CEWritingFlierSummer2015v2 - Writing at the New School
Transcription
CEWritingFlierSummer2015v2 - Writing at the New School
SUMMER WRITERS COLONY LITERARY SALONS Workshops in Fiction, Nonfiction, and Poetry June 1–18, 2015 Literary Salon: Nathan Englander (NWRW0551) What We Talk About When We Talk About Anne Frank A | Mon, Tue & Thu, 6–7:50 pm, beg. June 1 (3 sessions) | Andrew Zornoza ! ! Discover the writer's life in New York City. This intensive three-week program provides a supportive yet challenging atmosphere in which to develop as a writer, whether you are embarking on a new writing project or developing a work-inprogress. ! Workshop classes are limited to 12 students. Registrants for the Summer Writers Colony sign up for one workshop and one literary salon per week. For advising, contact [email protected]. Register at: www.newschool.edu/summerwriters ! Summer Writers Colony: Poetry (NWRW3590) A | Mon thru Thu, 2:30–5 pm, beg. June 1 (12 sessions) | Kathleen Ossip ! ! Literary Salon: Brando Skyhorse (NWRW0552) Take This Man A | Mon, Tue & Wed, 6–7:50 pm, beg. June 1 (3 sessions) | Karen McKinnon ! Literary Salon: Leslie Jamison (NWRW0553) The Empathy Exams A | Mon, Tue & Wed, 6–7:50 pm, beg. June 8 (3 sessions) | Madge McKeithen ! Literary Salon: Jericho Brown (NWRW0554) The New Testament A | Mon, Tue & Thu, 6–7:50 pm, June 8 (3 sessions) | Kathleen Ossip ! ! ! ! !! ! !! !! Summer Writers Colony: Nonfiction (NWRW3590) B | Mon thru Thu, 2:30–5 pm, beg. June 1 (12 sessions) | Madge McKeithen Summer Writers Colony: Fiction (NWRW3590) C | Mon thru Thu, 2:30–5 pm, beg. June 1 (12 sessions) | Sharon Mesmer Noncredit tuition is $4,340. Tuition for credit is $7,260 for 6 credits. Academic records are maintained and transcripts are available for credit students. Tuition includes a workshop and one Literary Salon per week. !! ! Literary Salon: Dorothea Lasky (NWRW0555) ROME A | Mon, Tue & Wed, 6–7:50 pm, June 15 (3 sessions) | Justin Sherwood Literary Salon: Justin Torres (NWRW0556) We The Animals A | Mon, Tue, 6-7:50 pm, Thu, 12:30–2 pm, beg June 18 (3 sessions) | Jenny Zhang Individual Literary Salons are available for continuing education students. Each threesession salon is $230 for noncredit students. Writing at The New School Summer 2015 ! Continuing Education 66 W. 12th Street for advising: 212.229.5611 [email protected] [email protected] ! Register online or by telephone: newschool.edu/ce Writing at the New School offers Continuing Education courses in poetry, fiction, nonfiction, dramatic writing, journalism, writing for children and special topics. Our short form students go on to publish articles with national newspapers and magazines, from The New York Times to Cosmopolitan to Vice. A great many of our long-form students have gone on to sell books to large and small publishers. In 2013, our students, alumni and faculty published over 35 books; in 2014, over 40. Our authorial successes include some of the biggest names in writing: Mario Puzzo to Jack Kerouac to Madeleine L’Engle. And our faculty is made up of an exciting array of contemporary authors who are also dedicated teachers. Additionally, Creative Writing at The New School offers an internationally renowned Master of Fine Arts, and a Summer Writers Colony, open to both degree students of the School of Undergraduate Studies and Continuing Education students. ! ! ! ! INTENSIVES NONFICTION FICTION Pick Up Your Pens: Kick-Start Your Writing Routine (NWRW2625) A | Tue & Thu, 6–7:50 pm, beg. June 2 (15 sessions) Jessica Sholl Fiction and nonfiction writers at any stage of a project (from the blank page to a polishing a draft), use exercises, writing prompts, and a constructive critiquing process to improve their writing practice as well as their work. Introduction to Creative Nonfiction (NWRW24010) A | ONLINE | June 1–July 31 (10 weeks) Lisa Freedman This workshop is for serious beginners as well as more experienced writers who want to delve into the stillevolving genre of creative nonfiction, which includes personal essay, memoir, documentary, and literary journalism. Introduction to Fiction (NWRW2301) A | ONLINE | June 1–July 31 (10 weeks) Jessica Sholl This course is intended to encourage and guide students who are starting to explore the many creative possibilities fiction affords. The majority of class time is spent reviewing projects by students, which are workshopped on a weekly basis. Readings include works by Rick Moody, Jhumpa Lahiri, Tim O'Brien, Lorrie Moore, and Michael Cunningham. ! Writing on Location: Writing from Art at the MET (NWRW3445) A | Mon thru Thu, 11–4 pm, beg. June 1 (8 sessions) Star Black The class splits its time between The New School, where we share our writing, and the city’s preeminent art museum, The Metropolitan Museum of Art where we spend two explore the collection and respond to the art by writing flash fiction, ekphrastic poems and prose poems. !! ! WRITING FUNDAMENTALS Mechanics of Writing (NWRW1011) A | Mon & Wed, 6–7:50 pm, beg. June 1 (15 sessions) Randi Ross B| ONLINE | June 1–July 31 (10 weeks) Noelle Kocot-Tomblin We examine the sentence, looking at syntax, the parts of speech, and other aspects of grammar. Later we look ahead to considerations of effectiveness and style. Students for whom English is a foreign language should take the relevant English as a second language course instead of this course. ! Writing for Artists (NWRW1030) A | ONLINE | June 1–July 31 (10 weeks) Rebecca Reilly Writing is performance. Visual artists, designers, musicians, writers, dancers, filmmakers, actors, artists of every kind come together in a supportive workshop environment to practice the skills that benefit critical pieces as well as the kinds of writing they will likely have to produce as professional artists or critics in the field. ! Academic Writing (NWRW1104) A | Tue & Thu, 6–7:50 pm, beg. June 2 (15 sessions) Margaret Fiore This course teaches the foundations of academic writing: research; criticism, analysis, and argumentation; revision; correct grammar and American English usage. Students for whom English is a foreign language should take ESL Academic Writing instead of this course. !! ! Literary Nonfiction: Art in the Everyday (NWRW3405) A | ONLINE | June 1–July 31 (10 weeks) Christopher Pastore Students explore selected forms of creative nonfiction: the personal essay, reportage, biography, travel writing, food writing, profile, memoir, and linked fragments. Discussions about the forms, techniques, and history of nonfiction are supplemented by readings from work by Joan Didion, V.S. Naipaul, Jamaica Kincaid, W.G. Sebald, Sherman Alexie, and Abigail Thomas. ! The Experimental Essay (NWRW3520) A | ONLINE | June 1–July 31 (10 weeks) Robert Lopez The experimental essay trespasses on poetry, fiction, and nonfiction. Our aim is to discover how, because of its ability to engage with and mimic a variety of forms and genres, the essay is the most radical, experimental, comprehensive, and inventive of the literary genres. ! Personal Essay and Memoir (NWRW3545) A | Mon & Wed, 6–7:50 pm beg. June 10 (15 sessions) Candy Schulman This workshop is designed for writers looking to use the first person point of view to illuminate larger themes in essay or memoir. Writers develop a compelling voice and point of view, creating dramatic tension and scenes with sensual detail. Discussions include what makes essays and memoirs publishable in today’s market. ! Writing for New York City Newspapers and Magazines (NWRW3601) A | Mon, 6–10 pm, beg. June 1 (10 sessions) Susan Shapiro Taught by a writer whose work has appeared in more than 100 publications, this course reveals the secrets of breaking in. Topics covered include tailoring pieces to specific columns, writing a perfect cover and pitch letter, contacting editors, following up, and getting clips. Speakers include top Manhattan editors. !! ! The tuition for each 15-session onsite or 10-week online course for noncredit students is $730. All of these courses may also be taken for 3 credits at a cost of $3,630. ! Fiction Writing: Creating a Compelling Narrative (NWRW3315) A | ONLINE | June 1–July 31 (10 weeks) Carol Goodman What marks the difference between a story that is merely serviceable and one we can't put down? This is a class for fiction writers who want to learn the basic elements of storytelling and examine the way these elements work together to create mystery and tension. ! Advanced Fiction Writing: Revise and Polish (NWRW4310) A | Tues & Thu, 8–9:50 pm, beg. June 2 (15 sessions) John Reed The intention of the course is to help individuals prepare themselves and their work for the next phase of their vocation, be it approaching editors, agents, and literary journals or applying to graduate schools. These subjects are addressed realistically and reasonably, with the quality of the writing always foremost on the agenda. !! ! POETRY Poetry: The Language of Music (NWRW3205) A | ONLINE | June 1–July 31 (10 weeks) John Johnson This study of musical poetics focuses on the buried linguistic and musical structures of poetry and on the way these structures create voice and meaning in a poem. This course is open to poets at all levels, but beginners are especially welcome. ! From Silence to Poem NWRW3204 A | ONLINE | June 1–July 31 (10 weeks) Richard Tayson Beginning and advanced writers work on dismantling silences in their lives and generating poems from personal experience. We work to follow the poem's impulse in order to break old habits and write something challenging and difficult.