idibc awards of excellence - John Henshaw Architect Inc.

Transcription

Showcasing BC & Alberta’s architects and interior designers
U
A
R
T
E
R
L
Y
PM 40063056
Q
FALL 2011 Vol. 12 No.2
idibc awards of excellence
architect gene dub | kitchen & Bath
Now Available at Robinson Lighting & Bath Centre
Balneo Sanos by BainUltra - With its refined design, this collection invites you to unwind in your
own special space as time stands still and cares drift away. Our luxury plumbing design consultants
use their knowledge and expertise to guide your special project.
®
www.rlrbc.com
Western Canada’s premier lighting and bath showrooms
Vancouver
2285 Cambie Street
604.879.2494
Coquitlam
1338 United Boulevard
604.523.6555
Edmonton
18511-104 Avenue
780.453.5714
Penticton
240 Industrial Avenue
250.492.2000
Saskatoon
829-46 Street E
306.664.2389
Kamloops
830 Laval Crescent
250.372.7738
Brandon
420 Van Horne Avenue
204.725.1968
Calgary
4120 Blackfoot Trail SE
403.245.8637
Winnipeg
1760 Ellice Ave.
204.784.0111
kitchen & bath :::::::
contents
Q
U
A
R
T
E
R
L
Y
FALL 2011 Vol. 12 No.2
www.designquarterly.ca
PUBLISHER
Dan Gnocato
[email protected]
Managing Editor
Cheryl Mah
Graphic Design
Tang Creative Inc.
CONTRIBUTING WRITERS
Avi Able, Christine Austin
Anita Griffin, Richard Iredale
Trinh Nguyen, Julie Okamura
B.C./ALBERTA SALES
Dan Gnocato
604.739.2115 ext. 223
ADVERTISING SALES REP
Naomi Koit
604.739.2115 ext. 224
PUBLISHED BY
PRESIDENT
Kevin Brown
06 Designer Profile Gene Dub
Gene Dub, a well known and respected architect in Edmonton,
has helped to shape much of the city for more than four
decades.
09 Special Supplement IDIBC Awards of Excellence
vancouver office
402-1788 W. Broadway
Vancouver, BC V6J 1Y1
Tel: 604.739.2115
Fax: 604.739.2117
Toronto office
1000-5255 Yonge St.
Toronto, ON M2N 6P4
Tel: 416.512.8186
Fax: 416.512.8344
Features
28 Kitchen & Bath
Honed Stone and Creative Countertops
Fall “Touches” for the Kitchen & Bath
The Modern Kitchen
The Ensuite takes Centre Stage
Enriching the Guest Experience
departments
04 From the Editor
35 IDA Modern Efficiency Through Technology
36 Architects in BC 5 Percent for the Planet
38 Design Headlines
Copyright 2011
Canada Post Canadian publications mail sales publication
agreement no. 40063056 – ISSN 0834-3357
Return all undeliverable Canadian addresses to:
Suite 1000 – 5255 Yonge Street, Toronto, Ontario, M2N 6P4
PRINTED IN CANADA
Design Quarterly is published four times a year by
MediaEDGE Communications Inc.
Yearly Subscription $26.40 + HST
REPRINTS: No part of this magazine may be reproduced in any
form — print or electronic — without written permission from the
publisher. Requests for permission to reprint any portion of this
magazine should be sent to the publisher.
For all subscription inquiries or changes of address, please
contact [email protected]
PROUD SPONSOR OF
February 8 & 9, 2012
March 20 & 21, 2012
On the cover: Xthum designed by Public Architecture and Communication
Design won IDIBC Best in Show. Nic Lehoux Photography.
November 6 & 7, 2012
The purpose of Design Quarterly is to reflect and represent
practitioners and professionals in the architectural, interior design
and design resource communities throughout British Columbia
and Alberta.
Fall 2011 | DESIGN QUARTERLY
3
::::::: from the editor :::::::
creative solutions
F
inding creative solutions is a big part of
what architects and designers do every
day. More often than not, practitioners
and firms are asked to find innovative
ways to do more with less. Case in point
is this year’s Best in Show winner at the Interior Design Institute of B.C.’s (IDIBC) Awards of Excellence.
Public Architecture + Communication Design
was able to transform a small classroom into an
inviting and engaging gathering place for aboriginal students at Kwantlen Polytechnic University.
Gracing our cover, Xthum succeeds on many levels
and delivers to the client group the flexible space
originally desired. The incredible transformation
illustrates smart cutting edge design is attainable
within a restrictive space and budget.
Xthum is one of six gold winners honoured by
IDIBC this September. Another 29 projects were
recognized with silver and bronze. The gala was
moved to the fall (from its traditional spring date)
to coincide with the IDSWest show and by all accounts, it was a great success.
All the gold winners are highlighted in the following pages of this issue. A complete list of winners can
be found on our website at www.designquarterly.ca
4
DESIGN QUARTERLY | Fall 2011
For our profile, we speak with Edmonton architect Gene Dub. Best known for his design of
the city’s iconic city hall, he has dedicated much
of his time and talent to shaping and revitalizing
the downtown core. His efforts at both making and
preserving history for the city were recognized with
his induction into the Edmonton Hall of Fame earlier this year.
This issue also contains our popular kitchen and
bath feature. We asked two designers to take a look
at residential and hospitality bath trends. In the
kitchen, we highlight countertops, cabinetry and
technology.
Finally, read about what architect Richard
Iredale’s firm is doing to make a difference for
the future. As climate change and greenhouse gas
emissions worsen, the building community can do
its part by committing to renewable energy and
water conservation strategies.
Cheryl Mah
Managing Editor
We s t e r n C a n a d a ’ s L a r g e s t S u p p l i e r o f H o m e A p p l i a n c e s
VANCOUVER
VICTORIA
CALGARY N.
COQUITLAM
EDMONTON S.
SASKATOON
KELOWNA
WINNIPEG
NANAIMO
SURREY
CALGARY S.
EDMONTON N.
ABBOTSFORD
RED DEER
REGINA
TORONTO
w w w . c o a s t a p p l i a n c e s . c o m
::::::: designer profile :::::::
distinctive architecture
By Cheryl Mah
Edmonton
R
enowned architect Gene Dub,
67, has earned a reputation for
unique designs and a vision for
Edmonton that has helped to
shape much of the city for more
than four decades.
His contributions to the city, particularly in
the downtown core, have resulted in numerous local, national and international awards.
The most recent accolade is a 2011 International Architecture Awards for the Jasper
Place Branch Library (with associate architects HCMA in Vancouver).
“We are interested in creating distinctive architecture,” says Dub about his firm’s
work. “Architecture should have some pride
involved and distinctive architecture is quite
important in developing a sense of pride.”
Established in 1975, Dub Architects is a
full service firm with extensive experience
in commercial, residential and institutional
projects. The firm’s team of 10 experienced
professionals emphasize design excellence
that reflects the specific needs of each client.
“To be a good architect, I think you’ve got
to be able to get into other people’s skin so
you can see things from their point of view.
It’s almost like being an actor,” explains
Dub. “It’s important to remember architecture, unlike art, is not formed for the sake of
form. It’s really the idea of solving a problem
for use by other people. So my philosophy is
always to try to understand who the other
people are and design both with them and
for them.”
6
City Hall
A significant portion of the firm’s portfolio consist of residential (condo conversions) and historic restoration and adaptive
re-use of heritage buildings. The firm is best
known for its work on some of Alberta’s
most prominent buildings including the
iconic Edmonton City Hall. Others include
Capital Health Centre, Seventh Street Lofts
and the McLeod Building.
Dub’s revival of the historic Alberta Hotel on Jasper Avenue is his latest endeavour
to reclaim local heritage. The once stately
building, torn down in 1984 to make way for
Canada Place, is being rebuilt as a four-storey landmark near its original location in the
downtown core.
“We are using all of the original stones,
bricks and cornices that were stored away
and forgotten until about five years ago,”
says Dub. “It’s creating a lot of excitement
and the most positive feedback I’ve ever received on a building.”
Other current projects include a pavilion
(made out of scaffolding) for Metropolis, the
city’s new winter festival in Churchill Square;
and the conversion of a historic former brewery into a boutique hotel in the river valley.
“In Edmonton, unlike Vancouver, the river’s
edge has not been well designed for use by the
public. We’re hoping to do that with this project,” says Dub. “We want to convert the brewery
into a hotel and add a couple of hundred housing units with shops at ground level. Right now
if you want to buy a drink or ice cream, you have
to go all the way to the top of the river valley.”
The firm also recently won a national design competition for a city park pavilion. It
was one of five winning firms with its concept
for a Net Zero pavilion at Mill Woods Sports
Park. The unusual design features a tree like
sculpture consisting of solar collectors.
“We’ve been pretty successful at competitions. I think competitions are important to
a practice to keep enthusiasm about design
high,” says Dub.
Projects are predominantly located in
Edmonton but the firm has done projects
as far as Saskatoon. A condo conversion
there called the 2nd Avenue Lofts is another
award winning project. The firm purchased
an abandoned Hudson Bay store there and
transformed it into 130 two storey lofts with
commercial use at grade. Almost the entire
1960 building was retained. It’s a good example of the firm’s commitment for adaptive
reuse of historic buildings.
“We don’t look to build just condominiums. We look for an opportunity to use an
older building. So almost of all of our projects
involve an older building,” says Dub. “When
we do any heritage architecture we try to be
faithful to the building’s original design. But
if we add anything to it, we do it with a modernist style so you can easily see what is authentically old and what is new.”
Born and raised in Edmonton, it’s not
surprising that Dub has such a deep affinity
with the city and has dedicated so much of
his time to its development. But architecture
wasn’t his first career choice.
leigh righton
Serving the ArchitecturAl And deSign community
in WeStern cAnAdA for over 55 yeArS
vAncouver
494 rAilWAy St
604.734.2758
cAlgAry
103-1207 11th Ave SW
403.245.9222
www.colin-campbell.ca
::::::: designer profile :::::::
Capital Health
Centre
“I actually didn’t entertain the idea of architecture until I was in university,” recalls
Dub, who initially studied psychology/sociology at the University of Alberta. “Somebody
suggested I go into architecture because
math and physics were my best subjects and
I kind of had an interest in art. So I took a
couple of art courses and fell in love with it.
The combination of those three influences —
psychology, math and art ended up being a
really good background for architecture.”
After graduating with a Bachelor of Arts in
1965, he attended the School of Architecture at
UBC. An important influence in his early career
was working one summer for Arthur Erickson
where he studied under Bruno Freschi.
He would then return to Edmonton and
while working for Jim Wensley Architects, he
entered his first design competition for the
Alberta Government Centre. His third prize
win ($5,000) for the competition in 1975 was
enough for him to strike out on his own.
“At that time I was already quite interested
in city planning as well as architecture. Almost on a dare, I ran for alderman and got
elected,” says Dub, who served on council
from 1977-1980. “But I found running a practice — at that time 20 people — and being an
alderman at the same time was pretty taxing.”
While politics wasn’t for Dub, his time sitting as a director of the Old Strathcona Foundation would spark his interest in preserving
and restoring old buildings.
8
Winning his second national competition for the Edmonton City Hall was
key to establishing the firm. Completed
in 1992, the steel and glass pyramid
building has proven to be an urban design success, particularly because of the
innovative city room and flexible outdoor plaza.
“The city room wasn’t in the original
budget but we put forth the idea and it
has turned out to be very successful,” says
Dub. “I’m probably most proud of that
building because of the effectiveness of
the city room in promoting the cultural
and political life of the city.”
Since then, the firm has grown and
excelled. The majority of their projects
are for other clients, but Dub estimates
they spend about 40 per cent of their
time developing their own projects.
The firm has developed about 20
buildings to date. Most are small scale
residential projects, under $20 million,
involving renovations and additions to
existing or historic buildings.
Being able to develop your own project, according to Dub, offers “more design freedom” and an opportunity to take
on interesting projects that traditional
developers might not.
“When you buy a building, you
don’t have to compromise your own ideas
of what should happen with it. If you’re
working for someone else, they’re usually
very motivated by profit. If we break even
and end up with an interesting project,
we’re happy,” he says.
Development projects have also helped to
the keep the firm busy over the years. “If we’re
ever slow, then we do a building for ourselves.
I think that has kept our juices flowing, excited us about architecture and kept us profitable,” says Dub, noting as a rule the firm sells
its condo buildings.
Dub’s business acumen also extends to
owning a brewery with last year’s opening of
Yellowhead Brewing. Located in the historic
1913 Shaw Building, the building was originally a cigar factory which the firm renovated
in 2005.
Dub currently owns several sites downtown and hopes to contribute to the urban
renewal needed in the area.
“I think downtown Edmonton has been
neglected and it needs as much as help as it
can get. Providing that we can continue to
get growth here, Edmonton is in a position to
turn around in a large way and we hope to be
a part of that,” says Dub.
Downtown Edmonton requires infill development to create a sustainable and vibrant
city and Dub sees that beginning to happen. “There are also some large important
projects that are going to happen — the airport in downtown will be converted into a
new sustainable community, the Royal Alberta Museum looks like it is going ahead
and perhaps we’ll get a new hockey arena.”
Dub would also like to see a school of architecture in Edmonton. It’s the largest city
in Canada without one.
“We need a school so there’s a constant
dialogue with the public about good local
architecture. Without a school, you don’t
seem to get that dialogue,” he says. “If we
had a school here we would be able to satisfy our architectural needs better than by
sending local students away, including my
own kids.”
Two of his three children are architects.
His son Michael, now with the firm, is a
graduate of New York City’s Cooper Union
School of Architecture. His daughter Claire
recently graduated from the Columbia
School of Architecture.
“I’m hoping to persuade her to come back
to Edmonton,” says Dub.
His wife Eva Bartel was also an architect,
who at one time was a partner in the firm.
“We used to have some pretty interesting
discussions about colour. But she left the
profession in 1995 to become a painter and
she’s much happier as a painter than an architect… partly because I can’t tell her what
to do anymore,” laughs Dub.
Earlier this year, his efforts at both making
and preserving history for the city were recognized with his induction into the Edmonton Hall of Fame.
“It was gratifying because you do this work
and you’re not sure if anyone’s appreciating
it,” says Dub.
After more than 40 years, he remains
hands on with projects and enjoys the design
aspect of architecture and working directly
with a client towards creating a concept.
“I still enjoy drawing by hand rather than
by computer. If I haven’t sketched a building for a week, I have to go sketch something
else,” he says with a chuckle.
When Dub is not at work, he travels with
his wife on painting adventures around
North America.
“She gutted an RV, redesigned it and rebuilt it as an artist studio so every year we
take off for several weeks and go paint some
part of North America,” says Dub. “Every second weekend, we go to the Rockies and paint.
It’s become a major part of our lives. I’m not a
professional painter but I love it.”
As for the future, his plans are to stay active
in the business.
“I would like to practice for another 10
years but if I see myself not performing to the
same level as in the past, then I think I’ll let
someone else take over,” he says. DQ
IDIBC Awards of
Excellence10
Hosted by Erica Sigurdson. Music by Mimosa.
Doors 5:30pm Awards Presentation 6:30
Champagne Reception to follow
Please RSVP by September 20, 2011
Visit www.idibc.org to obtain RSVP form. Tickets are limited.
Special Supplement IDIBC Awards of Excellence GOLD
positive change
C
hange can be positive and change can
create anxious moments. And so it was
with this year’s IDIBC Awards of Excellence Gala. The board’s decision to
move the gala from its annual spring occurrence
to a fall date in conjunction with IDSWest was not
one made without doubts. ‘Spring fling’ has a certain resonance — ‘fall fling’ not so much. Would we
be able to maintain the gala energy that has been
building over the previous years?
With 66 entries, the lively music of Mimosa in
the lounge and renowned Canadian comedian Erica Sigurdson as our snappy MC, we surpassed all
expectations. Congratulations to all gold, silver and
bronze award winners.
The IDSWest show floor extended the celebration of great design present at the Awards Gala by offering IDI’s
Awards committee an opportunity to stage the inaugural Peoples
Choice Awards.
Presentation boards of all gold award winners were displayed on
the IDSWest show floor and the public was invited to vote for their
favourite project. After several recounts, a three-way tie was declared.
Congratulations to the People’s Choice winners: Goldcorp Centre for
the Arts by Proscenium Architecture and Interiors Inc./CEI Architecture; ORU Restaurant and Fairmont Florist both by Mcfarlane Green
Biggar Architecture + Design Inc.
The Awards Gala celebrates excellence in interior design in B.C. I
personally, however, was celebrating something more.
From my perch on the stage I looked out on the
crowd and saw not just IDIBC award entrants and
recipients, design members and ever-supportive industry members, but members of a strengthening
united national interior design community.
It has been more than a year since, under the careful watch of then president Sally Mills, IDIBC along
with the other provincial member organizations of
IDC embarked upon organizational restructuring
with IDC becoming the design community’s national voice of advocacy. A week prior to IDIBC’s awards
ceremony, I was in Toronto attending IIDEX and
meeting with the seven other provincial design association presidents and directors at IDC. There was
determination in the air, consensus and optimism.
We are moving forward, there is change afoot, and
the future for the professional interior design community in Canada
is shining as brightly as this year’s awards gala.
Enough thank you’s cannot be said when an event this grand is
planned solely by volunteers. Thank you to all who contributed to
the success of this year’s awards.
The ink has barely dried on this year’s awards certificates and already the awards committee has called a meeting to discuss next
year’s gala event. 2012 — we are ready for you and whatever changes
and challenges you bring our way.
Alyssa Myshok
President, Interior Designers Institute of B.C.
Advertise in Design Quarterly and let us connect your
products and services to the design industry
Endorsed by the leading design and architectural associations, Design
Quarterly is the publication of choice by advertisers who want to connect
with the decision makers in the multi-billion dollar B.C. and Alberta design
marketplace.
To advertise your products, services and expertise or for more information on
customizing an advertising program, please contact:
Dan Gnocato
604.739.2115 ext. 223
[email protected]
www.designquarterly.ca
10
hytec.ca
an un e n cumb e r e d
oasis of calm
Seamount freestanding bath with fluted apron ( MODEL 3980F)
For detailed product information and where to
buy, please contact Hytec at 1- 800 - 871-8311.
B AT H S
A N D
W H I R L P O O L S
|
S H O W E R S
A N D
R E C E P TO R S
|
M O D U L A R
S Y S T E M S
a sense of place
BEST OF SHOW XTHUM, Kwantlen Polytechnic University – Public Architecture + Communication Design
by Cheryl Mah | Photos Nic Lehoux
Public Architecture + Communication
Design transformed a small classroom
into a flexible multipurpose space that
successfully fosters a sense of place
and identity for Aboriginal students
on campus.
L
ocated at Kwantlen Polytechnic University’s Surrey campus, the goal of this new Aboriginal Gathering Place was
to create a warm and inviting environment tailored to Aboriginal students for gathering, celebrating, storytelling,
studying and relaxing.
Working with local representatives of Kwantlen, Semiahmoo,
Tsawwassen and Katzie Nations, Public Architecture + Communication Design transformed a small classroom into a flexible multipurpose space that successfully fosters a sense of place and identity for
Aboriginal students on campus.
“Historically there have been recruitment and retention challenges
with First Nations students so this was a strategic initiative on the part of
the provincial government and the university. There are other ones being
built at other universities,” says Brian Wakelin, a principal at the firm.
In the search for solutions to the constraints of the small space,
the design team found inspiration and a design concept revolving
around the use of a basket like weave pattern for wall-scapes and ceiling elements. It’s used effectively to conceal the original room while
referencing native tradition, delivering much more than the longhouse originally envisioned by the client group.
12
The 25 ft x 30 ft classroom is in a concrete block building with a
standard t-bar ceiling with no ceiling height and no ability to excavate down, recalls Wakelin, so it became a “logical idea that we would
obscure any references to the conventional restraints of the room.”
“The building is so wonderfully banal that it’s a perfect foil to this
tiny jewel,” he adds.
The woven cedar ceiling-scape not only helps to define the various
zones but undulates around the room, creating highs and lows to add
drama in the space.
The woodwork uses small dimension lumber and was fabricated
off site. The use of a contemporary construction and fabrication
methodology to create the cedar wood elements is a fitting expression of First Nations culture and contemporary architecture. It also
resonates with the modern post-secondary institution setting.
Using a digitally driven “building without drawings approach,” a
succession of computer-numerically-controlled (CNC) produced
prototypes were eventually used to create the intricate weave form
that defines the space.
“We took our computer files and gave them directly to a wood fabricator who translated all of the files into plywood templates — each
one was numbered and quite specifically located within the room,”
explains Wakelin.
Once brought onto the site, templates were laid directly on the
floor and carefully mapped out prior to installation. The inner cedar
lathe was hand applied on site which allowed for coordination with
mechanical and electrical services.
“The lath is vertical in orientation when it comes down the skylight
and it’s meant to allude to rain, landscape and water — all which
resonate with the four nations,” says Wakelin.
A new skylight and exterior entry was incorporated into the room
to evoke connections to the sky and forest.
“The room is at the end of a long double loaded corridor so we
broke through the end of the corridor with a little new vestibule to
build a connection to an existing stand of trees beyond,” says Wakelin, adding the skylight draws natural daylight down into the space.
In addition, a wall connecting the classroom to the corridor was
removed in order to create connectivity to the campus as a whole.
Location: Surrey, B.C.
Design Team: Brian Wakelin, John Wall, Matty Scolozzi,
Chris Forrest, David Zeibin
Square footage: 1,000
Other renovations included lighting and window upgrades, new finishes and furnishings.
Because fire is important to the First
Nations group for social, historical and
cultural reasons, a fireplace acts as the key
anchor for the modest space. The multipurpose room includes computer stations,
digital projection for group activities,
tables for studying or feasts and a simple
kitchen. Soft seating allows for students to
have informal discussions as well as for elders to continue the strong oral tradition
of storytelling.
Completed in October 2009 and officially
opened in May 2010, Xthum (meaning basket and drum) has been well received by the
client group and the students. The design
team was able to execute smart space planning to overcome a desired program far too
big for the space.
“We love projects like that — paring it back
to what’s essential and what’s the absolute
minimum programmatically that will do the
most,” says Wakelin. “We found a scheme
where it did really get pared back to the absolute minimum but when you look at, it
doesn’t look it at all.”
Although the design team anticipated
challenges with the innovative ceiling/wall
design, it was executed as planned.
“As it turned out, it was the conventional
building construction details that for whatever reason went slightly sideways or had its
peculiarities,” says Wakelin with a laugh.
The innovative project has earned the firm
several awards to date, the most recent being
awarded Best in Show and a gold award at
this year’s IDIBC Award of Excellence. Not
bad for the firm’s first commission.
“We feel really lucky and were very surprised at winning, especially for Best in
Show,” says Wakelin.
unwind
at the touch of a button
Transform your home into a peaceful retreat with
Lutron® motorized shading solutions.
Pico® wireless
shade control
At the touch of a button, quietly lower your shades to create privacy and tranquility,
or raise them to reveal the outside view.
Return the shades to your favorite level with one touch of the silver button.
#103 – 998 Harbourside Drive, North Vancouver, B.C. V7P 3T2
tel 604.986.0181 • fax 604.986.0125 • www.ftwc.com
13
RESIDENTIAL
Private Residence Kingston
John Henshaw Architecture Inc.
T
he project is an approximately 10,500 square foot holiday home for the client. The design goal for the private
single family home was to create a resort hotel like environment including indoor pool, sauna, hot tub, exercise and lounging room. The house explores a contemporary West
Coast style with extensive use of wood and natural stone to integrate with the landscape.
The firm was involved with both the architectural and interior designs. The team oversaw many aspects including the programming,
spacing planning, millwork as well as other areas such as art work,
countertops and windows.
Energy efficiency was achieved through spray foam insulation,
high performance windows, high efficiency gas boiler, hydronic heating in concrete floor topping. Other features included heat recovery
ventilation, indoor pool cover to prevent moisture evaporation. Large
windows allowed for an abundant amount of natural light.
During the design approval phase, the project changed ownership. The changes requested by the new owner posed some creative
challenges to minimize delays with the permits. The firm however
successfully delivered the project through some guesswork (since the
client was often out of contact due to their busy schedule) and last
minute changes.
Judges comments:
“Arrival experience achieved, hotel like,
it established a vocabulary and used it well.
An “ah-ha” experience, something new.”
Location: Vancouver, B.C.
Design Team: John Henshaw, Joy Chao, Kathy Cheng
Photo: Janice Nicolay
14
RESIDENTIAL
Private Residence — BYU Design
A
complete renovation and addition (only structure and
partial shell was retained) was done on this approximately 3,200 square foot private residence in North
Vancouver. The home represents the personality of the
family who lives there — bright, cheerful, and open for play and
entertainment, blending mid century modern with a west coast
aesthetic. The objective was to have an open plan that flowed,
while creating privacy and quiet zones, all the while respecting
and appreciating the amazing view. Stuart Howard Architects was
the architectural firm on this project, which completed in September 2009.
Two major challenges affected the outcome of the project. The
first was creating a bright plan while retaining and creating new
structure. By opening the south wall and adding structural beams
(that appear like coffers), the ceiling could be raised and a window wall could be added to the brighter south side of the home.
Secondly, halfway during construction a new bedroom needed to
be planned.
Judges Comments:
“Love the cubby wall, great feature — gives dimension
and storage. It works as a whole... great balance.”
Location: Upper Lonsdale, B.C.
Design Team: Cheryl Broadhead, Ada Bonini
Photographer: Ema Peter
the beautiful door
Introducing the
West end Collection
™
sleek,
architectural
Designs
Create InspIrIng Flush Door looks
Chic, metropolitan inspired designs feature bold
graphic elements offered in a smooth primed finish for
easy painting. equally positioned horizontal embossed
lines create an eye-catching profile on both the
Melrose™ and Berkley™ door designs. a well-placed
vertical line adds asymmetrical interest to the Berkley.
loCatIons
Vancouver Doors
9410 – 195th street
surrey, British Columbia
V4n 4g2
t: 604.513.5500
F: 604.881.2374
Calgary
Edmonton
Saskatoon
5367 – 50th street se 18150 – 109 avenue nW
814 – 48th street
Calgary, alberta
edmonton, alberta
saskatoon, saskatchewan
t2C 3W1
t5s 2k2
s7k 3Y4
t: 403.543.3260
t: 780.454.9681
t: 306.931.3066
F: 403.236.9178
F: 780.452.8869
F: 306.931.2397
Regina
205 leonard street
regina, saskatchewan
s4n 5X5
t: 306.536.3082
F: 306.721.3850
Winnipeg
989 C. keewatin street
Winnipeg, Manitoba
r2X 2X4
t: 204.632.7544
F: 204.632.7543
MULTI-RESIDENTIAL
Quintet Marketing Centre — BBA Design Consultants
T
he client’s objective was to create a marketing centre with a
commanding cultural presence indicative of the Asian community. The design concept references Chinese cultural elements throughout including the five elements, floral inspired
logo and fretwork lattice design. The centre featured one and two bedroom display suites, viewing gallery, building models, landscaped gardens, water features, closing rooms and a private dining room.
The design incorporates accessible washrooms and the main gallery floor has two glass-closing pavilions, one with stairs and one
without in a creative layout that doesn’t compromise the design and
accessibility. The logo design was incorporated into custom furniture
and lighting pendants that float over the glass pavilions.
One of the main challenges was to get the building up to construction and occupancy standards as it had been neglected for several
years. The roof had holes in it and mould and water had accumulated
throughout. The co-ordination and management of several creative
consultants also proved to be challenging.
Environmental considerations included reusing the existing building as a presentation centre for phases I, II, III. FSC engineered
wood veneer, hardwood flooring and LED lighting were used under
curved graphic walls. Existing ceiling tiles and the majority of existing windows were retained.
Judges Comments:
“Cultural references are interpreted in a way that is subtle.
Very successful in meeting the client’s goal.”
Location: Richmond, B.C.
Design Team: Sharon Bortolotto, Madeline Eng,
Brigido Lidbut, Jennifer Brown, Tyra Moorcroft
Photo: Ema Peter
16
WORKPLACE TOTAL
Rennie Art Gallery + Offices
Mcfarlane Green Biggar Architecture + Design
T
he Rennie Art Gallery and Offices is a very successful adaptive re-use project of two of Vancouver’s oldest buildings.
The strength of the interior spaces is in their ability to
honestly express the building’s structure and history while
framing a contemporary language of details and material.
The conservation and restoration project encompasses both an
original six-storey laneway brick building and its adjacent threestory street-front structure in Chinatown. The program combined a
private gallery with an office. The essence of the design approach was
simplicity where the architecture respectfully allows the collection
to shine.
This project is an example of the firm’s environmental mandate
for adaptive reuse over new build: to build only when and what is
necessary. In addition, wood from the building was reclaimed and
repurposed throughout the project into doors, washroom partitions,
meeting tables and reception millwork.
The team was challenged to marry two very distinct and separate
programs that were not to overlap within an existing shell. In addition, revitalizing two of Vancouver’s oldest buildings posed many
challenges where the design had to adapt and evolve to suit complex
site conditions.
With its seamless blending of old and new, it sets a new standard
in adaptive re-use.
Judges Comments:
“Contemporary and elegant space. Technically savvy details.
Good reuse, they know what they’ve got. I’m impressed
because it’s hard to create interiors.”
Design Team: Michelle Biggar, Michael Green, Susan
Scott, Tracey Mactavish, Hozumi Nakai
Photo: Nic Lehoux
Developed by Vitra in Switzerland
Design: Antonio Citterio
One concept, more than 8,000 chairs: With the ID Chair Concept, everyone will find the office swivel chair that is right for them.
All of the chairs are ergonomic. A study carried out at the Swiss Federal Institute of Technology Zurich supports this claim.
Companies benefit from the aesthetics, which bring about a unified visual appearance, and from the Green User Agreement,
a comprehensive service offer that ensures long-term use of the ID Chair Concept. www.vitra.com/id
to the trade
New Contract showroom at 405 Railway open soon. Phone 604-339-7645
www.informinteriors.com
MULTI-RESIDENTIAL
Caban — Insight Design Group
T
he Caban presentation centre, built by Cressey Developments, is located in the heart of Kelowna across from one
of the city’s best beaches. The Insight Design Group team
was involved with the interior as well as the exterior design of the building. The clean, contemporary lines of the interior
details and finishes reflect the minimalist design of the future mid
rise building and set the project apart from other developments in
the area. The design was driven by the casual, resort like feel to the
neighborhood and the marketing direction of the project. The combination of textured sandstone floors, clean white walls and warm
wood veneers used on the interior as well as the exterior were inspired by the colours and textures found in its beach setting. The two
storey presentation area features clerestory lighting allowing a flood
of natural light into the space and a full height slatted wood feature
wall creates a private area for the two closing offices in the back of the
space. The closing office furnishings and drywall “canopies” above
each table were detailed to appear like beachside cabanas to further
reference the lake and poolside living being marketed.
Judges Comments:
“The design is knitted together well. Very clean lines.
Successful in carrying the design throughout.”
Design Team: Allisa Karvonen, Kari Henshaw
18
HOSPITALITY
Earls Restaurant, Bellevue
E + Design and Construction
L
ocated at Lincoln Square in downtown Bellevue, this new
9,000 square foot restaurant marks the debut of Canadian
based Earls in Washington. As the first Earls to open in Bellevue, the design team took the opportunity to introduce
a West Coast style. The expansive open plan space features a clean,
contemporary design by E + Design and Construction. Warmth is
created in the well appointed interior by mixing large visual features
with intimate dining pockets and exposing the kitchen to express
their ‘kitchen is soul’ motto.
Sliding windows were installed to maximize daylight and ventilation. LED lights were used as general lighting and a Lutron dimming
panel was installed to control light levels. Washrooms feature low
consumption toilets/urinals and automatic hand dryers. Carpet and
floor tile throughout contain recycled content. Kitchen equipment is
Energy Star where possible.
The biggest challenge was making the enormous space with 28 foot
high ceilings feel warm and inviting. Ceiling heights also posed a challenge with lighting especially with Bellevue’s tight wattage restrictions.
LED lights were used wherever possible to reduce wattage amounts.
The design team successfully delivers a contemporary West Coast
style restaurant that is comfortable and upscale. The project was
completed in October 2009.
Judges Comments:
“The light is art and it works. Love the onyx stripes repeating
and washroom hallway. Took a high volume space made it
feel warm. Well executed and exciting.”
Location: Bellevue, Washington
Design Team: Marlis Joller, Elly Chronakis, Tara Robertson
Photo: Ed White Photography
Kate Holland Landscape
Accessories Ltd.
A complete variety of commercial
and residential garden accessories
as well as site furnishings for the
design professional.
1 (877) 531-8574
www.khla.com
Frances Andrew Site
Furnishings Ltd.
Offering a huge selection of commercial
site furnishings including benches,
trash receptacles, bike racks, tables
bollards and more!
1 (800) 565-6579
www.francesandrew.com
HOSPITALITY
Quantum Deli Bistro — Stem Interior Design
L
ocated in New Westminster, the client’s vision was for an
urban cafe combining a fresh nature inspired feel with a
sophisticated edge. To achieve this, bright greens pop were
used against a palette of silver, black and zebrawood. Innovative materials such as a black lacquer stretched ceiling, ribbon
glass counters and a wave slate wall were also incorporated.
The exterior features a beautifully back–lit sign, brick wall graphics, and frosted window vinyl impact.
Fitting the program requirements into 967 square feet was a
challenge for the design team. Despite the constraint every square
inch was thought out and has a purpose. Playing with ceiling planes
helped define areas and create a feeling of spaciousness.
Judges Comments:
“Every detail was well thought out.
It’s got a lot going on without being too busy. It pops!
They’ve done innovative things we haven’t seen.”
HOSPITALITY
ORU Restaurant — Mcfarlane Green Biggar
Architecture and Design
L
ocated in the Fairmont Pacific Rim Hotel in downtown Vancouver, Oru is an upscale restaurant on the second floor of the
hotel featuring an open kitchen, a private dining room and a
wine tasting area with the largest sake cellar in the city. The design firm developed a cohesive solution for Oru from interiors through to
branding, bespoke furniture and tableware. The 6,600 square foot space
features a spectacular 180 foot long by 5 foot wide origami paper sculpture
to provide a strong beacon visible from the street and lobby below.
The sculpture also plays an important role in creating a suitable
character during the morning and lunch sittings and uniquely evening experience at night. The origami sculpture contributed to the
solution of both these challenges in different ways.
Oru’s design illustrates a holistic approach to design. The designers developed the design concept congruently with the branding and
graphics. The name Oru has no direct translation but is derived from
the Japanese meaning ‘to fold’. Subsequently, folding materials and
forms evolved as one of the key interior design forms.
The design strives to embody the true spirit of sustainability —
providing great spaces with less, with more durable, lasting materials and a timeless design. This project was also the winner of the
inaugural Peoples Choice Awards.
Judges Comments:
“A smart design that does not rely on origami cliché.
Very understated, doesn’t shout.
Concept is so effective.”
Location: New Westminster, B.C.
Design Team: Tamara Naleway
Square footage: 967
Photo: Ema Peter
20
Design Team: Michelle Biggar, Steve McFarlane,
Seng Tsoi
Photo: Arnaldo Rodriguez
MAKING VANcOUVER MORE ENERGy EffIcIENT,
ONE DAzzlING lIGhTING PROjEcT AT A TIME
BEING POWER SMART MAKES BUSINESS SENSE
Ever been dazzled by Vancouver at night? Chances are, you were looking at buildings with lighting designed by
Nemetz (S/A) and Associates Ltd.
For more than 50 years, Nemetz has provided electrical engineering and lighting design services for some of
the most spectacular high-rises in Vancouver, including hotels, residential buildings and office towers. Lately,
they’ve also worked with BC Hydro’s New Construction Program to help their clients incorporate energy
efficiency into their new buildings, from the ground up.
“Energy efficiency is one of the most important design considerations for most major projects,” says company
President Steven Nemetz, “because you really can achieve significant savings through the right lighting sources
and controls. We’re well-versed in what BC Hydro requires to qualify a project for the New Construction
Program, and can help our clients take advantage of the program’s benefits, including incentives based on
electrical savings.”
BC Hydro’s New Construction Program helps reduce the cost of building better, greener, more energy-efficient
buildings.
Visit bchydro.com/construction or call 1 866 522 4713.
A11-41
WORKPLACE TOTAL
Telus House Toronto — Kasian Architecture Interior
Design and Planning/Figure3 Interior Design
K
asian was commissioned by Telus to design the interior
space of their new downtown Toronto office space. Occupying 13 floors at the Telus House, the new office was
designed to consolidate 15 Greater Toronto Area locations
and 2,000 Telus employees. The client wanted to demonstrate their
commitment to Toronto’s business community in a sustainable, technology rich, brand sensitive environment. The design is a prototype
of Telus’ performance oriented “Future Friendly Workplace”.
The facility includes a spacious open gallery reception area, boardrooms, conference rooms, training rooms, and a large data centre.
A fitness and wellness centre, lunchrooms, lounges and a gourmet
kitchen with a large outdoor patio complete this attractive workplace.
The project was designed with sustainability integrated from the
base building into the interior space and features access to natural
light, responsible finishes and product choice, and power saving strategies such as moment sensor lighting, and personal airflow strategies.
Integration of acoustic design solutions in a building with an open
plan and on a raised floor system required careful consideration in
order to mitigate program requirements encompassing privacy and
confidentiality. Additionally, the design team was required to work
very closely with the base buildings team since both designs were
happening simultaneously.
Judges Comments:
“The whole space is a composition. Creative space planning.
Use of graphics is interesting. Nice coordination and fun use
of materials. Love that ceiling.”
Location: Toronto
Design Team: Crystal Graham, Dean Matsumoto, Janine
Grossmann, Ralph Dopping, Liana Butt, Jenny Hobin,
Caroline Hughes, & Jennifer Tinson Of Figure 3
22
WORKPLACE TOTAL
iQmetrix — SSDG Interiors Inc.
S
SDG Interiors delivers an office for iQmetrix that is modern in form and colour with a combination of natural
and hi-tech materials providing interest and excitement
throughout the space.
The interior of this office was designed to foster collaboration and
to showcase the client’s innovative technology. The space was separated into two areas: the executive offices and the software design
open workstation area. The manner in which the executive and software designers function is quite different, but the design creates an
integrated team environment.
Bridging these two areas is a central social space comprised of a
cafe and lounge. It is a place for the entire team to collaborate, communicate, socialize, and relax.
The entry and the reception to the office is a blue stained pine
(pine beetle wood) surround. Strips of blue stained pine frame reception and seating areas that continues curving up the wall and onto
the ceiling, creating texture and contrast. Planning the reception slat
ceiling so pattern was uninterrupted by HVAC and lighting was a
challenge as well as designing connections to LCD’s throughout the
lounge inconspicuously.
The executive office area is faced with a glass and aluminum wall
system and sliding doors creating an open and approachable environment. Low panel workstations with customizable graphic panels
offer clear waterfront views.
Judges Comments:
“Very smart glowing cubes, touch screens are well thought
out, and finishes are applied carefully. Love the definition of
space by change of flooring.”
Design Team: Julie Campbell, Keath Seeton, Kenna
Manley, Lynn Hughes
Photo: Ema Peter
WORKPLACE PARTIAL
Camp Fiorante Matthews Lawyers
False Creek Design Group Ltd.
Celebrate in style.
F
alse Creek Design was commissioned to undertake the tenant improvements for this law firm specializing in aviation
litigation. The client did not want a stodgy, static traditional aesthetic but a space that was contemporary, symbolic
and multi-functional for clients and staff.
The front area of the space houses reception, waiting, touch down,
rolling bar and a divisible central boardroom.
The design team had to carefully balance an aesthetic that reflected the law firm’s specialization in aviation litigation without being
too literal. The solution was subtle references to aeronautics and
aviation through use of materials and detailing.
Metal, rubber, wood, plastics and stainless steel (all used for building aircrafts) were chosen for this reason.
The angled front desk apron and the side walls for the main meeting room echo wing shapes. Layered acrylic panel ‘towers’ clad the
columns to frame the front area, as does the pivoting wind screen
feature behind the desk.
In addition, the shape of the board room table and rubber inlay
mimics a 1922 jet engine patent design by Albert Fono. Custom designed waiting area seating is upholstered in ‘airline grey’, along with
an oak and glass winged coffee table.
Silhouette® window shadings
Manufacturer’s
Rebate Celebrate the Season
Limited Time Offer!
Visit this participating Hunter Douglas dealer from
Sept. 1st to Dec. 16th, 2011 to find out how you
can receive a Manufacturer’s Rebate on select
Hunter Douglas products.
604-231-1433
10-13331 Vulcan Way, Richmond
www.windowworks.ca
Judges Comments:
“Definitely a fun use of ceiling material.
Nailed the aeronautic influence.
Creativity level is very high.”
Design Team: Jim Toy, Dale Buote, Will Chan,
Jenna Mcbride
23
RETAIL OR KIOSK
Fairmont Florist
Mcfarlane Green Biggar Architecture + Design
PUBLIC SPACE/INSTITUTIONAL
Goldcorp Centre for the Arts
Proscenium Architecture + Interiors and CEI Architecture
O
T
he Fairmont Florist is a petite flower boutique located in
the Fairmont Pacific Rim Hotel in downtown Vancouver.
The design pivots on a single simple elegant element that
provides the flexibility for varied display opportunities.
This central plinth comprises of large jigsaw pieces that combine in
numerous configurations to transform the space.
The project, though tiny in size had an even leaner budget, which
is always a challenge. The firm was also the designers for both the
base building portion and the retail space requiring the team to wear
two hats to ensure both end uses were successful.
The essence of the design was simplicity – to build only what was
necessary in keeping with the firm’s environmental approach.
The design illustrates that creativity can provide even the smallest
of spaces with an efficient, flexible yet elegant solution. The client’s
vision to have a space to support their concept of a rotating gallery
display has been immensely successful.
This project not only stood out for the judges but also the public. It
was a winner of this year’s inaugural Peoples Choice Awards.
Judges Comments:
“Small space but I’m drawn to it.
So creatively done, so adaptable, and so clean.
It let’s the product shine.”
Design Team: Michelle Biggar, Seng Tsoi
Square footage: 215
24
pened in September 2010, the Goldcorp Centre for the
Arts is a five storey building located on the southwest
corner of the redeveloped Woodward’s site in downtown
Vancouver. It serves as a unique multi-disciplinary performing and visual arts facility that includes theatre, dance, film and
visual art studies. The school is intended as an interdisciplinary facility flexible in its design to allow the various faculties to collaborate
between themselves and with the local professional arts community.
It includes public space, performance venues, teaching studios, a
350-seat theatre, and a multimedia lounge and lab for new media.
Whenever possible, the design team selected suppliers that could
demonstrate good sustainable practice through their product line, as
well as recycling and support programs. In addition, finishes were
minimized wherever possible to allow the many structural materials
to be a part of the finished palette. Displacement and natural ventilation were used to provide fresh air.
The most unique challenge was the base building needed to be enhanced and modified to meet the programmatic needs of the school.
This was possible due to the fact that the base building and TI designs were done simultaneously. The comprehensive consulting team
had to work cooperatively.
Judges Comments:
“Achieved goal in a very original manner.
Nice job in lighting and bringing the ceiling down to
a more human scale. Good architectural and interior
design collaboration.”
Design Team: Kori Chan, Thom Weeks, John Scott,
Michael McNaughton, Dori Chan, Saeed Akhavan, Pablo
Yuste, Kimberly Dodge, Izabela Budlak, Andrew Brangwin,
Ryan Yapyuco, Tom Abele, Glen Maddock
Photo: Ed White
A TODD BRACHER COLLABORATION
© 2011 Shaw, A Berkshire Hathaway Company
DESIGN IS SOUND.
www.shawcontractgroup.com
BEIJING • CHICAGO • HONG KONG • LONDON • LOS ANGELES • MELBOURNE • MIAMI • NEW YORK • RIYDAH • SAN FRANCISCO • SHANGHAI • SINGAPORE • SYDNEY
PUBLIC SPACE/INSTITUTIONAL
221 West Esplanade — MCM Interiors Ltd.
M
CM Interiors successfully delivered a much needed upgrade to the former BC Rail
Centre in North Vancouver.
221 West Esplanade is a landmark six storey
office building strategically located near the
Seabus terminus in North Vancouver. The
objective for MCM Interiors was to provide
an upgrade to the existing ground floor exterior retail entrance and interior building two
storey lobby. The design team successfully
26
did that by creating animation and activity to
the main level of the building and providing a
stronger connection between the exterior and
lobby through lighting and material patterns.
Environmental considerations for this project
included specifying low-impact materials and
replanting exterior plants and trees.
The office building was modernized with
a new contemporary exterior and new landscaping. The project was completed in December 2010.
Judges Comments:
“A lot of style, very interesting.
Beautiful and iconic.The detailing
is great and relates well to the
whole project.”
Location: North Vancouver, B.C.
Design Team: Edith Wormsbecker,
Manuel Dias
Photo: Ema Peter
SPECIALTY DESIGN
Breeder Bar — False Creek Design Group
F
CDG was tasked to design a
creative and functional 2,000
square foot pop up bar feature
for a design and construction
tradeshow using lost cost, lightweight and
easy to assemble materials. The resulting
design features two inch blue rigid insulation panels, fibre optic lighting, low VOC
poly coated ply floor panels and folding
banquet tables. The fibre optic lighting
also served to create mood, light sculpture
and wayfinding.
Cut out patterns and graphics were generated using a 5 axis CNC machine to produce interlocking perforated back lit walls,
signage and bar front aprons.
Colour changing lighting form a continuous loop of ½ inch acrylic rod attached to
a main driver forms the ‘bunny ears’ popping up behind the front bar, as well as the
back lighting within the self supporting interlocking wall panels. As one of the sponsors for the bar feature, the design firm
focused on showcasing local millwork and
lighting technology while taking a tonguein-cheek approach in branding the bar.
The assembly of the entire bar used no
glues, fasteners or framing in its assembly. Challenges included prefabrication
off site and assembly time of eight hours
or less on site.
Design Team: Jim Toy, Adam Wingelaar
Square footage: 400
Judges Comments:
“Cute. Smart, clever and fun.
Great thought went into use of
materials and lighting.”
101 - 1626 West 2nd Avenue, Vancouver
604.569.0783 | 888.422.2217
www.bradfordhardware.com
27
::::::: kitchen & bath :::::::
honed stone and creative
countertops
Using an incredible piece of
stone can dress up a kitchen
that is only one colour.
I
t’s hard to beat the beauty of natural stone,
and it shows. Granite countertops consistently top the “most wanted” list, due in
part to their durability and rich composition. But it’s certainly not the only stone
on the block. Other natural stones commonly
used for kitchen counters include marble,
limestone and soapstone.
“Traditionally, stonework, especially bathroom stonework on vanities and tub surrounds has been created for aesthetics and
not necessarily functionality,” says Chad
Seiders, executive director, Artisan Group.
“The stone industry is now seeing a shift of
homeowners giving a back seat to functionality and using these more exotic such as White
Carrara and Calacutta Gold Marble in the
kitchen. There also is much more of a trend
toward using matte and honed finishes.”
Using these types of softer stones in high
traffic areas creates a chance for scratching and
etching with citrus, sharp objects etc.; but with
sealers such as Artisan Group’s Firstline Sealer
on the market, it is still possible to enjoy these
gorgeous stones in the kitchen. Firstline is a
V.O.C. compliant and protects against stains.
28
“Owners of upper echelon of homes, especially those in excess of $1 million, really want a stone style that is unique such
as rare marble or soapstone,” says Seiders.
Perhaps more than any other stone, marble
evokes images of sophisticated extravagance. Once found only in the homes of the
very wealthy, marble is now a much more
accessible luxury due to improved technology and availability.
Marble that is honed has a matte or satin
finish, rather than a high reflective polish.
This is achieved at the factory by stopping
just short of the last stage of polishing. One
feature of honed marble is that it does not
show etching as readily, making it a better
choice for marble countertops.
“We are adding marbles to the Artisan
Stone Collection that was launched with lifetime warranty granite,” adds Seiders. Colours
include: Calacatta Gold, White Carrara, Breccia Sarda, Dark Emperador and Crema Marfil.
Soapstone is often referred to as “the original stone countertop. Very prevalent in the
northeast used as a traditional look, Soapstone
is now being used with a flat edge for clean,
contemporary rooms. Because homeowners
now realize that soapstone can have so many
looks and is low maintenance, it is becoming
more popular. Artisan Group is launching its
own line of soapstone — Saratoga Soapstone
— to meet some of this demand.
Velvety soft and smooth with minimal
surface variations, limestone conveys a
feeling of calm and serenity. This stone is
often perceived as modern or contemporary in mood, making it perfect for a minimalist setting. Formed by the sedimentary
process underground and in riverbeds,
you will often find characteristic seashells
and fossils embedded in the surface. While
it shares a colour range similar to that of
travertine, it is, for the most part, devoid of
holes and depressions. Cream, ivory, gold,
sand, and smoky blue-gray are the predominant shades found within this stone’s
colour palette.
Natural stone is one of the most beautiful
and lasting choices for countertops and now
there are more choices than ever to get the
look you want: honed or polished, granite or
marble, contemporary or traditional. DQ
::::::: kitchen & bath :::::::
fall “touches” for the kitchen & bath
By Anita Griffin
F
all is all about change — and the
home is no exception. Traditionally a season of home renovations, this is the time of year when
homeowners trade poolside days
for DIY projects. It’s the time to ensure the
home is in tip-top shape — just in time to
welcome visitors and guests during the busy
holiday season.
This year, meaningful integration of technology will continue to be a focus in home
design. Designers and homeowners alike are
seeking out the latest innovations to enhance
daily activities in the home. From centralized
entertainment systems to smart grid-enabled
appliances to wireless network technology
used in home security.
technology in the bath
Ideally, technology should complement people’s lifestyle — not complicate them. Instead
of flashy displays — think simple, smart innovations with intuitive design to enhance the
end-user experience with everyday objects.
For example, hands-free electronics typically
found in public restrooms can now be experienced in the home bathroom. Imagine water
turning on and off automatically while you go
through your morning bathroom routine.
With technological advances in the bath
like this, consumers can be eco-conscious
without having to sacrifice comfort. Case
in point: according to a recent Angus Reid
survey, a surprising one in three Canadians
admits to leaving the water running when
brushing their teeth. By installing an innovative hands-free faucet in the bathroom,
homeowners can effortlessly use a smart
technology to help save water on a daily basis.
Neutral bathroom colours, natural materials
and decorative accents that make a statement
are key components in modern bathroom design. A mix of wood, glass, stone and chrome
can help pull this look together. Using ecofriendly materials is also a popular trend that
adds texture and sophistication to the design
— think linen, bamboo cloth, and even felt.
technology in the kitchen
Every home seems to have a budding chef
happily preparing feasts for friends and
family rather than dining out. With this
continuing trend, homeowners are asking
for ever more functional kitchens with ample work spaces to allow guests and family
to cook together. Rather than just an area to
prepare food, homeowners also want a space
where the whole family can comfortably
gather. Design details like dark wood, warm
metal finishes and rich earth tones bring a
rustic feel to contemporary kitchens. With
homes becoming smaller, these welcoming
details can transform kitchens into a place
for a home-cooked meal, family game night
or late-night chats.
Functionality in the kitchen is closely followed by the integration of smart technologies. Homeowners who have made the jump
to a kitchen faucet with touch technology
often remark how they can’t remember how
they ever lived without it! These faucets allow
the user to turn the flow of water on and off
with just a simple tap of the wrist or forearm.
It makes preparing food and cleaning up
afterward a breeze. Fewer hands on the faucet mean fewer sticky messes and less time
scrubbing down the faucet.
finishing touches
Adding warmth to the kitchen and bathroom
can also be achieved with luxurious finishes.
Look for bronze and gold tones in a contemporary-styled faucet for a soft, brushed gold
effect. For a rich, heritage feel, look for oil
rubbed bronze finishes. Heritage style products with a used-over-time look add charm
and a crafty feel to even the most modern
kitchen or powder room.
Add intrigue to a contemporary bathroom
with a multi-texture or multi-finish fixture.
The season’s newest fixtures combine lacquered white finishes with high-gloss chrome
to create a unique focal point. Other new fixtures contrast soft, graceful arcs with bold,
modern lines.
While stylish accessories and finishes are
important to the overall appearance of a
home, spaces must also be designed to be
comfortable, functional — and most importantly — livable. A perfect balance of technology, style and practicality can be struck, creating the ideal home environment for festivities
all year round. DQ
Anita Griffin is the marketing brand manager for Masco Canada and can be reached at
[email protected]. Masco Canada
Ltd., the Canadian plumbing division of Masco Corporation, represents numerous brands
including: Delta, BrassCraft, Brizo, Delta
Commercial, Hansgrohe, Motiv, Alsons, Master Plumber, PlumbShop and Waltec. For more
information, visit www.mascocanada.com.
29
::::::: kitchen & bath :::::::
the modern kitchen
By Christine Austin
N
ow more than ever, the walls
have come down and the kitchen has become part of the living space. There is something
about gathering in the kitchen
with food and drink that makes for a most joyous time. The open kitchen is now status quo.
Here are five top kitchen trends
1. The large island. As simple as a harvest
table or as intricate as a chef station complete
with gas burners, refrigerator drawers, prep
sink, and a pot rack. It can break up the monotony of wall to wall cabinets by using a contrasting finish such as a fabulous stone top or
a more intricate door style. This is where you
can create drama without committing to a
whole room of a powerful colour, busy wood
grain or expensive finish. The large island
multi-functions as a worktop, snack bar, buffet table, conversation piece and hangout.
2. The Furniture Aesthetic and Built-in
Appliances. Panelled to match the cabinetry it is difficult to see the fridge at all. With
fewer walls, clients wish to hide the appliances wherever possible and have the kitchen look more like furniture than its utilitarian predecessor. Drawing inspiration from
the adjacent space to create the furniture
aesthetic, I have matched an entire kitchen to a B&B Italia dining suite or used an
existing wall of cabinetry to determine the
accent finish. Double duty appliances, like
30
micro/convection or convection/steamer
ovens create space on counters. Refrigerator
drawers keep veggies handy at the prep area.
The wine captain is now on the must have
list of appliances. The custom hood canopy
is not just a staple in traditional kitchens,
Canopies created out of metal can be used
to update this ‘home hearth” design element
for contemporary kitchens. Gray is the new
neutral especially on a heavy grained wood
like white oak. Engineered veneers and caramelized bamboo are the go to finishes for
the green crowd. Accents in chartreuse and
orange are especially hot this year.
3. Clever storage. Interior fittings in such
a wide range of sizes, functions and finishes it makes your head spin and we want as
many as we can fit. Maximizing storage is a
must, especially with the condo crowd. Pantry pull-outs that also rotate for easy access
and cabinets designed just for waste management top the list. Narrow base cabinets
are not just for trays anymore. Pull-out racks
turn them into a pantry at your fingertips.
The Magic Corner replaces the lazy susan as
the go to accessory for base corners. Doors
don’t just swing open. Now they scissor up
or swing away and soft close is a standard
request for doors and drawers.
4. The Butler’s Pantry or Dirty Kitchen.
Having a space where the mess can be contained behind closed doors is desired wherever space allows. Usually it has a similar feel
to the “show” kitchen, only with low maintenance finishes. Where a separate room isn’t
possible, the Dirty Kitchen can be housed
in as little space as a two door pantry with
swing-away doors.
5. Kitchen Jewellery. For some it is a row
of aluminum and glass scissor doors. For others, heavily carved posts and appliques. Still
others a crystal fixture over the island, creative cabinet pulls, or an exciting finish on
the splash. Like pairing a great pair of shoes
with your little black dress, finding the right
accents will make the look uniquely yours.
For the bathroom, the vanity is not merely
a place to hide the toilet paper and hold up
the sink and faucet. Whether it is contemporary or traditional, the vanity will be a piece
of art on its own, especially in the powder
room where the client can really stretch their
boundaries and make a bold statement. In
the master ensuite, large showers with body
sprays, ceiling mounted shower heads and
bench seats are replacing jetted soaker tubs
as the go to luxury items.
From living space to cleansing space, the
furniture aesthetic creates a visual flow that
keeps the space tailored and uncluttered. DQ
Christine Austin, B.I.D, is an award winning, NCIDQ certified designer specializing
in kitchen, bath and “hard furnishings”
design. Contact: [email protected].
::::::: kitchen & bath :::::::
the ensuite takes centre stage
S yn th e sis De sign
By Trinh Nguyen
A
s design focused websites, blogs
and publications continue to
gain popularity with both designers and homeowners, innovative designs being produced
around the world are increasingly available
at the click of a mouse. Clients are becoming
informed and are well equipped with images
and concepts now more than ever before.
As consumers are inundated with advertising and new products quickly emerge on the
market, clients are more willing to be creative
and take risks with new ideas and designs.
With the kitchen having emerged as the
central hub of a home, ensuites are quickly
gaining importance as another room in which
clients are seeing the value in splurging. The
ensuite is now an integral part of the master
suite and to have a fully loaded ensuite is no
longer considered a luxury feature. Whether
the client is looking to turn their ensuite into
a relaxing spa-like sanctuary or a technology
filled playground, there are many new products that will show off the ensuite and take it
to centre stage in a home.
Architecturally, a unique and daring way
to showcase an ensuite is to incorporate
an “open-air” concept and have it open to
the outdoors. This concept can be found
most frequently in warmer climates which
allows for a comfortable experience while
showering or bathing outdoors. Of course
with our unpredictable Canadian temperatures to contend with, this level of exhibitionism is not often possible leaving most
clients to opt for enclosing their ensuites
behind oversized glazing which maximizes
natural lighting and highlights views of the
outside surroundings.
In most situations where designing an
open-air bathroom is not possible, an easy
alternative is to incorporate a functional
oversized glass shower. Where space is a
restrictive factor, many clients are choosing to eschew the bathtub all together and
are instead installing only a functional glass
shower. Most feature luxurious rainshower
heads, body jets and hand showers as well
as functional benches and built-in shampoo
niches. There are so many unique finishes
and tiles becoming available and having
a shower clad in natural stone or a unique
mosaic tile is becoming increasingly accessible to clients. With demand rising for affordable product, factories in Europe and
Asia are competing for North American distribution and therefore providing designers
and their clients with more affordable options than ever before.
Plumbing fixtures are another area of
the bathroom that clients are starting to
see the value in, especially when considering resale of their home. Bathtubs can be an
impressive feature and are now available in
multiple finishes such as glass and wood.
Some designs incorporate sliding doors and
drawers as a storage solution, especially
valuable in smaller bathrooms. Becoming
increasingly popular is the hands-free approach, with toilets and faucets operated by
motion-sensors providing germ-free peace
of mind to consumers. Taking the lead from
commercial design, residential toilets are
now being wall-mounted for a cleaner and
more contemporary approach, many featuring state-of-the-art multi-functional capabilities. A manufacturer from Japan has even
taken toilet technology one step further and
has created an “Intelligence Toilet” which
can measure your body fat, weight and sugar
levels in your system and can test your blood
pressure, then make recommendations for
diet and weight.
More options for the technology enthusiast are now available with a multitude of new
and innovative products hitting the shelves
and incorporating some fun into the ensuite.
For the environmentally conscious there is
now a sink drain available that is designed to
digitally measure water usage enabling the
client to keep track of the household water
consumption. If mood music is important,
another Japanese export is an Ipod toilet paper dock that is moisture resistant and holds
a roll of paper, plays music, charges the Ipod
and even has an integrated USB port. Televisions have been a common technology found
in bathrooms, and there is now a wall mirror
available that functions as an all-in-one mirror, television and PC all embedded behind
mirrored glass. For a more conservative approach where budget is a factor, there are
also many simple, inventive and affordable
products such as heated towel racks or automatic toothpaste dispensers that are designed for the everyday homeowner in mind.
As travel becomes more accessible every
year, designers and homeowners are circling
the globe and returning home with mental
snapshots of unique design ideas. For designers, as creativity is being fueled by information being passed around the world at light
speed, the sky really is the limit. DQ
Trinh Nguyen, Cert.I.D., is currently a
senior designer with Synthesis Design specializing in residential design and also senior
designer with WHG Design specializing in
commercial design. She is also the founder
and principal of Stylelab Design. Contact her
at [email protected] or visit www.
synthesisdesign.ca.
31
ARE YOU A
DO YOU
SUPPLIER OR SERVICE PROVIDER?
TARGET THE ARCHITECTURE AND INTERIOR DESIGN
COMMUNITIES?
WOULD YOU
PHOTO: DIETER JANCZAK
LIKE TO WORK WITH CONTRACTORS, BUILDING OWNERS,
PROPERTY MANAGERS, BUILDERS AND DEVELOPERS?
Act now for BUILDEX Vancouver
Join over 13,000 industry professionals at Western Canada’s largest tradeshow and conference for Construction, Design and Real Estate.
With over 600 exhibits, 50 seminars and 120,000 square feet of networking opportunities, you cannot miss this show!
Supplier or Exhibitor? Book your booth for best locations. Act today! Less than 10% of booths remain available.
VANCOUVER CONVENTION CENTRE
For more info and to reserve your exhibit space at BUILDEX Vancouver, please contact:
Mike Pelsoci
[email protected]
o. 604.730.2034
Ben Carson
[email protected]
o. 604.730.2032
FEBRUARY 8 & 9, 2012
A/D PLATINUM SPONSOR
buildexvancouver.com
Don’t miss BUILDEX Edmonton
The largest event of its kind in Edmonton, BUILDEX has become a must-attend trade show and conference for the Design, Construction and
Property Management Industries. BUILDEX Edmonton is your gateway to the Northern Alberta market.
Supplier or Exhibitor? Secure your position at the 2012 show today! Limited number of high-profile locations still available.
For more info and to book your exhibit space at BUILDEX Edmonton, please contact:
Wolfgang Ortner
[email protected]
o. 403.241.1088
MEDIA PARTNERS
Ben Carson
[email protected]
o. 604.730.2032
MARCH 20 & 21, 2012
EDMONTON EXPO CENTRE, NORTHLANDS
buildexedmonton.com
Plan ahead for BUILDEX Calgary
With over 4000 industry attendees and 250+ exhibits, this is Alberta’s largest industry event to NETWORK, EDUCATE and DISCOVER.
Supplier or Exhibitor? Start your planning early and secure the best booth locations.
For more info and to book your exhibit space at BUILDEX Calgary, please contact:
Wolfgang Ortner
[email protected]
o. 403.241.1088
Mike Pelsoci
[email protected]
o. 604.730.2034
NOVEMBER 6 & 7, 2012
BMO CENTRE, STAMPEDE PARK
buildexcalgary.com
VANCOUVER • F E B 8 & 9 , 2 0 1 2
EDMONTON • MARCH 20 & 21, 2012
C A L G A R Y • N O V 6 & 7, 2 0 12
BUILDEX shows are about designing, building and managing real estate.
buildexshows.com • 1.877.739.2112
More than 20,000 attendees annually • 800+ companies exhibit each year
::::::: kitchen & bath :::::::
enriching the guest experience
Hotel Bath Trends By Avi Abel
Watermark Designs has a full range of faucets,
grab bars and grid drains that complement any
contemporary or traditional bath environment.
conserving water and energy through a water usage program.
A
t a time when innovative and design-forward bath fixtures and
accessories often define the hotel guest experience, designers
have a wide variety of resources
at their command. When designing bath interiors, in particular, the whole of the bath
environment must be something greater than
the sum of its parts. Branding is also key, in
order to provide guests with a specific feeling
about the bath environment; one that they
will remember and that will encourage them
to return. As 2011 comes to a close, it’s an opportune time to look at several current bath
design trends that will help designers deliver
a superior guest experience in 2012.
Sleek & Streamlined. This is a key aesthetic
trend that continues to be prominent in the
hotel bath. It’s not only easy on the eyes, but
also goes a long way towards creating a pleasant feeling for guests. The sleek and streamlined aesthetic is expressed in products such
as grid drains with no visible screws and rare
earth magnets, which could almost function
as modern metal art. Monoblock faucets with
a smooth sleeve and small lever that blends
flawlessly into the fixture, continue to be in
high demand, as well as temperature and volume controls that are activated in one motion
by a hydro-progressive sleeve.
Water Conservation. Fixtures for the bath
that conserve water are not only more popular, but are becoming a necessity as cities
and states are passing more stringent green
34
building codes. As a result, more hoteliers
are opting for ecologically friendly, low-flow,
high-efficiency toilets that have dual-flush
functionality. In showers and faucets, pressure balance valves are being replaced with
thermostatic valves that have built-in volume
control and diverter in one, eliminating varied volume control and reduce flow rates.
Timeless Design. In the hotel world, you
are usually only as good as your last remodel.
However, with the diminished capital for both
renovation and new development, an antitrend is beginning to emerge: a return to timelessly designed bath products that have market longevity. Bath fixtures and accessories
that have classic finishes, such as aged brass,
copper and velvet chrome, are increasingly
becoming popular as hospitality budgets have
tightened. Likewise, products that feature familiar feminine lines, such as curvy spouts and
round, multi-faceted levers have also made a
comeback as hoteliers have sought bath products that won’t go out of style any time soon.
The Digital Bath. There is no denying it:
digital technology is revolutionizing the hotel bath space. From high-end toilets that
play music to steam shower temperature
controls and state-of-the-art shower systems with water conservation settings, recent digital advancements are giving hotels
opportunities to provide their guests with a
more personalized experience. Digital shower systems, specifically, are one place where
guests can be given a dose of high-tech while
Decorative & Universal. Hoteliers are always
looking for bath products that offer both decorative and universal design elements. Luckily,
many ADA-compliant bath products on the
market today prove that hospitality designers
do not need to sacrifice style in the name of universal design. Modern decorative grab bars put
the days of institutional-style grab bars behind,
setting new standards for seamlessly blending
design and function. In fact, decorative grab
bars are now very sexy and not a sore point for
architects when specifying ADA-compliant
guest suites. They offer the hospitality trifecta:
low maintenance, style and accessibility for elderly and disabled hotel guests.
Finish Line. When it comes to finishes, the
hospitality industry has moved in two interesting directions. We are seeing many hotel clients
gravitate towards the “vintage” chic look and
are subsequently requesting more raw brass
fixtures. Weathered brass is not necessarily an
easy look to achieve at the mass hotel level;
in fact, there are only a few bath manufacturers today who are skilled in the “oven curing”
process necessary to arrive at the right colour of
brass. On the opposite side of spectrum, matte
black finishes are gaining popularity in contemporary hotel bath environments. Designers
who choose matte black faucets say they are
doing so because it is the new “neutral,” complementing almost any vanity or countertop
colour, whether dark or light. It also gives the
bath a dramatic and contemporary look, not to
mention it’s fingerprint-resistant.
If there is one unifying theme to be found
among these trends, it’s that hoteliers are
always looking for new ways to enhance the
bath experience and make it truly unique
for their guests. As the hospitality industry
moves beyond the recession in 2012, we will
undoubtedly see more emphasis on the hotel
bath experience — one of the greatest joys of
a hotel stay. DQ
Avi Abel is the president of Watermark ID,
the custom division of Brooklyn-based Watermark Designs, which has been producing custom decorative plumbing fixtures for the luxury
hospitality industry for more than 30 years.
::::::: ida :::::::
modern efficiency through
technology
By Julie Okamura
T
he library. We all have one, whether it is small or large. It is the necessary evil in the design and architectural field that needs constant
attention. Over the past 20 years,
I’ve struggled with the size of my library. I
love having my samples and catalogues at
my fingertips, especially when we have those
projects that come in with impossible deadlines. Having the actual samples right when
you need them seems to make the selection
and design process faster without having to
wait for the reps to get them to your office.
The problem of course, is these samples and
catalogues take up too much precious office
space and can easily date and get discontinued if you don’t have a diligent representative
update your library on a regular basis. Within
the past decade, most companies rely on you
going to their website for their products and
information – which at the time seemed great
until their website goes down and it will take
3-5 days to get the products sent to your office. Also, it doesn’t matter how great the pictures are on that website, the colour, finish,
or texture never seems quite right once you
actually get it and then another week goes by
to get more samples in. Yes, technology and
access to the information at our fingertips is
supposed to help, but somehow I still can’t
get rid of my actual library.
They “say” technology is supposed to make
us all more efficient. I’m from the world when
I started interior design that the only people
that had cell phones were the very wealthy.
We didn’t have internet or email, and fax
machines still relied on that paper on a roll.
When I took AutoCAD in school, we worked
on a tablet and the electric eraser was a much
coveted tool. Twenty years later, manual drafting is now archaic and computer software is
continually advancing at such an incredible
pace, that as soon as you purchase anything it
is virtually outdated. Technology in the office
today is a constant expense which seems to get
even more expensive every year. Our computers never seem fast enough to handle the work
load that appears to get bigger every day. Our
iPhones, iPads and laptops, when lost or broken is an absolute disaster to all of us and we
cannot function without them. Gone are the
days of huge files of paper but when something breaks down or the server or internet is
down, we are completely incapacitated.
Technology has made us become way too
available. Clients and reps can get a hold of
us any time of the day or night. Emails never
stop and now texting seems to be a common
way of communicating from my clients and
contractors. The convenience of technology
has helped in many ways to make us more
efficient in the work day, as an 8 hour work
day 20 years ago, is nothing compared to an 8
hour work day today. We can work even faster
than before and produce more than we ever
could but is this really a good thing? Our demands from clients seem to be even greater as
technology has created even bigger expectations than before.
However, without technology, we couldn’t
have clients and projects in other cities and
countries as easily as we do today. Our mobility would be virtually impossible without the
use of internet, email, Skype and conference
calling, to name a few. As business owners,
it is easier for us to get away and travel the
world whether it is for work or pleasure and
to know that we can always be contacted or
be available for meetings or emergencies any
time that is needed. With the use of the internet we can “see” virtually anything around
the world, even if we cannot physically be
there. Our knowledge continues to grow daily
and it is the power of technology that makes
this possible.
Even though technology in today’s modern
office can be daunting and frustrating when
something “goes down”, at least we no longer
have to pick up that electric eraser when our
clients make changes! DQ
Julie Okamura, ASID, is owner and principal of Pop Design Group inc. in Calgary.
35
::::::: aibc :::::::
5 percent for the planet
By Richard Iredale
Robinson residential
A
nyone who follows the environmental press knows that the climate change situation is getting
worse fast. Last year the density
of greenhouse gas in our atmosphere increased by 2.3 parts per million to
398 ppm, well over the 350 cut off that climate scientists have long warned would mark
a tipping point. And there’s no end in sight.
Despite our anxiety about the future, we continue to drive the cars, fly the planes and live
in the buildings we’ve constructed. The CO2
levels in the atmosphere continue to ratchet
upwards, and at an increasing rate. If unchecked, the planet will soon become hotter
than it has been at any time during the past
40 million years.
We aren’t sure what the future holds. But
climatologists are able to construct models
of the possible outcomes of our current crisis. Here is the worst case scenario for our
planet: frozen methane deposits under the
warming ocean and in the melting arctic
tundras will thaw and bubble up, releasing
extraordinary amounts of greenhouse gas.
The earth’s climate will heat up year by year,
escalating exponentially until it reaches
Venus-like conditions. All life on the planet
will end.
36
home, Mayne Island.
The best case we can hope for, according
to all the models currently available — and
one that is only possible if we act quickly — is
this: glaciers and polar ice caps will become a
thing of the past. Drought, extraordinary sea
level rise (eventually reaching 75 to 100 meters) famine, floods and loss of arable land will
make life very hard for billions of people. Our
grandchildren will contend with problems we
cannot even begin to imagine. They may survive, but only by the skin of their teeth.
It is too late to avert climate change. But
what can the construction community do to
help keep the worst case scenario from occurring? What can we do right away to give
earth’s future children a chance at survival?
For starters, buildings have to take at least
a third of the blame for our current predicament. The heating, lighting and appliances
used in buildings make up approximately 35
per cent of global energy use and contribute
about 35 per cent of the total greenhouse gas
emissions released into the atmosphere by
human activity. If you take into account all
the other equipment used inside buildings,
such as computers and copiers, this number
jumps to 48 per cent.
But apart from adhering to basic insulation
requirements builders currently make very
little effort to cut energy use. Our LEED certification system, for example, is not nearly
as effective as it should be. Less than a third
of LEED certification points address energy
use directly and there is little or no effort to
evaluate actual building performance as opposed to computer estimates based on design
drawings. Many LEED buildings, though
they seemed good on paper, actually use a lot
of energy.
The manufacturing industry is fairing better. Over the past 20 years, the US and Canadian manufacturing sector has reduced the
per-capita energy it uses by an extraordinary
22 per cent, largely because it pays its own
monthly energy bills. The buildings and auto
sectors, in contrast, have only cut per-capita
energy use by 6.5 per cent. This is because
builders and automakers sell buildings and
cars on to consumers who then foot the utility bills. No one does the math. Low up-front
costs translate into high operating costs.
At Iredale Group Architecture we’ve started a campaign called “5 Percent for the Planet.” We have found that 5 per cent of total
building costs is approximately the amount
needed to add renewable energy to a project.
When designing a building for our client, we
pitch the option to them: spend an extra 5 per
::::::: aibc :::::::
The new 30 storey Credit
Suisse project in Vancouver
is targeting to achieve a
LEED Platinum.
cent on green energy systems and feel proud
to be investing in the long term survival of life
on earth. We point out that although building green may not yield an immediate short
term financial benefit, the extra cost is worth
it: Renewable energy pays a 5 per cent dividend (on average) and it’s an investment in
our children’s future and in the future of the
earth we all call home.
The green investments we recommend
include solar thermal hot water panels
mounted on roofs, geo-exchange wells beside or below buildings, sewage and waste
digesters (that reuse sewage and kitchen
waste to produce biogas), tiny, dry-waste
gasification burners that produce electricity,
as well as solar photovoltaic panels that produce electricity.
We recently designed a small home on
Mayne Island (near Victoria) for Peter
Robinson, CEO of the Suzuki Foundation.
Peter wanted to “go green” and was willing
to pay for it. We installed 30 solar hot water vaccuum tubes on his roof that collect
radiant energy from the sun. The hot water
is used for laundry, washing and bathing.
It also heats the house through tiny plastic
hot water tubes cast into the concrete floor
topping. On cold and cloudy winter days
we have to provide backup electrical heat.
Averaged over a year, the solar panels will
provide 75 per cent of the home’s heating
and hot water needs.
Renewable energy
pays a 5 per cent dividend
(on average) and it’s
an investment in our
children’s future…
We’re now using the system on two other
homes being built near Victoria, whose owners are willing to spend “5 Percent for the
Planet.” This time we are installing heat exchangers on the back of airtight wood burning fireplaces that will connect to the solar
system, providing extra heat on cold days.
This will completely eliminate the need to
rely on electricity for heat and hot water. A
small anaerobic digester that converts kitchen waste and sewage into biogas using specially engineered microorganisms will provide gas for cooking. (These bugs can even eat
paper and woody waste like corn husks and
squash peels from the garden). We expect to
generate about 3Kw-hr per day of gas energy
from the waste produced by a family of four
— enough to cook with.
Our designs reduce ground-water depletion
by collecting roof rainwater and using it for
toilets and laundry. We also collect and treat
grey water on site, reusing it for toilet flushing
and gardening. This water conservation provides much needed insurance against increasingly dry summers in our part of the world.
The need for electricity drops dramatically
when a house uses solar hot water and anaerobic digesters for heating and cooking. Electrical power for lights and computers is easily
produced by 25 solar electric panels mounted
on the roof. These solar panels help balance
the daily supply and demand for electricity by
connecting to the electricity grid of the surrounding community. When the sun is shining
and the solar panels are producing a surplus of
electricity, the house feeds energy into the grid.
At night when the solar panels are dormant,
the house draws electricity out again.
We are now applying the same ideas to
larger buildings. We are currently designing
a 30-story office tower for downtown Vancouver financed by ultra-green Credit-Suisse.
This high-rise will be 60 per cent self sufficient for energy and water. We will achieve
this goal by using solar panels, anaerobic digesters, an innovative system of radiant heating, natural ventilation, and rainwater collection. Another current project, the new Art
Gallery at Royal Roads university in Victoria
(The Robert Bateman Center) will achieve
80 per cent energy self sufficiency by adding
geo-exchange wells as further heat sources.
How much does it all cost? According to
our experience, these “green” innovations add
about 5 per cent to the total cost of any given
project. When we sit down with a new client,
we ask them to think hard about the future of
planet earth. We ask them to consider investing $5 of every $100 of construction in green
devices and technologies.
Five per cent for the planet does not seem
too much to ask.
Richard Iredale is a partner at Iredale
Group Architecture. His primary focus is the
sustainable design of civic, cultural, residential, and education facilities. www.iredale.ca
37
::::::: design headlines :::::::
ADVERTISING INDEX
Tofino Redined
A new 7,200 square foot marina and pier is set to open in May 2012 on Tofino’s downtown waterfront. Dredging is scheduled to start this winter. The marina and pier are
part of The Shore, a 27 unit luxury mixed-use development. Designed by Calgary based
McKinley Dang Burkart, the waterfront property reflects the beauty of its natural surroundings with fir ceilings and cedar beams in the penthouses and loft suites. As the
first concrete and steel residential condo building in Tofino, it sets a new benchmark for
development in the area.
The new marina will feature a restaurant and other amenity spaces along with storage
for surfboards and kayaks. It will also have a green roof.
An old B.C. Packers plant sat on the site for 15 years before Moss Developments decided
to redevelop it.
Hotel Design Awards
VanDusen Opens
Air Canada’s enRoute, together with the Interior Designers of Canada and IIDEX/NeoCon Canada, invited Canadian architects and
interior designers to submit new and extensively renovated hotels completed between
January 1, 2008, and December 31, 2010.
Winners of the first-ever enRoute Hotel Design Awards were:
VanDusen Botanical Garden Visitor Centre,
Canada’s first anticipated Living Building,
open its doors in October. Designed by Busby
Perkins + Will, the shape of the building was
designed to replicate the leaves of an orchid
with a stem located in the main atrium where
visitors can take note of as they enter the lobby. The stunning centre features a café, western Canada’s largest horticultural library,
classrooms, exhibit space, the VanDusen
Garden Shop and more — and provide a living example of truly sustainable architecture.
Sirewall, a locally developed green alternative to wood was incorporated throughout
the building’s interior and exterior.
Best Overall Architecture
The Keefer, Vancouver
Gair Williamson and Chris Woodford;
Gair Williamson Architects
Best Standard Room, <150 Rooms
Hôtel le Germain Calgary, Calgary
Viateur Michaud, Pierre Mierski and
Lucie Vaillancourt;
LemayMichaud Architecture Design
Best Suite, 150+ Rooms
Fairmont Pacific Rim, Vancouver
James Cheng (James K.M. Cheng
Architects Inc.)
Best Spa or Pool, <150 Rooms
Shangri-La Hotel, Vancouver
N.Y. Chu; B+H Chil Design
Best Spa or Pool, 150+ Rooms
Sparkling Hill Resort, Vernon, B.C.
Jennifer Kurtz, Shauna Root, Gerry
Shinkewski and Susan Steeves;
SSDG Interiors Inc.
38
New Showroom
Montauk Sofa has officially opened the doors to
their new showroom in the city’s design district
of Gastown. Under construction for the last two
years, the revitalized 6,000 square foot heritage
space parallels the rich design that the boutique
family owned and operated eco-savvy brand is
known for. With vision from chief Montauk
furniture Designer Danny Chartier and Mallen Architecture, Montauk Sofa’s glass storefront opens into a chic, two floored and open
concept space with skylights breathing natural
light into the minimally designed showroom.
Operated by interior designer Ivan Quintana,
the Vancouver showroom features pieces from
Montauk’s signature line of seating designed
for urban, sophisticated and fashionable
appeal. 2nd Century Rug Co. IBC
Ampco Grafix 4
BC Hydro 21
Bradford Decorative Hardware 27
Buildex 32 & 33
Coast Wholesale Appliances 5
Colin Campbell 7
Final Touch Window Coverings 13
Frances Andrew/Kate Holland 19
Inform 17
Kohler 11
Masonite/Moulding & Millwork 15
Odyssey Wall Coverings OBC
Robinson Lighting and Bath Centre IFC
Shaw Contract Group 25
Windoworks 23
Seeton Retires
Keath Seeton, principal and partner of SSDG
Interiors, has announced his retirement. Veteran associate Julie Campbell will be his successor, buying out his share of the partnership. Campbell joined the firm in 2000 and
during that time has emerged as a leader in
business, design and marketing. She will join
Gerry Shinkewski and Susan Steeves on the
leadership team.
SSDG Interiors is one of Vancouver’s top
interior design firms specializing in corporate, retail and hospitality spaces. It was
founded in 1980 by Seeton and Shinkewski.
Celebrating 50
Interior Designers of Alberta celebrated its
50th Anniversary at VIVID Concepts Lighting + Design in Edmonton this September.
Designers, suppliers and others from the
design community gathered for an evening
celebrating this milestone.
IDA Design Winners
Alberta interior design excellence was celebrated recently by IDA. Gold, silver and
bronze awards for handed out in several
categories. Gold winners were DIALOG for
AIMCO Offices; B+H for Heenan Blaikie
LLP; Thom Design for Taste Restaurant; and
Walker Lawson Interior Design for Newalta
Employee Child Centre.
Poggenpohl Relocates
German kitchen designer Poggenpohl has
relocated their Calgary kitchen design centre to the heart of Victoria Park in the central core. Serving Calgary for four years, the
move will ensure a centrally located design
centre for clients.
The new Poggenpohl kitchen design centre
is now conveniently centrally located at 1302
- 1 St SW, five blocks south of the Hudson’s
Bay Company. www.poggenpohl.ca

idibc awards of excellence - John Henshaw Architect Inc.

Transcription

Similar documents

$945,000 - Jonesboro Real Estate

THE FINLEY

SET-RENGS Masia, house rent Bages region

1205 Woodside Flyer

The Brimi Cuisine Education Office is a joint effort

Tigh-Na-Mara Offered for $1.4 Million

Kitchens with the Puustelli group - Piri-Piri

Home2_LuxuryHomeTour_Nor-Son

2719 Sundance Glencoe, MO. 63038

kitchen confidential