can follow the directions for Patchwork seams in the manuals of most of the SAH machines (1218 and higher. <5> S e w i n g 1 0 1 : G e t t i n g t o K n o w Y o u r M a c h i n e ——————— PAGES Appliqué Prep and Ideas Tip: Removing the pin after the first line of stitching is completed can be helpful with small patches of fabric. Otherwise, the lift caused by the pin may cause a bubble or pucker as you near completing the stitching of a shape. Smooth your fabric flat as you go and you should have no problems! Plan out the number and placement of appliqué motifs. Audition different fabrics to see how nicely they play together. Cut out assorted rectangles and triangles for the house and roof shapes. Lay these out. When happy with the layout, pin the pieces in place. Our houses were stitched with the G1206 and the J1250. This house repeats the basic straight stitch pivot. It shows a nice contrast between single and multiple lines of stitching. The straight stitches of the heart appliqué are done with multiple pivots to maintain a curved shape. Page 2 1 ——————— Adding the hearts to the houses is an easy final step. A scrap of fusible web is ironed to red fabric. Hearts are drawn on the web’s paper backing and then they are cut out. The backing paper is peeled from the shape and they are fused (ironed) in place. (Please follow the manufacturer’s directions for your specific fusible web product). This utility stitch house makes use of zigzag and blind hem stitches for appliqué. The variation of the height of the humble blind hem stitch shakes things up a little. The heart is finished with a satin style stitch made with a narrow and short zigzag. Learn at Home — Tip: As you lift your needle and presser foot to remove the fabric from under the needle, sometimes threads will seem to be caught in the bobbin case. This is because the stitch hasn’t finished forming. Turn the hand wheel towards you to complete the stitch. If the stitch cannot be completed, a GENTLE wiggle of the hand wheel forward and back (about one tenth to one eighth of a turn) should release the threads. If not, remove the needle plate to clear any possible thread jam. This fabric print seemed to suggest a simple stitch. The straight stitch did most of the work. The joining stitch was used between the two shapes (this would be a tricky stitch to pivot neatly around a corner). The heart is tacked with cross-stitch X’s. Each single stitch is made easily by using the auto lock button. The traditional blanket stitch is used on this house, with a narrower version used on the heart. The straight baseline of the blanket stitch is kept off of the appliqué fabric, running alongside its edge, while the horizontal ‘bite’ pierces the fabric patch and holds it in place. The star burst decorative stitch was used on the roof base just because! S e w i n g 1 0 1 : G e t t i n g t o K n o w Y o u r M a c h i n e ——————— PAGES Good to Know We asked our experts what they wished they had known when they started to sew and what they would tell their beginner selves. Sometimes the answer was a simple sewing trick. Sometimes it was something more. Either way, we hope that you find something helpful for YOU. I wish I knew when I started to sew… that — You don’t have to follow the rules – Ok. Maybe just use them as general guidelines… sometimes. that — I would be doing this for the next 40 plus years… I would have organized my sewing room better and sewn up my fabrics as I bought them! that — My sewing did not have to be perfect to be shown in public. Too many lovely pieces were hidden away. “ “ that — There are NO “Quilting Police! There might have been a few at one time but I am sure their “jobs” were made redundant. Mistakes are your one-of-a-kind “design features.” And there’s a lot to be learned from what our mistakes teach us. ” We can learn a lot from an easy project but we can get discouraged with one that is too complicated. Certain fabric types are recommended for certain projects. (My first big project, in grade seven, was a thick wale, corduroy skirt with an elastic waist. It was so stiff that it stood up by itself.) Its worth learning how to put in an invisible zipper. They are not that scary, and they look great. I was about the ‘destination’ not the journey. I changed that. Page 2 2 Pass It On… ” ——————— Recycling. Fabulous doesn’t have to cost a fortune. I love to go to thrift stores now and look at the fabrics that inspire me to create something new. Have more than one project on the go. When one is not making you happy or coming together as you like, move on to the other one. Learn at Home — S e w i n g 1 0 1 : G e t t i n g t o K n o w Y o u r M a c h i n e ——————— PAGES Good to Know Always prewash dry and iron before starting a new project to avoid a bad fit. Don’t wind one thread over another on a bobbin. The result will be a bad tension for seemingly no reason. And, always use Janome bobbins because they are the proper width and height for your machine. For better control of fabric and building confidence using your machine, use a heavier fabric for your first project. Turn the machine and iron on at the same time. Press every seam and your work will look good. Better quality needles, threads and fabric are worth the investment to avoid breakage and frustration. Take the time to learn how to find your “happy creative space” to relax, let go of all the stresses and worries of daily life. Let creativity take over. Even if only for ten minutes. “ “ Get to know, embrace and develop your sewing style. Understand that it may not be the same as your decorating or clothing style. Colour palettes, textures and forms that appeal to your sewing self may be similar or different from your shopping self. Go with it! You can sew for the sake of creating. Sewing can transform a wardrobe, a room or a life. ” You will be your biggest critic. You might see the imperfections but most others will not. They will praise you for being so creative and you should feel awfully proud of your sewing and quilting projects. Challenge yourself; whatever that may be. Don’t be afraid to keep learning. Feed your passion. Take a class, borrow a book, visit a museum or show. Look at the wide world of design and ask how it influences your sewing. Page 2 3 Accuracy is important for many (not all) quilting projects so that your finished blocks look good but there is no need to get terribly stressed about 1/4˝ inch seams. So long as you remain consistent throughout your project, the end result will be lovely. ” ——————— Make time to organize your space and supplies. Its not all about cleaning, its about being familiar with the fabrics and threads that you love. Playing with them inspires new ideas. Babies do not walk at 3 weeks old, nor at even 6 months, and so it is with folks who start sewing or quilting. Allow yourself the luxury of time to take baby steps. It is a very natural progression. Enjoy the learning. You are already on your way: you have a new JANOME sewing machine and lots of access to information to help you every step of the way! Learn at Home — S e w i n g 1 0 1 : G e t t i n g t o K n o w Y o u r M a c h i n e ———————