Art Deco Furniture Feb 12
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Art Deco Furniture Feb 12
Antiques Demand soars for Art Deco decadence… By Vivienne Milburn FRICS Independent Antiques Auctioneer & Valuer A 21st Century audience is craving 20th Century items, as Vivienne explains. A ll things Art Deco seem even more exciting now we are in the 21st Century. There is no doubt that Art Deco and 20th Century modern design items are becoming increasingly desirable. Things that were only a short time ago discarded as ‘old furniture’ are now making high prices in specialist auctions. From an auctioneer’s and valuerss point of view, if there is an important name or designer connected with an item, then it is all the more valuable. For example, with 1930s furniture, birds-eye maple bedroom suites, of which there are many, only become significant in terms of value if designers or companies such as Epstein Brothers, Heal’s, Frederick Restall of Birmingham or Robin Day and Ray Hille originally designed or sold them. The Art Deco or deco style began in Paris in the 1920s and flourished nationally and internationally throughout the 1930s, up until the outbreak of World War Two. Art Deco is a diverse artistic style and influenced all areas of design, including architecture and interior design, fashion and jewellery, as well as painting, graphic art and film. The term Art Deco was first used widely in 1926, after an exhibition in Paris and was the culmination of the moderne style. At its best, art deco represented elegance, glamour, functionality and modernity. Above: An Art Deco bird’s eye maple cocktail cabinet that is attributed to Ray Hille. It is in demi-lune form, with the top section opening to reveal a glitzy interior of three chromemounted shelves and a mirror back, over one-and-a-half metres high. It made £2,900 in a recent specialist auction. Left: A dynamic Art Deco fan-shaped mirror with radiating green tinted and clear glass panels. It is nearly a metre wide and would make a powerful impression in any home. This vibrant piece made £400 in a specialist sale. 1 Reflections February 2012 To advertise call 01246 550488 Antiques Art Deco with its linear symmetry was a distinct departure from the flowing asymmetrical organic curves of its predecessor style, Art Nouveau; it embraced influences from many different styles, including neo-classical, cubism and modernism plus a sprinkling of inspiration from ancient Egyptian and Aztec forms. Although many design movements have political or philosophical beginnings or intentions, Art Deco was purely a decorative ornamental style, and its lavishness is attributed to reaction against the forced austerity imposed by World War One. Art Deco experienced a decline in popularity during the 1940s, but had a resurgence to a limited extent during the 1960s. It continued with the popularization of graphic design during the 1980s. Art Deco had a profound influence on many later artistic styles, such as the Memphis Group and their post modern furniture, and also on Pop Art. Art Deco is characterised by the use of materials such as aluminium, stainless steel, lacquer, Bakelite, chrome and inlaid wood. Exotic materials such as sharkskinshagreen and zebra skin were also used. The use of stepped forms and geometric curves where completely unlike the sinuous, natural curves of the Art Nouveau; with chevron patterns, fountains and the sunburst motif typical of Art Deco. The furnishings of Epstein Brothers are important as they were quite prolific and advocated a conservative Art Deco style that became the company’s trademark. After the war, most pieces were made from bleached walnut. Art Deco pieces are not signed but some pieces are labeled ‘H. & L. Epstein’ or ‘Epstein & Goldman’. Epstein furniture was founded in East London by Polish immigrants in the 1890s. The firm passed to brothers Harry and Lou Epstein and the pair turned their attention to the production of Art Deco forms from the 1930s until the 1950s. Finished to high standards, most pieces were custommade in veneers of burr maple, sycamore or walnut. The design of the famous ‘cloud’ seat furniture is credited to Epstein and the company also popularised the uniquely British taste in suite furniture. Following World War Two, Epstein had showrooms in London, Manchester and Glasgow. Cruise liners were significant during the early 20th Century and their furnishings where often the personification of opulence. One of the companies responsible for Above: This Art Nouveau mahogany bookcase is by Shapland and Petter of Barnstaple and is surmounted with an embossed copper panel that reads, ‘The Sweet Serenity of Books’ - a quote from Henry Wadsworth Longfellow. It is stamped S&PB on the lock and it made £1,770 in a recent sale. When I first saw this bookcase at a house near Sheffield, it was difficult to distinguish what it was as it was so laden down with books. fitting out many of the inter-war liners was Shapland and Petter (they are known as Leaderflush Shapland today and make doors). They were established in the 19th Century in Barnstaple, North Devon, with Henry Shapland introducing a machine for creating ‘wavy’ timber mouldings efficiently and accurately. This philosophy of seeking engineered techniques to create high quality, crafted products remains fundamental to the company today. During the 20th Century, they were involved with hand-carved furniture and the fitting out of cruise liners and Pullman railway carriages. The Art Nouveau cabinet pictured is a classic example of their early work. Perhaps this article has made you think that some of your own items might be valuable. If so, it is always worth getting the advice of an independent antiques valuer. For further information, contact Vivienne on 01629 640210 or 0114 2830292 or 07870 238788; or go to www.viviennemilburn. co.uk or email vivienne@ viviennemilburn.co.uk. An Art Deco bird’s eye maple and cream leather three-piece ‘Cloud’ lounge suite in the Harry and Lou Epstein design. The threeseater sofa and pair of armchairs are trimmed with bands of birds eye maple and it made £4,300 at auction. Visit www.reflections-magazine.com 2 Reflections February 2012