The Corian Book
Transcription
The Corian Book
08.06.2005 15:34 Uhr Seite 1 www.corian.com 10299_Corian_E_Cover the Corian book ® Design & Technical Information www.corian.com After more than thirty years of existence Corian® is familiar to designers, engineers and architects. To make the most of this material in a world of changing environments, languages and fashions, their task is to transform material into ‘work’. The art of the past century utilized all existing materials across all disciplines, breaking away from the traditional the Corian book ® www.corian.com Design & Technical Information categories of painting, sculpture and architecture. Art has made full use of the inventions of industry, intertwining the figurative arts, architecture and design to give rise to installations, to ‘works’ in which languages are regenerated and interact. We now see alongside the mass and the energy of a material a third factor being added: information. Copyright © 2005 DuPont. All rights reserved. The DuPont Oval Logo, DuPont™, The miracles of science™ and Corian® are registered trademarks or trademarks of DuPont or its affiliates. Only DuPont produces Corian®. For your reference, you will find the complete Corian® colour offering printed on the interiour of this book cover. Edition 2005/06 Index INTRODUCTION CASE STUDIES Material, Work and Network 5 SHOPS 9 FOOD The merchandise dream I eat out HOTEL MARINE Guiding star Inside waves HEALTHCARE We care PUBLIC SPACES CONTACTS 19 21 23 Open language 27 DESIGN No one knows everything… 30 BATHROOM KNOW-HOW 17 OFFICE KITCHEN CORIAN ® PRODUCTS Tides, ebbs and flow 13 I eat at home Trend source 33 37 EXTERNAL APPLICATIONS 41 Sinks and bowls 42 Technical information 61 80 Material, Work and Network The digital revolution is still in progress, impacting the mass and the energy of a material, a third factor on all areas of life: culture, economics, society being added: information. Corian® is aesthetics, and politics. A widespread convention keeps colour and depth. It is strength, reliability and the planet tuned to the third millennium AD. functional quality. It is information, a message. It is People, work and network all turn to families found all over the world and each sheet is designed of new materials to find an enlarged base. to be perfect. No Corian® can be better than Corian®. Every person can purchase exactly the same Corian®. DuPont™ Corian® is an advanced blend of natural Yet each Corian® is uniquely different and available materials and pure acrylic polymer. It is a material, in more than 100 colours. Each individual can use it an artefact. It is part of the logic of man’s constructed in his or her own way to create a piece of ‘work’. This world, i.e. the “artificial” design dimension, a result is the material’s value in the network. A network of of reflection upon design. individuals. The father of the Web, Tim Berners-Lee has explained “the people who have constructed the ® After more than thirty years of existence Corian Internet and the Web really appreciate the value is familiar to designers, engineers and architects. of the individual and the systems in which he works, To make the most of this material in a world of and have a solid knowledge of their own identity, changing environments, languages and fashions, but also of the common good.” their task is to transform material into ‘work’. (Tim Berners-Lee, Weaving the Web) The art of the past century utilized all existing materials across all disciplines, breaking away And now Corian® has entered the fourth decade from the traditional categories of painting, of its existence. This book is also a new tool. sculpture and architecture. Art has made full use A complete resource containing the aspects of the inventions of industry, intertwining of material, emotion, creativity and environment. the figurative arts, architecture and design to give A resource-message: graphic design communicates rise to installations, to ‘works’ in which languages an aesthetic; architects and designers notice the are regenerated and interact. We now see alongside connections. LEFT DETAILED VIEW OF “BEAM”, DESIGN ETTORE SOTTSASS. STRUCTURE IN CORIAN® GRAVEL AND TURKISH BLUE. 5 CASE STUDIES Everything exists. Everything can be re-designed. Corian® has existed for over 30 years: an uninterrupted success. And yet recently it has been acquainted with “a new spring”, a vital leap forward. Due to the merit of the new colours and new textures that will astound contemporary visual culture. Due to the merit, above all, of the creativity of the architects and designers that have known how to read, interpret, utilize and bring Corian® to life with language and new spirit. 7 SHOPS The merchandise dream The more precious the merchandise, the clearer the concept of rarefaction. Open space. Supreme void. Few objects. Fashion, design, art on display. Periodically and systematically inspired by the bazaar of Istanbul, the Chor Bazaar in Bombay and the hundreds of shopping malls set down like flying saucers in the cracks between the city and what used to be the country. All coexist in coherence because, as Shakespeare reminds us, we are made of the very stuff of dreams, and dreams do their daily shopping in both the museum of the minimal and the temple of the baroque. Hermann Finsterlin, a German scientist, graphic artist and architect who designed works in the 1920’s that resemble those built today by Frank Gehry, says that the maximum knowledge is the law of the wedding and relativity of opposites: “The infinite cannot exist without the finite. Eternal light stops being light. There is no relativity without the absolute. There can be no nothing without everything.” (Giacomo Ricci, Hermann Finsterlin, Dal “gioco di stile” all’architettura marsupiale). Both famous and unknown designers experiment with solutions that are not possible in the domesticresidential sphere. This is the ecstasy of merchandise, the theatre of revived aesthetic tensions, of light, material and colour. The container that incessantly repeats its LEFT AND ABOVE SONY STORE, NEW YORK, USA. DESIGN JAMES MANSOUR. COUNTER TOP IN BLIZZARD AND DUNE, DISPLAY IN BACKLIT CAMEO WHITE. 9 Shops message in emotional symbiosis with the productdivinity worshipped, contained and displayed inside it. In the spectacle of merchandise, set design is a key part of the message. This is why designers often turn to Corian® as a leading instrument. Because it is easy to work with and shape. Both solid and compact, it can assume a great variety of forms without ever losing its charisma. ABOVE AND RIGHT DUGG, OSLO, NORWAY. DESIGN LARS ERNST HOLE. CAMEO WHITE IS USED IN WORKTOPS, TABLES AND CHAIRS, RECEPTION DESK, WALL CLADDING, ROUND WARDROBE AND ROUND DISPLAY UNITS. BEACH GLASS IN COMBINATION WITH CAMEO WHITE IS USED IN CUPBOARDS. 10 FOOD I eat out It’s a film that gets screened every day. On weekdays, and even more often at weekends and on holidays. In the global city people eat out, morning noon and night. They eat in town or wherever there is a flow of human beings: airports, rest stops, small and large stations, on planes or trains, on ferries and cruise ships. In the global village our ways of living and eating have changed; we have less time but the same appetite, today we need restaurant chains and dining cars, pizza joints and sushi bars, Mexican taverns and Indian restaurants. Because one speaks a language of belonging and preference through food. The multicultural, the typical, the exotic. Refreshment pause, replenishing the body. LEFT AND ABOVE HARU SUSHI BAR, NEW YORK, USA. DESIGN CMA ARCHITECTURE AND DESIGN. SERVICE COUNTER AND RECEPTION DESK IN BACKLIT BUTTER CREAM. Socializing. Old faces, new friends. An ancient, primal, authentic pleasure. Food. Better still when shared in a convivial atmosphere. Wherever food is consumed hygiene is not optional; it must be optimal. Corian® is a material with a sterling reputation in this area, which is gained in the healthcare sector. “Mild or spicy” in its colours, but solid and homogeneous in its ingredients, Corian® is not a “layer cake” or a laminate. It is resistant to abrasion and wear. Every day McDonald’s food outlets the world over use it when satisfying the appetites of millions. POSTO 2 RESTAURANT, TURIN, ITALY. DESIGN UDA. TABLETOP AND BLACK WALL CLADDING IN NOCTURNE. PHOTOGRAPH ALBERTO FERRERO. 13 Food ABOVE AND RIGHT LE CAB, PARIS, FRANCE. DESIGN ORA-ITO. DJ’S CABIN IN HOT. FLOOR, TABLES AND FRAMES IN SEATING AREA IN GLACIER WHITE. PHOTOGRAPH JAVIER URQUIJO. 14 HOTEL Guiding star Those who travel in time and read the sacred and profane scriptures will find mention of the first public shelters: inns, guesthouses and hostels. In medieval France these evolved into hôtellerie, the part of a monastery reserved for the sheltering of travellers and pilgrims, from which evolved hotel. The hotel has to be visible from afar as a sign to attract the weary wayfarer. The first and most fabulous of such signs was the guiding star, the comet, impalpable, sparkling, mysterious and beckoning seen by the Magi. So it is no coincidence that the earliest hotels often had starry names such as Etoile, Stella d’Oro, which evolved into Blue Stars for seaside resorts, White Stars for mountaintop chalets, etc. Even today, the number of stars that twinkle next to their doors rates hotels. After the star and the cross, the most-used variable for the names of inns and their signs is colour: Black always a hotel Plaza de Toros and a Baghdad Café in Rooster, White Horse, Moulin Rouge, Blue Lagoon. the middle of nowhere. There are places that make These signs were well-loved and valued not only you dream of running the city – Hotel du Château – for their own sake but for the sense of relief they and city-hotels that run on dreams such as Las Vegas. conveyed the welcome of a temporary roof, warmth and comfort. They announced a peaceful place Naturally welcoming in its range of colours in which to recapture a part of the intimacy, the and soft touch, Corian® is a trusted servant privacy and identity lost in the vastness of the of the hospitality industry. Its basic solidity and voyage. Today the movement of people for work ease of installation without visible seams guarantee or tourism is a huge part of the planet’s economy easy maintenance and a constantly clean, hygienic and hotels represent an intriguing design challenge. surface. Because it is repairable, Corian® surfaces Everyone can imagine his or her ideal hotel, ranging conserve their new appearance for a long time, from four rooms to a thousand rooms. There is optimising investment. LEFT AND TOP RIGHT UNA HOTEL, FLORENCE, ITALY. RECEPTION IN LILAC AND BATHROOM IN NOCTURNE. DESIGN FABIO NOVEMBRE. PHOTOGRAPH ALBERTO FERRERO. 17 MARINE Inside waves Man has an innate curiosity about the sea. Exotic swell or ripple, waves have always lured him to adventure and travels in search of virgin coasts or unknown civilizations. The abyss frightens and attracts him to explore the depths or hunt for treasure. Arduous crossings and vicissitudes endured and narrated by sailors, have always inspired writers to make romantic associations with man’s wanderings, guided by the urgent need to find himself. In this long companionship of man and sea, navigators of all climes and eras have made YACHT SANTA LUCIA, DESIGN GROUPE FINOT ARCHITECTES NAVALS. DETAIL VIEW OF KITCHEN TOP IN GLACIER WHITE. technical innovations in the interaction with their vessels, leading to the discovery of new ways of living on or away from the sea. Seeking perfect continuity with everyday life but always subject to the discipline imposed by the sea. Comfort and high technology combine in painstaking studies on how to make the best, most liveable use of the available space on a sailboat, yacht or ocean liner. As an ever-inviting vacation opportunity or as an exclusive image builder, the seafaring vessel, with or without sails, represents a sphere of on-going experimentation for designers and craftsmen in which the billowing tides, salt and wind produce the quality control verdict. Corian® is a homogeneous thermoformable material which can be cut, shaped and joined to precisely adapt to the spaces typical of life on board of a ship. Waterproof and impermeable by nature, Corian® retains its attractive surface even after long and repeated exposure to sunlight and wind. YACHT BALTIC 73, BOSUND, FINLAND. DESIGN BY R&J DESIGN. DETAIL VIEW OF BATHROOM, TOP IN GLACIER WHITE. LEFT YACHT QUEEN MARY, DESIGN TERENCE DISDALE. VIEW OF THE SHIP OWNER’S OFFICE, DESK AND CEILING PANELS IN BISQUE. 19 HEALTHCARE We care The era of fitness that frees the body and its energy in the battle against the languid tiredness imposed upon us by the sedentary habits of progress. The era of unprecedented medical advances. The era of the break with conventional medicine and exploration of ancient cultures to find ‘soft’ cures. The era of the quest for new spiritual horizons from the Orient. The era of perfect and perfectible health. The era of science and soothsayers on television. The era of the natural after the artificial. The era of care for women, children and the elderly. The era of care for mankind. The era of the body-machine and the rejected body. PHARMACEUTICAL LAB, GLENOLDEN, PA, USA. COUNTERTOP AND PEG BOARD MADE OF GLACIER WHITE. The era in which the present is more appealing than the future. In this, our era, health is our most precious asset, deserving the utmost care! Corian® also cares in environments connected with health. DuPont developed and holds patents for a specific technology: Corian® AB™, an antibacterial component that functions as a valuable ally in the battle against infection and the spread of pathogens. REHABILITATION INSTITUTE, CHICAGO, USA. DESIGN EVA MADDOX. WALL CLADDING IN CAMEO WHITE AND BONE. LEFT CAREGGI HOSPITAL, FLORENCE, ITALY. DESIGN WAND SYSTEM. VIEW OF OPERATING THEATRE, WALL CLADDING IN SEAGRASS. 21 PUBLIC SPACES Tides, ebbs and flow Social thinking and urban design find an ideal connection point in contemporary public spaces. Places of transit, of concentration, of flow that stimulate reflection on culture and architecture. Non-places that put the use and re-use of spaces and functions to the test. In spite of their variety of approaches and sizes, all these spaces contribute to determining the character of the metropolis. They may be abandoned industrial sites, zones of transit in the urban fabric, or peripheral zones that have been enfolded by the city. In most cases they are macro-objects deeply immersed in the context but extraneous to the specific place. What they have in common is the particular sensation of a shared Corian® belongs and functions in all these spaces. citizenship. Just consider the museums of the last It is a question of personality and toughness. few decades, most of which represent a pursuit of Durability makes Corian® ideal for busy places. expressive synthesis, that of the local/global dialectic. Its flexibility to workmanship and rich chromatic The shopping centres that proliferate far from their range encourage the personalization of places of origin. The airports, no longer just gateways environments. Corian® adapts to the dynamics of for the flow of objects and people, but also for the flow context, from the flow of travellers at the check-in of meanings. If we focus only on civic design – for counters of airports to the tides of passengers of example on transport networks or urban furnishings EXE, the Japanese high-speed train. Everything that – we realize it has the difficult task of defining the runs above, under and around us, and even more relations among all the elements present in the so if it comes into contact with our bodies, our metropolitan context, a pulsating universe of lights hands, also runs through our memory. Perhaps this and people. Advertising structures, halls in offices is why places of transit are so intense, connected, and residential buildings, hotel lobbies, waiting areas neural, a metaphor for infinity, in transit within us. in stations, airports, museums, lounges, resting points, shops, bars, restaurants and supermarkets form a sophisticated network of materials and surfaces that bear the impact of the tides of humanity. LEFT AND TOP RIGHT SELFRIDGES, COFFEE SHOP AREA, BIRMINGHAM, ENGLAND. DESIGN FUTURE SYSTEMS. TABLE TOPS IN BEACH GLASS AND CAMEO WHITE. 23 Public Spaces ABOVE DR. PIERRE RICAUD “DISCOVERY” BEAUTY CENTRE, PARIS, FRANCE. DESIGN DOMINIQUE CATEL A.MA. 12 METER-LONG THERMOFORMED WALL, COUNTER AND RECESSED COMPARTMENTS IN PEACH. 24 RIGHT MALPENSA AIRPORT, MILAN, ITALY. DESIGN SOTTSASS ASSOCIATI. CHECK-IN DESKS IN GREY CUSTOM COLOUR. OFFICE Open language nurtured. A space where the most precious tool, it turns out, is still surface – worksurface, desktop, LAYOUT. SYSTEM. SOFTWARE. FLEXIBILITY. table, island, wing. Surface on which to rest objects, WORKSTATION. PROJECT. OPEN PLAN. COLOUR. telephones, papers, computers and, above all, hands, EXECUTIVE. CABLING. STAFF. IT. MEETING. arms, thoughts. Surface. “The ‘common table’ is of INTERACTION. E-MAIL. DESKS. PRIVACY. WOMEN. great importance for the good results of a conference MEN. INPUT. LOOKS. PC. FURNISHINGS. MANAGER. or a conversation. When one has to speak to others TECHNOLOGY. MOBILE. LOVE. PEOPLE. without the ‘medium’ of a table, i.e. when between two or more interlocutors there is nothing more It’s the office rap. than a wall of air, so their eyes can be distracted by It’s an environment where every other word is the view of legs, the current of understanding in English. Universally. A place where the most between the speaker and the listener will not be important ideas cannot be seen or touched, but formed as quickly as in the case of a conversation LEFT AND ABOVE OFFICE FURNITURE IN GLACIER WHITE. DESIGN MARTIN SZEKELY. COPYRIGHT MARC DOMAGE, COURTESY OF GALLERY KREO. 27 Office 28 Office across a table. This is why conversation in drawing Work is mediated by a ‘surface’. So it is best to rooms, without a table in between, generally proves have a friendly, solid, beautiful, coloured and to be disjointed and lacking in warmth. If, instead, durable one. But hands, arms, machines and you put a dozen people, or thereabouts, around a thoughts can leave marks on surfaces. Corian® table – if possible so that the elbows of one brush stands up perfectly. It is compact, homogeneous, against those of his neighbour, and that there is non-porous and impenetrable by liquids and an encounter between their feet from time to time, germs. It can be cleaned very quickly and cuts or and attempts are made to repeat the encounter, a scratches can be made to vanish without a trace. unique atmosphere of sympathy will soon form, and the speaker will speak more easily and effectively, the audience will follow the speech in a more uniform manner, it will be more interested, more enthusiastic, etc.” (Carlo Dossi, Note Azzurre, 1912). LEFT AND ABOVE STUCCHI OFFICES, LECCO, ITALY. DESIGN MASSIMO FUCCI. WALL CLADDING AND RECEPTION DESK IN LILAC, EVEREST AND BLACK QUARTZ, ELEVATOR WALL SURROUND IN LILAC, SUN AND BLACK QUARTZ. 29 DESIGN No one knows everything; everyone knows something. medicine, physics, computer science, etc. – no one expert knows everything in his field, yet everyone knows something. Therefore a new door is Design is the language of people through things. opened. Communication technologies serve, not The design of objects has taken on absolute only to move masses of information but also to help importance. It embraces the entire universe us to think together. Previously it wasn’t possible to of things: their aesthetics, their material substance, connect: here, anywhere, immediately or graphic expression, techniques of existence and permanently. Now it is. Unlike natural resources, communication. A virtual being relating to the ideas are never depleted. Nothing is, everything beholder and through which, in turn, we can relate. becomes. Everything already exists; (almost) Design has an impact on all human beings, from everything needs to be redesigned. Almost anything birth to death. Good designers are scattered that can be conceived can be produced. In the past, everywhere: in every continent, state, region, matter was perceived in terms of two aspects. metropolis and town. As in other disciplines – The aspect of mass volume, inertia or weight as MARC NEWSON LAMPS “DIODE”, MADE IN HOT, MANDARIN AND SUN. 30 architects know so well. Then with the onset of the modern age, came the aspect of energy. Today matter is still mass, it is still energy but it is also information. Stone is information, Corian® is information. In interior and industrial design with Corian®, designers can work with a new material that is both precious and technological at the same time. “Aesthetical and technological” are the keywords of a design project that includes Corian® in its materials. Curves, sharp corners and organic forms can be created with a chromatic continuity “OH VOID 2” CHAIR IN MANDARIN, DESIGN RON ARAD. that only Corian® allows. WALL IN CAMEO WHITE WITH INTEGRATED FIBRE OPTICS PROJECTING IMAGES IN MOTION. DESIGN RON ARAD. 31 KITCHEN I eat at home In Italian the word ‘cucina’ means: 1. A room specially equipped for the preparation and cooking of food. The cabinets and appliances with which a kitchen is furnished. 2. The act of cooking. How foods are prepared. 3. The foods themselves. 4. The stove or range for the cooking of foods. Kitchen/cuisine/cucina are therefore a flexible universe of connotations and overtones. A variegated panorama of moods and uses. It is one of the spaces that characterize us and is inevitably characterized by us in return. Only a kitchen speaks so eloquently of our personal rapport with the home, with ourselves, with others and, of course, with food and drink. Styles, colours and forms allow themselves to be disciplined by the dictates of current interior design. even social entertaining. From the new concept At the same time they are influenced by gastronomic of counters with combined uses, to the traditions and personal preferences. Technological multi-accessorized laboratory, a separate island evolution and new materials make it possible to or a space furnished with systems that adapt express your own idea of function, quality and to other living spaces, in all cultures the kitchen interpretation of imperative flexibility. is one of the foundation elements of the home. Combinations and juxtapositions become playful An object of attraction and desire. design puzzles for the homes of singles, couples and families. From the minimalism that conceals Corian® permits the assembly of sinks, tubs, everything in the purity of line, to the full-exposure counters or wall panels, without visible seams, solution where dishes, pots, pans and containers increasing the ergonomic and hygienic quality of remain on proud display on open shelves. From the kitchen design. The variety of colours and textures bar-kitchen crammed into a space in the living area facilitates combinations with other materials, to the classic roomy kitchen where counters, tables in harmony with the different personal needs and and wings offer ample space for many activities, aesthetic statements of architect and homeowner. LEFT AND TOP RIGHT PRIVATE HOUSE IN GÖTEBORG, SWEDEN. DESIGN CECILIA HOBIK. KITCHEN WORKTOP AND TABLE IN GLACIER WHITE. PHOTOGRAPH B. BREITHOLZ. 33 Kitchen PRIVATE APARTMENT IN MILAN, ITALY. DESIGN ANTONIO CITTERIO. CABINETS IN GLACIER WHITE. NOMIS KITCHEN BY DADA. DESIGN HANNES WETTSTEIN. TOP AND BASE IN GLACIER WHITE. 34 Kitchen DOIMO CUCINE, TOP AND INTEGRATED SINK IN CAMEO WHITE. 35 BATHROOM Trend source By now physical fitness has become a ritual. The bathroom has become a health spa, domestic In public venues, hotels and the home, no space has gym, intimate lounge, a high-tech remix of different changed as rapidly and so radically as the bathroom. cultures, from the Scandinavian sauna to the Over the last ten years the Roman balneum, the old Japanese wooden tub, to the Turkish bath with English tub bath, has been transformed from a rather steam and cool water jets. Occidental rhythms and gloomy, Victorian subsidiary space to a glamorous technologies set off on the voyage of bodily manifesto of trends and lifestyles. Inside the regeneration and well being acquired from other bathroom we find five dominant processes involving cultures. The area of psychophysical well being five different types of equipment: hygiene, waste represents the most evident change. A mental state technology, physical fitness, psychological well- of synesthesia in which visual stimuli such as light, being and communication. Hygiene is indispensable colour, movement, tactile-acoustic factors such as in the bathroom and in public venues it is a sign surfaces, temperature, water plus other inputs such of absolute quality. Wall-mounted fixtures are as fragrances, essential oils and music contribute the most evident manifestation of the new focus on hygiene. But ‘cold’, spectral hygiene no longer has any reason for existing. In the bath the human being is nude, unprotected. It is the only room in which the body is completely exposed. Yet this is precisely the space where we traditionally use cold marble, gelid metal accessories, sharp edges and blinding lights – all in the name of hygiene. In fact, we do not focus on the hygiene of the person but of the room itself. We are not thinking about comfort of the body as it is cleansed but about the ease of cleaning the bathroom! Technology has again made the bath a true showplace, with computers and remote media to control the functions of tubs, whirlpool baths, sprinkler heads and shower stalls. There are bathtubs that rotate and can be gently raised to a nearly vertical position to ease access for the elderly or the disabled. There are self-cleaning toilets and toilets that clean you and dry you. PULSE COLLECTION. DESIGN MARIKE ANDEWEG. VANITY IN GLACIER WHITE. LEFT PRIVATE BATHROOM, DESIGN MASSIMO FUCCI. TOP AND WASH BASIN IN VANILLA. 37 Bathroom PRIVATE HOME, UK. BATHTUB IN GLACIER WHITE. 38 Bathroom to make the bathroom a cherished environment The bathroom changes and Corian® remains an of mythical overtones. The trendiest sinks look like ideal material to facilitate the change. Its grand primordial fonts. At times the bathroom also design, substantial material feel, warm, permanent becomes a place of sharing and intimacy with aesthetics and reliable performance – constantly a Finnish sauna that generates a bath of “total updated by research – make it an integral part warmth”, or a large hot tub for two or more. of the evolving concepts. Corian® is hygiene, This is the New Age bath: “time for yourself”, a technology, fitness, psyche and communication. rewarding pause in the hectic pace of modern life. The bathroom as a refuge or the ultimate playroom, illuminated in the evening with soft, dimmercontrolled, coloured light effects. Finally, the bathroom is communication, information. There is an audio system, radio or telephone, even a video screen to watch the market tickers. The bathroom is no longer a secret, shameful place. It is revealed and proudly displayed, a status symbol in public venues and private homes, a proud statement of wealth, lifestyle, culture and aesthetics. PLANIT ‘BLOCK’. DESIGN SIMONE MICHELI. BACKLIT VANITY IN CAMEO WHITE. PHOTOGRAPH MAURIZIO MARCATO. PRIVATE APARTMENT, MILAN, ITALY. SURFACES IN HOT AND CAMEO WHITE. DESIGN CARLO DONATI. 39 EXTERNAL APPLICATIONS LEFT AND ABOVE “CROMODURO” STORE FRONT IN CAMEO WHITE, SANTANDER, SPAIN. DESIGN JOSÉ PIRIS. 41 CONTACTS EUROPE HEADQUARTERS DU PONT DE NEMOURS INTERNATIONAL S.A. 2, CHEMIN DU PAVILLON / P.O. BOX 50 CH-1218 LE GRAND-SACONNEX GENEVA, SWITZERLAND TEL: +41 22 7175176 FAX: +41 22 7176266 free telephone number: 0800 554614 GREECE SPAIN DU PONT IBÉRICA, S.L. EDIFICIO L’ILLA AVENIDA DIAGONAL 561 ES-08029 BARCELONA SPAIN TEL: +34 93 2276054 or 901 120089 FAX: +34 93 2276211 DU PONT IBÉRICA, S.L. 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VOLTA 16 I-20093 COLOGNO MONZESE (MI) ITALY TEL: +39 02 25302349 FAX: +39 02 25302213 free telephone number: 800 876750 NETHERLANDS CODUAQ DECORATIVE SURFACES B.V. INDUSTRIETERREIN DE BRAND DE STEENBOCK 26 NL-5215 S’-HERTOGENBOSCH THE NETHERLANDS TEL: +31 73 6872010 FAX: +31 73 6872019 free telephone number: 800 0223 500 PORTUGAL DU PONT DE NEMOURS (FRANCE) S.A.S. 137, RUE DE L’UNIVERSITÉ F-75334 PARIS CEDEX 07 FRANCE TEL: +33 1 45506535 FAX: +33 1 45506151 free telephone number: 0800 917272 GERMANY DU PONT DE NEMOURS (DEUTSCHLAND) GMBH DUPONT STR. 1 D-61352 BAD HOMBURG V.D.H. GERMANY TEL: +49 6172 872520 FAX: +49 6172 872524 free telephone number: 0800 1810018 FINLAND DUPONT SWEDEN AB KLANGFÄRGSGATAN 16 S-426 52 V. FRÖLUNDA SWEDEN TEL: +46 31 697580 FAX: +46 31 295320 NOMART OY MERIKASARMINKATU 6 FIN-00160 HELSINKI FINLAND PH: + 358 96 61 477 FAX: + 358 96 63 728 80 DU PONT IBÉRICA, S.L. EDIFICIO L’ILLA AVENIDA DIAGONAL 561 ES-08029 BARCELONA SPAIN TEL: +34 93 2270654 or 901 120089 FAX: +34 93 2276211 SWEDEN DUPONT SWEDEN AB KLANGFÄRGSGATAN 16 S-426 52 V. FRÖLUNDA SWEDEN TEL: +46 31 697580 FAX: +46 31 295320 SWITZERLAND STUDER HANDELS AG IM SCHOSSACHER 12 CH-8600 DÜBENDORF SWITZERLAND TEL: +41 1 8231880 FAX: +41 1 8231890 free telephone number: 0800 554614 UNITED KINGDOM AND IRELAND MCD MARKETING LIMITED QUARRY COURT PITSTONE GREEN BUSINESS PARK PITSTONE, NR. TRING BUCKS. LU7 9GW TEL: +44 1296 663 598 FAX: +44 1296 663 599 free telephone number (United Kingdom only): 0800 962116 free telephone number (Ireland only): 1800 553252 CENTRAL AND EASTERN EUROPE HEADQUARTERS DUPONT CZ S.R.O. PEKARSKA 14/628 CZ-155 00 PRAGUE 5 CZECH REPUBLIC TEL: +420 2 57414203 FAX: +420 2 57414150 CZECH REPUBLIC MATERFUT RUA DR. INOCÉNCIO OSÓRIO L. GODIM NR. 10 ZONA INDUSTRIAL DE AVINTES PT-4430-930 AVINTES PORTUGAL TEL: +351 22 7877240 FAX: +351 22 7877249 CORTRADE SPOL S.R.O. DELNICKA 13/514 CZ-170 00 PRAGUE 7 CZECH REPUBLIC TEL: +420 2 66710191 FAX: +420 2 20802482 RUSSIA CORTRADE SPOL S.R.O. DELNICKA 13/514 CZ-170 00 PRAGUE 7 CZECH REPUBLIC TEL: +420 2 66710191 FAX: +420 2 20802482 DUPONT RUSSIA LLC BOLSHOY PALASHEVSKY PER. 13 STROENIJE 2 RU-123104 MOSCOW RUSSIAN FEDERATION TEL: +7 095 7972233 FAX: +7 095 7972201 HUNGARY BANYAI BUTOROK KFT BÉCSI-UT 20/A 2085 PILISVÖRÖSVAR HUNGARY TEL: +36 26 330341 FAX: +36 26 330249 POLAND SOUTH AFRICA KOREA CORTRADE SPOL S.R.O. DELNICKA 13/514 CZ-170 00 PRAGUE 7 CZECH REPUBLIC TEL: +420 2 66710191 FAX: +420 2 20802482 BATIMAT BUILDING MATERIALS LLC P.O. BOX 13913 DUBAI UNITED ARAB EMIRATES TEL: +971 4 2820155 FAX: +971 4 2820759 DUPONT (KOREA) LTD. KANGNAM P.O. BOX 759 SEOUL KOREA TEL: +82 2 2225220 FAX: +82 2 2225470 C.C.I. SP. Z.O.O. UL. ROBOTNICZA 69 P-55 090 DLUGOLEKA K/WROCLAWIA POLAND TEL: +48 71 3152015 FAX: +48 71 3467831 MARSHALL HINDS P.O. BOX 34367 ZA-2043 JEPPESTOWN SOUTH AFRICA TEL: +27 11 6242999 FAX: +27 11 6242909 RUSSIA TURKEY DUPONT RUSSIA LLC BOLSHOY PALASHEVSKY PER. 13 STROENIJE 2 RU-123104 MOSCOW RUSSIAN FEDERATION TEL: +7 095 7972233 FAX: +7 095 797 2201 CD KIMYEVI ENDUSTRIYEL URUNLER SANAYI VE TICARET LTD. STI ISTANBUL CADDESI ZAMBAK SOKAK NO. 5/A GURPINAR / BUYUKCEKMECE ISTANBUL – TURKEY TEL: +90 212 8800526 / 27 / 28 FAX: +90 212 8800358 ACRILICA ZAVODSKAYA STREET 2A 141400 KHIMKI RUSSIAN FEDERATION TEL/FAX: +7 095 7930922 PSP FARMAN SESLAVINSKAYA 6A 121 309 MOSCOW RUSSIAN FEDERATION TEL: +7 095 7805550 FAX: +7 095 7868927 MIDDLE EAST AND AFRICA HEADQUARTERS DU PONT PRODUCTS S.A. P.O. BOX 33718 DUBAI UNITED ARAB EMIRATES TEL: +971 4 3211532 FAX: +971 4 3211533 BATIMAT BUILDING MATERIALS LLC P.O. BOX 13913 DUBAI UNITED ARAB EMIRATES TEL: +971 4 2820155 FAX: +971 4 2820759 ASIA PACIFIC AUSTRALIA DUPONT (AUSTRALIA) LTD. P.O. BOX 930 NORTH SYDNEY, NSW 2059 AUSTRALIA TEL: +61 2 99236111 FAX: +61 2 99236011 CHINA NYGA LTD. 28 LECHI STREET BNEI BRAK 51200 ISRAEL TEL: +972 3 5708877 FAX: +972 3 5706268 SAUDI ARABIA BATIMAT BUILDING MATERIALS LLC P.O. BOX 13913 DUBAI UNITED ARAB EMIRATES TEL: +971 4 2820155 FAX: +971 4 2820759 GULF ACRYLIC MFG. CO. LTD. (GAMCO) P. O. BOX 5728 JEDDAH 21432 SAUDI ARABIA TEL: +966 2 6693936 / 6694747 FAX: +966 2 6695576 DUPONT COMPANY (SINGAPORE) PTE. LTD. 1 HARBOURFRONT PLACE #11-01 HARBOURFRONT TOWER ONE SINGAPORE 098633 TEL: +65 6586 3688 FAX: +65 6272 7494 THAILAND DU PONT (THAILAND) LTD. P.O. BOX 2398 BANGKOK 10501 THAILAND TEL: +662 659 4000 FAX: +662 659 4001 /3 UNITED ARAB EMIRATES ISRAEL CD KIMYEVI ENDUSTRIYEL URUNLER SANAYI VE TICARET LTD. STI ISTANBUL CADDESI ZAMBAK SOKAK NO. 5/A GURPINAR / BUYUKCEKMECE ISTANBUL – TURKEY TEL: +90 212 8800526 / 27 / 28 FAX: +90 212 8800358 SINGAPORE DUPONT HOLDING CO. LTD. CHE GONG MIAO INDUSTRIAL AREA DISTRICT NO.5 SHENZHEN, 518040 GUANGDONG PEOPLE’S REPUBLIC OF CHINA TEL: +86 755 83307848 FAX: +86 755 83307047 INDIA E.I. DUPONT LTD. DLF PLAZA TOWER, 8TH FLOOR DLF QUTAB ENCLAVE, PHASE I GURGAON 122002 HARYANA INDIA TEL: +91 124 6359900 FAX: +91 124 6540891 JAPAN DUPONT-MRC CO., LTD. NO.45 KOWA BLDG. 15-9, MINAMIAOYAMA 1-CHOME MINATO-KU, TOKYO, 107-0062 JAPAN TEL: +81 3 54108550 FAX: +81 3 54108501 NORTH AMERICA UNITED STATES OF AMERICA E.I. DU PONT DE NEMOURS AND COMPANY DUPONT SURFACES CHESTNUT RUN PLAZA 721-MAPLE RUN P.O. BOX 80721 WILMINGTON, DE 19880-0721 USA TEL: 800 426 7426 CENTRAL AMERICA MEXICO DUPONT S.A. DE C.V. HOMERO 206 COL CHAPULTEPEC MORALES DELEGACION MIGUEL HIDALGO 11570 DF MEXICO CITY TEL: +525 722 1223 FAX: +525 722 1369 SOUTH AMERICA ARGENTINA DUPONT ARGENTINA S.A. AV. MADERO 1020, 3RD FLOOR 1106 BUENOS AIRES ARGENTINA TEL: +54 11 43194310 FAX: +54 11 43194354 BRAZIL DUPONT DO BRASIL S.A. CAIXA POSTAL 263 CEP 06454-080 BARUERI – SP BRASIL TEL: +55 11 7266 8763 FAX: +55 11 72668761 81 Original concept Mario Milizia Sottsass Associati EEIG Milano Text by Virginio Briatore DuPont Project Supervisors Lene Stosic Massimo Fucci Claudio Greco Copyright © 2005 DuPont. All rights reserved. The DuPont Oval Logo, DuPont™, The miracles of science™, Corian® and Zodiaq® are registered trademarks or trademarks of DuPont or its affiliates. Only DuPont produces Corian® and Zodiaq®. www.corian.com To learn more about DuPont™ Zodiaq®, our new surfacing material, visit: www.zodiaq.com
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