Read our Annual Report 2011-12
Transcription
Read our Annual Report 2011-12
ANNUAL A PROGRAM OF THE MARION INSTITUTE 2011 - 2012 3 demand for our services. This involved transitioning CLA’s country operations to Frances Rudgard, so I could devote my full attention to CLA’s long-term vision and strategy. PHLOEUN PRIM Director ARN CHORN POND Founder of Cambodian Living Arts “ I wish to see Cambodia blossom with creativity. I want to see every Khmer child have the chance to know his culture, to live it, and to make it richer. “ TRANSFORMATION ” It’s a word we use often at Cambodian Living Arts (CLA). It’s at the core of our mission as an organization, and it’s the barometer by which we measure our success year after year. Are we transforming the lives of our country’s master artists by providing living wages that support their conveying knowledge to the next generation? Are we transforming access to high-quality arts education for Cambodia’s lowincome youth, so they develop creative potential when they’re young? Are we transforming the country’s cultural economy, making arts careers a real possibility for Cambodians with drive and talent? And are we transforming the world’s perception of Cambodia, so that traditional arts become the signature of our country’s identity? In 2012, the answer to all of the above was a resounding “yes.” In our fourteenth year as an organization, transformation was evident everywhere, starting with internal staff changes to meet the growing Outside the organization, this was the year when even more audiences recognized the extraordinary talent of CLA’s gifted performers, in Vietnam, Malaysia, and USA. But our successes were not solely due to solitary effort. They happened because of partnerships: new ones we developed, and old ones we strengthened. First and foremost, that includes our committed donors, who tirelessly support our work, and without whom none of what we do is possible. We add to that the 20 Cambodian arts organizations and artists that we joined with in the lead up to our sixth bi-annual Cambodian Youth Arts Festival. Then there’s the National Museum in Phnom Penh, hosting our latest season of tradition- al arts shows. In addition, we are so excited about the partnerships that are contributing to the realization of a long-sought-after dream: the creation of Season of Cambodia, a festival showcasing some of the best and brightest Cambodian artists in one of the world’s premiere art city - New York City. Our relationship with 24 new arts organizations and 11 foundation supporters ensures that 2013 is the year when Cambodian artists take their place front and center on the world’s stage! In many ways, it feels as if the last 14 years have all led to this present moment. For after empowering people and building their capacity for so long, we finally get to step back and let them shine. We can’t wait to see what 2013 brings for the hundreds of CLA students we’ve nurtured and seen grow into professional artists since we launched. And we hope you’ll join us as we - and they - embark on even more transformative journeys in the year ahead. ANNUAL REPORT 2011 - 2012 PROGRAMS STRUCTURE O M N MU ITY ARTS EDU CA 5 ITY BUILDIN PAC G A C TI EA CR TIVE INDUST RY CIAL PROJECT SP E S N O C 4 TEACHING ARTS AWARENESS 1. ART STUDENTS ARN CHORN-POND LIVING ARTS SCHOLARSHIPS PROFESSIONAL DEVELOPMENT 2. EMERGING ARTS PROFESSIONALS CREATIVE LEADERS CLA CULTURAL SEASON PERFORMANCES LIVING ARTS TOURS SEASON OF CAMBODIA ARCHIVING PROJECT ASSOCIATION FOR YOUNG ARTISTS Cambodian Youth Arts Festival (bi-annual) 3. ARTS PROFESSIONALS ANNUAL REPORT 2011 - 2012 arts 6 OBJECTIVES & IMPACTS OBJECTIVES 7 IMPACTS High quality, traditional performing arts programs are being taught and practiced in communities throughout Cambodia. 7 TEACHING PROGRAM Communities are independently supporting and sustaining traditional Cambodian performing art classes. BANTEAY MEANCHEY 19 114 RATANAKIRI SIEM REAP 8 30 BATTAMBANG KOMPONG THOM ARTS AWARENESS PROGRAM The Cambodian public has a greater understanding of traditional Cambodian performing art forms. 400 12 PHNOM PENH KOMPONG SPEU Dance Music Singing Opera 20 TAKEO Large Shadow Puppetry ANNUAL REPORT 2011 - 2012 8 9 SOME OF OUR LEADING TEACHERS Sok Duch, Classical Wedding Music tep mary, pin peat Ling Srey, Kantaoming Uy Ladavan, Yike Opera Seng Norn, Kantaoming Mann Men, Classical Wedding Music Yoeun Mek, Modern Wedding Music Koeut Ran, Smot Suon San, Chapei Dang Weng Nhuch Hoeun, Memm Ieng Sithul, Classical and Folk Dance Nong Chak, Bassac Opera Kong Gne Chapei student “ I decided to start learning Chapei because I love the art form, and because it allows me to express myself, especially about Cambodia. When I was young, I used to look after the buffalos in my province. During this time, I would sing Chapei songs. I listened to them when they were broadcast during Khmer ceremonies. Then I tried singing the songs myself. In 2010, I asked my parents to let me move to Phnom Penh and started learning Chapei Dang Weng with Cambodian Living Arts. Playing Chapei makes me feel very happy. This is an experience I would never have imagined before. I really like creating and writing poetry. When I create a song, I chose a subject and describe it – its colors, my experience of it; everything is rooted in my feelings. I want Chapei to stay alive in Cambodia, because the older Cambodian generations passed their knowledge on to us, and it’s our duty to preserve them. Today, very few people play Chapei Dang Weng. I think it’s important to keep our culture alive, and Chapei is deeply connected to Khmer culture. Khmer people and people around the world have to learn more about Cambodian culture. I’m very proud of myself when I perform in public. Whenever I can, I perform! I’m very happy that CLA has allowed me to study the arts. ANNUAL REPORT 2011 - 2012 A SURVEY IS CONDUCTED 10 among CLA’s 500 students about their image of the arts and their living conditions. 87% of students’ families earn less than $300/month. 1st reason stated to learn traditional arts is Cambodian identity. 92% of students plan to work in the arts field in the future 2 advanced students receive 1-year training at Department of Fine Arts of Kampong Thom province while teaching at Kampong Chheuteal High School DEC. 2011 1st CLA graduation ceremonies for CLA’s most advanced students JAN. 2012 Graduation ceremonies in collaboration with UNESCO for students who have completed the arts program at Kampong Chheuteal High School, Kampong Thom province FEB. 2012 Partnership with CVCD extended to 7 communities in Cambodia Arts demonstration held at Krosaing Roloeung Primary School, Siem Reap province COMMUNITY ARTS RETREAT HELD MAR. 2012 The Mohaori singing class reopens after senior students have graduated APR. 2012 11 in Kampot with 45 CLA teachers and partners. Retreat aimed to have actors in the Community Arts program get to know each other better and connect with other valuable arts organizations JUL. 2012 CLASSES OF PIN PEAT AND CLASSICAL AND FOLK DANCE start at Krosaing Roloeung Primary School, Siem Reap province, reaching out to 60 students AUG. 2012 SEP. 2012 FUTURE TEACHING PROGRAM 4 advanced students receive pedagogy training ARTS AWARENESS PROGRAM Begin working with select classes to prepare them for sustainability, independent of CLA n Allow class at Kampong CheutealHigh School to become independent n CLA provides a set of instruments to Thunmun pagoda’s Pin Peat class in Takeo province Conduct nine arts demonstrations in communities across Cambodia n Adapt CLA’s Living Arts Tour model to Community Arts, inviting communities to experience classes on-site before adopting new ones n OCTOBER 2012 OCTOBER 2015 3 independant classes 27 independant classes OCTOBER 2012 OCTOBER 2015 500 students 610 students 1 demonstration 27 demonstrations ANNUAL REPORT 2011 - 2012 C apacity 12 “ OBJECTIVES & IMPACTS OBJECTIVES IMPACTS The Cambodian arts sector is fully staffed with well trained, Cambodian arts professionals working to international standards. SCHOLARSHIPS CLA’s trainees are immediately identifiable in the arts sector for their skill and professionalism. ARN CHORN-POND LIVING ARTS SCHOLARSHIPS The level of professionalism increases among traditional Cambodian performing artists. PROFESSIONAL DEVELOPMENT PROGRAM Performing artists and related arts professionals from a traditional background are paid at rates commensurate with their skill and training. CREATIVE LEADERS PROGRAM Those in a position to develop the cultural sector in Cambodia are strong, qualified Cambodian arts leaders 2005 1 Scholarship CLA offers its first scholarship, covering school fees, living expenses, tuition for extra English classes, and one-on-one instruction in the student’s chosen art form. 2010-11 5 Scholarships Recognizing the need for a formal and transparent framework in which every arts student in Cambodia has the opportunity to receive financial assistance, CLA creates a pilot Scholarship Program. 2011-12 6 Scholarships The Scholarship Program is redesigned and renamed after the organization’s founder, honoring his dream to educate Cambodia’s youth. A selection committee is created to ensure a fair selection process from the 90 applications received for high school, university or professional development awards. Professional Development Start: June 2012 Beneficiaries: Arts students and emerging arts professionals Content: Arts workshops and exchanges, internships, technical trainings, and job application skills Creative Leaders Start: October 2012 Beneficiaries: Arts supervisors and arts managers Content: Soft and practical skills trainings, discussions, and mentorship meetings Experience New York For the Season of Cambodia festival, to be held in New York City in Spring 2013, CLA creates the Experience New York project. The project invites five, select Cambodian arts managers to join the festival, visit arts organizations, and meet arts leaders in the city. The participants are asked to share their experiences on the web. I’ve been passionate about the arts since I was a child. I had the chance to meet many artists and tried to perform several art forms myself. Sin Sisamuth and Keo Sarath were my role models. One day, a man named Pen Sen created a Smot – funeral and ceremonial chanting – band at the Richebo pagoda in Siem Reap. So I moved in there to study the art, history, and literature of this art form. Pen Sen said to me, “Arts are a mirror.” I understood him to mean that the arts can educate people and serve as a nation’s symbol. In 2004, I received a CLA grant to move to Phnom Penh and pursue my studies at the Royal University of Fine Arts. In 2005, I moved again to Takeo province to study Classical Wedding Music with CLA. I spent seven years there learning the instruments of this ensemble. Without the CLA scholarship, I wouldn’t have been able to go this far in my studies. 13 Nhok Sinat Former CLA scholar I think that the arts reflect people’s real lives and can teach morality to them. Even with music, when I hear the flute, I remember my father who played this instrument for me, and it makes me happy. Coming from a poor family, this also reminds me of humbleness and compassion. Now I’m a professional artist and regularly perform. I’m also a music ensemble leader in CLA’s Passage of Life show at the National Museum in Phnom Penh. ANNUAL REPORT 2011 - 2012 CONTEMPORARY DANCE WORKSHOPS 14 Arn Chorn-Pond Living Arts Scholarships 2013 Make scholarships available for English and computer classes n Provide 20 additional scholarships n Ensure half of all scholarships go to provincial candidates n Increase selection process transparency, creating a clear structure for providing multi-year support to students who need it n Build a scholarship community, where students can meet regularly, share experiences and skills, and create a final performance as a group n led by young American dancer Gillian Rhodes are held at CLA for CLA and external students: 3 weeks in Phnom Penh developing solo, group dance and choreography skills, and 2 weeks in Siem Reap focusing on creation. During the workshops, 4 performers were recruited by a professional troupe. DEC. 2011 JAN. 2012 APR. 2012 The English training for school year 2011-12 starts Scholarships 2011-12 start New computer training starts As part of Professional Development program, 2 interns at CLA start working on CLA’s Archiving Project Selection process for the scholarships 2011-12 JUN. 2012 OCTOBER 2012 0 trainee 0 trainees work as arts professional 15 OCTOBER 2015 60 trainees 30 trainees work as arts professionals CREATIVE LEADERS OCTOBER 2012 OCTOBER 2015 6 scholarship students 60 scholarship students 20 students are offered 20 students are offered graduated or work as arts professionals NOV. 2011 Improve CLA internship opportunities and begin building networks outside the organization n Create training opportunities around technical skill acquisition (sound, light, and production) n AUG. 2012 Selection process for 2012-13 scholarships SEP. 2012 2012-13 scholarships start CLA partners with Aziza school in Phnom Penh and transfers CLA’s English and computer students to Aziza FUTURE scholarships for the 2012-2013 school year graduated or work as arts professionals scholarships for the 2014-15 school year Professional Development Create a program of practical, non-arts skill training, covering topics such as social networking, online communications, etc. n Source three artistic development exchange opportunities n Provide high-quality teaching by puppetry and music teachers to our Large Shadow Puppetry class in Siem Reap province Select eight Cambodian art leaders through an open application process n Provide five sessions of five-day trainings for arts managers in 2013, focused on soft skills and four core competencies: organizational development, project management, arts advocacy, and curatorial vision n Have students create a public exhibition based on what they learned during the course n n OCTOBER 2012 OCTOBER 2015 0 trainee 20 trainees Selection process launches 13 applications received 40 applications received in December ANNUAL REPORT 2011 - 2012 C REATIVE 16 OBJECTIVES & IMPACTS 17 OBJECTIVES IMPACTS Arts professionals can find consistent, well-paid work in the arts and culture sector, supported by Cambodian audiences. Within three years, 50% of CLA’s audiences in Cambodia are Cambodian. Within five years, 50% of CLA’s funding is generated by our Cambodian operations. CLA Cultural Season CLA CULTURAL SEASON Twenty-five students featured in the Children of Bassac troupe emerge from Master Ieng Sithul’s class. CLA organizes a once-weekly show for them during the dry season at the National Museum of Phnom Penh. Phnom Penh Post 2009-10 Pilot program - 600 visitors n Cambodia Daily Emerging arts professionals experience the entire production process behind a show, so that they can see the arts as a viable career path by creating at least one new piece of work for public performance each year. PERFORMANCES CLA becomes known as the leading supplier of high-quality, traditional Cambodian performing arts by audiences who truly value and respect these forms. LIVING ARTS TOURS Visitors form deep, emotional bonds to Cambodian performing arts, engaging their long-term support of CLA and Cambodian arts generally. n 2011-12 1000 visitors #1 attraction in Phnom Penh on TripAdvisor.com n Cambodia Daily n Based on the show’s success, CLA begins exploring ways to extend the Cultural Season Program, so that more artists can perform and earn a living through their art. We conduct market research among major players in Cambodia’s tourism sector and through that develop a business plan for the 2012-2013 dry season. In June 2012, we begin working with two additional troupes to create a season of traditional shows, six nights a week, called Plae Pakaa (Fruitful), that in November 2012. CLA CULTURAL SEASON 2012-13 - PLAE PAKAA Mak Therng, a rare Yike opera 24 PERFORMERS Passage of Life, theater & music 31 PERFORMERS Children of Bassac, classical & folk dance 27 PERFORMERS Emerged from CLA’s Yike Opera class First professional performance. Current CLA students and alumni, students from the Secondary School of Fine Arts, and professional artists. A new creation. Emerged from CLA’s classical and folk dance class. Three new dances added to the original show. ANNUAL REPORT 2011 - 2012 18 PERFORMANCES LIVING ARTS TOURS 2009 - 2011 2011 - 2012 Large Shadow Puppetry troupe Twice a month at the Amansara Hotel, Siem Reap n George Town Festival, Penang, Malaysia in June 2012 n Classical Wedding Music ensemble Mohaori ensemble, Chapei Dang Weng, Tro Ou, Ksae Diew, Roneat Ek Children of Bassac troupe Four times a month at the Amansara Hotel, Siem Reap n Five times a month during dry season for local weddings, on average Monday to Friday at the Intercontinental Hotel, Phnom Penh Private performances twice a month, on average n 100 VISITORS 100 VISITORS “ When I heard about Yike Opera for the first time, I immediately loved it and decided to learn how to perform it; that was three years ago. For me, Yike represents our heritage from ancient times, a part of my country’s identity, and a way to raise consciousness about moral matters. I’m happy to see this art form being promoted and gaining popularity among Cambodians. Horm Sreymi 19 Plae Pakaa performer Plae Pakaa is a real opportunity, and I’m very excited about the season. It’s the first time I’ll join such a professional production. It’s a great chance for me, but also for the other performers to show our talents. It makes me a little nervous, too, but to take on this challenge, I’m committed to rehearsing every night after my school day and every weekend until the last day of the season; and I’ll try my best to improve my acting. Yike, and especially Mak Therng’s story, are particularly meaningful to me. It talks about underprivileged people and the King’s court and taught me essential values in life, including justice and fairness. For this reason, I want to pursue my studies at university, become a lawyer, and advocate for justice, while continuing to perform Yike. ANNUAL REPORT 2011 - 2012 A MARKET RESEARCH IS LED FOR THE PLAE PAKAA PROJECT. 20 Out of 10 major tour operator companies interviewed, 7 said they would exchange art shows in Siem Reap for CLA’s Plae Pakaa shows in their packages. 6 said they would include Plae Pakaa in tours if there were regular shows, as many as possible, or 7 nights a week OCT. 2011 1st training for cultural ambassadors in Phnom Penh. 5 CLA students attend. NOV. 2011 Waterek Productions holds Our Village Concert in the countryside near Phnom Penh, a program of Cambodian original songs and performances. CLA’s Yike troupe participates in. DEC. 2011 The Children of Bassac weekly performances start at the National Museum of Phnom Penh. MAR. 2012 Children of Bassac season ends The show attracts over 1,000 spectators and was rated number 1 attraction on TripAdvisor.com by visitors. APR. 2012 2nd training for cultural ambassadors in both Phnom Penh and Siem Reap. 15 CLA students attend. Daily performances by CLA artists for the lobby entertainment of Intercontinental Hotel in Phnom Penh start. MAY. 2012 21 CLA’s Large Shadow Puppetry troupe invited to perform at George Town Festival, Penang, Malaysia, where they are acclaimed by the audience JUL. 2012 CLA’s Yike troupe performs on Channel 21, a popular program on major TV channel CTN. The Plae Pakaa project starts. FUTURE Plae Pakaa 2013 Performances Living Arts Tours n Produce Plae Pakaa between November 2012 and March 2013 with the goal to break even n Work toward increasing performers’ salaries during the 2013-2014 season n Produce high-quality promotional materials for CLA’s troupes and performances to increase private bookings n Develop criteria by which CLA is confident letting a troupe or artist manage him or herself independently n Work to have CLA’s Large Shadow Puppetry troupe from Wat Bo, Siem Reap become independent Increase tour promotion and revenue Increase opportunities for Cultural Ambassadors to earn income n Work to expand the number of Living Arts Tour communities OCTOBER 2012 OCTOBER 2015 0 Plae Pakaa artist 75 Plae Pakaa artists have secured paid work opportunities 0 Plae Pakaa artist 25 Plae Pakaa artists have transitioned into the Performances program secure paid work opportunities transition into the Performances program 3 CLA or mixed troupes create 3 new pieces 6 CLA troupes have created 6 new pieces OCTOBER 2012 OCTOBER 2015 1 independant troupe 5 independant troupes 30 independant artists 60 independant artists n n OCTOBER 2012 OCTOBER 2015 9 communities 12 communities ANNUAL REPORT 2011 - 2012 SEASON OF CAMBODIA 23 June 2009 – June 2013 Sponsored by Artspire, a program of New York Foundation of the Arts (NYFA). OBJECTIVES The long-term artistic vitality of Cambodia is strengthened through the development and preparation of new and traditional work. n Cambodian performing and visual art work is made accessible to diverse audiences. n Ongoing international support for and attention to Cambodia ensures the conn based marketing, the efforts of Cambodian arts renewal and regeneration are illuminated and advanced. Throughout April and May 2013, over 125 Cambodian performing and visual artists will fill New York City’s stages, screens, galleries, and public spaces with traditional and contemporary art as part of Season of Cambodia, a festival presented by CLA in partnership with many of New York’s most vibrant cultural and academic institutions. This will be the first multi-disciplinary Cambodian arts and culture festival of this scale in the world, presenting the highest-quality Cambodian music, dance, theater, visual arts, film, and crossdisciplinary humanities events. Learn more at www.seasonofcambodia.org S PECIAL 22 tinued social and economic regeneration and transformation of Cambodia through the arts n Cultural tourism to Cambodia increases. n The next generation of Cambodia’s cultural leaders develops from among participating artists and art managers. n Through programming and context- OCTOBER 2012 JUNE 2013 109 artists are programmed 125 artists have 2 venues are 15,000 paying & non- 640 followers on Season of Cambodiarelated social medias 20,000 followers on Season of Cambodiarelated social medias $1.9 million $2.6 million selling tickets secured performed paying audience members secured ANNUAL REPORT 2011 - 2012 24 ARCHIVING PROJECT ASSOCIATION FOR YOUNG ARTISTS April 2012 – January 2013 February 2012 – February 2013 OBJECTIVES The few surviving musicians of four rare forms of Khmer music are gathered to produce archival-quality audio and audiovisual recordings. n Recordings of these endangered forms are made in Phnom Penh and throughout Cambodia. n The recordings are made accessible to the public, preserving them for future generations. n The Archiving project involves creating archival-quality, audiovisual documentation of four rare Khmer music forms: Classical Wedding Music, Smot (melodic recitation), Kantaoming (ancient funeral music), and Areak (animist possession ceremonies). CLA selected the Master Artists from these endangered art forms and had a project team, accompanied by archivist Trent Walker, a scholar of Cambodian Buddhism, travel to the Masters’ hometowns to film them performing in their local environments; CLA then invited them to Phnom Penh to create high-quality audio recordings. 25 In association with Italian organization Centro Italiano Aiuti all’Infanzia (CIAI), supported by UNESCO. Four CDs are being produced from these recordings, which will also include relevant information from scholarly resources and interviews with these Masters. CLA will distribute the CDs to various outlets, including the Bophana Audiovisual Resource Center, the Center for Khmer Studies, the National Library of Cambodia, Buddhist temples, and the media. Documented information will be made available to scholars and Cambodians around the world through CLA’s website. Finally, CLA is producing documentaries about each of these rare art forms, which will be broadcast on Cambodian TV channels and during events. CLA will also create a listening booth in its office. OCTOBER 2012 MARCH 2013 13 Masters or ensembles recorded 15 Masters or ensembles recorded 315 songs 315 songs 0 CDs produced 4 CDs produced 1documentary 2 documentaries recorded produced recorded produced OBJECTIVES An association is created to serve the needs of graduates from the School of Arts in Siem Reap who want to find work in the arts sector, in order to: Foster the emergence of new cultural artists in Cambodia; n Facilitate exchange and interaction among cultural professionals, civil society, and local institutions; n Promote the rights and sustainability of young artists and cultural professionals. n ASSOCIATION FOR YOUNG ARTISTS PROJECT Young artists participating in the association are trained not only in performance, but also successfully facing the labor market and being aware of their rights as citizens and artists. The association supports emerging artists to express themselves freely and organizes dialogues between them and cultural stakeholders, namely tourist operators and business enterprises, to ensure their rights as workers are respected and that institutions adhere to local socioeconomic standards. Ownership and sustainability of the project is assured by empowering the artists. ARTISTIC DEVELOPMENT CLUB Creation: June 2012 Activities: Visits to other arts organizations, workshops with visiting artists, creation of performances, and rights training TLAITNO (DIGNITY) ASSOCIATION Creation: February 2013 Activities: High-quality traditional arts trainings, creation of performances, and rights training ANNUAL REPORT 2011 - 2012 26 CAMBODIAN AMERICAN BAND DENGUE FEVER HOLDS 2 BENEFIT CONCERTS CLA BENEFIT AUCTION IS HELD by the artists collective Recreation and CLA at Hotel Sofitel Phnom Penh’s Phokeethra. 1st ever live auction in Cambodia features 39 works by finest Cambodian arts and design contemporary artists. Auction led by auctioneer from renowned auction house Christie’s, and raises $17,000 for CLA for CLA in Siem Reap and Phnom Penh. 2nd concert begins with performances by CLA’s Yike, Chapei Dang Weng and folk dance troupes. Concerts raise $11,000 for CLA and attract over 1,000 spectators DEC. 2011 27 JAN. 2012 FEB. 2012 AYA project starts MAR. 2012 APR. 2012 MAY. 2012 Archiving Project starts Krom Selepak Akpiwad (Artistic Development Club) is created as part of the AYA project and activities start Team of developers and curators is formed for Season of Cambodia JUN. 2012 Archiving Project records Kantaoming and Smot performers JUL. 2012 Season of Cambodia meets 70% of its fundraising goal. Programming starts AUG. 2012 Archiving Project records Areak ensembles SEP. 2012 Archiving Project records Classical Wedding Music ensembles Season of Cambodia’s performing program set Archiving Project records Areak ensembles Season of Cambodia hires Communications Manager 1 archivist, 1 artistic director and 2 interns recruited as part of Archiving Project Contemporary dance choreographer Ken Vanthy hired as an Artistic Mentor, as part of AYA project ANNUAL REPORT 2011 - 2012 28 FINANCIAL INFORMATION CLA’S TEAM INCOME 29 EXPENSES Contributions $ 314 739,99 General Management $ 90 322,54 Earned Income $ 31 731,16 Programming $ 408 515,84 Grants $ 228 142,22 Fundraising $ 63 218,22 $ 574 613,37 $ 562 056,60 CLA INCOME SOURCES OCT. 1, 2011 - SEPT. 30, 2012 CLA EXPENDITURES OCT. 1, 2011 - SEPT. 30, 2012 Programs Team Communications team 11% 16% Phloeun Prim, Director 40% Marion Gommard - Communications Manager, Heng Samnang - Communications Officer Sophie Mensdorff - Program Coordinator, Soth Chandaly - Intern, Sun Sopheak - Program Coordinator, Chhith Soklunn - Program Coordinator, Yon Sokhorn - Program Coordinator, Song Seng - Special Projects Manager, Ros Rotanak - Creative Industries Manager, Eam Solinda - Program Coordinator, Sath Suor - Plae Pakaa Front of House Supervisor, Chhuon Sarin - Program Coordinator 55% General Management Contributions 5% Programming Earned Income Grants 73% Administration and Finance Fundraising Frances Rudgard, Country Manager Michelle Prevost, Senior Development Coordinator Pok Sarith - Facilities Coordinator, Pich Panha - Guard, Ket Sineath - Office Assistant, Pich Leak - Cleaner, Kuon Manith - Administration & Finance Manager, Seng Tharin - Administration & Finance Coordinator ANNUAL REPORT 2011 - 2012 30 BOARD SUPPORTERS CAMBODIAN LIVING ARTS’ BOARD Dickon Verey PRESIDENT OF THE BOARD “After a number of impressive achievements in 2012 I’m very much looking forward to 2013 which will be a very important year for Cambodian Living Arts. I particularly look forward to seeing the development of our Creative Industries Program and expanded Scholarship Program. Furthermore, we are very excited about Season of Cambodia which will show Cambodia’s wonderful arts on a global stage in New York in Spring 2013!” International executive and lawyer, New York, NY, USA Charley Todd President Financial advisor, Phnom Penh, CAMBODIA Maria F. Sabau Chair CLA Senior Advisor, Retired School Head, Phnom Penh, CAMBODIA R. Kelley Bonn Cultural Consultant UNESCO, Phnom Penh, CAMBODIA Martin Dunn Chair Development Committee Retired bank executive, Hartford, CT, USA Dickon Verey CAMBODIAN LIVING ARTS’ LEADERSHIP COUNCIL Attorney, Hartford, CT, USA President of Dunn Development Corporation, New York, NY, USA John Burt Him Sophy Founding Board Chair Emeritus Chair, Season of Cambodia, LLC Composer Phnom Penh, CAMBODIA Kevin B. Jennings Richard Chappell Hannah Stevens Sound Engineer Peter Gabriel Real World Studios, Wiltshire, UK Chair Program Committee Former General Manager, Epic Arts, CAMBODIA Arn Chorn-Pond Somongkol Teng Founder Musician and producer, Waterek Productions, CAMBODIA Fulbright Scholar, PhD candidate University of Minnesota, USA Phyllis Shikora Dana B. White Retired Physician Executive, New York, NY Former investment banker high-tech marketer and non-profit executive, Dover, MA, USA Steven B. Miller Susan Winthrop Chair Special Strategic Development Committee Community volunteer Ipswich, MA, USA Michael Dean Executive Director The Arcus Foundation, New York, NY, USA CLA would like to express our gratitude to ALL of our supporters and donors. None of our work would be possible without their endless generosity. Every contribution – whether it takes the form of time, money, or advocacy – is invaluable and accepted with much gratitude. Thank you to our loyal donor network for making all this possible and for believing in the transformative capacity of the arts! A special thank you to our long-term friends who have given for 3 or more consecutive years. They are indicated by an asterisk (*) after their name. Innovators ($30,000 and more) The Bromley Charitable Trust * John Burt * Common Sense Fund Inc. Dunn Family Charitable Foundation * Martin Dunn and Rachel Fine * Fresh Sound Foundation, Inc. * Grant and Hope Winthrop Family Foundation Heinrich Jessen Stephen B. Pierce Judith J. Robbins * Joseph Rosenmiller * Charley Todd * Dickon Verey * Creators ($20,000 and more) Alec and Anne White * Dana White * Threshold Foundation Sustainers ($1,000 and more) Gretchen Adkins Christina and Charles Bascom * R. Kelley and Walter Bonn * Brooks Family Foundation * John C. Broughton Bill and Alice Burnham * Jeff and Allee Burt * Laurie Burt * Stuart H. Coleman Mary Davidson The Dusky Foundation * Thomas Engelman * Christopher and Katherine Gilson Gates and Maryellen Hawn * Theresa Wing Hines * Anne MacDonald Cass MacDonald * Catherine MacDonald * Scott Stanford Principal Composer for Pollen Music Group, San Rafael, CA, USA Alec White CLA Boston Area Chapter leader, Retired Educator Byfield, MA, USA 31 Patrons ($10,000 and more) Michael and Margie Baldwin * Michael Dean and Maykin Ho Jonathan and Delia Matz Wendy vanden Heuvel * Benefactors ($5,000 and more) Olivia Bernard * James and Justine Brown * Sarah Wayne Callies and Josh Winterhalt * Marquis George MacDonald Foundation Northern Trust The Putney School Sherry and William Rogers * Adrienne Rudge * Sherry Schwartz Phyllis F. Shikora and Douglas A. Cohen * The Stone-Stein Foundation, Inc. John K. Todd Sr. * Alison Van Dyk * Issa Van Dyk * Bob and Gail Walker * Andrew Wallerstein and Mary Sloane * Thalia Wheatley Gregory and Dana B. White Frederic and Susan Winthrop * Friends ($500 and more) Close Friend Foundation * Carol Dugger * Marshall Kim Richard and Joanne Purinton * Lucas Z. Ribeiro and Andre Vilela Margot Stern Strom * Steven and Patricia Trainer * Chris White Anonymous (2) Fans ($250 and more) Alchemy Foundation Lindsay Cavanagh * Beni Chhun Commit Media Fowler Dugger Jr. Elisabeth S. Golden * Hildy Gottlieb and Walter Hill Jeremy Hockenstein Jewish Communal Fund Katharine King Richmond and Nancy Mayo-Smith * Trevor Miller and Kim Williams * Tony and Minnelly Ngo * Barbara and Arthur Powell Spencer and Lisa Purinton* Augusta and Joseph Stanislaw Anonymous (2) * We make every effort to list donors correctly. If there is any error in this listing, we sincerely apologize and ask that you let us know by contacting Michelle Prevost at 508-748-0816 or michelle@ cambodianlivingarts.org ANNUAL REPORT 2011 - 2012 A PROGRAM OF Photo Credits: Thank you to Chean Long, Tom Fakler, Marion Gommard, Anders Jiras, Peter Lockett, Jim Mierski, George Nickels, Daniel Rothenberg, Thoeun Veasna, Matthew Wakem, Mark Walker for their pictures. CAMBODIA OFFICE USA OFFICE #128 G9, Sothearos Blvd, Phnom Penh, Cambodia Ph. +855 (0)23 986 032 [email protected] 202 Spring Street Marion, MA 02738, USA Ph. 508 748 0816 Fax. 508 748 1976
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