evita - Olney Theatre Center

OLNEY THEATRE C ENTER
EVITA
A NOTE FROM THE ARTISTIC DIRECTOR
Dear friend of Olney Theatre Center,
What accounts for the world’s fascination with Eva Perón?
Is it the rags-to-riches story of a woman born in poverty who rose to become the
First Lady of Argentina by the age of 27? Is it her untimely death just six years later,
sacrificed on the altar of the helpless and disenfranchised? Or are we just suckers
for celebrity politicians like Evita, a former actress who manufactured her persona
so completely that the Argentine Congress named her the “Spiritual Leader of the
Nation” just months before her death?
Eva Perón was a blazingly powerful young woman in a troubled country dominated
by old men. Eva was a Dior-wearing champion of the descamisados, the shirtless
poor; a ruthless political operative beloved by the people for her compassion; both a
spiritual leader and a feminine icon. Those contradictions drew Andrew Lloyd Webber
and Tim Rice to create Evita, a resurrection story blending Latin rhythms like tangos
and paso dobles with traditional rock and even High Church classical. The show won
seven Tony Awards in 1980 and ushered in a British invasion on Broadway that lasted a generation.
Lloyd Webber and Rice don’t take a wholly sympathetic view of their tragic heroine, placing her somewhere to the right on
the saint-to-sinner spectrum. The character of Che inserts himself between us and Evita, condemning her vaulting ambition:
Instead of government we had a stage
Instead of ideas a Prima Donna’s rage
Instead of help we were given a crowd
She didn’t say much but she said it loud
Sound familiar?
The search for another truth about Eva Perón has captured the imaginations of Director Will Davis and Choreographer
Christopher d’Amboise, who most recently brought Andrew Hinderaker’s Helen Hayes Award-winning Colossal to life on the
Olney stage. For Evita we’ve given them Music Director Christopher Youstra and a much bigger canvas – the Mainstage – to
paint Eva and Che in all their complexity. Was she a scheming whore or a martyred saint, Latin America’s great champion
of women and the poor? As Will said at first rehearsal, “I’m a queer feminist making this piece from a place of deep love
for the show, and making space to question it, to complexify it.” So I know this production will give you the full-throated,
emotional experience you expect alongside a complex and challenging view of Eva Perón that just might illuminate our
current political culture.
Last but not least… leading a cast of exemplary performers is Rachel Zampelli, who returns to Olney after star turns in
Godspell and Avenue Q. If you’re among the thousands who enjoyed those performances, I promise you’re about to be
blown away by what she does here. Not for nothing did Patti LuPone, who created Evita on Broadway, famously refer to
the vocal demands of the role as “a part that could only have been written by a man who hates women.” It’s a mezzo role
with soprano notes, requiring nuanced emotional sophistication and extreme vocal output at the same time. This is not a
challenge for the faint of heart.
If you’ve seen Evita before, I can’t wait to hear what you think of this production. Even if you haven’t seen it before, drop
me a line at [email protected].
Onward!
Managing Editor: JJ Kaczynski
OLN EY THEATRE C E NTE R
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All editorial and advertising material is fully protected and
must not be reproduced in any manner without written permission.
Olney Theatre Center is a non-profit arts organization with a mission to create professional theater
Jason Loewith
Artistic Director
productions and other programs that nurture artists, students, technicians, administrators, and
audience members; to develop each individual’s creative potential using the skill and imaginative
possibilities of theater and the performing arts.
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Opening Night: Saturday, June 25, 2016
O L NEY THEATRE CEN T E R
Jason Loewith,
Debbie Ellinghaus,
Artistic Director
Managing Director
presents
EVITA
Lyrics by
Music by
Tim Rice
Andrew Lloyd Webber
featuring
Megan Adrielle
Ronald Bruce
Nick Duckart
Nick Lehan
Kristin Yancy
Robert Ariza
Mark Chandler
Jamie Eacker
Nurney
Rachel Zampelli
Jonathan Atkinson
Willie Dee
Ashleigh King
Maria Rizzo
Jane Zogbi
Scenic Designer
Costume Designer
Lighting Designer
Sound Designer
Arnulfo Maldonado
Ivania Stack^
Colin K. Bills^
Lane Elms
Production Stage Manager
Director of Production
Associate Artistic Director/Director of Music Theatre
Josiane M. Lemieux^
Dennis A. Blackledge
Christopher Youstra
Music Director/Orchestrations
Christopher Youstra
Choreographer
Christopher d’Amboise
Director
Will Davis
^Olney Theatre Center Artistic Associate
EVITA is presented through special arrangement with R & H Theatricals and Two Knights Rights Limited. www.rnh.com
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THE HYPOCRITES’ PRODUCTIONS OF
THE PIRATES
OF PENZANCE
AND THE MIKADO
By W.S. Gilbert and Arthur Sullivan
In Rotating Repertory • Directed by Sean Graney
$10 Kids’ Promenade Tickets
Sit Anywhere On-Stage (including the ball pit)
Adult tickets start at $25
(also valid in ball pit)
July 14 –
August 21
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O L N E Y TH E ATRE C E N TE R
Mulitz-Gudelsky Theatre Lab
CAST of EVITA
Che..................................................................................................................................... Robert Ariza*
Eva............................................................................................................................... Rachel Zampelli*
Perón................................................................................................................................. Nick Duckart*
Magaldi...................................................................................................................Jonathan Atkinson*
Mistress.............................................................................................................................. Jamie Eacker*
Ensemble.............................................................Megan Adrielle+, Ronald Bruce+, Mark Chandler+,
Willie Dee*, Ashleigh King*, Nick Lehan*, Nurney*,
Maria Rizzo*, Kristin Yancy*, Jane Zogbi+
Production Stage Manager – Josiane M. Lemieux*
*Member, Actors’ Equity Association +Equity Membership Candidate
UNDERSTUDIES
Understudies never appear for a listed player unless a specific announcement is made at the time of the performance.
Eva - Maria Rizzo*; Che - Nick Lehan*; Perón - Jonathan Atkinson*;
Magaldi - Mark Chandler+; Mistress - Megan Adrielle+
Dance Captain - Kristin Yancy*
EVITA orchestra
Conductor/Piano/Accordion.......................................................................................... Christopher Youstra
Flute, Clarinet, Sax.....................................................................................................Carolyn Alvarez-Agria
Trumpet, Flugelhorn.............................................................................................................. Brad Clements
Cello..............................................................................................................................Catherine Mikelson
Acoustic & Electric Guitar......................................................................................................Kimberly Spath
Acoustic & Electric Bass..........................................................................................................Frank Higgins
Drums..................................................................................................................................... Ron Valenzia
The musicians employed in this production are members of and represented by Washington D.C. Federation of Musicians,
Local 161-710 of the American Federation of Musicians.
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Photos from top: Carmen: An Afro-Cuban Jazz Musical, The Price, Guys And Dolls, Carousel,
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The Giver
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Wed, July 27 - Sat, July 30
Sept 15 - 25, 2016
Wed - Sat
Sun, July 31
Sat & Sun
7:30 pm
7:30 pm
1:30 pm
1:30 pm
Celebrate the
Pulitzer Prize
Sept 30 - OcT 2, 2016
A Streetcar Named Desire
Olney Theatre Center and Maryland Humanities team up for
a weekend celebration of the 100th anniversary of the Pulitzer
Prizes. Catch six staged readings of Pulitzer-winning plays
(and one novel) that rocked the world in their time.
Fiorello!
Fri, Sept 30 at 8 pm
Sat, Oct 1 at 8 pm
The Gin Game
Water by the Spoonful
Sat, OcT 1 at 1 pm
Sun, Oct 2 at 1 pm
Fences
The Bridge OF San Luis Rey
Sat, Oct 1 at 4 pm
the holiday
tradition continues!
Adapted from Dickens’ original novella and
reading tour, Morella’s solo version will transport
you into the heart of this classic morality tale.
Theater for
Young Audiences
Olney Theatre Center makes it easy and affordable
to introduce your youngest kids, grandkids, nephews
and nieces to the magic of theater with a series of
presentations based on children’s classics.
A Christmas Carol
A GHOST STORY
OF CHRISTMAS
Nov 25 - Dec 25, 2016
The Rainbow Fish
Sat, Jan 28, 2017
10 am, 12:30 pm & 2:30 pm
Sun, Jan 29, 2017
12 noon & 2:00 pm
The House at
Pooh Corner
Anne of
Green Gables
Sat, April 8, 2017
Sat, May 20, 2017
Sun, April 9, 2017
Sun, May 21, 2017
10 am, 12:30 pm & 2:30 pm
12 noon & 2 pm
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Sun, Oct 2 at 5 pM
10 am, 12:30 pm & 2:30 pm
12 noon & 2:00 pm
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Special Thanks to our Sponsors
EVITA
Lead Sponsor
Vernon L. Skinner
PRODUCTION Sponsor
Opening Night Sponsor
Creative Team
Sponsors
Linda Rosenzweig and Sandy Bieber
sponsoring Christopher d’Amboise
Mita M. Schaffer and Tina M. Martin
sponsoring Will Davis
Artist Sponsors
Robert Hebda
sponsoring Maria Rizzo
Lane and Cheryl Jennings
sponsoring Josiane M. Lemieux
Steve C. Phan and Richard J. Poster
sponsoring Robert Ariza
Kathleen Quinn sponsoring Rachel Zampelli,
Ashleigh King, and Nick Lehan
Howdy and Cecelia Ritchie
sponsoring Mark Chandler
Margaret T. Roper and Clifford L. Johnson
sponsoring Nick Duckart
To learn more about sponsorship opportunities, please contact Wesley Meekins,
Individual Giving Manager, at 301-924-4485 ext.130 or [email protected]
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EVITA Musical numbers
EVITA takes place in Argentina between 1934 and 1952.
ACT I
Requiem.................................................................................................................Che, Perón & Ensemble
Oh What a Circus............................................................................................................ Che & Ensemble
On This Night of a Thousand Stars.......................................................................................... Magaldi
Eva, Beware of the City............................................................................. Eva, Che, Magaldi & Ensemble
Buenos Aires........................................................................................................... Eva, Che & Ensemble
Goodnight and Thank You..................................................................... Che, Eva, Magaldi & Ensemble
The Lady’s Got Potential.....................................................................................Che, Perón & Ensemble
Charity Concert..............................................................................Che, Eva, Magaldi, Perón & Ensemble
I’d Be Surprisingly Good for You......................................................................Eva, Perón & Ensemble
Another Suitcase in Another Hall..................................................................Eva, Mistress & Ensemble
Perón’s Latest Flame.................................................................................... Che, Eva, Perón & Ensemble
A New Argentina.......................................................................................... Perón, Eva, Che & Ensemble
ACT II
On the Balcony of the Casa Rosada...................................................................Che, Perón & Ensemble
Don’t Cry For Me Argentina...........................................................................................Eva & Ensemble
High Flying Adored............................................................................................... Che, Eva & Ensemble
Rainbow High.......................................................................................................... Eva, Che & Ensemble
Rainbow Tour............................................................................................... Perón, Che, Eva & Ensemble
The Chorus Girl Hasn’t Learned..........................................................................Eva & Che & Ensemble
And the Money Kept Rolling In................................................................... Che, Eva, Perón & Ensemble
Santa Evita............................................................................................................... Che, Eva & Ensemble
Waltz for Eva and Che............................................................................................ Che, Eva & Ensemble
You Must Love Me............................................................................................................................. Eva
She Is a Diamond........................................................................................ Eva, Perón & Che & Ensemble
Dice Are Rolling........................................................................................................... Che, Perón & Eva
Eva’s Final Broadcast............................................................................................................. Che & Eva
Lament........................................................................................................... Eva, Che, Perón & Ensemble
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WHO’S WHO - CAST
Megan Adrielle (Ensemble) is happy to be making her debut at OLNEY THEATRE CENTER. REGIONAL:
Imagination Stage: A Year With Frog and Toad (u/s Turtle and Mouse); Annapolis Shakespeare Theater
Company: As You Like It (Amiens, Audry, Hysperia), Servant of Two Masters (Clarice); The Clarice Smith
Performing Arts Center: Spring Awakening (Wendla); Pascal Center for Performing Arts: The Rocky Horror
Show (Janet). EDUCATION: MFA in Dance from the University of Maryland, College Park, BFA in Dance
from Kent State University.
Robert Ariza (Che) is honored to be making his Olney Theatre Center debut with this compelling show
and role! BROADWAY: Spring Awakening (Deaf West Revival). NYC: Lincoln Center: I Am Harvey Milk.
REGIONAL: Hangar Theatre: Spring Awakening; Goodspeed Musicals: The Theory of Relativity; Maltz Jupiter Theatre: Les Misérables; Music Theatre Wichita: Betty Blue Eyes (US Premiere), 42nd Street, West
Side Story, Legally Blonde, Les Misérables and Mary Poppins, among others. Featured on the Original Cast
Recording of Neil Bartram & Brian Hill’s The Theory of Relativity. EDUCATION: BFA in Musical Theatre from
the University of Michigan.
Jonathan Atkinson (Magaldi/Ensemble) is happy and proud to be making his Olney Theatre Center
debut in Evita! OFF-BROADWAY: Vital Signs (Mitch) [Strawberry Award for Best Actor], Finding Frida
Kahlo (Andres). NATIONAL TOUR: Roald Dahl’s Willy Wonka and the Chocolate Factory (Charlie Bucket).
DC AREA: Imagination Stage: 101 Dalmatians (Pongo), Peter Pan and Wendy (Peter Pan), Rapunzel
(Prince Brian); Signature Theatre: Chess (Ensemble). FILM: Dead Reckoning. UPCOMING: Ford’s Theatre:
A Christmas Carol, Ragtime (Tateh). EDUCATION: BFA in Theatre from Boston Conservatory.
Ronald Bruce (Ensemble) is thrilled to be back at Olney Theatre Center. OLNEY THEATRE CENTER:
Carmen: An Afro-Cuban Jazz Musical. INTERNATIONAL: Norwegian Cruise Line (Legends in Concert Ensemble), Duets (Featured Singer) REGIONAL: Riverside Dinner Theatre: West Side Story (Diesel/Dream Tony),
The Wedding Singer (Ensemble); Alluvion Stage Company: The Little Mermaid (Ensemble), Sister Act: The
Musical (TJ/Dance Captain). EDUCATION: BA in Musical Theatre from Liberty University.
Mark Chandler (Ensemble) NATIONAL TOUR: NETworks: Wizard of Oz; Adventure Theatre-MTC: Five
Little Monkeys. REGIONAL: Westchester Broadway Theatre: Fiddler on the Roof; FreeFall Theatre: The
Normal Heart [Theatre Tampa Bay Awards, Outstanding Ensemble]; Arizona Broadway Theatre: Les
Misérables, The Buddy Holly Story, Sunset Blvd; TheatreZone: Forever Plaid; Orlando Repertory Theatre:
The Adventures of Tom Sawyer. DC AREA: Signature Theatre: The Fix, Cabaret [Helen Hayes Award for
Outstanding Ensemble in a Musical], Xanadu, Kiss of the Spider Woman, Merrily We Roll Along; Adventure
Theatre-MTC: You’re a Good Man Charlie Brown; Studio Theatre: Reefer Madness [Helen Hayes Award for Outstanding Musical].TV: ABC: The View, Season 14 Episode 1. EDUCATION: The Catholic University of America, Bachelor of Music.
Willie Dee (Ensemble) is a native of Dallas, TX and is honored to be making his Equity & Olney Theatre
Center stage debut! NATIONAL TOURS: Anything Goes (Sailor, Purser u/s), Shrek (Papa Bear, Donkey
u/s), A Chorus Line (Richie), Hairspray (Thad). NYC: Pearl Theatre Company; 2016 NBC Upfronts at
Radio City Music Hall. REGIONAL: Paper Mill Playhouse, Ogunquit Playhouse, McCarter Theatre Center,
Gateway Playhouse and Flat Rock Playhouse. EDUCATION: BFA, Sam Houston State University. HUGE love
to my amazing family & friend support! Proudly represented by MSA Agency. We did it!! @WillieDeee
Connect with us!
O LN E Y T H EAT R E C E NT E R
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The
The Holiday
Holiday Tradition
TraditionContinues!
Continues!
Superb... The reverent approach is novel, and its
simplicity is a gift - The Washington Post
A REVELATION... the theatrical experience
of a lifetime - DC Metro Theater Arts
Captivating... theatre at its best - MD Theatre Guide
A Christmas Carol
A Ghost Story of Christmas
by Charles Dickens • performed by Paul Morella
RETURNS
November 25!
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• www.olneytheatre.org
301.924.3400
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Theatre Lab
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WHO’S WHO - CAST
Nick Duckart (Perón) is beyond thrilled to be returning to OLNEY THEATRE CENTER after having
appeared as Zúñiga in Moisés Kaufman’s Carmen: An Afro-Cuban Jazz Musical earlier this season.
FAVORITE REGIONAL: LaJolla Playhouse: Cuba Libre. Artists Repertory Theatre: Cuba Libre. North Carolina
Theatre: Evita (Magaldi). Actors Playhouse: In the Heights (Usnavi) [Carbonell Award for Best Actor in a
Musical], Next to Normal, Joseph..., First Date, Godspell, Ragtime. Palm Beach Dramaworks: Zorba
(Nikos), Man of La Mancha, 110 in the Shade, Company. Gulfshore Playhouse: Venus in Fur and A View
From the Bridge, among others. TV: Burn Notice and The Arrangement. EDUCATION: BFA in Music Theatre from University of
Florida/New World School of the Arts.
Jamie Eacker (Mistress/Ensemble) OLNEY THEATRE CENTER: Joseph and the Amazing Technicolor
Dreamcoat (Wife). NATIONAL/INTERNATIONAL TOUR: The Kennedy Center: Elephant and Piggie’s: We Are
In A Play! (Squirrelle), The Phantom Tollbooth; Phoenix Entertainment: Grease (China). DC AREA: Signature Theatre: Girlstar, Cabaret, Elmer Gantry, The Threepenny Opera, Beaches, Spin, Company (Kathy,
D.C.), The Best Little Whorehouse In Texas (Ruby Rae, D.C.), Xanadu (Euterpe, D.C.), Hairspray (Tammy)
[Helen Hayes Award for Outstanding Ensemble], Chess (Assistant Choreographer), Shakespeare Gala as
Elizabeth McGovern; Artscentric: Delilah (Delilah); Teatro101: The Wild Party (Queenie); Ford’s Theatre: A Christmas Carol;
Studio Theatre: Carrie: The Musical (Miss Gardiner), Grey Gardens; Totem Pole: Leader of The Pack; Washington Savoyards:
The Music Man; Toby’s Dinner Theatre: Hairspray, Aida, The Wizard of Oz, George M!. EDUCATION: AMDA of NYC. Upcoming:
Titanic at Signature Theatre
Ashleigh King (Ensemble) is thrilled to be back at Olney Theatre Center. She has previously appeared
at Olney Theatre Center in: Joseph..., Grease (ChaCha), How to Succeed..., Disney’s The Little Mermaid,
and Godspell. NATIONAL TOUR: Elephant & Piggie’s: We Are in a Play! DC AREA: The Kennedy Center:
Debbie Allen’s; Brothers of the Knight, Dreams, Pearl, Pepito’s Story; Elephant & Piggie; Studio Theatre:
Torch Song Trilogy (Lady Blues), Rocky Horror Picture Show (usherette); Signature Theatre: Hairspray
(Dynamite), Dreamgirls (Effie White u/s); Adventure Theatre-MTC: Alexander and the Terrible, Horrible...
(Nick), Pinkalicious (Mrs. Pinkerton); Toby’s Dinner Theatre: High School Musical (Taylor), Aida, White Christmas, Ain’t
Misbehavin, Hairspray (Dynamite/Motormouth), CATS (Rumpleteezer); Riverside Center: Seussical (Gertrude), Bye Bye
Birdie (Ursula), Grease (Rizzo), 42nd Street (Anytime Annie).
Nick Lehan (Ensemble) OLNEY THEATRE CENTER: Cinderella, Joseph..., Big River. NATIONAL TOUR: Peter
and the Starcatcher. DC AREA: Signature Theatre: The Fix, Elmer Gantry, Company, Sycamore Trees (u/s);
The Kennedy Center: Camelot (in concert); Studio Theatre: Bloody Bloody Andrew Jackson; Keegan Theatre: Spring Awakening, RENT; Washington Savoyards: Grand Night for Singing; Toby’s Dinner Theatre:
Spamalot [2015 Helen Hayes Award nomination for Featured Actor], Pirates of Penzance, Aida, Smokey
Joe’s Café. EDUCATION: The Catholic University of America. UPCOMING: Titanic at Signature Theatre.
Nurney (Ensemble) is happy to spend another summer here at Olney! OLNEY THEATRE CENTER: Carmen: An Afro Cuban Jazz Musical, Guys & Dolls (Rusty Charlie), The Producers, Disney’s The Little Mermaid (Flotsam). DC AREA: THEARC Theater: Truth: The Musical (Popple); Toby’s Dinner Theatre: Shrek,
Spamalot [Helen Hayes Award nomination for Outstanding Ensemble], The Wiz, The Color Purple [Helen
Hayes Award nomination for Outstanding Resident Musical]. EDUCATION: B.S. Communication Studies
Towson University 2013.
Maria Rizzo (Ensemble) OLNEY THEATRE CENTER: Grease. REGIONAL: Signature Theatre: West Side
Story, Cabaret, Gypsy (Louise - Helen Hayes Award nomination), Spin, The Best Little Whorehouse in
Texas, Xanadu (u/s); Arena Stage: Fiddler on the Roof; Keegan Theatre: Cabaret (Sally Bowles - Helen
Hayes Award nomination), The Sunshine Boys, Spring Awakening; Studio Theatre: Carrie the Musical;
1stStage: Bat Boy; Toby’s Dinner Theatre: Hairspray, Nunsense, Cinderella. EDUCATION: The Catholic
University of America, BM, Musical Theatre. UPCOMING: The Gulf at Signature Theatre. @mariarizz9o
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WHO’S WHO - CAST
Kristin Yancy (Ensemble/Dance Captain) is thrilled to be making her OLNEY THEATRE CENTER debut as
a member of this brilliant production! OFF BROADWAY: Queen of the Night (Nadia). NATIONAL TOUR: West
Side Story (Alicia, u/s Anita). REGIONAL: West Side Story (Rosalia, u/s Anita). TV: Organic Valley, Abzyme Research Foundation, Ford Motor Company, VH1+, VeriaTV, Target. EDUCATION: Washington University in St. Louis (B.A. Comparative Arts), Joffrey Ballet School, San Francisco Conservatory of Dance.
Special thanks to Christopher d’Amboise, Will Davis, and the wonderful MSA team, and all the love in the
world to my beautiful family and friends. “I merely took the energy it takes to pout and wrote some blues.”—Duke Ellington
Rachel Zampelli (Eva) OLNEY THEATRE CENTER: Godspell, Avenue Q. REGIONAL: Two River Theatre
Company: Orestes: A Tragic Romp; New Rep: Romeo and Juliet, Into the Woods; Greenbrier Valley Theatre:
Nevermore; Black Swan Theatre (Special Appearance), Oregon Shakespeare Festival: Breast Entanglements. DC AREA: The Kennedy Center: Lost in the Stars (Washington National Opera), The Gift of Nothing;
Folger Theatre: Rosencrantz and Guildenstern Are Dead, The Comedy of Errors, Orestes: A Tragic Romp, A
Midsummer Night’s Dream; Ford’s Theatre: The 25th Annual Putnam County Spelling Bee, Shenandoah;
Signature Theatre: The Fix, Dying City, Brother Russia, Chess, See What I Wanna See, The Happy Time; Studio Theatre 2nd
Stage: Bloody, Bloody Andrew Jackson, POP! [Helen Hayes Award nomination for Outstanding Supporting Actress], Jerry
Springer: The Opera, Reefer Madness; No Rules Theatre Company: Stop Kiss; Adventure Theatre-MTC: ‘Twas the Night Before
Christmas; EDUCATION: BA in Theatre, Santa Clara University. UPCOMING 2016-17 SEASON: Signature Theatre: The Gulf,
Midwestern Gothic; Olney Theatre Center: Sweeney Todd; Shakespeare Theatre Company: The School For Lies.
Jane Zogbi (Ensemble) is thrilled to be a part of her first professional production here at Olney Theatre
Center. She is a rising sophomore at Point Park University, and is pursuing a degree in dance and musical
theatre.
WHO’S WHO - CREATIVE
Andrew Lloyd Webber (Composer) is the composer of some of the world’s best-known musicals including Cats, Evita,
Joseph and the Amazing Technicolor Dreamcoat, Jesus Christ Superstar, The Phantom of the Opera, and Sunset Boulevard.
His latest musical, the hit stage version of the movie School of Rock, opened on Broadway in December 2015. His awards,
both as composer and producer, include seven Tonys, seven Oliviers, a Golden Globe, an Oscar, the Praemium Imperiale, the
Richard Rodgers Award for Excellence in Musical Theatre, a BASCA Fellowship, the Kennedy Center Honor and a Grammy for
Best Contemporary Classical Composition for Requiem, his setting of the Latin Requiem mass which contains one of his best
known compositions, “Pie Jesu”. He owns seven London theatres including the Theatre Royal, Drury Lane and the London
Palladium. He was knighted by Her Majesty The Queen in 1992 and created an honorary member of the House of Lords in
1997. He is passionate about the importance of music in education and the Andrew Lloyd Webber Foundation has become
one of Britain’s leading charities supporting the arts and music.
Tim Rice (Lyricist) has worked in music, theatre and films since 1965 when he met Andrew Lloyd Webber, a fellow
struggling songwriter. Rather than pursue Tim’s ambitions to write rock or pop songs they turned their attention to Andrew’s
obsession – musical theatre. Their first collaboration was an unsuccessful show based on the life of Dr. Barnardo, the Victorian philanthropist, The Likes Of Us. Their next three works together were much more successful – Joseph and the Amazing
Technicolor Dreamcoat, Jesus Christ Superstar, and Evita. Tim has also worked with other distinguished popular composers
such as Elton John (The Lion King, Aida), Alan Menken (Aladdin, King David, Beauty and the Beast) and Bjorn Ulvaeus and
Benny Andersson (Chess). He formed his own cricket team (Heartaches CC, still going strong) in 1973 and was President of
the MCC in 2002. He recently wrote and presented a 52-part series for BBC Radio 2, American Pie, a trawl through the music
and musicians of every American State. He has won several awards, mainly for the wrong thing or for simply turning up.
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WHO’S WHO - CREATIVE
Will Davis (Director) is a director and choreographer focused on physically adventurous new work, and the newly appointed artistic director of American Theater Company in Chicago. Recent projects include: Evita for Olney Theatre Center,
Men on Boats by Jaclyn Backhaus for Clubbed Thumb’s Summerworks, receiving a remount at Playwrights Horizons in
August; Orange Julius by Basil Kreimendahl; Mike Iveson’s Sorry Robot for PS122’s COIL Festival; and two productions of
Colossal by Andrew Hinderaker for Mixed Blood Theater and Olney Theatre Center, for which he won a Helen Hayes Award
for outstanding direction. Davis has developed, directed and performed his work with New York Theatre Workshop, Clubbed
Thumb, the New Museum, Olney Theatre Center, the Alliance Theatre, the Playwright’s Realm, the Fusebox Festival, New
Harmony Project, the Orchard Project, the Ground Floor Residency at Berkeley Rep, Performance Studies International at
Stanford University, and The Kennedy Center. He is an alum of the Soho Rep Writer/Director Lab, the NYTW 2050 Directing
Fellowship and the BAX (Brooklyn Art Exchange) artist in residence program. He holds a BFA in Theatre Studies from DePaul
University and an MFA in Directing from UT Austin.
Christopher d’Amboise (Choreographer) Born into a family of dancers, Mr. d’Amboise has had many careers: dancer,
choreographer, director, and playwright. As a principal dancer with New York City Ballet, he worked closely with both George
Balanchine and Jerome Robbins, originating works as well as performing major repertoire. On Broadway he earned a Tony
nomination co-starring with Bernadette Peters in Andrew Lloyd Webber’s Song and Dance. His television credits include two
appearances on the esteemed Kennedy Center Honors, where he performed most recently in honor of his father, legendary
ballet performer Jacques d’Amboise, and previously to honor his mentor, Jerome Robbins. His other television appearances
include Live from Studio 8H, the solo Dr. Pepper commercial, and the Oscar and Emmy Award-winning documentary He
Makes Me Feel Like Dancing. As a choreographer, Mr. d’Amboise works both in theater and ballet. He has created over 100
works seen worldwide in cities including London, Prague, Paris, Copenhagen, New York, Lisbon, and Istanbul. His ballets
have been presented in over 30 companies including the New York City Ballet, Royal Ballet of Flanders, Pennsylvania Ballet,
National Ballet of Amsterdam, and the San Francisco Ballet. His latest work, Bedtime Stories, premiered with the Saint Louis
Ballet in 2016.
Colin K. Bills (Lighting Designer) is pleased to be returning to Olney Theatre Center, where he has previously designed
Marjorie Prime, Guys and Dolls, Colossal, Peter Pan, and Venus, among others. He is a Company Member at Woolly Mammoth Theatre Company where he has designed over forty productions, including Stupid F–ing Bird, Clybourne Park, and The
Convert. As a Conspirator with the devising company dog & pony dc, he has collaborated in the writing, direction, and design
of A Killing Game and Beertown. His designs have been seen at the Berkshire Theatre Festival, Center Stage, Contemporary
American Theatre Festival, Dallas Theater Center, Everyman Theatre, Ford’s Theatre, Forum Theatre, Imagination Stage,
Intiman Theatre, The Kennedy Center, Marin Theatre Company, Metro Stage, Olney Theatre Center, Opera Lafayette, Opéra
Royal Versailles, Portland Center Stage, Round House Theatre, The Smithsonian, Signature Theatre, Studio Theatre, Synetic
Theatre, Theater J, the Washington Revels, The Wilma Theater, and the Williamstown Theatre Festival. Colin has won three
Helen Hayes Awards and is a recipient of a Princess Grace Fellowship in Theater. He is a graduate of Dartmouth College. Colin
is an Olney Theatre Center Artistic Associate.
Lane Elms (Sound Designer) REGIONAL DESIGN: Signature Theatre: West Side Story, The Fix, Cabaret, Kid Victory, Diner,
Elmer Gantry, Sunday in the Park with George, Cloak and Dagger, Beaches; Studio Theatre: Silence!; Triad Stage: Brother
Wolf. ASSISTANT DESIGN: Triad Stage: Tobacco Road; Alliance Theatre: Jelly’s Last Jam. BROADWAY ENGINEER: Hair (tour).
NATIONAL TOUR ENGINEER: Sister Act, Mary Poppins, Hair, The Color Purple, Go Diego Go Live!. REGIONAL ENGINEER: A
Christmas Carol, Next To Normal, I Dream, Class Of 3000, Smart Cookie, Sleuth, Jesus Christ Superstar Gospel, Degas’ Little
Dancer, Sophisticated Ladies, Gem of The Ocean/Radio Golf, Seussical, In The Red and Brown Water, Curvy Widow, The
Women of Brewster Place. EDUCATION: UNCSA 2006 (Sound Design).
Josiane M. Lemieux (Production Stage Manager) Previous Olney Theatre Center credits include Carmen: An Afro-Cuban
Jazz Musical, Guys and Dolls, Hay Fever, Carousel, Disney’s The Little Mermaid, Colossal, How to Succeed in Business
Without Really Trying, Once On This Island, Sleuth, You’re A Good Man Charlie Brown, The Sound of Music, Witness for the
Prosecution, Opus, and Dinner with Friends. OFF-BROADWAY: The Acting Company’s Jane Eyre, Murder By Poe and Richard
III. REGIONAL: Ten seasons with The Shakespeare Theatre of New Jersey, most recently Oliver Twist, and The Taming of the
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16
WHO’S WHO - CREATIVE
Shrew; The Huntington Theatre Company: Circle Mirror Transformation and Stick Fly; Crossroads Theatre Company: One Mo’
Time and Yo Soy Latina; In Actu Theatre: Murdering Marlowe; Playwrights Theatre of New Jersey: Whores; Shakespeare
Festival/LA: Twelfth Night. NATIONAL TOURS: The Acting Company (2004 and 2007) and TheatreWorksUSA. She is an
Olney Theatre Center Artistic Associate and a member of Actors’ Equity Association.
Arnulfo Maldonado (Scenic Designer) is a New York City based set and costume designer. Olney Theatre Center debut.
OFF-BROADWAY: the world premieres of Anne Washburn’s transadapted Iphigenia In Aulis (Classic Stage Company), Max
Posner’s Judy (Page 73), Jenny Schwartz/Todd Almond’s IOWA (Playwrights Horizons), and Men On Boats (Playwrights
Horizons); Grounded (Page 73); generations (Soho Rep, Hewes Design nomination); Not What Happened (BAM Next Wave
Festival). REGIONAL: Macbeth (The Old Globe); Hillary and Clinton (Philadelphia Theater Co); Veils (Barrington Stage Company); Grounded (Cleveland Play House); The Barber of Seville (Central City Opera); Seven Homeless Mammoths Wander
New England (Two River Theater). DC AREA: As You Like It (Baltimore Center Stage). EDUCATION: MFA NYU Tisch School
of the Arts. www.arnulfomaldonado.com
Ivania Stack (Costume Designer) is delighted to return to Olney Theatre Center, where she is an Artistic Associate. Previous Olney Theatre Center credits include: Marjorie Prime, Bad Dog, Godspell, Colossal, I and You, Rancho Mirage, Joseph
and the Amazing Technicolor Dreamcoat, and Farragut North. Regional: Center Stage: Stones in His Pockets; Contemporary
American Theatre Festival: Lidless and Breadcrumbs; Berkshire Theatre Festival: Way Out West. DC Area credits include:
Woolly Mammoth Theatre Company (Company Member), Round House Theatre, Studio Theatre, Studio Theatre 2nd Stage,
Everyman Theatre, Theater J, Kennedy Center Theater for Young Audiences, GALA Hispanic Theatre, Synetic Theater, MetroStage, and Forum Theatre. She is a Ring Leader (Artistic Director) for dog & pony dc. Education: MFA in Design Program,
University of Maryland.
Christopher Youstra (Associate Artistic Director - Music Theater/Music Director/Orchestrations) As the past resident
music director, Mr. Youstra has music directed and conducted around 35 musicals at Olney Theatre Center, including Carmen:
An Afro-Cuban Jazz Musical, Carousel, Godspell, How to Succeed In Business Without Really Trying and Avenue Q. He has also
music directed at many of the other local theaters including Ford’s Theatre: The 25th Annual Putnam County Spelling Bee,
Little Shop of Horrors; Studio Theatre 2nd Stage: Bloody, Bloody Andrew Jackson, Jerry Springer: The Opera, Pop!, Passing
Strange; Studio Theatre: Adding Machine: A Musical; Round House Theatre: Once on This Island, A Murder A Mystery A
Marriage, The Summer of ‘42, and The World Goes ‘Round; Toby’s Dinner Theatre: Les Misérables, The Color Purple, Titanic,
Beauty and the Beast, Aida, The Producers, Godspell, Rent, Miss Saigon, Ragtime: The Musical, Chicago; Imagination Stage:
Rapunzel, Sleeping Beauty, Miss Nelson is Missing; The Kennedy Center Theatre for Young Audiences: Nobody’s Perfect,
Chasing George Washington, Dr. Wonderful, Knuffle Bunny; Arena Stage; Burn Brae Dinner Theatre; Montgomery College;
American University; Musical Theatre Center; Signature Theatre; and Columbia Center for the Theatrical Arts. Mr. Youstra
has been nominated for nine Helen Hayes Awards for Outstanding Music Direction and received the award for Titanic. He is
director of music at St. John the Evangelist Parish in Columbia, has worked with both Phoenix Productions and Troika Entertainment national touring company and toured both Europe and Korea with Smokey Joe’s Café. As a composer, Mr. Youstra’s
music has been heard throughout the area, including The Dancing Princesses at Imagination Stage, Big Nate: The Musical
(with Jason Loewith), the Helen Hayes Awards, the 2014 Summer Hummer, and the opening gala of the ATLAS center.
Jason Loewith (Artistic Director) recently directed Olney Theatre Center’s critically acclaimed production of Marjorie
Prime. Previous Olney Theatre Center productions include Carousel, the NNPN Rolling World Premiere of Steven Dietz’s
Rancho Mirage as well as Avenue Q and How to Succeed in Business Without Really Trying [2015 Helen Hayes Award
nomination for Outstanding Musical]. Jason won Lucille Lortel, Outer Critics Circle, and Jeff Awards for Best New Musical for
Adding Machine: A Musical, which he co-wrote with composer Joshua Schmidt (off-Broadway, 2008). His latest musical is
Big Nate: The Musical which premiered in 2013 at Adventure Theatre-MTC, co-written with Olney’s Associate Artistic Director
Christopher Youstra. Recent regional work as a director includes the world premiere of Broke (Alliance Theatre, Atlanta),
Time Stands Still (Everyman, Baltimore), Crime and Punishment, and Working It Out (Center Stage, Baltimore), Adding
Machine: A Musical (Studio Theatre, DC), and a dozen plays for Chicago’s Next Theatre Company, where he served as
Artistic Director from 2002-08. Those credits include the Chicago area premieres of Dying City, Defiance, The Long Christmas
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17
WHO’S WHO - CREATIVE
Ride Home, and Fabulation. He conceived and directed the world premiere of The American Dream Songbook, and produced
Chicago premieres by Caryl Churchill, Suzan-Lori Parks, Carson Kreitzer, Sam Shepard, Dael Orlandersmith, and many more.
He is a three-time grantee from the NEA for Artistic Excellence, a recipient of support from the Rockefeller MAP Fund and
MacArthur’s International Connections Fund, and a TCG New Generations Future Leaders grant. Jason joined Olney as Artistic
Director in 2013 after serving four years as Executive Director of the National New Play Network. Jason is the proud recipient
of a 2015 Montgomery County Executive’s Award for Excellence in the Arts and Humanities, and serves on the board of
Governors for theatreWashington.
Debbie Ellinghaus (Managing Director) joined Olney Theatre Center in August 2014. At Olney, she partners with Artistic
Director Jason Loewith to lead the staff and execute the mission and vision of the Theatre. She also serves as a liaison to
Olney Theatre’s Board of Directors, of which she is a member. Prior to joining Olney, she was the Director of Development at
the University of Maryland, College of Arts and Humanities where she raised major gifts to help advance student scholarship
and academic programming. From 2005-2011, she was the Senior Associate Director of Development at Yale School of
Drama/Yale Repertory Theatre in New Haven, CT. At Yale, she she was part of a university-wide campaign that raised
more than $3.8 billion and included transformational gifts for Yale Rep from the Andrew W. Mellon Foundation and the
Robina Foundation, which established the Binger Center for New Theatre. Ms. Ellinghaus was the Director of Development
at Jean Cocteau Repertory (New York, NY) and held positions at the Guggenheim Museum, the Cathedral School (NY)
and the Epiphany School (NY). She has a Bachelor of Arts Degree from the University of Maryland (College Park) and is a
graduate of the New Actors Workshop, where she studied with George Morrison, Mike Nichols, and Paul Sills. Since 2013,
Ms. Ellinghaus has served as Chair of the Downtown Columbia Arts and Culture Commission, a not-for-profit organization
that helps to preserve the cultural significance of Merriweather Post Pavilion and provides support to other arts and culture
organizations in Howard County, MD.
Celebrate Summer With
THE MUSICAL
June 24 - July 2
July 22 - 31
Tickets start at $23!
To purchase tickets, visit montgomerycollege.edu/sdt or call 240-567-5301.
301.924.3400
OLNEYTHEATRE.ORG
18
EVITA
A CONTEXT GUIDE
Since its 1978 premiere, Tim Rice and Andrew Lloyd Webber’s Evita has breathed new life into the historical figure of
Eva Perón. Her iconic pose on the balcony of the Casa Rosada has been re-enacted live for audiences across the globe,
and since the release of the 1996 movie starring Madonna, for millions more in cinemas. Evita is seen as the Mount
Everest of musical theatre roles for women, and “Don’t Cry For Me Argentina” is one of the most famous songs in the
musical theatre canon. Evita is undoubtedly one of the most famous and financially successful bio-musicals in Broadway
history; unfortunately, two hours in the theater isn’t nearly enough time to learn all there is to know about one of the
most inspirational and controversial figures in modern political history.
The central problem with enshrining somebody as an icon is that icons are, by literal definition, two-dimensional. Even
when the word is applied to a person, it refers to selected qualities of that figure, such as leadership or strength. After
more than sixty years of her history being rewritten, and in large part thanks to the success of Evita, the historical
Eva Perón has been eclipsed by the icon of Evita; a two-dimensional image of Evita probably holds more meaning for
contemporary audiences outside Argentina than Eva’s actual legacy.
Many contemporary Argentines hold Eva and Juan Perón close their hearts. Peronism is still considered an essential
element of the liberal Partido Justicialista (Justice Party), which was in power from 1989 until last year. Eva is generally
viewed as the epitome of generosity and kindness towards the less fortunate, and a foundation in her name exists as a
charitable institution run by individuals that act in accordance with those principles. Because her legacy represents such
forceful advocacy on behalf of the lower classes and women, politicians have tried to gain popular support by employing
her image or words. Ex-President Cristina Fernández de Kirchner, who led Argentina from 2007 to 2015, was often
compared to Evita during her election and presidency. Kirchner was dogged by accusations of corruption and cronyism
during her tenure, and rose to political power alongside her husband Néstor Kirchner, Argentina’s President from 2003
until 2007. She employed Evita’s image during her 2007 campaign; after being elected, she displayed an image of Evita
behind her during presidential speeches, and her administration commissioned two 100-foot high iron murals of Evita
to decorate the Social Development Ministry building in Buenos Aires. Just like in the story of Eva and Juan, economic
downturn and discontent among the middle class eventually led to opposition against the Partido Justicialista, and the
party’s 26-year-long run of presidential power ended with the election of 2015. Employing the icon of Evita was a
romantic way to begin a political campaign, but ultimately could not hold the love of the people.
Icons of all sorts need examination from time to time, which
is why Olney Theatre Center’s production of Evita looks
and feels different from prior productions. Lloyd Webber
and Rice’s operatic narrative is one version of a short and
rich life, but certainly neither definitive nor historically
faithful. Eva and Che Guevara, the original inspiration
for the character of Che, never met, yet audiences all
over the world have come to learn about her through his
narration of the musical. Two British men wrote a rock
opera narrated by a world-famous revolutionary, wresting
control of the story away from Eva herself. Largely because
of this musical, the icon of Evita lies on shaky dramaturgical
ground, but beneath it is the real Eva Perón who ignited
the world for a short time. Yes, she graced the balcony of
the Casa Rosada alongside her husband, but she also used
the streets of Buenos Aires as her personal stage and the
radio waves as her vehicle to the Argentine people. This is
the Evita we hope you see on our stage and will embrace
with us—a multi-dimensional young woman faced with
her own mortality and concerned with her immortality, not
just an image on a page.
—Alexandra Ley, Dramaturg
CONTEXT GUIDE
As Eva Perón’s popularity and power grew throughout the 1940s, she began to cultivate her image for
the Argentine people. Eva’s formal education was
fairly limited, but her comprehension of celebrity
politics put her ahead of her time; she understood
that her strong physical presence was the foundation of the people’s love for her. Eva’s signature style
differentiated the political animal of Evita from the
other roles that Eva had previously inhabited: María
Eva Duarte Ibarguren the illegitimate child, Eva Duarte the mediocre actress and radio personality,
and Juan Perón’s gold digging wife Eva. The style
of Evita was, essentially, what made Evita.
Retrato del Presidente Juan Domingo Perón y su
señora esposa María Eva Duarte de Perón. The
official portrait of President Juan Domingo Perón,
accompanied with the First Lady, María Eva Duarte
de Perón. By Numa Ayrinhac.
F
rom a young age, Eva possessed ethereally pale skin, and her
early public attempts to make up her face with cosmetics were heavily
criticized. She eventually settled on using just red lipstick and forgoing
makeup on the rest of her face.
T
he chignon Eva wore was easy for her to pull out at the end of a long
day, but also gave her a sort of halo that augmented the perception that
she was Argentina’s ‘Peronist Madonna.’ She dyed her hair blonde for a
film shoot in 1945 and never returned to brunette.
C hristian Dior was a favorite designer of Evita’s, and created many
of her signature outfits. She was fond of football shoulders, large hats,
and platform shoes that she could walk in. One of the secrets to Evita’s
success was that she worked with very specific stylists who understood
her fashion style and needs.
EVITA
Timothy O’Brien and Tazeena Firth’s costume designs in the
1970s established the glamour of Evita’s public image and the
flavor of 1940s Argentina, a precedent that has been followed
ever since in successive productions.
Madonna had a reported 85 costume
changes in the 1996 film adaptation, a
Guinness World Record.
E
ach time she shifts costume, it is very deliberate, a specific moment of change or
growth in her life. This pared down version of Evita is a very different approach from
many productions, where Eva’s journey is illustrated with a fashion show parade of
constantly transforming costumes.
- Ivania Stack, Evita Costume Designer
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22
Is Proud to Support
Olney Theatre
Alan Wheedleton
Director, Financial Planning
David Lubitz
Director, Financial Planning
Howard County Office
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Alan Wheedleton and David Lubitz are Investment Advisor Representatives and offer advisory services through
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23
CORPORATE AND FOUNDATION GIFTS
This list consists of contributions of $250 or more for the period 3/1/15 through 5/31/16
$1,000+
$100,000+
Adventure Park
America’s Charities
Bernard Family Foundation
Fidelity Charitable Gift Fund
Graham Holdings
National Philanthropic Trust
Eugene B. Casey Foundation
$500+
America’s Charities
CQI Associates, LLC
MedImmune, LLC.
National Housing Endowment
- In honor of Robert Mitchell
United Jewish Endowment Fund
$50,000+
Matching Gift
Companies
$10,000+
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Financial Planning, Investment & Wealth Management services provided through EagleStone Wealth Advisors, Inc.
Tax & Accounting services provided through EagleStone Tax & Accounting
$2,500+
Dallas Morse Coors Foundation
for the Performing Arts
Government Support
Edelman Financial
GEICO Philanthropic Foundation
IBM International Foundation
Johnson & Johnson
PEW Charitable Trusts
Verizon Foundation
In-Kind Donations
MaryLee Adams
J. Roger Bentley
Brooke Grove Retirement Village
Debbie and Andrew Ellinghaus
David and Laura Epstein
Susan and Jay Finkelstein
Diane Grimes - In memory of Bill Grimes
Suzanne Gust
Mr. Stanley Hall
Mr. and Mrs. Jason King Jones
Ann M. Laurence
Kathryn Lindquist and Terry Newendorp
Mr. Jason Loewith
Kathleen Quinn
Ruth A. Pollack
Michael Ricciardella
Margaret T. Roper and Clifford L. Johnson
Linda Rosenzweig and Sandy Bieber
Martin and Dorothy Sachs
Frank and Monica Sparber
Deborah Vicino
Maryland Department of
General Services
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24
INDIVIDUAL GIFTS
This list consists of contributions of $250 or more for the period 3/1/15 through 5/31/16
$500,000 +
Bob and Eveline Roberts
$100,000 +
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$50,000 +
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$10,000 +
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Rhonda Friedman and James Rafferty
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Helen Marshall
Kathleen Quinn
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Patricia Woodbury
$5,000 +
Anonymous - In memory of Kate Gibson
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$2,500 +
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Robert E. Hebda
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Marilyn Henderson
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Nettie Horne
Lane and Cheryl Jennings
Andi Kasarsky
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Sidney Kramer
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The Honorable Karen S. Montgomery
and Mr. Harry Montgomery
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the Mulitz-Gudelsky Family
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and Alan Wade
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and Mrs. Catherine S. Leggett
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and Mr. David A. Vignolo
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Ken and Jaki Ulman
Adolph Vezza
OLNEYTHEATRE.ORG
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OLNEY THEATRE CENTER THANKS THE FOLLOWING FOR THEIR GENEROSITY
J. Watkins and Dr. Brad Frey
Robert and Sarah Wheedleton
Dr. and Mrs. Steven C. White
George A. and Katherine C. Whitehouse
David and Deborah Yaffe
$250 +
Anonymous
Sarah Allen and John Anderson
JoAnn and Dean Aulick
Carol Ballentine
Fran and Harvey Berger
Tim and Julia Boulay
Arden M. Brady
Richard Brush
Glen and Robin Cameron
Dan and Cheryl Chartier
Katherine and Wil Chase
Patricia Corridon
Clare Crawford-Mason
James and Denise Duda
David Dunn
Ms. Noreen B. Friedman
Lawrence and Joan Friend
Lucian and Lynn Furrow
Peter Glassman - In honor of
Rhonda Friedman
Ed Grossman and Rochelle Stanfield
- In memory of Howie Stanfield
Samuel Hack and Dr. Anita Solomon
Freddi and Dick Hammerschlag
David and Sara Harris
Joshua and Ana Rita Hauge
Rob and Shar Hellie
Elizabeth A. Henriksen
Ms. Linda Lurie Hirsch
Charles and Pamela Hofmann
Ms. Susan B. Hughes
Arthur and Laura Ibers
Mr. and Mrs. Jason King Jones
Elizabeth S. King
Emanuel and Aimee Kokotakis
Beverly G. Landstrom
Barbara Latvanas
Linda Levy and Dennis Kronenberg
- In honor of Victor Shargai
Carol and Tim Leydig
Mrs. Lillian Litowsky
Marcia D. Litwack
Jesus and Alicia Lizarazo
Katherine C. Madaleno
Peg Mancuso
Frederick and Betty Marcell
Edwin M. Martin and Nancy A. Spangler
Linda and Tom McCabe
Ms. Donna P. Mergliano
Frederick and Elizabeth Montgomery
Reginald and Chrissie Nash
Allyson and Bob Parlock
Wesley Pickard and Jeanette Studley
Dr. Carole A. Rayburn
Robert C. and Rose M. Ridgway
Cokie and Steve Roberts
Donald Sauer
Julia and Peter Shawhan - In honor of
Susan J. Shawhan and National Players
Ms. Susan J. Shawhan
Cora and Murray Simpson Family Fund
Carl W. Smith and Michael L. Burke
Patricia M. Smith
Roger and Carolyn Sorensen
Gary and Janet Sowers
Wyman and Tine Stone
Susan Stracquatanio and Thomas Jones
Lois Taylor and Stephen Simpson
Peter Threadgill
Carrie and John Trauth
Dr. and Mrs. Mark A. Wallace
Ms. Beverly Walling
T and Tara Watts
Helene Weisz and Richard Lieberman
A NOTE FROM YOUR FINANCIAL DIRECTOR
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Prosper
Protect
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financial future. At EagleStone, we provide a full spectrum of investment
management, financial planning, wealth advisory, accounting, and tax services
so we can help secure Your Financial Future with Your Goals in mind.
Rooted in the Olney Community, we are here to help you get started. Contact
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Financial Planning, Investment & Wealth Management services provided through EagleStone Wealth Advisors, Inc.
Tax & Accounting services provided through EagleStone Tax & Accounting
301.924.3400
OLNEYTHEATRE.ORG
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SAVE THE DATE FOR THE RETURN OF...
A FREE All Day Event
at Olney Theatre Center!
Saturday, August 20
O LNEY THEATRE CE NTE R
FEATURING: Beer Garden • Food Trucks • Film Screening of Mary Poppins
Live Music featuring Olney Big Band and Rocketeria • Master Classes in Acting/Voice/Dance
Used Costume and Prop Sale • A Look Back at Olney Theatre Center History with Jim Petosa
Free Readings of New Plays • MUCH, MUCH MORE!
PLUS:
Special Concert at 8pm: The Sounds of Summer with
Tracey Lynn Olivera, Rachel Zampelli and Bobby Smith
($35/$25 member discount/$17 students & kids)
AUDIENCE SERVICES
Theater Policies
Latecomers are seated at the discretion of the house manager. Please do not bring food into the theater (beverages are
allowed). All buildings are smoke-free. The use of recording
or photographic equipment during the show is prohibited.
Olney Theatre Center is not responsible for any items left on
our campus. All children, including babies, require a ticket.
We will ask parents to take their children to the lobby if
their behavior is disturbing patrons. Please turn off your cell
phone in the theater.
Sign-Interpreted Performances
Sign interpretation is available for the third Thursday evening during a show’s run. The service must be requested
two weeks in advance and is based on the availability of
qualified interpreters. To request this service, please email
[email protected].
301.924.3400
Post-Show Discussions
Join the artistic staff and/or invited guests after select Saturday matinees for AfterWords. Please call the Box Office
at 301.924.3400 for more information on these events.
Listening Assistance
We offer devices that amplify sound free of charge in exchange for identification. Please ask the house manager
for assistance. (This service is not available on the third
Wednesday evening of a show’s run.)
Audio-Described Performances
Audio-described performances are offered during the third
week of a show’s run on Wednesday evenings. This includes
pre-show program notes and descriptions of the action,
scenery, and costumes during pauses in the dialogue.
OLNEYTHEATRE.ORG
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INDEPENDENT LIVING
Independent living
assisted living
rehabilitation
long-term care
memory support
301.924.3400
OLNEYTHEATRE.ORG
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ABOUT OLNEY THEATRE CENTER
Olney Theatre Center is an award-winning, nonprofit, Equity theatre. Our mission
is to produce and present extraordinary theatre and performance on our fourtheatre campus for an ever-more diverse set of audiences in our community, and
to educate the next generation of theatremakers to follow in our footsteps. We
strive every day to unleash the creative potential of our artists and audiences,
and in so doing, become Maryland’s premier center for theatre performance
and education. In the past two years, Olney Theatre has produced seven world
or regional premieres, including Andrew Hinderaker’s Colossal (2015 Charles MacArthur Award for Outstanding New Play or
Musical), and Jennifer Hoppe-House’s Bad Dog (2015 Steinberg Award nominee). Olney’s shows and educational activities
are accessible and affordable, and we strive to provide a thought-provoking and enjoyable theatrical experience.
Olney Theatre Center is situated on 14 wooded acres in the heart of the beautiful Washington-Baltimore-Frederick “triangle,”
within easy access to all three cities, and is also home to National Players, America’s longest-running touring company. Olney
Theatre Center is led by Artistic Director Jason Loewith and Managing Director Debbie Ellinghaus. For more information, please
visit www.olneytheatre.org.
Follow Olney Theatre Center on Twitter @olneytheatre and on Facebook at facebook.com/olneytheatre.
OLNEY THEATRE CORPORATION BOARD OF DIRECTORS
Executive Committee
Charles S. Mack..................................................................................................................................... President
Susan Finkelstein................................................................................................................................. Board Chair
Linda E. Rosenzweig.........................................................................................................................Vice President
Clifford Johnson.......................................................................................................................................Treasurer
Robert Mitchell....................................................................................................................................... Secretary
Jennifer Kneeland.............................................................................................................Immediate Past President
Directors
Phyllis Bottegal • George Bradford • Debbie Ellinghaus • Rhonda Friedman • Robert E. Hebda • Stephen Klein
Jason Loewith • Helen Marshall • William Meekins • T.J. Senker • Alan Wade • James Warring • Patricia Woodbury
Honorary Board Members
Stephen Kaufman • Anthony Morella • Mita M. Schaffer
William H. Graham, Sr. (in memoriam)
ARTISTIC ASSOCIATES
Actors
Evan Casey • Julie-Ann Elliott • Rick Foucheux • Helen Hedman • Valerie Leonard
Susan Lynskey • Donna Migliaccio • Paul Morella • Jon Hudson Odom • Tracy Lynn Olivera
Michael Russotto • Bobby Smith • Stephen Gregory Smith
Directors, Choreographers, AND Musical Directors
Michael J. Bobbitt • John E. Going • Eleanor Holdridge • Tara Jeanne Vallee • Mark Waldrop
Designers AND Stage Managers
Colin K. Bills • James Fouchard • Misha Kachman • Pei Lee • Josiane M. Lemieux
Milagros Ponce de León • Ivania Stack
301.924.3400
OLNEYTHEATRE.ORG
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OLNEY THEATRE CENTER STAFF
ARTISTIC
Artistic Director
Associate Artistic Director/
Director of Music Theater
Associate Artistic Director/
Director of Education
Artistic Apprentice
ADMINISTRATION
Jason Loewith
Christopher Youstra
Jason King Jones
Leah Wedge
PRODUCTION
Director of Production
Company Manager/
Assistant Production Manager
Technical Director
Assistant Technical Director
Shop Foreman
Carpenters
Resident Scenic Artist
Costume Shop Supervisor
Resident Costume Designer/
Assistant Costume
Shop Supervisor
Master Electrician
Properties Master
Resident Sound and
Projections Supervisor
Production Management
Apprentice
Company Management
Apprentice
Production Apprentices
Dennis A. Blackledge
Claire Kennedy
Stephen M. Greene
David Ash
Sarah Splaine
Joseph Caverly, Brad Ziegler
Fred Via
Jeanne Bland
Seth Gilbert
Samantha Campbell
Rachael Erichsen
Eric Bostic
Kathryn Lea
Charlotte Cugnini
Abby Bender, Trey Brazeal,
Mackenzie Bunch, Caron Davis,
Emily E. James, Tosin Olufolabi,
Benjamin Ramos, Jack Riley,
Kimberlee Vandenburg,
John Ponder White
SHOW STAFF
Associate Choreographer
Kelley Crandall d’Amboise
Assistant Director/
Choreographer
Robert Mintz
Assistant Music Director
Alexander Greenberg
Assistant Set Designer Anshuman Bhatia
Assistant Lighting Designer
Mary Keegan
Assistant Stage Managers
Emily E. James, Sarah Thompson
Deck Chiefs
Sarah Splaine, Ben Ramos
Props Caron Davis
Additional Costumes
Vincent Loucks
Wardrobe
Mackenzie Bunch,
Kimberlee Vandenburg
Wig and Hair Consultant
Anne Nesmith
Sound Engineer
Ed Solomon
A-2Tosin Olufolabi
Light Board Op
John Ponder White
Follow Spot OperatorsTrey Brazeal, Kathryn Lea
ProgrammersTyler Bristow, Ashley Wagoner
Additional ElectriciansTyler Bristow
Additional Painters
Anna Mihm, Abegael Uffelman
Additional Carpenters
Brendan Gregg
Managing Director
General Manager
Facilities Manager
Debbie Ellinghaus
Fred T. Paul
Michael Plater
DEVELOPMENT
Director of Development
Julie Carew
Manager of Institutional GivingTom Eisman
Individual Giving Manager
R. Wesley Meekins
Marketing and
Development Apprentice
Clara Huang
FINANCE
Senior Accountant
Business Manager
Chyeslan Buso
Kynda Reid
COMMUNICATIONS
Director of Marketing and
Communications Sales Director
Brand Director/
Graphic Designer
Marketing Associate
Patron and Volunteer
Services Manager
Box Office Supervisors
Front of House Supervisors
House Managers
Box Office Associates Marketing Intern
Joshua Ford
Weldon C. Brown
JJ Kaczynski
Kristina Erwin
R. Wesley Meekins
Chisomo Maluwa, Taylor Payne,
Josh Rose
Lucirae Cooley, Desirée Ward
Lina Al Dajani, Nic Lopez,
Ricardo José Meléndez, Barbara Scanlan
Judy Abrams, Jessica Comstock,
Vince Constantino, Shayla Garfield,
Marion Levy Qualls,
Rachel Spory-Harper, Emily Townsend
Becky Polinger
EDUCATION
Education Programs Manager Kevin Hasser
Dramaturgy Apprentice
Alexandra Ley
Education Apprentice
Katie Jeanneret
SPECIAL THANKS
Signature Theatre
Overland Pro Audio, Inc.
The Director and Choreographer are members of the
Olney Theatre Center for the Arts is a member of Theatre Communications Group, the national
service organization representing the not-for-profit American theater; the Cultural Alliance of
Greater Washington; the League of Washington Theatres; and the Baltimore Theatre Alliance.
Olney Theatre Center for the Arts is a professional theater employing members of
Actors’ Equity Association, the union of professional actors and stage managers
in the United States.
Actors’ Equity Association, founded in 1913, represents more than 45,000 actors
and stage managers in the U.S. Equity negotiates wages and working conditions,
providing a wide range of benefits, including health and pension plans. Equity
seeks to foster the art of live theatre as an essential component of our society.
Special thanks to our Season Sponsors
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OL NEY T H EATRE CE N T E R
This is more than a cancer network.
It’s a network of hope, right here
in your neighborhood.
MedStar Montgomery Medical Center in Olney is proud to be part of
the MedStar Georgetown Cancer Network. Now, patients in Montgomery
County have local access to Washington, D.C.’s only comprehensive
cancer center—designated by the National Cancer Institute—as well as
some of the most renowned cancer specialists in the country. Using the
latest treatment options and state-of-the-art procedures, we treat the
most important cancer of all: yours.
To learn how the MedStar Georgetown Cancer Network is giving new
hope to cancer patients, visit MedStarGeorgetownCancer.org/Olney
or call 855-546-0943 for an appointment.
301.924.3400
MedStar Montgomery Medical Center
MedStar Georgetown University Hospital
MedStar Washington Hospital Center
MedStar NationalOLNEYTHEATRE.ORG
Rehabilitation Network
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