Spring 2008 - Art Deco Society of Washington
Transcription
Spring 2008 - Art Deco Society of Washington
Trans-Lux Spring 2008 2000 September A R T D E C O S O C I E T Y O F W AS H I N G T O N Volume 26 no. 2 Volume 26 No.2 In This Issue: News & Notes From the DecoPhiles Kennedy-Warren Update Tropical Deco: Images from Hawaii A Brief Note on Buenos Aires Washington Modernism Show (Expo) Movies at the Sumner Washington’s Hidden Treasures: Library of American Broadcasting July Program: Tour the Library of American Broadcasting Battle of the Youtube® Bands June Program: Dinner Dance at the Carlyle Club Centenary Celebration: Entertainers Born in 1908 3 6 8 11 13 18 19 21 22 24 26 ADSW Board of Directors President—Dana Ott Vice President—Jim Linz Treasurer—Ira Raskin Secretary—Cathy Willis At Large Members: Linda Lyons Karyn Jarboe Brian Whaley Amy McMenamin Patrick Bayliss Susan Chaffin Silver Spring—Richard Striner Visit us on the web at www.adsw.org Webmaster—Joel Shprentz/Brian Whaley Wanna Be a Member? Join online at Trans-Lux Trans-Lux is published four times a year by the Art Deco Society of Washington, P.O. 42722, Washington, D.C. 200152722. Phone (202) 298-1100. ADSW is a non-profit organization incorporated to foster public awareness and appreciation of the Art Deco period through volunteer actions to preserve the era’s decorative, industrial, architectural, and cultural arts. Editor/Publisher—Jim Linz Book Reviews Editor—Vacant Calendar Schmitz Fuhrig Editor—Lynda Contributors: Jim Linz Lynda Schmitz Fuhrig Karyn Jarboe Linda Ingram Ira Raskin Trans-Lux is looking for a few good writers. Please submit manuscripts and photographs to Jim Linz, PO Box 221011, Chantilly, VA 20153. Please enclose a self-addressed envelope for return of material. Submission of letters/articles implies the right to edit and publish. ©2008 ADSW www.adsw.org Or call 202-298-1100 And request an application On the Cover: Cover of Broadcasting Magazine, 1929 from the collection of the Library of American Broadcasting. PAGE 3 T R A N S -L UX V O LU ME 26 NO . 2 News and Notes from the Deco Philes Bayliss recalled to Active Duty ADSW Board Member Patrick Bayliss has been recalled to active duty. He will be leaving for his new assignment before the end of June. We thank him for his service to ADSW and to his Country. Montreal Issues Call for Papers Art Déco Montréal has issued a call for papers to be presented at the 10th World Congress on Art Deco, May 24-30, 2009. Papers will be presented on the 26th-28th with a different subtheme each day. On the first day, speakers will focus on Montreal Art Deco, followed by Canadian and International Art Deco on the second day, and conservation the third day. Proposals must be submitted by December 1, 2008. Submitters will be notified of acceptance January 26, 2009. Presenters will be required to register for the Congress. For full details on the Call for Papers and the preliminary Congress program visit http://artdecomontreal.com/congress/en/ Cocktails in New Orleans Tales of the Cocktail, the first international symposium of cocktail shaker collectors, will be held in New Orleans July 16-20, 2008. Stephen Visakay, author of Vintage Bar Ware (Collector Books) will serve as moderator and discuss the history of the cocktail shaker from the 1800s to the present. Other topics to be covered include how to find vintage bar ware at bargain prices, the care and cleaning of vintage bar ware, and related collectibles. Attendees are encouraged to bring their own cocktail shakers and accessories for show and tell. (Continued on page 4) V O LU ME 26 NO . 2 T R A N S -L UX PAGE 4 For further information and reservations contact www.talesofthecocktail.com Art Deco Programs at the Corcoran & Smithsonian Two upcoming programs, one at the Corcoran the other at the Smithsonian, should be of special interest to Decophiles. First, on June 25th, Dino Pampilonia, will present a program on Art Deco Diamonds and Design at the Corcoran. He will focus on distinctive elements of jewelry design from the Roaring Twenties and early 1930s. Second, on July 26th, the Smithsonian will present an all-day seminar entitled ―Art Deco: Vibrant, Eclectic, and Dynamic.‖ Among the topics to be covered in this all-day seminar are the origins of Art Deco, French Art Deco, Art Deco in the British empire, including Napier, New Zealand and Melbourne, Australia; and American Art Deco and Streamline Moderne. Check the calendar listings for additional information and links to the Corcoran and Smithsonian web sites. Kennedy-Warren Update The Board is considering several options for continuing ADSW’s efforts to preserve the interiors of the Kennedy-Warren apartments but it needs your help. In you have not already done so, please take a few moments to send an email message to B.F. Saul voicing your concerns about their renovation plans. Please cc your message to [email protected] Email B.F. Saul at http://www.bfsaul.com/contact.html ADSW also encourages it members and friends to write to the B.F. Saul Company. Letters should be addressed to B. Francis Saul II B. F. Saul Company 7501 Wisconsin Avenue Suite 1500 Bethesda , MD 20814-6522 Send a copy of your letter to ADSW. Mounting a preservation campaign is labor intensive. Can you spare a few hours to become actively involved in ADSW’s efforts? To volunteer email [email protected] or call 202-298-1100 and leave a voice mail message. PAGE 5 T R A N S -L UX V O LU ME 26 NO . 2 www.anothertimevintageapparel.com [email protected] Important: Support ADSW and Save a Buck One important change to this year’s Northern Virginia Antiques & Modernism Show is that both ADSW & customers will benefit from “will call” admissions. Proceeds from sale of ―will call‖ tickets will be shared by ADSW and the Arlington Kiwanis to support their community projects. In addition, customers save $1 on each ticket ―reserved‖ at www.ADSW.org. No payment required upfront. Simply collect and pay for your ticket at the "Will Call" desk at the show. Please help ADSW by reserving your tickets online at http://www.adsw.org/event/2008/Expo/index.html PAGE 6 T R A N S -L UX V O LU ME 26 NO . 2 Help Save the Kennedy-Warren Reprinted below is the letter Patrick Sheary, Curator of Furnishings at the DAR Museum, sent to B.F. Saul to protest their ―renovation‖ plans For the KennedyWarren. April 8, 2008 Mr. B. Francis Saul II B.F. Saul Company 7501 Wisconsin Avenue, Suite 1500 Bethesda, MD 20814-6522 Dear Mr. Saul: I was horrified to learn of the threatened status to the historic wing of the Kennedy-Warren—one of Washington’s most important Art Deco buildings. Destroying the interior by removing all original fittings would not only deprive the city of an important part of its cultural legacy, it would also render this esteemed structure nothing more then a mere façade. An historic property is important not only because of attractive exterior elements but also because of its interior, where people live. The interior provides the property a period charm—usually an unspoken aesthetic—but nonetheless appreciated especially because it cannot be replicated today. This proposed “renovation” is extremely short-sighted and would result in banal interiors framed by cheap drywall, laminate floors and faux wood kitchen cabinets. The current apartment interiors are decorated with a variety of original fittings including multi-tiered kitchen cabinets, built-in china cupboards, solid wood inlayed doors, and even deco-style latches and nameplates just to name but a few. Beautiful bathrooms feature basket-weave tile floors and even original milk delivery cupboards—certainly a rare survival in this city! Rendering these elements to the junk pile would be a shame since none of these items can be fully replicated today. First, the raw materials—beautiful, resilient, strong old-growth wood—is simply not available at any price. Nor is PAGE 7 T R A N S -L UX V O LU ME 26 NO . 2 the workmanship (American made!) in many of the fittings. Second, the loss of such items would equal millions of dollars in today’s market. Certainly the items proposed for destruction are worth more then the $60 million price tag of renovation. Did you realize the historic original windows you replaced a few years ago would cost millions to replicate today? Instead, the copies will last about 15 years if you’re lucky. They will have to be replaced, whereas had the originals been (by the way can be made efficient), they would have lasted forever with proper maintenance. “Gut job” renovations are also not environmentally sensitive. The waste of both materials and energy to accomplish the “new” look is incalculable. Did you know that plaster walls are more environmentally friendly then drywall? Sensitively easing each original apartment through a careful restoration is by far the green way to go. There is no need or logical reason to remove what is usable and not broken. As we awaken to the fact of global warming, gut job renovations with all their waste will became a thing of the past. There is a market for historic apartments. Many people prefer apartments of solidly built plaster over those of cheap drywall. Some would kill for some of those original fixtures and architectural touches. I live in a historic building called the Northumberland on New Hampshire Avenue NW. The 70 or so residents of this cooperative are proud of buying into apartments that are historic and retain original features similar to those you are proposing to remove from the Kennedy-Warren. No one in my building is living in a museum, but they appreciate the charm and quality of these older amenities. In fact, we recently restored our historic windows, a decision that will pay us back many times over for another century or more to come. There are ways to work modernity into historic buildings without destroying the past while doing so. Those of us who respect and appreciate historic preservation are not blind to progress, but we do have our eyes open to those who dismiss the past by ripping it out for no sound reason other than the “need for new.” It is commendable that B.F. Saul Company constructed a beautiful new wing that nicely compliments the old. However, it is now time to think of the historic interiors as marketable assets that will find a modern tenant population who will enjoy them. Please don’t destroy our cultural heritage. Sincerely, Patrick Sheary Curator of Furnishings DAR Museum PAGE 8 T R A N S -L UX V O LU ME 26 NO . 2 Tropical Deco: Photographs From Hawaii Life member Linda Ingram recently forwarded a series of photographs she received from friends vacationing in Hawaii. She also researched the buildings and forwarded her findings. Hawaii Theatre The Hawaii Theatre was built in 1922 as the ―New Hawaii.‖ Saved from the wrecking ball in 1986, the restored theatre is now used for Hawaiian– and Asian-inspired music, dance, and performances. It is also open Tuesdays for behind-the-scenes tours. Designed by the architectural firm Emory & Webb in the Neo-Classical style, the theatre was renovated in the mid1930s, adding Art Deco elements. The Art Deco elements include the neon marquee, the largest ever built in Hawaii. When the theatre opened in 1922, it was used for both live performances and movies. Considered the ―Pride of the Pacific,‖ the Hawaii Theatre had both air-conditioning and indirect lighting, novelties at the time. The original theatre also included wicker seats, but those seats were removed in the 1950s. The theatre’s interior also features a double-cantilever balcony, a huge allegorical mural, (Continued on page 9) PAGE 9 T R A N S -L UX V O LU ME 26 NO . 2 (Continued from page 8) ―Glorification of Diana,‖ painted directly on the proscenium arch by Lionel Walden, and a mosaic dome created by Gordon Usborne. After more than two decades of decline, the theatre closed in 1984 and was slated for demolition. Concerned citizens formed the non-profit Hawaii Theatre Center to save and restore the theatre. Between 1989 and 1996, the interior was restored. The theatre reopened in 1996 and exterior renovation commenced. The restored theatre was named the ―Outstanding Historic Theatre in America‖ by the League of Historic American Theatres in 2005. It also received the National Trust for Historic Preservation’s highest preservation award in 2006. Royal Hawaiian Hotel The Royal Hawaiian Hotel, which opened in 1927, was designed by famed architects, Whitney Warren and Charles Wetmore. At the time the hotel was built, Waikiki was largely a sleepy resort with only a handful of hotels. Built at a cost of $4 million, the 6-story hotel was built in the Spanish(Continued on page 10) PAGE 10 T R A N S -L UX V O LU ME 26 NO . 2 (Continued from page 9) Moorish style and is often called the ―Pink Palace of the Pacific‖ Warren and Wetmore were based in New York City and designed many of New York’s finest hotels including the Ritz-Carlton, Biltmore, Commodore, and Ambassador. They also designed the Chelsea docks, the New York Central Building (now the Helmsly Building), and Aeolian Hall. Warren and Wetmore also designed Washington, D.C.’s Mayflower Hotel. -----Editor’s Note: Perhaps the most impressive Art Deco structure in Oahu is the Tripler Army Medical Center situated on Moanalua Ridge overlooking the city. Designed in 1942, and built in 1948, the coral pink color pays homage to the Royal Hawaiian Hotel. PAGE 11 T R A N S -L UX V O LU ME 26 NO . 2 A Brief Note on Buenos Aires By Ira E. and Miriam Raskin Miriam and I visited Buenos Aires (BA), Argentina this May 2008. Our trip was prompted by her birthday wish to visit her hometown of Villas Canas (3 hours west of BA). It was also a result of a recent article in Modernism magazine (City Report: Buenos Aires, Vol. 10, No. 2, Summer 2007). Our visit granted her birthday wish and the opportunity to enjoy many examples of modernism’s architectural details. We stayed at the Home Hotel featured in the Modernism article (www.homebuenosaires.com). This very comfortable and affordable boutique hotel is staffed by bilingual professionals and decorated with MidCentury Modern furnishings. It is located in the Hollywood section of Palermo Viejo, a Soho-type community west of downtown BA. Inexpensive and accessible bus and taxi transport facilitated visits to all the usual tourist sites. We quickly learned that the Argentine people (Portenos), comprised mainly of friendly descendants of Europeans, were warm hosts, fond of Italian food, and eager to practice their English and to ask about the current U.S. political scene. Palermo Viejo offered many architectural delights for eyes sensitized to Art Deco design and related preservation. Older, mainly one- to two-story stucco buildings often featured step-function or ziggurat friezes, softly rounded terraces, intricately designed grill work, glass blocks, and a 1950’s palette of bright colors. Rapidly rising, new apartment houses are intermingled with the older and much smaller houses, but they also try to incorporate a streamlined retro look of curved concrete balconies and modern black-marbled entrances. The older homes, however, look tired and may not survive the need of the current BA generation to live and party in more updated dwellings. The main business in Palermo Viejo appears to be trendy restaurants, boutique merchandise, and construction. Repair of crumbling sidewalks and picking up after the many canine residents seem to be low priorities. One must walk carefully while admiring the surrounding architectural eye candy and details. One of the many highlights of our trip was Las Pulgas flea market, located about 5 blocks from the Home Hotel. This is a big, partially enclosed market comprised of individual shops. Although open Tuesday-Sunday from 10am-6pm, dealers do not open their shops until 11:30am or so, especially (Continued on page 12) PAGE 12 T R A N S -L UX V O LU ME 26 NO . 2 if the weather is cold. Many furniture refinishing and upholstering shops are in the market. The variety of Art Deco and Mid-Century Modern lighting fixtures and furniture is staggering. Prices are very reasonable and highly negotiable, but end up much higher when resold by other dealers who set up in the sprawling San Telmo flea market (Saturday and Sunday). Many dealers observed that the shipment of antiquities to the US market is prohibitively expensive. High shipping costs and the uncertainty of getting product safely through the BA postal service account for this. Other dealers complained that the U.S. and European buyers had already cleaned out the market. This did not seem likely given the variety of medium to high-level merchandise for sale during our visit. Our recommendation is to bring a very large spare suitcase to carry your purchases, especially if you visit the expensive antique shops found in the San Telmo area along Defensa Avenue, south of the downtown area of BA. Our society members have other sources of Art Deco to visit and admire in BA. For example, the Museum of Decorative Arts has one marvelous lifesize image of Diana on its second floor. The Museum of Modern Art in San Telmo is unfortunately closed for reconstruction but this is not noted by tour books. The Museum of Belles Arts in the Recoleta section of BA is top notch and has an extensive collection of paintings and sculptures from the 1920s1950s. In this regard, the Malba museum in Palermo (Nuevo) was personally disappointing – its focus was on fairly extreme and recent abstraction. A final example for your viewing pleasure, albeit morbid, is the Recoleta Cemetery, where Eva Peron is interred. Many of the mausoleums have wonderful Art Deco and Art Nouveau metal doors, entrances and structures, complex identifying plaques, and other recognizable decorative touches of the 1920s-1940s. Con abazo…Ira and Miriam Present This Coupon for 20 percent off Items from the booths of Try to Remember and Deco-Rations Beaver Creek Antique Mall Hagerstown, Maryland www.beavercreekantiques.com Valid only with payment by cash or check PAGE 13 T R A N S -L UX V O LU ME 26 NO . 2 Washington Modernism Show Aims to be “Bigger and Better Than Ever” The Art Deco Society of Washington will mark the 25 th anniversary of its Modernism show on June 21-22, 2008, promising that the show will, as Cliff Friend’s 1929 song goes, be ―Bigger and Better Than Ever.‖ Before joining forces with Pappabello Show Management and the Arlington Kiwanis to launch the first Northern Virginia Antiques & Modernism Show in 2007, the Society ran its own Modernism show—the Exposition of the Decorative Arts--for 23 years. The show is the major source of funding for ADSW’s preservation and education programs. In 2007, ADSW’s ―Expo‖ was combined with a long-running general antiques show managed by Pappabello Show Management and benefitting the Arlington, Virginia Kiwanis. Under the agreement with Pappabello and the Kiwanis, ADSW’s Modernism show maintained its identity, essentially forming a show within a show as Modernism dealers were grouped together in the center of the show floor. Attendance at the combined show more than tripled and many dealers—both Modernism and general antiques--reported strong sales despite the general downturn in antique shows. The 2nd Annual Northern Virginia Antiques & Modernism Show will be held at the Thomas Jefferson Community Center, 3501 2 nd Street South, Arlington, Virginia. Show hours are from 11 AM to 7 PM Saturday and Noon to 5:30 PM Sunday. Ample free parking is available near the Thomas Jefferson Community Center. On Saturday, a free shuttle will operate from the Virginia Square Metro Station on the Orange line. The shuttle will operate on the hour from 10AM to 5 PM. For more show information visit www.adsw.org or phone (202)-298-1100. We've made a number of improvements this year, for your show-going pleasure. There will be an experienced caterer, so refreshments will be plentiful. There will be an onsite ATM machine and credit card processing for your convenience. A guide to participating Modernism dealers will be available at the show and posted at www.adsw.org. The Art Deco Society focused on expanding the number of Modernism dealers. Art Deco Society members crave period fashions but, in 2007, only one dealer offered vintage clothing. This year, at least four dealers will have vintage clothing and accessories. Lisa Victoria Vintage (New York), GiltyLily by Lori Haddad (Massachusetts), and Kathleen Cassedy (Virginia) join the show. PAGE 14 T R A N S -L UX V O LU ME 26 NO . 2 In addition to vintage clothing and accessories, participating Modernism dealers will offer a wide range of collectibles for every taste and in every price range--jewelry, watches, World’s Fair, clocks, radios, furniture, graphic arts, chrome, silver, ceramics, glass, lighting, bronzes and much more. Among the Modernism dealers joining the show this year are Deco Haus (New Jersey), L’Iris Bleu (Paris, France), Skyscraper (New York), Auerbach & Maffia (Pennsylvania), Metropolitan Interiors (Washington, D.C.), Spencer Weisz Gallery (Illinois), Just About Modern (Florida), Antique Underground (New York), Modern for All (Virginia), and Charley Harper Studio (Ohio). Add this to a cadre of returning dealers and the show promises selection that is bigger and better than ever. Many of the returning dealers, such as Deco Doug (Michigan), John Ribar (New York), Try to Remember (Maryland), and Past Pleasures (Virginia) have been with the show for more than 15 years. For many of the dealers exhibiting at the Northern Virginia Antiques & Modernism Show, this will be their only show in the mid-Atlantic region. These include Charley Harper Studio exhibiting the Modernist Art of the late Charlie Harper. Known for his wildlife drawings, Harper frequently created cover art for Ford Times magazine. Spencer Weisz Gallery exhibiting original European posters including turn-of-the-century stone lithographs. Antique Undergound exhibiting important works by Waylande Gregory, a sculptor known for works ranging from early designs for Cowan Pottery to the monumental fountains at the 1939 New York World’s Fair. Just About Modern, returning to the Washington area for the first time in several years. Co-owner Jim Medeiros ran the Art Deco Society show for several years in the 1990s before moving to Massachusetts and, more recently, to Florida. L’Iris Bleu exhibiting French Art Deco clocks, cocktail shakers, smoking accessories, and table accessories. In addition to Modernism, the Northern Virginia Antiques & Modernism Show features over 100 general antiques dealers. There’s something for every taste in this impressive show. The Reverie Jazz Trio (Amy Kean, Terrance Kean, and Dave Tucker) will set the mood for Saturday shoppers, playing early jazz standards. To learn more about the Reverie Jazz Trio and listen to an audio clip click here http://www.reveriejazz.com/. A group organized by the Kiwanis will play PAGE 15 T R A N S -L UX V O LU ME 26 NO . 2 Sunday from 12:30-2:30. The group "Attorneys @ Music with Friends", will feature Arlington's legendary fiddle player Roy "Speedy" Tolliver. They will play Blue grass, folk-country, popular, and traditional music. Admission is $7, $6 with advance reservations. Reserve online at www.adsw.org and pay for your tickets at the show’s will call desk. To Be Offered by Just About Modern Examples of merchandise to be offered by L’Iris Bleu Charley Harper Studios will offer Modernist wildlife prints PAGE 16 T R A N S -L UX V O LU ME 26 NO . 2 Spencer Weisz Galleries will offer ―Maurin Quina‖ (c. 1906) by French artist L. Cappiello. To be Offered by Deco Haus PAGE 17 T R A N S -L UX V O LU ME 26 NO . 2 Movies at the Sumner Where: Charles Sumner School 1201 Seventeenth St., NW Washington, DC Time: 7:00 PM Cost: Free. Donation to ADSW’s Vitaphone Restoration Fund Requested No reservations required June: Ramblin Round Radio Row When: Tuesday, June 10, 2008 A variety of musicians, singers, and novelty acts were featured in a series of Vitaphone Ramblin Round Radio Row shorts. We will view five shorts from this series featuring stars like Baby Rose Marie, the Lombardo brothers, Tess Gardell (aka Aunt Jemima), the Boswell Sisters, Paul Whiteman’s Rhythm Boys, Frances Langford, Morton Downey, the Pickens Sisters, and Arthur Tracy. You won’t want to miss Washington’s own Kate Smith singing and dancing. Completing the program will be an encore presentation of vintage shorts by Ina Ray Hutton and Her Melodears. September: Harold Teen When: Tuesday, September 10, 2008 This 1934 musical comedy based loosely on the comic strip of the same name stars Hal Leroy, Rochelle Hudson, and Pat Ellis. Harold plays a cub reporter who will do anything to get the big story. He takes dance lessons from a correspondence school dance instructor played by Hugh Herbert. In addition to Hal Leroy’s dancing, the film gives viewers a rare opportunity to see Chick Chandler sing. Note: The previously scheduled August film program has been canceled because of the summer closure of the Sumner School. October: Program to be Announced When: Tuesday, October 14, 2008 PAGE 18 T R A N S -L UX V O LU ME 26 NO . 2 Washington’s Hidden Treasures: Library of American Broadcasting Founded in 1967, the Library of American Broadcasting (originally the Broadcast Pioneers Library) is currently located on the College Park campus of the University of Maryland. It is operated by the Library of American Broadcasting Foundation, a 501(c)(3) charitable foundation, in partnership with the University. Courtesy Library of American Broadcasting The Library holds major collections of historic documents, professional papers, oral and video histories, books, scripts, and photographs described as the nation’s most extensive collection relating to radio and television. Its collections include more than 1,000 oral histories and 200,000 photographs. (Continued on page 19) PAGE 19 T R A N S -L UX V O LU ME 26 NO . 2 (Continued from page 18) The Library, open Monday thru Friday from 10 AM to 5 PM, is located in the University of Maryland’s Hornbake Library. The library welcomes telephone and email research requests. A quick look through the Library website reveals a number of interesting collections such as: —Jerry (Tucker) Schatz collection. Schatz was a child actor in the 1930s and early 1940s best remembered for the ―Our Gang‖ comedies. The collection includes scripts, photographs, and other material. —Jerry Lee On-Line Photo Archive. This collection of 8,000 photos is available on-line in digital form and includes 2,000 photographs from the radio quiz program taken between 1932 and 1948. —Don West Broadcasting and Cable Photo Archive. This collection includes 250,000 photographs from Broadcasting Magazine dating from 1931 to the present. —St. Louis Post-Dispatch Collection. This collection includes 20,000 publicity photos originally published in the paper’s radio and television pages from the late 1940s to the mid-1960s. Image of radio station WCAU, Philadelphia Courtesy Library of American Broadcasting (Continued on page 20) PAGE 20 T R A N S -L UX V O LU ME 26 NO . 2 The library also houses scripts for over 1,700 radio and television programs. Listed alphabetically on the website, the collection includes such intriguing titles as: Cab Callaway’s Quizzacale, a 1941-42 radio quiz show. Century of Progress (1934) Desoto Review (1939) Kate Smith Show (1938) To learn more about this amazing resource, sign up for the guided tour described on the next page. Cover to WLS Family A|lbum (1936) Courtesy Library of American Broadcasting NBC Studios, Hollywood (1938) Courtesy Library of American Broadcasting PAGE 21 T R A N S -L UX V O LU ME 26 NO . 2 July Program: Tour the Library of American Broadcasting When: Saturday, July 12th 12:30pm to 2:30pm Where: Library of American Broadcasting Hornbake Library, University of Maryland Directions: http://www.lib.umd.edu/LAB/directions.html Price: $10 ADSW members $15 non-members Space limited, reservations required. Call (703-864-7070) or email ([email protected]) Karyn Jarboe. The tour will begin in the reading room, where tour guide Mike Henry will discuss the history of the library and its resources, displaying some of those resources, including books, magazines, photographs, pamphlets and other material from the 1920's, 1930's, 1940's. Included will be resources relating to the New York World's Fair and the design and construction of radio studios of the period, many of which incorporated designs by John Vassos. Radio broadcasts and short films from the period will also be played. A guided tour of the collection will follow the presentation, providing a glimpse at how the collections are organized and managed. Do you want to talk about Art Deco or Mid-Century Modern on your way to the airport (Reagan, Dulles, or BWI)? How about taking an escorted 1-day tour of several antique malls in Hagerstown and Frederick, MD? Or would you prefer to drive over the Chesapeake Bay Bridge to the enormous Queenstown discount shopping mall? Raskin Sedan Service 301-802-5745 [email protected] Ira Raskin’s all-weather and luxury wagon is insured and inspected as required and certified by the Washington Metropolitan Area Traffic Commission and the Public Service Commission of Maryland. PAGE 22 T R A N S -L UX V O LU ME 26 NO . 2 Battle of the Youtube™ Bands Peter Mintun Although society pianist Peter Mintun moved from San Francisco to New York many years ago, he returns to San Francisco’s Symphony Hall every year as his orchestra leads the way to the New Year. http://www.youtube.com/watch?v=XhzUPuVJtcA Beau Hunks Named after the title of a Laurel & Hardy film, this Dutch group first made a name for itself recreating the snippets of music Leroy Shields wrote for Laurel & Hardy and Little Rascals films. http://www.youtube.com/watch?v=r9N-StkaCMA Doc Scantlin & His Imperial Palms Orchestra A Washington favorite, Doc Scantlin and His Imperial Palms Orchestra will again play New York’s most prestigious New Years Eve Party—The Rainbow Room—in 2008 http://www.youtube.com/watch?v=lmuCc_99P0U Don Neely and the Royal Society Jazz Orchestra A San Francisco favorite, Don Neely has recorded 14 albums. The pianist on this clip is Frederick Hodges. Frederick occasionally gives concerts in Washington area at the Northern Virginia Ragtime Society. http://www.youtube.com/watch?v=jTwbRctIg6A Vince Giordano and Hiis Nighthawks Vince Giordano appears every Monday night at Sofia’s Restaurant in New York’s Edison Hotel. http://www.youtube.com/watch?v=y0_VXeFEFnY (Continued on page 23) PAGE 23 T R A N S -L UX V O LU ME 26 NO . 2 The Boilermakers Pittsburgh’s favorite big band, the Boilermakers frequently play at Glen Echo and other local venues. http://www.youtube.com/watch?v=E42W4-aZGn4 Tom Cunningham Former ADSW Secretary Robin Cunningham belts out Way Down Yonder in New Orleans, in of all places, New Orleans. The video clip was made during the Boswell Sisters centennial celebration. http://www.youtube.com/watch?v=kyAJKRBm7TI Michael Arenella And His Dreamland Orchestra Michael Arenella will be the featured band at the Jazz Age Lawn Party Weekend on Governors Island, June 7th and 8th. http://www.youtube.com/watch?v=YEovJ8cAj1w Max Raabe and his palest orchestra A favorite of former ADSW Board Member Chrissy Hall Reis, Max Raabe recreates the sounds of German dance bands of the 1920s and 1930s. Although he has performed in the U.S. in the past, there are no U.S. dates on his current tour schedule. http://www.youtube.com/watch?v=hAqnAyVpDvg Gregory Moore and His Cosmopolitan Orchestra Formed in 2007, Gregory Moore and His Cosmopolitan Orchestra are New York’s newest big band. In this clip, Moore does his impersonation of Noel Coward. Moore’s orchestra will make its Carnegie Hall debut in October. http://www.youtube.com/watch?v=0PviaTBqVw4 PAGE 24 T R A N S -L UX V O LU ME 26 NO . 2 June Program: Dinner Dance at The Carlyle Club When: Friday, June 13 Doors open 7:30pm, seated dinner and dancing 8-11pm Where: The Carlyle Club 411 John Carlyle Street, Alexandria, Va 22314 Cost: Members, $90; Non-members, $100 Tickets are non-refundable Presenting a classic 1930's dinner dance at the glittering Art Deco Carlyle Club. The evening features a seated dinner with your choice of filet mignon, Atlantic salmon or roasted chicken (vegetarian meal on request), and dessert. There will be a cash bar available throughout the evening, You'll see special dance performances by world Lindy Hop champions Ben and Gen, Jean Veloz and her brother Ray Phelps. Music will be by the City Rhythm Orchestra. For more information about http://www.jeanveloz.com/ Jean Veloz, For more information about the City visit their site at http://www.cityrhythm.com/ visit her Rhythm website at Orchestra, Keep checking our website, http://www.adsw.org, as we will post more information soon, as well as how to reserve your tickets. Questions? Send an email to Karyn Jarboe, [email protected], or call 703-864-7070. PAGE 25 T R A N S -L UX V O LU ME 26 NO . 2 Centenary Celebration: Entertainers Born in 1908 Rowland Bernard “Bunny” Berigan (November 2, 1908-June 2, 1942) was a virtuoso jazz trumpeter who performed with some of the great sweet and swing bands of the 1930s . Berigan was born in Hilbert, Wisconsin and raised in Fox Lake, Wisconsin. He began playing violin and trumpet at an early age and was performing in local bands while still in his teens. His national exposure began around 1928, when he auditioned for and was eventually hired by Hal Kemp. Berigan recorded his first trumpet solo with Kemp’s orchestra in 1930 and toured Europe with the band later that same year. Berigan made enough of a name for himself with Kemp’s Orchestra that he became a sought-after studio musician. Between 1931 and 1935 he recorded with the Fred Rich, Freddie Martin, Ben Selvin, Paul Whiteman, Abe Lyman, Dorsey Brothers, and Glenn Miller orchestras. When Benny Goodman put together a new band, he hired Berigan. Berigan was able to convince Gene Krupa to forget past differences and return to Goodman’s employ. Berigan was with Goodman’s orchestra at Los Angeles’ Palomar Ballroom in what is often referred to as the start of the swing era. After a short stint with Tommy Dorsey’s orchestra, Berigan, in 1937, formed his own band. The band’s first recording ―I Cant Get Started‖ became Berigan’s signature tune. Berigan’s band lasted about 3 years. Although musically successful, the band, and Berigan, struggled financially. TRY TO REMEMBER Art Deco & Mid-Century merchandise for sale at: Beaver Creek Antique Market - Hagerstown, MD (301-739-8075) Valley Antiques - Funkstown, MD (301-739-5070) Antique Alley - Millsboro, DE (302-934-9841) Ecker’s Watch and Clock Shop - Bethesda, MD (8010 Norfolk Ave) We also arrange and manage estate sales. For further information or that special item, contact Miriam or Ira Raskin at 301-652-1695, [email protected], or at 301-802-5745 (cell). (Continued on page 26) PAGE 26 T R A N S -L UX V O LU ME 26 NO . 2 (Continued from page 25) Berigan filed for bankruptcy in 1940, and re-joined Tommy Dorsey’s Orchestra. He soon left Dorsey a second time to form his own group. The stress from his financial woes and one-night stands with his small group took its toll on Berigan. Already a heavy drinker, Berigan’s health began to fail and he was diagnosed with cirrhosis of the liver. Although told to stop drinking and to stop playing the trumpet, he did neither. On May 30, 1942, at the age of 34, Bunny Berigan suffered a massive hemorrhage and died 2 days later. To see a clip of Bunny Berigan singing and playing with the Fred Rich Orchestra go to http://www.youtube.com/watch?v=aDIY7wp7CBQ Lew Ayres (December 28, 1908-December 30, 1996) was a musician and actor best remembered for his performances in All Quiet on the Western Front (1930) and a series of Dr. Kildare movies. Although born in Minneapolis, Ayres grew up in San Diego. His film and music career began at age 19 as he landed bit parts in films while playing banjo and guitar with Henry Halstead’s Orchestra in San Diego. The group appeared in one of the earliest Vitaphone shorts, Carnival Night in Paris (1927). Ayres later rejoined Halstead and played at the New Year’s Eve opening of the Beverly Wilshire hotel. Phil Harris also performed with Halstead’s orchestra that night. Lew Ayres’ first starring role in a film was opposite Greta Garbo in The Kiss (1929), but it was his role as Paul Baumer in All Quiet on the Western Front that made him a star. Among his other notable early performances as a leading man was in the 1934 Servant’s Entrance with Janet Gaynor. The film featured a musical dream sequence combining live action and Disney animation. Between 1938 and 1942 Ayres starred in eight Dr. Kildare films, becoming a matinee idol. That all came to a screeching halt when Ayres filed as a conscientious objector when served with a draft notice. Theatres vowed to (Continued on page 27) PAGE 27 T R A N S -L UX V O LU ME 26 NO . 2 (Continued from page 26) never show another Ayres film. Although Ayres filed as a conscientious objector, he sought, and eventually was given, a position in the Medical Corps. He served as a medic under fire in the South Pacific. Although Ayres returned to film after the war, roles were hard to find. He won an Oscar nomination for his role in the 1948 film Johnny Belinda. Although he did not win the Oscar, he did win the affection of his co-star, Jane Wyman. Wyman divorced Ronald Reagan to pursue Ayres, but they never married. He was married three times—to Lola Lane (1931-1933), Ginger Rogers (1934-1940), and Diane Hall (1964-1996). Ayres’ was given the opportunity to revive his role as Dr. Kildare in the 1961 television series, but lost the role when he demanded that the series have no cigarette advertising. The role went instead to Richard Chamberlain. Ayres continued to play guest roles in a number of television series including the Mary Taylor Moore Show, Hawaii Five-O, and Little House on the Prairie. To see a clip of Lew Ayres in the 1934 film She Learned About Sailors go to http://www.youtube.com/watch?v=mDU7KgX1RP0. Of course, the real star of the clip is the incomparable Alice Faye. www.adsw.org PAGE 28 T R A N S -L UX V O LU ME 26 NO . 2 Maria Guadalupe Villalobos “Lupe” Vélez (July 18, 1908-December 13, 1944) , along with Doleres del Rio and Ramon Novarro, was one of the first Mexican-born actors to find success in Hollywood. Born in San Luis de Potosi, Mexico, Lupe took dancing lessons in her teens and made her debut on the Mexican stage in 1924 at the age of 16. Three years later, she emigrated to the United States. Although her first American role was in a Laurel & Hardy comedy, Lupe was cast primarily in dramatic roles during her first 5 years in Hollywood. That changed in 1933 when she was given the starring role in Hot Pepper. Lupe followed that role with three more comedies in 1934—Strictly Dynamite, Palooka, and Laughing Boy. Her comedic talents now well established, a series of Mexican Spitfire films were created to showcase those talents. Although Lupe found success in Hollywood, her private life was not as happy. She fell in love with Gary Cooper, but he did not want to marry her. She married Johnny Weissmuller, but the marriage lasted only 5 years. After turning to drugs and alcohol, Lupe committed suicide at age 34. She was pregnant at the time of her death. See Lupe Velez sing “Oh Me Oh My” at http://www.youtube.com/watch? v=MPOWRwNR4Xc Ethel Merman (January 18, 1908-February 15, 1984) was a star of stage and film musicals often referred to as “The Grande Dame of the Broadway Stage.” Born Ethel Agnes Zimmerman in Queens, New York, Ethel had an early fascination with the stage, often hanging around the Famous-PlayersLasky Studios to catch a glimpse of Broadway star Alice Brady. After graduating from high school, Merman found employment as a stenographer at a local factory, largely because her parents wanted her to have skills to fall back on in case she did not succeed on the stage. While (Continued on page 29) PAGE 29 T R A N S -L UX V O LU ME 26 NO . 2 (Continued from page 28) working full time as a stenographer, Merman worked evenings and weekends singing at private parties and nightclubs. As her singing jobs grew, her parents gave Ethel permission to give up her day job and pursue her dream. Merman got her big break in 1930 when she auditioned for George and Ira Gershwin’s new musical “Girl Crazy.” When Merman introduced “I Got Rhythm” at the premiere, the audience went wild, leading to multiple encores. After stellar performances in two so-so Broadway shows, George White Scandals (1931) and Take a Chance (1932), Merman made her first film appearances in We’re Not Dressing (1934) and Kid Millions (1934). Returning to Broadway, Merman starred in the Cole Porter musical Anything Goes, introducing two songs that would forever be among her standards—”I Get a Kick Out of You” and “You’re the Top.” In 1936, she starred in the film version. After one more movie role, in Alexander’s Ragtime Band, Merman again returned to Broadway where she remained for most of her remaining career. In addition to Anything Goes, Merman starred in five other Cole Porter musicals including Red, Hot and Blue, Dubarry Was a Lady, and Panama Hattie. Her other starring roles on Broadway included Call Me Madam, Gypsy, and Annie Get Your Gun. Her last Broadway performance was in 1970 when she appeared as Dolly Levi in Hello Dolly! Ironically, the role was originally written for Merman. Merman continued to perform in television specials and in the movies after her retirement from Broadway. Her final movie role was in Airplane. She played a soldier suffering from shell-shock who thinks he is Ethel Merman. Merman was married and divorced four times. See Ethel Merman sing “You’re the Top” at http://www.youtube.com/ watch?v=k7cpPVmJifc&feature=related PAGE 30 T R A N S -L UX V O LU ME 26 NO . 2 Born Merwyn Boque, Ish Kabibble (January 19, 1908-June 5, 1994) is best remembered as the comedic foil on Kay Kyser’s College of Musical Knowledge in the 1940s. Bogue joined Kyser’s band in 1931 as a trumpeter and occasional singer of novelty songs. It is said that his performance of a Yiddish song “Isch Ka Bibble” was so popular that the audience began to call Bogue by the song title and soon he changed his stage name to Ish Kabibble. Ish Kabibble’s dim-witted character was a hit and he stayed with Kyser’s band until Kyser’s retirement in 1950. Kabibble started a solo act, backed by his own Dixieland band, the Shy Guys, but when it failed, Kabibble left show business and became a real estate agent. Ish Kabibble’s distinctive bowl cut is often suggested as the inspiration for Jim Carrey’s role in Dumb and Dumber and even for Jerry Lewis’ look and persona.Far from being the dimwit he portrayed, Ish Kabibble was actually the manager of Kyser’s orchestra for nearly 20 years. I didn’t find Ish Kabibble on youtube other than this Kay Kyser clips with Kabibble sitting in the orchestra. http://www.youtube.com/watch? v=kz3_V5Vx4EQ Advertising Rates and Deadlines Business Card—$30 1/3 page—$45 1/2 page—$65 Full page—$100 Trans-Lux is published quarterly in the Spring, Summer, Fall, and Winter. Deadlines for receipt of camera-ready ad copy are: Issue Deadline Distributed Spring 2008 Summer 2008 Fall 2008 Winter 2009 May 1, 2008 August 1, 2008 December 1, 2008 March 1, 2009 May 2008 August 2008 December 2008 March 2009 Mail advertising materials to :Trans-Lux, Attention Jim Linz, PO Box 221011, Chantilly, VA 20153-1011 or send via e-mail to [email protected]. Make checks payable to ADSW. Prepay for four consecutive issues and receive a 20 percent discount. Coming Attractions ADSW Events June 8, 2008—Preserve and Repair Treasures June 10, 2008—Film Night—Ramblin Round Radio Row (See p. 17) June 13, 2008—Dinner Dance at the Carlyle Club (See p. 24) June 21-22, 2008—Northern Virginia Antiques & Modernism Show (See p. 27) July 12, 2008—Tour the National Library of Broadcasting (See. P. 21.) September 12, 2008—Film Night—Harold Teen (See p. 17) Check the ADSW website or sign up for email notification of upcoming events Other Events in the Washington, D.C. Area June 10, 2008 – The Hillwood Museum will present ―A Dazzling Affair: Mrs. Post’s Extraordinary Jewelry Collection.‖ This illustrated lecture by senior curator Liana Paredes will explore how Mrs. Post put together her legendary collection. Jewelers included Van Cleef & Arpels, Cartier, Harry Winston, and Verdura. http://www.hillwoodmuseum.org/programs.html June 25, 2008--The Corcoran will offer a program on Art Deco jewelry. In ―ICED: Art Deco Diamonds and Design,‖ fifthgeneration jeweler Dino Pampillonia will present estate jewelry market information about the distinctive elements of jewelry design from the Roaring Twenties and early 1930s. http://www.corcoran.org/programs/dspProgramSearch.asp?event_id=1818 June 28, 2008 – ―Dark Tower Revisited: Music and Dramatic Readings of the Harlem Renaissance‖ will feature classics by Fats Waller and Bessie Smith, and present vignettes of plays and poetry by Langston Hughes and Zora Neale Hurston. Morgan State University Theater and Music Departments will perform at the Smithsonian American Art Museum. See website for other related programs. http://newsdesk.si.edu/releases/aam_freepublicprograms.htm July 5, 2008 – Silver Spring's Original "Main Street," Georgia Avenue will be featured in this historical walking tour with Jerry A. McCoy. For additional information, email [email protected] or call 301.537.1253. Saturdays through September 6, 2008 July 17-July 20, 2008 – The annual SLAPSTICON 2008 is an international film festival dedicated to classic motion picture comedy. Screenings will feature rare shorts and selected feature-length comedies, including ―Trimmed in Gold‖ from 1925 with Billy Bevan, ―A Rainy Knight from 1925 with Raymond Mckee and Eugenia Gilbert, and ―Taxi Dolls‖ from 1929 with Jack Cooper. Rosslyn Spectrum Theatre in Arlington, Virginia. http://www.slapsticon.org July 23, 2008 – ―The World of Louis Comfort Tiffany‖ will be a lecture about the life and accomplishments of the artist and designer. Attendees will learn about his achievements in blown-glass vessels, mosaics, and his vibrantly colored leaded-glass windows and lamps. This event will be at the American Red Cross, which has three Tiffany studio windows. Sponsored by the Smithsonian Resident Associates and the American Red Cross. http://residentassociates.org/ticketing/tickets/search.aspx?keyword=C-Art_Architecture July 26, 2008 – ―Art Deco: Vibrant, Eclectic, and Dynamic‖ will be an all-day seminar featuring art historian Bonita Billman discussing Deco’s origins at The International Exposition of Decorative Arts in Paris and its influence in France, England, New Zealand, Australia, and the United States. Sponsored by the Smithsonian Resident Associates. http://residentassociates.org/ticketing/tickets/search.aspx?keyword=C-Art_Architecture July 31, 2008 – The National Gallery of Art will offer a talk by Diane Arkin about ―The Cubists.‖ It also will be held Aug. 4–7, 18, 19 http://www.nga.gov/programs/galtalks/index.shtm#cubists Events Outside the Washington, D.C. Area Now Showing—Washington Area Cityscapes Revealed: Highlights from the Collection at the National Building Museum.-- This first-time survey of the National Building Museum’s collection will offer detailed drawings, rare, early-20th-century photos, and original building fragments from national historic landmarks. http://www.nbm.org/Exhibits/upcoming.html “Building the Pentagon, 1941-1943.” Arlington Historical Museum. Ongoing. The museum, located at 1805 S. Arlington Ridge Road, is open Saturdays and Sundays from 1-4 P.M. “Here to Stay” Library of Congress. Features sound recordings, sheet music, and memorabilia from the Gershwin collec- (Continued on back cover) (Continued from inside cover) tion. “Washington Symbol and City” National Building Museum. Offers stories about the city’s early plans, its development, and growth of its neighborhoods; ongoing (www.nbm.org) “Silver Mysteries: Black & White Photographs of 1930s Washington by Volkmar Wentzel.” Decatur House. Phone 202-842-0920. “Cartoon American: Highlights From the Art Wood Collection of Cartoon & Caricature.” Library of Congress. Includes works by Thomas Nast, Winsor McCay, Chic Young, and Lynn Johnson. Call 202-707-4604. Amelia Earhart’s Personal Collection. The National Postal Museum features pieces from Earhart’s stamp collection, including photographs and stamps commemorating her flights. She often flew signed pieces of mail that were then sold to philatelists to support her endeavors. Now through Nov. 11, 2008. http://www.si.edu/visit/whatsnew/ NPM.ASP Victory Mail. Another National Postal Museum exhibition that features a collection of World War II V-mail correspondence. Items include a rare strip of 16mm V-mail microfilm, which were usually destroyed after the contents were printed, and various letters that reveal military life in the Pacific and European Theaters. Indefinitely. www.postalmuseum.si.edu/victorymail Ornament as Art: Avant-Garde Jewelry from the Helen Williams Drutt Collection. This exhibition at the Renwick Gallery features 275 pieces of avant-garde jewelry by contemporary artists from around the world and explores the history of the craft. Now through July 6, 2008. http://americanart.si.edu/collections/exhibitions.cfml Tour Glen Echo Park. The National Park Service offers walking tours of the park on Saturdays and Sundays. Focus is on the park’s history and its programs in arts, dance, and other activities. Also check out the dances at the famous Art Deco Spanish Ballroom at http://www.glenechopark.org/calIndex.aspx?id=2 “Aaron Douglas: African American Modernist.” The Smithsonian American Art Museum presents one of the most influential visual artists of the Harlem Renaissance. More than 80 rarely seen works include paintings, prints, drawings, and illustrations. Now through Aug. 3 http://americanart.si.edu/collections/index.cfm “All About Bette: The Films of Bette Davis.” The National Theatre shows films of the legendary actress on Mondays. Movies include ―The Little Foxes,‖ ―Marked Woman,‖ ―Jezebel,‖ and ―Dark Victory.‖ Free admission but tickets required. Now through Aug. 11. http://nationaltheatre.org/cinema/cinema.htm “Steichen: Portraits.” The National Portrait Gallery will present photographs from the chief photographer for Condé Nast’s Vanity Fair from 1923 to1936. Edward Steichen created compelling portraits of many of that era’s personalities, from Charlie Chaplin to Franklin D. Roosevelt to Fred Astaire. April 11-Sept. 1, 2008. http:// www.npg.si.edu/exhibit/curex30.htm “Aaron Douglas: African American Modernist.” This exhibition at the Smithsonian American Art Museum will offer more than 80 rarely seen works by the Harlem Renaissance artist, including paintings, prints, drawings and illustrations, in addition to works by several of his contemporaries. Cubist, Art Deco, and traditional African and AfricanAmerican imagery are evident in his work. May 9-Aug. 3, 2008. http://americanart.si.edu/collections/index.cfm Now Showing—Outside Washington, DC Ateliers Jean Prouvé. The Museum of Modern Art in New York features an exhibit about the French architect and designer. The exhibition focuses on Prouvé's design and development of his "Standard" Chair, first designed in 1935. Approximately 20 pieces are featured. Now through March 30, 2009. http://www.moma.org/exhibitions/ exhibitions.php?id=8650 The Kelly Art Deco Light Museum. This establishment claims more than 400 light fixtures including wall sconces, chandeliers, and table lights, from 1928-1938. Permanent. http://www.thedecomuseum.com/ “Fashioning Kimono: Art Deco and Modernism in Japan.” This exhibit at the Philadelphia Museum of Art will feature 100 kimonos created in the late nineteenth and early-to-mid twentieth centuries. Some reflect historical continuity in designs and techniques, while others are clearly influenced by Western art. April 26, 2008 - July 20, 2008. http://www.philamuseum.org/press/releases/2007/646.html Upcoming Exhibits “Paris/New York: Design Fashion Culture 1925-1940.” This exhibit at the Museum of the City of New York will explore architecture, design, film, fashion, and the performing arts during this15-year period. Styles from Art Deco to neo-romanticism will be examined along with the work of Helena Rubinstein, Coco Chanel, Salvador Dali, and Josephine Baker, and lesser-known figures such as costume and set designer Pavel Tchelitchew. Oct 3, 2008-Feb. 22, 2009 http://www.mcny.org/exhibitions/future/715.html
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