Sessions - College Art Association

Transcription

CM
College Art Association
February 21-24
sc s s i
0 11
5:30-7:00 pm
s
8:00-10,30 pm
I
Room too
,\IAHCEL IJIJCILUJJ' Al\'ll TilE HEADL\IADE:
PHO;'!I OHJGfi\' TO CONSEQtJENCE
Ballroom A, Third Level
CHAIR
ASSOCIATION OF HISTOIUANS OF 19TH-CENTURY ART
FUTUHE DIHEC'J'I(Ji\S FOH J<J'J'il··CEJ\'TUHY AHT
IIIS'I'OHY
Francis M. Naumann, independent scholar,
New York
SPEAKERS
CHAIR
Sally Webster, Lehman College and Graduate
Center, City University of New York
SPEAKERS
Absorbiug tlu Spauish Other: Collectious of Spauish Art
D1fcl1amp's Readymades, Bergsonist Cubism, a11d the
"Hieroglyphic Data" of tlu Large Glass
Linda Dalrymple Henderson, University of
Texas at Austin
i11 America iu tlu t9tb C€11t11ry
Rrose Sflavy Goes SIJOppill!}
BrianT. Allen, Yale UniversitY
Helen Molesworth, Cornell University
Edo1wrd Mauet and the Executiofl of the Emperor
Maximillian: An America~~ Deb11t
The Patata11tological SigHifiers: Readymades, Dialogism,
aud tiJe Case of tile (Dis )Appwiug Object
N. Mishoe Brennecke, University of the South
Ernestine Daubner, Concordia University
Hwdrik Willem Mesdag: Barbital! Comes to tlu Hague
Remade Readymades: Originality a11d Reproductiou in
tin Work of Marcel Duchmup
Veronique Chagnon-Burke, Graduate Center,
City University of New York
City (IIJd Suburb: lames Tissot's Contributions to the
1879 Grosvwor Gallery ExiJibitioll
Nancy tv1arshall, Yale University
Danielle Fox, independent scholar, Alexandria,
Virginia
Readymades: Tluir Problematic Definitiou m1d Surprisiug
Co»sfQttmcts
Hector Obalk, independent scholar, Paris
6:00-7:30 pm
Room t02
Room tOO
CAA INTELLECTUAL PROPERTY RIGHTS CO;\f;'\UTTEE
• :'!lAKING :HONEY, ,\iAfONG AHT IN THE NE\'\'
,\IEHL\: LAW, IHJSINE~S, POLJCY, ANO ETHICS IN
A DIGITAL Ei'\\'1 HOi\'JlENT l
CHAIR
Barbara Hoffman, Schwartz \Y/ eiss Steckler
Hoffman
SPEAKERS
CHAIR
Thomas \Villette, University of Michigan
SPEAKERS
T ramfiguriug RtlpiJae/; Idwtity, Autlmlficity, and the
Persona of Clnist
Laura Camille Agoston, State University of New
York, Geneseo
Bob Stein, Voyager
Lady Morga11's Sa/valor Rosa
Karen Akiyama, Corbis
)ames Clifton, Sarah Campbell Blaffer
Foundation
Vince Yannuzzi, IBM
TIJt Deaths of Heuri Reguau/t
Additional speakers in the art technolgy
publishing field to be announced.
Pari
26
TIH: DEATII OV TilE AUTIIOH Ai\'D TilE LIFE OF
TilE AI\TIST
n will!ttkt pl~tu Tbursd~ty,
H' c
a
11
cs
a11 y
f l:3Q--l:OO
fml.
Marc Gotlieb, Emory University
DISCUSSANT
Leonard Barkan, Department of English, New
York University
Room 103
(;Ol\'I'UOLI,I~G
STfiATEGJES: INDIGENOlJS
AHTISTS AND TilE AHT :IL\IU<ET
CHAIRS
Paul Schock, Art Galle!)' of \'V'estern Australia;
Curtin University of Technology
Truman Low, University of \Xi'isconsin+lv1adison
SPEAKERS
Shana Pickett, Curtin University of Technology
Sally Morgan, artist, Perth, \XI estern Australia
Julie Dowling, artist, Perth, \X' estern Australia
SPEAKERS
Jim Clark, New York University
Patricia Phillips, State University of New York,
New Paltz
Bill Strickland, Manchester Craftsmans Guild
Chris Johnson, California College of Arts and
Crafts
Caron Atlas, American Festival Project;
·Rockefeller Foundation
Judith Baca, Cesar Chavez Institute, University
of California, Los Angeles
Robert Eggington, Dumbartung Aboriginal
Corporation
Edgar Heap of Birds, University of Oklahoma
Room 302
Tanis Maria S'Eiltin, artist, Bellingham,
\Yfashington
VISUAL I'AIL\-II\'TENTIOI\'ALITY: CHITIL\L AI\'0
FOHENSIC TIIEOH\'
Dian !vtillion, artist, Bellingham, \Vashington
CHAIR
Some spwkm will br p,nticipaliug from Austwli11 via videoconfmucing ma,1e possible by funding from tbe Art Gallery of
Wntmr Austmlia mrd Curlin Uuivmity of Techuolci)y.
SPEAKERS
Room 106
CHAFT EDOCATION: IN OH OUT OF TilE
ACADEJIIC \\'OHLil't
CHAIR
Kenneth Botnick, Penland School of Crafts
\XIhitney Davis, Northwestern University
Repmeutiug tiJe Abswce: Oillitemtio11 as a Key Structure
ill tile \lima/ Uucomdous
Louise Milne, Edinburgh College of Art,
Heriot· \XIatt University
Makiug Art Distractedly: "Pathetic Art" and Discornses
of tiJe Subject
Isabelle Moffatt, tvtassachusetts Institute of
Technology
Art and Teclmolo!}y: A Co11tempormy BmdJmls
Experimeut
Sigrid \'\1. Weltge, Philadelphia College of
Race mrd Revisioll i11 Paul Cadmus's Gilding the
Acrobats
Richard Meyer, University of California,
Berkeley
Textiles and Science
Etmrf
SPEAKERS
I've Looked at Craft from BotiJ Sides Now: A l1ieUJ from
tiJe Studio
Domr{s: Au Ajtemoon Tea witl1 A'iarcel DuciJmup
Simon Leung, artist, New York
Christina Shmigel, Penland School of Crafts
Is Separate Equal or Better?
Room 304
JoAnn Schnabel, University of Northern Iowa
\VIJiciJ Half of tiJe Cup is Full?
Joe Bova, Ohio University
NORTll AMEIUCAN IIISTOIUANS OF ISLAMIC ART
GEi\'DEH, PATfiOI\'AGE, Ai\D VISION IN JSL,UIIC
SOCIETrES
CHAIR
D. Fairchild Ruggles, Cornell University
Room 112
BEAUTY, II\'VENTIOI\', AND GOOD II\'TEI\'TIONS:
TO\VAHD A CIUTICAL AI\'ALYSJS OF PUBLIC AUT
CHAIR
SPEAKERS
Gwder a11d Sex11al Propriety in Ottommr Royal «'omen's
Patronage
Leslie Peirce, Department of Near Eastern
Studies, Cornell University
Suzanne Lacy, California College of Arts and
Crafts
Wcdl/csdrl)'
27
Dayfa KIJatlm, Regeut Quem nml Architecluml Pntrou
Yasser Tabbaa, University of lV1ichigan
TIJe Yeni Valide Hiinkar Kasri of EmiuOui/, Istnubul:
The "Owlnr Politics" of Ottomalt Kiilliye Orgauizntio11
Lucienne Thys-Senocak, Department of History,
Koc; University
Public aud Privnte for Uttomau Wome11 of tlu J 9tiJ
Cwtflr)'
Nancy l\·ticklewright, University of Victoria
LolliS Blossoms mrd Egghead/Wimps: Construclious of
Asian Sex1wlity
Jeanette Roan, University of Rochester
,\SSOCL\TION Of HISTORIANS OF 19TH-CENTURY ART
CHAIR
Patricia Mainardi, City University of New York
SPEAKERS
Room 309
\1.~··,,.\
~-;Til
.. \1\D THI·:1'< \\'JUT":'
D i·:i\'T:;
L';~;1;1::-;
VOlt
CIU~Hi_\'1'1':
CHAIRS
Shawn Noroian, Rhode Island School of Design
Carrie Zaslow, Rhode Island School of Design
SPEAKERS
tviaureen Clyne Clement, artist, \'V'ashington,
DC
Couuter-Ideutity mtd the Formatiou of the Natiout~l
School
Janis Tomlinson, W'oodrow \'V'ilson International
Center for Scholars
Tlu American Art Association: Growiug up lutematiouaf
;, tiJC Gilded Age
Gerald D. Bolas, Ackland Art Museum,
University of North Carolina, Chapel Hill
RwisitiHg
Pamdise: Gnuguiu mrd tlu Art of tlJe Tra11el
Adrienne Herman, University of \'V'isconsini\·1adison
lorm~t~l
Dorothea Osborn, artist, Glenmont, New York
Londou, Pnris, Bayrwtl1: Gmumt Music, Frmd1
Waguerism, msd EuglisiJ Avaut-Gnrde Paintiug
Laura Hendrickson, Connecticut College
0\ane Sorphin, artist, Perry, New York
Room 312
Elizabeth Childs, \Y/ashington University
Whistler mrd tlu Emerging Spaces of "Mnmdine" SelfRepresmtatioll in tlu Lnte 19th-Cortury Art World
Andrew Stephenson, University of East London
\\ liO'.'-; !JI-:t:lh<::·rnt!t:!'!I\C THr: (:Ul.'il:T':'
CHAIRS
Jonathan Katz, Department of Gay and Lesbian
Studies, City College of San Francisco
Marcia Salo, Graduate Center, City University
of New York
SPEAKERS
De-Oueeriug Mies: Pl1ilip lolmsou tmd the Closetiu!) of
J\1odem Architecllm, 1929-34
Miles David Samson, \'V'orcester Polytechnic
Institute
_My Audy: A11 Essay ill Three Parts
Deborah Kass, artist, New York
Avaut-Gnrde aud Swish: Ri11ers, lVtniJol, mrd the
A·iutability of Gny Appet~rmrce
Gavin Butt, University of Leeds; London
Institute
The Lesbian Eye of Bermice Abbott
Tee A. Corinne, artist and independent -scholar,
Sunny Valley, Oregon
Ballroom B, Third Level
l?-;:;tnE T!lr
CHAIR
v~::wu:
Griselda Pollock, University of Leeds
SPEAKERS
Griselda Pollack
Bracha Lichtenberg Ettinger, artist, Paris and
Tel-Aviv
Additional speakers to be announced.
DISCUSSANT
Sally Stein, University of California, Riverside
Ballroom C, Third Level
Jt<~\':.'!:1!1
!IH<:J"\'ITfY
~~\
,\HT
U~:;·roi\Y
CHAIR
Catherine tv1. Soussloff, University of California,
Santa Cmz
SPEAKERS
From tlu Temple of So/omo11 to the Sy11a!}O!}flf of Dura
Europos: Tin lew in the Surpey
tvtargaret Olin, School of the Art Institute of
Chicago
To Figure, or Not to Figure: Tlu Bilderverbot and
Its Theoretical Legacy
Lisa Saltzman, Bryn fvlawr College
Refrmuing tlu Self-Criticism: Clemeut Grewberg's
"Modernist Pai11ti11!}" iu Li!Jht of Jewish Identity
Louis Kaplan, Tufts University
THURSDAY MORNING
Ateyer Schapiro's Vision of Art: Paradoxes of Historical
Uudersltllldiu!)
Donald Kuspit, University at Stony Brook
"TIJe Problem Tl)(lf Commt111ds Us": Aby lVarburg's
"Cultural Science"
Charlotte Schoeii-Glass, University of Hamburg;
University of Dortmund
~
7:30-9:00 am
v ('
11
I
Atrium Lounge, Third Floor
Marriott
CAA COMMITTEE ON WOMEN JN THE ARTS
Honoree
Agnes Gund, Chairman, Board of Trustees,
J\·tuseum of Modern Art
ADMISSION BY PRE-PURCHASED TICKET ONLY.
7:30-9:00 am
Room 106
CATALOGUE RAISONNE SCHOLAHS ASSOCIATION
~I'!II\L!:mi1\C
Trll·: t:\'f.'..LOClit; fL'd:;OI\1'\>·::
1\1·:\'i TI·:CI!i\'lll,(lC!L:;
CHAIRS
Gail Levin, University of Tennessee; Baruch
College and Graduate Center, City University of
New York
Barbara Buhler Lynes, Maryland Institute,
College of Art; National Gallery of Art; Georgia
O'Keeffe Foundation
Roberta Tarbell, Rutgers, State University of
New Jersey
•:• TilE \'OICE
or
THE OBJECT I!\ JJEDIE\'AL AHT
CHAIRS
SPEAKERS
The ElectroJJic Catalogue Raiso1mf: Promises aud
Practical Cousideratious
Kevin Donovan, Luna Imaging, Inc.
Legal Issues in Ou-Liue and A1ulti-Media Publis/Jiug
Barbara Hoffman, Schwartz \X'eiss Steckler
Hoffman
J\..tichael Grillo, University of tv1aine
Kathleen Nolan, Hollins College
SPEAKERS
Reading tlu Portal:> Early GotiJic ArciJivolt Narrative
Susan L. Ward, Rhode Island School of Design
Opporflmities m1d Problems iu Re-Iuvmtiug PublisiJiug
Scott Bell, Digital Collections, Inc.
Seeiug with the A·fiud's Ear: Some Remarks 011 tiJe Fa~ade
Sc11/pture at Reims
Dorothy Gillerman, Tufts University, School of
the Museum of Fine Arts, Boston
A Critique of tlu First Catalogue RaisOJm{ 011 CD-ROM
Gail Levin
(Cou]Text aud Voice ill Mediwal Art and ArciJitectllre
Stephan \XIolohojian, Harvard University
DISCUSSANT
Michael Grillo
Room 112
ASSOCIATION FOH LATIN AMERICAN AUT
BIJSII\iESS .'\IEET!i\'G
Gardner Room, Third Floor
Sheraton
9:30am-noon
Room 100
•:• J!\TEHPHETII\'C QIJAI.ITY
CHAIR
Keith Christiansen, J\..fetropolitan Museum of Art
SPEAKERS
ASSOCIATION OF ffiSTORIANS OF 19TH-CENTURY ART
BliSfNES.r~
:\IEE'l'li\C
9:00-10:30 am
Room 102
•:• ~iOBJECT Ai\D \'lSI ON IN ,\J.Oi'S HIECL'~) AHT
BI~'iTOHY
CHAIR
Benjamin Binstock, Columbia University
SPEAKERS
Riegl, Romau Art, aud Rwisiou
Richard Brilliant, Columbia University
Anschauung twd \X'eltanschauung ill tlu Decorative
and Fine Arts: Aloi's Riegl's Historiche Grammatik
der Bildenden Konste
Isabelle Frank, Bard Graduate Center for Studies
in the Decorative Arts
Settliug Accouuts: Riegl, Rembraudt. aud the
Staalmeesters
Benjamin Binstock
30
Thr~rsdd)'
Towards a HistroiogmpiJy of tlu Spirit11al Impoverishof Baroque Art
Evonne Levy, Vassar College
me~~!
Natioua/ism and Two Ottocwto Artists Popular duri11g
tiJt Fascist Regime: Pinelli and Caffi
Roberta). M. Olson, Wheaton College
German Primitives: Stefan Loclmer's Hierarchies of
Execution
Julien Chapuis, Center for Advanced Study in
the Visual Arts, National Gallery of Art
Italian Mmmerism: Poutormo Tluu aud Now
Elizabeth Pilliod, Oregon State University
W/Jatwer Happwed to BritisiJ PortrailllrO
John \XIilson, Cincinnati Art Museum
Room 103
THE GLOBAL S\\'EA'I'SIIOP: L\IACEHY OF \'\'0;\IEN
FACTOHY \\'OBKEHS AHOlH\'D TilE \\'OHLD
CHAIR
Mary Ann \X'adden, curator, New York
SPEAKERS
Speakers of t/11 Needle!
Beth Harris, Graduate Center, City University of
New York
Margaret Harrison, Manchester Metropolitan
University
A l'isutll Exploration of Block-Printed Textile Producliou
in Gujurat aud Rajastluw, ludia
Sonita Singwi, Hunter College, City University
of New York
Body, NMralive, aud Geuder Politics in Dem111a Let~mou's
1993 Hamlet Series
Ellen \'(Iiley Todd, George Mason University
DISCUSSANT
SPEAKERS
R111miug to Stay i11 Place after Lm~diug witb Bot1J Feet
Rmmiug: A Day iu tlu Life of a Fawlty Teacbiug in
Computer-Based Media
Nancy Macko, Scripps College
Tlu View from Academic Compuliug
Copper Giloth, University of Massachusetts,
Amherst
The Role of tiJe Art lmtmctor iu Small Schools twd
Com11umify Colleges
Sam Christian Holmes, Maryland Institute,
College of Art; Howard University
DISCUSSANT
Shalom Corewitz, Ramapo College
Jv1arie Barrett, Irish Museum of ModernArt
Room 302
Room 106
ART UHRARJES SOCIETY OF NORTH AMEHICA
~ li\'TELLECTlJAL 1'!10PEHTY HIGIITS fi\' '!'liE
ELECTHOi\'lC 1\GE: THE J(-;~;UES FOB LIIIIL\!OAJ\'~"1,
\'JStl,\L HESOUHCE CIIB:\TOHS, SCHOLAHS, AND
AHTIS'I'~)
CHAIRS
Alfred Willis, Arts Library, University of
California, Los Angeles
Janis Ekdahl, Library, Museum of Modern Art
SPEAKERS
Tlu lvlumun Educafioual Site Uceusiug Project (MESL):
New Models for Licmsing lutellectual Property
Jennifer Trant, Getty Art History Information
Program
College Art Association's luvo/vemmt i11 the Intellectual
Property Rights Discussion
Barbara Hoffman, Schwartz \'(feiss Steckler
Hoffman
CopyrigiJt aud Modem Teclmology: TIJe Arts
Karen Hersey, Intellectual Property Counsel,
Massachusetts Institute of Technology
THE E\'OLliTION OF TilE CfH\'i'E.\IPOHAHY
AH Tl~·'l'J'.-SCil 0 LA H
CHAIR
Arturo Lindsay, Spelman College
SPEAKERS
Tlu Politics of a Curator-Artist
Deborah \XIillis, National African American
Museum Project, Smithsonian Institution
Telecomnuwicatiou as au Artistic Lauguage
Artur tv1atuck, Department of English, University
of Florida; Department of English, University of
Sao Paulo
Tlnoritiug luterdisciplilwry Practice
Coco Fusco,Tyler School of Art, Temple
University
A Se/ectio11 of Artist-Scholars
Monique Curnen, High Museum of Art
DISCUSSANT
Annie Shaver-Crandell, City College, City
University of New York
Room 304
Room 112
*
Hlli\'NING TO STAY li\ I'J,,\(:1•:: 1)1•:\'EI.OI'Ii\C
GUJDELII\E:; FOH FACULTY II\ CfL'lPIJ'i'EH .. BA~'\ED
,,l EIHA H\ AHT AND DESfCN
CHAIRS
Annette \'(feintraub, City College, City
Cynthia Beth Rubin, University of Vermont
IIISTORIANS OF DIUTISH AUT
BHITISH COLOi\'L\LIS:\l ,\NH CHO~S-(:IJI:l'lJHAL
EXCIL\Nc;m;, CA. l()'l'J! ..-20'1'11 CENTlJnfES
CHAIRS
Julie F. Codell, Arizona State University
Dianne Sachko Macleod, University of
California, Davis
Thuts£11/y
31
SPEAKERS
The Object: Change or Crisis?
Gareth Jones
Dmtl1, Glory, a11d tiJe Art of Empire
Barbara Groseclose, Ohio State University
A·1atber Brow11, BritisiJ Mediwalism, a11d tlu Sultan of
Mysore
Constance C. tvicPhee, University of
Pennsylvania
T!Je t\1emsahib's Bms/J: BritisiJ Female Artists in Iudia,
Room 310
~
,··\'H\T!i,'d,L·,· T.\C'!'fLI·: ': .\1\T .\I' T!a:
~i\TEt\:\I·:CT!Oi•:
01' T~JI': \'!n'fll.\1, ,'',1';0 .\1.\'n:n!.\L
\'•,'OltUl
f832-5J
CHAIRS
Romita Ray, Yale University
Norie Sa to, artist, Seattle
Rita Robillard, \'V'ashington State University
],Ilia .Margaret Cameron's Al,yssinimJ Campai!}Jl
Jeff Rosen, Columbia College
About Face: Egypt aud England ill tl;e Age of \1ictoria
Emily tvL \XIeeks, Yale University
Constmctiug the Imperial Archive: Tlu South Kemil1gtou
M11smm and BritisiJ Imperialism
Tim Barringer, Birkbeck College, University of
London
SPEAKERS
The lute wet and the Future of Art
Eduardo Kac, University of Kentucky
Displacemwt!Afemory: Explomtiom iu Holograpl1y
Andrea \'V'ollensak,Connecticut College
Abamlo11ed Spaces
Lisa J\•toren, University of California, San Diego
\!ideo Installatious: The First Virtual E1wiromneuts
Barbara London, l\·iuseum of Modern Art
Room 306
\!\'1'!:;-r:;
CHAIR
lvlags Harries, School of the Museum of Fine
Arts, Boston
SPEAKERS
Joan Brigham, Emerson College
Lajos Heder, Heder Architects
John Powell, Light Time in Space, Inc.
Bill Boehm, Boston Architectural Research
Center
Room 309
Room 311
1\1·:~~\TI·:CI\.":l'!i\'C i'i~\l.\U:
!',\'f'flOI\':; 01-' Tl!J·:
n ::, :.\ L·;:;.; ;\ (: 1:
CHAIRS
Mary-Ann \XIinkelmes, Harvard University
Mary Vaccaro, University of Texas at Arlington
SPEAKERS
A Public Voice: Art Patrouage by Nuus in the Context of
BMoljue Rome
tvtarilyn Dunn, Loyola University Chicago
Patronage tllld A1editJtiou
Marjorie Och, Mary \XIashington College
Broutiuo iu the Service of Cosimo I de'Medici aud
Eleanora di Toledo, Together tllld Ap~~rt
Bruce Edelstein, independent scholar, Florence
CHAIR
DISCUSSANT
Gareth Jones, Rhode Island School of Design
Carolyn Valone, Trinity University
SPEAKERS
The Persou, the Object, the World
Garth Evans, New York Studio School of
Drawing, Painting, and Sculpture
Disagreeable Objects: Defyiug the A·lateria/ Glut
Suzanne Ramljak, American Federation of Arts
Fo1md-Objects-Lost: Notes Oil Coutemporary Swlpture
Ken Horii, Rhode Island School of Design
32
/hiil\ad)'
Room 312
t\l:CI·:JI'THli, \i<tliHL·Vn'I'Y. 0\\ \\'!!.\'!' IHlr·::·. i'!'
\it·:\:';
TO\\ 1!0.1! .. \i\1) \\'rJJ llOJ·::; IT \1.\'!TI·:ll'(
CHAIRS
Stacy Wolf, School of Theatre, Florida State
University
Michael Peterson, Theatre Department, tv1illikin
Ll niversity
SPEAKERS
AUTIJOIUTY, AND HESPON~·)JBJLITY II\' 1<::\IIIBI'J' ..
rNG IN A PUBLIC JNS'l'ITlJTIOi\' (A SPECIAL
Rwdh19 the Blrmks: The Last Seduction h1
COJwersatiou
Erin Hurley, Graduate Theatre Program, City
Imagiug Emoliom, From Fear to Compassiou
Bill Paul, University of Georgia
Qaeer[iug) Thwtrical Spectators1Jip: Remling as
ReiJearsal for Commuuity
Jay Plum, Graduate Theatre Program, City
Lookiug Goo1l: Tlu Lesbiau Gaze tmd Fashion Imagery
Reina Lewis, Cultural Studies, University of East
London
DISCUSSANT
)ill Dolan, Graduate Theatre Program, City
IN THE PUBLIC THllS'I': li\'TEHI'HETATIOi\,
SESSION TO
CO~I.\lE~IOH,\TI':
THE li'iOTll Al\i\'J ..
\'EHSAHY OF THE S:\liTIISONfAN INSJ'I'i'tJTION)
. CHAIR
Ross Simons, Smithsonian Institution
SPEAKERS
Musrums, Slw~piu!J
tvtalls, cmd tiJt Notiou of tl1e Public
btstitutiou
Barbara Clark Smith, National Museum of
American History, Smithsonian Institution
Pity the Poor Cum tor: Public SciJolarsiJip i11 1111 Em of
Coutmdi11!} l'oicts
Ivan Karp, Graduate Institute of Liberal Arts,
Emory University
Michael Brenson, author and critic, New York
DISCUSSANTS
David A. Ross, W'hitney tvluseum of American
Art
Elizabeth Broun, National tvluseum of American
Art, Smithsonian Institution
lHFFEfiENCE FHO~l \VITBIN: THE \VO;\lAN
A HTIST HECONSI BEH ED
CHAIR
Ewa Lajer-Burcharth, Harvard University
SPEAKERS
A/le!Jories of Homemakiug: Julia Margaret Camenw's
Decade of Pl!otogmpl>y
Carol Armstrong, Graduate Center, City
A Rage to Paiut: lo1111 i\,litc:hell and the Issue of
"Feminiuity"
Linda Nochlin, Institute of Fine Arts, New York
University
Muteurss 1111d lv1utability: The Autolliogmpbica/l'oice iu
Terem Hak Kym1!} Cha's Dictee
Pamela Lee, Harvard University
Bli11d Desire: Frmiuiuily 1111d the MetapiJOrics of Bliuduess
in Rccen! Sct~lphm
Briony Fer, University College London
DISCUSSANT
Tamar Garb, University College London
{0:30 am-f :00 pm
Riley Seminar Room
Museum of Fine Arts
465 Huntington Avenue
Green Line: Museum 1 Orange Line: Ruggles
•:• 'J'/11~ JIJSTOIUCAL JHllJDIJA I'IU~A<:IflN(; ON
l'lJJ)fl/IW l'H,lf(: A CLOSEH LOOK AT THE
IJOJ({(EIJO I<Ot\'I'ON M,lNJJAJU l.l\' THE :\lUSEll.\1
OF Fli'\E AHTS,
BOSTO~;
CHAIRS
Ann tvtorse, lvluseunl of Fine Arts, Boston
John Rosenfield, emeritus, Harvard University
SPEAKERS
The Hokkedo Konpon tv1andara: Questions of Its
Date, Subject i\1aHer, 11111l Historical Siguificmrce
John Rosenfield
TIJe Hokkedo Konpon Mandara audIts Rrstoratiou
in 1148
Anne J\·torse
A Study of the Hokkedo Konpon Mandara Usiug
Iufmred Reflectogmpl!y
Jacki Elgar, Museum of Fine Arts, Boston
PRE-REGISTRATION IS REQUIRED FOR ADMISSION
TO THIS SESSION.
T /;
t!
r 5 d 11
)'
33
DISCUSSANT
Trustees Room
Museum of Fine Arts
Green Line: Museum; Orange Line: Ruggles
+:+
HOCrEH'S .S'I'. UII<l~ PAJNTJNG TilE I'JUGIN
AND CJJJUJ: ,\I{TlST, DE\'OTlONAL L\J,\(;E,
ICONO(;H,\PI-IY, TECIIi'\IQtJE
CHAIR
Carol Purtle, University of Memphis
Martin Donougho, Department of Philosophy,
University of South Carolina
\'\'HlTJi\C ON TilE L\1,\(;E: :\IEDIE\'AL AH'I' AND
ITS INSCHIPTlOi\S
CHAIR
SPEAKERS
Charles Barber, University of Illinois at UrbanaChampaign
Picturiug DevotioJ!: Rogier's St. Luke Painting the
Virgin and Child
Diane Apostolos-Cappadona, Liberal Studies
Program, Georgetown University
SPEAKERS
"TI1is Is Not au Augel": The Augelic Po1mrs iu tiJe
Ch1nch of the Dormition til Nicaea
Glenn Peers, Johns Hopkins University
Rogier's St. Luke: Portrait of tin Artist or Portrait of the
Historian?
Andrea Kann, University of Iowa
Written Voices: The Spoken Word
of Art
Rogier's St. Luke Painting the Virgin and Child:
Fiudiugs from the Teclmical Examiuatious m1d Some Art
Historicallmplicalious
Ron Spronk, Indiana University; Harvard
University Art Museums
011
Bytautine \Yorks
Nancy P. Sevcenko, independent scholar,
Philadelphia
~Vriting Preswce
Dale Kinney, Bryn Mawr College
Luke, Rolin, and Relatiouships RetiJOugiJt
Alfred Acres, University of Oregon
Text, Image, aud Relics in tl1e Apse Mosaic of Sau
Clemente iu Rome
Thomas Dale, Columbia University
Rogier Ptlll der lVeydw, Hugo Pall der Goes, a11d t/Je
Ntakiug of tiJe Netlmlaudish St. Luke Traditiou
Eric Marshall \Xfhite, Southern Methodist
University
Robin Cormack, Courtauld Institute of Art,
University of London
DISCUSSANT
TO THIS SESSION.
THURSDAY AFTERNOON
11:00
am-12:30 pm
Room 102
•:• BEHEADING IC\NT AND TilE OBJECT OF AHT
HISTOHY
CHAIRS
Cregg Horowitz, Department of Philosophy,
Vanderbilt University
Tom Huhn, Department of Philosophy,
\Xfesleyan University
I
Noon-2:00pm
Booth 41 7, Exhibit Hall
:\fEET TilE EDITOH .. (;,\A
:\101\0CHAI'W~
Debra Pincus, editor of the CAA Monograph
Series, will talk with prospective authors.
Special rvcnts
SPEAKERS
Nlore Lessons 011 tiJt Analytic of tlJe Sublime
K. Malcolm Richards, Bryn Mawr College
I
12.!5-2:00 pm
I
HECLA,\IATION AHTISTS
Tin Dialectics of Decay, or the Dm1ger of Ruins
Karen Lang, University of California, Los
Angeles
34
Thnrsd11)'
"h,1isguided tour" of Boston and lunch
Bus tour, organized in connection with the
session "Celebrating \'(/hat's Out There"
(chair: Mags Harries) will depart from Boylston
Street exit of Convention Center at 12:15 pm.
Lunch and hot drinks will be provided. Fee: $10,
payable at bus. Limited to 41 participants.
Room 103
INTERNATIONAL ASSOCIATION
OF WORD AND L'IIAGE STUDIES
OHCAJ\'IZATIONAL JIEETINC
12,30-2,00 pm
Room 106
Bo:-don Vi:donai'Y Cell
36 Bromfield Street, Suite 200
CAA EDUCATION CO:\L\IITTEE
Red or Green Lines: Park Street
ALTEHNATI\'E LO\V-HESIDEi\'CY GHAIHJA'l'l': AH'I'
l.cctur<~s
ilnd discussions
PHOCILUIS
CHAIR
"Art and Lucid Dreaming" and "Art and
Psychotronics." Light refreshments will be
served.
G. Roy Levin, Vermont College of Norwich
University
Sessions
TIJe Altematitle Low-Residmcy Graduate Art Program dl
Bard College's ArJ.iltou At,ery Graduate SciJOol of tiJe Arts
Arthur Gibbons, Milton Avery Graduate School
of the Arts, Bard College
SPEAKERS
12,30-2,00 pm
Room
Nurturing tiJe Artist in tlu Teaclur: A Part-Time LontResidmcy .M.F.A. Especially Designed for Art Educators
Karen Lee Carroll, Mal)'land Institute, College
of Art
too
C,U II\'TELLECTUAL PHOPERTY RIGHTS COMMITTEE
~ ~L\ICING ,,lONEY, ;\lAKING AHT IN TilE NE\\'
,\lEDIA: LA\\', BUSINESS, POLICY, AND E'I'IIICS li'<\
A DICITAL ENVIIU)N;ilEJ\''1' II
The MFA in Visual Art til l'rrmout College: The Process
Product
G. Roy Levin
tiS
CHAIR
DISCUSSANTS
Christine Sundt, University of Oregon
Alonzo Davis, Memphis College of Art
Robert Berlind, State University of New York,
Purchase
SPEAKERS
Teri J. Edelstein, Art Institute of Chicago
Virginia M. G. Hall, Johns Hopkins University
Kent Lydecker, tvletropolitan Museum of Art
Room 112
Beatrice Rehl, Cambridge University Press/NA
,\SSOCIATION I'OH LATIN AMERICAN ART
Lowery Stokes Sims, Metropolitan J\•tuseum
TilE STATE OF RESEAHCIJ li\'
A;\lEl\lCAN AHT
CHAIRS
of Art
~IODEHN
LATIN
Anne l\•torgan Spalter, Department of Computer
Science, Brown University
Stacie \Viddifield, University of Arizona
Fatima Bercht, Museo del Barrio
Christine L. Sundt
Speakers to be announced.
This session is intended to be interactive and
solicit input for both the Conference on Fair
Use, and the revision of the "CAA Statement on
Fair Usc of Visual Materials in the Print and
Digital Media."
For Pari I, see Wtdnesday,
6:00-7:10
pm.
Room 302
CAA Co;\L\IITTEE ON WOMEN IN THE AHTS
WOJIEN AND ,\IUSEUMS
CHAIR
Deborah \'{Iillis, National African American
Museum Project, Smithsonian Institution
Th11rsday
35
SPEAKERS
Room 309
Lynda Roscoe Hartigan, National Museum of
American Art, Smithsonian Institution
INTEHNATIONAI. CENTER OF MEDIEVAL ART
Katy Klein, List Center, Massachusetts Institute
ofT echnology
BIJSil\E:-1~;
Judith Stein, curator, Philadelphia
Room 310
Claudine Brown, Nathan Cummings Foundation
Susan Cahan, New J\•tuseum
:\IEETING
COALITION 01? \\'0.\IEN'S AUT ORGANIZATIONS
VISIL\L CO:\L\IENTAHY ON CllL'I'IJHE Ai\'0 NATtJHE
CHAIR
Kyra Belan, Broward Community College
Room 304
HISTORIANS OF BRITISH AUT
TUE POLITICS OF PLACE
CHAIR
Robert L. Mode, Vanderbilt University
SPEAKERS
Why Alfred?, The Cullum/ Politics of "Anglo-Snxon"
Buildiugs i11 Lt~~~dscape Gardws, 1721-32
Michael Charlesworth, University of Texas at
Austin
Rome iu So1lfiJ Kemiugtou
Helene E. Roberts, Visual Resources, Dartmouth
College
In Your Face: Prit~ileged Spaces from Old Fleet Prisou to
Trafalgar Square
Stephanie Grilli, University of Colorado at
Denver
DISCUSSANT
Ellen Christensen, Northwestern University
Room 306
SPEAKERS
A Hmua11ist loumey from Comnumity to Aliwatiou
Susan Grabel, artist, New York
Paiuted Sculptures as Gardens
Dorothy Gillespie, artist, New York
Paiuti11g tiJe Compelling Force of Nature
Ray Burggraf, Florida State University
A Perso11al Adt~wlfm into the Spirihwlity of Nature
Kyra Belan
Room 312
GA \'AND LESBL\N CAUCUS
CONFLICTS AND :";IIAHED CONCEHNS: TO\\'AHD
LESIIIAi\' ,\i\D CAY COAUTJ()f\:";
CHAIR
Erin Valentino, University of Connecticut
2•30-5•00 pm
EDUCATIONAL TESTING SERVICE
Room 100
TilE :t.IIIJDLE GHOUKIJ: THE LA<;/LEAD HEIL\TE
OF AH'l' ;:l'l'l!DEN'I' ACHlE\'E:\IENT li\' SECOI\D~\HY
;·)CIIOOL ANJJ AHT SCHOOL
CHAIR
OI'Ei\' SES:--110N·
CHAIR
Ray \XIilkins, Educational Testing Service
This session will explore whether secondary
school students are inadequately, sufficiently, or
over-prepared for the challenges that await them
in higher education programs, and how to
modify goals once students' experience is tuned
to the new context. Attention will be paid to
existing disparities in studio/art history faculty
expectations, curricular focus, and instructional
methodology in high school and higher education contexts.
36
Tbt~rsdoy
.,\~)L\1\
,\WI'
lli:~TOHY
Susan Huntington, Ohio State University
SPEAKERS
Muslim Artists' Respouse to Hindu Nationalism 1920~40
Marcella C. Sirhandi, Oklahoma State
University
Coutemplatiug 011 a "Pict1m of the Nine Aspects"
(KusOzu) of a Female Corpse
Gail Chin Bryant, independent scholar, Victoria,
British Columbia, Canada
\VI1at Is "CIJiuese Nt~rmtiPe lllustratiou"?
Julia K. Murray, University of \XIisconsin
Cosmology, Ritu(Jl, m~d the Creation of S(Jcred Sp(Jce ill
tiJe Yi'ucm Tomb
Lydia Thompson, Institute of Fine Arts, New
York University
Imperic~l
Image as a Symbol of SovtrtigHty
Ning Qiang, Harvard University
Amelm Kiefer's Reliance 011 National Socialist
ArciJitecture
Paul Jaskot, DePaul University
Produci11g a Place Like Home: Diasporic Domesticity ill
Chicago's Suburban SoutiJ Asia11 Comnuwity
Namita Gupta \Xliggers, University of Chicago
TIJe Secessiou Building: Belonging (Jnd Not Be/ougiug iH
the \fiemuse Coulext
Leslie Topp, Bryn t'vlawr College
Room 102
\\'liEN AHTISTS CAHI•: ,\BOUT ,\JAHKET SIL\HE:
,\i\' INTEH-GENEIL\TIONAL DIAI.Ot;UE
CHAIR
JohnS. Cordon, Kansas City Art Institute
Stories of a FrwciJ lv1edievt!l House: Coustmcti11g
Possessive Ideutities for tlu Maison du Grand
Fauconnier, Cordes
Martha tv1acFarlane, University of Chicago
SPEAKERS
Art Educ(J!ioll in the Cum11t Gllllne
i\..targaret R. Lazzari, University of Southern
California
Room 106
Masteriug ill Fiue Art: An EdtiC(JfiOII
Debbi Sutton, artist, New York
TilE ·'lllL'I'IPLE II\' COl\'TEJIPOfiAHY AHT:
Sabrina Zanella.Foresi, artist, Allston,
tvlassachusetts
lfe Franklin, artist, Roxbury, Massachusetts
DISCUSSANT
Alonzo Davis, Memphis College of Art
Room 103
BlltLDINCf\ ,\S
CHAIR
HELO\'\ClNC~'.
Katherine Fischer Taylor, University of Chicago
AMEIUCAN INSTITUTE FOR CONSERVATION
CHEATI\'E COLL,\BOHATIONS BETWEE1\' AHTIST,
f"ABHICA'I'OH, Ai\H COI\'SI,:H\'ATOH
CHAlR
Jay Krueger, National Callery of Art
SPEAKERS
"WIJy Make Multiples} Otlestiom iu Mathenwlics", A
History of Bmin A1ultiples
Brian Butler, Brain Multiples
Iudustrial Fabric(Jtiom iJiivliJJima/ Art
Frances Colpitt, University of Texas at San
Antonio
Ft~bricaliou
Jack Brogan, Design Concepts
SPEAKERS
Rememberi11g (JS Befougiug: Architecture ami Ceremony at
tlu Americau Tomb of tlu Uukown Soldier
HCICne Lipstadt, Institute de Recherche en
Histoire de !'Architecture, Montreal
Ptlblicity, Property, aud FiumfCe: Wluu the Bm1k of
Eugfand Became a Tourist Attraction
Daniel Abramson, Connecticut College
Lougiugs, Belcmgiugs, aud Turning Poiuts: /v!useal Tropes
of m1 Jnunaue11t AestiJetics
Jennifer Fisher, Tisch School of the Arts, New
York University
Edgar Degas's Sculpture aucl the Po5tlmmous i\t!ultiple
Daphne Barbour, National Callery of Art
Shelley Sturman, National Callery of Art
Room 112
FOUNDATIONS IN ,\RT, THEOH\', AND EDUCATION
BASIC DESH:l\': 110\\' BASIC'? \VIJO~_'iE DESICN"t
CHAIR
George Creamer, M?ntserrat College of Art
SPEAKERS
Buildiugs ciS Symbolic Properly: Status cmd Ownership in
Samoa11 Village Architecture
Anne E. Guernsey Allen, Indiana University
Southeast
Don't Blame tlu BauiJttus
Elliott Barowitz, Drexel University
Recousideri11g FounclatioJI DesigJJ Edw:afioJJ: Basic \fiSilal
Educ(Jfiou thro11giJ Discipliue-specific Activity
John Bowers, University of Michigan
T /J
11
r > d t1 y
37
The Power of Images
George Creamer
DISCUSSANT
Aline Brandauer, Graduate Center, City University of New York
Crossing tlu Lines, Toward a Curricu/11111 of Comparative
Design
Steven Leuthold, Syracuse University
Room 306
CHAFT PnOCESS Il\' FINE AH'I'S:
Room 302
A CON\'EHGENCE't
CHAIRS
OPEN SESSION ... CONTE:\IPOHAHY 1\HT IJISTOHY
Bradford Collins, University of South Carolina
Virginia Davis, artist and independent scholar,
New York
Ana Lisa Hedstrom, artist, Emeryville, California
SPEAKERS
SPEAKERS
CHAIR
loy of LiviHg: Collage m1d tlu TIJ£Jue of W~~r ill Robert
Motlurwdl's Etnly Abstract ExpressioJJist Art
Gregory Gilbert, Purdue University
Naucy Spero's Paris Black Painfiugs, Patriarchy's Dark
Craft into Art
Nancy Corwin, University of Kansas
Raidtrs of the Fine Arts: A Few Reasons and Exmuples
Linda McGreevy, Old Dominion University
Mirror
t\•tarilynn Lincoln Board, State University of
New York, Geneseo
A11 UHiikely Match or a Likely M<rge>
Dogmatic CIJtlirs: Do1wld Judd aJJd Gustav Stickley
Prayer Flags and Pt~rok1Jtts
David Raskin, University of Texas at Austin
Robert SmitiJsou's Suppressed "Pre-CoHscious" Works
Caroline A. Jones, Boston University
Afrofnucwtrist Critiques of Primilit~ism i11 Modemist Art
Catherine S. Amidon, Kansas City Art Institute
Robert Kirschbaum, Trinity College, Hartford
Subt~erting
tiJe Fine Art Ps.Craft Deb11le tiJrougiJ tlu Use
of Textiles
Allison Ferris, john Michael Kohler Arts Center
)ody Blake, Bucknell University
Room 309
Room 304
INTERNATIONAL CENTEH OF MEDIEVAL ART
DL\SPOHA AND :iiODEHi\' VISUAL CULTUHE
CHAIR
Nicholas Mirzoeff, University of \'\Tisconsint\•tadison
SPEAKERS
Pt~inting ill
llll~IOH
IN TIIE JIIDDLE ,\C;ES
Brendan Cassidy, University of St. Andrews
SPEAKERS
Humor and tlu Bytllulines
tin Jewish Margius: Alice Halicka and Louis
A·larcoussis in Interwar Frm1ce
Paula). Birnbaum, Bryn J\·1awr College
Eunice Dauterman J\•taguire, Krannert Art
Museum, University of Illinois at UrbanaChampaign
Imaging t1Je Shtetl: Diaspora Culture, Photography, a111l
Eastem European Jews
Can Italy L1111g1J 111 Byzantium? (At Least from tiJe
Afargim)
Carol Zemel, State University of New York at
AmyL. Neff, University of Tennessee, Knoxville
Buffalo
A1emory and Ageucy: Bantu Arts iu Afro-Brazilian
Culture
Lessons to Forgivmess: Llsiug Comedy to Teach Tolerance
and Patiwce
Rebecca Price- \XIilkin, University of Michigan
Henry). Drewal, University of \XIisconsinMadison
An Erotic Articulatio" of Roman Law in
Mmwscript
The Ptlrmtgolf: Nomadic Experience ill End/m Motion
Susan L'Engle, Institute of Fine Arts, New York
University
Simone Osthoff, Art Institute of Chicago
38
THE AHT OF
CHAIR
TiJr~rsddy
t1
Bolognese
Pictorial aud Verbal Play in the Margim: The Case of
Stowe 49
Lucy Freeman Sandler, New York University
Room 310
AH'I'S OF HECONSTHUCTJOI\': PAST AND I'HESEi\'T
CHAIR
Bettina Bergmann, Mount Holyoke College
SPEAKERS
Virtual Pompeii: Tlu Making of a Simulafiou
Carl Eugene Loeffler, Studio for Creative
Inquiry, Carnegie Mellon University
Soldiers aud Gypsies: 011tsiders aud TIJeir Families
Rupert Andrew l'..torrall, Christie's Education,
London
Nationalist Gtltuml Propaganda and Didactic
Representatiou in Drllch Family Portraiture
Johann J. K. Reusch, Bucknell University
Room 312
WOMEN'S CAUCUS FOH ,\HT
~CHEATING NEW 'I'HADJTIOi\'S: \\'HEN An'l\
'I'ECIIl\'OLOGY, AND FE:\Ilf\;U:UI ,,IEET
CHAIR
Recoustruclious of Hadriau's Villa: 1450-fBoo
John Pinto, Princeton University
Harriet Casdin-Silver, artist, Brookline,
Massachusetts
Amiens Trilogy, Part Two: Computer-Geuerated
Images of Amiem CatiJedral
Stephen tvturray, Columbia University
SPEAKERS
Recol!stmclillg Mo11wueul or Optics? The Case of tlu
Cl1inese Pagoda
Eugene Yuejin \'7ang, University of Chicago;
Center for Advanced Study in the Visual Arts,
National Callery of Art
DISCUSSANT
Oleg Crabar, Institute for Advanced Study
\Vomen Must Be iu tiJt Directive l'mrguard of Our
Evolutiou
Harriet Casdin-Silver
TIJt New Culture of Teclmology aud the Global
Comnumily of Do While Studio
Jennifer Hall, tvtassachusetts College of Art
Gettiug Womeu \Vired: New CoJtnections ill Art aud
Teclmology
tv1ary Leigh Morbey, Redeemer University
College
Room 311
ITALIAN AHT SOCIETY AND
HISTOHIANS OF NETHEHLANIHSH ART
FA.\IJLIES IN EAHLY :\IODEHi\' EUHOI'E,
I:HJ0---16;)0: "IDE,\ I. F,Ufii.IE~"i"
CHAIRS
Mary \'<'eitzel Gibbons, independent scholar,
New York
Penny Howell Jolly, Skidmore College
SPEAKERS
TIJe Holy Family iu J4t1J-Cmtury Bologua: St. losepiJ as
Exemplar for tlu Litemte Urbtlll lvlale
Dianne Phillips, Yale University
Saiut Joseph as Patron of tlu Fatherless iu Correggio's
Scodclla (ca. 1523-30)
Claire Renkin, Rutgers, State University of New
Jersey
Northern Europeau Family-ideals, Cl,istian Values, and
tlu Recreation of tiJe Classical Past: Audrea Sausoviuo's
St. Anne, the Virgin and Child i11 Classical Rome
Fiona Healy, Freie Universitat B_erlin
Creating a \fisual Language for the Blind
Elizabeth Goldring, Center for Advanced Visual
Studies, tv1assachusetts Institute of Technology
Uuitftle EditionsTM: A Tradigital Collaboration
Dorothy Simpson Krause, Massachusetts College
of Art
DISCUSSANT
Sheila Pinkel, Pomona College
AI'I'AIOTIONS li\' THE APEHTUHE:
BECO:\HNG VISIBLE, CO:\lli\'G VISIBLY,
UN"BECO:\IING \'ISIBILIT\'
CHAIRS
Jill Casid, Harvard University
Maria DeGuzman, Department of English and
American Literature, Harvard University
SPEAKERS
Cbrollic P/eamre mrd \fimal Ptlill: Excm1ating t1 Lesbiau
Geuealogy in tiJt Age of TIJeory
Susan E. McKenna, University of Massachusetts,
Amherst
Thr1rsd11)'
39
Elizabeth Hynes, artist and independent scholar,
Northampton, Massachusetts
tbmweliug Idwtities: Lyiug iu tlu Beds We 1\'take
Shari Diamond, Pulse Art Gallery
Kerry Kehoe, artist, New York
PAINTEHS \\'110 DON'T PAINT
CHAIR
Cfaimiug DHire Amidst Static Noise
MaryAnn Nilsson, artist, Cambridge,
Massachusetts
Bacterial-Her Rolfiug FlesiJ: A Discourse 011 Inertia,
Pwetmtiou, and Female Ejaculatiou
Selena \X'hang, Tisch School of the Arts, New
York University
Strategirs of Lesbiau Represwtatiou: !vlil/ie Wilson's "Not
Serial Killer" aud the Ailew Wuomos Case
Miriam Basilio, Institute of Fine Arts, New York
University
11
Punk, Femiuism, and Queer ActiPism iH tlu Music aud
Performance of "Feminist Thrillseekers" Bikini Killaud
"NrarldertiJtlf Dykes" Tribe-s
Abby /\•loser, Department of Culture and Media
Studies, New York University
Cheryl Goldsleger, Piedmont College
SPEAKERS
Betwew a Rock and a Hard Place
Teresa Bramlette, artist, New York
Painting Lives Simultaneously iu the Past, Present,
F11t11re
Jon Meyer, University of Arizona
1111d
Tedmology i11 tiJe P11i11ter's St11tlio
Elaine A. King, Carnegie Mellon University
Colltcli11g Myself
Richard Roth, Ohio State University
Pai11tiug Sidew11ys
Janet \'(Ierner, University of Saskatchewan
THURSDAY EVENING
~ JL\KING CONI\'ECTJONS: BIJILDING A
BHOAHEH UNDEHSTANDING OF VISUALJZATION
CHAIRS
Barbara Maria Stafford, University of Chicago
Victor Margolin, University of Illinois at
Chicago
Special Events
5:00-6:30 pm
I
Ha1·vard University
\Videner Library l{o(unda
SPEAKERS
Harvard Yard, Ma'ssachusetts Avenue entrance,
The b1strumwtality of Paiu in Virtual Bodies
Diane Gromala, University of \Vashington
Cambridge
Skin mrd Bolles: New Eugiueeriug for Architecllm
Tony Robbin, artist, New York
Orgmrs of Desire: Landscapes, Lettuce, autl Epidermal
Red Line: Harvard Square
Opening reception
"Purgatory Pie PrtH: Collaborative Lefferpress -r111
exiJibition of Coasters, Posters, Posfctlrds, aud Books."
Fa~ades
Sarah Jain, History of Consciousness Board,
Oakes College, University of California, Santa
Cruz
Decoustructiug tlu "Retrf" tiJroug/J Sampliug autl
Syutlmis iu Computer GmpiJics
Anne tv1organ Spalter, Department of Computer
Science, Brown University
TIJt Re-l'isiou of L11w: CIJauge a11d C!Ja/lwge in
Amrricau Legal Culture
Bernard). Hibbitts, University of Pittsburgh
School of Law
40
Thurs1111)'
5:00-9:00 pm
Instiin(c for Conieinpoi'Hl')' Art
955 Boylston Street
Open house
An evening of videos by artists with HIVI AIDS
sponsored by the Archive Project. Curated by
Ito Tam, Jack \Vaters, Gregg Bordowitz, Shari
Frilot, and Yao Ching.
i\lu~;eum
5:30-7:30 pm
Ar( lnsHhde of Bos(on
700 Beacon Street
Green Line: Kenmore Square
Gnllery reception
"Stephen Antonakos."
llus trJnspo1lation (T1 5huttk hu5) will dep~nt from lloylqon
Street edt of Convention Center beginning at 5:15 pill--
of Fine Ar1H
1
Bot~lon
Green Line: Museum 1 Orange Line-Ruggles
Open house and rcc\::'ption
Lois afld Heury Foster Gallery
'The Paintings of Sylvia Plimack Mangold"An exhibition of works from the mid-1960s
through the present.
Gmlwm G!lud Gallery
''\'{!inslow Homer"-The most comprehensive
presentation of the artist's work ever organized.
ticket required.
lloslon University A!'( Gallery
855 Commonwealth Avenue
Green Line: Boston University \X' est
Reception
"Selections from New England lv1FA Programs"~
1996 CAA Regional MFA Exhibition.
Bus transpoltJtion (Tl shuttle bus) will dcp,lll from Boyl\ton
Street exit of Convention Center beginning at 5:15pmticket required.
Bus t~o1nspo1tJtinn (T2 \hutth: bus) will dep.11t
St1ed exit of Convention Center
h~ginnmg
f10111
Boyl\ton
ill 5:15 pm--
ticket tequircd
5:45 and 6:45pm
S<~hool
of the i\lu1'wum of
Fin'~
Adn
1
Bos(on
230 The Fenway
Green Line: Museum
Isnhelln Stewad Gardner i\luseum
2 Palace Road
Green Line: Museum
Reception
'The Artistic Splendor of the Spanish Kingdoms:
The Art of Fifteenth-Century Spain."
Boston prcmien~ scn~t~ning
1\.-fatthew Barney's Cremaster 4,
Btl>
t1anspn1t,1tion {T2 \huttle bu~) will depa1lllol\l lloyhton
Street exit of Convention Center hcginning
~I
5:15pm--
ticb~t IC(jliHed
flu> tJJm1JOJ(,ltion (T2 shuttle hm} will depart from Uoylston
Street exit of Convention Center beginning at 5:15pm-
6:00-8:00 pm
tickct requin,d.
Photogrnphi(~
I\1nssnehuseUs College of Ar(
Hesoure<', Center nt
Boston Universily
Green Line: Longwood
Open house
602 Commonwealth Avenue
Green Line: Blanford Street
Open house and reception
Bakalar Gallery
'The Land of Paradox: Contemporary Japanese
Landscape Photography"; "Chester Michalik:
Hiroshima/Nagasaki Fifty Years Later."
"Sigmar Polke"-A full-scale exhibition of
graphics.
Hemtiugtou Gallery
"Duke Reiter"-lnstallation involving Boston
landmarks and memory by the New England
architect/artist.
flll';
tr;;~mportation
(T2 \huttle bus) will d~:"p~Jt from Boylston
Street exit of Convention Centn beginning at 5:15pm--ticket required
T IJ
H
r s d 11 y
41
THURSDAY EVENING
Room 306
INTERNATIONAL SURVEY OF JEWISH ;\IONUMENTS
Sessions
FR0:\1 DOHA TO SPAIN 1\Nll ASII!<EN,\Z:
TilE OBJECT OF 'I'IIE OL\GE IN JE\\'ISB LATE
ANTH)UE AND ;\lEfHE\',\L AHT
5:30-7:00 pm
SPEAKERS
Room 100
CAA
;\f
CO~ml'rt'EE
CHAIR
Eva R. Hoffman, Tufts University
ON ELF.CTHONlC INFORMATION
WHO 0\\'i'ili TilE :\ION,\ LISA'!
CHAIRS
Kathleen Cohen, San Jose State University
Nancy Macko, Scripps College
SPEAKERS
Thr Collaboratiln Infemtt Artist: Explori11g Idwtity
tbrougb Copyrigl>t
Represeutatiom of \Vomeu iH the Dura-E11ropos
Synagogue
Susan Shoobe, Tufts University
The Appropriatiou of Messiauic Icouogmpl1)' ill tl1e
Coustmclion of .Medievtrl lewisiJ Identity
J\-iarc M. Epstein, Vassar College
i\,lotif or Symbol:> Art ill tlu Etrrly Synagogue and
Cburch
J\•1arilyn). Chiat, University of Minnesota
Bonnie t\•1itchell, Syracuse University
Kathleen Cohen
Anne Carley, Silent Partners Consulting
The presentations will be followed by discussion
addressing how the concerns of CAA's three
major constituencies-artists, art historians, and
museum professionals-might be harmonized.
Audience members will be asked to contribute
both roadblocks and solutions to the digital
dilemma they have encountered in their work.
Room 102
EDUCATIONAL TESTING SERVICE
CAN THE BlSTOH\' OF ,\HT fiE lNTHOHllCEOY
TEACHJNt; TilE JNTHOIHJCTOHY HISTOHY OF
AHT :JllH\'EY
CHAIR
Lu Wenneker, Marlborough School, Los Angeles
SPEAKERS
Susan B. Bakewell, Kennesaw State College
Roger Lerch, Walnut Hills High School,
Cincinnati
Yu Bong Ko, Tappan Zee High School,
Orangeburg, New York
Elizabeth Lipsmeyer, Old Dominion University
Room 311
IIISTORIANS OF NETHERLANDISH AUT
BUSINESS ,,IEE'I'ING
llN-DECO:\lJNC \'lSlBILITY:
LESBIAN SEXlJALITJES AND PlJnLJC SPACES
(\'II>E!l S(:HEE:\'1:\'C PHOCil.\.\1 I'Ht:sJ:,\TJ:D
L\' CO,\'Jli:\'CTIOL\' WIT II TilE SESSIO,\', ··.\1'1',\111'1'101\~i L\' Till-;
.\I'I:HTlll\1~:
III:CO,\JI,\'1; \'ISJI!LI~, C0.\11,\'1; \'ISII\1.\',
UL\'-1\EC0.\11:\'(; \'ISIIIIUT\'")
CHAIRS
)ill Casid, Harvard University
Maria DeGuzman, Department of English and
American Literature, Harvard University
VIDEOS
Riot Grrl NYC
Abby Moser, Department of Culture and Media
Studies, New York University
"Siu's Real: She's Worse tha11 Oucer"-A Documentary
Lucy Thane, independent videomaker, San
Francisco
Ltrdy 011tlaws aud Ftrg!}ot Wauuabes
Tammy Rae Carland, DePauw University
John Paoletti, \Vf esleyan University
Elissa Greenwald, Educational Testing Service
Th11rsdt~y
57
s,oo-to.3o
pm
I
PART 1: CONTEMPORARY DREA.'tiiNGS:
Australian Aboriginal Artists
SPEAKERS
Room 100
FASHION \'S. AHT
CHAIR
Athena Tacha, Oberlin College
SPEAKERS
Iourueys witiJ A(D )Dmm
Michael O'Ferrall, Art Gallery of Western
Australia
Deborah Eldridge, Art Gallery of Western
Australia
Panel of Australian Aboriginal Artists, Art
Gallery of \X' estern Australia
Regina Frank, artist, Berlin
Edgar Heap of Birds, University of Oklahoma
Altcmfious: Brmkiug Cultural Pt1ttems
Christine LoFaso, Northern Illinois University
Tanis t\•laria S'Eiltin, artist, Bellingham,
\Y/ashington
Perjormiug Gmder, Performill!} Etlmicity
Dian Million, artist, Bellingham, \X'ashington
Yang Soon Min, University of California, Irvine
Fas1Jiouiug Life aud DeatiJ: A Dialogue
Sarah Schuster, Oberlin College
PAHT II: DOT AND CIRCLE:
Australian Aboriginal Art of the Central Desert
Athena T acha
SPEAKERS
DISCUSSANT
Panel of \Y/arlukurlangu Artists of Yuendumu
Richard lvtartin, Metropolitan tv1useum of Art
Room 102
Robin Granites, Tanami Network Video
Conferencing
Peter Toyne, Tanami Network Video
Conferencing
DOES ANYBODY STILL HEAl_)'( TIIE DEATH OF
THE AHTIS'I''S BOOK
CHAIR
Geraldine Tyson, \Y/arlukurlangu Artists of
Yuendumu
Glen James, \X'arlukurlangu Artists of Yuendumu
Buzz Spector, University of Illinois at UrbanaChampaign
SPEAKERS
Artists' Books ill flu Age of the Iufiuite Multiple
Lane Haii,'Teikyo Ivlarycrest University
Buy .More Artists' Books-They're Elmrp
Brad Freeman, Journal of Artists' Books
Reading in Capital Letters
tv1artha Carothers, University of Delaware
"I Dou't Rwd, but I Make Books"
Marcia Reed, Getty Center for the History of
Art and the Humanities
Room 103
COi\'TE:\11'01L\HY HHEA:\Hi\'GS: Al!S'I'IL\LIAI\'
1\BOIUf;Ji\'AL AHTISTS/DOT Ai\'D CIHCLE:
AtlSTHALL\i\' ABOHIGli\'AL AHT OF TilE CEi\'TJL\L
DESEHT
58
Michael O'Ferrall
Deborah Eldridge
Edgar Heap of Birds
Tanis Maria S'Eiltin
Dian Million
Some speakers will be participating from
Australia via video-conferencing made possible
by funding from the Art Gallery of \X' estern
Australia and Curtin University of Technology.
Room 106
AHTISTIC l'ATHOi\',\GE Of<' HEFOIL\JI<:IJ OIUlEHS
Al\'D OSSI>'Ill'ANZA ,'\JOVE.\lEi\'TS li\'
()UJ\TTHOCENTO ITALY
CHAIRS
George R. Bent, \Y/ashington and Lee University
Alessandro Nova, Kilnstgeschichtliches lnstitut,
Johannes \Vfolfgang Goethe.Universitat
CHAIRS
SPEAKERS
Paul Schock, Art Gallery of \Y/estern Australia;
Curtin University of Technology
Truman Low, University of \X'isconsin-Madison
Ann Roberts, Lake Forest College
Thursdrl)'
The Refectory Frescoes of San Dommico of Pis a mzd
~Voweu's Role in the Domiuicau Obsewance
The Palliotto of the Corpus Dominii: Typts of tiJt
Room 302
Eudwrist for a \fwetim1 Domiukan Observant Nwmcry
Paul H. D. Kaplan, State University of New
York, Purchase
The Osservanza and Representational Practices iu tlu
Tmcau Carmelite Provincia
Megan Holmes, Johns Hopkins University
Tlu Cougregatiou of S. Gi1tstina: Re-formation and
Rwovatio11
Beth L Holman, Cooper+Hewitt Masters
Program
"It Is not Fitting for Us to Observe tlu Doric or tiJe
louie": Observauts, CapJKhins, and Medievalitillg
Arcbitecff!re ill Rwaissance Italy
Stuart Lingo, Harvard University
OPEN SESSIOJ\ .... GENDEH
CHAIR
n)~HJES
Leslie King-Hammond, Maryland Institute,
College of Art
SPEAKERS
Elwa Bairadi's fviadonna of the Long Neck
Edward Olszewski, Case \'\/estern Reserve
University
Stories of tlu Boston "Suake Goddess": Au Icon ill SmrciJ
of ldwtity
Kenneth D. S. Lapatin, Boston University
[mitatiou a~~d Artistic Properly ill tlu Art of Nikola11s
Glockwdou
Debra Taylor Cashion, Berks Campus,
Pennsylvania State University
Room 112
IJO:-ITAGE ClOSES: COi\'TE:\lPOIL\R\' AFfiiCAi\' 1\HT
U\' BOi\'TI"\GE
CHAIR
Nkiru Nzegwu, Binghamton University, State
SPEAKERS
.Modem Ethiopian Art: Icons of the Past t~~~d Images of the
Preswt
Achamyeleh Debela, North Carolina Central
University
Modem EtiJiopiau Art: Icom of tlu Past aud Images of tlu
Present
Sharon Pruitt, East Carolina University
Art at tlu Crossroads: Swegalese Artists in tlu 19905
Elizabeth Harney, School of Oriental and
African Studies, University of London
Au "Irratioual Eschatology": Nkrumabism,
PostNikrumaiJism, aud tlu DiscoJlrse of Modemity
Janet Hess, Harvard University
Ajuju Azu Ndu II: Fishy 011estious 011 tlu Body of
Contemporary Igbo aud ItiJou Sni/Jihlre
lkem Okoye, Northwestern University
Traus(pos)itious: (S)Cryptiii!J African Art iu America
Gordon Bleach, Rochester Institute of
Technology
Room 304
A.'tiERICAN SOCIETY OF
HISPANIC AUT HISTOHICAL STUDIES
HEVISIOi\'S AND HESTITllTIONS: SPANISH AND
POHTtHaJESE AHT, l
'7!111·~92
CHAIR
Marcus B. Burke, Hispanic Society of America
SPEAKERS
Breaki11g tiJrougiJ Prol•incialism: Amadeo Solita Cardosa,
Early Porlfi!}II€St A1odemist
LUcia Almeida-Matos, Universidade do Porto
1111
From Good to Bad: Rnmo11 Casas's Fall from Grace ill
"Pictlsso's "Barcelona
Carmen B. Lord, Pennsylvania State University
Lookiug at aud Desirillg tlu Otlnr: Fortuny a11d tiJe
Gitanos
Deirdre O'Halloran, Bryn Mawr College
Nationalism aud Painting at the E11d of tiJe 1BtiJ Cmtury:
The Discovery of the M.ediwal aud Barol{He
(Ibis paper u>i/1 be delivmJ iu Spauisb, a translation
u'ill be ,listributed by ASHAHS)
Andres Ubeda de los Cobos, Centro de Estudios
Hist6ricos, tvtadrid
Room 306
PAii\"I'INC: DEAD At:AIN/BOHN ,\CATI\"t
CHAIR
Diane Burko, Community College of
Philadelphia
TIJJ1rsd11)'
59
SPEAKERS
Paiutiug: Trojau Hom or Dead A1eat
Jerry Saltz, Art ill America
Paiutin,!l 1bpi!e the Age of M.edJauical Reproduction
Amy Sillman, Chicago Art Institute
Paul Bloodgood, artist, New York
Joan Snyder, artist, New York
DISCUSSANT
Stephen \X'estfall, artist and critic, New York
Room 311
ITALIAN ART SOCIETY
AND lllSTORIANS OF NETHERLANDISH ART
FA:\IJLIES J!\ EAHLY ,,lOIHWi\ t.:JJHOPE,
l:HJo ... J()i)O: "HEAL FAJHLIE~·i'"'
CHAIRS
Mary \X'eitzel Gibbons, independent scholar,
New York
Penny Howell Jolly, Skidmore College
SPEAKERS
Room 309
DETEHHITOHIALIZATION AND \'ISlL\L
CULTOHES: DL\SI'OIUC IIH:NTITIES Ai\0 THE
.\IIDDLE EAST
CHAIRS
Cadi Gofbarg, Ohio University
Neery lvtelkonian, Center for Curatorial Studies,
Bard College
SPEAKERS
Susan Meiselas, tvlagnum Photos
Mukhtar Kocashe, Columbia University
Eucou11tm ill Beirut: lmagi11g Btimt iu layce Salloom's
This is not Beirut
\'(falid Ghanem Ra'ad, University of Rochester
Room 310
TIJE JNVISIDLE 70S
CHAIR
David Joselit, University of California, Irvine
SPEAKERS
Dispfaciug tlu Haptic: Performauce Art, tlu PhotogmpiJic
Dowment, aud the 19705
Kathy O'Dell, University of Maryland Baltimore
County
Dauiel Bllre/1: Nmtral Paiufiug, Neutral Space
Matthew Simms, Harvard University
Visibility as Sexual Politics
Ann Reynolds, University of Texas at Austin
Viro Accouci's Radical Performativity
Amelia Jones, University of California, Riverside
lockeyi11g for Positi011: Porlmits of Douor Couples i11
ltaliau Reuaissauce Altarpieces
Jonathan Nelson, Syracuse University in
Florence
Holbein's Family of Thomas More: The Familial a11d
the Familiar
Clark Hulse, Department of English, University
of Illinois at Chicago
There's No Place Like Home: lmt Steen and Domestic
Idtology
Nanette Salomon, College of Staten Island, City
Patemal m~d Paiuterly ;\utiJority ill Rubws's
SeJf.Portrait with \X'ife and Child
Lisa Rosenthal, \X'omen's Studies Program,
University of Georgia
Early Modem Family Values: The Whole Picture
Sheila ffolliott, George Mason University
Room 312
TIJE \'ISlJAL ClJLTllHE OF TilE FHE!\Cll
HEVOLlJTION
CHAIR
Donna M. Hunter, Porter College, University of
California, Santa Cruz
SPEAKERS
Phantasmagoria of tlu Rwolutiou: The Magic Lautern
and Its Discourses, 1789-98
Andrei B. Molotiu, Institute of Fine Arts, New
York University
The QtiJer Side of Vertu: Altemalive Maswliuities iu the
Cmcible of Revolution
Abigail Solomon-Godeau, University of
California, Santa Barbara
Iutimate \fisious: Locati11!} tiJt "Politiclll" in Revolutiolfary Visual Culture
Stacy \X'. Garfinkel, University of California,
Berkeley
60
T/J11rsdoy
The 1\1a11es of Brutus: Republican \firtue a11d the Roman
Nair
Philippe Bordes, Musee de Ia Revolution
Franc;aise
Queer ill Taugier: Political GeograpiJy,
Psycbogeography, and Gay Subjecfit~ily
Ernest Pascucci, Buell Center for the Study of
American Architecture, Columbia University
DISCUSSANT
Tlu Myth of tlu Opw City, Etiology, Etlmicity, mod
Discontimlity iu tlu Veuetiau Glulto
Leon Satkowski, University of Minnesota
J\·tarie Helene Huet, Department of Romance
Languages, Amherst College
i\E(;OTL\TINC BOtJi\IJAHIES: AHT, THEOHY,
,\i\'0 LIFE
TilE CONCEPT OF THE L\IAGE IN THE llHH'OHY
OF SC!Ei\CE
CHAIRS
CHAIR
Linda Olstein, School of the Museum of Fine
Arts, Boston
S. A. Bachman, School of the Museum of Fine
Arts, Boston
James Elkins, School of the Art Institute of
Chicago
SPEAKERS
Art, Actit~ism,
a11d Crossing Borders
Ruth \X'allen, Universidad Autonima de Baja
California
If I Love You, What Dots That Mflkt Mo (Geuder as tlu
Performance of Desire)
Kate Bornstein, Outlaw Productions
Art a11d tl1e History of Art and After
Todd Ayoung, artist, New York
DISCUSSANT
Diane O'Donoghue, Tufts University; School of
the Museum of Fine Arts, Boston
SPEAKERS
Norton \Xfise, Department of the History of
Science, Princeton University
\fimal
Robt~slness
and tlu
Ori~iu~
of Clnomo5ome
M.. ppiug
\Xfilliam \X'imsatt, Department of Philosophy,
University of Chicago
Represeufatious of Experimwtal Protocol: Galvaute
Experimeuts a11d tiJe Romantic Vision of Naflm
Maria Trumpler, School of Medicine, Yale
University
]udgemmt against Objectivity: The Cha11!}iug Meauiug of
Scieutific Reprmutatiou
Peter Galison, Department of the History of
Science, Harvard University
\'..\HIETJE;; OF ,\HCIJITECTl!JL\L E\I'EHIENCI<::
TiiE CITY
CHAIR
Alice T. Friedman, Wellesley College
SPEAKERS
W1Jose Metropolis, WIJose Mental Lifo A1odemist aud
Other A1wtal A1aps in tlu Making of "Maul1attau"
Rebecca Zurier, University of Michigan
Gwdered Spflces iu Colouial Algiers
Zeynep Celik, New Jersey Institute of
Technology
C/aimiug tlu Public Space: Tlu Mothers of tlu Plata de
Mflyo
Susana Torre, Cranbrook Academy of Art
T/;!!rsdil)'
61
9:00-10:30 am
Room 112
•:• THE PAfl\'Til\'G IN L,\TE l9T!I--CENTllHY
,\;\IEHICA: ,\IEASUHES IIF VALUE I
TUHNEH'S SJAl'H .'iflfil IN A:\IEHIL\ 1
CHAIR
IB'/~
.IJIJ
Eric M. Rosenberg, Tufts University
SPEAKERS
"Iufenwl Clap-Trap", George Iuum's Iuvective a!}ai11st
]. lv1. W. Tumer's Slave Ship
Leo Mazow, University of North Carolina,
Chapel Hill
FRIDAY MORNING
Sessions
"No Freedom's ~Von tlnou!}IJ Seas of Gore": 1. M. W.
Turuer's Slave Ship a11d tlu Pop1IIar History of fiJe
Afrinm Slave-Trade, 1890-1990
Andrew \'(talker, University of Pennsylvania
7:30-9:00 am
Wellesley Room, Third Floor
Marriott
DISCUSSANT
John McCoubrey, University of Pennsylvania
Part II-Case Stndirs: Paintings mrd History iu the United Statts,
l865-l9l3-will follow at 11:00 am.
ASSOCIATION OF INDEPENDENT HISTORIANS OF ART
INDEI'ENJJEN'l'/AFFILIATED AHT IJISTOBIAl\'S:
C0;\1:\fON I'IHlBLE,\1!:5
CHAIRS
Annette Blaugnmd, independent scholar,
Sackler Lecture Hall
Arthur M. Sackler Museum
Harvard University
Corner of Broadway and Quincy Streets
New York
Anne Lowenthal, independent scholar,
New York
SPEAKERS
Gail Levin, Baruch College and Graduate Center,
City University of New York; University of
Tennessee
Peter Sutton, Christies, New York
Elizabeth Milroy, \XIesleyan University
Berkeley B, Third Floor
Sheraton
CO.'tiPUTERS IN THE YJSUAL ARTS
I
•!•
SIL\NG BHONZES: PHODUCTION AND
FUNCTION
CHAlR
Robert Bagley, Princeton University
SPEAKERS
Rit11al Broutes a11d Jades: Tlu Use of Sets iH the Study of
Auciwt Chinese Material Culture
Jessica Rawson, Oxford University
Flexible Standards: A·lasters, Models, aHd
tlu Mmmfact1m of Broute lmcriptiolfs
Keith Wilson, Cleveland Museum of Art
Iu the Mi11d's Eye: Measure aud ProportiOJI iu the Arts of
A11cieut CIJiua
Robert Poor, University of i\4innesota
8:00-9:00 am
Robert Bagley
Room 102
CAA ANNlJAL :HKHBEHS BlJSINESS :\IEETING
Judith K. Brodsky, CAA President, presiding
62
DISCUSSANT
Fritldy
TO THIS SESSION.
Amy Cappellazzo, \X'olfson Galleries, i\•tiami·
Dade Community College
Christian Room
William Hayes Fogg Art Mu~eum
Harvard University
32 Quincy Street
Crossing Rt~cidl Bor111daries
Lisa Corinne Davis, Parsons School of Design
•!•
FOH A CHITH)llE OF TliE POLITICAL
ECONO,\IY OF TilE OBJECT I
Room 102
CHAIRS
Ivan Gaskell, \X'illiam Hayes Fogg Art Museum,
Harvard University
Salim Kemal, Department of Philosophy,
University of Dundee
•!•
EXPANDIJ\'f; TilE LL\11TS OF THE OBJECT IN
TilE ISLA~JIC \\'OHLJ)
CHAIR
Marianna Shreve Simpson, \Valters Art Gallery
SPEAKERS
SPEAKERS
Femi11i11e Babel: lVritiug betwew the Ruius
Joanne Morra, University of Leeds
I11terpreti11g tlu Art of t1u Historical Islamic Object iu d
A1umlm Coutext
Linda Komaroff, Los Angeles County Museum
of Art
The Art Object Is Its Resistmzce to Art Theory:
A Gmealogkal Approach
Michael Kelly, Department of Philosophy,
Columbia University
Implicatious of Portability: Cross~Cultural ExciJtwge in
the Mediwal Mediterranean World
Eva R. Hoffman, Tufts University
The Role of Ambiguity ill Limiti11g tlu Audiwce for
A1odem aud Co11tempomry Art
joseph R. LaChapelle, artist and writer, Bardonia,
New York
Tlu Niche of Lights: Mamluk Lamps i11 Their
ArciJitectuml Coutext
Nuha N. N. Khoury, University of California,
Santa Barbara
TO THIS SESSION.
Pari II will }ollou.• al
Dwotional Imagery iu Contemporary UrbmJ Swegal: The
AesiJntics of Repmeutation in African lslmuic Art
Mary Nooter Roberts, University of Iowa
f l:OO a111.
9:30am-noon
Room 103
Room tOO
I'OS'L'lOHEHi\' ALLEGOHIL\L I'Aii\'Tii\'t: ,\i\'D
IDENTITY POLITICS
CHAIRS
Whitfield Lovell, School of Visual Arts
Carol Sun, Parsons School of Design; \X'hitney
Museum at Philip Morris
SPEAKERS
The Um of Allegorical Structures in Pai11ti11g to
Illuminate Ismes of Idmtity Politics
Emily Cheng, School of Visual Arts; New York
University
•!•
THE Ll.'\IITS Of AHT lliSTOHY
CHAIR
Anthony Cutler, Pennsylvania State University
SPEAKERS
Vtslal \'irghn m1d imperial Womm: Allegicmces aml Art
in the Auto11i11e Era
Molly Lindner, independent scholar, Ann Arbor,
Michigan
Porta Justitiae: The IcouogmpiJy aud Autlnopology of
Lmt Judgemwt Portals
Barbara Deimling, Princeton University
Good Fwces Make Good Neighbors
Tony Gray, artist and educator, New York
Mwtality mul Social Practice iu Classic 1\liaya Art
Dorie Reents-Budet, Museum of Art, Duke
University
Hal/ucinatioiiS and Caprice of Fin~de~SUcle Allegorical
Figures
John Jacobsmeyer, University of New Hampshire
Art a11d Sciwce: Not in betweeu l111l tow~~rd a New
History of tiJe l'isrwl
Martin Kemp, University of Oxford
Wish I Were TIJere: Allegory aud Cuban Exile Culture ill
the Works of A1aria Brito t111d Lyaia Rubio
Art and tl~e Limits of His lory
Simon Schama, Columbia University
Fri dt~y
63
Room 106
BecomiJJ_!1 Ohswu
ASSOCIATION OF AHT EDITORS
AND CAA PUBLICATIONS Cmti:'IIITTEE
\XI omen's Studies, Ohio State University
Leigh Gilmore, Departments of English and
Pl/BLlSllli\'C lN THE VH\'E ARTS
CHAIR
Room 306
Eve Sinaiko, Harry N. Abrams, Inc.
SPEAKERS
Anne B. Barriau[t, Virginia Museum of Fine Arts
Mikki Carpenter, tv1useum of Modern Art
Teri Edelstein, Art Institute of Chicago
Ted Feder, Art Resource
Judy 1v1etro, Yale University Press
Laura Strauss, AbbeviJle Press
TIIOliGil'l'0 ON TilE lliSCfiETE
CRAFT M\'IJ DECOIUTIVE ,\HT
N~\'fUHE:·:l
OF
CHAIR
)im Melchert, emeritus, University of California,
Berkeley
SPEAKERS
Janet Kardon, independent_scholar, New York
Robert Kushner, artist, New York
Martin Puryear, artist, Accord, New York
James Trilling, artist, Providence, Rhode Island
Room 302
AllSTHACT
P~\JNTINC:
IJEAD OH ALIVE'/
Room 309
CHAIR
John L Moore, artist, New York
SPEAKERS
lust What Is It T/Jat A·1akn Today's Abstmctio115 So
Diffmut, So Appealiug>
Martin \'f. Ball, Mason Gross School of the Arts,
Rutgers, State University of New Jersey
Bom Agaiu Abstracfiou
Douglas Dreishpoon, \Xteatherspoon Art Gallery,
University of North Carolina at Greensboro
Homage al/(l Critique
Robin l\..fitchelt, University of Southern
California
DISCUSSANT
Alison \'V'eld, New Jersey State Museum
~~i\'D
PEJJA(;OGY
CHAIR
Chris Reed, University of Pennsylvania
SPEAKERS
Pederastic Pedagogy from Attica to Art History
Thomasine Bradford, University at Stony Brook
Pleamre aud Pedagogy: TIJe Professor's Body
Joanna Frueh, University of Nevada, Reno
Vermeer, lane Gallop, and tiJe Other Womml
Flavia Rando, independent scholar, New York
64
J' I i r/
CHAIRS
Mary Patten, School of the Art Institute of
Chicago
Laurie Beth Clark, University of \XIisconsin
SPEAKERS
The House of Lichtwsteiu
Terry R. Myers, Otis College of Art and Design
Prelapsarian Lesbiau Bodies ill the Age of MedJtmical
Reproductiou
Jennie Klein, Southern California
Betumn BitJCk and White A·1eu: Tbe Emblem5 of
Affintttllive Actiou
Charles I. Nero, Department of Rhetoric, Bates
College
Swallowing Sarah: Eatiug Disorders, Depression, aJJd tlu
Symptoms of Dwiauce
Room 304
SEXliALf't'\'
HEPHESENTING "QlJEEHi'\ESS"
rl )'
Elisabeth Subrin, School of the Art Institute of
Chicago
How to Lit'e iu the City: Sapp/,ire, Sapphira, and the
Pitfalls of Bom1dary EstablislmJeut/T musgressiou
Leah Gilliam, School of the Art Institute of
Chicago
Sex Police Street Theory
Erica Rand, Bates College
Room 310
Room 312
GALAXII,:s, BLACK IIOLES, DAHK JL\'I"''EH:
COi\TE:UPOHAIIY li\"J'~·~HPHETATIOi\'~'1 OF OfJTEH
,\IODEHK A:IIEHfC,\N PUOTOf;H,\PUY: TilE
~-iTIWCCLE tn<:TWEE1'\' AHT AND CO,\J:iiEHCE
SPACE
CHAIRS
Kim Sichel, Boston University
Theodore Stebbins, 1\luseum of Fine Arts,
Boston
CHAIR
Susan Schwalb, artist, \Xlatertown, lvlassachusetts
SPEAKERS
Abstract Art iH tiJe Ouallfllm U11ivmc
SPEAKERS
Lynn Gamwell, Binghamton University Art
!vtuseum, State University of New York
Pictorialism aud Portraiture: A New Path to Modemism
Mary Panzer, National Portrait Gallery,
Smithsonian Institution
"Iu Naturr's Clmnistry Distilled'': A Getlurum of
Between Modemism ami Mass Culture: Photogmpl1y ill
Quidliify
Pat Adams, Yale University
USA: A Quarterly tvtagazine of the American
Scene (1930)
Carol Payne, Southern l\·lethodist University
Quarks allll OuasMs
Merrilyn Duzy, artist, \X' est Hills, California
Edward Westou's P1Jotogmp1Js for Wbitmtw's Leaves of
Galactic Gardws: Out There to iu Here
Ann Sperry, artist, New York
Grass
Karen Quinn, ~·1u<:>eum of Fine Arts, lJoston
Beyond tlu~ NigiJt Sky: Galaxies tmd Other MaHer
Susan Schwalb
frt,iug Peuu 11t \Vork
Colin \Vesterbeck, Art Institute of Chicago
DISCUSSANT
Lee Friedlander 1111d Judustri11l America: !doderuism,
Formalism, Docmuwlary
Jay tvt. Pasachoff, Hopkins Observatory and
Department of Astronomy, \Xlilliarns College
Robert Silberman, University of ivtinnesota
Room 311
TAKE IT TO TilE LL\II'J'~Sr AHT lli.STOHY AND Till<:
,\IATEHL\L COLTtJHE OF EAHLY ,,lOHEHN IT,\LY
CHAIR
Cristelle L. Baskins, University of Rochester
SPEAKERS
Cards TIJat T rimupiJ: The BiograpiJy of Tarot i11
Ouattroceuto Italy
THE
TE~lJIOIL\HY
:\lED HL\l AND
EXIIIB!TIOi\:
:\IES~·i,\
!'AH'l' 1: Jll!·iTOHJC,\L
CE
..\L\i'<;IFE:·'IT,\Tl0~:3
CHAIRS
Christina Olsen, independent scholar, San
Francisco
Lei\ a Kinney, t>Aassachusetls Institute of
Technology
Anne McCauley, University of lvtassachusetts,
Boston
Tlu Quem of Sl1eba a11d SolomoH 011 Some Em-1)•
RwaiHtlllce Cassani a Pastiglia Dorata
The Altenrative Exbibitio11s of 1. -A. -D. Iugres
Jerzy ~·1iziolek, Instytut Historii Sztuki,
Uniwersytet \Y/arszawski
Andrew Shelton, Institute of Fine Arts, New
York University
Craft, Quality, and Co11text: Categoritiug 15t1J-Ceufluy
Reliefs
Geraldine A. Johnson, Society of Fellows,
Critical Iuterfaciri!J: Catalogues iu Late 19111-Ceutury
Frmrce
.Maria~~
Harvard University
RecoustructiHg CIJildbirtiJ il1 Re11f1issa11ce Florence
Jacqueline f'vlarie iv1usacchio, Princeton Day
Schoo\
Botany tmd Old Lace: Iml1ella Pom50le's lVoodblock
Prints
Evelyn Lincoln, Brown University
SPEAKERS
Martha \Vard, University of Chicago
The 1937 German Pa11iliou: Constructing a Nt~tiorwl
Socialist Ide11tily
Karen Fiss, \XIashington University
Bauhaus Historiogmpl1y mrd tlu Fe11r of ReccptioH:
The Museum of Modem Art, New York, 1938
Karen Koehler, Skidmore College
Frid11y
65
The Museum tiS Film Studio: "Decor: A Comfue5t by
lvfarcel Broolit!Jaers" {presentation will include a
screening of The Battle of Wt~terloo)
Eric de Bmyn, Graduate Center, City University
of New York
Part ll-Coutrmporary Issues-follows at
12,10
pm.
ll :00 am-l2:30 pm
Room 112
•:• THE 1'~\INTING IN 1"\TE IIJTI! .. CEi\TIJI{Y
,\,\IEHH:A: ,\IE,\SUHE:,; OF \'AUJE II
CM\E STllDIE:-1: l'Aii\'I'INC:·-l AND !ln'i'!'Ol1Y li\' TilE
UNITED ~iT,\TE~i, /H(l:; .. IIJ.l:l
CHAIR
Eric M. Rosenberg, Tufts University
SPEAKERS
'I'IJE
''·ES~'lEi\"l'L\L" ~-;UBJECT,
BOUi\OAHiE~-;
01! TilE
OF iDEi-.;TITY
CHAIR
Richard]. Powell, Duke University
SPEAKERS
No-Seuse from out There: Xu Bing's Tian Shu in the
West
Stanley K. Abe, Duke University
Botmded by Poverty, Alice Neel in Spauis/1 Hmlem
Pamela Allara, Brandeis University
los{ Bedia: Art, ReligioJt, ani/ the Tramcultuml Artist
Judith Bettelheim, San Francisco State University
Crossing Botwdaries of Identity m11i Artistic Practice:
Elitabeth CatleH in 1\llexico
lv1elanie Herzog, Edgewood College
DISCUSSANT
Kwame Anthony Appiah, Department of
Afro-American Studies, Harvard University
C/Jildrm in the Parlor: Eastmau Jolmsou's Brown
Family alid tlu Late l9th-Cmtury Commodity AestiJetic
John Davis, Smith College
Domesticatiug Whistler's Mother
Aileen Tsui, Harvard University
CIJilde Hassmn's Church at Old Lyme,
Connecticut: A Tra11sformative l'isiou of Place
Julie B. Rosenbaum, University of Pennsylvania
DISCUSSANT
Sally Promey, University of Maryland, College
Park
Christian Room
\'V'illiam Hayes Fogg Art Museum
Harvard University
32 Quincy Street
•:• FOH 1\ CIUTH)liE OF TilE POLITICAL
ECOi'\0,\lY OF TilE Oltjt•:C'l'
+:+'!'liE ,\IIJt•:t:'J' !1\' ,\H'i' IJI:n'OHY
CHAIR
Joseph Leo Koerner, Harvard University
SPEAKERS
To Make Womm Weep: Ugly Art tiS "Femiltiue" ami the
Origius of !v!olient Aesthetics
Jeffrey F. Hamburger, Oberlin College
The Abject as 11 Source of tlu A.fodem Gaze
Jacob Wamberg, Copenhagen University
Sir PIJillip Sidney's Tatoo
Juliet Fleming, Faculty of English, University of
Cambridge
Haus Bet/mer's P1JOtograp1Js of Dolls
Therese Lichtenstein, New York University
Redefiuifious of Abjecfiou iu Coutemporary Performauces
of the Female Body
Christine Ross, l\kGill University
66
Fri1l11)'
[J
CHAIRS
Salim Kemal, University of Dundee
Ivan Gaskell, Harvard University Art Museums
SPEAKERS
Aesthetic Experimce 1111d tiJe Dissolutiou of tlu Art Object
ill tiJe \Vork of Robert Irwiu
Kevin J\·telchionne, University at Stony Brook
Color, Object, aud Space
Justin Broackes, Department of Philosophy,
Brown University
Becomiug Arbus
Branden \Y/. Joseph, Harvard University
TO THIS SESSION.
FRIDAY AFTERNOON
I noon-2:00pm I
Booth 417, Exhibit Hall
'J'liE EillTOHS
.Uff BfJLLETlt\' ,\1\H ,\HT .JOl!H!'-:,tL
~IEE'I'
The Wizard of Ot: A Jounrey of Practical Spirituality
Charles A. J\.fcGill, artist, New York
The Stage and tlu Seam in Jorg lmmwdorfj's Cafe
Deutschland
Lorraine Morales Menar, University of Illinois at
Urbana-Champaign
Soul Sista Alert
Marilyn Nance, tvtaryland Institute, College
of Art
Nancy). Troy, Art Bulle!iu editor-in-chief, and
Lenore Malen, Art lounwl executive editor, will
talk with prospective authors.
Assim11/ation
Pipo Nguyen-Duy, University of New l\•lexico
Spccia
\VI1at Art A1eaJJs to .Me: Defiuiug Afrietm Americmr
\'isrtal Literacy
Yaalieth Simpson, Teacher's College, Columbia
University
12,30-2•00 pm
Bo~-don
Vhdonn!'j' Cell
36 Bromfield Street, Suite '100
Red or Green Lines: Park Street
L~ctures and discussions
Psychotronics."
Light refreshments will be seJVed.
The Gatllfring of Flamers
Bryan Keith Thomas, University of Tennessee,
Knoxville
Plow
Marie \Vatt, Yale University
Room 102
ITALIAN ART SOCIETY
Sessions
OI'EN :m::lS!Ot"\
CHAIR
Debra Pincus, University of British Columbia
12:30-2:00 pm
Room 100
\\'OHK IN PHOGiti·:~-;~·i: PHE~1f<:NTAT!Oi\'S BY C,U
PHOTttCI~(E) THA\'EL GHAi\''1' 1\EC!PIEi\'TS
CHAIR
Leslie King-Hammond, Maryland Institute,
College of Art
SPEAKERS
Africobra: AestiJetics of !IJe Spirit
Carrie Givhan, University of Cincinnati
StardJiug for Ideutity ill Art, Usiug New lVIedia and
Traditional Teclmique
Kyung-Ae Kong, \X!ashington State University
Exploratiou of Personal Idmfity tlnougb Art
Eric C. Lee, City College, City University of
New York
Female Deviatious, Autobiographies of Desire
Anita Loomis, School of the Art Institute of
Chicago
SPEAKERS
The Celebmtious for !lu Swwt1J Ctulemrifil of tlJe
Fo111rdatio11 of Florwce Catludral
Christine Smith, Harvard University
Geuder and Meauiug: The Nuns at Saut'Apollouitl mrd
Audretl del Castaguo's Last Supper
Andree Hayum, Fordham University
HuldaiJ Solves tlJe Problem
Creighton Gilbert, Yale University
Brmlltlllfe mrd Consta11ti11e in St. Peter's
\Villiam Tronzo, Duke University
Room 103
ASSOCIATION OF HISTORIANS OF ,\MERICAN ART
TEACIIINC ,UJEHJC,\i\' AWl'
CHAIR
Margaretta M. Lovell, University of California,
Berkeley
l;ridoy
67
SPEAKERS
What History Shall We Tell a11J How 5/Jallll'e Tell Ill
lv1argaretta M. Lovell
lutroducin!} Diversity iuto tiJe American Art Survey
Karen Lucie, Vassar College
Is Tl1ere a Text (\t'rittm before 1990) ill This Classl
Derrick Cartwright, University of San Diego
Oll the Wall,
1101
tlu Scmlf: Usill!} A1umuns iu TeaciJiHg
the Suwey
Elizabeth Johns, University of Pennsylvania
Room 106
ASSOCL\TION OF ART EDITORS
B !J~il r..;-ES~'i .\1 EE'I'ING
Room 304
Room 310
C,\,\ EDUCATION CU.\1,\liTTF.E
IU~INTHODIICii'G TilE \'I:HJAL ,\HT.S: NE\\'
STHATEGIES FOH TEACIIINC BI•:CJi\'NINC: AHT
HISTOI\Y
CHAIRS
David A. Cole, University ofT exas at Austin
Anne F. Collins, University of Texas at Austin
SPEAKERS
Evaluatiug CIJrw!}es to !IJe Survty: TIJe
Anne F. Collins
301
Project
Pedago!}11es of Estrmlgen1ent
Mark 1\•1iller Graham, Auburn University
DISCUSSANT
Bethany Rogers, Annenberg Institute for School
Reform, Brown University
Room 312
GA \'AND LESBIAN CAUCUS
ARTT ARJ,f,f Alrl'CORPS
BtJSli"\ES!:i :\IEETING
IF NOT TEACIHNC, \\'11,\T't
CHAIRS
Room 306
Julia lv1oore, Harry N. Abrams, Inc.
Linda Sweet, J\·1anagement Consulting for the
Arts, Inc.
"lUSEU.\1 LOAN NETWORK
SPEAKERS
AN INFOlDL\TIOi\ SESSION ON TilE ,\lWiElL\1
LOAN NET\VOHI(: A i\'1•:\\' FUNJW\'t: li\'ITL\TI\'E TO
t•:NCO{JIUCE COLLEC'I'ION SIL\lUNC
CHAIR
Hope Alswang, New Jersey Historical Society
Lori Gross, Museum Loan Network
SPEAKER
Joy Gordon, independent art appraiser, East
Hampton, New York
Pat Nick, Vinalhaven Press; Vinalhavan Graphic
Arts Foundation
Gary Burger, W'illiamstown Art Conservation
Center
Room 309
ARCHITECTURAL RISTOHIANS
IN ART HISTOl\\' AND VISUAL CUI.TU1\E PllOGRA:\IS
HOUi\'DTA IH.E IJISCWi~'il OK ON TEAC!IIi\'G Ii\'
rl\'S'ITl'lJTI 0 i\' .(·-; \\'I Til OlJ'I' ,\ H CJI ITEC'l'IJ H ,\ L
CO 1\ C Ei\'TH1\ Tl t l i\'S
CHAIRS
Katherine Fisher Taylor, University of Chicago
David VanZanten, Northwestern University
68
Fridrl)'
*TilE TE~li'OHAW't' EXI-IJIIITIOi\': JJE!llll.\l 1\ND
:\JES:·-;,\GE U
CONTE.\i!'OIL\HY JSSIIES
CHAIRS
Leila Kinney, Massachusetts Institute of
Technology
Anne McCauley, University of Massachusetts
SPEAKERS
Nolaliom 011 Rodmt€r's MONTAGE 93 aud t1Je
lutemcliPe City-fviuswm
Maria Antonella Pelizzari, University of New
Mexico
Rnvriting Feminist Art Histo1y: Jud)' CIJicago's
"Womauhouse" mrd A·lary Kelly's "Post-Partm11
Docummt" at the Bronx Museum of Art, 1995
Juli Carson, i\•tassachusetts Institute of
Technology
Copies at the Mug hal Court: Album Pages of JaiJ1111gir
mrd SIJab Jaha11
Sharon Littlefield, University of J\•1innesota
Hypertext, Co/lal1oratio11, ami brteracfi11e Art: "Narratit'e
Co11ti11gwcies" Web Site (1995) a11d 'The BRAIN
OPERA" 111 tlu Iutemet Worl.l Expo (1996)
Sharon Daniel, Maryland Institute, College of
Copies mrd TIJeir Copies: TIJe Decoratio11 witiJ l11dia11
A·lilliatures of the Millionenzimmer iu SciJ011brrum
Castle at Viemra
Ebba Koch, lnstitut fur Kunstgeschichte,
University of Vienna
Art
Tbe "Copy" iii Mug hal mrd Rajput Pai11ti11g
Daniel J. Ehnbom, University of Virginia
DISCUSSANT
Michael \Y/. Meister, University of Pennsylvania
WO.'IIEN'S CAUCUS FOR ART
,\ND CA,\ CO~DIITI'EE ON WmlEN IN THE ARTS
Room 102
LEAfli\'ING FH0,\1 TilE 7HS
,\HT IN I'AHIS ,\Fn:u \'lCIIY, I(_H:i--60
CHAIR
CHAIR
Cindy Nemser, independent scholar and critic,
New York
SPEAKERS
SPEAKERS
Cindy Nemser
Eleanor An tin, University of California, San
Diego
Miriam Brumer, artist, New York
Janet Fish, artist, Middleton, Vermont and
New York
Audrey Flack, artist, New York
Lila Katzen, artist, New York
Michael Plante, Tulane University
Issues of Redemptioll mrd Retrilmtio11 ilr
Picasso's Charnel House of 1945
Certje R. Utley, Institute of Fine Arts, New York
University
Surrealism mrd tiJe Struggle for Al1stractio11 ill Posf!Par
P11ris
Steven Harris, University of British Columbia
Germai11e RiciJier's Crucified Christ
Andrea Nicole Maier, University of California,
Berkeley
Howardena Pindell, artist, New York
The Eudeavor to Maiutdill Cultuml HegemoJJy i11 Postwar
FraJJce
Kathryn Boyer, independent scholar, Jarfalla,
Sweden
Sessions
Algeria, Picasso, ami the Rei11scriptiou of Afastery
Andrea Feeser, California State University,
Hayward
2:30-5o00 pm
Room 100
THE COPY ,U) OHICii\'AL
CHAIRS
Frederick Asher, University of Minnesota
Catherine Asher, University of Minnesota
SPEAKERS
Models tmd Copies ill Illustrated Histories Mmle for
Akbar
Sheila Blair, independent scholar, Richmond,
New Hampshire
Room 103
•:• THE POHTABLE Al!BA: FINE AHT ,\i\'0 ITS
HEPHODlTCTIONS IN THE l9TII CENTUHY
CHAIR
laurel Bradley, School of the Art Institute of
Chicago
SPEAKERS
Growi11g Apart: Pboto-Mechmrical Reproductious mrd tiJe
Emergiug Origiual iu Euglmrd, 1860-90
tvtartha Tedeschi, Art Institute of Chicago
Friaoy
69
The Aum of tiJe Third DimwsioH: Stereoscopic
Reproductions of Fine Art iu tiJe Mid-19th Cmtury
Britt Salveson, Art Institute of Chicago
"Au Artist's Studio, uot a Factory": Rookwood Pottery's
Fi11e Art Copies
Nancy Owen, Northwestern University
Room 112
+:+
1\:,Ulli\C, TAXONO,,IY, AND CNJ'ECOHY:
DE lUTES ON THE :'iT,\TW"\ OF THE OBJECT IN
THE ni~:\TOHY OF AHT I!'{ TilE ,\1'-;CJENT
;u EJ }J TEH H ,\ i\' E,\ N
CHAIR
Natalie Boymel Kampen, Barnard College,
Columbia University
Biustadt's Storm in the Rocky Mountains, tv1t.
Rosalie ( f 866) and Morau's Grand Chasm of the
Colorado ( 1873-74): Docummts for tiJe Cousfmdiou
of tlu Corporatr Sublimr
Geraldine \'Vojno Kiefer, independent scholar,
Cleveland
Is It "Greek"? Aucieut aud 1\rfodem Perceptious of
Franz 11011 Si11ck's Kiss of the Sphinx: A Modrl for
l'iHwl Culture in Tum-of-tin-Century Gmuauy
David Ehrenpreis, Boston University
Beat fey mtd the Language of Com1ofsswrsbip
Richard Neer, University of California, Berkeley
SPEAKERS
Hel/wism in Art
Sarah P. Morris, Classics Department,
University of California, Los Angeles
Room 106
Face-MatciJ-Set: T ypin!J Rom au Portraits
Elizabeth Bartman, independent scholar, New
York
•:• OBJt,;CT:·; ,\i\1) TIIEIH DISPL,\Y
CHAIR
Emulatio11 twd Imitatio11 iu-tiJe Numismatic Fantasie of
l'tllerio Belli
Sarah E. Lawrence, New York Rwiew of Books
Andrew 1v1cCiellan, Tufts University
SPEAKERS
The Drawing Album iu Early Modem Italy
Genevieve Warwick, Courtauld Institute of Art,
Picturiu!} Sa11 Fraucisco's CIJiuatoum: The Photo Albums
of Amold GeutiJe
Anthony \Y!. Lee, University of Texas at Dallas
RHifiug The Meeting: Bmyas, Courbet, m1d tiJt Mmte
Fabre
Ting Chang, University of Sussex
Afrimu Art aud the Bames Foundation: T!Je Triumph of
''/'Art Nlgrc"
Christa Clarke, University of l\•1aryland at
College Park
ldml Homes, Idealized Objects: Craftittg Credmtirrls tmd
the ExiJibitiou of Craft
Laura L. Quinn, Program in Visual and Cultural
Studies, University of Rochester
DISCUSSANT
Malcolm Barker, Victoria and Albert Museum
Cast: Between Art tmd Sci wee
Mary Beard, Faculty of Classics, University of
Cambridge
Room 302
TilE BOUNIL\HIES OF
.HODEHJ\' El/HOPE
CHAIRS
DO~JE~iT!CITY
IN EAHLY
Elizabeth Alice Honig, Tufts University
Anne E. C. McCants, Department of History,
Massachusetts Institute of Technology
SPEAKERS
The PassioJJate Bridegroom: Picturing Intimacy in tlu
Spa~~isl1 Golden-Age Cloister
Mindy Nancarrow Taggard, University of
Alabama
The T ra11sjomwtioll of Domesticity: From Chard in to
Gre11te
Emma Barker, Open University
Not Bt~thsheba: Rembrtmdt and Hendrijke at Home and in
tlu Studio
Svetlana Alpers, University of California,
Berkeley
Margaret D. Carroll, Wellesley College
Privacy, Property, aud tlu Rise of Gwdered Domesticity
iu Britai11
John Archer, Comparative Studies in Discourse
and Society, University of Minnesota
10
r:
1
i
r1 n y
Room 309
Room 304
CIJI'<;CEPTOAL!~DI':~
HfSTOHfE:-i
CHAIR
John O'Brian, University of British Columbia
SPEAKERS
T/Je Aesthetic Theories of CoHceptual Art Recousidered
Alex Alberro, Northwestern University
"It Teaclm to Learn": Art a!ld LtW!}Ita!}t aud tiJe
Documenta Index
\XIilliam \'7ood, University of Sussex
FemiJJism mtd tJJe Hisloricitatiou oj Coucepttwi Art
Judith Mastai, independent critic and curator,
Vancouver, British Columbia, Canada
Siling the Page, 1965-=.75
Anne Rorimer, independent scholar, Chicago
Divilf!} iuto "the SlougiJ of Decayed Lmi!}!W!}t": Robert
SmitiJsoJJ ami the Impact of CouceptMiism 011 tiJe Social
Fuuctiou of Art
Blake Stimson, Cornell University
DISCUSSANT
Terry Smith, Power Institute of Fine Arts,
University of Sydney
OE CAJUJJi\',i/,_,J'J'!l: TilE C,UOHNALA'I'E 1\1\'IJ
l'ATHONACE OF AUT
CHAIRS
Meredith]. Gill, University of Maryland at
College Park
Sheryl E. Reiss, Cornell University
SPEAKERS
Does Clothiu!} A,lake a Cardilwl'l
John Hunter, Cleveland State University
Patroua.t]t Stmte_gies of a i6lh-Cmlnry Eccl£sialic
Dyuasty: Four CMdilwh of the Ferrero Family of Biella
T. Barton Thurber, Villa I Tatti
Cardinal Felice Peretti/Pope Sixtus l': Tlu Fmucimw
Friar as Hieronymus Redivivus
Steven F. Ostrow, University of California,
Riverside
Wluu in Paris ... : The Case of Cardiual Matariu
Hilary Bailon, Columbia University
DISCUSSANT
DavidS. Chambers, \X'arburg Institute,
Room 310
Room 306
TYI'OGIL\PHY IN GHAPIIIC
DESICN EDIICATHH\'
CHAIR
A ;Hfi) .. (:,\HEEH, FIHS'I'-CENEIL\TION ,\,,JEHIC,\1\':
IJ!ALOGOE OJ\' CON'I'E,\I!'OHAHY \'I:HI,.\L AHT AND
,\!{'!' EIHJC\TIOi\'
CHAIR
Mary Sillman, University of Oregon
Keiko Hara, \X'hitman College
SPEAKERS
SPEAKERS
Usiug Critical Aualytical Methods to Affect Digitally
Stmcturcd TypogmpiJy in tlu Classroom
Domestic Neon: A Dutclmwu ill Amuica
\X'illern Volkersz, l\~tontana State University
lvtichael Gibson, Milwaukee Institute of Art and
Design
Art Educt1tiou in the U.S. from tiJt Perspective of till
Immi!}rmll Artist/Educator
Hdiko Repasi, artist, Chicago
T}u Use of Selj-AutiJOml Text ill TypogmpJJy Ed11cation
Paula). Curran, Iowa State University
Typo-Literacy
Johanna Jacob, Trenton State College
Tl" Poetics ofTypogmpby
Mary Sillman
DlSCUSSANT
Ardyn Eve Simon, Ohio University
First Gmemlion, Mid-Ct~reer, mrd a Lon!} Way to Go
Ying Kit Chan, University of Louisville
Role of ArdJipmko iu 20f1J-(wfl~ry Art
Oksana Ross, University of Colorado at Denver
Social tllfd Gtltumf Iss11es of tiJe First Gmemtion Artist
To,lay
Leopolda Fuentes, City College, City University
of New York
SPEAKERS
Room 3 t t
A 1905 Survey of tlu State of tiJe Arts in Paris:
Tlumtlliting the Pseudo-wwt
,\HT ,\Nil ,\lOHAUTY
CHAIR
Niamh O'Laoghaire, McMaster University
Harry Philbrick, Aldrich i\•tuseum of
Contemporary Art
SPEAKERS
Art tmd tiJe Moral Imagination
J5/vlinules witlJ Marie Laureuciu
Kimerly Rorschach, Smart Museum of Art,
University of Chicago
Intert~iew/Iutewiewee
Deborah J. Haynes, \'V'ashington State
University
Audy Warl10/,
TIJC Artist-as-Moralist?
Interview: A Multimedia Perfomwuce
Dahn Hiuni, Pennsylvania State University
Charles S. Mayer, Indiana State University
TmtiJ, Goodness,
Triad
1111d
Beauty: Revisitiug a11 Aucimt
Jan Schall, University of Florida
Does This Meau I'm Not A·lorally Gifted?
Michael L. Aurbac:h, Vanderbilt University
Public Art twd tlu 1\·lora/ Iuwgiuation
Casey Nelson Blake, American Studies Program,
Indiana University
Room 312
•:+ CON;rrJUJCTh\C THE OBJECT
CHAIR
Keith !\•toxey, Barnard College, Columbia
University
SPEAKERS
DefiniHg tl1e CmoH: An Aspect of tiJe Constitution of tlu
Academic Discourse 011 Painting i11 17t1J-Ceutury Frmrce
Bob Coiaceflo, Vmrity Fair
DISCUSSANT
Martha Rosier, Rutgers, State University of
New Jersey
•:• ,\JEBIE\'AL OBJECT~l Ai\'D 'J'JIE :\ltlt)ElJ::\1:
HISTOHICAL ,\i'\D TIIEOHETICAL PlmSPECTIYES
CHAIRS
Peter Nisbet, Busch-Reisinger Museum, Harvard
University
Michael Camille, University of Chicago
SPEAKERS
Sheela-Na-Gigs: Beyond tiJe Pale
Catherine E. Karkov, tvfiami University
Eamonn P. Kelly, National t-.·iuseum of Ireland
Berqs and tiJe Middle Ages: An Experimeut for the
Sclmiltgor-Muswm
Paul Duro, Australian National University
Hiltmd \'V'estermann-Angerhausen, SchniltgenMuseum
The Romaulic Origins of PIJOtograpiJy: Invention as
Social Comfructiou
Michael Camille
Doug Nickel, San Francisco Museum of
Modern Art
Coufroutntiom: Medieval Art i11 tiJt Postmodem A1useum
Coustrucfi11ism's Auti-Ol,ject: A Canou of Post-Ease/is!
Eplumemlity
l\·1aria Cough, Harvard University
TilE TIIHEAT TO FA:\JILY \',\LilES: FEJlli\'IST,
(,ltJEim, AND Ol'l'OSITJONAL AWl' I'HACTICES
History, \Vork, Text
Michael Maranda, University of Rochester
DISCUSSANT
Rosalind Krauss, Columbia University
TBE li\'TEH\'IEW WIT!! Tllf~ AHTIST ,\:-';A GEl\ HE:
!lt:·1TOHY, FIJNCT!Oi'', THEOHY
CHAIR
Reva \'V'olf, Institute for Advanced Study
CHAIRS
Connie Samaras, University of California, Irvine
Carol Jacobsen, artist, Ann Arbor, Michigan
SPEAKERS
Iu/Out of \1iew: Grass Roots \Iemus, tlJe l\1aiustream,
mrd Cultuml Dit~ersity Mot~emmls
Betti-Sue Hertz, Graduate Center, City University of New York; Bronx Council on the Arts
Family \fa/ues mrd tiJe Right
Evelyn Hammonds, Program in Science,
Technology, and Society, Massachusetts
Institute of Technology
Something Borrowed
William Hayes Fogg Art Mnsenm
Catherine Lord, University of California, Irvine
Millie \X'ilson, California Institute of the Arts
"Renaissance and Baroque Sculpture from the
Alexis Gregory Collection"; 'The Persistence of
J\•temory: Continuity and Change in American
Cultures"; "Etching and Etchers since 1850";
"David Smith, This Is My Work"; "Circa 1874,
The Emergence of Impressionism"
Reacl, LA: Riskiug
Cl,m~ge
Eve Luck ring, Otis College of Art and Design
B!tscb~Reisiuger
FRIDAY EVENING
Aluswm
"Feininger"; "History, Self, and Society."
Bu<; tiJII~pnt\;;tion (F ~h11Hk b11<.) wi!! d\::j\31\ hom Hoy!qon
Spcci<1l Events
Strl·ct exit of
tit kct
Conv~ntion c~nter
beginning .11 6:·!5 pm---
r~quircd.
5•30-7•30 pm J
7:00-9:30 pm
C/\1\ Convoc<ttion
~~~~
Welcome
Bruce Rossley, Commissioner, Office of Cultural
Affairs, City of Boston
l(nji Aso ShHiio
' 40 St. Stephen Street
Green Line: Symphony
Open huwa~ and reception
Exhibition by Boston artists and reception with
the artists: ''To See the \X'orld-Recent \'(forks
by Kaji Aso and Students."
Remarks
Judith K. Brodsky, CAA President
6:30-8:30 pm
Preseutatio11 of Awards
Iutroductiou of Keyuote Performer
Leslie King-Hammond, CAA President-Elect
Keynote Performance, "Unplngged"
Joyce Jane Scott, artist, Baltimore
7:00-9:00 pm
llnn:nrd Unive,rnily Ai'i 1\iuse-Hnln
Broadway and QuincY Streets
Red Line: Harvard Square, Cambridge
Post-Convocation n~ccp(ion and
open house
Artl!nr M. Sackler Mnseum
"Masterworks of East Asian Painting from the
Permanent Collections"; "Hare's Fur, Tortoiseshell, and Partridge Feathers: Chinese
Brown- and Black-glazed Ceramics, 400-1400";
"The Arts of Deccani India"; "An Introduction to
Byzantine Coinage"; "Deities and Heroes on
Creek Coins"; "Raiseffime: An Installation by
Nancy Spero"
\VeiJel')IP.y College
Davis i\luseum and CnHu1·:d Ce.nleJ'
I 06 Central Street, Wellesley, Massachusetts
(Call for directions: 617/235-0320, ext. 2099)
Jazz reception and guided lours
Tours of the new Davis l\•tuseum and Cultural
Center, the first American building by Spanish
architect Rafael Moneo: "Home is \X'here,"
curated by Alice Friedman, chair of CAA session
"Varieties of Architectural Experience; The
City"; "RE: Formations/Design Directions at
the End of a Century"; "Rites of Convergence:
The Sacred Object in Four Cultures."
C:ornplirn~ntary
bus tr,ln~pnrt,ltion, provided by W'e!k~ky
Colkge, will dt·p.trt
C:onv~ntion c~nt~r
at6:30 Jnd 7,uu prn,
.lrld !-larv.lHlllnivcrsity Art 1\lmeurm at 7:!10 and 7: Wpm;
dcp.11\ \~'ellc~ky to 1durn to Corw~ntion Ce11ter at 0:30pm
Fri doy
73
SATURDAY MORNING
()'
(" ,)
'·' t' ( )
' ( '',)
11 c,>
7:30-9:00 am
Room 102
ITALIAN AUT SOCIETY
Cbamcteristics tmd Commwts
Today
011
Italiau Priutmaking
John D. O'Brien, independent scholar, Los
Angeles and Rome
Crossiug Borders, CIJaHgiHg Identifies
Judith K. Brodsky, Mason Gross School of the
Arts, Rutgers, State University of New Jersey
Lynne Allen, Mason Gross School of the Arts,
Rutgers, State University of New Jersey
Et ill Arcadia Ego
Sue Gollifer, University of Brighton
BlJSII\'ESS ,\IEETING
I
9:00-10:30 am
Room 312
CONSTHtrCTii'\G "TIL\DITIOI\":
~JODEHN J,\1',\1\'ESE AHCIIITECTtJHE ,\1\'D THE
FOILilr\TIOi\' OF A VL\BLE PAST
CHAIR
Jonathan M. Reynolds, University of Michigan
SPEAKERS
P11blic Park5 and tlu Heian Shrillt: Defiuiug a Kyoto
Tradition for Meiji lapau
Bruce A. Coats, Scripps College
From Greater East Asia to HirosiJima: Tauge Keuto and
the Creatiou of a ]tlfuwm lvfoHIW!tllfal Modemism
Jacqueline E. Kestenbaum, Columbia University
Constmcti11g tHI Autluutic Past: Historic Presewatio11 twd
Desigu Iuterveutiou in ''TraditioH1!l" Japauese ArciJitecture
Cherie \X'endelken, Harvard University
Room 102
+!+ ,,IAfONC;
~~\CEi'\ES: IIE"LI.\JITINC TilE OBJEC'i'
CHAIRS
Daniel]. Sherman, Department of History, Rice
University
Diane Dillon, Rice University
SPEAKERS
Cultr1ral Objects/Natr1ral Objects: Ou the A1argius of
Categories aud tlJe \Vays of Display
Nelia Dias, lnstituto Superior de Ciencias do
Trabalho e da Empresa, Lisbon
"Crystallizing .Moments": Displays of India at
Intenrational ExiJibitious
Saloni Mathur, Department of Anthropology,
New School for Social Research
'The Strangest Objects Piled onto tbe Most Dubious
I11vwtious":TIJe Parisiau Expositions Universelle
Michael J. \Y/ est, Department of Modern
Languages, Carnegie Mellon University
9:30 am-noon
Room 100
THE STATE OF INTEHNATION,\L PIUi'\'1':'\L\KINC
TODAY
CHAIRS
Michi ltami, City College, City University of
New York
Nancy Friese, Rhode lsland School of Design
SPEAKERS
The Territorial Divide: Crifical Issues of Contemporary
Priut
Carole Shepheard, Elam School of Fine Arts,
University of Auckland
Priutmakiug in lapau: Gurwt Priuts in Kyoto and
Tokyo
Margaret Prentice, University of Oregon
74
Soillrllily
"The Map aud tlu Territory" iu tlu Graud Hall at tlu
Cauadiau Muswm of Civilitatiou aud at "Mystery
Lodge" at KuoH's Berry Farm
judith Ostrowitz, Columbia University
CoutraSwres: Coutemporary Art tit tiJe Spoleto Festivt~l
Robert Haywood, University of Notre Dame
Room 103
'/0 YEAWi AFTEH: 'I'HE !L\I!LI<::\l HEN,\1~)~\ANCI•:
HECOI'lmDEHI•:O
CHAIR
Amy Kirschke, Vanderbilt University
SPEAKERS
Black Modemism aud tin PsydJO-patiJo/ogy of \VIJite
Patrouage
Jeffrey Stewart, George Mason University
The Harlem Rwaissa11ce a11d tlu Lm1g1wge of Americmt
Art Criticism
Mary Ann Calo, Colgate University
Leamiug tlu Lauguage "Tilat Ouly MontparnaHe
Teaches": The Impact of St11dy ill Paris 011 Key New
Negro Artists, 1922-34
Theresa Leininger-Miller, University of
Cincinnati
Positivity or Mauipufalioll: The Photograpl1s of lames
Va11DerZee
Carlton \'V'ilkinson, Fine Arts Gallery, Vanderbilt
University
RiciJard Bruce Nugmt's Salome of 1930: The Spectacle
of Homosex!wlity i11 tiJe Harlem Rwai55m1ce
Ellen M. McBreen, Institute of Fine Arts, New
York University
Womeu: The luuisible Epidemic
Ann Meredith, artist and curator, New York
Spaghetti Speedball, The Prod11ctiou of Art iu a Needle
Exchange Cwter
Renee Edgington, Harm Reduction Central
Blind T mst: G11ides for tlu Llninfected
Robert Flynt, artist, New York
Room 302
•:• IlrSTOHICIZli\G THE AHT IJISTOHICAL OBJECT
CHAIR
Robert S. Nelson, University of Chicago
SPEAKERS
Historicitill!} Creatiuity, or Ho1V Society Makes Its Art
Object
Suzanne Preston Blier, Harvard University
ARTS COUNCIL OF THE AFlUCAN STUDIES ASSOCIATiON
Tlu Art Historical Object before Wiuckdmmm
Thomas DaCosta Kaufmann, Princeton
University
APf'HOACIIING THE ~iiLLENi'\!ll.\1: .SlTB\'EHTii\'C
THE \VES'I'EHN/i\'01\'"\VESTElU\' IHCIIOTO:'IJY
Indiaphilia and the Defining Momwt of Indian Art
Richard H. Davis, Yale University
Room 106
CHAIR
Barbara Frank, University at Stony Brook
SPEAKERS
D!lhio!lS DiciJotomits ill tlu St11dy of Portraiture
Padma Kaimal, Colgate University
Mediatiug tlu Modem: Politics a11d Performance ill a
Nigerifl11 .Masquerade Festival
D. Bess Reed, University of California, Santa
Barbara
Is Nothing (Everytl1i11g) Sacred? TIJe Post-Colouial
Appropriafiou of tlu Religiou of Modemism in
Co11tonporary Native Americm1 Art
Ruth Phillips, Carleton University
Eucouuteriug the Discouerer
dele jegede, Indiana State University
Room 112
GAY AND LESBIAN CAUCUS
HESPONDING TO ,\IDS
CHAIRS
Betwem Objects, Writiug History
Catherine A. Craft, University of Texas at Austin
Euery Little Breeze Seems to Wl1isper Lo1lise
Donald Preziosi, University of California,
Los Angeles
Room 304
~GOING DIGITAL: CO:\lPUTEHS
ElllJ(:ATION
CHAIR
!N
STUDIO AHT
Jon Krasner, Youngstown State University
SPEAKERS
Fire m~d lee: Art witiJ Electronic Media
Michael Rodemer, School of the Art Institute of
Chicago
A Creatiue Framework for Teclmology
Joan Dobkin, Carnegie Mellon University
TeaciJill!} Comp11ter GrapiJics for Artists aud Desiguers
Gregory Patrick Garvey, Concordia University
Laura E. Migliorino, Minnesota State Colleges
and Universities Anoka-Ramsey Community
College
James Meyer, Emory University
High- Tecl1, Low-Tech: Computers in tlu St11dios
Dennis Olsen, University of Texas at San
Antonio
SPEAKERS
Goh19 Digilal: Integmli~19 Electronic Media
Jon Krasner
Gregg Bordowitz, artist, New York
S rl
/ II
r d t1
)'
75
Room 306
CIJristiau Oueem rmd Iuka Priucesses: Sy11cretic lmt1ges of
RuleniJip
\'J~HJAL
COJL\HJNICATIONS FOH A IIOSTILE
EN\'IHON:\IENT
CHAIRS
Sheena Calvert, Rutgers, State University of
New Jersey
Michael Eisenmenger, Rutgers, State University
of New Jersey
SPEAKERS
Cristina Almeida, Northern Kentucky University
1\laria E. Castagliola, University of South Florida
Class Action Design Collective, Yale University
Carol Damian, Florida International University
Brwkiug !IJe 1\•fo/d, Sor luana's Images in Colo11ial
Mexicau Portmillm
Nina Scott, Department of Spanish and
Portuguese, University of lv1assachusetts
Tlu Aliwated Subject as Model for Iutegratioll:
J\·tatrimonio de Garda de Loyola con Nusta
Beatriz
Marie Timberlake, University of California,
Los Angeles
Ou Latium America
Sergio Gonzalez Vega, Yale University
Room 309
Cl\'IC PATHONA<;E IN UENAH1S,\NCE ITALY:
J :.W0--1600
CHAIRS
Andrea Bayer, lv1etropolitan tv1useum of Art
DISCUSSANT
JosC Rabasa, Department of Romance Languages,
University of tvtichigan
Room 311
Deborah Krohn, tvietropolitan l'v1useum of Art
SPEAKERS
Public Palaces, Private Spaces, aud tlu Coustmctiou of
Identity i11 the Art of the Early Tuscan Comm11Hf5
C. Jean Campbell, University of Alberta
Oligarchy and Opera: IustituUou aJHI Iudividuals as
•:• TBlJTII IN AD\'EH'l'ISINC:_LABELINC
GHECO-H0,\1,\1\ SCULJlTlJHE
CHAIR
tvliranda Marvin, \Vel lesley College
SPEAKERS
Public Agwts iu tiJe Administration of tlu Florenfiue
lust 1'viy Type: Problems of Reference ill Roman
Swltpture
Catlmlml
Alice Taylor, \Vest Los Angeles College
Margaret Haines, Villa I Tatti
Marble and Its Mwning: TIJt
Pemgian Emblem of Civic Sa/vatio11: Bemardino da Siwa
aud Comnumal lntucessio11
Mary B. Hollingshead, University of Rhode
Jasmin Cyril, University of l'v1innesota, Morris
\fr~/ue
of AttribJltiou
Island
Dt~te
Sacred A·lt~guificwce: Civic Juten,ention rmd tlu Area of
San Domenico in Bologua
Elaine Gazda, Kelsey Museum of Archaeology,
University of Michigan
Randi Klebanoff, Carleton University
TIJt Restorer Rciusftlled: Gil,ing Credit 011 tiJt Afuseum
L<~brl
Room 310
Nancy H. Ramage, Ithaca College
DeriPtltioJJ
ALIENATING SlJnJECTS: AHT, IDENTITY, Ai\'D
COLONIZATION IN LATIN A~IElUCA
CHAIRS
Carolyn Dean, University of California, Santa
Cruz
Dana Leibsohn, Smith College
SPEAKERS
Michael Koortbojian, University of Toronto
SPACE ,\i\D TilE SUB.IECT OF :\IODEHNITY
CHAIR
Memory, Alimation, aud Ideutity in Colouial Mexico
Michael Orwicz, University of Connecticut
Michael Schreffler, University of Chicago
SPEAKERS
TIJe "Academy of Filtl/', Gender, Space, t111d Obsccue
Displays i11 Mid-\1ictoriau Loudon
Lynda Nead, Birkbeck College, University of
London
76
Srtltlrdt~y
Trmnps aud Vagabonds: Au.lfustus Iolms and tlu Subject
of Modernity
Idea Becomes TIJiii.IJ: Bnwcusi's Awkward Modmzist
Objtcts
Lisa Tickner, School of Visual and Theoretical
Studies, l'v1iddlesex University
Alex Potts, Goldsmiths College, London
University
ArciJITeolo.IJies of City Life: Masculinity aud Spatial
Relatiom iu t980s Loudou
Tatliu mzd t1Je [Art-Historical) Artifact
Christina Kiaer, Stanford University
Frank Mort, School of Social and Historical
Studies, University of Portsmouth
Streetwise: The Frwc!J fupmtioJI of Everyday Life
Kristin Ross, Department of Comparative
Literature, New York University
Tapestry Room
Isabella Stewart Gardner Museum
2 Palace Road
Green Line-Museum
•:• THE INSTALLATION OF SEHIES
•:• THE OBJECT AFTI.:H 'I'll EO BY
CHAIRS
Nan Rosenthal, 1\•tetropolitan Museum of Art
Richard Shiff, University of Texas at Austin
SPEAKERS
A Surplus of t\·laterit!l: TIJe Apprecitlliou of the
Etlmo.IJrapJJic Object
James D. Herbert, University of California,
Irvine
Figuring Jasper Johns: Supplemwt f (Flag)
Fred Orton, University of Leeds
Iutmse Eucouuters: Object RelatioHsl Obsewers/Works
CHAIR
Hilliard T. Goldfarb, Isabella Stewart Gardner
Museum
SPEAKERS
Makiug Comuctions: Siguorelli's Rcveltltory Fresco Series
iu Owieto
Sara Nair James, Mary Baldwin College
Laureut de Ia Hyre's "Swm Lil1eral Arts"
\X'illiarn B. MacGregor, University of California,
Berkeley
Completing tiJC Room: The Tapestry Series of the Life of
Pope Urbau \1III Reiustalled i11 tlu Safoue Barl1erini
James Gordon Harper, University of
Pennsylvania
Ellen Handler Spitz, Cornell University Medical
College; Bunting Institute, Radcliffe College
The Iust111fatiou of Kandinsky's "Paiutin!} Numl1ers
198-201
Comics: Art before Theory?
James Coddington, tvtuseum of Modern Art
Magdalena Dabrowski, Museum of J'vtodern Art
David Carrier, Carnegie Mellon University
DISCUSSANT
Ann Gibson, University at Stony Brook
AHT HISTOHY Ai\'D THE ,'\J,\T'i'EB OF ,\HT
CHAIR
J\•tichael Leja, J\•1assachusetts Institute of
Technology
SPEAKERS
Rmctiou-Formatious: A·latter a111l Anti-walter ilz J 9thCmtzuy Art
Raquel Da Rosa, independent scholar, New York
Tlu Dispersal of tlu Mode mist Series
John Klein, University of Missouri-Columbia
PRE-REGISTRATION IS REQUIRED FOR THIS
SESSION.
10:30 am-noon
Auditorium
Museum of Fine Arts
Green Line-Museum
•:• .\N~_)\\'EHINC (HJESTIONS THE (,UIEHIC,\N)
OBJECT CANNOT .\NS\\'EH I
t\•1ataiality aHd tiJe Indexical Ftillacy
CHAIRS
Christopher S. \XIood, Yale University
Jules D. Prawn, Yale University
Margaretta M. Lovell, University of California,
Berkeley
TIJe Matter of Seeing: Histories of Moderuist Paintiii.IJ
f\..targaret \X'erth, Barnard College, Columbia
University
St!ltlrtlay
77
SPEAKERS
In Vino Vanitasl A SarcopJJagr1s Cellerette ill Federal
New York
Jeffrey Collins, University of \Y/ashington
Corporate Patronage in Jacksonian America: The
Stt11mboat Albany Collection
Kenneth Myers, Metropolitan Museum of Art
lnscribiu!} Bo1mdaries: A New Look at 1o1m S/oau's
Female S11bjects
Janice M. Coco, University of California, Davis
DISCUSSANT
Margaretta M. Lovell
SESSION.
Pari II will follow at
12:30 pm
1 1:00 am-1 2:30pm
SATURDAY AFTERNOON
Special
12:30-2:00 pm
IN AHCHITEC'J'IJHE: EXTENH!i'\C
I'OSTCOI,ONIAL TllEOHY lNTO AHT IIISTOHY
CHAIRS
Esther DaCosta Meyer, Yale University
Maria Ceorgopoulou, Yale University
SPEAKERS
Tlu Mosqru of Paris and tlu M11swm of tiJt Colouits:
Arabisauas or Hybrids?
Patricia A Morton, University of California,
Riverside
Italiau Fascist Architect11re iu Libya: Tales of Colonial
Co-existmce
Krystyna Von Henneberg, Department of
History, Stanford University
Arafat's Head: Architect11re, Mimicry, aud the
Figuration of Territorial Limits in Israeli and Palesfiniau
Bodies Politic
Daniel Bertrand Monk, University at Stony
Brook
DISCUSSANT
Dimitri Cutas, Yale University
I
Bo!:doll ViEionn.fy C{•,ll
36 Bromfield Street, Suite 200
Red or Green Lines-Park Street
Lectures and discussions
Psychotronics." Light refreshments will be
served.
Sessions
Room 312
OHIENTALIS~l
l:vcJJt
12:30-2:00 pm
I
Auditorium
Museum of Fine Arts
Green Line-Museum
•:• ,\i\'SWEHINC C)llE~'\TlOi\'S THE (A,\li<:HICAI\)
OBJI•:C'I' C,\1\'i\'OT ,\i\'S\\'EH ll
CHAIRS
Jules D. Prown, Yale University
Margaretta M. Lovell, University of Califomia,
Berkeley
SPEAKERS
Jolm Si11gleton Coplty's Portraits of Womw
Carol T royen, Museum of Fine Arts, Boston
The Sea Serpwt, tlu SpiJiux, aud Elihu l'edder: 011 the
Bri11k
Robert Sheardy, Jr., Kendall College of Art and
Design
IuterJmling Arthur B. Davies's Heliodora
Elizabeth Tebow, Northern Virginia Community
College
DISCUSSANT
Jules D. Prown
SESSION.
78
Soit~rdt~y
Room 100
Criss-Crossing BoJwdt~ries: African AmericmJ Art m1d
Cultural Theories, 1920-40
INTERNATIONAL ASSOCIATION OF AHT CRITICS-USA
Catherine Bernard, School of Visual Arts
ON TilE )}OCL\L HESI'ON;·;fHJLITY OF THE AHT
CHIT!C
CHAIR
Cardint~l
Poiuls
011
a Creative CoutiJJ!liWJ: Dogo11
Sculptors of Mali
Debra Bricker Balken, curator and writer, Boston
Rachel Hoffman, Portland Community College
SPEAKERS
TmiiSC!llturation
Michael Brenson, critic and curator, New York
Ileana B. Leavens, Seattle Central Community
College
Elizabeth Hess, \fil1age Voice
Eleanor Heartney, Art
i11
America
Holland Cotter, New York Times
Room 304
David Driskell, University of Virginia
VISUAL ltESOURCES ASSOCIATION
~TilE
\'I:W,\L :WHHOC,\TE ,\S IN'J'I<:LLECTli,\L
l'BOPEHTY: !~·) "F,\fft liSE" OJ\' THE \'EHGE OF
Room 102
AMP.RICAN
COM~IITTEE
EXTINCTiOI\'~
FOR SOUTH ASIAN ART
TilE E~ll<:ft(;gi\CE OF,\ CO!\TE,,lt'OIL\BY t)OIJTII
,\i\'ll SOlJ'l'li!';,\;·;T :\!-il,\1\' AH'J'
CHAIR
Mary-Ann Lutzker, Mills College
SPEAKERS
I11dim1 Art History Today
tvtarcella Sirhandi, University of Oklahoma
.Modern Indian Art
Sundaram Tagore, independent scholar, New
York
CHAIR.
Caron L. Carnahan, \'V'illiams College
SPEAKERS
Ft~ir Use t111d Digitt~llmt~ge
ArciJivesr A Report Oil tiJe
Natio!wlluformatiotJ Iufrastmchm Fair Use CoJJjerem:e
Virginia M. G. Hall, Johns Hopkins University
Fair Use 011 the Briuk, Implicatio11s of the "White Paper"
for Vimal Rtsouras Collections
Caron L. Carnahan
Fair Use m~d Licmsiug Agreemwts: Digital Permissions in
tiJt Slide Library
The Emergmce of .Modem SEAsiau Art Histories
Maryly Snow, University of California, Berkeley
Astri \'\fright, University of Victoria
Prospects for a Public Domain Art Image Bauk in an Era
of Di~ital Teclmolo~ies
Contemporary I11dia11 Art History
l'v1ary-Ann Lutzker
Allan Kohl, Minneapolis College of Art and
Design
Room 103
2•30-s,oo pm
ASSOCIATION FOR TEXTUAL SCHOLARSHIP IN ART HISTORY
BIJSINE:~S
:IJI<:E'J'Il'\C
Room 102
AMBRICAN
Room 106
COM~fiTTEE
FOH SOUTH ,\SIAN AHT
TilE i'{ATIJIU•: OF CfL\i\Cf<: IN TilE
T!Dll'l.E
~:\OtJTH
,\SL\1\
ARTS COUNCIL OF THE AFRICAN STUlHES ASSOCl,\TlON
CHAIRS
HOUi\'D'I'ABLI':: SOB\'EHTING TilE WE:·lTEHN/
i\'(11\:~\\'ESTEIIi\' DICIJ(iTO.\lY
Darielle Mason, Museum of Fine Arts, Boston
Ajay Sinha, Mount Holyoke College
CHAIR
Robert Soppelsa, \X' ashburn University
SPEAKERS
Multiplex Perspectives of Ni11e Domai11s of Haiti au Art
LeGrace Benson, independent scholar, Ithaca,
New York
SPEAKERS
The Architect/Artist: Agwts of Cha11ge
Mary F. Linda, Palmer Museum of Art,
Pennsylvania State University
S 11 I
fl
r
d rl
)'
79
Measum of CIHm!}t ill Temple Desi!}H aud Construction
Patrick George, Ball State University
Mechanisms of CIMu!}e iu Western Indian Temple Form
Darielle tvtason
DISCUSSANT
\X! alter Spink, University of Michigan
Antoinette Torres, National Action Council for
Minority Engineers
Room 112
:\L\TEIUAL HESISTANCE: ASI'ECT~:l OF EllnOPE,\N
fl\ TilE 11J(,OS
1\NTI-FOH:\lALJS~l
CHAIR
Room 103
Reinhold Heller, University of Chicago
SPEAKERS
ASSOCIATION FOB TEXTUAL SCHOLAilSllll' IN AUT IIISTOH\'
,.\HTV:i'J'S' WHJTJNG~ ABOllT .A11T
CHAIRS
Janis Bell, Kenyon College
Alice Kramer, independent scholar, Stamford,
Connecticut
SPEAKERS
Mutuality mrd Reflectiou: On Guo Xi's Early Spring
mrd His Treatise 011 Landscape Paiufill!}, tin Linquan
Gaozhi
Stanley tv1urashige, School of the Art Institute of
Chicago
Privile!}ill!} Paintiug: Vasari's First Edition of the Lives
Alice Kramer
Andrea Pozzo ou tlu CeiliH!} of St. lguazio, Rome
Thomas Frangenberg, University of Leicester
Delacroix Memorialiste: Tl1e Ftmcliou of Writing iu a
Modem Age
l\•1ichele Hannoosh, University College London
Camille Pissarro 011 His Paintings: Ou tlu Role of
"I11tentioual" Comments 011 His Ptut
Mark Roskill, University of fvlassachusetts,
Amherst
Room 106
C,\,\ COMMITTEE ON CULTURAL lli\'ERSIT\'
TO\\',\HIJ A CULTUHM.LY ll\'CLlJSI\'E AHT
CfHL\llJNlTY AND AHT HlS'I'OilY
CHAIR
Joe Lewis, California State University,
Northridge
SPEAKERS
Glenna Avila, Community Arts Partnership,
California Institute of the Arts
Karen Hodges \X'alker, Administration and
Special Programs, Harvard University
Yaalieth Simpson, Teacher's College, Columbia
University
80
S11111rd11)'
Anti-Formalism as Suwival Tactic: Tlu Early PIJOtoPaintiugs of Geriu~rd Richter
Charles \XI. Haxthausen, \XTilliams College
Tile Ptrformiu!} Body and the Artist-W auderer: Artistic
aud Territorial Aut1Jority in RiciJard Long's Outdoor
Pieces
Anna Athanasopoulou, Courtauld Institute of
Art, University of London
Wolf Vostell's Ruins: Object. Per]ormauce, aud Allegory
Claudia Mesch, University of Chicago
Radic<1/ C/Jic, Support(s)!Surface(s) ""d the Politics
of Art
Rosemary O'Neill, Graduate Center, City
Form and tlu Plmwmology of Boredom: losepiJ Beuys and
Guy Debord
Michael Stone-Richards, Northwestern
University
Room 302
COLLECTJi\(; AND
DE~HHE
CHAIRS
Jennifer Gonzalez, University of California,
Santa Cruz
Michael Lobel, Yale University
SPEAKERS
Col/ectiug Tm!IIUII: Surrealism twd tlu Mus{e du Val-duGrace ill 1917
Amy Lyford, University of California, Berkeley
Desiri11!}, EucompassiH!}, twd Collectiug the World ill
Priuted Eplmnera: Subverti11!} t1u A·1useum's Cmwu?
Ellen Handy, International Center of
Photography
Kumbu-Kumb!l: Collectious of Sukuma .Mtmory aud
Identity
Aimee Bessire, Harvard University
Collectiug Desire: Clemenliua Hawanlw's PIJOtographs,
1859-64
Carollvlavor, University of North Carolina,
Chapel Hi!!
Womw, Coprophilia, mrd Uucol/ectable Thiugs
Mary Kelly, \'7hitney tv1useum Independent
Studies Program
Room 304
li\'TEIL\JEJJL\: !WAPBOX OH
CHAIRS
CLfHIET'~
Geoffrey Hendricks, Mason Gross School of the
Arts, Rutgers, State University of New Jersey
Harmony Hammond, University of Arizona,
Tucson
SPEAKERS
Dick Higgins, artist and publisher, Barrytown,
New York
Room 311
*
,\HT\\'OinO'i ,\i'\D 'I'IH':IH CfiAHDfAN~-; fN THE
ELEC'rt{Oi\\IC ACE
CHAIR
tv1axwell L. Anderson, Art Gallery of Ontario
SPEAKERS
TmtiJ, Ue5, mrd Image Makiug, Hom C/JtW!}ill!}
Teclmology Alters tiJf Vimtllly Crmtiue World
Cora Lynn Deibler, Northeast Missouri State
University
By Li11e Dmwiugs Ye SluJII Kuow Them: The Cousequmce5 of Barrim to Digital Use of lmt1!fC5 iu Art
SdJOitmhip mrd Educatiou
Patricia Taylor, Southeast Texas University
Buildilr!}aud MaiutaiuiH!f Digital Art Histo1y Liharie5:
The Example of tiJ€ Paseu5 Project, with tl Few Commeuts
from tiJe Mumun-GoiH!f Public:
l\·1aria Daniels, Department of Classics, Tufts
University
Pauline Oliveiros, composer and performer,
Kingston, New York
JiH Johnston, author and critic, New York
Room 312
Geoffrey Hendricks
OPEN ri!,:S~'ilON·
AND SOCIETY
CHAIR
DISCUSSANT
Laura Cottingham, Cooper Union for the
Advancement of Science and Art
l~3~){1E;·;
OF f\EH\'ICE, i!ELI(;ICh\',
Larry Silver, Northwestern University
SPEAKERS
Room 306
lfP.STHEA,\1: THI•:tlHETIC,\L IIEAD\VATEIU·i
OF THE ClL\FT AH'I'S
CHAIR
Anna Fariello, Radford University
SPEAKERS
Reception AestiJCtics mrd ]lld!}cments ofTaste
Howard Risatti, Virginia Commonwealth
University
The Art/Craft, MoHey/\fttlue Ptirtrdox
Paula Owen, Hand \'V'orkshop Art Center
Momlily, Biology, a11d Other New Aest1Jetic Territories
Bruce Metcalf, craftsman and independent
scholar, Philadelphia
Recogniziug tlJf Ptlst!Auticipating tlu Future: Critical
Lmrguage and Westmr Craft
J. Susan Isaacs, Towson State University
Crafts: A DecoHslrw:tivist's View
Kevin A. Hluch, tviontgomery College
The 0/t{ Tfslmuml Rfjormed: Ronbrtmdt's Christ and
the \'\loman of Samaria of 1657-8
Michael Zell, Sonoma State University
Au11il1ale Carmcci, Pausias, tmd Freud: The Drinking
Boy iu Aualysis
Lubomfr Konecny, Charles University
The Radical Oblique: C11mera-Vision twd RwolulioHtlr)'
Subjeclillil)' iH tlJf Work of Aleksmulr Rodchwko
Leah Dickerman, independent scholar, New
York
The
Lt15/ lvfimetic: Abstmctiou
Harry Rand, National Museum of American Art,
Smithsonian Institution
Ballroom A, Third level
TilE \'ISII..\1, CI_IL'J'tiHE!i OF Tilt<; EAHLY ,\JOIJ!.;Hi\'
CITY, L\. I (J00-- 1 BOO
CHAIRS
Sheila tvicTighe, Barnard College, Columbia
University
S'
d
I
r! r
a
If
y
81
David Salkin, Courtauld Institute of Art,
SUNDAY
SPEAKERS
Betwee11 CIHws and Order: Tlu Location of tlu Fouutai11
i11 Early 17ti>-Cwtmy Roma11 Pri11ts and PampiJ/ets
Rose lv1arie San Juan, University of British
Columbia
01ustioning tlu Aut1Jority of tl1e Seicwto AmpiJitluater
Alice Jarrard, independent scholar, Cambridge,
Jv1assachusetts
The Gardw iu t1Je City: Public Space in J sti1-Cwtury
Paris
Susan Taylor-Leduc, independent scholar, Paris
Eucfosiug aud Disclosiug t11f Urban Body: Wwces/aus
Hollar's Muffs aud tlu Aesthetics of Curiosily
Celeste Brusati, University of Michigan
Quakerism, Busiuess, and .Material Culture
Marcia Painton, University of Manchester
Special !;vents
9:30 am-t :30 pm
Phillips
A<~ndem.y
Andover, Massachusetts
Addison Gallery of American Art
C<lllny tour
with director Jock Reynolds and brunch at the
historic Andover Inn.
"Raised by \Valves."
Depart Sheraton,
I :00-4:00 pm
'i'EACHINC AHT HISTOHY AFTEH HJSTOHY
CHAIR
Ann Bermingham, University of California,
Santa Barbara
Art History or Vi mal Culture: lvfust ~Ve Cl1ooso
Irene \Vinter, Harvard University
Tl1e Celibate MaciJiiiO Ou tiJe "Remaiuder" of tlu \lima/
after History
Sarat Maharaj, Goldsmith's College, University
of London
Problems of Iuterdisipliuarity iu \1isual aud Cultural
Studies
Janet \X'olff, University of Rochester
In tlu Absmce of Art
lrit Rogoff, University of California, Davis
DISCUSSANT
Michael Ann Holly, University of Rochester
S' t/
Iur
d 11 y IS
pm.
I
Lisl A.d Cenie.J.'
Bro\YH Unive.ndty
64 College Street
Providence, Rhode Island
(Phone for directions: 401/862-2932)
David Wi11foll Bell Gallery
SPEAKERS
Rwisi1ig tlu Iutro Courses at Northweslem
Hollis Clayson, Northwestern University
82
9:30 m11, rduru, J:JO
PRE-REGISTRATION IS REQUIRED FOR THIS TRIP.
11 H
d 11 y
Optn house
"Critical Adjustments: David T. Hanson and
Leone & tv1acDonald."

Sessions - College Art Association

Transcription

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