2013 - Shoreline Community College

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THEIR WORK IN THIS FIRST VOLUME, HIGHLIGHTING CLASS
PROJECTS FROM COURSES IN DESIGN, MULTIMEDIA, AND
DIGITAL IMAGE CREATION.
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SHORELINE DESIGN
OVER 130 SHORELINE DESIGN STUDENTS SHOW
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www.shoreline.edu
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S H O R E L I N E
T H E
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F U T U R E
D E S I G N
I S
V I S U A L
9/9/13 11:46 AM
The Visual Communications Technology Program at Shoreline Community College
has degree tracks in Graphic Design, Animation, Video, Multimedia, Web, and
Game Art. This book is a celebration of the design accomplishments made by our
students over the past few years in classes and internships within our program. Here
at Shoreline, students learn to create design solutions using a variety of digital tools.
As they learn foundational skills, their studies focus on not just the technical use of
software, but equally on creative process and concept development. Throughout
the design process, each student project becomes much bigger than creating nice
looking imagery. Students immerse themselves in the “culture of the client” to learn
about such things as the objective of the piece, and who the target audience is and
what they value. Frequently, assignments expose students to learning about new
technologies, international cultures and destinations, stylistic trends, business and
marketing principles, and production workflows.
Included in this volume are project examples representing the work of over 130
students in visual identity, publication design, web design, multimedia and
advertising, packaging and point-of-purchase displays, textile design, experimental
typography, poster design, 2D and 3D digital illustration, exhibit booth design
and video game art and interface design. This book showcases the talents of our
students. We also hope that it presents a visual testimony to the success of our
program. If you are a potential student, looking for a solid design program in the
Seattle region, consider Shoreline.
Al Yates
Professor of Graphic Design and Digital Media
Shoreline Community College
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SHORELINE VISUAL DESIGN
FACULTY
Christine Shafner
Professor of Computer Graphics/Multimedia
Al Yates
Professor of Graphic Design and Digital Media
Claire Fant
Interactive/Web Design Faculty
ASSOCIATE FACULTY
Dennis Bishop
Multimedia Instructor
Bob Hutchinson
2D Design and Animation Instructor
Robynne Raye
Graphic Design Instructor
Chuck Schultz
Computer Graphics Instructor
PROGRAM MANAGER
Mary Bonar
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THE DESIGN PROCESS
S TAT E T H E C H A L L E N G E
RESEARCH
S E T PA R A M E T E R S
EXPLORE POSSIBILITIES
PRESENT CONCEPTS
REFINE THE BEST IDEAS
PRESENT THE BEST SOLUTION
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T H E
F
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E
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V
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A L
A
V
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M
E
1
SHORELINE DESIGN
Ashby, Cherelle
Ashmun, Susan
B
Balicki, Ebru
Bannier, Jen
Beerman, Nick
Benko, Leonid
Bevis, Robert
Binschus, Ty
Bishop-Harvey, Nancy
Brazeau, Francine
Brosas, Nick
Butters, Elise
C
Cabales, Jay
Capinha, Curt
Chau, Rachel
Chung, Andrew
Collins, Michael
Cook, Amanda
Cox, Laura
Cuzick, Vannie
D
Daleo, Laura
Dallin, Rebecca
Dargavel, Danielle
Defilippis, Seth
Dibe, Omaima
Dimond, Elizabeth
Donaghy, Drew
Drevecky, Keith
Ducey, Karen
E
Eli, Stephanie
Ellis, Joseph
F
INDEX OF
STUDENT WORK
Fiebelkorn, Matthew
Filer, Zach
Finsel, William
Ford, Joyce
Foss-Turcan, Vanessa
G
Gala, Megan
Gillette, Kathleen
Gorseth, Nancy
Green, Rachael
Greenleaf, Shawn
H
Haug, Katie
Hayes, Kendra
Henry, Jaquelyn
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11, 156
21
120,175
182-183
64-65, 184, 190-191
190-191
106, 110, 124
160,189
188
108, 140
122
164
121
31,158, 170
100
173, 190-191
20
20, 120, 142
50-51, 97
99
129,170
160, 189
173,189
189
120
10
86, 115, 127
19, 52-53, 122
95, 168
116
9, 23, 25, 32, 72-77*, 88, 92, 143
30, 152-155*
79
110, 124
66, 126, 158, 165, 189
175, 180
111
22, 117, 179, 181
22, 26-28*, 101
33, 43, 48-49*, 122, 156
116, 156
162, 169
14-15*
165
9/9/13 11:46 AM
Hon, Chun Miu
Hubbard, Kaiya
Hudson, Ben
Huffman, Jeff
Hurst, Linda
I
Irelan, Emily
J
Jacobson, Mary Jo
Johnson, Julie
Johnson, Marvin
Jones, Brandon
Juhlin, Kara
K
Kang, Sun Young
Kilkenny, Tim
Kilpatrick, Steve
Kim, Jinju
Knapp, Scott
Kozhevnikova, Anna
Kuklok, Rebecca
L
Larsson, Susie
Lauwoo, Carmen
Lawson, Shannon
Lennon, Jaymie
Lesta, Merit
Looney, Chris
Lukens, Samantha
Lytle, Chris
M
Maeda, Kaori
Mahoney, Jen
Martin-Calder, Elizabeth
Martin, Jeff
McFarland, Mike
Melgard, Erik
Meyer, Kali
Meyer, Tiffany
Montague, Lisa
Muncey-Gordon, Ben
N
Nakagawa, Fuka
Newman-Adjiri, Sharon
P
Paris, Skylar
Park, Sam
Patnode, Blane
Pearson, Ryan
Pencil, Ray
Pillars, Seth
Pleva, Maggie
Potter, Mara
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110, 123
119
123
112, 120
92
96
16
124, 165, 189
159
87, 107
147
117
52-53
122
108
104-105, 122, 168
163
110
54
4, 24, 40-41*, 45
52-53
8, 80-81
118
119, 160
19
120, 171
108, 121, 174
188
109
118
123
70-71
85
156
16, 79, 82-83, 157, 190-191
17, 52-53, 60-61, 129, 137
68-69, 106, 156, 188
118
186-187
138
120
19, 54
120
34-39*, 108
90-91*, 110
128
R
Raab, Greg
Robertson, Matt
S
Sadikin, Anastasia
Sallen, Allison
San Jose, Seth
Sanchez, Julio
Sanchez, Paolo
Schumacher, Kate
Schwartz, Michael
Sekito, Chisa
Shannon, Beth Ann
Shibeshi, Bemnet
Sibthorp, Cheri
Simmonds, Kristen
Sizemore, Gary
Sousley, Molly
Spencer, Steve
Srebnik, Brad
Stein, Marissa
Stephens, Nick
Stewart, Christian
Stoelan, Vibeke
Stonefelt, Julie
Strand, Laurel
Strom, Brittany
Sullivan, Tiffany
167, 188
Sun, Kate
Swenson, Nancy
T
Tang, Puiwah
Taylor, Dan
To, Paul
Tran, Nancy
Tsui, Cherie
V
Valiente, Laura
Varouhas, Michael
Vietze, Sarah
W
Wakefield, Leila
Webb, Dalton
Wetzsteon, Tawnie
Wisecarver, Yasmin
Wu, Claire
Y
Yera, Valerie
54, 176-179
44, 94
106, 108, 119
110, 125
122
122
120
106, 108, 126
113, 120
185
136
161
146
56-59
84
122, 139
54, 118
54, 118
29
122
52-53, 89
97
123
78, 103, 148-149, 189
189
93, 108, 118, 130-134*, 150-151,
96, 114
55
110, 116
12-13*, 19, 52-53, 123, 135, 160
117
120
22, 62-63, 144-145*, 146
110, 141, 146
180
93
120
42, 44, 46-47
78, 98
67, 102, 108, 172, 189
120
166
* Student Spotlight
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S H O R E L I N E
D E S I G N
FAT CAT RECORDS LOGO
BY JAYMIE LENNON
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:46 AM
DRINK LAUGH LOVE WINE LABELS
BY JOSEPH ELLIS
T H E
F U T U R E
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S H O R E L I N E
D E S I G N
APIS ARTIFICIAL POLLINATION IDENTITY
BY ELIZABETH DIMOND
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
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AV
AV
AV
NANO AIR VEHICLES IDENTITY
BY CHERELLE ASHBY
T H E
F U T U R E
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S H O R E L I N E
D E S I G N
STUDENT SPOTLIGHT
DAN TAYLOR
I started designing for fun around 15 years old and nailed an internship at a design company
when I was 16. Since then I have wanted to learn how to design clever and timeless work.
I did some freelance design work with a friend while at Shoreline. Later I did an internship at
Enter The Studio in Seattle through Shoreline’s mentorship program. My goal in design is a
transparent expression of a good idea. No trends, no nonsense. I would like people to look at
my work years later and say it could have been designed then.
See more of Dan’s work on pages 19, 52-53, 123,135 and 160.
HASBRO KRE-O WEB PAGE DESIGN
BY DAN TAYLOR
CIRCLE OF TEN TALENT WEB PAGE DESIGN
BY DAN TAYLOR
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:46 AM
TEAM ACE IDENTITY REDESIGN AND WEB SITE
BY DAN TAYLOR
All work shown in this spread was done by Dan Taylor while interning at
Enter the Studio in Seattle Washington. All designs are owned by ETD and
their respective clients. Used by permission of Enter the Studio.
T H E
F U T U R E
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S H O R E L I N E
D E S I G N
STUDENT SPOTLIGHT
KENDRA HAYES
I designed the “Walk for Brains” logo as my final event logo in Graphic Design II. I love
zombies and hate cancer so why not? It’s a bit of a pun since zombies eat brains so it
creates a light mood for a serious charity and could possibly educate a younger crowd about the
seriousness of cancer. “Walk for Brains” would be an all out, full costume, walk with hordes of
zombies dominating the streets. Though it isn’t an actual event, I’ll make it happen
one day. The Summer of 2011 I found out a close friend was battling cancer. He was too
sick to hold a job and his bills were mounting. I wanted to help. After much thought I
decided to sponsor a two-day fundraising event titled “Fu#k Cancer”. I had no sponsorship
and not much help but in the end it was worth every penny and managed to raise a surprisingly
large amount of money on a very minimal budget. With one fundraising event already under
my belt, and an idea growing, who knows? Maybe I smell fundraising event coordination in my
future, or maybe that smell is just brains!
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
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WALK FOR BRAINS EVENT LOGO
BY KENDRA HAYES
T H E
F U T U R E
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S H O R E L I N E
D E S I G N
BIOMEDICAL ENGINEERING SOCIETY IDENTITY
BY MARY JO JACOBSEN
BIOMIMETICS EVENT LOGO
BY LISA MONTAGUE
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:47 AM
NIGHT OWL OPTICS IDENTITY
BY BEN MUNCEY-GORDON
T H E
F U T U R E
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S H O R E L I N E
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D E S I G N
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:47 AM
IMPORTED EXOTIC JUICE SMOOTHIE
IDENTITY, PACKAGE DESIGN, AND POINT OF PURCHASE DISPLAY DESIGN
BY DAN TAYLOR
KEITH DREVECKY
SAMANTHA LUKENS
RYAN PEARSON
T H E
F U T U R E
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9/9/13 11:47 AM
S H O R E L I N E
D E S I G N
HOT SAUCE PACKAGING
AMANDA COOK
MICHAEL COLLINS
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:47 AM
32ND STATE HOT SAUCE PACKAGING
BY SUSAN ASHMUN
T H E
F U T U R E
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S H O R E L I N E
D E S I G N
1.
HOT SAUCE PACKAGING
1. NANCY GORSETH
2. KATHLEEN GILLETTE
2.
3. CHERIE TSUI
4. CARMEN LAUWOO
3.
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S H O R E L I N E
4.
C O M M U N I T Y
C O L L E G E
9/9/13 11:47 AM
F U T U R E
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I S
V I S U A L BY JOSEPH ELLIS
SUGARSKULL HOT SAUCE PACKAGING
T H E
23
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S H O R E L I N E
D E S I G N
FIVE RIVERS DOG FOOD PACKAGING
BY CARMEN LAUWOO
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:47 AM
PURE PET DOG FOOD PACKAGING
BY JOSEPH ELLIS
T H E
F U T U R E
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S H O R E L I N E
D E S I G N
STUDENT SPOTLIGHT
NANCY G. GORSETH
After a decade of working in the retail medical field I knew that I wanted more. I craved a
creative outlet and a new career. Despite the fear of failure and the unknown, I pulled up
my sleeves and changed my life dramatically, and for the better. My love of art, color, and
texture soon grew to include design, layout, and lines. The SCC VCT program gave me the
skills and tools I needed and heightened my ambition for design by encouraging my goals
through motivation and inspiration.
See more of Nancy’s work on pages 22 and 101.
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:47 AM
QUEEN CITY ICE CREAM PACKAGING DESIGN
BY NANCY GORSETH
T H E
F U T U R E
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S H O R E L I N E
D E S I G N
FALL COLORS
“FALL COLORS” BOUNDARY BAY BREWING COMPANY AD
BY NANCY GORSETH
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:47 AM
LADY FUCHSIA ICED COCONUT ICE CREAM PACKAGING DESIGN
BY MARISSA STEIN
T H E
F U T U R E
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S H O R E L I N E
D E S I G N
IRIGINO ONIGIRI PACKAGING DESIGN
BY MATTHEW FIEBELKORN
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:47 AM
FISHERMAN’S TERMINAL
KI
NG SA L M O N
PPER RIVER
CO
FISHERMAN’S TERMINAL
PPER RIVER
CO
KI
2 Vacuum-Packed Filllets
NG S A L M O N
KEEP FROZEN / UNCOOKED
NET WT. 12 OZ (340g)
FISHERMAN’S TERMINAL
PPER RIVER
CO
KI
NG SA L M O N
FISHERMAN’S TERMINAL SALMON PACKAGING
BY CURT CAPINHA
T H E
F U T U R E
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S H O R E L I N E
D E S I G N
SEATTLE AQUARIUM IDENTITY REDESIGN
BY JOSEPH ELLIS
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:47 AM
SEATTLE AQUARIUM DESIGN COLLATERAL
BY RACHAEL GREEN
T H E
F U T U R E
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S H O R E L I N E
D E S I G N
coverV2.indd 1
CONTOUR 2012 ANNUAL REPORT
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3/22/12 11:50 AM
BY SETH PILLARS
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:47 AM
STUDENT SPOTLIGHT
SETH PILLARS
“I’m Seth Pillers: graphic designer, multimedia artist, and culture sponge. I grew up in an abandoned seminary in the Pacific Northwest, from which sprung my intrepid paradigm and affinity
for the fringe. Designing in a breadth of mediums keeps my mind running... like an unstoppable
robot—a heavily bearded robot with an expansive flannel shirt collection.”
See more of Seth’s work on page 108.
T H E
F U T U R E
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S H O R E L I N E
D E S I G N
MIKEY’S CAT FOOD PRODUCTS
IDENTITY AND PACKAGING
BY SETH PILLARS
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:47 AM
T H E
F U T U R E
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S H O R E L I N E
D E S I G N
THREE SHEETS VODKA IDENTITY AND LABEL DESIGN
BY SETH PILLARS
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:47 AM
T H E
F U T U R E
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I S
V I S U A L 39
9/9/13 11:47 AM
S H O R E L I N E
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D E S I G N
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:47 AM
STUDENT SPOTLIGHT
CARMEN LAUWOO
My introduction to art and design was an elementary school project in which we drew penguins
utilizing the outline of our hands as the body of the penguin. It was the beginning of a method
of self-expression that was simple, smart and imaginative, which are elements that continue
to motivate me to this day. I find inspiration in everyday life as well as the past. So, I find it
necessary to explore our history in order to create something new for the future.
See more of Carmen’s work on pages 4, 24 and 45.
TOP CAKES IDENTITY
BY CARMEN LAUWOO
T H E
F U T U R E
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S H O R E L I N E
D E S I G N
RALPH LAUREN PAINT BRAND REDESIGN
BY DALTON WEBB
SEA JALOPY PACKAGING DESIGN
BY DALTON WEBB
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:47 AM
CHOCOLATE PACKAGING
CHOCOLATE PACKAGING
T H E
BY RACHAEL GREEN
F U T U R E
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BY JINJU KIM
I S
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9/9/13 11:47 AM
S H O R E L I N E
D E S I G N
FRUIT BY THE FOOT LOGO REBRAND
BY MATTHEW ROBERTSON
MOISTURIZER PACKAGING BY DALTON WEBB
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:47 AM
KLONDIKE BON BONS
IDENTITY AND PACKAGING REDESIGN
BY CARMEN LAUWOO
T H E
F U T U R E
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S H O R E L I N E
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D E S I G N
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:47 AM
MR. B ORGANIC MADAGASCAR CHOCOLATE PACKAGING
BY DALTON WEBB
T H E
F U T U R E
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9/9/13 11:47 AM
S H O R E L I N E
D E S I G N
RALPH LAUREN PAINT BRAND REDESIGN
BY RACHAEL GREEN
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:47 AM
STUDENT SPOTLIGHT
RACHAEL GREEN
I always loved art and found myself in art school studying computer animation. Two years and
lots of money later, life happened and I put my ambitions on hold. It would be ten years before
I enrolled at Shoreline Community College in the Graphic Design program.
My passion for art was reignited as well as excitement for this new direction my life was
taking. I graduated in June 2012 and my main interest is in layout and package design as well
as photography but the possibilities are endless. See more of Rachael’s work on pages 33, 43, 122 and 156.
WINE LABELS
T H E
F U T U R E
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I S
V I S U A L BY RACHAEL GREEN
49
9/9/13 11:47 AM
S H O R E L I N E
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D E S I G N
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:47 AM
GEOTHERM ENERGY EVENT IDENTITY AND WAYFINDING
BY LAURA COX
T H E
F U T U R E
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S H O R E L I N E
D E S I G N
SHORELINE DESIGN CHALLENGE WINNERS
Over a three week period, six teams competed in a multiround, graphic design team competition to design the identity,
packaging, and advertising campaign for an imaginary
energy drink brand. The competition was judged by leading
designers in the Seattle region, as well as Shoreline Design
faculty. The winning design team, Team Fenix, earned their
place in Shoreline design history as the first winners of this
competition. The contest’s two-hour final round took place
live as part of “Judgement Day,” an all day event that brought
industry professionals to campus to mentor and review the
portfolio of Shoreline Design students.
FENIX ENERGY
IDENTITY, PACKAGING, AND ADVERTISING CAMPAIGN
FIRST PLACE TEAM MEMBERS:
KEITH DREVECKY
SHANNON LAWSON
TIM KILKENNY
BEN MUNCEY-GORDON
CHRISTIAN STEWART
DAN TAYLOR
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S H O R E L I N E
D E S I G N
SUMMIT ENERGY IDENTITY AND PACKAGING DESIGN
2010 DESIGN CHALLENGE ENTRY
BY SUSIE LARSSON
BRAD SREBNIK
STEVE SPENCER
GREG RAAB
RYAN PEARSON
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C O M M U N I T Y
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GARDEN PARTY WINE LABELS
BY NANCY SWENSON
T H E
F U T U R E
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S H O R E L I N E
D E S I G N
STUDENT SPOTLIGHT
KRISTEN SIMMONDS
Print, patterns and graphics are everywhere…..The wonderful sensation from the colors, the
design and how it makes us feel, what they were thinking? Why that color combo and print?
How did they come up with that? Does that image have meaning? It is my joy seeing and
being inspired daily by everything from phone skins, fabrics, clothing, bed sheets, wallpaper
and even graphic novels. As a textile and surface design artist I see so many possibilities of
where my designs can be used. My current passion is textile patterns for fabric and scrapbook
paper. My designs will vary in style from clean and simple to wild and busy, whatever strikes
me at the time. The color combinations and textures can change the look and feel of a print
and add to the ever mounting ideas. Each day is a new design adventure waiting to happen.
CRAFT PAPER PATTERNS
BY KRISTEN SIMMONDS
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:47 AM
CRAFT PAPER PATTERNS
BY KRISTEN SIMMONDS
T H E
F U T U R E
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S H O R E L I N E
D E S I G N
BY ACCIDENT ALCHEMY POSTER
BY BEN MUNCEY-GORDEN
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MUKILTEO LIGHTHOUSE
9.20.2011
MUKILTEO LIGHTHOUSE FESTIVAL POSTER
BY BEN MUNCEY-GORDEN
T H E
F U T U R E
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S H O R E L I N E
D E S I G N
happiness you can eat!
We are proud to present a variety of Thai food. Our experience is extraordinary.
We are from the most famous Thai cuisine. At Tawon Thai
you will relax in casual atmosphere with family style.
3410 Fremont Ave N, Seattle, WA 98103 • (206) 633-4545 • tawonthai.com
TAWON THAI RESTAURANT AD
BY CHERIE TSUI
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0
4
1
0
38
25
7
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
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2012 – 2013
Apr. 15th – May 17th
Jan. 7th – Feb. 1st
Sept. 17th – Oct. 26th
Fred Holcomb, A Beautiful Day in Paradise
(oil on canvas, 48” x 72”, 2011)
Laurie Tiecherow, untitled
(acrylic on canvas, recycled wood,
35” x 25”, 2011)
Karen Milnor, Abandoned Knowledge (detail)
(deconstructed books, silk organza, thread,
39” x 39” x 1”, 2011)
2
4
7
May 20th – July 19th
Feb. 4th – Mar. 1st
Oct. 29th – Dec. 30th
Ann Chadwick Reid, View
(cut paper, 22” x 36”, 2011)
Ben Moreau, Tuxedo
(etching, aquatint, 11” x 15”, 2010)
1.
Karen Milnor
Abandoned Knowledge
Sept. 17th – Oct. 26th, 2012
Karen Milnor’s series of 15 paper assemblages
deconstructs a How-To-Do-It Encyclopedia Series
(circa 1961) and recreates them in a new form. The
books explained how to make and fix common
household items—a reminder that at one time the
ability to create and repair objects was important.
The configuration of the pieces emerged out of
the “making something from nothing” idea that
underlies the history of traditional fabric quilts. This
reinvention of the books makes the knowledge more
difficult to glean, and the viewer is asked to ponder
the consequences of its loss. Karen Milnor is a former
SCC VCT student, who also has a BFA in Fibers.
2.
Judith McCarthy, Big Flange Pot
(naked raku, 3” x 14” x 14”, 2011)
6
3
1
5
Mar. 4th – Apr. 12th
College Art
Gallery Calendar
Ben Moreau
I Have My Doubts
Oct. 29th – Dec. 30th, 2012
Ben Moreau’s highly crafted prints are concerned
with self-portraiture as a vehicle of exploration into
the human condition, chronicling an individual
struggle and adaptation to external forces beyond
his control.
Removed from the context of a narrative, his
images utilize humor, self-deprecation, and formal
abstraction as defense mechanisms to ultimately
conceal specific issues of awkwardness, loneliness,
insecurity, the fear of failure, and social anxieties
and pressures.
SHORELINE GALLERY CALENDAR
3.
Fred Holcomb
A Beautiful Day in Paradise
Jan. 7th – Feb. 1st, 2013
Fred Holcomb’s paintings recall the realist tradition
of early nineteenth century painters like George
Catlin and Carl Bodmer, whose work documented
a new American Eden, thus helping to create
the ideology of the American Dream. Holcomb’s
landscapes are generated from a lifetime of road
trips through the open spaces of the American
West, observed while driving on the highway.
His large painterly landscapes document the
contemporary reality in which the rural west is now
a landscape sculpted by agriculture and industry.
Rachel Chau, Self portrait with skeleton
(pen on paper, 9” x 12”, 2011)
5.
Judith McCarthy
Black and White
Mar. 4th – Apr. 12th, 2013
In her profession as a mental health counselor and
in her 30-year passion for ceramics, Judith McCarthy
has developed a penchant for celebrating contrasts
in clay and in life in general. Her exquisitely crafted
ceramic vessels in porcelain and raku are variations
on the theme of black and white, and as in her
profession, she celebrates the endless possibilities.
6.
Associate of Fine Art
Graduate Show
Apr. 15th – May 17th, 2013
4.
Ann Chadwick Reid
The current graduates of Shoreline’s Associate
of Fine Art Degree will present samples of their
work. Shoreline offers two direct transfer degrees
with concentration in the visual arts: an AFAS in
studio art, and an AFAP in photography. Each year,
students in the final stages of their degree will
present their finest examples of painting, drawing,
printmaking, graphic design, photography,
sculpture, and ceramics.
Views
Feb. 4th – Mar. 1st, 2013
The imagery in Ann Chadwick Reid’s cut black
paper silhouettes reflects her observations about
how human behavior shapes the communities we
live in. Her work addresses the struggle in her rural
community to see existing landscape as romantic
pristine environment, a valley for abundant
farming or an opportunity for suburban growth.
There are different opinions on who owns the
view or what is appropriate for landscape. Some
of these perceptions determine the way lands
and environments change and create tensions
between vying perceptions of how land could or
should be used.
7.
Combined Club Show
May 20th – July 19th, 2013
Shoreline has three clubs in the fine arts: the
photography club, the art club, and the clay club.
In this show, the clubs display samples of the best
printmaking, painting, drawing, photography,
sculpture and ceramics from students involved in
club activities throughout the year.
BY CHERIE TSUI
V-Drum image and Roland logo used by permission
T H E
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S H O R E L I N E
D E S I G N
SILVERTIP LUXURY YACHTS IDENTITY AND BROCHURE
BY NICK BEERMAN
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S H O R E L I N E
D E S I G N
Okanogan highlands presents the 3rd annual
Conscious
Culture
festival
June 8 & 9 2012 Tonasket, WA Barter Faire Site
CONSCIOUS CULTURE FESTIVAL PROMOTIONAL POSTCARD BY JOYCE FORD
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THE PINK DOOR WINE MENU
T H E
F U T U R E
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BY YASMIN WISECARVER
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S H O R E L I N E
D E S I G N
SEATTLE INTERNATIONAL AUTO SHOW 2015
BY FUKA NAKAGAWA
poster.indd 1
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C O M M U N I T Y
C O L L E G E
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3/15/12 5:44 PM
T H E
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S H O R E L I N E
D E S I G N
OCEANUS SUBMARINES IDENTITY AND BROCHURE COVER DESIGN
BY ERIK MELGARD
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C O M M U N I T Y
C O L L E G E
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oceanus
submarines
1
T H E
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S H O R E L I N E
D E S I G N
STUDENT SPOTLIGHT
JOSEPH ELLIS
My interest in design began in a different way than most. Rather than being attracted to design because of my love for visual art, I was initially interested in the psychological element
of design. Subjects like environmental psychology have always fascinated me, though I have
never had an interest in becoming a psychologist. Eventually those interests led me to a fascination with design, and the feelings that designers are responsible to portray through an everexpanding variety of platforms. Shoreline has been a fantastic place to pursue those interests,
allowing me the freedom to pursue my own stylistic interests, while still directing me towards a
well-rounded design education, and even opening the door to a recent internship with Modern
Dog Design Co.
See more of Joseph’s work on pages 9, 23, 25, 32, 88, 92 and 143.
REAL
FRENCH FRIES
are not
FRENCH FOOD
taste the truth.
GOOD
FOOD
AWAITS
FRENCH FOOD
(couldn’t you tell by the mustache?)
BASTILLE CAFE & BAR AD CAMPAIGN
BY JOSEPH ELLIS
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C O M M U N I T Y
C O L L E G E
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A TASTE OF FRANCE A BIT CLOSER TO HOME
T H E
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S H O R E L I N E
D E S I G N
RUE 75 IDENTITY DESIGN
BY JOSEPH ELLIS
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C O M M U N I T Y
C O L L E G E
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F U T U R E
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I S
V I S U A L BY JOSEPH ELLIS
SCREAMER CLOTHING IDENTITY AND PACKAGING
T H E
75
9/9/13 11:48 AM
S H O R E L I N E
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D E S I G N
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:48 AM
PUBLIC BIKE CATALOG DESIGN
BY JOSEPH ELLIS
T H E
F U T U R E
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S H O R E L I N E
D E S I G N
WARSAW TOWER HOTEL IDENTITY AND WEB DESIGN
BY TAWNIE WETZSTEON
ESTRELLA HOTEL IDENTITY AND WEB DESIGN
BY LAUREL STRAND
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C O M M U N I T Y
C O L L E G E
9/9/13 11:48 AM
MARE BA SEYCHELLES HOTEL
IDENTITY AND WEB PAGE DESIGN
BY ZACH FILER
BLISS SYDNEY HOTEL IDENTITY AND WEB DESIGN
BY LISA MONTAGUE
T H E
F U T U R E
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S H O R E L I N E
D E S I G N
VELOCIOUS MOTORCYCLES MULTI-PANEL BROCHURE DESIGN
BY JAYMIE LENNON
Can you
Y
say SEX
BLISTER
n”
st “gree
the mo en
re
of all g
M-
MEAN
L E A N , t im e s
e
& som REEN
ev e n G
want
ke us for
often ma
look
cycles
hway and
quite
t motor
Concep out on the hig may not be into
d
to hea . These bikes d as we zoom m
fro
ure
advent tear up the roa y would move e a
tak
ready to but we wish the n! As we
d,
very soo , here are a few .
the win
lity
rea
t to
cycles
r future
concep
t motor
the nea
cep
in
con
for
hope
look at
bikes to
bad-ass
is
s go, this
le design sual out
motorcyc
st unu
As far as one of the mo crazy green
its
ly
probab t because of
multiple
t jus
eme or
r,
there. No low color sch ause its creato
bec
and yel
t it is
but
mps,
ims tha
headla
anov, cla substances.”
c
l V. Smoly
Michae irely of “organi
ent
de
ma
the most “green”
of all green
ike
yet unl
bike - and ; a blueore
hy sexy
t’s a filt we’ve seen bef torcycle
mo
g
anythin vention of the
ctric
s the ele
sky rein
new rule to bring in.
the
based on age is going
Or g
Org
fwa
M-
As far as motorcycle designs go, this is
probably one of the most unusual out
there. Not just because of its crazy green
and yellow color scheme or multiple
headlamps, but because its creator,
Michael V. Smolyanov, claims that it is
made entirely of “organic substances.”
80 Design book w-additions.indd 80
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C O M M U N I T Y
C O L L E G E
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41 8th
WOW!
GL 1-
Ave
113
15
, WA 981 m
Seattle
ciuos.co
www.velo
M
M
the-sky
ny pie-in- y’re just
t too ma
the
not to posicles — usually ings never
We try
der
ts veh
. Or
are ren
concep
vaporw the light of day l
ulgent
hai
self-ind to actually see designer Mik
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crafted
But
.
tion
produc v’s latest exercis it’s apparently
and
eEXIF, an
Smolyano moting. That,
by
ing to Bik
worth pro built. Accord icle fabricator
ly
be
veh
v actual
going to
d Russian
Bushue
cept, and
establishe of Alexander
-m Con
e
the GL1 ings into a oil
the nam
sioned
der
commis
keep our
st the ren
manife torcycle. We’ll Smolyto
ns
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actual mo
e
. Till the
& metal led for this one k to ogle — giv
a
eyes pee nty more wor ycle concepts .
ple
torc
anov has his other mo Design website
some of his Solifague
peek at
wa
Can you say SEXY
BLISTER
t’s a filthy sexy bike - and yet unlike
anything we’ve seen before; a bluesky reinvention of the motorcycle
based on the new rules the electric
age is going to bring in.
T H E
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D E S I G N
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:48 AM
K
CY
CMY
MY
Y
CM
M
C
Lisa Rock Poster 2nd Run.pdf
1
5/29/13
11:22 AM
S H O R E L I N E
BY LISA MONTAGUE
SEATTLE ROCK FESTIVAL IDENTITY AND POSTER
CY
CMY
MY
K
T H E
F U T U R E
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S H O R E L I N E
D E S I G N
PROMOTIONAL POSTER FOR ANTONIO GAUDI WEBSITE
BY GARY SIZEMORE
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C O M M U N I T Y
C O L L E G E
9/9/13 11:48 AM
POWERHOUSE EXHIBIT BOOTH VISUALIZATION
BY KALI MEYER
T H E
F U T U R E
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S H O R E L I N E
D E S I G N
DATAWIND ELECTRONICS AD BY DREW DONAGHY
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C O M M U N I T Y
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ARTS IN NATURE FESTIVAL POSTER BY BRANDON JONES
T H E
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S H O R E L I N E
D E S I G N
CD RELEASE PARTY
AT T H E L A B
W I T H V E RY S PEC I A L GU ES T S
L ANA
AND
THE LAB
12510 15 T H AV E N E ,
S E AT T LE , WA 98125
PI N K PA JA M AS
SAT U RDAY, FE BRUA RY 4T H
7PM–10 PM
TONNULL RELEASE PARTY POSTER BY JOSEPH ELLIS
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C O M M U N I T Y
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TYPOGRAPHY CLASS PROMOTIONAL POSTER
T H E
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89
9/9/13 11:48 AM
S H O R E L I N E
D E S I G N
STUDENT SPOTLIGHT
MAGGIE PLEVA
One of the joys I’ve experienced as a Shoreline student is becoming keenly aware of just how
profoundly influenced I am by great design. It’s my goal as a student here to develop the ability
to think from every angle, to observe keenly all details, to be inspired always, to change my
thinking from “I wish I had done that” to “How can I think more like that?” I hope to create
work that facilitates communication and inspires conversation, by better learning to speak at
the instinctual level of the subconscious. I feel that it is extremely important to do this in a way
that evokes compassion, humor and wit. My goal as a designer will always be to find that balance between crafting a message that is both easy to consume and still thought provoking. I
can’t help but be inspired in new directions when I see all the great work my classmates are
producing. I feel very privileged to be surrounded by so many talented and motivated people,
students and faculty alike.
See more of Maggie’s work on page 110.
WINTER BLUES FESTIVAL LOGO
BY MAGGIE PLEVA
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WINTER BLUES FESTIVAL
PROMOTIONAL POSTER
BY MAGGIE PLEVA
T H E
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S H O R E L I N E
D E S I G N
LASERTECH
Optical Electronics Journal
CONTENTS
22
Laser Chips Could Replace Wires in Your PC
25
Intel Chips Promise to be New Silver Bullet
29
New Chip Medium Promises Faster Connections
31
5 Tech Breakthroughs: Advances that May Change Computing
34
IBM makes breakthrough in super-fast laser chips
37
Sun Gets Pentagon Contract To Research Laser-Connected Chips
39
Training Programs in Laser Technologies Taking Economical Hit
45
New Breakthroughs in Light Spectrum Technology
49
Ten New Technologies That Youʼre Sure to Hear About in 2012
52
Silicon Comparison: The Questions You Never Thought to Ask
57
Laser Breakthroughs in Military Technology
New Disc Coating
Promises Longer Shelf-Life
15
Lasers Power
Petaflop Computers
New Pentium Processor
Premiering Soon at NWTC
19
LASERTECH JOURNAL TABLE OF CONTENTS
11
LASERTECH|3
BY JOSEPH ELLIS
esert land can be used,
D
the size of 2% of the total
agricultural
land
in be
theused,
United
esert land
can
D
States
world
a simple
the sizetooffeed
2%the
of the
total
protein,
primitive
called
agricultural
land infood
the United
algae.
growna simple
in
States Algae
to feedcan
thebeworld
salt
water
or in water
which
protein,
primitive
food in
called
nothing
else can be
grow.
Algaein
algae. Algae
grown
grows
incredibly
fast and
is rich in
salt water
or in water
in which
many
lifeelse
sustaining
nutrients
nothing
can grow.
Algae that
is
easy incredibly
to incorporate
in foods
grows
fast and
is rich in
native
to each
culture
aroundthat
the
many life
sustaining
nutrients
world.
is easy to incorporate in foods
native to each culture.
20
SPIE Professional
January 2009
January 2009
ALGAE FUTURE FOOD MAGAZINE SPREAD
92 Design book w-additions.indd 92
Algae can grow extremely
fast. The dark green color
of
algaecan
comes
the fast.
Algae
growfrom
extremely
high
of plant
The amount
dark green
color of algae
blood
comescalled
from chlorophyll.
the high amount of
plant blood called chlorophyll.
Chlorophyll in plants is
collected
sunlight.
Theis collected
Chlorophyll
in plants
hotter
and
stronger
sunlight.
The
hotter the
and stronger
the sun the better quality the
algae. That is why growing tons
of algae in the desert for food is
pragmatic and cost effective.
SPIE Professional
21
BY LINDA HURST
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:48 AM
Water
Heat
The “Fukuoka Hydrogen Town” Model progject is the begining of
what organizers say will be tbe largest hydrogen-powered city in
the world
150
Oxygen
Hydrogen
Fuel Cell
10
Green Tech
homes in the housing communities in Maebaru City, of southern Japans
Fukuoka Prefecture, are running on hydrogen fuel cells, as part of a pilot project testing the feasibility of such systems for households. The “Fukuoka Hydrogen Town”
model project is the beginning of what
ganizers say will be the largest hydrogenpowered city in the world
Starting in October 2008, Nippon Oil Corporation and Seibu Gas Energy Co.
began installing 150 ENE FARM power generation units in houses across Maebaru, reports Japan for Sustainability. These are 1
kW-class, residential fuel cell co-generation systems developed by Nippon Oil C
poration, utilizing hydrogen in liquefied petroleum gas (LPG). The systems can cover
about 60 percent of a homes power consumption and about 80 percent of its hot
water supply
n total, energy consumption will be reduced by about 30 percent over conventional systems, and carbon dioxide emissions will be cut by up to 30 percent.
The New Energy and Industrial Technology
Development Organization (NEDO) is subsidizing the effort, which is also known as the
Hy-Life Project.
By 2015, Nippon Oil hopes to lower the price
of its household fuel cell systems to around
500,000 yen [US$5,500] and raise sales to
40,000 units a year.
Mike recently highlighted residential fuel-cell
technology as a costly but promising departure from the fuel cell applications we e used
to -- cars, bikes, airplanes.While there are still
many downsides, including high costs for
now, residential fuel cells - even if the hydrogen is reformed from natural gas - can be
very efficient.
Some models by Tokyo Gas have a combined efficiency of 87%. Compared to burning natural gas for heat, you get the benefit
of also producing electricity, and compared
to burning natural gas for electricity in a
power plant, you avoid transmission losses by
producing the power where you need it. This
can help reduce greenhouse gas emissions: Os
Green Tech
June 2012
11
June 2012
HOWE ENERGY MAGAZINE SPREAD BY SARAH VIETZE
Playing With
t
oday on
amazon.com, one
of the most popular video games
being sold is titled “call of
duty
4: modern Warfare.” in this game,
VIOLENCE
players can take on the role of either
a u.s. or british soldier Who is sent
to military “hot spots” to defeat the
World’s most dangerous enemies.
like other games in its genre, the
images are near lifelike and the
violence is graphic.
as the level of violence in video
games has increased, so has concern
for the effects on those Who play
- especially those Who play a lot.
many are quick to point out that
“Can aggressive and violent
behavior be attributed to
violence in video games?
Or do those who play
already have violent
tendencies which draw
them to violent games?”
most school shootings in recent
years have been carried out by avid
gamers, and their games of choice
Were alWays dark and violent.
but it begs the question: Which
can aggressive and
comes first?
violent behavior be attributed to
violence in video games?
or do
those Who play already have violent
tendencies Which draW them to
violent games? it’s a type of “chicken
or the egg” debate that has strong
advocates on both sides.
though video games made their
1970s, it
sony
playstation Were released in the
1980s that violence became an
issue. along With these more
appearance in the
Wasn’t until systems like the
sophisticated systems came the ability
to make graphics more lifelike. the
Gamer’s Choice Magazine
more lifelike they’ve become, the
gamerschoicemag.com
more interest there has been in the
2ndlayout.indd 1
5/21/12 3:01 PM
PLAYING WITH VIOLENCE MAGAZINE ARTICLE
T H E
F U T U R E
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V I S U A L 9
3
9/9/13 11:49 AM
S H O R E L I N E
D E S I G N
ASSASSIN’S CREED TRIBUTE EXPERIMENTAL TYPOGRAPHY
BY MATT ROBERTSON
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:49 AM
KAREN DUCEY
EXPERIMENTAL TYPOGRAPHY
THE PSYCHO SHOWER SCENE
T H E
F U T U R E
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9/9/13 11:49 AM
S H O R E L I N E
D E S I G N
LITTLE THINGS EXPERIMENTAL TYPOGRAPHY
BY KATE SUN
LEFT AND RIGHT EXPERIMENTAL TYPOGRAPHY
BY EMILY IRELAN
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:49 AM
TYPE IS DELICIOUS FONDANT CUPCAKES
EXPERIMENTAL TYPOGRAPHY
BY VIBEKE STOELAN
ROCK AND ROLL CANDY
EXPERIMENTAL TYPOGRAPHY
BY LAURA COX
T H E
F U T U R E
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S H O R E L I N E
D E S I G N
FIND THE EXIT EXPERIMENTAL TYPOGRAPHY
BY TAWNIE WETZSTEON
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:49 AM
V IS FOR VANNIE EXPERIMENTAL TYPOGRAPHY
BY VANNIE CUZICK
T H E
F U T U R E
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9
9/9/13 11:49 AM
S H O R E L I N E
D E S I G N
SPILT MILK EXPERIMENTAL TYPOGRAPHY
BY RACHEL CHAU
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:49 AM
OUTSIDE THE BOX EXPERIMENTAL TYPOGRAPHY
BY NANCY GORSETH
T H E
F U T U R E
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S H O R E L I N E
D E S I G N
MIRANDA (MARS VOLTA LYRICS) EXPERIMENTAL TYPOGRAPHY
BY YASMIN WISECARVER
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:49 AM
A THOUSAND MASKS EXPERIMENTAL TYPOGRAPHY
BY LAUREL STRAND
T H E
F U T U R E
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S H O R E L I N E
D E S I G N
NAILS EXPERIMENTAL TYPOGRAPHY
BY SCOTT KNAPP
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:49 AM
HAPPY HOUR APP ICON
BY SCOTT KNAPP
T H E
F U T U R E
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9/9/13 11:49 AM
S H O R E L I N E
D E S I G N
WINDPOWER ENERGY PROJECT LOGO
BY ANASTASIA SADIKIN
WINDPOWER
Energy Project
VELOCITY ENERGY LOGO
BY ROBERT BEVIS
velocITY
NM TECHNOLOGIES LOGO
BY KATE SCHUMACHER
n
m
technologies
BIOPHOTONICS LOGO
BY FUKA NAKAGAWA
Biophotonics
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 12:07 PM
SOLCHOR ENERGY SYSTEMS IDENTITY
BY BRANDON JONES
T H E
F U T U R E
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9/9/13 12:07 PM
S H O R E L I N E
D E S I G N
MONSOON RESTAURANT
LOGO REDESIGN
BY ANASTASIA SADIKIN
TANGO RESTAURANT
RESTAURANT
LOGO REDESIGN
LOUNGE
BY KATE SCHUMACHER
13 COINS RESTAURANT
LOGO REDESIGN
BY FRANCINE BRAZEAU
CRAB POT RESTAURANT
LOGO REDESIGN
BY SETH PILLARS
HI SPOT CAFE
LOGO REDESIGN
BY KAORI MAEDA
TOMATO STREET RESTAURANT
LOGO REDESIGN
BY TIFFANY SULLIVAN
RAM RESTAURANT
LOGO REDESIGN
BY YASMIN WISECARVER
METROPOLITAN GRILL
LOGO REDESIGN
BY JINJU KIM
G
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R
I
L
L
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:49 AM
SPOON & FORK
SPOON & FORK RESTAURANT LOGO
BY ELIZABETH MARTIN-CALDER
T H E
F U T U R E
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9/9/13 11:49 AM
S H O R E L I N E
D E S I G N
ARAYA’S VEGETARIAN RESTAURANT
LOGO REDESIGN
BY ALLISON SALLEN
BRAD’S SWINGSIDE CAFE
LOGO REDESIGN
BY MAGGIE PLEVA
C A F E
PURPLE CAFE AND WINE BAR
LOGO REDESIGN
BY REBECCA KUKLOK
QUEEN CITY GRILL
LOGO REDESIGN
BY ROBERT BEVIS
Cafe`& Wine Bar
HARBORSIDE RESTAURANT
LOGO REDESIGN
BY CHUN MIU HON
Pizza
Pasta
ROMIO’S PIZZA RESTAURANT
LOGO REDESIGN
BY LAURA VALIENTE
MONSOON RESTAURANT
LOGO REDESIGN
BY PUIWAH TANG
GREAT LAKES BREWING
LOGO REDESIGN
Monsoon
BY WILLIAM FINSEL
C H I N E SE V I E T N AM E S E C U I S I N E
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:49 AM
indulge
INDULGE VEGAN RESTAURANT LOGO
BY MEGAN GALA
T H E
F U T U R E
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S H O R E L I N E
D E S I G N
ROSITAS MEXICAN GRILL
RESTAURANT LOGO REDESIGN
BY JEFF HUFFMAN
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:49 AM
BETH’S CAFE
RESTAURANT LOGO REDESIGN
BY MICHAEL SCHWARTZ
T H E
F U T U R E
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S H O R E L I N E
D E S I G N
REMEDY TEAS RETAIL SHOP
LOGO REDESIGN
BY KATE SUN
PHO-G VIETNAMESE BISTRO
LOGO REDESIGN
BY NANCY TRAN
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:49 AM
SEATTLE’S BEST COFFEE
LOGO REDESIGN
BY DREW DONAGHY
T H E
F U T U R E
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9/9/13 11:49 AM
S H O R E L I N E
D E S I G N
HOLY CROSS CRUSADERS
TEAM LOGO REDESIGN
SHAWN GREENLEAF
STEPHANIE ELI
PUIWAH TANG
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:49 AM
IDAHO STATE BENGALS TEAM LOGO REDESIGN
KATHLEEN GILLETTE
SUN YOUNG KANG
PAUL TO
T H E
F U T U R E
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S H O R E L I N E
D E S I G N
JAPANESE SOCCER TEAM LOGO
BY TIFFANY SULLIVAN
L.A. GALAXY
TEAM LOGO REDESIGN
SHARON NEWMAN-ADJIRI
MERIT LESTA
BRAD SREBNIK
JEFF MARTIN
PORTLAND TIMBERS
TEAM LOGO REDESIGN
BY STEVE SPENCER
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:49 AM
DRAGONS TEAM LOGO
CHRIS LOONEY
KAIYA HUBBARD
ANASTASIA SADIKIN
T H E
F U T U R E
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9/9/13 11:49 AM
S H O R E L I N E
D E S I G N
CHICAGO BULLS
TEAM LOGO REDESIGN
AMANDA COOK
MICHAEL SCHWARTZ
WASHINGTON WIZARDS
TEAM LOGO REDESIGN
JEFF HUFFMAN
CHRIS LYTLE
PAOLO SANCHEZ
LEILA WAKEFIELD
TORONTO RAPTORS
TEAM LOGO REDESIGN
THUNDER TEAM LOGO
RAY PENCIL
BY BLANE PATNODE
CLAIRE WU
EBRU BALICKI
BOBCATS TEAM LOGO
BY NANCY TRAN
CHARLOTTE HORNETS
TEAM LOGO REDESIGN
BY OMAIMA DIBE
CHARLOTTE
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:49 AM
TIMBERWOLVES TEAM LOGO
BY JAY CABALES
MEMPHIS GRIZZLIES TEAM LOGO REDESIGN
BY KAORI MAEDA
T H E
F U T U R E
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9/9/13 11:49 AM
S H O R E L I N E
D E S I G N
NASHVILLE PREDATORS
TEAM LOGO REDESIGN
RACHAEL GREEN
SCOTT KNAPP
JULIO SANCHEZ
SEATTLE THUNDERBIRDS
TAMPA BAY LIGHTNING
TEAM LOGO REDESIGN
TEAM LOGO REDESIGN
NICK BROSAS
KEITH DREVECKY
SETH SAN JOSE
STEVE KILPATRICK
NICK STEPHENS
MOLLY SOUSLEY
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:49 AM
MINNESOTA WILD
TEAM LOGO REDESIGN
MIKE MCFARLAND
BEN HUDSON
CHUN MIU HON
JULIE STONEFELT
DAN TAYLOR
T H E
F U T U R E
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S H O R E L I N E
D E S I G N
CLEVELAND SPIDERS TEAM LOGO REDESIGN
BY WILLIAM FINSEL
BULLDOGS LOGO REDESIGN
BY ROBERT BEVIS
TIFFANY MEYER
EVERETT AQUASOX TEAM LOGO REDESIGN
BY JULIE JOHNSON
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:49 AM
EVERETT AQUASOX TEAM LOGO REDESIGN
BY ALLISON SALLEN
T H E
F U T U R E
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S H O R E L I N E
D E S I G N
KANSAS CITY ROLLER WARRIORS LOGO REDESIGN
BY JOYCE FORD
RAT CITY ROLLER GIRLS LOGO REDESIGN
BY KATE SCHUMACHER
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:49 AM
EAR SHOT JAZZ FESTIVAL
LOGO REDESIGN
BY DREW DONAGHY
O
C
-
1 2
T
N O
V
4
L
F
E
S
T H E
F U T U R E
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A
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S H O R E L I N E
D E S I G N
GLASS ARTS
F E S T I V A L
GLASS ARTS FESTIVAL LOGO BY MARA POTTER
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:49 AM
BALLINGER LAKE GOLF COURSE LOGO
BY BEN MUNCEY-GORDON
BALLINGER
L
AKE
G O L F C O U R S E
SEATTLE
Art & Food
SEATTLE ARTS AND FOOD FESTIVAL LOGO
BY LAURA DALEO
T H E
F U T U R E
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S H O R E L I N E
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D E S I G N
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:49 AM
STUDENT SPOTLIGHT
TIFFANY SULLIVAN
“No one is born a graphic artist. To draw a sketch in two seconds with a pencil is easy, but to
fine tune your skills and transcend into a digital world takes a lifetime. There is always room
for improvement. When I hear praise for my work, I greatly appreciate it but still feel that I have
much to learn. I do, however, feel that I have come a long way since first entering SCC. I had
worked with various mediums for as long as I could remember, but had only scratched the
surface of digital imagery. Just in this last year, I have spread my wings and implemented what
I have learned to create images that I have never been able to make before. Using the design
process and watching my pieces come alive has been truly amazing. I’m really looking forward
to the future when my husband and I can start our own company using the skills we have both
learned and hope that we can continue to learn together”.
See more of Tiffany’s work on pages 93, 108, 118, 150-151, 167 and 188.
JAPANESE ROCK BAND IDENTITY
BY TIFFANY SULLIVAN
T H E
F U T U R E
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9/9/13 11:49 AM
S H O R E L I N E
D E S I G N
ILLAMASQUA COSMETICS DIRECT MAIL BROCHURE
BY TIFFANY SULLIVAN
Direct mail brochure designed using existing Illamasqua images
and identity for educational purposes only.
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C O M M U N I T Y
C O L L E G E
9/9/13 11:50 AM
T H E
F U T U R E
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9/9/13 11:50 AM
S H O R E L I N E
D E S I G N
LOVE POEM EXPERIMENTAL TYPOGRAPHY
BY TIFFANY SULLIVAN
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C O M M U N I T Y
C O L L E G E
9/9/13 11:50 AM
32
PIECES
Ch
C
H
O
C
O
L
A
T
E
DARK
NET WT. 9 OZ (255G)
ELEMENTS OF CHOCOLATE BOX DESIGN
BY DAN TAYLOR
T H E
F U T U R E
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9/9/13 11:50 AM
S H O R E L I N E
D E S I G N
TOY
Ki . Yo . Ko
KI YO KO TOY STORE IDENTITY
BY BETH ANN SHANNON
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S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:50 AM
the earth sanctuary.
a natue reserve, meditation parkland, & sculpture garden
THE EARTH SANCTUARY IDENTITY
BY BEN MUNCEY-GORDON
call 360 321 5465 or visit earthsanctuary.org for reservations
the earth sanctuary.
a nature reserve, meditation parkland, & sculpture garden
T H E
F U T U R E
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9/9/13 11:50 AM
S H O R E L I N E
D E S I G N
Solar Power
Record Setting
31.25%
O
by Dan Burrough
n a perfect NewMexico day
Sandia and Stirling Energy
Systems (SES) set a new
solar-to-grid system conversion
efficiency record by achieving a
31.25 percent net efficiency rate.
“This advances our dish
engine systems well beyond the
capacities of any other solar dish
collectors,” says Bruce Osborn,
SES president and CEO, “and
moves it one step closer to
commercializing an affordable
system.”
Greater efficiency means more
affordable solar power. An SES
dish unit consists of 82 mirrors
formed in a parabolic dish shape
to focus the light to an intense
beam.
The solar dish generates
electricity by focusing the sun’s
rays onto a receiver, which
transmits the heat energy to a
Stirling engine, which is a sealed
system filled with hydrogen. As
the gas heats and cools, its
pressure rises and falls. The
change in pressure drives the
pistons inside the engine,
producing mechanical power,
parabolic curve
efficiency
which drives a generator and
makes electricity.
Sandia provides technical
and analytical support to SES in a
relationship that dates back more
than 10 years. Dishes at the
six-dish Model Power Plant at
Sandia’s Solar Thermal Test
Facility produce up to 150
kilowatts (kW) of grid-ready
electrical power each day. The
record-setting test ran for two and
a half hours.
During the testing phase,
the system produced 26.75 kW net
electrical power.
Lead Sandia project engineer
Chuck Andraka says several
technical advancements to the
systems made jointly by SES and
Sandia led to the record-breaking
solar-to-grid conversion
efficiency.
Chuck Andraka with an sterling arrays.
9
8
EFFICIENT SOLAR POWER MAGAZINE ARTICLE
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9
BY SAM PARK
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:50 AM
RALLY POSTER
11TH ANNUAL
BY MOLLY SOUSLEY
MOUNT BAKER
TRAILER RALLY
G R
A P
H I
C
VINTAGE TRAILER RALLY
Promotional Poster
SEPTEMBER 8th thru 11th
NORTHWEST WASHINGTON FAIRGROUNDS
Lynden,Wa
D E
S I
G N
The promoters and hosts for this event “felt
honored” that I would be willing to design a
poster for them. It was my pleasure. Vintage
and Airstreams are two of my favorite things.
SHORELI
COMMUN
Portfolio
PORTFOLIO SHOW POSTER
T H E
F U T U R E
Design book w-additions.indd 139
Created und
students, thi
SCC’s annua
BY MOLLY SOUSLEY
I S
V I S U A L 139
9/9/13 11:50 AM
S H O R E L I N E
D E S I G N
FE
FEB
FEB
RU
ARY
RUA
RY 14 A
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BRU
7
A R Y 12 TO 2 TE
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NOON-OCTOPUS BL
PU S R
IND D
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ATERS
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20 AT NOON-LIV
IN
DAIL
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W
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ACTIVITIES
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TH A
DIVERS SWIM WI
TO
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IN
19 AN
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SEATTLE AQUARIUM OCTOPUS WEEK
POSTCARD AND POSTER
BY FRANCINE BRAZEAU
19 AN
7
R Y 12 TO 2R LEAS
O PU
D 20 AT NOON-LIVE OCT
FEB
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SW
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TOP
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C O M M U N I T Y
C O L L E G E
9/9/13 11:50 AM
T H E
F U T U R E
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Brain sci
beautiful brains.indd 20-21
15
15 Brain Sci Magazine
15 Brain sci
May 2012
BEAUTIFUL BRAINS MAGAZINE ARTICLE
brain sci
16
5/18/12
BY LAURA VALIENTE
May 2012
He agreed. In fact, he sounded somber and contrite. He did
not object when I told him he’d have to pay the fines and
probably for a lawyer. He did not argue when I pointed out
that if anything happens at that speed—a dog in the road, a
blown tire, a sneeze—he dies. He was in fact almost irritatingly
reasonable. He even proffered that the cop did the right thing in
stopping him, for, as he put it, “We can’t all go around doing 113.”
He did, however, object to one thing. He didn’t like it that one of the
several citations he received was for reckless driving.
“That’s more than a little fast,” I said.
One fine May morning not long ago my oldest son, 17
at the time, phoned to tell me that he had just spent a
couple hours at the state police barracks. Apparently he
had been driving “a little fast.” What, I asked, was “a little
fast”? Turns out this product of my genes and loving care,
the boy-man I had swaddled, coddled, cooed at, and then
pushed and pulled to the brink of manhood, had been
flying down the highway at 113 miles an hour.
lthough you know your teenager takes some
chances, it can be a shock to hear about them.
A
By David Dobbe
Moody. Impulsive. Maddening.
Why do teenagers act the way they do?
Viewed through the eyes of evolution, their
most exasperating traits may be the key to
success as adults.
5:50 PM
S H O R E L I N E
D E S I G N
Rage on the Stage
TD-20SX
TD-20SX
V-Pro®
Series
V-Drums
Optimized for high-impact
The new TD-20SX V-Pro
onstage performance,
series makes a full-impact
RH-D30 headphones are
impression onstage with its
light and comfortable with
industrial brushed-metal*
superior isolation, powerV-Pads, enlarged V-Kick,
ful and clear sound, and
silver-colored V-Cymbals,
a super-wide frequency
and rock-solid chrome drum
range.
rack.
ROLAND V-DRUM AD BY AMANDA COOK
142 Design book w-additions.indd 142
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:50 AM
NORTHWEST ARCHITECTURE ASSOCIATION
CHARITY AUCTION INVITATION
BY JOSEPH ELLIS
T H E
F U T U R E
Design book w-additions.indd 143
I S
V I S U A L 143
9/9/13 11:50 AM
S H O R E L I N E
D E S I G N
110
in
adults in Washington State
is not functionally literate
in English.
10
These adults are
times
more likely to live
in poverty.
LITERACY AFFECTS
EVERYTHING
Literacy Council of Seattle
Since 1969, we have been providing free English
as a Second Language and Adult Basic Education
assistance to adult learners all over the Seattle area.
English literacy is the key to SELF-SUFFICIENCY,
SUCCESS and CITIZENSHIP. You can join us to create
solutions—one learner at a time.
To volunteer or to receive help:
call
206-233-9720
visit
www.LiteracySeattle.org
Poster design donated by Cherie Tsui, [email protected]
LITERACY AFFECTS EVERYTHING POSTER
144 Design book w-additions.indd 144
S H O R E L I N E
BY CHERIE TSUI
C O M M U N I T Y
C O L L E G E
9/9/13 11:50 AM
STUDENT SPOTLIGHT
CHERIE TSUI
I believe graphic design is one of the most important languages in the world. As humans, we
receive plenty of information through our eyes. Understanding the target audience is a key
factor in designing. This is what I love about graphic design. It gives me an opportunity to
learn about different people, and then use my creativity to visually communicate with them in
an effective way. I admire designs that are simple and have just the right amount of decorative
elements for its purpose. A good design does not have to be heavily ornamented or stylish. It
just has to be able to reach its audience.
See more of Cherie’s work on pages 22, 62-63, and 146.
contents
december 2011
Giant Asteroid Close to Earth
52
Missing Links
60
Arctic Turns for the Warmer
volume 165, number 5
26
COVER STORY:
A microchip implanted in the eye
allow certain blind people to see
visual signals transmitted through
the optic nerve to the brain.
26
Race Toward Bionic Eye
Researchers worldwide are trying to find
ways to use electronics to improve visual
recognition. By Jamie Horder
38
2
NASA’s radio telescope fired a beam of
microwaves at the largest asteroid to
pass near Earth in decades to reveal the
primordial ingredients of life. By Phil Willon
GENETICS
Lesser-known genetic material explains
why we are human. By Tina Hesman Saey
ENVIRONMENT
Pervasive and permanent changes in the
last five years. By Janet Raloff
DEPARTMENTS
4
6
10
FEATURES
COVER STORY
ASTRONOMY
48
32
38
42
ENERGY AND UTILITIES
From the Editor
Letters
Spotlight
Will the genetic race end? By Gern Shung
16
Tech Agency
22
Lines and Guides
Researchers at St. Andrews University
found a novel way of detecting the fakes:
with the use of lasers. By John Waltz
65
Recommendations
NANOTECHNOLOGY
70
Mind Advancement
74
The Next Case
New MEMS Device
A new microchip can harness energy from
footsteps and generate energy from small
vibrations. By Andy Choi
LASER AND SOURCES
Lasers Detect Fake Whisky
Faster Everything
Arizona State University researchers have
synthesized a new kind of nanowire that
could increase the speed of internet and
general technology. By Clay Dillow
Cell phone evolution over the last two
decades and the future. By Chris Gence
The most frustrating moments in science
and dealing with them. By Julia Hets
From ape to man. Recovering from brain
damage. Healthy ways. By Kelly Shields
Mind games benefits us. By Nathan Korhts
Can we predict the future? By Mag Teack
Sci Extreme • December 2011
December 2011 • Sci Extreme
SCI EXTREME MAGAZINE TABLE OF CONTENTS
T H E
F U T U R E
Design book w-additions.indd 145
42
48
52
I S
3
BY CHERIE TSUI
V I S U A L 145
9/9/13 11:50 AM
D E S I G N
ly
al
n
so n S t.
Fo r I nfo r m atio
&
Ma
rc h
&
23 rd
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er
l
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H
Sch
2012
G arfield
gh
6th
Jan 1
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S H O R E L I N E
MLK ANNIVERSARY POSTER BY CHERIE TSUI
l:
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Sponsored by
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Project2_Valiente.indd 1
FILM FESTIVAL POSTER
3/11/12 2:11 PM
PARIS FASHION WEEK POSTER BY LAURA VALIENTE
BY CHERI SIBTHORP
146 Design book w-additions.indd 146
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:50 AM
HERETIC 3 GAME POSTER BY KARA JUHLIN
T H E
F U T U R E
Design book w-additions.indd 147
I S
V I S U A L 147
9/9/13 11:50 AM
S H O R E L I N E
D E S I G N
PROJECT HIGHLIGHT: PHOTOSHOP 2
CREATE A MOVIE POSTER WITH GREAT IMAGERY
The challenge in this project was to build a full size poster,
balancing text and image, with lots of layers and masks,
resulting in a conceptual design that makes a viewer want
to go see the movie. Take a look at at several pages of
these great posters.
148 Design book w-additions.indd 148
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:50 AM
CURSE OF THE TIKI MOVIE POSTER
BY LAUREL STRAND
T H E
F U T U R E
Design book w-additions.indd 149
I S
V I S U A L 149
9/9/13 11:50 AM
S H O R E L I N E
150 Design book w-additions.indd 150
D E S I G N
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:50 AM
BY TIFFANY SULLIVAN
MUTE MOVIE POSTER
T H E
F U T U R E
Design book w-additions.indd 151
I S
V I S U A L 151
9/9/13 11:50 AM
152 Design book w-additions.indd 152
See more of Matt’s work on page 30.
Although design is not my primary creative output, it has always been an important partner to
my main focus of photography. Working on the yearbook team in high school introduced me
to the blending of photographic images with design elements. That experience has influenced
my current ambitions to work with both fields, such as creating a band’s album artwork or
putting together a magazine. My aesthetic goals with both of these areas of my work are to
create something striking, effective, and unique. I want people’s emotions to be influenced by
my work.
MATTHEW FIEBELKORN
STUDENT SPOTLIGHT
S H O R E L I N E
D E S I G N
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:50 AM
BY MATTHEW FIEBELKORN
THE VENETIAN MASK MOVIE POSTER
T H E
F U T U R E
Design book w-additions.indd 153
I S
V I S U A L 153
9/9/13 11:50 AM
S H O R E L I N E
D E S I G N
1
5
100
2
100
0
0
2
4
1
0
0
76
0
154 Design book w-additions.indd 154
3
S H O R E L I N E
4
C O M M U N I T Y
5
C O L L E G E
9/9/13 11:50 AM
6
7
8
9
10
THE VENETIAN MASK MOVIE POSTER
TYPOGRAPHY DETAIL
PHOTOSHOP LAYER PROGRESSION
T H E
F U T U R E
Design book w-additions.indd 155
I S
BY MATTHEW FIEBELKORN
V I S U A L 155
9/9/13 11:50 AM
S H O R E L I N E
D E S I G N
PRIEST IN 3D
MOVIE POSTER
BY FUKA NAKAGAWA
THE ANNIVERSARY
MOVIE POSTER
BY CHERELLE ASHBY
THE CROW
MOVIE POSTER
BY TIFFANY MEYER
BLOOD DIAMOND
MOVIE POSTER
BY RACHAEL GREEN
156 Design book w-additions.indd 156
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:50 AM
LITTLE RED MOVIE POSTER
T H E
F U T U R E
Design book w-additions.indd 157
I S
V I S U A L BY LISA MONTAGUE
157
9/9/13 11:50 AM
S H O R E L I N E
D E S I G N
TWISTER II MOVIE POSTER PARODY
BY JOYCE FORD
FINDING NEO MOVIE POSTER PARODY
BY CURT CAPINHA
158 Design book w-additions.indd 158
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:50 AM
ATTACK OF THE KILLER TOMATOES MOVIE POSTER
BY MARVIN JOHNSON
T H E
F U T U R E
Design book w-additions.indd 159
I S
V I S U A L 159
9/9/13 11:50 AM
S H O R E L I N E
D E S I G N
IMPULSE
MOVIE POSTER
BY TY BINSCHUS
there is always two sides to A story
Coming Soon!
EMPTY HOUSE PICTURES AND DARK PORCH STUDIOS PRESENT A LAUGHING GOAT PRODUCTION A LARRY EDWARD FILM
KYLE THOMAS CARRIE JAMES LEE WILLIAMS ED HOWARDS KELLI GEOGHEGAN AND TONY ROMANICK POSTER CREDITS ANTHONY KYLE
j TRAVIS BINSCHUS i CASSEY SAUNDERS CHRIS MCKEE SAXTON SHEARER k TY BINSCHUS
n ERIC HOLMGREN b FRANKIE AMARO c AUSTIN SWAGGERTY d RYAN BURKE g NICK OWENS
s JARED GUNDERSON g FRANK PETERS
DEFENDER OF DRAGONS
MOVIE POSTER
BY REBECCA DALLIN
final poster.indd 1
6/12/12 9:48 PM
REBEL WITHOUT A CAUSE
MOVIE POSTER
BY CHRIS LOONEY
CLOVERFIELD
MOVIE POSTER
BY DAN TAYLOR
160 Design book w-additions.indd 160
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:50 AM
GUN II MOVIE POSTER
BY BEMNET SHIBESHI
T H E
F U T U R E
Design book w-additions.indd 161
I S
V I S U A L 161
9/9/13 11:50 AM
S H O R E L I N E
D E S I G N
A GIRL OF THE LIMBERLOST MOVIE POSTER
162 Design book w-additions.indd 162
S H O R E L I N E
BY KATIE HAUG
C O M M U N I T Y
C O L L E G E
9/9/13 11:50 AM
DARK TOWER MOVIE POSTER
T H E
F U T U R E
Design book w-additions.indd 163
I S
V I S U A L BY ANNA KOZHEVNIKOVA
163
9/9/13 11:50 AM
S H O R E L I N E
D E S I G N
DIGITAL PORTRAIT BY ELISE BUTTERS
DIGITAL PORTRAIT BY ELISE BUTTERS
164 Design book w-additions.indd 164
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:50 AM
3D CARNIVOROUS PLANT
BY JOYCE FORD
3D FLOWERS BY JACQUELYN HENRY
3D FLOWERS BY JULIE JOHNSON
T H E
F U T U R E
Design book w-additions.indd 165
I S
V I S U A L 165
9/9/13 11:50 AM
S H O R E L I N E
D E S I G N
MAJESTIC ROCK
BY VALERIE YERA
166 Design book w-additions.indd 166
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:50 AM
SULI MEDITATION ROCK
BY TIFFANY SULLIVAN
T H E
F U T U R E
Design book w-additions.indd 167
I S
V I S U A L 167
9/9/13 11:50 AM
S H O R E L I N E
D E S I G N
PROJECT HIGHLIGHT: PHOTOSHOP 2
CREATE THE ILLUSION OF FLOATING OBJECTS
The challenge in this Photoshop exercise was to build a
composited image of background and foreground elements,
experimenting with light direction, color balance, depth of
field, atmospheric perspective, and the illusion of floating
objects with cast shadows and reflections.
FALLING LEAVES BY KAREN DUCEY
ASTEROIDS BY SCOTT KNAPP
168 Design book w-additions.indd 168
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:51 AM
ROCKY ROAD BY KATIE HAUG
T H E
F U T U R E
Design book w-additions.indd 169
I S
V I S U A L 169
9/9/13 11:51 AM
S H O R E L I N E
D E S I G N
MOUNTAIN LAKE
BY CURT CAPINHA
LAKE OF FIRE
BY LAURA DALEO
170 Design book w-additions.indd 170
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:51 AM
FLOATING ROCKS IN A FOREST
BY CHRIS LYTLE
T H E
F U T U R E
Design book w-additions.indd 171
I S
V I S U A L 171
9/9/13 11:51 AM
S H O R E L I N E
D E S I G N
PROJECT HIGHLIGHT: INTRODUCTION TO 3D MODELING
WINE GLASSES AND CARAFE
This project is the perfect way to introduce students to basic
concepts in 3D modeling: lathing (sweeping), skinning
(lofting), and extruding. It happens in the first week of
class. In addition, transparent texturing with reflections and
refractions is a focus as a quick start to understanding how to
make objects look real.
WINE GLASSES AND CARAFE
BY YASMIN WISECARVER
172 Design book w-additions.indd 172
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:51 AM
WINE GLASSES AND CARAFE BY DANIELLE DARGAVEL
WINE GLASSES AND CARAFE BY ANDREW CHUNG
T H E
F U T U R E
Design book w-additions.indd 173
I S
V I S U A L 173
9/9/13 11:51 AM
S H O R E L I N E
D E S I G N
ABANDONED TOY ROBOT 3D ILLUSTRATION
BY KAORI MAEDA
174 Design book w-additions.indd 174
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:51 AM
CASTLE SCENE GAME ART
BY EBRU BALICKI
DOG ANIMATION STILL
BY VANESSA FOSS-TURCAN
T H E
F U T U R E
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I S
V I S U A L 175
9/9/13 11:51 AM
S H O R E L I N E
D E S I G N
STUDENT SPOTLIGHT
GREG RAAB
My approach to design is derived from years of experience in creating 3-dimensional artwork in glass, metal, and wood. I have
held extensive careers in both glassblowing and woodworking. My work demonstrates deep ties to form (both positive and
negative space), balance, and symmetry. Much of my work also contains the oil-spot of my playful humor leaking out. In fact, I
often struggle with my commitment to a project until I have injected the perfect, quirky twist that I can relate to. I often view the
experience of design as equal to, if not greater than its outcome. Regardless of the medium, digital or otherwise, my process
requires a balance between structure and spontaneity.
“All great work is preparing yourself for the accident to happen. “
–Sidney Lumet
See more of Greg’s work on page 54.
TWIN TURNTABLES 3D ILLUSTRATION
BY GREG RAAB
176 Design book w-additions.indd 176
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:51 AM
THE TEAPOT 3D ILLUSTRATION
BY GREG RAAB
T H E
F U T U R E
Design book w-additions.indd 177
I S
V I S U A L 177
9/9/13 11:51 AM
S H O R E L I N E
D E S I G N
WINE GLASS CHESS SET 3D ILLUSTRATION
BY GREG RAAB
178 Design book w-additions.indd 178
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:51 AM
GLASS BLOWN BOTTLES 3D ILLUSTRATION
BY KATHLEEN GILLETTE
T H E
F U T U R E
Design book w-additions.indd 179
I S
V I S U A L 179
9/9/13 11:51 AM
S H O R E L I N E
D E S I G N
ALIEN INVASION 3D ILLUSTRATION
BY MICHAEL VAROUHAS
UWAJIMAYA SUSHI STOP 3D ILLUSTRATION
BY VANESSA FOSS-TURCAN
180 Design book w-additions.indd 180
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:51 AM
ROCKET CAR 3D ILLUSTRATION
BY KATHLEEN GILLETTE
T H E
F U T U R E
Design book w-additions.indd 181
I S
V I S U A L 181
9/9/13 11:51 AM
S H O R E L I N E
182 Design book w-additions.indd 182
D E S I G N
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:51 AM
FRANK LLOYD WRIGHT’S TABLE AND CHAIRS 3D ILLUSTRATION
BY JEN BANNIER
T H E
F U T U R E
Design book w-additions.indd 183
I S
V I S U A L 183
9/9/13 11:51 AM
S H O R E L I N E
D E S I G N
REAVERS VIDEO GAME INTERFACE DESIGN AND LOGO
BY NICK BEERMAN
184 Design book w-additions.indd 184
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:51 AM
EXOPLANET VIDEO GAME INTERFACE DESIGN
BY CHISA SEKITO
T H E
F U T U R E
Design book w-additions.indd 185
I S
V I S U A L 185
9/9/13 11:51 AM
S H O R E L I N E
D E S I G N
STUDENT SPOTLIGHT
SKYLAR PARIS
Character Concept and Design
skyjamesart.com
I have always drawn (pun intended) a lot of inspiration as an illustrator from my love of comics
books. Having worked for a majority of my personal and professional art career in the realm
of traditional 2D illustration and while the world CG art has always intrigued me, its lack of the
severe graphic comic style art kept me at bay. With the advances in 3D modeling and texturing
I learned at SCC, I now have a new passion in illustration and another design tool to add to my
arsenal. The example shown here demonstrates from concept to final design of a superhero
speedster in a post apocalyptic world.
SKID VICIOUS
GAME CHARACTER
BY SKYLAR PARIS
186 Design book w-additions.indd 186
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:51 AM
T H E
F U T U R E
Design book w-additions.indd 187
I S
V I S U A L 187
9/9/13 11:51 AM
S H O R E L I N E
D E S I G N
“XTERMINATOR”
FPS VIDEO GAME
GRAPHICS PROTOTYPE
TEAM PROJECT
NANCY BISHOP-HARVEY
JEN MAHONEY
FUKA NAKAGAWA
TIFFANY SULLIVAN
188 Design book w-additions.indd 188
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:51 AM
“CABIN FEVER” FPS VIDEO GAME
GRAPHICS PROTOTYPE
TEAM PROJECT
TY BINSCHUS
SETH DEFILIPPIS
JOYCE FORD
BRITTANY STROM
YASMIN WISECARVER
“UNDERSEA QUEST” FPS VIDEO GAME
GRAPHICS PROTOTYPE
TEAM PROJECT
REBECCA DALLIN
DANIELLE DARGAVAL
JULIE JOHNSON
LAUREL STRAND
T H E
F U T U R E
Design book w-additions.indd 189
I S
V I S U A L 189
9/9/13 11:51 AM
S H O R E L I N E
190 Design book w-additions.indd 190
D E S I G N
S H O R E L I N E
C O M M U N I T Y
C O L L E G E
9/9/13 11:51 AM
“COWBOYS AND ALIENS” FPS VIDEO GAME
GRAPHICS PROTOTYPE
TEAM PROJECT
NICK BEERMAN
LEONID BENKO
ANDREW CHUNG
LISA MONTAGUE
T H E
F U T U R E
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I S
V I S U A L 191
9/9/13 11:51 AM
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9/9/13 11:51 AM
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10/24/13 4:53 PM