Khmer Jazz Fusion - Cambodian Living Arts
Transcription
Khmer Jazz Fusion - Cambodian Living Arts
Arn Chorn-Pond, John Burt and Alan Morgan co-found the Cambodian Masters Performers Program (CMPP) 1998 The CMPP is featured on American television news program, 60 Minutes, with correspondent Bob Simon interviewing Arn Chorn-Pond and the 1st CMPP classes. The CMPP becomes Cambodian Living Arts (CLA). 4 programs are implemented: Recording, Teaching, Performance and Commissions. The CMPP becomes a program of nongovernmental organization World Education. Creation of Studio CLA with ethnomusicologist Scot Stafford training 2 local sound engineers for archiving and CD production. 1st program coordinator hired. 1999 Arn Chorn-Pond finds the 1st Master Artists some of whom he knew as a child. Archive-quality recordings are produced and 1st classes are created in the Masters’ communities. The CMPP hosts its 1st cultural delegation of foreign supporters of the emerging artists of Cambodia. 2000 2001 World Education hosts 18-month strategic planning process in Boston, Massachussetts, with Cambodian nationals, Cambodian-Americans and other American advocates. Vision 2020 is adopted imagining Cambodia’s cultural sector so dynamic by the year 2020, that the arts and culture have become Cambodia’s national and international signature. 2002 CLA commissions Cambodian USA-based hip-hop band SEASIA to write and perform new music with traditional Master musicians. Premiere on Cambodian television. Photo credits: Charley Todd, Anders Jiras, Song Seng, Jean McDermott, Charlie Horwich, Jean Loncle, Kenny Mathieson, Kevin Trimmer, Daniel Rothenberg, Jessica Hetke, Chean Long, Peter Lockett, Marion Gommard, Pete Pin. Creation of an Advisory Committee on Master Artists research, supported by Cambodian scholar Mao Phoeung. 2003 Organization of the 1st Selepak Khmer Amatak festival at the Wat Bo pagoda in Siem Reap, gathering CLA’s Masters and students. 250 local audience members participate. 1st regular, paid performances for CLA-trained Classical Wedding Music and Large Shadow Puppetry troupes in Siem Reap. American TV premiere and broadcast on American Public Broadcast affiliates of the documentary The Flute Player, based on Arn Chorn-Pond’s return to Cambodia to find Master musicians. Production of CDs: Khmer Jazz Fusion, Khmer Passages and Mekong Delta Blues. 2nd edition of the Selepak Khmer Amatak festival in Siem Reap, with 350 audience members. 2004 Exhibition of visual artists Sopheap Pich’s, Leang Seckon’s and Chath PierSath’s works at CLA House. This is Sopheap Pich’s 1st exhibition in Phnom Penh. 1st Masters retreat to begin networking and curriculum development among teachers across the country. 2005 Production of the Sarikakeo CD. Creation of the CLA logo by visual artist Leang Seckon, featuring the Pin, Cambodian lost harp. Additional Masters appointed including 1 Master of Memm, 1 Master of Classical Wedding Music and 2 Masters of Kantaoming, some of Cambodia’s rarest music forms. CLA now manages 13 classes. CLA commissions Cambodian composer Him Sophy to write the 1st Cambodian-American rock opera, Where Elephants Weep, producing preview performances in Lowell/ Boston, Massachusetts, the 2nd largest Cambodian diaspora community in USA. 1st scholarship provided to a CLA student for advanced study. 2006 3rd edition of the Selepak Khmer Amatak festival in Battambang, with 500 audience members. Programming now includes performances, workshops and demonstrations, in collaboration with other arts organizations. 2007 CLA-sponsored Master Kong Nay and student Ouch Savy perform at the Womad festival in Australia. 4th edition of the Selepak Khmer Amatak festival in Battambang, with over 600 audience members. New version of CLA’s logo by visual artist Theam. With support of international musician and recording artist Peter Gabriel, CLA-sponsored dance troupe Children of Bassac performs at the Womad festival and the Edinburgh Fringe festivals in UK, where the troupe wins the Best Pick Audience Award. 2008 World premiere of Where Elephants Weep at the Chenla Theater, Phnom Penh, one of the largest Cambodia-based productions in the postKhmer Rouge era. All 5 performances are sold out. CLA becomes a program of the Marion Institute. 1st class taught by CLAtrained peer teachers at partner organizations’. Creation of the Living Arts Tours program, allowing visitors to visit classes and meet artists. CLA’s Community Arts Education program reaches 500 students accross Cambodia. The 1st graduation ceremony is organized in collaboration with the Ministry of Culture and Fine Arts. 2009 2010 2011 Creation of the Capacity Building program and initiation of English classes for arts students. Pilot program of performances at the National Museum of Phnom Penh, attended by 600 visitors. CLA-sponsored dance troupe Children of Bassac tours to USA and Japan. Produced in association with John Burt Productions and Amrita Performing Arts. Libretto by Catherine Filloux. CLA co-organizes the 1st large-scale auction of Cambodian arts in Cambodia. The 5th Selepak Khmer Amatak festival is renamed Cambodian Youth Arts Festival and is held in Phnom Penh over 5 days. Performances by CLAsponsored and external artists attract 2000 visitors, and workshops in schools reach out to 500 young Cambodians. Over 20 arts organizations and the Ministry of Culture and Fine Arts participate in the organization of the festival. Creation of the Arn Chorn-Pond Living Arts Scholarships program, allowing motivated and talented arts students to develop artistic and nonartistic skills. Over 20 scholarships are offered every year. Definition and resolution to accept 5-year strategic plan Coordinated by ReCreation. 1st demonstrations of traditional performing arts in communities across Cambodia. Creation of Plae Pakaa, a program of 3 rotating performances of Cambodian arts 6 nights a week at the National Museum of Phnom Penh, attended by 6000 visitors and offering work opportunities to 120 arts professionals. 2012 Creation of the Creative Leaders program, developing skills of 8 selected arts professionals. 2nd edition of the Cambodian Youth Arts Festival in Phnom Penh, showcasing 11 performance shows, 7 visual arts events, 1 films screening and 50 workshops. 3,000 audience members join in. Supported by AirAsia Foundation. The Season of Cambodia festival hosts 125 Cambodian artists in 33 of New York’s cultural institutions, showcasing traditional and contemporary theater, dance, music, film, visual arts and crafts. CLA’s vision that Cambodia’s international signature be its living arts is manifested to 54,000 audience. Completion of the Archiving project of 4 endangered art forms, producing 5 CDs and 3 documentaries. 2013 Creation of the TlaiTno association for graduates of the School of Arts in Siem Reap. Creation of the Sounds of Angkor troupe, which performs recreated Angkorian instruments, including the formerly lost Pin (celestial harp). Supported by the United States Department of State. In association with CIAI and supported by UNESCO. Recreated by ethnomusicologist Patrick Kersale.
Similar documents
Read our Annual Report 2011-12
For the Season of Cambodia festival, to be held in New York City in Spring 2013, CLA creates the Experience New York project. The project invites five, select Cambodian arts managers to join the fe...
More information