university`s guide.

Transcription

university`s guide.

unatc
guide
UNATC I.L.Caragiale
National University of Theatre and Film
75-77 Matei Voievod Street
021452 Bucharest Romania
phon/fax: 021 252 5881
www.unatc.ro
Editorial Bord
Sorin Botoșeneanu
Nicolae Mandea
Beatrice Meda
Mihaela Michailov
Doru Nițescu
Anca Ioniță
Andrei Gorzo
Concept
Maria Draghici
Images
UNATC Archive
Publishing House
Print Division
Date
february 2013
unatc | 2012/13
BROCHURE SUMMARY
I. UNATC General Info
I.1 Brief Historical Overview . . . . . . . . . . . . . . . . . . . . . . . . 03
I.2 Contacts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 04
I.3 Programs and Events . . . . . . . . . . . . . . . . . . . . . . . . . . . 05
II. FILM Faculty
II.1 Short Description . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 08
II.2 Film Faculty Contacts . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
II.3 Admission . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
II.4 Film Directing Department . . . . . . . . . . . . . . . . . . . . . . 12
II.5 Film Cinematography Department . . . . . . . . . . . . . . . . 14
II.6 Film Editing Department . . . . . . . . . . . . . . . . . . . . . . . . 16
II.7 Film Sound Department . . . . . . . . . . . . . . . . . . . . . . . . 18
II.8 Screenwriting Department . . . . . . . . . . . . . . . . . . . . . . 20
II.9 Film Theory and Film Studies Department . . . . . . . . . 24
II.10 Film Production Department . . . . . . . . . . . . . . . . . . . 26
II.11 Animation Department . . . . . . . . . . . . . . . . . . . . . . . . 28
II.12 Film Faculty Equipment . . . . . . . . . . . . . . . . . . . . . . . . 29
II.13 Film Menu Journal / Close up Journal . . . . . . . . . . . . . 32
II.14 CineMAiubit International Student Film Festival . . . . 32
III. THEATRE Faculty
III.1 Short description . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
III.2 Theatre Faculty Contacts. . . . . . . . . . . . . . . . . . . . . . . . 38
III.3 Admission . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
III.4 Acting Department . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
III.5 Theatre Directing Department . . . . . . . . . . . . . . . . . . 42
III.6 Puppetry Department . . . . . . . . . . . . . . . . . . . . . . . . . 44
III.7 Theatre Studies Department . . . . . . . . . .. . . . . . . . . . 46
III.8 Choreography Department . . . . . . . . . . . . . . . . . . . . . 48
III.9 Scenography Department . . . . . . . . . . . . .. . . . . . . . . . 50
III.10 Actor’s Means of Expression Department . . . . . . . . 52
III.11 Theatre Faculty Equipment . . . . . . . . . . . . . . . . . . . . 53
III.12 The National Theatre Festival Act I, Scene I . . . . . . . 54
III.13 Concept Journal / RPAJ Journal . . . . . . . . . . . . . . . . . 54
IV. UNATC Doctoral School . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
V. Research . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
VI. Erasmus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
VII. Teaching staff . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
.
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UNATC I.L.Caragiale National University of Theatre and Film
UNATC is the only state-financed higher-education institution
in Romania, activating in the fields of both Theatre and Film.
UNATC has judicial person status and functions under the
Romanian Education Law.
HISTORY
The first theatre faculty in Romania begins its activity in 1834 within
the Philharmonic School. A Faculty of Stage Direction opens in 1948
within the Romanian Art Institute – at that time (1948-1950), the
center of all Romanian higher education in the arts.
1950 sees the founding of both the Institute for Film and the
Institute for Theatre I. L. Caragiale (named after the classic
Romanian playwright). In 1954, the two institutions merge into
the Institute of Theatre and Film I.L. Caragiale (IATC). The Institute
will function under this name until 1990, when it will become the
Academy of Theatre and Film (ATF) – the only such school in Romania
to enjoy a ranking equal to that of a university, as well as international
recognition.
Since 1990, the Academy of Theatre and Film has undergone a
continuous reform process. New specializations have been added,
such as Audiovisual Communication and Multimedia: Sound-Editing
(both at the Film Faculty), Puppets-Marionettes, Choreography and
Scenography (at the Theatre Faculty). The number of students has
gone up, while the curricula and study programs have been
continuously improved and diversified.
In 1998, the Academy of Theatre and Film became the University
of Theatre and Film I.L. Caragiale (UATC). In 2001, it became the
National University of Theatre and Film I.L. Caragiale (UNATC).
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Rector
professor PhD Adrian Ioan Titieni
Vice-Rector
professor PhD Tania Filip
e-mail: [email protected]
Vice-Rector
senior lecturer PhD Doru Nițescu
Vice-Rector
senior lecturer PhD Nicolae Mandea
[email protected]
Secretary Chief of University
Roxana Mihai
phone: +40723 223 522
phone: +4021 2528112
Rector’ Secretary
Manuela Dumitrașcu
phone: +4021 2527457
fax: +4021 2525881
Rector’s Office
Beatrice Meda
phone: +4021 2528125
Senate Secretary
Carmen Teodorescu
phone: +4021 2525665
Research
tel: 021 252 24 80
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UNATC CONTACTS
Senate President
professor PhD Laurențiu Damian
e:mail: [email protected]
UNATC.RO
75-77 Matei Voievod Street, 021452, Bucharest, Romania
PROGRAMS AND EVENTS
The UNATC DAY celebrates the birth of playwriter I.L. Caragiale,
spiritual patron of the University and is held each year on the 30th
of January. On this occasion, the latest creations of young artists theater and film - are presented.
OPEN DOORS is an event for potential UNATC candidates: students
and graduates of highschools and other universities. For three days,
all those interested to study performing arts and film are invited to
discover the creative and research laboratories of UNATC, to attend
open courses, performances and screenings.
GRADUATES GALA brings together all theatrical productions created
during the year (Bachelor and Master). Theatre Faculty graduates
of all departments collaborate in the presented performances.
At the end of the Gala, prizes for the best graduates are awarded.
The SUNDAY SCHOOL is an educational project, aimed at all age
groups, regardless of education and training. The Sunday School
offers a professional theoretical and practical training to anyone
who wants to acquire the basic and advanced knowledge in the
fields of photography, film and theatre acting, dramatic script,
scenography etc.
The CONTEMPORARY TEXT LABORATORY is a platform for research,
debate and theatrical performance, which aims at presenting edgy
writings of contemporary authors. The laboratory was opened in
April 2012 and presented Spanish and German playwrights.
SĂ FILM! (TO FILM!) is an event organized in partnership with the
UNATC magazine Film Menu. Monthly, recently released Romanian
film projections take place at the UNATC Cinema Hall, followed by
discussions between the filmmakers and the audience.
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SHORT
DESCRIPTION
We believe in cinema as an art that can synthesize our times better than
any other. We believe in its power to transform communication as we know
it. We believe in its power to revolutionize global culture and individual
consciousness.
The Film Faculty’s defining concept is teamwork. A film is seen as the
product of the union of creative energies emanating from all the Faculty’s
departments. The UNATC Film Faculty is a member of CILECT and GEECT.
Almost all the major names of Romanian cinema have passed through
this institution, which combines tradition with innovation, research with
experiment.
2012-2013 STRUCTURE OF THE FILM FACULTY
BACHELOR’S DEGREE Duration: 3 years
180 ECTS / course; 60 ECTS / year, 30 ECTS / semester
DOMAIN
FILM AND MEDIA
SPECIALIZATIONS
FILM, PHOTOGRAPHY, MEDIA
Film and Television Directing
Film and Television Cinematography
Multimedia: Sound and Editing
Audiovisual Communication: Scriptwriting, Media Advertising, Film Studies
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MASTER’S DEGREE Duration: 2 years
DOMAIN
FILM AND MEDIA
PROGRAMS OF STUDY
Film Directing
Film Cinematography
Film Editing
Film Sound
Screenwriting
Film Studies
Film Production
Animation Film
DOCTORAL STUDIES Duration 3 years
The PhD title can be obtained by attending the UNATC Doctoral School.
Practice and Volunteering at the Film Faculty covers the non-theoretical aspects of the jobs for which our students are preparing, providing them
with the possibility of choosing from a wide range of extra-curricular
activities. Students are free to choose each semester the particular activity
which they find best suited to the development of their skills. The hours of
practice are integrated in the students’ weekly schedule. Unlike the usual
summer practice in the professional industry, this formula was consciously
developed in order to familiarize students with the elements of discipline
and routine inherent in any film-related work.
International partnerships The Film Faculty is a member of several
international consortia reuniting major European film schools. These
programs offer students the opportunity to participate in workshops and
international congresses, under the guidance of prestigious tutors of the
international film industry.
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Film Faculty’ Secretary
Zenovia Țoneș
phone: +4021 2528193
Film Dean’s Office Secretary
Mihaela Petre
phone: +40721 277 782
Film Faculty International Affairs Office
Oana Manole
Simona Mantarlian
phone / fax: +4021 252 5455
Film Faculty Production Studio
phone: +4021 252 5886
Studio Manager
lecturer PhD Alexandru Sterian
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CONTACTS
Dean senior lecturer PhD Sorin Botoșeneanu
Vice-Dean lecturer PhD Andrei Gorzo
ADMISSION
Admission examinations for the Film Faculty are held each year in
August-September. The exams include eliminatory skills tests (which
evaluate the candidate’s creativity and vocational skills in the relevant
field), theoretical and practical evaluation tests.
BACHELOR’S DEGREE
Admission exams take place in the latter part of August and early
September. For each specialization there is a repertoire of films or/and
film authors that the candidate needs to have studied for the admission
examination.
The exams consist in two stages:
The first stage, eliminatory – various practical tests challenge
the candidate’s creativity, visual and associative memory, spirit of
observation, general and specialized knowledge. The specific tests
differ from one specialization to another.
The second stage, marked on a scale from 1 to 10 – two or three
different exams (depending on specialization) further challenge the
candidate’s creativity and its adaptability to specific tasks. At the end
of this stage, the candidates are ranked according to their scores.
Each year, the Film Faculty organizes preparatory classes (on Saturdays) for
the admission exams.
MASTER’S DEGREE
Admission exams are held in mid-September and consist in two stages:
Theoretical written test on the specialty, on a topic which is proposed
by the admission commission.
Practical / oral exam – either on subjects proposed by the admission
commission, or on the basis of proposals submitted by the candidate
at registration.
The final mark consists of the average grade of the two exams, thus
establishing the final ranking of the candidates.
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The Film Directing Department trains professional makers
of cinematic/audiovisual products. The curricula focus on
interdisciplinary experiences, so this department communicates
theoretically and practically with each of the other departments
of the Film Faculty.
FILM DIRECTING DEPARTMENT
BACHELOR
FILM, PHOTOGRAPHY,
MEDIA (FILM AND TV DIRECTING)
MASTER
FILM DIRECTING
Over the three years of BA studies, students cover major cinematic
and audiovisual genres: TV commercial, reportage, documentary
and fiction film. Each exam is prepared by a series of class exercises.
Collaboration between student-directors and students from other
departments of the Faculty is mandatory, leading to the formation
of creative teams for each project.
During the MA, student training supports creative and professional
expression in short and feature-length fiction directing.
IMPORTANT MANDATORY DISCIPLINES
I.Bachelor
Film Directing, Film Directing Theory, Film Screenwriting,
Romanian Film History, Universal Film History, Visual Forms and
Structures, Film Production, Film Acting, Film in Contemporary
Culture, Film Makeup.
II.Master
Film Directing, Filmmaking Workshop, Audiovisual Dramaturgy,
Screenwriting for Feature Films, Character-Dialogue-Situation,
Stylistics of Cinematic Spectacle.
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IMPORTANT OPTIONAL DISCIPLINES
I.Bachelor
History of Film Theories, History of Philosophy and General Aesthetics,
History of Performing Arts, Manipulation in Film and Television, Film Editing,
Cinematography, Film Sound and Music, Film Production Management,
National Legislation in the Field of Cinema.
II.Master
Aesthetics of Film Language, Film Production, European Legislation in the Field
of Cinema, Film Project Management.
VOCATIONAL EXERCISES
Fiction, set, 6-8 minutes, digital (BA: 1st year - 1st sem)
Self-Portrait / portrait, 5-8 minutes, digital (BA: 1st year - 1st sem)
Fiction, exterior / location, 8-10 minutes digital (BA: 1st year - 2nd sem)
Interview, 3-5 minutes, digital (BA: 2nd year - 1st sem)
Reportage, 3-5 minutes digital (BA: 2nd year - 1st sem)
Fiction, exterior / location, 16mm black and white, 5-7 minutes (BA: 2nd
year - 1st sem)
Documentary, digital max. 20 minutes (BA: 2nd year - 1st sem & 2nd
sem)
Advertising clip, 30 sec., digital (BA: 3rd year - 1st sem)
Making of, 8-10 minutes digital (BA: 3rd year - 1st sem & 2nd sem)
Fiction, interior-studio, super16mm, black and white, max. 10 minutes
(BA 3rd year 1st sem & 2nd sem)
Fiction, location, digital (HD) color or black and white, max 20 minutes
(MA: 1st year)
Fiction, location, color 35mm, max. 20 minutes (MA: 2nd year)
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BACHELOR
(FILM AND TV CINEMATOGRAPHY)
MASTER
FILM CINEMATOGRAPHY
The Department of Film Cinematography prepares professional
cinematographers and cameramen. The students have access to both
theoretical and practical training. Film and Television Cinematography BA
graduates are specialists in the lighting and shooting of advertising and
music videos, news reports, documentaries and fiction shorts on both film
and digital supports. Over the three years of BA studies, students work on
different media: digital, 16mm and super16mm black and white film, 35mm
color and black and white film. After obtaining the bachelor’s degree, the
graduate can enroll (after an exam) in the master’s degree program and
thus continue his/her apprenticeship with work on fiction films shot both
in the HD system, as well as on 35mm color film, an important step towards
a professional career in filmmaking. Each exam is prepared through a series
of class exercises.
I. Bachelor
Film and TV Cinematography, Film Cinematography Theory, Photography,
Optics and Shooting Equipment, Photographic B / W and Color Processes,
TV Equipment and Technology, Film Sensitivity and Exposure, Special Effects,
Screenwriting, Romanian Film History, Universal Film History, Film in
Contemporary Culture, Film and TV Makeup.
II. Master
Film Cinematography, Filmmaking Workshop, Styles of Cinematography
in the Romanian Cinema, Screenwriting for Feature Films,
Character-Dialogue-Situation, Film Project Management.
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FILM CINEMATOGRAPHY DEPARTMENT
I. Bachelor
History of Performing Arts, History of Film Theories, History
of Philosophy and General Aesthetics, Digital Cinematography,
Manipulation in Film and Television, Film Directing, Film and
TV Editing, Film Scenography, Film Production Management,
National Legislation in the Field of Cinema.
II. Master
Feature Film Post-production, Aesthetics of Film Language,
Schools - Film Authors and Styles, European Legislation in
the Field of Cinema.
Fiction, studio, 6-8 minutes, digital (BA: 1st year - 1st sem)
Self-Portrait / Portrait, 5-8 minutes, digital (BA: 1st year - 1st sem)
Fiction / exterior, 16mm black and white, max. 5 min (BA: 1st year 2nd sem)
Fiction / exterior, 8-10 minutes digital (BA: 1st year - 2nd sem)
Interview, 3-5 minutes, digital (BA: 2nd year -1st sem)
Reportage, 3-5 minutes, digital (BA: 2nd year - 1st sem)
Fiction / exterior, 16mm black and white, 5-7 minutes (BA: 2nd year
- 1st sem)
Documentary, digital, max. 20 minutes (BA: 2nd year - 1st and 2nd
sem)
Fiction / exterior, 35mm black and white, max 5 min (BA: 2nd year 2nd sem)
Advertising clip, 30 sec, digital (BA: 3rd year -1st sem)
Fiction / exterior, color 35mm, max 5 min (BA: 3rd year - 1st sem)
Fiction, interior-studio, super16mm, black max. 10 minutes (BA 3rd
year- 1st sem & 2nd sem)
Fiction, location, digital (HD) color or black and white, max 20 minutes (MA: 1st year)
Fiction, location, color 35mm, max 20 minutes (MA: 2nd year)
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The Film Editing Department prepares professional editors for
the fields of cinema and other audiovisual media. Over three
years, the department assures the necessary training for a high
level of professional performance, certified by a BA degree.
After that, the graduate is offered the possibility of applying for
a two-year MA in order to further refine his/her editing skills for
future work on fiction films. The curriculum in BA studies provides
packages of fundamental disciplines for both the fields of film
editing and film sound. It also provides two separate lines of
optional disciplines, allowing students to gradually orient
themselves, on the basis of personal predilection, towards
either editing or sound design. During studies the focus is set
on vocational interdisciplinary exercises in teams that simulate
professional film production and stimulate the creativity of each
crew member. For each project of this type, preparatory exercises
are performed in class on structuring the footage during the
editing stage. The concept underlying the BA in Multimedia:
Sound and Editing highlights the interdependence between the
basic elements common to two specific professions: editing and
sound. The collaboration between students specializing in editing
and students from other departments of the Faculty is mandatory,
leading to the formation of creative teams for each project.
FILM EDITING DEPARTMENT
BACHELOR
(MULTIMEDIA: SOUND AND EDITING)
MASTER
FILM EDITING
I.Bachelor
TV and Film Editing, Film Editing Theory, Multimedia Techniques,
Universal Film History, Romanian Film History, Film in Contemporary
Culture.
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II.Master
Film Editing, Filmmaking Workshop, Semiotics of Sound and Editing,
Audiovisual Dramaturgy.
.
I.Bachelor
History of Philosophy and General Aesthetics, History of Performing
Arts, History of Film Theories, Editing Structures, Manipulation in
Film and TV, Digital Post-processing Technologies, Visual Forms and
Structures, National Legislation in the Field of Cinema.
II.Master
Aesthetics of Film Language, Schools - Film Authors and Styles,
Character-Dialogue-Situation, Film Production, Film Project
Management, European Legislation in the Field of Cinema.
Fiction / exterior, 16mm black and white, max 5 min (BA: 1st year - 2nd sem)
Fiction / exterior, 16mm black and white, 5-7 minutes (BA: 2nd year - 1st sem)
Documentary, digital, max. 20 minutes (BA: 2nd year - 1st and 2nd sem)
Fiction / exterior, 35mm black and white, max 5 min (BA: 2nd year - 2nd sem)
Fiction, interior-studio, super16mm, black max. 10 minutes (BA 3rd year- 1st sem & 2nd sem)
Fiction, location, digital (HD) color or black and white, max 20 minutes (MA: 1st year)
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BACHELOR
(MULTIMEDIA: SOUND AND EDITING)
MASTER
FILM SOUND
The Film Sound Department provides students with advanced skills in the use
of most programs of sound editing and sound effects. It also provides them
with the opportunity to gather experience while working on school projects,
as sound editors and sound designers. The curriculum in BA studies provides
packages of fundamental disciplines for both the fields of film editing and
film sound. It also provides two separate lines of optional disciplines, allowing
students to gradually orient themselves, on the basis of personal predilection,
towards either editing or sound. Each exam is prepared through a series of
class exercises. In the MA, students get to work on the sound (direct outlet,
sound design, editing, mixing) of at least one fiction film shot on digital (HD) in
the 1st year and at least one 35mm color film (also fiction) in the 2nd year. The
concept underlying the Multimedia: Sound and Editing BA highlights the interdependence between the basic elements common to two specific professions:
editing and sound design. Collaboration between sound students and students
from other departments of the Faculty is mandatory, leading to the formation
of creative teams for each project.
I.Bachelor
Film and TV Sound, Film Sound Theory, Multimedia Techniques, Universal Film
History, Romanian Film History, Film in Contemporary Culture.
II.Master
Film Sound, Filmmaking Workshop, Semiotics of Editing and Sound, Sound
Production/Post-production for Film, Audiovisual Dramaturgy.
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FILM SOUND DEPARTMENT
I.Bachelor
History of Philosophy and General Aesthetics, History of Film
Theories, History of Performing Arts, Digital Post-processing
Technologies, Sound Structures, Film Music, Visual Forms and
Structures, Manipulation in Film and Television, Animation
Techniques, National Legislation in the Field of Cinema.
II.Master
Aesthetics of Film Language, Schools - Film Authors and Styles,
Character-Dialogue- Situation, European Legislation in the Field
Fiction / exterior, 16mm black and white, max 5 min
(BA: 1st year - 2nd sem)
Fiction / exterior, 16mm black and white, 5-7 minutes
(BA: 2nd year - 1st sem)
Documentary, digital, max. 20 minutes (BA: 2nd year - 1st and 2nd sem)
Fiction / exterior, 35mm black and white, max 5 min
(BA: 2nd year - 2nd sem)
Fiction, interior-studio, super16mm, black max. 10 minutes
(BA 3rd year- 1st sem & 2nd sem)
Fiction, location, digital (HD) color or black and white, max 20 minutes
(MA: 1st year)
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The 3 years of BA are designed so that students learn the history,
specialties and features of the screenwriting profession. The
curriculum provides the framework for students to develop skills
of film analysis from a narratological perspective and to learn
the basics of writing scripts in various formats (television formats,
literary adaptation etc.).
During the 3 years, students are guided and counseled through
the stages and methods of developing screenplays for both shorts
and feature films. They are taught various techniques, narrative
structures etc. At the end of their studies, they have to complete
a screenplay for a fictional feature film.
The concept behind the BA in Audiovisual Communication:
Screenwriting, Media Advertising, Film Studies highlights the
interdependence between basic features of two specific
professions: screenwriter and film theorist/journalist/scholar.
SCREENWRITING DEPARTMENT
BACHELOR
(AUDIOVISUAL COMMUNICATION:
SCREENWRITING, MEDIA ADVERTISING, FILM STUDIES)
MASTER
SCREENWRITING
MA students in Screenwriting have two more years to further
enrich and refine their script-development techniques, and also
to master specific forms of presentation in international screenplay
competitions.
Apprentice-screenwriters are encouraged to contribute to the
vocational exercises of their colleagues from other departments,
as writers, co-writers, script doctors etc.
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I.Bachelor
Film and TV Screenwriting, Film Screenwriting Theory, Film Analysis,
Advertising, Universal Film History, History of Film Theories, Romanian
Film History, Film in Contemporary Culture.
II.Master
Film Screenwriting, Filmmaking Workshop, Film Adaptations,
Character-Dialogue-Situation, Film Production.
I.Bachelor
Axiology, History of Performing Arts, History of Philosophy and General
Aesthetics, Public Relations, Laboratory of Audiovisual Communication, Visual
Forms and Structures, Manipulation in Film and TV, National Legislation in the
Field of Cinema, Film Production Management, Management of European
Projects.
II.Master
Audiovisual Dramaturgy, Poetics of Cinema, European Legislation in the Field
BACHELOR
(AUDIOVISUAL COMMUNICATION:
SCRIPTWRITING, MEDIA ADVERTISING, FILM STUDIES)
MASTER
FILM STUDIES
The BA in Audiovisual Communication: Screenwriting, Media Advertising,
Film Studies addresses those who already know that writing for or about
films is their calling.
The 3 years of BA are designed so that students deepen their knowledge
of the cinema from a historical, theoretical and critical perspective. The
curriculum provides the students with a wide range of tools for rigorous
reflection on the cinema (as an aesthetic and sociological phenomenon),
and with a basic training in film journalism and academic-essay writing.
During the 3 years, students are guided and counseled in the writing of film
criticism and the research of various areas of film history and film theory.
At the end of their studies, graduates present a thesis paper.
The concept behind the BA in Audiovisual Communication: Screenwriting,
Media Advertising, Film Studies highlights the interdependence between
the basics features of two specific professions: screenwriter and film
theorist/journalist/scholar.
The MA completes the student’s training as a film theorist, scholar, critic
or journalist.
BA and MA students engage in research activities at Film Menu
(a periodical financed by UNATC and expressly dedicated to their training),
and also in the UNATC research centers, library and film archive.
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FILM STUDIES DEPARTMENT
I.Bachelor
Universal Film History, Romanian Film History, History of
Film Theories, Film Analysis, Film in Contemporary Culture,
Advertising.
II.Master
Post-classical European and Asian Cinema, Post-classical
American Cinema,Contemporary Film Theory, Film Analysis:
From Book to Film, Film Journalism Workshop, Trends and
Approaches in Romanian Cinema, Film Stylistics, Film and
Theatre: Interference and Crossbreeding.
I.Bachelor
Axiology, History of Philosophy and General Aesthetics, History
of Performing Arts, Manipulation Techniques in Film and TV,
Visual Forms and Structures, Laboratory of Audiovisual
Communication, Public Relations, National Legislation in the
Field of Cinema, Film Production Management, Management
of European Projects.
II.Master
Cinema Poetics, Cinema and the New Media, Documentary Film,
International Cultural Policies, Film Project Management.
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At the BA level, the film production department provides courses
closely related to film production (production, set design, makeup,
legislation etc.) for all other departments of the Faculty.
FILM PRODUCTION DEPARTMENT
MASTER
FILM PRODUCTION
The Film Production MA has been recently accredited as an answer
to the Romanian film industry’s acute need for trained producers.
It is open to candidates from any area of specialization of the BA.
In the two years of study, production students fulfill various roles
in film crews (production assistants, delegate producers, executive
producers) to become familiar with the technique and technology
of film, and its creative side.
Collaboration with other departments of the faculty is mandatory.
The faculty encourages the formation of complete film crews from
the earliest stages of script development. Teamwork is encouraged
during all the subsequent stages.
During the MA, students must work as executive producers on at
least one fiction film shot on HD (in the 1st year) and at least one
fiction film shot in 35mm color (in the 2nd year).
There is also close collaboration with BA students in years 2 and 3
for their diploma films.
I.Master
Film Production, Script-Concept-Budget, Audiovisual Project
Management, Feature Film Postproduction, Feature Film
Exploitation
I.Master
European Legislation in the Field of Cinema, Film Technique
and Technology, Film Directing, Production Design for Film,
Film Archivation, Post-classical American Cinema, Post-classical
European and Asian Cinema.
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At the BA level, the department provides courses in multimedia
techniques, animation techniques and directing techniques for
animation films, for the specialization Multimedia: Sound and
Editing.
The MA in Animation Film is a consequence of the recent
development of this kind of film in Romania, in spite of the
almost complete disappearance of professional animation studios,
during the 90’s.
Our aim is to rebuild the Romanian animated cinema by training
professionals able to express themselves both through traditional
animation techniques and through modern computerized 2D and
3D techniques.
I. Master
Animation, Drawing and Modeling, Multimedia Techniques,
Graphics, Digital Animation, Animation Film Directing, Film
Sound and Editing, Animated Film History, Contemporary
Trends in Animation Film.
I. Master
History and Analysis of the Image, The Animated Image,
Screenwriting, Contemporary Art, Film Project Management.
EXERCIȚII VOCAȚIONALEVOCATIONAL EXERCISES
Stereo 3D Animation - group exercise (MA - 1st year)
Animation, mixed media, max. 5 minutes - individual (MA - 2nd year)
Stereo 3D Animation - group exercise (MA - 2nd year)
Animation, mixed media, max. 5 minutes - individual (MA - 2nd year)
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ANIMATION DEPARTMENT
MASTER
ANIMATION FILM
FILM FACULTY
FACILITIES
FILM STUDIOS (modular studio for 3rd year films, studio for 1st and
2nd year exercises)
PHOTO STUDIO
EQUIPMENT (35mm, super16mm and 16mm cameras, lens kits,
HD cameras, etc.)
SHOTING GEAR (lighting equipment, crane and dolly tracks, steady-cam etc.)
SOUND STUDIO (editing room, digital sound-mixing room, post-dubbing
room, direct sound equipment)
EDITING STUDIO (classic and digital editing rooms, Chroma key studio)
SPECIAL EFFECTS LABORATORIES (film and animation)
FILM PROCESSING AND POST-PROCESSING LABORATORY
(35mm, 16mm super and 16mm, black and white)
NEGATIVE EDITING LABORATORY
PHOTO LAB (format: film and digital)
PROJECTION ROOMS (Cinema Hall - capacity 200 seats - digital projection,
Blue Room - capacity 40 seats - 35mm and digital projection, Red Hall capacity 25 seats - 35mm and 16mm parallel projection, 112A Black Hall capacity 60 seats - digital projection)
STUDENT FILM ARCHIVE
(from the beginnings of the Film Faculty till present)
MEDIATHEQUE
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CINEMAIUBIT
The CineMAiubit Student Film Festival was founded in 1996 on the initiative of
film director and professor Elisabeta Bostan, Dean of the Film Faculty at the time.
After a few editions, the festival became international, continuously developing
since then. Over 16 editions (and counting), CineMAiubit was the launching pad
for many of today’s young Romanian filmmakers, a well-known event where the
public can come into contact with student productions, and a much-needed test
for the artistic training of future film professionals. Many of the names that
have become emblems of the New Romanian Cinema (NCR) were among the
prizewinners of CineMAiubit. Taking place traditionally in early December at
downtown Bucharest’s Studio Cinema, CineMAiubit became a meeting place for
tradition and experiment, energy and professionalism.
CLOSE UP
CLOSE UP: FILM AND MEDIA STUDIES JOURNAL is a bi-annual Englishlanguage journal published by UNATC and it provides a platform for scholars
and researchers with an interest in exploration of any aspect of cinema, film,
television and new media. It aims to publish contributions interested in an
in-depth analysis of the developments in this field and encourages fresh and
interdisciplinary approaches, encompassing media theory, representation theory,
philosophy, anthropology, sociology, culture studies, etc. The journal is expecting
theoretical and scholar articles that analyze new forms of cinematic and media
practice, and try to apply new tools of investigation and to enlarge the horizon
of film and media studies.
FILM MENU
FILM MENU is a film journal initiated and supported by UNATC and run by
its film students. It appears every two months, starting from June 2009. It aims to
help train future film professionals in our country, and also to help foster a more
vital film culture, a more dynamic cinephile environment. It is also involved in
the development of film events, including the organization, within the UNATC
premises, of weekly and bi-weekly Cineclub events (screeningsfollowed by
debates), as well as the monthly series Să film! (To Film!) (screenings of very
recent Romanian features followed by meetings with the filmmakers). The
magazine is distributed for free at these events, and also during various film
festivals from Bucharest and other Romanian cities, as well as in various Romanian
bookshops. It can be downloaded for free in pdf format at the filmmenu.wordpress.com blog. For more info, please visit http://filmmenu.wordpress.com/
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SHORT DESCRIPTION
The Theatre Faculty’s mission is to prepare high-level professional artists in
the field of theatre, capable of continuous improvement of their skills and
aptitudes. The teaching process is centered on acquiring the main professional
skills and abilities in order to ensure an immediate and seamless integration
of the graduate student in a professional structure (theatre company)
or to enable him/her to become initiators of artistic, managerial and
pedagogical projects. The training programs reflect interest in both classical
theatre values and the interdisciplinary concept that defines contemporary
art. The creative lab has a central place in the Theatre Faculty providing
the necessary framework for the formation of a free critical dynamic thinking.
Students are encouraged to investigate as part of creative teams, to
experience different working formulas, understand the theatre as a social
phenomenon with a changing role in the contemporary world. An important
factor in the training of the young artists is the direct contact with young
audiences, which are seen as taking an active part in their formation.
As a leading exponent of the art theatre pedagogy in our country, UNATC
developed new formative concepts highlighted by training cycles and by
specific research. The UNATC Theatre faculty is a member of ELIA.
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2012-2013 STRUCTURE OF THE FILM FACULTY
BACHELOR DEGREE Duration 3 years - DOMAIN THEATRE
PERFORMING ARTS
Acting
Directing
Puppetry
Choreography
SET AND COSTUMES DESIGN
THEATRE STUDIES
Cultural Management and Theatre Journalism
MASTER’S DEGREE Duration 2 years - DOMAIN THEATRE
PROGRAMS OF STUDY
Acting
Theatre Directing
Scenography
Choreography
Light and Sound Design in the Performing Arts
Playwriting
Theatre Studies
Animation Theatre
Theatre Pedagogy
DOCTORAL DEGREE Duration 3 years
The PhD title can be obtained by attending the UNATC Doctoral School.
Following the international standards, UNATC has two distinct categories
doctoral degree: scientific doctorate and professional doctorate. The areas
of study are: Theatre and Cinema & Media.
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Theatre Faculty’ Secretary
Mariana Codalbu
phone: +4021 2528108
Theatre Dean’s Office Secretary
Irina Lungu
phone: +4021 252 8020/113
Theatre Faculty International Affairs Office
Beatrice Meda
phone: +40726 239 797
e-mail:[email protected]
Studio UNATC
Nona Oprișan (manager)
phone: +40733 400 938
ION COJAR HALL and O. COTESCU STUDIO
Rodica Găurean (manager)
phone: +40722 515 100
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CONTACTS
Dean senior lecturer PhD Paul Chiribuţă
Vice-Dean lecturer PhD Ștefan Caragiu
ADMISSION
The admission exam is designed to meet the specificity of each
specialization and to ensure a selection of candidates based on specific
aptitudes, opportunities for future individual development and their
previous training.
BACHELOR’S DEGREE
The exam is divided into two stages: an eliminatory round, usually
dedicated to specific aptitudes and a competitive round, after which
the final selection is made. For some specializations, workshops
intended to better understand the candidates and reduce the stress
factor before the last exam are scheduled between the two stages.
Each year, the Film Faculty organizes preparatory classes (on Saturdays)
for the admission exams.
MASTER’S DEGREE
The Master Admission is open to anyone who has a Bachelor degree.
Admission to Master’s level focuses on the candidate’s ability to prove
his/her specific training. Submission of an artistic and pedagogical
resume is important for the examination commission to acquire an
accurate image of the candidate and his/her capacity of professional
improvement.
The examination process is designed to reveal the creative and
innovative research resources specific to artistic personalities, who
hold an original voice in the context of contemporary theatre.
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BACHELOR
PERFORMING ARTS –ACTING
MASTER
ACTING
THEATRE PEDAGOGY
The training is focused on acquiring methods and techniques that will
prepare the actor to face the challenges of today’s society. According
to the principle “acting is a specific way of thinking”, enunciated by
Professor Ion Cojar acting method (the main method taught at the
department), the Bachelor cycle focuses on developing the actor’s
thinking, on deepening the perception and communication with fellow
actors, on the development of physical and vocal expression techniques,
and on the accumulation of specialized cultural information.
BACHELOR
At the end of the first cycle, the graduate is able to create a role, to
work as part of a team and on individual projects, to respond to the
demands of a theatre director, to perform in theatre, film, radio and
television productions.
MASTER IN ACTING
During the MA cycle, the student acquires the skill to engage in artistic
research and the ability to approach a broad repertoire. Also, the
student is developing a sense of artistic and social initiative through
skills specific to theatre, cinema, radio, television and other media.
MASTER IN THEATRE PEDAGOGY
The Theatre Pedagogy MA trains specialists in the field of Performing
Arts that are able to transfer artistic practices and procedures into the
educational process. The central concept is that of an Artist-Educator,
prepared to conduct training workshops based on a pedagogical script
and to stage formative pedagogical performances, especially
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ACTING DEPARTMENT
for youth (pre-teens and teenagers). Theatre teacher prepares
for the educational work, but also for cultural intervention
projects in arts and culture institutions, for the education and
training of audiences. His level of training is highly competent,
able to initiate and support education programs and specific
theatre research, including at university level.
MANDATORY DISCIPLINES
I.BACHELOR
Acting, Stage Improvisation, Introduction in Performing Arts,
Dramatic Text Analysis, Artistic Creation Workshop, Stage
Speech Training, Vocal Technique, Bodily Expression.
II.MASTER
ACTING Classical Acting, Comedy Acting, Acting Methods,
Psycho-pedagogy of Acting, Training of the Actor’s Means
of Expression, Artistic Creation Workshop, Analysis of the
Theatrical Creativity Process.
THEATRE PEDAGOGY General Notions of Pedagogy,
The Psychology of Education, The Pedagogy of Teaching
Performing Arts, The Psychology of Acting.
OPTIONAL DISCIPLINES
I.BACHELOR
History of World Theatre, Acting in Romania, Rhythm and
Movement Training, Music in the Performing Arts, Poetry
workshop.
II.MASTER
ACTING Classical Acting, Comedy Acting, Foreign
Language Theatre, Musical Theatre, Nonverbal Theatre.
THEATRE PEDAGOGY Systems of Vocal and Body
Expression Education, Directing and Stage Design for
Youth Theatre, Career Concealing.
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BACHELOR
PERFORMING ARTS – DIRECTING
MASTER
THEATRE DIRECTING
PLAYWRITING
The studies of the Theatre Director Department (BA and MA) focus on the
idea of laboratory – in the fields of theatre creativity and theatre research.
The process of discovery and development of a creative director personality
is based on self-knowledge acquired through the work of exploration,
experiment and communication within a multidisciplinary artistic and
technical team. Abilities, skills and experiences acquired during the three-year
program give the graduates the opportunity to innovative art projects (theatre
productions).
The MA graduate in Theatre Directing is able to assume, as stage director,
the design and implementation of a complex theatrical project by
coordinating a creative team, under the technical and management
specifications of the modern theatre companies. The high level of training
enables the graduate to initiate, develop and complete research and artistic
projects.
The main objective of the MA studies in Playwriting is the formation of
dramatic writing professionals active in the local theatre area, trained in
a live research and experimentation environment. The MA focuses on the
involvement of the playwright in all phases of the performance construction.
The MA curriculum has both a theoretical component through which the
foundations of the understanding of the dramatic text are laid, in its diversity
of writing formulas.
I.Bachelor
Theatre Directing, Dramatic Text Analysis, Directing Creativity Workshop,
Acting, Introduction to Performing Arts.
II.Master
THEATRE DIRECTING Theatre Directing, Romanian Theatre in the Context
of Contemporary Culture.
PLAYWRITING Playwriting workshop, Theatrical Structures, Playwriting,
Analysis of the Creative Process in Theatre.
I.Bachelor
Music in the Performing Arts, Rhythmic Workshop, Visual Arts.
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THEATRE DIRECTING DEPARTMENT
II.Master
THEATRE DIRECTING Theatrical Structures, Analysis of the
Theatre Creative Process, Cinema Poetics, Image History and
Analysis, Cultural Politics and Legislation, Contemporary Art.
PLAYWRITING Romanian Theatre in Contemporary Cultural
Context, Screenwriting, The Art of Translating
The students learn the basic techniques of construction and
handling of puppets as well as acting, body and voice techniques,
which help them to understand the structure and internal
articulations of a puppet theatre production.
They become familiar with the evolution of the contemporary
puppet show, with the new technologies used in animation and
with the ways in which digital art can be integrated into complex
puppets productions.
Graduates of the Master in Animation Theatre have acquired
the skills and abilities to fully create an animation performance,
using digital techniques. Also the graduates learn to work as part
of a team as part of projects that involve a digital or multimedia
component.
PUPPETRY DEPARTMENT
BACHELOR
PERFORMING ARTS – PUPPETRY
MASTER
THEATRE ANIMATION
I. Bachelor
Introduction to the Performing Arts, Puppet Handling, Marionette
Handling, Acting, Stage Speech, Voice Techniques (focuses on
acquiring knowledge in music, singing), Dramatic Text Analysis.
II. Master
Animation Theatre Dramatic Literature, Artistic Creation Workshop,
Aesthetics, Animation Theatre Technique.
OPTIONAL SUBJECTS
I. Bachelor
Digital Technologies in Animation, Theatrical Production,
History of the Romanian Theatre.
II. Master
Scenography, Public Policies and Cultural Legislation.
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BACHELOR
THEATRE STUDIES
CULTURAL MANAGEMENT & THEATRE JOURNALISM
MASTER
THEATRE STUDIES – CULTURAL MANAGEMENT & MARKETING
The BA represents the theoretical component of the theatrical education.
The main goal is to train professionals in Theatre Studies (theatre history,
theory and aesthetics, theatre critique, cultural management) through a
curriculum that combines theoretical study with practical subjects.
Through internships, in partnership with institutions and events, the
learning process is always correlated with the labor market requirements.
The MA study program is aimed at training specialists capable to develop
the theatre system professionally and creatively. The curriculum includes
disciplines aimed to acquire both theoretical and practical skills.
The MA graduates work in research and education, theaters, radio and
television, publications, publishing, production companies, advertising,
independent/private, governmental and non-governmental organizations.
I.Bachelor
Theories of Theatre, History of the World Theatre, History of Romanian
Theatre, Introduction in the Performing Arts, Performance Studies,
Theatre Practice, Dramatic Text Analysis, Theory and Practice of Media
(print, radio, TV).
II.Master
Theories of Theatre, Theatre Aesthetics, Research Methods in Theatre
Studies, Cultural Management, Critical Methods, Theatre Practice.
I.Bachelor
Visual arts, Playwriting, Screenwriting.
II.Master
Cultural Policies and Legislation, Directions and Trends in
Contemporary Theatre.
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THEATRE STUDIES DEPARTMENT
The Choreography Department aims to give students a theoretical
and practical base in the field of choreographic art, to provide an
applied working context and extensive concepts on the dramatic
aspect of choreographic creation, on composition methods and
structure of a dance piece.
CHOREOGRAPHY DEPARTMENT
BACHELOR
PERFORMING ARTS – CHOREOGRAPHY
MASTER
CHOREOGRAPHY
Students become familiar with the most relevant research methods
of choreographers and dancers representing landmarks in the
history of Romanian and international choreography.
Thorough knowledge of the diversity of creative techniques allows
choreographic master graduate to approach representative
aesthetic directions in choreography and to open new ones aimed
to define his/her personality.
I.Bachelor
Choreography, Dramatic Choreography, Dance Techniques,
Artistic Creation Workshop, History of World Theatre.
II.Master
Choreography, Aesthetics, Research and Creative Workshop.
I.License
Rhythmic Workshop, Visual Arts, Performance Studies.
II.Master
Cultural Anthropology, Artistic Management - From Principles
to Practical Applications.
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BACHELOR
SCENOGRAPHY
MASTER
SCENOGRAPHY
LIGHT AND SOUND DESIGN
The first three years of study are dedicated to acquiring of the general
notions specific to the domain. Students are introduced to the creative
process, have the ability to present at a stage design project level their
own artistic concepts through models, sketches of atmosphere and light, decor,
costume sketches. Students collaborate with colleagues from other departments
to develop artistic projects.
After the two years of Master, the graduates are able to draft plans,
elevations, developments, perspectives, details in a common
presentation - working folder.
The MA students are guided and encouraged to tackle the classical repertoire,
to express their artistic concept accurately and professionally developing their
creative potential. They are also participating in the production of props and
costumes.
The Master of Design, Light and Sound provides students with all the
conditions of experiential type training, within a teaching program based on
learning by doing. At the end of the master specialization, each student has already acquired a solid artistic portfolio.
I.Bachelor
Scenography, Plastic Workshop, Stage Technology, Artistic creation Workshop,
History World of Theater, History of Romanian Theatre.
II.Master
SCENOGRAPHY Visual arts, Performance Studies, Perspectives and
Descriptive Geometry.
LIGHT AND SOUND DESIGN Mutimedia and Contemporary Performance, Technical and Aesthetic Notions of Light Design, Technical and Aesthetic Notions of
Sound Design, The Management of Technical Team
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SCENOGRAPHY DEPARTMENT
I.Bachelor
History of Decor Styles and Costumes, Computer Design, Interior
Design, Theatre Directing, Computer Image Processing.
II.Master
SCENOGRAPHY Theatre Scenography, Film Scenography, Set Design,
Costume Design, Romanian Theatre in Contemporary Context, Analysis
of Theatrical Creativity Process.
LIGHT AND SOUND DESIGN Cultural Legislation, The Management
of Cultural institutions, Project Management, Stage Design.
The first three years of study objectives are engaging, educating
and improving complex means of communication, by acquiring
vocal and body performative techniques.
Speech cumulates voice study and sounds, deepening individual
expressiveness and voice freedom, coordinated with body
expression, with the mind and emotions.
The objectives of the Speech and Stage Movement courses at MA
level are acquiring specific elements of style, preparation of own
portfolio of techniques applied to a diverse repertoire.
The Training of Actor’s Means of Expression
Stage Speech
Bodily Expression
Dance-Theatre
Acting Technique in Film and TV
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ACTOR’S MEANS OF EXPRESSION DEPARTMENT
THE ACTOR’S MEANS OF EXPRESSION DEPARTMENT provides
courses at both the cycle of studies, as a support course for other
specializations.
THEATRE FACULTY
FACILITIES
Inside UNATC premises the Theatre Faculty has three theatre studios
(spaces fully equipped for theatre productions) for the graduation
productions (BA and MA):
ILEANA BERLOGEA HALL
ATELIER HALL
ION SAVA HALL
UNATC Club and the RED BARRACK can be used for theatre productions
and events.
UNATC has two more halls in the Children’s Palace in Bucharest:
ION COJAR HALL
OCTAVIAN COTESCU STUDIO.
The Preparation for artistic creation exams takes place in workshop
facilities which are adequately equipped for each specialization: acting,
directing, choreography, puppetry, scenography, light and sound design.
Thus students can acquire the specific knowledge about the use of
common light, sound, multimedia equipment in current productions.
Theoretical specializations have allocated their own facilities for practice.
UNATC LIBRARY includes books and valuable collections on theatre
and theory of theatre, very rare in other Romanian libraries.
A growing digital database contains recordings of seminal Romanian
and international theatre productions.
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ACTUL I, SCENA I
FESTIVALUL NAȚIONAL DE TEATRU ACTUL I, SCENA I covers the most
representative performances of theatre schools in Romania. The festival
is not focused on competition, but offers a space for artistic reflection and
a meeting place for professors and students with theatrical background,
thus building a cultural context that encourages the exchange of ideas and
practices. The festival is held annually in late June in partenership with other
Romanian Theatre Schools.
RPAJ
Romanian Performing Arts Journal RPAJ is published by UNATC and it
is an interdisciplinary and intercultural academic journal that covers all
aspects of performing arts from theatre, dance, music, and opera to
video, performance, ritual, etc. RPAJ publishes theoretical articles that
favor interdisciplinary approaches, reports on seminal events, accounts
of particular performances, book reviews, manifestos RPAJ emphasize
an inter-relational approach between different fields of research: theatre
studies, performing arts studies, sociology, culture studies, religion,
philosophy and science, giving an in-depth panorama of contemporary
performance trends in writing and practice.
CONCEPT JOURNAL
Concept scientific journal is representative for the Performing Arts
(Theatre, Choreography, Film, Media and Music) and is published by the
Research Department of the National University of Theatre and Film I.L.
Caragiale Bucharest being lead by a young team of professors, researchers,
both practicians and theoreticians under the guidance of professors from
Romania and abroad. During its 2 years of issue (since 2010 until now) the
Editorial Board maintained permanent sections of the magazine, adding new
ones at each new publication. The summary of Concept is eloquent for all
Theatre and Film Faculty activities of interest: Research, Interview, Book
Reviews, Performance, Remember.
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I.L.Caragiale National University of Theatre and Film
graphic concept Maria Draghici
DOCTORAL SCHOOL
UNATC Doctoral School focuses on two study areas: THEATRE - scientific
research / artistic research / artistic creation and FILM AND MEDIA scientific research / artistic research / artistic creation. Following the
international standards, UNATC has two distinct categories doctoral degree:
scientific doctorate and professional doctorate. PhD requires extensive
knowledge and scientific and professional expertise. The four lines of studies
of UNACT Doctoral School are:
AESTHETICS, THEORY, PEDAGOGY AND HISTORY OF THEATRE
APPLIED THEATRE STUDIES
FILM AND MEDIA
INTERDISCIPLINARY STUDIES THEATRE / FILM / AUDIOVISUAL
Examination for admission to Doctoral School is held every year in September.
UNATC Doctoral School‘ Secretary
Felicia Iordache
phone: +40723 223 522
e-mail : [email protected]
RESEARCH
The research activities at UNATC are coordinated by the Directorate for
Research, Innovation and Continuous Training and bring together two
Research Centers focused on areas of study of the two faculties:
THE THEATRE STUDIES AND ARTISTIC CREATIONS RESEARCH CENTER
THE FILM STUDIES AND ARTISTIC CREATION RESEARCH CENTER
Scientific research and artistic creation - fundamental (studies and
research in both related fields) and applied (artistic performance
creation with a strong support of the entire process of creation) -
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enrich, support and develop the educational process, in addition to
the lines of study, by harnessing the most important theoretical and
practical research of students and professors.
Starting with the excellent results of the two faculties and with their
highly qualified teaching body of our university, known both locally and
internationally, developing scientific research and artistic creation has
become a vital part consciously assumed in the educational-training
process.
The results of the two centers are disseminated through books
and studies published by UNATC Press and through three academic
journals: the Romanian language journal Concept, the Englishlanguage Romanian Performing Arts Journal and Close Up - Film
Studies Journal.
ERASMUS
LIFE LONG LEARNING PROGRAMME ERASMUS
Since 2011, UNATC is actively involved in the Life Long Learning Programme
Erasmus. In our first year on the programme, the Erasmus University Charter
gave our students the opportunity to go on placements, to undertake
internships at universities, theaters, film or photo studios abroad. In 2012,
following increased efforts of internationalization, UNATC received the
Extended Erasmus Charter, and as of 2013-2014, our students and professors
can access all existing Erasmus mobility.
At this point, our university has concluded bilateral agreements with the
following European universities:
THE ACADEMY OF PERFORMING ARTS Bratislava / Slovakia
THE ESZTERHÁZY KÁROLY COLLEGE Eger / Hungary
ESCUELA SUPERIOR DE ARTE DRAMATICO DE CASTILLA Y LEON
Valladolid / Spain
THE NATIONAL ACADEMY FOR THEATRE AND FILM ARTS Sofia / Bulgary
ATHANOR AKADEMIE FÜR DARSTELLENDE KUNST BURGHAUSEN
Burghausen / Germany
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FACILITIES
UNATC has:
35 CLASSROOMS
18 SEMINAR ROOMS
18 LABORATORIES
SPECIALIZED AREAS Film Studio and 3D Virtual Reality Laboratory
(both separate premises from the main body of the building)
LIBRARY with a collection of over 90,000 volumes of books, supplemented
by audio and video recordings from the two faculties
IT LABS with computers connected to the Internet, which are always available
to students for study activities
GYM HALL
HOSTEL providing accommodation facilities in accordance with the current
number of students and their needs
MEDICAL OFFICE inside the main building.
TEACHING STAFF
FILM FACULTY
FULL-TIME ACADEMIC STAFF professors PhD Gheorghe Bălășoiu, Mircea
Ciocâltei, Moscu Copel, Laurențiu Damian, Dana Duma, Floarea Măcriș, Anca
Mitran, Cristina Nichituș, Radu Nicoară, Mihai Orășanu, Adina Petrescu, Ovidiu
Răduleț, Marius Șopterean, Titus Vîjeu. senior lecturers PhD Dan Alexandru,
Laura Baron, Sorin Botoșeneanu, Anca Damian, Valeriu Drăgușanu, Lucian
Georgescu, Florentina Heroiu, Radu Igazsag, Sorin Ilieșiu, Doina Maximilian,
Marius Nedelcu, Doru Nițescu. lecturers PhD Ovidiu Georgescu, Andrei Gorzo,
Napoleon Helmis, Gabriel Kosuth, Constantina Mîș, Florian Nanu, Dragoș
Popescu, Lorin Vasilovici. teaching assistants Alexandru Dragomir, Marius
Iacob, Florin Ionescu, Iulia Mureșan PhD, Paul Negoescu, Cătălin Pătru, Andrei
Rus PhD, Ionel Simioana PhD, Cătălina Simion PhD, Alexandru Sterian PhD,
Roxana Szel, Mirela Vlad, Tudor Voican PhD.
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ASSOCIATE PROFESSORS Elisabeta Bostan, Gheorghe Ceaușu PhD, Manuela
Cernat PhD, Stere Gulea PhD, Cristina Ionescu PhD, Florin Mihăilescu PhD,
Horea Murgu PhD, Radu F. Alexandru PhD, Florin Gioroc PhD, Lucian Pricop
PhD, Cristi Puiu, Ioan Tache PhD, Dinu Tănase PhD, Ileana Boeru PhD, Doru
Mitran, Cristian Tudor Popescu PhD, Ada Solomon, Victor Velculescu PhD,
Matei Branea, Dragoș Bucur, Valeriu Căliman, Cătălin Cristuțiu, Gabriela Filippi,
Vlad Ioachimescu, Tudor Jurgiu, Laura Lăzărescu PhD, Nicoleta Manolache,
Dan-Ștefan Rucăreanu PhD, Millovan Simulov, Gabriel Spahiu, Florin Stanciu,
Cosmina Șandor, Ștefan Tatu.
THEATRE FACULTY
FULL-TIME ACADEMIC STAFF professors PhD Alexa Visarion, Sergiu Anghel,
Dan Bălan, Ștefania Cenean, Gheorghe Colceag, Cornel Dumitriu, Tania Filip,
Radu Gabriel, Sandu Mihai Gruia, Raluca Ianegic, Olga Delia Mateescu, Delia
Mucică, Horea Murgu, Ludmila Patlanjoglu, Cristian Pepino, Valeria Sitaru,
Adrian Titieni, Dan Vasiliu, Ștefan Velniciuc, Florin Zamfirescu senior lecturers
PhD Felix Alexa, Doru Ana, Constantin Anghel, Gabriel Apostol, Ion Brancu,
Paul Chiribuță, Sorina Creangă, Liliana Gavrilescu, Mircea Gheorghiu, Paul
Iliescu, George Ivașcu, Ion Mircioagă, Nicolae Mandea, Adriana Raicu-Petre,
Octavian Saiu, Carmen Stanciu, Elena Saulea, Daniel Stanciu lecturers PhD
Marela Anghel, Ludmina Szekely Anton, Mihaela Bălan, Mihaela Bețiu,
Aurelian Burtea, Ștefan Caragiu, Florin Chevorchian, Roxana Colceag, Bogdana
Crețu, Carmen Croitoru, Marius Gâlea, Anca Ioniță, Liliana Iorgulescu,
Decebal Marin, Ileana Niculescu, Anca Oprișan, Mihaela Sârbu, Viorica
Vatamanu, Elena Zamfirescu, Ana-Maria Nistor, Vulpe Andreea, Puiu Șerban,
Mircea Rusu, Isar Iuri-Constantin teaching assistants Nicușor Adetu, Alexandru
Berceanu, Izabela Bostan, Mihai Brătilă, Cristina Briciu, Monica Ciută, Mihai
Dumitrescu, Andreea Duță, Lorette Enache, Florin Fieroiu, Florin Grigoraș, Vlad
Logigan, Imelda Manu, Valentina De Piante, Ștefana Stanciu, Ana Stanciu, Dana
Suciu
ASSOCIATE PROFESSORS
Gheorghe Ceaușu PhD, Vasile Morar PhD, Elisabeta Munteanu PhD, Adina
Nanu PhD, Ion Toboșaru PhD, Mircea Constantinescu, Alexandru Darie,
Alexandru Jitea, Liviu Lucaci, Ion Bogdan Lefter, Mihai Manolescu, Mircea
Florian, Ovidiu Pânișoară, Diana Stănculeanu, Alina Moldovan, Valentin
Nicolau, Maia Ciobanu, Mihai Bisericanu, Atilla Vizauer, Marius Zarafescu,
Silviu Jicman, Ileana Boeru PhD, Alina Moldovan, Monica Andronescu, Radu
Apostol, Mihaela Michailov, Maria Zărnescu, Eliza Bercu, Iuliana Drăghici,
L.Voicu, Anca Deleanu, Catinca Drăgănescu, Andrei Dinu, Maria Dore,
Iuliana Gherghescu, Mihai Dorobanțu, Bogdan Golumbeanu, Ioana
Moldovan, Alina Epângeac, Olivia Pareșcura.
61
National University of Theatre and Film
75-77 Matei Voievod Street
unatc.ro
UNATC Bucharest 2012

university`s guide.

Transcription

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