propuesta-zorrilla-c.. - Carlos Sanchez

Agosto 12, 2010
Ministro Raul Zorrilla
Director Ejecutivo
Instituto Cultural Mexicano de Nueva York
Estimado Raul:
Complementando nuestras conversaciones previas, te presento la siguiente
Propuesta, misma que espero resulte de tu interés y te sea de utilidad.
Proyecto:
Un concierto de música contemporánea con la Eastman BroadBand,
ensamble de 23 alumnos y egresados de la prestigiosa Eastman School of
Music, y los solistas Tony Arnold (soprano), Michael Burritt (percusiones),
Cristina Valdes (piano), Dieter Hennings (guitarra) y Josephine Gaeffke
(clavecín).
Fechas:
Lunes, 1º de noviembre (preferentemente)
Domingo, 31 de octubre (posible)
Eastman BroadBand:
Formada en la Eastman School of Music—una de las instituciones musicales de
mayor prestigio—por los compositores mexicanos Ricardo Zohn-Muldoon y
Carlos Sánchez Gutiérrez, la Eastman BroadBand es una agrupación flexible
cuyo fin es la exploración de las múltiples facetas contenidas en la Música
Contemporánea.
Nuestros programas hacen énfasis en la música de nuestros días, y
particularmente aquella creada por compositores mexicanos.
Entre las participaciones más recientes en foros internacionales es†án las
siguientes: en el Joyce Theatre de Nueva York, ofreciendo el estreno de
Edge/Joy, con la Garth Fagan Dance Company; en el Festival SpazioMusica
Propuesta, p. 2
de Cagliary, Italia; y como Ensamble Residente del Festival Internacional
Chihuahua 2008, en México. En mayo pasado apareció a la venta el primer
disco compacto de la Eastman Broadband en Bridge Records, “Cantos”, con
obras vocales de Ricardo Zohn-Muldoon.
La Eastman BroadBand ofrecerá tres conciertos los días 3, 4 y 5 de noviembre
en el Festival Internacional Cervantino en Guanajuato, México.
El Director Concertante de la Eastman BraodBand es Juan Trigos.
Adjunto a la presente encontrarás un Press Kit con información adicional sobre
el Ensamble, sus integrantes y solistas, sus directores, y nuestros programas.
Costos:
Los gastos de traslado a y hospedaje en la Ciudad de Nueva York, así como los
honorarios de músicos, solistas y director, serían cubiertos por la Eastman
School of Music.
Solicitamos que, de ser posible, la renta de la sala, así como los instrumentos de
percusión y demás equipo requeridos, sean cubiertos por la institución huésped.
Requerimientos técnicos
—
—
—
—
Escenario de aprox. 8 mts de ancho por 5 de fondo (min.)
Piano de cola
Instrumentos de percusión [Ver rider técnico adjunto]
Atriles y sillas de concierto [Ver rider técnico adjunto]
IMPORTANTE: Esta lista se incluye con el fin de designar si el espacio
disponible es el adecuado para un concierto de esta naturaleza.
Propuesta, p. 3
No dudes en contactarme de requerir cualquier información adicional:
Carlos Sanchez-Gutierrez
Co-Director Artístico
Eastman BroadBand
585-507-8292
[email protected]
http://www.carlossg.com/broadband.html
Cordialmente,
Carlos Sánchez Gutiérrez
Co-Director Artístico
Eastman School of Music
Anexos: Programas, press kit, lista requerimientos técnicos, lista instrumentos
percusión, notas biógraficas
Propuesta, p. 4
Programas:
Opción I:
Revueltas
Planos
9’
Eastman BroadBand
Carlos Sanchez-Gutierrez
…Ex Machina
24’
Michael Burritt, marimba
Cristina Valdes, piano
Eastman Broadband
— Intermission —
—
Juan Trigos
Ricercare VI
14’
Nuevas Aventuras del NiñoPolilla *
12’
Dieter Hennings, guitar
Eastman BroadBand
Ricardo Zohn-Muldoon
Tony Arnold, soprano
Scott Perkins, tenor
Thomas Lehman, baritone
Juan Trigos, conductor
Propuesta, p. 5
Opción II:
Anton Webern
Two Songs of Rilke, Op. 8
3’
I. "Du, der ichs nicht sage"
II. "Du machst mich allein"
Tony Arnold, soprano
Eastman BroadBand
Carlos Sanchez-Gutierrez
Five Memos
12’
Eastman BroadBand
— Intermission —
Ricardo Zohn-Muldoon
Pluck. Pound. Peel. (2nd. version) *
10’
Tony Arnold, soprano
Josephine Gaeffke, harpsichord
Dieter Hennings, guitar
Michael Burritt, marimba
Eastman Broadband
Juan Trigos
Sinfonía N. 2 *
Eastman Broadband
Juan Trigos, conductor
20’
Carlos Sanchez-Gutierrez, Ricardo Zohn-Muldoon, artistic directors
Juan Trigos, principal conductor
Formed at the Eastman School of Music—one of the world’s leading
musical institutions—by composers Ricardo Zohn-Muldoon and Carlos
Sanchez-Gutierrez, the Eastman BroadBand is a flexible group whose
aim is to explore the many facets of contemporary music-making. Its
programs focus on the music of our time, placing a special emphasis on
the music of living Mexican composers. Among the Eastman BroadBand’s
appearances are those at the Joyce Theatre with the Garth Fagan Dance
Company on the New York premiere of Fagan’s Edge/Joy, at the
SpazioMusica Festival in Cagliari, Italy, and as Resident Ensemble at the
2008 Festival Internacional Chihuahua in Mexico. The Eastman
BroadBand can be heard on Bridge Records. Its principal conductor is
Juan Trigos.
www.carlossg.com/broadband.html
!
Personnel
Deidre Huckabay, flutes
Elizabeth Spector, oboe,
oboe d’amore, English horn
Isabel Kim, clarinets
David Warren, clarinets
Eryn Bauer, bassoon,
contrabasson
Sophia Goluses, Horn
Bradley Hogarth, trumpet
Peter Fanelli, trombone
Jung Sun Kang, piano,
keyboards
Bobby Mitchell, piano
Matthew Thomas, percussion
Maria Finkelmeier, percussion
Sean Connors, percussion
Hanna Hurwitz, violin
Vivek Jayaraman, violin
Jason Sah, viola
Mariel Roberts, cello
Scott Worthington, bass
Dieter Hennings, guitar
Juan Trigos, conductor
Guest artists
Makoto Nakura, marimba
Cristina Valdes, piano
Paul Vaillancourt,
percussion
Tony Arnold, soprano
Daniela D’Ingiullo, soprano
Gabriela Thierry, mezzosoprano
Oscar de la Torre, tenor
Maurizio Leoni, baritone
Reuben Blundell, conductor!
Recent Performances
Conservatorio de las Rosas
Morelia, México, 2006
Festival SpazioMusica
Cagliari, Italy, 2007
Joyce Theatre (with Garth Fagan
Dance)
New York, 2007
Nazareth College Arts Center (with
Garth Fagan Dance)
Pittsford, New York, 2007
Kilbourn Hall
Rochester, New York, 2008
Festival Internacional Chihuahua
Chihuahua, Mexico, 2008
Recording of Zohn-Muldoon’s Comala,
NiñoPolilla, and Flores del Viento for
Bridge Records
Upcoming Projects
Festival Internacional Cervantino
Guanajuato, Mexico, 2010
!
www.carlossg.com/broadband.html
!
Contact the Eastman BroadBand
!
Artistic Directors
Carlos Sanchez-Gutierrez
(585) 274-1555
[email protected]
Postal address
201 Gregory Park
Rochester, NY 14620
U.S.A.
Ricardo Zohn-Muldoon
(585) 274-1576
[email protected]
www.carlossg.com/broadband.html
Artistic Directors/Composers
Carlos Sanchez-Gutierrez
Carlos Sanchez-Gutierrez was born in Mexico City in 1964 and now lives in the
New York Tundra, where he teaches composition at the Eastman School of
Music. He studied with Jacob Druckman, Martin Bresnick, Steven Mackey and
Henri Dutilleux at Yale, Princeton and Tanglewood, respectively. He has
received many of the standard awards in the field (e.g. Barlow, Guggenheim,
Fulbright, Koussevitzky, Fromm, American Academy of Arts and Letters.) He
likes machines with hiccups and spiders with missing legs, looks at Paul Klee's
Notebooks everyday, hasn't grown much since he reached adulthood at age 14,
and tries to use the same set of ears to listen to Bach, Radiohead, or Ligeti.
Ricardo Zohn-Muldoon
Ricardo Zohn-Muldoon was born in Guadalajara, México in 1962. After initial guitar
studies in México, he pursued his musical education in the U.S., at the University of
California, San Diego (B.A.), and at the University of Pennsylvania (M.A.; Ph.D.),
where his principal teacher was George Crumb.
Zohn-Muldoon’s compositions grow from concise and precisely sculpted musical
ideas, which are set to unfold in contrapuntal “kaleidoscopes” of intense rhythm and
color. Mexican literature has provided the point of departure for many of his
compositions, such as the scenic cantata Comala, based on Juan Rulfo’s Pedro
Páramo, and the miniature opera NiñoPolilla on a libretto by Juan Trigos senior. His
recent work includes the interdisciplinary collaborations Encounters, with celebrated
cartoonist José Ignacio Solórzano ("Jis"), for a concert series leading to the FIFA
World Cup of 2006; Silueta como Sirena, a setting of songs by songwriter Alfredo
Sánchez, written for Sánchez, the Tarab cello ensemble, and the Riverside
Symphony; and Edge/Joy, with award-winning choreographer Garth Fagan.
Zohn-Muldoon's works have been performed worldwide at venues such as
Lincoln Center, The Metropolitan Museum of Art, Akademie der Schönen Künste
(Munich), Ijsbreker Hall (Amsterdam), Festival Cervantino (México), and Festival
SpazioMusica (Cagliari). He has been recognized by the Guggenheim
Foundation, the Endowment for Culture and the Arts of México (FONCA), the
Fromm Foundation, Meet the Composer, the Camargo Foundation, the
Tanglewood Music Festival (Omar del Carlo Fellowship), and Initiative Neue
Musik Berlin, among many others. He is associate professor of composition at
the Eastman School of Music. More information can be found at: www.zohnmuldoon.com
Juan Trigos (b. Mexico City 1965)
Conductor/Composer
Composer and conductor Juan Trigos is the creator of the concept of
Abstract Folklore, in which the obsessive treatment of interlocking musical
events and segments of different density and duration over a primary pulsation,
generates a special polyphony of polyrhythmic “resonance.”
Among his most representative works are Magnificat Guadalupano, Missa
Cunctipotens Genitor Deus, 6 Chamber Ricercares, several Concertos for
different instruments, his Symphony N. 1 and two Hemofiction Operas:
DeCachetitoRaspado and Mis Dos Cabezas Piensan Peor Que Una. His
music has been performed extensively throughout Europe and the Americas.
As a conductor, he has premiered and promoted an extensive catalogue of
new works, both in live performance and recording. He has worked with
numerous choirs, ensembles and orchestras in Europe, North America and
Mexico. He was Conductor and Music Director of the Orquesta de Camara de
Bellas Artes in Mexico City. Founder, Artistic Director and Conductor of the
Sinfonietta de las Américas, and Principal Guest Conductor of La Camerata de
las Américas.
He has recorded in the USA for DarkPress, in Italy for Stradivarius, and in
Mexico for Quindecim, FECA of Veracruz, Colegio de Compositores
Latinoamericanos de Música de Arte and UAM, BMG Entertainment, Urtext
Classics, Global Entertainment, Euram, and Spartacus Classics.
Soloists
Tony Arnold
Soprano
In 2001, Tony Arnold became the first vocalist ever to win first prize in the
prestigious Gaudeamus International Interpreters Competition since the
competition was launched in 1963 in the Netherlands. On the heels of that
triumph, she took first prize in the Louise D. McMahon International Music
Competition in the United States.
Arnold’s work has focused on the most innovative composers of our time,
including György Ligeti, Thomas Adés, George Crumb, Bernard Rands, and
Elliott Carter. Her wide repertoire includes masterworks of Olivier Messiaen and
Arnold Schoenberg. She has appeared with leading new music ensembles
across the nation, including eighth blackbird, New York New Music Ensemble,
The Furious Band, Chicago Symphony Orchestra’s MusicNOW, Fulcrum Point,
Pocket Opera Company, and the Cincinnati Symphony Chamber Players.
Arnold held Eastman’s 2009 Howard Hanson Visiting Professorship, which is
funded by Eastman School’s Hanson Institute for American Music.
Michael Burritt
Percussionist
Having performed on four continents and nearly forty states Michael Burritt is one
of the World's leading percussion soloists. He is in frequent demand performing
concert tours and master classes throughout the United States, Europe, Asia,
Australia and Canada. Mr. Burritt has been soloist with the Dallas Wind
Symphony, Omaha Symphony, Chautauqua Festival Orchestra, Eastman Wind
Ensemble, Ju Percussion Group (Taiwan), Percussion Art Quartet (Germany),
Amores Percussion Group (Spain), Peaux (Sweden) and the Tempus Fugit
Percussion Ensemble of Pittsburgh, PA. Mr. Burritt has three solo recordings Perpetual, and Shadow Chasers and receltly released his third entitled Waking
Dreams on the Resonator Records label. All the recordings are comprised of
Burritt's original compositions as well as works written expressly for him. He has
been a featured artist at seven Percussive Arts Society International
Conventions. In 1992 he presented his New York solo debut in Weill Hall at
Carnegie Hall and in 1998 performed his London debut in the Purcell Room at
Queen Elizabeth Hall.
Mr. Burritt is also active as a composer, with two concertos to his credit,
numerous solo and chamber works for marimba and percussion as well as two
books of etudes. His works for solo marimba have become standard repertoire
for the instrument and are consistently required repertoire on international
competitions. Mr. Burritt is published with Ludwig Music, C. Allen and Keyboard
Percussion Publications. Burritt is also an artist/clinician and product
design/consultant for Malletech, where he has developed his own line of
signature marimba mallets and an artist / educational clinician with the Zildjian
Company. Mr. Burritt is a member of the Percussive Arts Society Board of
Directors, a contributing editor for Percussive Notes Magazine and the chairman
of the PAS Keyboard Committee.
Michael Burritt is Professor of Percussion at the Eastman School of Music.
Michael is only the third percussion professor in the history of the Eastman
School. Mr. Burritt is currently Professor and Director of Percussion Studies in
the School of Music at Northwestern University where he has developed a
program of international distinction. Mr. Burritt received his Bachelor and Master
of Music Degrees, as well as the prestigious Performers Certificate from the
Eastman School of Music in Rochester, New York. His teachers have included
John Beck, Gordon Stout, Paul Yancich and Herbert Flower.
Dieter Hennings Yeomans
Guitar and Lute
Dieter Hennings Yeomans's musical endevaours span from new music on guitar
to early music for lute, baroque guitar, and theorbo.
Mr. Hennings has been a soloist with Canada’s New Music Concerts Ensemble,
Eastman BroadBand Ensemble, Eastman School Symphony Orchestra, the
University of Arizona Philharmonia, and the Orquesta Juvenil de Sonora, Mexico.
Mr. Hennings has won several prestigious competitions including the 2008 Aaron
Brock International Guitar Competition, 2005 Eastman Guitar Concerto
Competition, the 2002 Villa de Petrer, Alicante (Spain) International Competition,
the 2001 Portland Guitar Competition, among others.
Mr. Hennings is an active proponent of new music, particularly that of Latin
America, having recently worked with composers Mario Davidovsky, Carlos
Sanchez-Gutierrez, Juan Trigos and Ricardo Zohn-Muldoon. Mr. Hennings has
recently premiered works by composers Jake Bancks, Wes Matthews, John
Aylward, Beth Wiemann, Hebert Vazquez, Luca Cori, Juan Trigos and Scott
Worthington. He recently performed Synchronisms no. 10 for guitar and tape for
Mario Davidovsky in a concert dedicated to the composer's work. Mr. Hennings
has received grants from the Howard Hanson Institute for American Music and
the Fondo Estatal para la Cultura y las Artes to commission and premiere
contemporary works for guitar.
Recent engagements include concerts with pop-singer Natalie Merchant and
baroque vioinist Monica Huggett as well as appearances at the Mexican
Embassy in Rome, Festival SpazioMusica of Cagliari, Conservatorio de las
Rosas in Morelia, Mexico, University of Chicago, Festival Internacional de
Chihuahua, New York’s Joyce Theater, Julliard’s Paul Hall, and New England
Conservatory. Mr. Hennings is a resident artist at the East Coast Composers
Ensemble and the Eastman Broad Band Ensemble, with whom he maintains an
active performing schedule.
In 2005 and 2007 he participated in the modern premieres of the baroque operas
"Apollo and Daphne" and “La virtù de’stralli d’Amore” by Francesco Cavalli, both
directed by Paul O'Dette. Mr. Hennings recently performed recitals on baroque
lute and guitar at Milan’s Spazio Tadini, the Arizona Early Music Society and the
Rochester Early Music Society among many others.
Current recording projects include an album of works by Silvius Leopold Weiss
for baroque lute and the guitar works of composers Juan Trigos and Luca Cori.
Recently he collaborated in a recording project with singer Natalie Merchant
which also featured musicians like Winton Marsalis, Medeski, Martin and Wood,
and producer Anders Levin.
Dieter Hennings received a Bachelor's degree from the University of Arizona
School of Music in Guitar Performance in 2004. The following year he was
awarded a Master’s degree in Early Plucked Instruments with world-renowned
lutenist Paul O'Dette at the Eastman School of Music. He has recently completed
the residency for his Doctoral degree in both Guitar Performance and Early
Plucked Instruments at Eastman.
Cristina Valdes
Pianist
Committed to both contemporary and standard repertoire, Cristina Valdés is
known for presenting innovative concerts with repertoire ranging from Bach to
Xenakis. She has performed across four continents and in a multitude of venues
including Lincoln Center, Carnegie Recital Hall and the Kennedy Center. Her
passionate interest in new music has led to a variety of collaborations with many
composers including performing side by side with Joan Tower and Terry Riley,
recording the works of Ezra Laderman and Ned Rorem, and premiering works by
Evan Ziporyn, Carlos Sanchez-Gutierrez, and Oliver Schneller among others.
Her festival performances include the Foro Internacional de Musica Nueva in
Mexico City, the Brisbane Arts Festival, the Festival of Contemporary Music in El
Salvador, Theater de Welt in Stuttgart, the New Music in Miami Festival, the
Great Lakes Chamber Music Festival, and the Singapore Arts Festival.
An avid chamber musician, Cristina has toured extensively with the Bang On a
Can “All Stars” and has performed with the Mabou Mines Theater Company, the
Parsons Dance Company, Musicians Accord, and the Princeton Composers
Ensemble. From 1998-2001, Cristina was a member of the award-winning
chamber music group Antares, which commissioned, premiered, and recorded
the works of contemporary composers in addition to performing piano trios and
quartets from the standard repertoire. As a collaborative pianist, she has toured
the US with Canadian Brass trumpet player Joe Burgstaller and has performed
throughout Mexico with flutist Asako Arai of the Mexico City Woodwind Quintet.
Cristina received her BM from the New England Conservatory of Music and later
continued her studies at SUNY Stony Brook where she earned an MM and DMA,
was a member of the Stony Brook Graduate Piano Trio, and performed Ravel’s
Concerto for the Left Hand under Gustav Meier. Her teachers have included
Glibert Kalish, Steve Drury, John Perry, and Claude Helffer. She has been the
recipient of numerous prizes and awards including an Arts International Grant,
the Thayer Award for the Arts, the W. Burghardt Turner Fellowship, first prize in
the Ruth Slenczynska Solo Piano Competition, the Silver Medal in the Osaka
Chamber Music Festa, and an Yvar Mikhashoff Trust for New Music grant. Most
recently, Cristina was named a 2007 Jack Straw Productions Resident Artist.
Currently, Cristina resides in Seattle where she is the founder and director of the
S.L.A.M. Festival.
TECHNICAL REQUIREMENTS
PERCUSSION INSTRUMENTS NEEDED:
SEE ATTACHED PERCUSSION LIST
MUSICAL INSTRUMENTS
CONCERT GRAND PIANO:
Steinway Concert Grand, Model D (preferred) or Model C (acceptable) or
equivalent, with bench.
HARPSICHORD:
Double manual French. Eastman Broadband may be able to provide
instrument, but arrangements must be made by FIC with Ricardo ZohnMuldoon for instrument delivery from Guadalajara and its safekeeping in
Guanajuato.
CONTRABASS. Due to airline cargo retrictions, the Eastman BroadBand
prefers not to travel with a contrabass. We therefore request a quality
concert instrument, preferably a 5-string or a 4-string equipped with
extension.
SYNTHESIZER
With 88-key, touch-sensitive, weighted keyboard. Preferred: Alesis QS8.2
or Yamaha s90. With stand.
CELESTA
Preferably a 5-octave instrument.
VARIOUS STAGE EQUIPMENT:
STAGE CHAIRS: 30
STAGE HIGH STOOLS (for conductor and contrabass player): 2
PROFESSIONAL MUSIC STANDS: 35
CONDUCTOR’S STAND: 1
CONDUCTOR’S PODIUM: 1
Eastman BroadBand Techincal Requirements, p. 2
For large concert halls (more than 200 people capacity):
3 VOICE MICROPHONES
Professional quality, large diaphragm condenser microphones on boom
stands.
Preferred: Neumann TLM103 or equivalent. Acceptable: AKG C1000.
Minimim acceptable: Shure SM 58 or SM57.
2 INSTRUMENT MICROPHONES (for harpsichord and piano) with boom
stands. Acceptable: AKG C1000. Minimim acceptable: Shure SM 58 or
SM57.
STEREO PA EQUIPMENT (Output power and high-quality stereo
speakers appropriate for concert hall)
STEREO MIXER
12 channel stereo mixer with su!cient pre auxes for the monitor mixes (4
preferred, 2 absolutely required).
MONITORS:
2 monitors stage front : 1 stage right and one stage left
E!ECTS AND DYNAMICS:
Subtle reverb (TC M-350 or similar)
3 20-METER POWER EXTENSIONS (to be used for synthesizer and
guitar amp on stage)
STAGE LIGHTING:
Rehearsal lighting and concert lighting adequate for chamber music
performances.
ITEM
No.
INSTRUMENT
SUGGESTED BRAND(S)
AND MODEL(S)
ADDITIONAL
ACCESSORIES
WEB LINK (for
photo and
description)
MISC. INFO
Yamaha YV 3910
1.
http://www.stevewe
issmusic.com/produ
ct/1125701/marimba
2.
http://www.stevewe
issmusic.com/produ
ct/26755/marimba
http://www.stevewe
issmusic.com/produ
ct/1124788/glocken
spiel-bells
http://www.yamaha.
com/yamahavgn/CDA/
ContentDetail/Mode
lSeriesDetail/0,,C
NTID%25253D1030%25
2526CTID%25253D234
000,00.html
4 Xylophone
Yamaha YX 350C
http://www.stevewe
issmusic.com/produ Brand not important;
ct/30932/xylophone 3.5 octave
Crotales: 2 octaves
5 (low and high)
Zildjian Low Octave
(13 notes) and High Mounting bar
Octave Crotales (13 and stand (see
notes)
website)
1
5 octave Marimba
1. Musser (M500) or
2. Yamaha
(YM5100AC)
none
Glockenshpiel
Yamaha YG2500
2
3 Vibraphone
6 Chimes
7 Tenor Steel Pan
Yamaha 1.5 Oct.
chimes YAM-DC9190AC
makes sure has
a stand
Must be 5.0 octaves,
brand isn't as
important.
Brand is not that
important. 3.3 oct is
preferable over a 2.5
octave
Brand not important:
3.5 or 4 octave; must
have motor
http://www.stevewe
issmusic.com/produ
ct/1104031/crotale
s
http://www.stevewe
issmusic.com/produ
ct/1125432/symphon
ic-chimes
brand not important
14". 16". 18"
Zildjian (Classic
Orchesteral or K
3 sus cym
Constantinople, ZIL-stands (see
K1022)
line 11)
11 8 sus cymbal stands
http://www.stevewe
issmusic.com/produ
ct/31988/suspended-*must be different
cymbal
pitches
http://zildjian.co
m/ENUS/products/produc
tDetail.ad2?produc
stand (see line tID=1061&catalogID
Zildjian Sizzle Cym 11)
=1010
*size not as important
http://www.stevewe
Zildjian 8" Splash
issmusic.com/produ
Cym ZIL-A0210
stand (see line ct/31929/splash11)
cymbals
http://www.stevewe
Yamaha Cymbal Stand
issmusic.com/produ
YAM-CS845
ct/1108334/cymbalstands
12 Medium Size Gong
WEISS THAI / NIPPLE
GONG - 10" HAND
SELECTED (SW10NIPPLE)
Need stand (can
use very sturdy http://www.stevewe
sus. Cym stand issmusic.com/produ
or a rack)
ct/32635/gongs
13 Large Size Gong
WEISS THAI / NIPPLE
GONG - 14" HAND
SELECTED (SW14NIPPLE)
Need stand (can
use very sturdy http://www.stevewe *size not as important,
sus. Cym stand issmusic.com/produ as long as gongs are
or a rack)
ct/32639/gongs
different pitches
8 3 Suspended Cymbals
9 Sizzle Cymbal
10 Splash cymbal
14 Tam-Tam
15 Bass Drum
16 Kick Drum
17 Tom Toms
18 Bombo andino
with stand
UNIVERSAL GONG
STAND - LARGE
WITH LOCKING
WHEELS (WU322B)
http://www.stev
eweissmusic.com
WEISS CHAU GONG - /product/31739/ http://www.stevewe
28" HAND SELECTED gongs
issmusic.com/produ
(SW-28CHAU)
ct/32562/gongs
With stand:
http://www.stev
eweissmusic.com http://www.stevewe
/product/33784/ issmusic.com/produ
Peral Philharmonic
Concert Bass Drum PEA- concert-bassct/1107344/concert-Brand doesn't matter,
PBA
drum
bass-drum
needs a stand
pedal:
18" or 20" bass
http://www.yama
drum (from a
ha.com/drums/dr
drumset, like in
umproductdetail http://www.yamaha.
the photo…ONLY need .html?CNTID=544 com/drums/drumprod
bass drum, with
627&CTID=504058 uctdetail.html?CNT Brand doesn't matter,
pedal)
5
ID=546748
needs a stand
http://www.yamaha.
com/drums/drumprod
must have
uctdetail.html?CNT
Set of 8 Yamaha
stands (see
ID=544627&CTID=504
concert tom toms
weblink)
0585
http://en.wikipedi
a.org/wiki/Bombo_l substitute a low tom if
eg%C3%BCero
needed
LP Bongos : LPGEN2BONGO
stand: LP Bongo
Stand (LPA245)
http://www.stev
eweissmusic.com
/product/110711
9/worldpercussionhttp://www.stevewe
hardware
issmusic.com/produ Brand doesn't matter,
ct/1106325/bongos needs a stand
20 Congas (2)
LP Classic Model
Conga
with stands:
http://www.lpmu
sic.com/Product
_Showcase/Stand
s/lp_super_cong
a_stand.html
21 Slit Drum
Grover or
Equilibrium
22 Metal Wind Chimes
Pearl Percussion
Wind Chimes
(PWC32A)
19 Bongos
23 Rain Stick
http://www.lpmusic
.com/Product_Showc brand/type doesn't
ase/Congas/lp_clas matter, need to be
sic_congas.html
played while standing
http://www.interst
atemusic.com/webap
p/wcs/stores/servl
et/ProductDisplay?
catalogId=10001&st
oreId=10051&langId
=1&productId=900192
402
http://www.stevewe
issmusic.com/produ
With Stand (see ct/30971/windchime
line 11)
s-finger-cymbals
http://www.stevewe
issmusic.com/produ
LP trad. Rain stick
ct/30730/hand49" (LP455A)
percussion