ACTE European Textile Collectivities Association 20 Years of
Transcription
ACTE European Textile Collectivities Association 20 Years of
ACTE European Textile Collectivities Association 20 Years of Innovation Imprint © 2011 by ACTE All rights reserved Editor European Textile Collectivities Association (ACTE) / www.acte.net Coordination and supervision Estela Barnet, Oriol; Farro, Fabiana; Marent, Christina; Peláez Mañas, Maria del Mar Collaborations Ferreira, Manuel; Figuerola Bernal, Oscar; Soler Luque, Miquel Cover photo Museum of Science and Technology of Catalonia (mNACTEC) Night view of the Museum installed in the former building of the steamer Aymerich, Amat i Jover of Terrassa Archive: mNACTEC. Foto: T. Llordés Layout Raab, Stefan; playa multimedia, Vienna / www.playa.at Print IGOL S.A., Esplugues de Llobregat (Barcelona) D. L. B-13148-2011 Printed in Spain Thanks to AMAVE, AITEX, Ajuntament de Badalona, Ajuntament de Manresa, Ajuntament de Mataró, Ajuntament de Sabadell, Ajuntament de Santa Margarida de Montbui, Ajuntament de Terrassa, Carpiformazione, CETEMMSA, CDMT Terrassa, CITTA, Comune di Prato, COPEVO, FITEX, Foment de Terrassa, IEG Mouscron, INCDTP, INNOTEX, LEITAT, Lille Métropole, Miasta Lodz, Museo del Tessuto di Prato, Next Technology Tecnotessile, Provincia di Milano, Provincia di Novara, Regione Molise, R.S. Ricerche e Servizi SRL, Stad Ronse ACTE European Textile Collectivities Association 20 Years of Innovation Edited by ACTE Index Greetings ..................................................................................................................................................................................................................... 11 01 The ACTE Network - The vision of the territory ................................................. 13 The origins . ..................................................................................................................................................................................................... 14 Lobbying actions ........................................................................................................................................................................................... 18 Actions for preparing and managing projects .................................................................................................................................. 21 Awareness raising actions ........................................................................................................................................................................ 23 ACTE believes in the future of the sector ........................................................................................................................................... 27 The Presidents of ACTE ............................................................................................................................................................................. 28 02 Evolution of the textile-fashion sector: A sectoral Analysis ............................ 31 2.a Evolution of the textile and fashion industry in Europe (1991-2011) . .................................................................................. 32 Eliminating international barriers which affect trade ................................................................................................................... 32 The productive relocation ......................................................................................................................................................................... 34 Evolution in numbers ................................................................................................................................................................................. 36 The territorial incidence of the transformations . ........................................................................................................................... 38 The challenges of the EU-27 ...................................................................................................................................................................... 44 Consolidating a single internal market . .............................................................................................................................................. 44 Access to foreign markets . ........................................................................................................................................................................ 44 5 Consolidation of the textile sector as a safe and clean industry .............................................................................................. 46 Research and development ...................................................................................................................................................................... 47 2.b The textile-fashion industry has a future ............................................................................................................................................ 48 The industry today . ...................................................................................................................................................................................... 48 The fashion system ....................................................................................................................................................................................... 49 The technology and innovation challenge ........................................................................................................................................ 50 Technical fabrics. Lead Market for the EU ........................................................................................................................................... 52 03 Local responses to the transformation of the sector ........................................ 57 3.a Urban transformation ................................................................................................................................................................................... 59 Area Wild and Area Rotondi, Novara (IT) ..................................................................................................................................... 60 Campurbis, Guimarães (PT) . ............................................................................................................................................................ 62 CETI, Lille Métropole / Tourcoing (FR) . ......................................................................................................................................... 64 Gli Abatoni, Prato (IT) ......................................................................................................................................................................... 66 Orbital 40, Terrassa (ES) . .................................................................................................................................................................... 68 Tranformation of the Sabadell City Centre (ES) ........................................................................................................................ 70 TecnoCampus, Mataró-Maresme (ES) . .......................................................................................................................................... 72 3.b Transformation of former textile factories ......................................................................................................................................... 74 3.b.1 Public Facilities and Spaces . ........................................................................................................................................................... 76 Centr’expo, Mouscron (BE) ............................................................................................................................................................... 76 La Vinícola, Santa Margarida de Montbui (ES) . ......................................................................................................................... 78 Vapor Codina, Sabadell (ES) ............................................................................................................................................................. 80 Vapor Gran, Terrassa (ES) ................................................................................................................................................................... 82 6 3.b.2 Culture .................................................................................................................................................................................................... 84 De Ververij, Ronse (BE) ....................................................................................................................................................................... 84 Łódź Art Center, Factory of Art (PL) ............................................................................................................................................... 86 mNACTEC, Terrassa (ES) ..................................................................................................................................................................... 88 3.b.3 Leisure, food & beverage sector ................................................................................................................................................... 90 Manufaktura, Łódź (PL) ...................................................................................................................................................................... 90 3.b.4 Housing . ................................................................................................................................................................................................. 92 At Scheibler’s Lofts, Łódź (PL) .......................................................................................................................................................... 92 Napoleon Annicq-Williams former factory Lofts, Ronse (BE) ............................................................................................... 94 3.c Employment and entrepreneurship policies . .................................................................................................................................... 96 3.c.1 Employment policies . ....................................................................................................................................................................... 98 Aula Activa, Manresa (ES) . ................................................................................................................................................................ 98 Carpiformazione, Carpi (IT) ............................................................................................................................................................ 100 EGF-Project COPEVO (ES) ................................................................................................................................................................ 102 Maisons de Mode, Lille-Roubaix (FR) . ........................................................................................................................................ 104 ACTE: a network for innovation, Catalonia (ES) ...................................................................................................................... 106 Comprehensive Services for the Textile Sector (SIT), Mataró (ES) .................................................................................... 108 3.c.2 Entrepreneurship policies . ............................................................................................................................................................ 110 BCIN, Badalona (ES) ............................................................................................................................................................................ 110 EuraTechnologies, Lille (FR) ............................................................................................................................................................. 112 INNOTEX, Lille Métropole Communauté Urbaine (FR) .......................................................................................................... 114 Centre for Young Entrepreneurship, Ronse (BE) ...................................................................................................................... 116 UP-tex, Lille Métropole / Marcq-en-Baroeul (FR) ..................................................................................................................... 118 7 3.d Technological Centres and Textile Museums in ACTE territories .......................................................................................... 120 3.d.1 Technological and Research Centres ........................................................................................................................................ 122 AITEX, Alcoy (ES) . ................................................................................................................................................................................ 122 EEDRI, Łódź (PL) ................................................................................................................................................................................... 124 CETEMMSA, Mataró (ES) .................................................................................................................................................................. 126 CITTA, Córdoba (ES) . .......................................................................................................................................................................... 128 INCDTP, Bucharest (RO) ..................................................................................................................................................................... 130 LEITAT, Terrassa (ES) ............................................................................................................................................................................ 132 NTT, Prato (IT) ....................................................................................................................................................................................... 134 R.S. – Ricerche e Servizi srl, Prato (IT) ........................................................................................................................................... 136 Fitex, Igualada (ES) . ............................................................................................................................................................................ 138 3.d.2 Museums .............................................................................................................................................................................................. 140 CDMT, Terrassa (ES) . .......................................................................................................................................................................... 140 Central Museum of Textiles, Łódź (PL) . ...................................................................................................................................... 142 Musée du Folklore, Mouscron (BE) .............................................................................................................................................. 144 Musée de la Rubainerie, Comines (BE) ....................................................................................................................................... 146 Museu de la Tècnica de Manresa (ES) ......................................................................................................................................... 148 Museo del Tessuto di Prato (IT) ..................................................................................................................................................... 150 Museo del Tombolo di Isernia (IT) . ............................................................................................................................................... 152 Museo Zucchi, Milan (IT) .................................................................................................................................................................. 154 Vapor Buxeda Vell, Sabadell (ES) ................................................................................................................................................... 156 8 Contacts .................................................................................................................................................................................................................... 158 Museums and Research Centres ........................................................................................................................................................... 158 Participating Organisations .................................................................................................................................................................... 160 Glossary .................................................................................................................................................................................................................... 164 Acronyms ........................................................................................................................................................................................................ 164 Countries ......................................................................................................................................................................................................... 164 References ............................................................................................................................................................................................................... 165 9 Greetings The textile and fashion sector has played a leading role in economic development throughout Europe, leaving behind its footprint in many regions and cities, to which it provided an “Industrial DNA” which even today remains active and maintains its strength. It is a sector which has experimented a significant restructuring due to economic globalization, which has entailed many changes in the demands for competitiveness of the businesses and has given way to a decrease in the relevance of this sector in terms of businesses and employment throughout most European countries. The important links which exist between this industry and the territories where it is located were, in light of these changes, the ones which motivated a group of Members of the European Parliament, along with several representatives of local authorities from Portugal and Spain, to initiate a movement to face Community institutions and demand the acknowledgement of the relevance of the textile and fashion sector in the European economy and to demand the search for organisation mechanisms for its actors and institutions, as well as policies to enhance competitiveness and allow the sector to face the transformations that the new global market was imposing. Thanks to this movement, the European Textile Collectivities Association (ACTE) was created in 1991. Since then the Association has continued to increase its number of members, its influence and prominence with its proposals and projects in the transition of the sector from its traditional industrial bases towards a model of production mainly based on innovation and knowledge. This book, along with the different activities programmed for the celebration of the event, manifests ACTE’s will to continue contributing to maintain the debate regarding the future of the sector and the industry in general in Europe. All this taking into account that the evolution the textile sector has suffered is also taking place in many of the traditional industrial sectors. In short, to maintain the European industrial DNA active. Thus, from these pages I want to thank on behalf of the entire organisation the effort, will and conviction of each and every institution and all the people who in one way or another are a part of the textile and fashion sector and of ACTE’s history itself. Here they will see the result of their work and can confirm that the future of these industries in Europe is full of challenges, but is also full of a variety of new opportunities. Teo Romero, ACTE President 11 01 The ACTE Network The vision of the territory 13 The origins To talk about the textile and fashion sector in Europe is to talk about the development of overseas trade; the origin of industrialisation on the old continent; the configuration of our modern cities; the inheritance of a very valuable architectural and cultural heritage; the origin of an industrial DNA that even nowadays has its character reflected on our economy, our entrepreneurs, our society. In short, a legacy which is closely linked to the European economic growth which has taken place over the last two hundred and fifty years. However, in the early 1990s, this legacy was under powerful threats. The number of companies and jobs linked to the textile-fashion sector diminished drastically, during what was considered to be a structural crisis similar to the one experienced very recently by the iron and steel sector. The globalisation of the production and the trading of textile products seemed to be in det14 riment of the European industry, and there were many people who, in light of the perspectives of opening up international markets upon the conclusion of the restrictions imposed through the Multi-Fibre Agreement, predicted the end of this industry on the continent on which it was born. It is at that time, specifically in June 1990, when upon the initiative of the Vice-President of the European Parliament, the Portuguese João Cravinho, and the Spanish Member of the European Parliament Joan Colom, a first work meeting was held at the premises of the European Parliament in Brussels between representatives of the Association of Municipalities of the Vale do Ave (AMAVE, Portugal) and of the Province of Barcelona with a view to promote the implementation of joint actions in the field of the development of European regions which strongly depended on the textile and fashion sector. After this initial meeting, they agreed to work towards two lines: extend- ing the contacts with other textile regions, provinces and municipalities in Europe to involve them in the projects, and communicating with the then European Commissioner for Regional Development, Bruce Millan, to obtain the support from the Commission to hold a seminar in Guimarães (Portugal) in the first quarter of 1991, during which it was forecast to launch a European organisation of municipalities and regions dedicated to the textile sector. Thanks to these initial movements, a second meeting was held in February 1991 in Tourcoing (France) with the representatives of the Lille development agency. This meeting dealt with planning contacts with new entities which were potentially interested in becoming a part of the future organisation, such as the Communauté Urbaine de Lille, the development agencies of Tournai and of Mouscron (Belgium) or the Nottinghamshire County Council (United Kingdom). Finally, on 12 and 13 April 1991, at the Pousada de Santa Marinha in Guimarães (Portugal), the European Seminar on “The Textile industry in Europe and the Regional Development” was held along with the organisation of initiatives for the creation of ACTE. One of the conclusions of this event was the adoption of the Guimarães Protocol as Constitution Act of ACTE. This session was honoured with the presence of the European Commissioner Bruce Millan, the Vice-president of the European Parliament João Cravinho as well as that of the President of the Republic of Portugal, Mario Soares. The subsequent meetings which followed the founding encounter in Guimarães that same year (in Terrassa and Lille), were used to involve the economic and social agents of the sector in the initiative, as well as to specify the Statutes of ACTE, which would finally be approved in June 1992, in Lille once again, during a meeting in which the Association’s headquarters were set in Guimarães and its representatives elected for the first time. However, the main determination of the recently created Association was to promote the start-up of a European Initiative to support the European Textile Regions. EU Commissioner Bruce Millan and the President of the Republic of Portugal Mario Soares during the seminar in Guimarães in 1991 15 For this, the European Parliament became involved, thanks to the drive of the MEPs João Cravinho, Joan Colom, Concepció Ferrer and Gérard Caudron, as well as also involving the Commission, through the European Commissioner for Regional Development, Bruce Millan. It was already in 1992 when the European Initiative RETEX was finally created to support the regions which had been especially affected by the industrial change in the textile and manufacturing sector. This sector, therefore, managed to obtain an important recognition within the European regional policies similar to that of the iron or carbon sector in their time. After having achieved the boost from this initiative and from the process of preparing the joint candidatures among the members of the network, the founding cycle of ACTE concluded with the solemn session in which the Notarised Memorandum of constitution of the network was signed on 26 16 September 1992 in Póvoa de Lanhoso, Vale do Ave Region (Portugal). So, ACTE was created with a view to represent and defend the interests of territorial collectivities and adherent organisations that represent European territories with a presence of the textile, clothing, leather, footwear and accessories sectors. Specifically its goals are: • To represent the interests and needs of the member territories before European and national institutions • To strengthen the links of institutional collaboration and promote an exchange of experiences among the members, in areas such as economic promotion, employment, training, culture and development cooperation. • To promote innovative policies which allow anticipating and managing the sector’s structural changes at local and regional levels Over these years, there have been many territories and organisations which have become part of the network, by presenting their application for membership to the Executive Secretariat and being subject to the subsequent approval of the Executive Committee and the Annual General Assembly. Currently, ACTE has 70 effective members which are mainly comprised of European local and regional administrations. From the start, ACTE also wanted to integrate other key agents such as business and trade union organisations, technological and research centres, textile museums, etc. To do so, it created the category of adherent membership, to which currently more than 30 member organisations belong (see map of ACTE members on next page). 17 It is worth highlighting the main achievements that ACTE has obtained within its main spheres of action: knowledged among European and national institutions as the representative of European textile-fashion territories. Lobbying actions It has consolidated itself as the essential point of contact in the debate on the future of the sector and the territories undergoing industrial transformation. In this area, ACTE aims to contribute to the development and implementation of European and national policies, to discuss and collaborate with the European institutions, as well as the social and economic agents in representation of the interests of the member territories. In this sense, ACTE’s actions have two fundamental characteristics. Firstly, the implication of political entities is very important, as the Association’s tasks are not only limited to technical aspects, such as design and implementation of projects among members. The tasks also include defending the interests of the territories which are a part of the network. Secondly, this is a network which has a highly regarded reputation and is ac18 We highlight that the main reason for which ACTE was created was to have a lobby capable of influencing and obtaining European funds to support the European textile territories. Back in 1992, during Pierre Mauroy’s mandate, and with the start-up of the European initiative RETEX, ACTE managed to get the textile and fashion sector to be included within the agenda of priorities of the European industrial policy. So, during the first presidency mandate of Manuel Royes (1993-1996) ACTE contributed to drafting the Green Paper on European Initiatives. Later, in 1996 during the presidency of Joaquim Couto (1996), ACTE participated in the Bangemann Working Groups of the Directorate General of Industry of the European Commission on the textile and clothing industry, dedicated to External Relations, Competitiveness and the Internal Market. The Association also participated in the meetings held by RETI (Association of European Regions of Industrial Technology) on the future Structural Funds, Industrial Change and Cohesion and was member of the Coalition InTer, the Coalition of European Industrial Territories. InTer brought together four European associations representing the textile, steel producing, mining and technology and industry territories respectively: ACTE, CASTer, EUR-ACOM, RETI. In 1997, with the presidency of Antonio Magalhães the participation in debates was intensified, especially those regarding the new regional financial framework of the European Union. As of 1999, ACTE obtained a more prominent role in the international trade area when the president Andrea Lulli launched the “European Petition on International Trade”. This initiative’s main objectives were the respect for the principle of non-duty barriers, the protection of intellectual property and the promotion of tools aimed at guaranteeing respect for the environment and the fundamental labour rights after the market liberalisation in 2005. ACTE representatives during the meeting with EU Commissioner Lamy on 22nd November 2002 After two years of gathering support, the document achieved 13.000 signatures from more than 130 textile territories and was then presented to the European Commissioner for Trade, Pascal Lamy. One of the most significant achievements of ACTE in its lobbying role took place in 2003, under the mandate of Jean-Pierre Perdieu, with the invitation from the European Commission to become part of the High Level Group on the future of the textile and clothing sector, in order to identify the problems this industry suffered and to propose specific measure to face them. ACTE became a member along with representatives of national governments, the European Commission itself and of business and trade union organisations leading the working group on regional policy. The Communication of the European Commission “Textiles and clothing after 2005 – Recommendations of the High Level Group for textiles and clothing” and the Group’s final report in 2006 gather some of ACTE’s proposals with regard to strategic planning or availability of funds to face the restructuring and modernisation of the textile industry and mitigate the social-economic impacts in the regions with high concentration of this sector. Thus, with the creation of the European Globalisation Adjustment Fund (EGF) in 2006 to support the workers, especially those in the regions and sectors affected by the opening to a globalised economy, the European Commission responded to one of ACTE’s demands. As of 2007, under the mandate of Teo Romero, ACTE proposed to dedicate its annual activity to a Thematic Year, which would identify concrete lobbying priorities and develop specific interventions for the chosen issues. So, the network dedicated 2007 to the theme Fashion and Health, with the launch, in collaboration with the European Trade Union Federation: Textiles, Clothing and Leather (ETUF:TCL) 19 of the “Petition for a certified quality. Transparency, traceability, composition and origin of textile, clothing, leather and footwear products” to propose measures aimed at reducing risks for the health of European workers and consumers, derived from dangerous substances in clothing. associations and technological centres from 20 European regions, was presented, among others, to the European Commissioner for Consumer Protection, Meglena Kuneva, and to the president of the European Economic and Social Committee, Mario Sepi. Presentation of the Petition by ACTE President Romero and the ETUF:TCL President and General Secretary, Valeria Fedeli and Patrick Itschert, on 19th September 2007 President Teo Romero and former Executive Secretary Fabio Giovagnoli with EESC President Mario Sepi and EESC Member Claudio Cappellini, on 4th December 2008 The document, which was supported by public administrations, trade unions, employers’ organisations, consumer 20 In the same year, ACTE was also invited to participate as speaker in the Euro-Mediterranean Conference on “Textiles and Clothing Sector at the Time of Globalisation: Managing Structural Changes and Remaining Competitive”, organised by DG Enterprise and Industry of the European Commission in Istanbul. Aware of the fact that the future of the sector in European territories depends on innovation, ACTE dedicated the Thematic Years 2008 and 2009 to this area and celebrated the Conferences “InTexT – Innovation in textile territories” in Lodz (Poland); “The thread of innovation” in Terrassa (Spain), with the adoption of the Terrassa Charter of the textile and fashion sector, “Crisis and innovation: a possible pairing? Announcement of the Terrassa Conference, one of the initiatives of the ACTE Thematic Year 2008 on Innovation Good practices and perspectives of the footwear industry in Italy and Europe”, in Tolentino (Italy) and the “1st International Congress on CSR and Textiles” in Badalona (Spain). Upon the invitation of the Consultative Commission on Industrial Change (CCMI) of the European Economic and Social Committee (EESC), ACTE participated in February 2009, in a hearing on “The global financial crisis and industrial changes in the main European manufacturing and services sectors” to present the challenges of industrial change in the textile sector from a territorial perspective. Finally, in the framework of a meeting held with the Vice-President of the European Commission and Commissioner of Industry and Entrepreneurship, Antonio Tajani, in September 2010, ACTE underlined the importance of a close collaboration between local governments and the European Commission to develop an innovative manufacturing industry with high added value. joint projects in all spheres of action of the network. President Teo Romero and Executive Secretary Giorgio Silli with EU Commissioner of Industry and Entrepreneurship Antonio Tajani, on 17th Septmber 2010 Actions for preparing and managing projects ACTE is an ideal platform for implementing transnational projects, as member territories share many similar characteristics and, therefore, political priorities. ACTE deals with searching for opportunities for collaboration and co-financing, within the framework of European and national programmes, of The Community Initiative RETEX was one of the first to give a significant role to local administrations, due to which many of the network’s members submitted projects to improve the competitiveness of their textile and clothing businesses or to economically diversify their territories. In 1996, the Spanish members of ACTE obtained approval for the ADAPTEX project, of nearly 10 million Euros, dedicated to enhancing professional competences and the training of active workers of the textile and clothing sector. In 1998, the project “EUROINFOR – European youngsters in movement for the European construction” was approved. The project included the participation of Portuguese, Spanish and French members. Another project approved 21 the same year was “DESCUBRE - Lets take everyone into account to avoid social exclusion”, within the European Initiative Horizon, with Spanish and French members. In 2000, the project “AC_T_E – Territorial Action for Employment” was approved within the framework of the European Call “Preparatory measures for a local commitment for employment”, of the Directorate General Employment and Social Affairs of the European Commission, which enjoyed the participation of five Spanish members and one French, Belgium and Italian member. gramme – town twinning: “Inclua – Working together for the inclusion of immigrants”, led by AMAVE with the participation of 14 members of the network from five different countries. The Comune di Prato (Italy) took on the leadership of the project “Twintex Museums - Twinning Textile Museums” to debate on the strategic role of textile museums in the process of economic and social transformation of urban centres and the transition of industrial districts towards the knowledge-based economy. During 2005, the Local Strategic Textile Plans were carried out in the Spanish member territories. The methodology and conclusions of these plans were transferred to the rest of the members of the Association. In 2006, two projects were implemented within the Europe for citizens pro22 Final Conference of Twintex Museums Project “Towards An European Textile Identity”, on 30th March 2007 in Prato The Eurotex ID project, carried out between 2008 and 2010 and co-financed by the Culture Programme 2007-2013, was the natural continuation of the Twintex Museums project and the consolidation of the networking between the members museums of ACTE. Led by the Museo del Tessuto di Prato, the project aspired to rediscover and reinterpret the textile industry of the 19th and 20th centuries by establishing a digital database of the textile samples of several textile museums. In 2009, six Spanish members of the network promoted the project named “ACTE: a network for innovation”, co-financed within the framework of the ESF operational programme of Catalonia 2007-2013. The main objective was to consolidate ACTE as a network for cooperation between territories that have undergone significant processes of industrial change and have opted for integrating innovation in their local economy. Since 2009, the Comune di Prato is leading a project named “Texmedin – Textile and apparel Euromediterranean heritage for innovation” with the participation of nine members from Italy, Spain, Greece and France. Co-financed by the MED programme, this project aims to create a transnational cluster to enhance competitiveness of the member territories in the textile and clothing sectors, promoting quality, design and innovation. Awareness raising actions ACTE and its members are aware of the importance of promoting external communication of the realities of the territories involved, through international conferences, media presence and publications. Over the years, ACTE has organised several seminars and conferences, coinciding with the celebration of General Assemblies or Executive Committee meetings, that have allowed to disseminate the network’s messages and experiences regarding the future of the textile and fashion sector. Let us mention some of these events since the foundation of ACTE: 1991 The textile industry in Europe and the regional development, Guimarães (Portugal) 1992 Restructuring in the textile sector and industrial diversification, Guimarães (Portugal) États Généraux on difficulties of the European textiles regions, Roubaix (France) Participants in the États Généraux, 19th June 1992 in Roubaix 1993 The European Social Policy, Guimarães (Portugal) 1994 Training, Employment and Competitiveness in the European textile-clothing sector: the role of local administrations, Terrassa (Spain) 1996 Regions affected by the reconversion of the textile and clothing sector: new forms of employment, Carpi (Italy) 23 1997 Presentation of the study “The textile sector: a territorial approach” in the framework of the ADAPTEX project 2007 Fashion and health: challenges and opportunities for Europe, Carpi (Italy) Final Conference of the Twintex Museums Project: Towards a European Textile Identity, Prato (Italy) 1998 The future of the European Structural Funds as of 1999, Nea Ionia (Greece) 1999 The Future of Textiles and Clothing in European policies. A territorial network for an innovative textile industry, at the European Parliament, Brussels (Belgium) 2000 The textile sector has future. Action plan for the next decade?, Tourcoing (France) 2003 ACTE: for a European Textile Strategy, Barcelona (Spain) 24 Participants in the ACTE General Assembly of Biella, on 10th April 2003 2004 The textile and clothing sector in the new Europe: risks and opportunities, Sabadell (Spain) 2005 Presentation of the results of the project “Local Strategic Textile Plans”, Igualada (Spain) 2006 Inclua – Working together for the inclusion of immigrants, Guimarães (Portugal) 2008 InTexT – Innovation in Textile Territories, Lodz (Poland) The thread of innovation, Terrassa (Spain) 2009 Crisis and innovation: a possible pairing? Good practices and perspectives of the footwear industry in Italy and Europe, Tolentino (Italy) 1st International Congress on CSR and textile sector, Badalona (Spain) 2010 Future strategies in the European textile cities. Reinventing the European industrial DNA, Igualada (Spain) in the framework of the European Summit of Local Governments the 21st century opens new and encouraging perspectives for the European industry, as nowadays, textile is not only still very present in our lives, but it is discovering new materials and applications which enable it to extend its use to many other areas, such as medicine, transportation or agriculture. After the signing of a memorandum of understanding between ACTE and lille3000, in December 2010, the new edition Futurotextiles 3: Surprising textiles, design and art will be presented in different members cities as of 2011: Barcelona and Córdoba (Spain), Prato (Italy) and Ronse (Belgium). Executive Committee meeting on 28th May 2010 in Guimarães Currently, one of the most powerful projects with regard to the awareness raising of the population is the Futurotextiles exhibition. Created in 2006 upon the initiative of lille3000 (France), this touring exhibition is a magnificent expression of how the textile sector of 25 To this end, ACTE created a working group joint, so far, by representatives of the contests Riccione Moda Italia, Moda Movie, Play Trend and Texmedin Design Challenge (Italy), Badalona Moda, Concurso de Jóvenes Diseñadores Andaluces, Concurso de Diseñadores Noveles de ASINTEC (Spain) and the vocational school CENATEX (Portugal). Likewise, in 2010 ACTE set the cornerstone for the organisation of a European Contest of Young Designers which will bring together the different competitions developed by ACTE’s members to award and acknowledge young designers. 26 The European Contest, with its first edition taking place within the framework of Riccione Moda Italia in July 2011, will strive to promote creative talents as an essential element for textile knowledge and creativity no to be lost in European territories. The event will be organised alternately in the framework of the regional competitions in order to guarantee the link between talent and territory. Members of the ACTE Working Group “Promotion of Young Designers” Awarding Ceremony of the Badalona Moda Contest, one of the ACTE competitions, on 9th July 2009 ACTE believes in the future of the sector ACTE faces the future with great optimism. The consolidation of the network, which is paired with the progressive expansion towards new territories and new countries, such as those in Central and Eastern Europe, coincides with a moment in which the look at the textile-fashion sector has changed in many aspects. On the one hand, the industrial tradition of a territory becomes a significant economic and social asset. From an economic point of view, the entrepreneurial spirit which was always one of the main characteristics of the sector can be observed in the capacity to reinvent the local economy and business community, as well as in the perfect symbiosis between the inherited heritage and the new uses linked to the knowledge society. From a social point of view, the textile past of a territory no longer adds a negative stigma; it now reflects a factor of cohesion and generation of identity and self-esteem for the population. On the other hand, it has at last been understood that the economic globalisation process is paired with unavoidable adjustments in productive sectors, and the textile and fashion sector is no exception to these adjustments. This is why the attention and efforts of the sector’s agents have focused on recognising and valuing the evolution of many companies towards a production of higher added value and technological advancement. This evolution allows these companies to compete in international markets in a way which is more interesting and convenient: with quality and innovation. a more positive image of the textile sector. ACTE will, therefore, continue its mission to bring territories and economic and social agents together to pursue, strengthen and promote the textile and fashion industries, to preserve and evolve the industrial DNA of Europe for many years to come. In a very educational and tangible manner, the Futurotextiles exhibition shows the many different fields and applications with high added value of tomorrow’s textiles and contributes towards 27 Pierre MAUROY (FR) Mandate: 1991-1993 President of the Jean-Jaurès Foundation President of the Urban Community of Lille Métropole Mayor of Lille Prime Minister of France The Presidents of ACTE Manuel ROYES (ES) Mandate: 1993-1996 and 2000-2003 Delegate of the State of the Barcelona Free Zone Consortium President of the Barcelona Provincial Council Mayor of Terrassa Deputy of the Parliament of Catalonia Joaquim COUTO (PT) Mandate: 1996 Deputy of the Assembly of the Republic of Portugal Civil Governor of the District of Porto Mayor of Santo Tirso President of AMAVE (Association of Municipalities of the Vale do Ave) António MAGALHÃES (PT) Mandate: 1997 Mayor of Guimarães Member of the General Council of the National Association of Portuguese Municipalities Deputy of the Assembly of the Republic of Portugal President of AMAVE (Association of Municipalities of the Vale do Ave) 28 Andrea LULLI (IT) Mandate: 1998-1999 Member of the Italian Chamber of Deputies, Deputy Mayor for Economic Development of Prato Deputy Secretary General of the Chamber of Labour of Prato Member of the Secretariat of the Trade Union of Textile, Clothing, Leather and Footwear Workers (Filtea – CGIL) Jean-Pierre PERDIEU (BE) Mandate: 2003-2006 1st Deputy Mayor in charge of Education of the Municipality of Mousrcon Chairman of the IEG Mouscron Member of the Walloon Parliament Member of Belgian House of Representatives Teo ROMERO (ES) Mandate: 2007-2011 Deputy of Economic Development of the Barcelona Provincial Council Mayor of Sta. Margarida de Montbuí President of the Catalan Fund for Development Co-operation President of the Confederation of Funds for Cooperation and Solidarity 29 02 Evolution of the textile-fashion sector in Europe: A sectoral Analysis 31 2.a Evolution of the textile and fashion industry in Europe (1991-2011) The European textile and fashion industry has faced radical transformations over the past 20 years due to the combination, among other factors, of technological changes, the evolution of production costs, the increase of foreign competitors and the total elimination of commercial barriers1. The most important event of this period has been the total liberalisation of textiles markets since 1 January 2005. Since then, there are no barriers or limitations to imports, on the contrary to what has been happening over the ten previous years, in which there had been many set quotas and contingencies. Logically, the consequence was a mass input of products mainly from China, which inundated the European markets and those of the rest of the world. European companies have had to face 32 the competition of companies located in countries which enjoy much lower production costs and much slacker laws with regard to environment, health and occupational risk matters. More so, the increase in value of the Euro against the Dollar has affected the competitiveness of the companies and has made their international projection more difficult. We need to add to all this the unfair competition with the European market place (shadow economy, dumping, violation of intellectual property rights) and the change in mentality and purchase habits of the consumers, who now value lower prices in textile products. trade agreements among the member states. In this sense, the WTO, which is comprised of 153 states, has the specific objective to reduce or eradicate international trade barriers. China became a member in late 2001. Eliminating international barriers which affect trade The textile industry in developed countries has been a sensitive sector, which has been socially and politically protected. This is why the rules regarding free trade which were signed at the GATT, predecessor of the WTO, were never applied. In 1974, the GATT established the Multi-Fibre Arrangement (MFA), which regulated global trade in the textile and clothing sectors between 1974 and 2005, setting a quota system to restrict the quantity of textiles and clothing articles which could legally enter into the Canadian, American, European and Norwegian markets. In 1995, the WTO (World Trade Organization) was created, this is a multilateral body which defines the rules of trade between nations and supervises the Developed countries agreed to gradually eliminate this agreement until 1995, when with the WTO, they started an implementation process of the new Agreement on Textiles and Clothing (ATC) of the WTO. This was the start of a gradual elimination process of the quotas, which took place in four stages and ended on the last day of 2004. The elimination of the quotas entailed a worldwide reconversion of the sector, with its sight set on Asia and, especially, on China. Even so, the Agreement reserves until 2017 the right to impose restrictions on goods imported from China if these cause “distortions in the market place”.2 The full application of the ATC has caused the EU textile industry to seek new solutions in order to survive the ever-increasing Asian competition, as it is impossible to compete with their prices. Therefore, the textile industry is focused on transforming production in order to achieve higher added value, by means of innovative designs, better quality raw materials and paying attention to a market place which cares for more than just value and price. Besides trade liberalization and the inclusion of China in the global market place, there is a third element which aggravates the situation, and is caused by the evolution of large-scale distribution in western countries. The large retail chains have made the most of trade liberalization by purchasing finished textiles products from less developed countries. This enables them to continuously increase the supply and reduce prices, with the subsequent pressure to reduce profit margins in the European industry, which is closely linked to a traditional distribution. The result has been a tendency towards vulgarization of fashion, saturated by an excessive supply of new products at low prices and of low quality, in spite of having a correct appearance, as well a continuous increase of profit margins for the distributors. Another aspect to keep in mind has been the constant fall in the strength of the products and the income of the European industry, the trade and in- dustrial profit margins of which they are a clear cause of deflation. This situation is detrimental for local tailoring businesses, as well as also affecting all stages of the process. Normally, when these are made in Europe or Mediterranean countries, the supply of material (wires, fabrics, trimmings, etc.) or the processes involving ennobling or finishing were also carried out within Europe. As the local workshops disappear, no fabrics are purchased locally, neither are they printed or dyed in our area, nor do they use European wires3, causing a chain reaction in which the different textile processes are destroyed. 33 The productive relocation The textile industry has traditionally been characterised for being the first activity which appears in the industrialisation process of a country, due to the large workforce which is employed and the simplicity with which the finished products are transported. For the same reason, we can also state that it is the first sector to be relocated.4 The globalization of the production process in this sector started in the 1960s, with an increase in the textile activity in developing countries due to the low labour costs. The MFA restrictions on international trade, mainly with regard to Asia, pushed transnational companies to establish their manufacturing centres in South America and Africa, as these were not affected by the quotas and could provide similar conditions to those of the Asian market place. These conditions include cheap labour and 34 bartering, limited syndicate rights and slack environmental laws.5 This phenomena was accelerated by the gradual liberalisation of international textile exchanges which was completed in 2005, the consideration of China as the new economic power, the inclusion of ex-communist countries in the global trade market, the creation of areas of free exchange such as the North American Free Trade Agreement (NAFTA) or the adoption of global supply policies by the large distribution chains. In short, during the period between 1991 and 2011, the textile sector has completed its globalization process by means of transferring a large amount of its production to developing countries. Clothing can, therefore, be considered as one of the springboards for globalization. An x-ray view of the textile sector in 19906 enables us to observe that the EEC (with 12 member states at that time) shared worldwide leadership of textile and clothing products with the US, despite the sector’s downturn. Then, developed countries controlled 53% of global exports, while China and developing countries, controlled 43%. Ten years before, this comparison was 62% and 35% respectively (see Figure 1). The EEC was the first exporter and importer worldwide. The EEC and countries belonging to the EFTA (European Free Trade Association), which in the textile scope were a unique space for free exchange of products, represented a market place of 350 million consumers, with a global consumption of textile and clothing products in excess of 7 million tons. However, within the EEC there were significant differences in the textile/ clothing industries of the member countries. These differences were due to the historic development process of the sector and the policies each country had adopted. The added value in thousands of millions of ECU7 in 1990, enabling us to measure the generation of wealth of the textile and clothing industry of the EEC in 1990, when it only had 12 members. Textile Clothing Total % DE 6.2 10.3 16.5 19.0 BE 1.5 1.5 3.0 3.4 FR 5.6 8.8 14.4 16.6 NL 0.7 0.7 1.4 1.6 IT 11.0 15.7 26.7 30.7 UK 5.5 6.6 12.1 13.9 IE 0.2 0.4 0.6 0.7 DK 0.2 0.6 0.8 0.9 GR 1.3 1.1 2.4 2.8 PT 1.2 1.1 2.3 2.6 ES 3.1 Total 36.5 3.6 50.4 6.7 86.9 7.7 100.0 Table 1: Added value in 1990 (thousands of millions of ECU), Source: Fabregat, V. (1997) The fact that China has become the country which has received more investment from the textile sector over the past 20 years corroborates the change in strategy of the large transnational brands. In global terms, China has gone from exporting 9% to 30% of the worldwide production and developed countries have gone from 62% to 35%. Developing countries, first recipients of the relocation process, have maintained a third of total exports of the past 20 years. Figure 1 shows the evolution of worldwide exports of textile and clothing products.8 volume of non-manufactured textile products. The self-sufficiency ratio increases in high-standard products and ready-towear garments. 80 Developed Countries 70 Eastern Europe 60 China 50 40 Developing Countries 30 In spite of this, the numbers show that, after China, the main global exporters are Italy and Germany. According to the WTO9, Italy exports 6.1% of textile products and 5.8% of clothing products and Germany, 6% and 4.3% respectively. Spain exports 1.6% and the remaining 1.5% is represented by both of these States as well as France, United Kingdom and Belgium. Within the framework of worldwide trade evolution, it is worth highlighting that the sector’s growth has focused mainly on clothing articles, which has surpassed the 20 10 0 1980 1990 2000 2007 Figure 1: Evolution of exports 1980-2007, Source: WTO This is when we come across a dual tendency: On the one hand, Asia as the manufacturer of large series and, on the other hand, the proximity relocation or internal manufacturing of small series with high added value. This tendency to seek supply markets which are closer has become a strate35 gic objective of the EU’s public policies, in order to strengthen relations within the Euro-Mediterranean area. At one end of this tendency, with logistical advances and globalization progress, there is an ever-increasing effect on wages in large-scale manufacturing. China, the supplier of 34.3% of the products Europe imports, has also been affected as its wages have tripled over the past 2 years, and part of the production has been redirected towards India, Vietnam or Bangladesh which, with lower wages to pay, already (along with other Asian countries) represents more than 11% of the products Europe imports. Therefore, in this context, inflation and interest rates can easily alter the competitive situation of the different agents. The result is that in the lower range, the European consumer has become used to giveaway prices. At the other extreme, the acceleration of renewing the medium and high36 standard collections in favour of proximity relocation (Eastern Europe and Mediterranean countries) or internal manufacturing. This process, which can become more accentuated in future, is not new, as over the past decades we have also seen a process involving regional specialisation. So, in Europe and Mediterranean countries this process has occurred due to the policies of the EU countries (especially those who were part of the EU before it enlarged towards the east, EU15) with regard to relocation of some stages of the production process, basically those which involved a larger workforce, in neighbouring countries with lower costs. The creation of clothing garments is the perfect example. The EU-15 countries have exported fabrics to the countries which belonged to the Eastern Bloc, who are now members of the EU (EU-27), and Maghreb, which are subsequently returned to Europe once they have been manufac- tured. These countries represent the other large supplier of the EU, with 25% of the imported goods. Evolution in numbers An element which measures the relevance of the industry within the global economy is the employment.10 In 1993, the textile and clothing sectors of the EU-15 provided 2,500,000 people with direct jobs. At the time, this represented nearly 10% of the total sum of the EU’s industrial sector. The total number of business was between 115,000 and 132,000, with an average of 22 employees per business.11 During the period between 1988 and 1993, the number of businesses decreased by nearly 10%. The exports were about 14% of the turnover of the entire sector, which represented 6% of the total exports of the EU.12 The employment crisis during the 1990s was caused by the start of the liberali- sation process, an increase in productivity and a downturn in consumption. During the period up until 1993, the EU already saw a significant reduction in workers employed in the textile/clothing sectors, with an annual reduction of around 3.7%. The added value and the turnover remained unaltered, reaching about 170,000 ECU. Therefore, there was an increase in the turnover per employee due to the improvements in productivity and the relocation process. The data show that during 1990, Germany and Italy were the two European leaders of the textile sector. Germany based its strategy on a liberal trade policy and high wages. The industry tended towards the restructuring of small business, product specialisation, technological improvement and placing the emphasis on exports. Italy’s industrial sector was based on a complex network of small and medium-sized businesses, which were highly interrelated and had al- ready become specialised in designer products. DE Textile Clothing Total % 254 185 439 15.3 BE 56 40 96 3.3 FR 185 202 387 13.5 NL 23 10 33 1.2 IT 468 357 825 28.8 UK 216 235 451 15.7 IE 12 11 23 0.8 DK 14 11 25 0.9 GR 51 45 96 3.3 PT 140 45 186 6.5 ES Total 162 1.581 142 1.284 304 2.865 10.6 100.0 Table 2: Sector occupation 1990, Source: Fabregat, V. (1997) This enabled them to provide a flexible and fast response to market demands. As seen before, the two countries also occupied the first places in world trade. Germany was the largest exporter of manufactured textiles, while Italy was the third. With regard to clothing garments, Italy was in second place and Germany was sixth. On the other hand, United Kingdom and France, traditional powers, had lost their importance. They had followed a policy based on large vertically-structured enterprises, which never rose again. During those years, new sources of competitiveness had already started to appear. The EU-15 already considered that the progress taking place in developing countries would create significant expectations for new markets which were eager for European products. Between 1990 and 1995, the European textile industry lost about 600,000 jobs. Between 1995 and 2000, jobs continued to disappear at a rate of about 100,000 jobs each year. In 2000, the industry employed just over 2.000,000 workers. In the early 21st century, the textile industry’s turnover was 200,000 million Euros, which represented 4% of the total added values of the EU and 7% of the 37 total manufacturing industry. 2001 and 2002 were very difficult years for the textile and clothing industries. Production and employment went down by 8.7% and 8.4% respectively. The trade gap reached 26,200 million Euros. Although the favourable trade balance in the textile sector represented 7,900 million Euros, the clothing sector had a negative trade balance of 34,100 million Euros. In spite of the access limitations, more than 20% of the production value of the EU was sold to foreign markets. The obstacles were particularly significant between the larger and more competitive countries. This is why the EU, in light of its potential, considered access to foreign markets to be a strategic priority. In short, the global evolution of the sector between 1990 and 2007, last available data, shows a clear decrease in the importance of the textile/clothing industry in many European territories, which years before had been important players within this sector. In this sense, the EU-27 shares challenges regarding 38 the acceleration of the relocation processes, the loss of jobs and the need for industrial restructuring. Table 3 shows the evolution during this period in terms of number of businesses, employment, turnover and exports. Magnitudes Businesses Employment 1990 1995 2000 2007 156 132 116 99 3.289 2.549 2.187 1.558 Turnover 195 186 199 189 Exports* 22,8 27,2 37,9 33 total industrial employees and the density of employees of these sectors within the different EU27 regions for two reference years (2000 and 2007). An analysis of the maps (see Figures 2 and 3) allows us to grasp the relevance of the textile sector as a whole, within the industrial employment of the European Union. The territorial incidence of the transformations Between 2000 and 2007, there has been a downturn from 62 regions in which the textile, clothing, leather and footwear industries created more than 10% of the industrial employment to 48 regions in 2007. Of these regions, in 2000, 27 of them reached 20% and at this point only 18 of them reach this percentage. In order to identify geographically the textile, clothing, leather, and footwear territories at European level, ACTE has elaborated a series of maps at NUTS2 level (regions) based on statistic data facilitated by Eurostat. The maps illustrate both the share of these sectors in In the EU-27, the most significant manufacturers of textile and clothing products also happen to be the five countries with the highest population. That is, Italy, France, United Kingdom, Germany and Spain. They comprise 75% of European manufacturing of textile Table 3: Evolution of the Textile Sector in the EU-15 1990-2007, Source: Lleonart, P13 (2009) * Turnovers and exports extra to the EU (1,000 M. €) and clothing products. Geographically, clothing garments are mainly manufactured in southern countries, such as Italy, Greece and Portugal, and some of the newer member states, such as Bulgaria, Poland and, to a lesser extent, Spain and France. Whereas, the highest contribution towards the manufacturing of textile products is made by northern countries, such as United Kingdom, Germany, Belgium, the Netherlands, Austria and Sweden. In this sense, Italy and Germany have developed different strategies in order to adapt to the new situation. Italy, in spite of its high labour costs, maintains the second place for worldwide exporters, thanks to the success of its sectoral strategies. The Italian model is based on the flexibility, specialisation and competitiveness of its industrial districts, among which we highlight Prato. The Italian textile industry is comprised of 45 industrial districts, which are much larger and have a very high level of specialisation. Germany started its adaptation process in the 1970s. The first step was to relocate part of its production to Eastern European countries, which are now members of the EU-27. At the same time, it used its vast network of technological centres to promote continuous product innovation, which has increased the added value of its products. It is precisely in two Eastern European countries, Bulgaria and Romania, where we come across regions in which the industrial sector surpassed 20% back in 2000. In 2007, 11 of these regions are still above 20% and 3 are between 10 and 20%. On their part, the EU-15 had 10 regions in which the textile, clothing, leather and footwear industries surpassed 20% in 2000. Seven years later, there were four, three of which were in Italy and one in Portugal. If we analyse the relevance of the jobs according to regions grouped into member states, we will see that a high percentage of textile business in industrial areas means that this industry is the most important. Whereas, for lesser developed countries, it represents the main source of employment. However, the total importance of the different Italian regions shows a country with a strong textile industry, located in the framework of a developed country which contains a great diversity of industries. In 2007, of the eight Romanian regions, seven of them were in excess of 20% and one was very close to reaching this percentage. The workforce employed by the sector within the country added up to a total of 375,095 workers, most of which worked in the clothing or leather sectors. In seven years, this country has lost 25% of jobs within the textile industry, and therefore, is a good example of the impact the elimination of the trade barriers and importing Chi39 Figure 2: Share of the textile, clothing, leather and footwear employees in total industrial employees. EU(27). NUTS 2, 2000/2007 Source: Diputació de Barcelona. Eurostat. Maps available at the ACTE web site: http://www.acte.net/content/links/maps.htm 40 Figure 3: Density of textile, clothing, leather and footwear employees. EU(27). NUTS 2, 2000/2007 Source: Diputació de Barcelona. Eurostat. Maps available at the ACTE web site: http://www.acte.net/content/links/maps.htm 41 nese products into Europe have had on this relocation area. With regard to Bulgaria, out of six of the country’s regions, four are above 20% and two are on the verge. The sector’s workforce is comprised of 171,616 workers, most of which are in the clothing sector (78.7%). These numbers confirm that Romania and Bulgaria are countries which receive productive relocation for manufacturing clothing garments within the Euro-Mediterranean area. Unlike all other EU States, Bulgaria has increased its workforce within this sector, currently employing 6,478 workers. However, in percentages, there is a slight decrease due to industrial diversification within the country during this decade. In 2007, only the Łódzkie region in Poland has maintained its textile industry above 20%, which in numbers represents 63,598 workers. In 2000, Poland had 11 regions between 10 and 20% of 42 the occupational industry dedicated to the textile sector. These 11 regions are now between 5 and 10%. The workforce of these 11 regions and Łódzkie added up to a total of 318,769 workers, which by 2007 had gone down to 227,247. Poland has, therefore, reduced its workforce in these regions by a third. Most of this industrial workforce is dedicated to clothing, although textile is also quite important in the country. In 2007, Greece had two regions with more than 20% of the industrial employment dedicated to textile and clothing and four regions which were between 10 and 20%. In numbers, however, this only represented a workforce of 58,278 workers, most of which worked in the clothing sector. The most surprising case is that of Dytiki Makedonia, a region where 60% of the workforce was dedicated to the textile industry and, especially, to the clothing sector, which represented 6,561 workers of the 6,678 of the entire sector. In numbers, the sector has gained importance with regard to 2005, although not with regard to percentages. This is a very modest and rural region, of which, unfortunately, there is no data for year 2000. Portugal’s textile industry is mainly located in the northern area of the country. It employs 189,545 workers, this represents 45.5% of the total industrial occupation. The workers are divided into 47.5% dedicated to clothing, 30.4% to textile and 22.3% dedicated to leather and footwear. The sector has become smaller and has lost nearly a quarter of its jobs since 2000. From the 20 regions in Italy, six of them represented more than 20% of the industrial jobs within the textile sector and five of them represented between 10 and 20% in 2000. In 2007, only three regions had maintained themselves above 20% and eight were between 9.5% and 20%. However, in numbers, the workforce is very important. The sector has adjusted to changes, in spite of losing 25% of the workers. In 2007, Italy provided jobs for 590,409 workers in these regions, while in 2000 they employed 780,061. cluding the textile and clothing subsectors.14 800000 Belgium 700000 UK 600000 Poland 500000 400000 Northern Portugal 300000 In 2007, Italy had reached a balance among textile (35.8%), clothing (37%) and leather-footwear (27.2%) subsectors with a strong industry linked to the fashion system (clothing and footwear). Finally, we reach the situations in Spain, Belgium and United Kingdom, which suffered a significant decrease in terms of occupation in the textile, clothing and leather sectors. Spain, in 2007, employed a workforce of 133,468 people. Catalonia, with 58,290 workers, is the region with the most workers in absolute terms. Between 2000 and 2007, Catalonia lost nearly 40% of its workforce in the sector, in- Bulgaria 200000 Romania 100000 0 de-Calais (France), we come across one of the most traditional textile industries. This area has suffered a decrease of around a third of the employment, which is currently employing 30,924 people, to which we can add 17,354 from North Calais.15 Italy 2000 2007 Figure 4: On the evolution of occupation grouped into States, Source: Lleonart, P. (2009) The cases which are worth highlighting are United Kingdom and Belgium. In United Kingdom, six regions were above 10% of the industrial occupation and one was above 20% in year 2000, employing a total of 210,695 workers. In 2007, six of these regions were between 5 and 10%. This sector has lost 75% of its occupation. In the Belgium regions of east and west Flanders, which is on the border with Nord-Pas- To sum up, and from a different perspective, if we take into account that all regions with more than 40,000 jobs within the textile industry are also above 9.5% industrial occupation of this sector compared to the total. In 2000, there were 23 European regions with an occupation in excess of these numbers, while in 2007 there were only 18. Of these 18, three are in excess of 100.000 workers, Northern Portugal and Tuscany and Lombardy, in Italy. 43 The challenges of the EU-27 Despite the challenges, Europe defends its textile and clothing industry, adapting itself to modern times. In this sense, the four main challenges which the EU must currently face are: the consolidation of the single internal market, access to foreign markets, the consolidation of the textile industry as a safe and clean sector and the promotion of new research and development.16 Consolidating a single internal market Nowadays, the textile industry still represents a significant part of the European manufacturing industry and plays an essential role in the economy and wellbeing of many territories within the EU-27. In accordance with the latest available figures (Table 4), in 2006, in the EU, there were more than 220,000 business which employed nearly 44 2.500,000 workers and had a turnover of about 190,000 million Euros. The textile and clothing industries represent 3% of the total added value of the EU’s manufacturing industry. The structural numbers show the achievement of one of the EU’s main objectives, creating a single market. This is a great success, as it has an everincreasing direct impact on the population and businesses within the EU. Number of businesses Turnover (in millions of €) Production value (in millions of €) Value added to the cost of the factors (in millions of €) Dirty surplus of operating (in millions of €) Number of people employed Apparent productivity of the work Gross operating rate (%) 2006 223.012 188.110 176.092 52.820 16.369 2.448.700 21,6 8,7 Table 4: EU-27 Structural data of the textile and clothing sector, Source: EU This impact is reflected in terms of improved employment and trade oppor- tunities, a larger range of goods and services, lower prices, consumer information and protection, labour mobility and international competitiveness. This single market has enabled the development of European directives regarding labelling, marketing and the use of certain dangerous substances and the azo dyes, which are also involved in the textile sector.17 Access to foreign markets The textile and clothing sector of the EU-27 maintains second place for worldwide exports with 29%, without including internal trade among EU member countries. Therefore, despite the difference in labour costs, the EU industry is still competitive due to higher productivity and aspects such as innovation, quality, creativity, design or fashion. While in the domestic market, EU operators face the intense and ever-increasing competition of the entire world, many export markets are still closed-off due to a wide range of cus- toms and non-customs barriers. However, in 1999, the EU industry managed to export 17.4% of its turnover to third countries. Imports Exports Balance 2005 67.378 32.594 -34.784 2006 75.362 34.583 -40.779 2007 78.966 36.012 -42.954 2008 79.318 35.805 -43.513 %* 17,7 9,9 Table 5: EU-27 foreign trade of textile and clothing (millions of Euros), Source: EU * % of growth 2005/2008 In this context, the trade flows have developed as follows: The imports show a steady increase, reaching 79.2 billion Euros in 2008. The suppliers for the EU, as mentioned previously, were China (39%), followed by Turkey (14%), India (7.7%), Bangladesh (6.3%) and Tunisia (3.6%). The exports, after suffering a recession in the late 20th century, have increased over the past few years. They reached 35.7 billion Euros in 2008. Russia, with 11.9% of the total exported goods, is the country to export the largest amount of textile and clothing articles. Followed by Switzerland (11.7%), the US (10.7%), Turkey (5.6%) and Tunisia (5%). Morocco and Ukraine are also important export markets. In total, 15% of the EU’s exports were for the Euro-Mediterranean area, where the EU industry has developed strategies for outsourcing manpower for intensive operations such as manufacturing clothing. In the current times of ever-increasing globalization and liberalisation, and in view of the internationalisation strategies of the EU’s industry, the trade policy plays a decisive role in giving the industry an adequate framework of conditions which will allow it to grow in global markets. For this reason, the Directorate General for Enterprise and Industry of the European Commission works closely with all the activities related to trading textile and clothing products. One of the great challenges is the difficulties the EU faces when trying to access foreign markets. The duties of most of the EU’s trade partners are still exceedingly high and the non-duty barriers in the textile and clothing sectors represent a significant deterrent for small and medium-sized businesses when wanting to participate and benefit from international trade. The EU has proposed harmonising standards and increase transparency with regard to certain obstacles such as labelling, procedure conformity certificates, and restrictions for exports or registering importers. The access into the emerging economy markets, where the working class is increasing, is of great strategic importance for the EU, as these represent a market place which is aware of quality, and in this segment the EU has a competitive advantage. The development of the Euro-Mediterranean area would improve competitiveness of the textile and clothing sectors in the region. The EU’s textile sector has a very important industrial 45 policy which is focused on holding talks with the Euro-Mediterranean area. This area also plays a strategic role as a means to maintain geographic proximity with the entire production chain of the textile and clothing sectors. Also, the compliance with the current WTO agreements (Doha Program) will allow EU products to access markets which are currently closed or very protected. While free trade agreements with high potential markets, such as South Korea, India and Mercosur will open other potential markets. Due to all this, access to markets represents a priority for the common trade policy of the textile and clothing sector. In general it is recognised that global trade of textile and clothing products must be bidirectional. The European Commission has invited its trade partners to initiate negotiations in order to enable two-way access to the markets, if they want to improve access to the EU market, they must also be willing to liberalise their markets. In this sense, 46 the policies for prosecution of dumping and of more or less evident subsidies represent a priority for the European Union, as these distort competition, under similar conditions. One of the most important threats for the EU industry is the violation of intellectual property rights, as well as product or brand piracy. The protection of intellectual property rights and the struggle against fraud is carried out at the European Anti-Fraud Office. According to estimates from the OECD, 8% of worldwide trade is comprised of falsified products. The fact that quality, design, creativity and fashion are basic competitive advantages in the textile industry of the EU explains the priority which is given to fighting against forgery, piracy of copyright information, registered brands, patents and industrial design rights. In order to reduce this illegal trade, the EU has initiated legislative, political and sensitisation measures, an action plan for duties, and also bilateral action and dialogue plans with countries which do not belong to the EU. Consolidation of the textile sector as a safe and clean industry The aim, in this case, is to identify the European textile and clothing sector as a safe and clean industry. This identification will favour production and distribution of high-quality European products throughout the entire world. In this sense, there are several guidelines referring to environmental protection which directly affect the European textile and clothing industry, such as waste management, industrial emissions, and the use of chemical substances or products which have ecological labels. The Directive concerning integrated pollution prevention and control (IPPC)18 of 2008 is focused on reducing pollution from several industrial sources to a minimum level throughout the entire European Union. Another Directive regarding the textile industry is the one which controls the maximum emissions of greenhouse gases. This legislation19 affects all facilities with a total thermal power in excess of 20 MW. This is a situation which mainly affects a few large textile industries. A third provision is the Regulation for Registration, Evaluation, Authorisation and Restriction of Chemicals (REACH)20 in force since 1 June 2007, and affects the textile industry for using a wide range of chemical products. This regulation is yet another risk in as far as significant increase of costs or removal of certain products from the market place. The sector is also affected by the directive regarding biocides21 when this type of product is added to the textiles to provide them with certain properties, such as insect repellent or for certain allergies. Since 1999, textile products can be labelled with an eco-label. This label guarantees that the use of products which are harmful to air and water has been limited during the fibre manufacturing process, that the risk of allergic reactions has been reduced, that the product will not shrink more than normal products and that the colour is as resistant to washing, drying and exposure to sunlight as conventional products. All these provisions must contribute to the transformation of the textile sector towards segments of added value and stimulate innovation applied to this sector. Research and development This is precisely the base from which the textile and fashion sector project themselves towards the future. Design and creativity, quality fashion products and technical products with high added value have been identified as the main competitive advantages of these sectors within the EU. In a globally competitive framework, research and innovation are essential elements in order to continue developing know-how of the sector and give it a new boost towards a sustainable and competitive industry. The sector also has an active commitment within the Lead Market initiative which aims to provide the correct measure to impulse the market of protection textiles. In this context, the European Technology Platform for the Future of Textiles and Clothing22 has been created as a network of experts which brings together professionals from the textile and clothing industry, from the community of researchers and academics. A strategic research agenda and the priorities of the innovation have been defined to guarantee the longterm sustainable competitiveness of the European textile and clothing industry. The platform’s main members are EURATEX, TEXTRANET and AUTEX23, organisations which represent the industries, research centres and universities, respectively. 47 2.b The textile-fashion industry has a future The industry today The textile-fashion sector has a bright future24. Even so, for this to be true it must be able to compete with third countries, under equal conditions. Added value is the future of textile in Europe. The quality, innovation at all stages of production and distribution, the design, the specialisation, the ability to respond fast; everything which contributes to increase added value of the end product is the only option in order to increase the relevance of the European textile and fashion sectors within a global economy. The change process is manifested in the large number of companies grouped into business clusters; the knowledge of production processes, products and markets; the capacity to adapt as seen during other crisis; and the possibili48 ties for innovation which are provided by new technologies applied to the sector. The continuous change process surrounding the economic scope is fuelled by the increase of the globalization process and the development of knowledge economy. These factors push businesses towards the challenge involved in trading in international markets. The relocation of manufacturing units, especially for businesses which are dedicated to manufacturing basic textiles, has seriously affected the textile sectors and even more so in territories with a long-term tradition. This is why the European authorities that deal with economic policies have developed multiple initiatives in order to encourage small and medium-sized enterprises to trade in international markets, and also projects related to internationalisation and innovation in companies. The EU’s current textile and clothing sector is based on small and medium-sized enterprises and it is of great economical and social relevance.25 The businesses with less than 50 employees represent more than 90% of the workforce and produce nearly 60% of the added value. In response to the competitive challenges we mentioned in the previous section, the European textile and clothing industry has undergone a long process including restructuring, modernisation and technological progress. The companies have improved their competitiveness by a substantial reduction or elimination of mass manufacturing and producing low quality fashion products; they now concentrate on a wider range of products with high added value. More so, European manufacturers are world leaders in high-quality fashion markets and also those involving technical fabrics and “nonwoven” fabrics. As an example of this market we could quote industrial filters, geotextile fabrics or products for the automotive industry or the medical sector. At the same time, globalization and technological progress have forced the clusters within the textile and clothing industry to rethink their strategy. In spite of still playing an important role for several activities, local or regional cooperation has become insufficient to ensure maintenance of a close geographic proximity in the production chain of the European market. The concept of cluster tends to change. If they diversify their activities and are also based in a larger geographic area, which is the Euro-Mediterranean zone with regard to the textile and clothing sector. In this context, the future of textile in Europe is focused on two scopes, the fashion system and technical fabrics. Due to this, the EU promotes projects such as LEAPFROG in the fashion scope or defines the field of technical protection fabrics as a Lead Market or strategic market. The fashion system Europe, as a unit, can and must retain its role and image of worldwide fashion leader. This is the assertion made by the High Level Group on Textiles and Clothing in their vision of the sector’s future.26 A wider definition of the fashion system includes sub-sectors such as clothing garments (male, female and children), fabrics and wires, footwear, leather, accessories and personal image. In Europe, the only sustainable strategy of the sector consists in focusing on innovation, fashion and design, creation and quality and the use of new technologies, in combination with positive industrial relations. An important part of the EU’s production is part of the higher segments of quality and fashion, where Europe is the worldwide leader thanks to its competitive advantages. A long-term tradition, product diversity and continuous innovation causes the public to often associate European textiles and clothing garments with excellence and higher quality design. The “made in Europe” label may contribute to increasing the consumer’s trust which, upon purchasing an item, pay a price which reflects the higher production and style levels of the European manufacturer.27 One of the lines within the fashion subsector which has been developed over the past few years has been mass customisation. Customised clothing garments cover the consumer’s desire to show a more personal aspect, but at a price which is lower than the cost of tailor-made garments. This allows manufacturers to make the most of their specialised ability and their technological experience, creating garments with added value. This also has positive effects, as it generates a demand for activities involving creation of fabric and garments within the same territory as the consumer. Dur49 ing the 5th Framework Program for Research and Technological Development (1998 – 2002), research projects such as FashionME, E-Tailor or FashionOnLine were already implemented and are still working. The future of the fashion system, which includes the textile and clothing industry, will continue to play an important role within the industrial sector of the European Union in the year 2020, according to expert’s analysis.28 International trade will continue to grow, and the European textile and clothing industry will reduce the volume of its workforce but will improve its productivity and will increase its turnover from exports. These exports will be comprised of high-quality fashion products and technical fabrics. Europe will maintain leadership in design and distribution within the domestic market and will also benefit from improved infrastructures and production and distribution networks throughout the world, where there will 50 also be a growth in the markets and, therefore, an opportunity for access. The technology and innovation challenge There will probably be a change in the size of the companies. Until 2005, there was an average of 15 workers per company. Cooperation among companies tends to be structured in order to form larger business groups which have critical mass and implement sustainable business plans. Online work is increased and small and medium-sized enterprises become internationalised and implement standardisation processes which will allow a decrease in costs, improved quality and decreased technological and marketing risks. The strategic research agenda of the textile and clothing industry, introduced in 2006, will be fully implemented around 2020. This agenda is currently being developed within the EU’s 7th Framework Programme, which has been extended from 2007 until 2013. The three main pillars of the agenda are to take the step from basic products to specialised products, new textile applications and evolve from mass production to customised production. In short, the total number of businesses will be reduced and the average number of worker per company will increase. This will allow businesses to access loans and will improve training and investment in state-of-the-art technology. As will be explained in the following section, the growth of new textile applications in different scopes other than the more traditional ones will increase. In 2005, this already represented 40% of the textile activity in certain EU states. This is a sector which, as others, demands continuous innovation. Besides innovative and functional applications in protection clothing, the new applications are related to composites for aeroplane wings, light non-metallic components for vehicle motors, medical use and insulation for buildings or artificial surfaces for practising sports. In the clothing field, the tendency towards mass customisation provides the clothing companies with an opportunity to offer the consumer a customised product and fast service, creating a fabric of their choice, using a style which has been chosen by means of virtual technology. This customisation and automation of the clothing production have enabled the EU to be in a much better position due to reasons involving geographic location and speed of delivery in order to produce these finished products within the territory, and also to use fabrics which have been manufactured within the EU. In short, to provide the consumer with a wide range of products at a fair price. The automation in manufacturing clothing garments has been the most revolutionary development for the clothing sector of the first decade of the 21st century. The LEAPFROG29 project aims to achieve a decisive change in the competitiveness of the European clothing and decrease its dependency on the workforce cost. The project, lead by EURATEX, unites a critical mass of businesses of this sector and research centres. The aim is to obtain innovative technology within the clothing industry by means of researching new materials, technologies and processes, which will allow to prepare the innovative fabric, automated manufacturing, creating 3D images of the garments and the integration of the supply chain and mass or largescale production. The success of this project may compensate the advantage the Asian competitors have with regard to workforce costs. During this decade we may see a change which will once again increase the volume of sales of weaves and fabric manufactured within the EU and, in consequence, an increase in exports. Evidently, these benefits must be accompanied by policies which do not hinder international competitiveness. In this sense, Europe, within a world in which the technological differences are becoming less, can and must retain its image as worldwide fashion leader and must also continue leading in talent and creativity. Its designers must stand out among the best in the world in all fields (design, innovation, creativity applied to manufacturing weaves and fabrics) with the same effort which is put into the end product. However, this leadership can only be maintained if the collections are continuously renewed. Most probably, electronic commerce and mass customisation will help to stabilise manufacturing within the EU and maintain or even reinforce leadership in creativity. In any case, the number of trade fairs will decrease due to economic conditions, and in this context new relevance is given to protection of intellectual property rights. 51 If the future of the EU textile and clothing industry depends on innovation and creativity, there must be effective protection for these rights due to the impact it has on the EU employment as well as the economy. This protection must be ensured with regard to the brands as well as the textile designs. The correct policies and laws must be applied in order to reduce forgery and piracy to such levels that the future of the businesses is not endangered. In relation to the distribution chain, we find that the product, in light of the short lifespan of fashion garments, must come closer to the consumer as fast as possible. Therefore, distribution plays a determinant factor. The fashion scene demands increased direct control of distribution as well as increased integration or alliance with the retailer in order to provide the market with a fast response. The future of fashion will depend largely on the distribution and marketing process of the 52 emerging businesses, and of the internationalisation process of the established businesses. In this sense, businesses need to continuously control and improve their management, promotion and marketing. Technical fabrics. Lead Market for the EU Intelligent technical fabrics for Personal Protective Equipment (PPE) comprise one of the six strategic market places (Lead Markets)30 of the European Union. The other five market places which have been chosen are electronic health, sustainable construction, recycling, bio-based products and renewable energies.31 A Lead Market is the market of a product or service in a given geographical area, where the diffusion process of an internationally successful innovation (technological or non technological) first took off and is sustained and expanded through a wide range of different services. A Lead Market is not necessarily the country or market where the innovation was first developed, or even used for the first time. The PPE market is comprised of clothing and accessories with base textile systems and related services, their main function is to protect the user. These high-technology products are used in different circumstances, among which we highlight: • Military and police personnel who need high levels of specific protection (chemical, biological or nuclear) to intervene in situations related to wars or terrorist attacks • Professionals and emergency services (fire-fighters and rescue teams) that need protection for situations which are dangerous for their health and personal safety • Hospitals and production plants in which the protection against emissions is a demand in order to avoid bacterial contamination of patients, health professionals or manufactured goods The current dimension of the EU market for PPE textile products is estimated to be around 10 billion Euros, which represents about 200,000 di- rect and indirect jobs. The forecast for rapid growth in some part of the world suggests that the EU’s exports of PPE products could increase by approximately 50% over the next few years. The advances in this area include new special fibres, the use of nano particles and the integrations of micro-electronic components to fabrics as well as clothing garments. The expertise of the EU industry in the field of polymer technology, manufacturing special weaves and fabrics, of textile finishes and supply of services will play an essential role in strengthening the leadership of this EU industry in the new generations of PPE products. The technological advances from high-technology domains, such as space or military industries, have a great potential to be transferred to the PPE market, including interior textiles (buildings or automobiles) and consumer products (such as sports clothes, outerwear and underwear). As already mentioned in previous sections, the access to international markets, standardisation (and the participation of small and medium-sized enterprises in the process) and the protection of intellectual property continue to be the three main challenges with which the EU will be face over the next few years. The value of the non EU markets is double that of the European market, this favours the possibility of the EU substantially increasing its exports. Geographic relevance of the PPE market value (consumption) Europe America Asia Remainder 30 % 37 % 27 % 6% Geographic importance of the PPE market value (production) Europe America Asia Remainder 35 to 40 % 30 % 30 to 35 % 30 to 35 % Table 6: Geographic distribution of the PPE market value, Source: Accelerating the development (2007) 53 The new EU member states, Ukraine, Russia and Asia are the markets in which the demand for PPE products increases the fastest. This Lead Market provides opportunities to the entire textile sector with transfer of innovations from the protection textile sector towards other market segments, such as for example indoor textiles or functional clothing. This transfer will surely increase the economic impact of the Lead Market, and consequently, the know-how and added value. This in turn will contribute positively to the competitiveness of the entire textile sector. In the EU’s 6th Framework Programme (2002-2006), several research projects were carried out. These projects had an important potential impact on equipment and protection clothing: INTELTEX, DIGITEX and pro TEX. The 7th Framework Programme (2007-2013) also finances seven projects for a value of 22 million Euros, with 107 members from 21 different states: proFitex (fire-fighting), Prosys-Laser (industri54 al lasers), Propie (Work clothes: controlling and regulating body temperature), SafeProTex (Rescue operations: chemical threats and extreme weather conditions), and Protect (Rescue operations: Mines, fire-fighting…), Desnudo Bug (Insects) and Safe@sea (protection at sea). According to the European leadership in terms of quality and innovation, the textile industry and the scientific community are developing new advances in the scopes of special weaves, functionality of textile materials and integrating micro-electronic components in intelligent fabric and also in technologies related to manufacturing, including prototypes and customisation. Generating added value in the protection textile area requires a multi-disciplined approach, which ranges from the knowledge of basic materials (chemical products and fibres), advanced processing techniques from the chemical and mechanical sector (including nanotechnology) or microelectronics, even including knowledge of physiology and human behaviour in dangerous situations. A situation analysis carried out in 2006 regarding the EU-25 market for applications of technical fabrics was estimated to be around 39.4 billion Euros. By main uses: Industrial application of technical fabrics Wood furniture Medicine, pharmacy and health care Rubber Skin and footwear Paper and printing Metal Machines and tools Personal protection Transport Other % 15.8 % 8.3 % 8.3 % 4.9 % 4.0 % 3.7 % 2.8 % 20.2 % 21.7 % 9.0 % Table 7: Applications of technical fabrics according to main uses, Source: EU The areas with the most important value rates in the EU and the rest of the world are sports and leisure clothes, fireproof clothes, “non-woven” weaves for medical use, high visibility clothing, bullet-proof, cut-proof and disposable chemical protection clothes. In 2006, the exports generated more than three billion Euros. This represented an increase of more than 6.6% in comparison to the previous year. 55 03 Local responses to the transformation of the sector 57 Since 1991, ACTE members join their forces in order to assure that, despite important restructuring processes, the textile-fashion sectors remain key manufacturing industries in their respective territories and in the European Union in general. This chapter pretends to showcase interesting and innovative responses to the transformation of the industry carried out in the different ACTE territories. These experiences are implemented at local and regional level and range from the transformation of former textile factories into cultural, public, housing and recreational facilities to employment support programmes and innovative entrepreneurship policies within the textile and fashion industry. All of them are examples of a successful anticipation and management of change. Although many good practices have been implemented, not all of them could be compiled. Instead, a selection 58 has been made in collaboration with members of the network that wished to contribute experiences and practices considered as representative for the transformation process within their respective territory. This compilation of good practises aims to show how cities and territories have been transformed emanating from their industrial past, recognising and preserving its essence, but investing in innovation and creativity. The chapter is organised in four parts responding to the different kinds of responses to the transformation and evolution of the sector: examples of major urban transformation projects, innovative transformation of former industrial sites, policies aimed at the support and training of (laid-off) textile workers and programmes of business and job creation and, finally, a section dedicated to the work technology and research centres and museums, most of them adherent members of ACTE, are carrying out in our territories. 3.a Urban transformation The landscape of European cities has changed significantly in the recent years, responding to the transformation from an industry-based economy to a service and knowledge-based economy. Within the ACTE network we can find examples that reflect the urban transformation aimed at adapting to the new reality of these environments. In all, this section includes seven examples of major urban transformation projects in areas with an important presence of the textile-fashion sector: Mataró, Terrassa and Sabadell in Spain, the Couros Area of Guimarães in Portugal, Novara and Prato in Italy and the area of Roubaix - Tourcoing – Wattrelos in France. We will learn how territories are committed to innovation, new technologies, research and training. Spaces that were previously devoted to the industry are now dedicated to economical activities and public facilities, integrated in new city models, reusing spaces or creating new competitiveness poles benefiting from the expertise and industrial and textile heritage of the territory. 59 Area Wild and Area Rotondi, Novara (IT) The factory Manifattura Rotondi was built outside the old town, in the district of San Andrea, in Novara. The reasons it was built there are due to the existence of large areas available for factories, a lower tax burden, its location in between the centre and the suburbs which is ideal for workforce employment, and a larger capacity to take advantage of the piping works of hydraulic and electrical motor strength. In January 1889, Giovanni Rotondi, owner and director of Ditta Giovanni Rotondi e Comp, located in Milan, purchased the plants belonging to the Tintoria Cantoni. To redesign the plants a modification was carried out to the plots of land on the western side of the Via delle Rosette, and a modern network of railway was laid heading towards the area of Arona. In 1897, the Tintoria Rotondi was restructured and significantly expanded. In 1902, Giovanni Rotondi assigned to the new Public Limited 60 Company all the land and buildings which comprised the companies dedicated to twisting, dyeing and whitening cotton thread. This is when the Società Anonima Manifattura Rotondi was founded. It employed about 1,200 workers and was one of the largest of its time. Giovanni Rotondi died in 1918, assigning the management of the company to his son Emilio. The dyeing company closed in 1993. Between 1994 and 1998, the building which housed the old Manifattura Rotondi was refurbished. The building now houses the financial offices of ENTRATE of Novara and a Sala Bingo Royal on the ground floor. The Wild area is located on the northeastern part of the city of Novara. The construction works begun in 1907, when the Cotonificio Pozzi of Novara acquired the Ospedale Maggiore della Carità. In 1910, the facilities were sold to the Manifattura Tosi di Busto Arsizio, which also owned several other factories in Novara. In 1913, the Turin industrialist Emilio Wild purchased the entire area and transformed it into the Cotinificio Wild. The transformation took 30 years and concluded by building homes for the workers. After the Second World War, it was refurbished, and modern technologies were installed. In the 1950s, sports facilities were built for the workers. In 1955, the industry employed 210 men and 812 women. The subsequent years saw a constant increase in production. In the 1960s, there were more than 1,000 workers employed at the plant. As of the 1970s, the production suffered a progressive decrease, but the structures were kept in good conditions, fitted with all the modern technology and refurbished as necessary. The definitive closing down of activities took place in the 1980s, when the property was di- vided and some areas were designed to new activities. As it was located within an industrial area, it was included within the Urban Requalification Programme. The area suffered a significant transformation and became an area for commercial activities and services. The Recovery Plan for the Wild Area was included within the framework of the Requalification Programme, which included restoring, restructuring and expanding buildings of historical interest and allowed the demolition of buildings which did not have any historical value, allowing for new building to be erected in their place. This way, the concepts of public interest and services for businesses were emphasized and contributed to the social-economic transformation of the district. 61 Campurbis, Guimarães (PT) The area of Couros in Guimarães is an urban area in great need for restoration and regeneration. This is justified by the history which flows along its banks, the secrets kept within the stones of its walls, the affection of its people and the singularity of its tanks. Five principles for restoring Couros: • Urban integration, in the sense that the Couros area is an integral part of the city and its rehabilitation would give the area a “piece” of zoned and regenerated land, physically and socially • Evaluation of assets, identifying and highlighting the essentially unique and heritage elements for a better understanding of its history, reinforcing the affectivity of its inhabitants towards their city and maintaining the excellence and wealth that the past has managed to build and uphold 62 • Correcting clashing elements, promoting, toning down or even removing actions and/or omissions which distort the sense and quality of the space • Functional compatibility, updating the city’s needs, responding to the new challenges it is faced with, providing the existing buildings with necessary elements for them to carry out new functions and attractive and endearing activities • Creating public spaces, community spaces par excellence, spaces which reflect the city’s expressions and its sense of belonging, of creativity and democracy The projects: Live Science Centre Set in an old leather factory which has undergone a rehabilitation process to host a live science centre, science among aged granite and reinterpreted wood. Postgraduate Advanced Training Centre Another former leather factory which has been converted into a centre orientated towards knowledge, providing complementary postgraduate advanced training and vocational training. Design Institute Design within an old factory or, a new way of understanding the product in its global aspect? This reality becomes clear in the Freitas & Fernandes factory, and once again the intention to create a public space and guaranteeing that the water which flows along the Couros banks will never reach the institute. Finally, this is a rehabilitation process which identifies and defines an area, having such clarity, that this same area gains its own autonomy and configuration. Only in appearance and temporarily, because, in practice, once the entire process has concluded what is most desired is that Couros can simply be a city. 63 CETI, Lille Métropole / Tourcoing (FR) Located at the border of the towns of Roubaix, Tourcoing and Wattrelos, the to be created Union district aims to play a major role in the economic development of the North of the Franco-Belgian Eurometropole. This project plans the urban renewal and revitalization of Roubaix and Tourcoing: commercial facilities of the town centres, public spaces, public transport infrastructures, housing renovation, etc. Being a new district of Roubaix and Tourcoing, set up of activities in service sector will be also necessary to ensure smooth functioning of the area. The future Union district will provide best welcoming conditions to attract activities in technical and innovation textile industry, especially in close collaboration with the activities of CETI (European Centre for Innovative Textiles). CETI is a Research and Technology Transfer Centre for textile of the 64 future, especially for Advanced Textile Materials, with a European and international dimension. CETI aims at: • Supporting and accelerating innovation in the field of textile materials • Making available and strengthening necessary competences and equipment for research and innovation • Supporting and encouraging collaboration between economic and research actors It is planned that about 30 of the 80 hectares to be laid out in the new district will be devoted to economic development. In terms of construction area, 200,000 m2 out of the total marketable 322,000 m2, will have an economic purpose. The objective is to create from 3,000 to 5,000 employments. CETI intends to be a structuring tool of the UP-Tex of competitiveness pole. It is funded by the European Union (ERDF), by French public authorities (State, Region, Department of the North, Lille Metropole Urban community), by the Caisse des Dépôts et Consignations and by the textile industry (UIT Nord). CETI has three main characteristics: • A multi-activities system: CETI will realize research works, actions of technological transfer, prototyping, testing as well as small series production • A cross-thematic system: CETI will be opened to a wide range of actors and high added value applications from different sectors • A multi-partner device: many players from the research world and companies are CETI partners CETI will have two functions: • A high level technological platform: CETI will offer exceptional equipment in terms of technological update and characteristics • A research centre for new high-added value multifunctional fibres and for developing new products based on air laid or dry laid applications CETI will undertake R&D activities in three different ways: for own purpose, in collaboration and for private research. As a research centre, CETI will accommodate new or already existing research teams or laboratories. The attainment of several pilot equipments is under way. Their flexibility, availability in a single place, as well as their ability to associate several different processes will definitively constitute major assets for the emergence of new innovative solutions. Located at about ten kilometres from the centre of Lille, the premises of CETI are currently under construction and will be completed in June 2011. The available surface will be 14 600m ² large, comprising half space for offices and laboratories and the other half for pilot equipment shops. 65 Gli Abatoni, Prato (IT) According to historical research, the first proof of the presence of a mill in this area, dates to the year 1003. Among the earliest hydraulic buildings to be constructed, the official documents recall the existence of the mill “Abatoni” in the 13th century. In the 15th century, the inclusion of the factory of Abatoni in the vast complex provost of the church of Prato led to a rapid change in the administration of a building that needed a more serious and careful control of the various activities that took place there. The proximity to an urban centre dedicated to the expansion of its textile manufacturing industry made all the more valuable the mills. In the 13th century the local textile industry became the largest component of the economic system of Prato. At about the year 1721, the family of the Counts of Coiano took over the rights to the property tax of the Abatoni from the previous family Mugnesi. The process of renewal and expansion of the structure made by these two families since 1700 transformed this fulling-mill in the most efficient and productive around the Prato textile district, with a yearly average of over 2000 cloths on behalf of 34 fulled wool workers. Between the end of 1700 and the 1800 century the structure of Abatoni went into full ownership of one family, the Pacchiani. 66 In 1869 the family Pacchiani transformed the factory of Abatoni in the premises of a multi-functioning woollen mill, called “Mill Pacchiani”, and divesting definitively the use of the wheat mill. The change was embodied in a new management of the space, by lowering the premises for residential purposes. The textile industry in the factory of Abatoni terminates definitively in 2001. In the early 1970s of the last century a debate arose about how to re-use these areas, generated by the first relocation of industries in areas that once were on the suburbs of towns and that, due to the large post-war urban development. The urban regeneration of the disused former factory of Abatoni has initiated the project of the “Citadel 1”. The goal was to return to the city an area that, given it character and location is in a strategic point of being between the scale of the neighbourhood and the urban sphere. The recovery program includes three main elements: • The transformation of the former factory into a new centre at the neighbourhood level that has its core elements in the mill and the area of thrush (Citadel 1) • The establishment of new residential buildings envisaged by the road map of Secchi (Citadel2) • The setting up of an urban park in the area of the former allotments. The Consortium EDILCOOP is implementing the recovery and its transformation. 67 Orbital 40, Terrassa (ES) The Terrassa Science and Technology Park has promoted the creation of its Orbital 40 brand, which is aimed at the promotion, economic and social development of Terrassa and, more specifically, the improvement of its business competitiveness. It aims to attract talent to the city and its area of influence, retaining this talent thanks to the creation of optimal spaces and conditions for developing R&D activities and transferring knowledge and technology to businesses. This will, therefore, become one of the competitiveness and innovation poles of Catalonia with a clear aim for its projection towards the rest of Spanish regions and towards foreign countries. Located in the northern area of Terrassa, it is spread over 500,000 m2 and has been built just below the unique Natural Park of St. Llorenç, at the crossing point of the B-40 motorway and the European route E9, and includes new 68 train stations with connections to Ferrocarrils de la Generalitat de Catalunya – Metro del Vallès. The three promoting partners of Orbital 40 are: • Terrassa City Council (leader of the project) • Leitat Technology Centre • UPC (Polytechnic University of Catalonia) The great diversity of these partners has provided a vast amount of knowledge regarding sectors such as technical textiles, audiovisual, optics, photonics, health and others, in such as way that it integrates activities related to innovation, research, teaching and businesses. Likewise, the Board of Governors has been constituted with a view to obtain members from the most relevant entities and institutions within Terrassa and the surrounding areas. Orbital 40, conceived as the hub project of the Innovation system of Terrassa and Catalonia, has also forecast a promoter project strategically located in the new urban centre of Terrassa. This initiative will be housed in a unique and emblematic building which was an old textile factory. Vapor Gran “fàbrica d’idees” will be a powerful tool for economic and social development, acting as a provider of tools, resources and services which will enable to attract talent, creativity and innovation, transforming the combination of these elements into new viable projects. It will also be the representation of Orbital 40 in the city centre, maximising the high potential for innovation of the city by increasing and taking advantage of the synergies among the different actors which operate in their areas of management and facilitating and/or generating strategic innovation processes. 69 Tranformation of the Sabadell City Centre (ES) The origins of the industrial city, as a complex network planned to be an engine of economic activity, would date back to the mid 19th century. This is when the house-factories gave way to new and more specialised buildings, called steam factories, and when an entirely new production system was created, which conditioned the shape of the city itself. This industrialisation process affected the layout of the city and the new network which was being created, as well as the manner in which this nucleus communicated with the outside world, creating new connections around the new steam factories. Thus, in the mid 19th century, the two infrastructures which would be the backbone of the textile business were built. One was the Road to Montcada in 1852, and the other one the Northern Railway, in 1855. Two very different settlements were created: one which was built alongside the road and another one very close to the railway track. 70 In the first half of the 20th century, the speed at which Sabadell grew made the urban expansion area insufficient. In 1925, the city had 37,605 inhabitants, that is, 25% more than those calculated only 40 years before. Subsequent to this initial period, there was a wave of migrations which characterised the 1950s, including the serious accommodation problems caused by this significant boom of population. In the early 1990s, the centre of Sabadell was characterised by an elderly population; commerce in a disadvantageous situation; narrow streets, with no parking places; lack of free spaces; 11% unemployment rate; high number of vehicles in circulation; lack of buildings for housing; heritage buildings waiting to be restored; a declining Central Market. In order to solve the problem regarding the regeneration of the historic city centre, several action programmes have been implemented between 1993 and 2007. Sabadell’s city centre includes the oldest part of Sabadell city dating back to the 18th century and also a larger area which includes an adjacent neighbourhood and the first expansion areas of the city. The centre’s comprehensive intervention had to include several aspects, from economic activities to mobility, without forgetting to recover the heritage, housing, culture and the training needs of the inhabitants. The advisability to intervene in the centre area was included in the General Plan for Urban Management of Sabadell in 1993. This Plan defined the comprehensive management of the municipal area of Sabadell and devoted a chapter exclusively to the Centre. In 1994, Sabadell Town Council prepared the Integral Renovation Plan for the Centre with the aim to revitalise the city’s centre, redefine functions, regulate activities and improve quality of life, all of which were to be carried out while respecting the different values. activation of the city, implementation of measures against social exclusion and the improvement in the urban environment. In 1994, the European Union initiated the programme “URBAN” with the objective to improve quality of life in urban areas where the economic, social and environmental problems demanded a comprehensive solution. Sabadell saw an opportunity to adhere to this communitarian initiative. The project was approved in March 1995. The programme’s essential characteristic was the comprehensive view of life in the city. The projects carried out within this programme took into account the renovation of obsolete infrastructures, as well as the economic re- Besides the application of the corresponding provisions, since the 1990s until current times, the city has followed the lines of work initiated by the Programme URBAN to improve Sabadell’s historic city centre. 71 TecnoCampus, Mataró-Maresme (ES) The TecnoCampus Mataró-Maresme (TCM) is a technological and innovation park with its headquarters located in the town of Mataró. Along with La Ringlera business district, located right next to the park’s future headquarters, this will become Mataró’s Knowledge District. The Park is funded mainly by the Mataró Town Council, Maresme District Council, the Ministry for Innovation and Science, ERDF (European Regional Development Fund), the Provincial Government of Barcelona, and the General Local Administration Directorate of the Autonomous Government of Catalonia. TecnoCampus Mataró-Maresme’s mission is to act as the main driving force in the territory to create, capture, strengthen and retain the necessary talents for economic and social development in its area of influence. To achieve this, it fosters entrepreneurial culture, at all educational and training 72 levels, with business project incubation and pre-incubation programmes. The aim is to become a focus of attraction for business investment, with a view to develop a scientific and innovation park that will make its mark in the university sphere. With regard to sectorial specialisation, the priority lines of action are: Wellness and health; tourism and leisure; audiovisuals; electronics, e-wellness, telemedicine, and smart textiles. Mataró Town Council, through the TecnoCampus Mataró-Maresme Foundation, is the main promoter of the park which bears the same name. The main objectives of the foundation are: • To strengthen bonds between the university world and the civil society • To carry out the tasks of a Science and Innovation Park aimed at the university community, businesses, entities, institutions and citizens as a whole • To attract sound technological business investments to Mataró and its area of influence In September 2010 the City of Mataró opened the TecnoCampus MataróMaresme building. Of the three university colleges of which it is comprised, two have a long career behind them: the Mataró School of Engineering (EUPMT) and the Maresme University College (EUM). The third university, the Graduate School of Health Sciences, opened this year along with the park, with a view to cover a significant social demand for professionals in this field. In turn, the CETEMMSA technological centre has a longstanding career of supporting businesses with R&D expertise. TCM also provides an example of transformation of the textile heritage to service innovation: the Minguell building renovation. The Minguell building, a former textile factory, is the new headquarters of TCM Audiovisual, a technological centre devoted to the audiovisual industry, aimed at offering high-quality service and added value to businesses, institutions and regional associations. 73 3.b Transformation of former textile factories The appreciation of the industrial past and the recognition of the value of architectural heritage are one of the reasons for the preservation of former industrial sites. Within the ACTE network there are several examples of the transformation of ancient factories into new facilities, both public and private project, which have in common the preservation of the architectural structures of these historical buildings. 74 10 different experiences have been compiled in this chapter that intend to reflect the multiple fields theses spaces are used for. In this way, four types of uses have been looked into: culture, public facilities, housing and leisure. The cities represented in this section are: Sabadell, Terrassa and Santa Margarida de Montbui in Spain, Łódź in Poland and Ronse and Mouscron in Belgium. Abandoned factories are integrated in modern cities, remembering their industrial past through architecture. The urban landscape is transformed but sill preserves the essence of the city through buildings of historical and architectural interest. 3.b.1 Public Facilities and Spaces Centr’expo, Mouscron (BE) On the 28th and 29th March 1930, the permanent delegation of the Province of West Flanders gave permission to the Victor Catteau & Cie Limited Company of Tourcoing to install a woollen mill with electrical engines and transformer station, as well as a steam boiler, to be located at the corner of streets Menin and Blanc Pignon in Mouscron. The company was allowed to install a second boiler on the 6th December 1935. Indeed, the board of deputy mayors of Mouscron had already authorized the entrepreneurs Lamote Frères to create a spinning factory on the 19th April 1929. This factory expanded in 1933, set up with a dying device in 1934, a water treatment plant and a water tank in 1936. In 1937, the factory employed 181 workers and employees, as well as 25 apprentices. 76 In 1947, the company employed 168 workers and employees, as well as 5 apprentices. On the 16th September 1960 following a new opening out of 1957, the board of deputy mayors of Mouscron agreed to continue the activity of “spinning mill and dyeing of combed wool”, authorized by the permanent delegation on the 22nd July 1965. The Victor Catteau & Co limited company was fitted at that time with 155 electrical motors having 649 horse powers, with a 400kva transformer station, two steam boilers, a 25,000 litres oil tank, a repair shop with a forge and a three-car garage. It is undoubtedly the automobile cartage which brought the reform of the factory entry in 1961. It may be after this date that this spinning mill must have ceased its textile activities. On the 26th January 1968, the Vanfleteren et Billiet de Marke sprl, food wholesaler, was allowed to turn the site into stores and offices. These were modernized and acquired their current look. As for the 35-meter-high chimney, it was cut down on the 5th March 1968. On the 26th April 1984, the trustee appointed to manage the bankruptcy process of the Vanfleteren Mouscron VBM ldt was set up on the 22nd April 1976 at the time of the liquidation Vanfleteren et Billiet sold at the city of Mouscron a real estate of 1.336 ha (workshops: 97a 48c; house: 88ca; plot: 35a 30ca). Sold at a price of 7,000,000 Belgian francs, given that it was considered as a public utility granted by the royal decree of 29th November 1984, this acquisition is justified by the town council with the following words: The restoration of the buildings of the old factory, and the transformations of the site were realized respecting the layout of the various rooms. Thus rehabilitated into a building far from its original textile industrial use, the Centr’expo became an effective tool in the organization, especially of large trade events. “Considering that we are regularly consulted by craftsmen looking for workshops with a 1,000 to 2,000 m2 capacity; considering that that kind of workshops are desperately lacking; considering that as far as possible, we must encourage the small business of our town; considering that we are looking for larger premises likely to be divided into several smallest workshops that we could then resell at these craftsmen; considering that this disused factory (…) is exactly what we need, as the access is possible from the 4 sides; (…) ”. 77 La Vinícola, Santa Margarida de Montbui (ES) The buildings in La Vinícola complex represent an example of the transformation of an element of industrial modernism into a modern facility adapted for new social uses. La Vinícola is the transformation of an old tanning factory, converted first into a wine factory, then into a wine storage space, and finally into a supermarket. In the end, it was purchased by the Town Council. It hosts the Santa Margarida de Montbui Town Council and La Vinícola Civic and Cultural Centre. The building known as La Vinícola was established as a tanning business in the early 20th century, originally under the 78 name of Joan Valls y Cía, a company of only five people. The company was in the hands of Marià Munguet, known for having adapted its business to the most modern techniques and processes of this trade. In the early 1920s the Cal Munguet tanning factory went bankrupt and was purchased by Ramon Catarineu, who did not manage to succeed with the business either. Finally, in 1923, La Vinícola complex was sold to the Sociedad Canet y Sabater Company. In 1928, it became La Vinícola SA, a company devoted to manufacturing alcoholic drinks and the sale and purchase of wines. In 1947, one of the agricultural crises of the mid 20th century caused the alcohol factory to close. In 1966, the sector went through yet another crisis, this time due to a law which regulated the sale of bulk liquor. In the late 1960s, La Vinícola employed around 20 workers. In 1967, the fu- ture bottling company was established. Back then, La Vinícola had branches over the entire Catalonian region. In 1975, the owners established La Vinícola supermarket which, along with the bottling company, lasted until 1988 when the entire business passed on to public ownership. In 1988, Montbui Town Council purchased the entire complex. From this moment onwards both buildings, the town council and the civic centre, have different construction chronologies. The town council The reconstruction work involved maintaining the unique basilical building, respecting the main building and the original facades. The opening of the new town council took place on 15th February. CCC Vinícola The building devoted to host the future Civic and Cultural Centre La Vinícola, housed also the Escuela Taller La Margarita as of 1988. This was one of the first vocational training schools of the district. Different activities were still held in the building until 1997, when the renovation works began on 4 June of that year. One of the most important elements of the building was its boiler. It was fitted in 1923 and subsequently restored by the technicians from the Museum of Science and Technique of Terrassa. At a later date, the chimney was also restored. After a year and a half of building works, the CCC La Vinícola opened on 21st November 1998. The future Civic Centre has become the centre for social activity in Montbui’s town centre, including the Casal d’Avis (centre for elderly people), the Casal de Joves (centre for youth) and the place where most of the town’s social activities take place (concerts, dances, dinners, seminars). The centre includes a multi-purpose room, a cafeteria and several training rooms. During the first 12 years of history, it has also temporarily housed a media library and provided spaces for workshops and courses, etc. La Vinícola is now a space for basic training, as well as a space for the town’s inhabitants to meet. 79 Vapor Codina, Sabadell (ES) Vapor Codina was an example of what had, in history, been called a Power and Room System model. The aim was to construct a building with its own supply of energy, to then lease it to smaller manufacturers who did not have enough resources to build their own premises and fund the use of steam energy. Vapor Codina was built in 1880 and was within the group of factories “for rent”, which were very common in Sabadell during the 19th century and were mainly thought of as real estate investments. These factories were primarily devoted to manufacturing worsted fabrics and wool yarn. Vapor Codina was not a typical compact factory. It was a group of workshops which shared the same source of energy. It did not host several manufacturing stages, neither did it work for larger companies with a large number of workers. Therefore, there are no details regarding its employment structure. However, the number of tenants which occupied the facilities was registered. The log of tenants which rented spaces in Vapor Codina includes 395 names of people and/or companies, from 1881 until 1943. Vapor Codina closed down in 1994, due to the structural changes within the textile sector, after having suffered three fires and being affected by the 80 PEPPAS (Special Interior Reform Plan of Sabadell), which established the criteria for construction and planning and did not forecast the possibility of rebuilding industrial plants within the area. Since that time, the Vapor Codina complex registered several different owners. In 1997 it was finally bought by Sabadell City Council, which started the renovation process in 2006. Vapor Codina was a manufacturing complex which had been built in a very austere manner. It is not a heritage building which has been renovated for its beauty, but it does represent the ideal manufacturing factory par excellence. This is why, in 2004, Sabadell City Council catalogued the building as a heritage site within the Special Plan for Architectural Heritage of Sabadell. The architectural ensemble was renovated with the objective of maintaining one of the city’s heritage sites, as well as to open new municipal services for citizens. The main objective of this renovation project was to stop the deterioration due to lack of use and its recovery for new uses, maintaining its heritage and historic values. The main challenge during the renovation was to convert the buildings into offices, this entailed many requirements such as air conditioning, soundproofing, security, etc., which were very different from those for the purposes for which it was built. Of the old complex, only two buildings remain. These have been renovated and are used by the Municipal Housing Office, and the Municipal Education and Youth services. During the renovation some of the original elements were maintained, such as the gable roof, the Manchesterstyle windows and the chimney. Due to the building having being catalogued by PEPPAS, the renovation was to be carried out respecting the typology, the construction system, the shape and finishes of the original building, even in spite of the very different use for which it was being renovated. The building reopened in 2006, aimed at providing new services for citizens. 81 Vapor Gran, Terrassa (ES) The great hub project of the innovation system which consolidates Orbital 40 requires a promoter for innovative projects among the most advanced services it provides. Conceptually, a promoter of transforming projects is a powerful tool for attracting and generating ideas and projects with high added value, generators of competitive advantage. It is a facilitator and catalyst for the transformation of good ideas and good projects, which are at very early stages, into projects which are capable of transforming the economic reality of the region. The infrastructure this promoter needs is located within the Vapor Gran premises, a unique and emblematic building which occupies 1,293.18 m2 and represents an ideal place for hosting the services of the Orbital 40’s project promoter. 82 The objectives of Vapor Gran “Fàbrica d’idees” are to produce a powerful tool for economic development, facilitating tools, resources and services, which enable to attract talent, creativity and innovation and can transform theses into projects of strategic interest. It also aims to become the link between Orbital 40 and the centre of Terrassa, capable of maximising the city’s high potential for innovation by promoting and taking advantage of the synergies among the different agents which operate in their area of influence to facilitate and/or generate innovation processes. Among the services provided by the Vapor Gran, we list the following: • Integral accompaniment to innovation projects (Coaching Innovation Service) • Advanced funding services, analysis of market prospects (Trends Hunting Service) • Service for finding talented people to form teams (Talent Hunting Service) • Being a KIM antenna (Knowledge Innovation Market) • Provide training for directors (Entrepreneurship & Development) • Customised services, orientated towards businesses in relation to the diagnosis and implementation of technology valuation strategies. • Creating a club for business people. • Networking with related companies, in sessions which are structured, continuous and held by experts • Information sessions on actors relevant for business people, allowing time for interpersonal relationships Among the activities planned for the Vapor Gran, some will be related to: • A range of high-quality spaces for new businesses with a high growth potential • Activities and techniques aimed at generating/transforming ideas, within an Open and Cross Innovation scope • Advanced services which value knowledge and technology, allowing to convert great ideas and projects, at their early stages, into viable projects which are guaranteed to be successful With the opening of Vapor Gran, a new and powerful urban location within the city centre becomes evident, as well as the consolidation of a new and very significant tool for economic development, having as objective to attract talents able to develop creativity and innovation in Terrassa, and in the entire region of Catalonia. 83 3.b.2 Culture De Ververij, Ronse (BE) This factory, with spinning, weaving and dyeing division was founded by Jacques Toelen in 1911. During the First World War the buildings served as German barracks and hosted a riding school with stables below and with heroic wall paintings. The machinery, however, was largely destroyed. In 1922 the factory was sold to Oscar Thomaes, and in 1923 it was transformed into the “Teintureries Belges”. It was part of the AVO Group, specialized in dyeing of linen, cotton and silk, and painting in bobbin. It was one of the few plants in Ronse with a substantial input of foreign investors. After the Second World War the company experienced its heyday, when in Ronse about 9,000 of its 25,000 inhabitants worked in the textile industry. The company has gone bankrupt at the 84 end of the textile boom in Ronse, late 1970s - early 1980s. In the early 1990s the factory was taken over by the De Lys NV (1992) and then by The New Lys (1994). In the late 2000s the last operator, Flotex SA, stopped as a result of a catastrophic flood of the brook “Molenbeek” which passes next to the factory. In December 2002 the City of Ronse decided to take action and to purchase these buildings with a surface of 20.000m² on a land of almost 40.000m², in the centre of the city at 200 metres of the market place. The intention of the city was to centralize all activities related to culture and creativity. The new building must give the academy for theater, music, visual arts and dance the opportunity to grow and to take up the leading position in the whole region. The name for the new centre for culture and creativity will be Ververij or Teinturerie in French. Which refers to the former dying activity and name of the company. In a way, the new destination is also an activity which symbols colours of paint, sculpture, words and music. The architects have designed a plan that shows a lot of respecting for the industrial past. All parts which could be recovered are given a destination in the new building. It is inteded to show to the next generation of inhabitants of Ronse the rich history of the textile industry. After two years of planning, the necessary permits, environmental remediation and demolition, the construction has officially began in November 2010. The opening of the new complex is planned for September 2011. 85 Łódź Art Center, Factory of Art (PL) The history of the factory complex at Saint Emilii Street (presently Tymienieckiego Street) begins in the year 1873 when Karol Scheibler bought a 56-morgue area, called Posiadło Bielnikowe from the Peters brothers. Scheilber pursued a large-scale development policy of this region. From then on this region became a part of a larger area, which is now called the Priest’s Mill (Księży Młyn). As a result of Scheibler’s investments the whole set of buildings was created constituting the so called the S finishing facility (Wykończalnia S). The buildings of this complex were originally the warehouses of unfinished and finished fabrics. They were used as a storage space since the beginning and through the various stages of their development in the years 18871910, the turbulent years of the First and Second World Wars, nationalization of industrialists‘ property in the 86 years of People‘s Republic of Poland, until the bankruptcy and final closure of “Uniontex” plants at the beginning of the 21st century. In 2004 marks a change in the use of buildings. The slow process of revitalizing buildings begins by arranging the factory buildings for cultural purposes. Łódź Art Center is established here since 2005. The institution organises and helps to organise various important artistic projects: Łódź Biennale, Art Bus, Photo Fair Gallery, Łódź Festiwalowa, Łódź Getto, Photo Project, Wystawa Kolekcji Muzeum Konstrukcji w Procesie, 13 grudnia. Ikony Zwycięstwa, Grünewald 2, PhotoPoland, Łódź Design, Fotofestiwal, Photo Festiwal Union, Łódź European Capital of Culture 2016. The centre addresses its offer to young people, interested in various forms of art. In 2007 the new cultural institution “The Factory of Art” in Łódź was created and took over the management of buildings and the whole revitalizing process. The Factory of Art was established by the Łódź Art Center, the Chorea Theatre Association and The City of Łódź Office. The Factory of Art is mostly focused on theatre, modern art and art education. In 2011, The Factory of Art begins the whole revitalization processes of the factories buildings. The financial resources for the project were granted by the European Union and The City of Łódź Office. The result of the project (planned date of finishing revitalization - 2014) will be another change in the way of functioning and using the factory buildings. Art_Inkubator will rise. We can speak about Art_Inkubator in the context of the implementation of two tasks, which create one common substantive whole. The first task is the foundation of the project. These are the revitalization measures which result will be the creation of the material part of the Incubator - offices, art studios and multipurpose art space, which will benefit the future users of the Inkubator. The second task is the running and managing of the Incubator. It is the institution of support which helps to entry the market for future entrepreneurs, the third sector organizations and artists. Art_Inkubator activities and support will be targeted to the institutions and companies working in a cultural and artistic field. art and business, encouraging people and businesses to interact in order to create Łódź, and the Łódź region, as a place of support for culture, art, places to stimulate entrepreneurship artistic circles. A final, no less important task of the Art_Inkubator, is promoting the achievements in the field of culture, arts, education and entrepreneurship. The Art_Inkubator will be the institution that creates an organization and entrepreneurial culture. It will also function as an integrative environment for the people of culture, 87 mNACTEC, Terrassa (ES) During the industrialisation period Terrassa became one of the most important towns within the Catalan industrialisation process and the Vapor Aymerich, Amat i Jover was the most emblematic wool factory, as well as the one which manufactured the largest amount of wool of the entire city. The building is one of the most important representations of Catalonian industrial architecture. In the late 19th century, three industrialists from Terrassa became partners and created a company named after their three surnames, Aymerich, Amat and Jover. They purchased their own factory, the Vapor Aymerich, Amat i Jover, which was built, in a modernist style, between 1907 and 1909 by the architect Lluís Muncunill. The factory is considered to be one of the most beautiful industrial buildings in the whole of Europe. This large rectangular building is spread over an area of 11,000 m2. 88 This factory was used for the entire process of transforming wool. In 1915, there were around 400 people who manufactured “novelty” wool textiles. There are records which state there were 2,400 teeth, equivalent to spindles, for spinning wool, 3,300 teeth for combing wool and 1,090 teeth for twisting wool. The textile company was divided and in 1920 the spinning was moved, Aymerich and Amat then specialised in textiles. As of this date, part of the factory’s space was rented to other businesses. In 1962 the factory was seriously affected by floods and ended up filled with mud; subsequently, the textile crisis reached Terrassa and this industry was gravely affected. The factory closed in 1976. In the late 1970s, Terrassa came together to save the building which had once housed Vapor Aymerich, Amat i Jover, and had been catalogued as a buildable lot. A committee of architects from Terrassa promoted community campaigns to preserve the building. Several groups and celebrities from Terrassa managed to stop the demolition of this industrial building. In 1982, the Department for Culture of the Autonomous Government took over the project and in 1983 it purchased the factory, in view to con- vert it into the headquarters of the Museum of Science and Technique of Catalonia (mNACTEC, Museu de la Tècnica i la Ciència de Catalunya). On 2 November 1990 it was established as an autonomous entity. mNACTEC aims to preserve scientific and technical heritage, create awareness about the industrialisation process in Catalonia, disseminate knowledge on modern science and techniques and consolidate the museology for science and technique in Catalonia. It aims to acquire, preserve and restore scientific and technical items from the past and present, promote studies on the history of science, technique and industrialisation, spread and gather advancements regarding technical and scientific matters within the current society. mNACTEC is a national museum which has a decentralised structure currently comprising 25 museums and special- ised heritage centres in different locations throughout Catalonia, which make up the Territorial System of the Museum of Science and Technique of Catalonia, to promote technical-scientific culture and knowledge of the industrial history, and propose itineraries of industrial heritage. Currently, the large industrial building has been totally renovated and contains outstanding permanent and temporary exhibitions. The most outstanding exhibition among all is “The Textile Factory”. The exhibition recreates the factory environment and spaces of the early 20th century within its original location. The conversion from a factory to a museum, and the renovation of its spaces, has transformed the Vapor Aymerich, Amat i Jover into an emblematical museum having a national and international recognition. 89 3.b.3 Leisure, food & beverage sector Manufaktura, Łódź (PL) Manufaktura was built in the factories of Izrael Poznański, one of the Łódź greatest manufacturers. In 1871 Izrael Poznański bought a few old buildings near Ogrodowa street. Until 19th century he managed to establish unprecedentedly successful textile empire on the area of 30 hectares. The Izrael Poznański’s factory complex produced cotton textiles. The whole process was controlled within the factory – from cotton transported in 90 packages by train to ready-made cotton fabric. Poznański also had his own plantations in central Asia. In the first decade of the 20th century the factory weaved approx 250,000 running metres of fabric in 24 hours. When Poznański built the first department of the factory, in 1872, he employed 294 weavers and weaving masters. After 1945, when the company was nationalized and named „Poltex”, there worked over 10,000 people. Poltex was formally liquidated in 1991, but the last department (printing shop) was closed in 1997. Following the social and political changes in Poland, the Eastern-European and Russian markets were restricted for trade exchange. Before that time, the whole production was sold to post-sovietic countries. Most of the buildings in the complex were empty for more than 10 years. The renovation process was initiated in 2003. Manufaktura opened in May 2006, and became Łódź’s most famous attraction just as Piotrkowska Street. Today it is hard to imagine Łódź without Manufaktura, which is one of the most attention-attracting places in Łódź. The centre of Manufaktura is the Market. It is very important for Łódź and its citizens because it is the part of city’s public space. This Market hosts cultural and entertaining events attracting Łódź citizens and tourists from around the world. It is known for having the longest fountain in the world. Manufaktura offers three museums, cinema, theatres, almost 250 shops, many restaurants, and many places where everybody can spend their time actively. There are professional playgrounds for children, discotheque, bowling centres, spa, fitness clubs and many other attractions. Manufaktura is known in Poland, and worldwide, for its many architectural awards. The refurbishment was carefully planned because it took into consideration the history of the factory. The aim of the renovation was to give it modern and futuristic flair, and at the same time preserve its extraordinary heritage. All the refurbishment cost over 200 million euro. TIP is intended for tourists who wish to visit not only Manufaktura and Izrael Poznański Palace but also the city of Łódź and the whole region. The Tourist Information Point offers its guests leaflets, magazines, postcards, souvenirs and all the other items necessary for tourists wishing to spend their free time in Łódź actively. Manufaktura caters for almost all needs. In the summer there is a beach on the market and in the winter a skating-rink. Manufaktura also organizes prestigious events such as the Fashion Week where designers present their sophisticated clothes, and a Car Exhibition, one of the biggest events for car fans in Poland. 91 3.b.4 Housing At Scheibler’s Lofts, Łódź (PL) Karl Wilhelm Scheibler, who became known as the “King of the Cotton and Linen Empires of Łódź”, was a German industrialist, who came to Poland and founded in 1855 a spinning mill and then a huge manufacturing complex in the district of Łódź called Księży Młyn. Scheibler created a complex of factories, warehouses, houses for workers, a hospital and a fire station - he made Księży Młyn an independent part of the city. In 1855 the spinning-mill had 5,740 spindles and in the mid-1970s the factory was the leading textile producer in the Russian Empire. Moreover, Karl Scheibler’s factory was the third largest cotton producer of Poland. In 1857 Scheibler employed 180 labourers. Then, in 1870 1,911 employees worked in the factory. At that time 55% of Polish textile industry labourers used to work for Karl Scheibler. Before the World War I, the factory hired 100,000 workers, in 1925 - due to the economic downturn - only 51,000. After the World War I the textile industry of Łódź was in a poor conditions. In the 1920s the city was still a major textile industry centre in Poland. Nevertheless, the export that used to flourish in the past, collapsed - before the war 80% of cloth was exported. After the World War II, the factory was nationalized and was renamed into “Uniontex”, becoming one of the 92 biggest companies in Łódź and hired 14,000 people. The former Scheibler’s manufacture was integrated with another textile manufacture that used to belong to Ludwik Grohman and renamed into Zakłady Przemysłu Bawełnianego im. Obrońców Pokoju “Uniontex”. The factory was also one of the leading manufactures at that time and Łódź was the centre of Polish textile industry. The collapse of communism and the transformation of the political and economic system were a symbolic end of the flourishing textile industry in Łódź. In the 1990s Uniontex was still producing cloth but the production was getting smaller and the debts higher. After trials of restructuriziation, the company was sold to another owner in 1999 but finally it was closed in 2004. • Opal Property Developments started revitalization process in 2006. Despite the long and complicated history of the building, the walls of the former spinning-mill were completely preserved. The factory is 207 meters long and is built from red brick. It has huge windows and is located close to the centre of Łódź, in a part of the city called Księży Młyn. The building was perfect for conversion into lofts, even though it demanded much impact to revitalize the spinning-mill. The factory was not only destroyed from the inside but also underwent many modifications in the 20th century which did not match the 19th century architecture. The aim was to bring back the previous look from the times of Karl Scheibler. • Currently, the former Scheibler’s spinning-mill is a residential building. In May 2010 the first residents of “At Scheibler’s” lofts moved in. • The factory was completely revitalized and adapted to the needs of residents. Huge factory shops were divided into apartments. However, many original postindustrial elements were kept and the climate of the old factory is preserved. At Scheibler’s lofts are located on a fenced-off land and the building, as well as the surroundings were finished with the greatest care for the residents’ comfort. Conversion of one of the buildings into apartments began a process of reviving a degraded district and has had a tremendous impact on the development and social structure of the city of Łódź. 93 Napoleon Annicq-Williams former factory Lofts, Ronse (BE) Since 1911 in these buildings a weaving company called Napoleon Annicq-Williams had been located. The oldest preserved part of the huge factory complex dates back to 1922 and it is located at the border of the city centre. The buildings are made of brick, combined with bluestone, designed in a strictly functionalist architecture. The offices and warehouses were built according to a design by the architect R. Cordier. In 1929 an extension was realized with the shed roofs for the steam room and machine, and the chimney. Further expansion came along Annicqstraat Napoleon in 1940-41: it was the entrance area with stairs and offices (see picture). 94 Since 1968 the buildings were owned by “SA Thomas Pride Mills”, a branch of the American “Allied Products Corporation USA”, that manufactured wall to wall tufted carpet and bathroom textile. At the end of the seventies, the activity stopped. Over the years the building complex, with a surface of approximately 10.000m², has been split up and had become primarily a residential destination. Currently, the last part of the former complex is being renovated for the realization of 11 lofts. 95 3.c Employment and entrepreneurship policies In many territories where the textile-fashion industry has been a major employer for many time, special programmes to relocate laid-off workforce and to retrain workers to facilitate their incorporation in the labour market needed and still need to be carried out. Proper training is essential: both for those employees who remain within the industry but need to shift their skills towards new products and new applications, and for employees who have to leave the sector and need to seek employment elsewhere. 96 In this way, ACTE members are working both for the provision of appropriate tools for the re-skilling and for the relocation of workers and for the promotion of alternative sectors with capacity of employment within our territories. Activities range from specific training and promotion of entrepreneurship education to support structures for labour intermediation, business startups, provision of public facilities for new business activities and young entrepreneurs, etc. This chapter showcases eleven examples of policies carried out by ACTE members, divided into two parts: on the one hand, policies addressed to worker relocation and training and, on the other hand, measures to encourage entrepreneurship in order to allow territories to be more dynamic, competitive and to create new jobs. Some of these projects have been implemented thank to the collaboration and networking between members of ACTE. 3.c.1 Employment policies Aula Activa, Manresa (ES) The Aula Activa project was created to cover the need to integrate once more in the job market the people who lost their jobs due to the readjustment of workforces in the textile sector companies in Bages area. This project was based on the Aulas Activas of the Employment Service of Catalonia, which had already been implemented in the City of Barcelona. The project provided training, consultancy and attendance for the beneficiaries throughout their process of job hunting and re-integration into the job market. Carried out from December 2009 to April 2010, the project attended 71 unemployed workers form the textile sector in the Bages district. Aula Activa defined itself as a space which provided unemployed workers with the necessary tools to promote an active and self-motivated attitude towards their job searching process, as well as offering them knowledge on new technologies as a tool to access the job market. Its implementation involved the set-up of a permanent service providing information, consultancy and professional guideline, with the main objective to increase the rate of re-integration into the job market, and improving the employment perspective of the people searching for jobs. This service aimed to provide the target groups with personal and professional resources, improve their job placement and increase their autonomy and selfesteem, thus enhancing their professional abilities. The activities were addressed to groups of 15 people, which for one month took part in the actions carried out by Aula Activa. 98 The first part of the process was based on a “directed group action”, in which lecturers explained the content of the manual designed for participative and practical employment guideline sessions. By means of group dynamics, the participants worked on computer literacy, gaining knowledge of the job market, designing their own professional profile, ability development, tools and techniques for job searching and the use of new technologies to access the different employment portals available on the net. The second part of the process was designed as a space where the participants could apply the IT tools which they had learnt to use, with the customised support and help from the academic counsellors working at Aula Activa. Each month the group of participants changed, following the selection of a new group by the supervisors. Every Friday morning the class was open to a public of different groups, as a space devoted to students who had participated in the previous months. The results of this project were as follows: 71 participants attended, of which 21% have found a job (15), and 28% joined the Vocational Training courses (20). In all cases, the participants improved their autonomy throughout the different stages of accessing the job market. 99 Carpiformazione, Carpi (IT) Carpi’s territory has always been a source of ideas, enabling numerous businesses to develop within a variety of sectors. The response from Carpi’s “fashion system” has been less strict, as over the years it has managed to transform its own knitwear productive structure into one of the most qualified brands within different segments. It has focused on obtaining high-standard products, investing in high-quality goods and internationalisation. It is worth highlighting that the textile sector in Carpi and surrounding areas began reaching maturity in the traditional sector in previous years, failing to renew around 7,000 jobs over the past decade. In this context, training is considered a source of development capable of providing businesses and workers with mechanisms for self-assessment and help them find ways of advancing towards constant improvement. With regard to training within the textile100 fashion sector, the institute of Carpiformazione was a highly-valued project in the Region Emilia Romagna in the early 1980s, been carried out by the municipality of Carpi along with other seven municipalities in the region. The organisation was founded in 1981 as a Vocational Training Centre for the Region of Emilia Romagna, and in January 2001 became a limited liability company under the name Carpiformazione s.r.l., comprising eight municipalities devoted to the textile sector. The main member is the municipality of Carpi. Carpiformazione’s main activity is vocational training at basic, advanced and higher levels, as well as career guidance. Its facilities include classrooms for teaching theory and laboratories for practical classes and simulations, such as laboratories for textiles, sewing, patterns and IT. Carpiformazione represents at local, provincial and regional levels, a benchmark for training and updating the various sector business careers, providing skills and capacities which are of use within the labour market, from a point of view of competitiveness and quality of service. The institution assumes the role of a training agency which, in relation to the textile sector, aims to provide a service designing tailor-made training activities based on modular principles that aim to respond to the needs of a wide range of users. Many of the projects and courses which have been promoted by Carpiformazione are carried out in collaboration with business and union associations which sometimes become project promoters. Annually, nearly 300 businesses provide their support to the design and implementation of the training activities. The stronger characteristics of the Centre are imputable to the level of excellence in the range of training activities related to technical-production profiles of Textile, more than 20 years of experience in the field of design use of expert trainers from within the sector, innovative educational methodologies, strong integration with the educational centres, business and union organisations, and high-level of employment upon concluding the training period. 101 EGF-Project COPEVO (ES) In late 2008, the Employment Department of the Regional Government of Catalonia obtained a grant by the European Globalisation Adjustment Fund (EGF) of the European Commission, in order to help relocating workers who had been dismissed from the Catalonian textile sector. ers within the Vallès Occidental district and has received nearly 600,000 Euros in funds. The EGF allows for the implementation of projects which support the relocation of target groups coming from a group of clearly identified companies: small and medium-sized businesses, in this case belonging to the textile sector, or a large company and the smaller ones which are auxiliaries to the first one. The project “Relocation of workers who have been dismissed from the textile sector” included a series of actions characterised by the degree of the attendance, the flexibility of the programmed actions and the adaptation to the profile of the people involved, the possibility of immediate implementation of training and employment actions (as they were not subject to normal applications for training and employment programmes), and the regular followup throughout the entire relocation process. The Consortium for Employment and Economic Promotion of the Vallès Occidental (COPEVO), by means of Sabadell and Terrassa Town Councils and of the CECOT employers’ organisation, has started-up a project to relocate work- The aim was to reincorporate back into the job market the workers dismissed from 13 companies belonging to the textile sector in this district. These workers were all affected by procedures for regulating employment during the 102 period between February 2008 and January 2009. The implementing period of activities was between October 2009 and April 2010. The participation in this project began by a personal interview which allowed the person to decide, with the support from a specialised consultant, which were the best measures in order to determine a customised itinerary that would allow the person to be reintegrated into the job market, carrying out intensive job searches, training in cross-sector abilities or being provided with support to create their own business. In total, the project’s actions have benefited 240 people, all of which have taken part in different intensive actions supporting relocation. Out of these, 206 people have participated in an intensive job search process; 133 people have participated in base and cross-sector workshops; 99 have attended vocational training courses; 18 people have carried out entrepreneurial actions; 8 people have been employed under municipal employment plans and 27 have found a job. 103 Maisons de Mode, Lille-Roubaix (FR) Maisons de Mode (Fashion Houses) which aims to install young fashion and accessory designers in studio/boutiques located in two neighbourhoods of Lille Métropole given its free zone status, has been thought up at the beginning of the years 2000 to be officially launched at the end of 2006. This ambitious program has its origins in the will to convert Lille Métropole into one of the European design and fashion capitals, while promoting the development of two up-and-coming neighbourhoods dedicated to young designers in Lille and Roubaix. Maisons de Mode Lille - Roubaix has the ambition of an economic, urban and professional excellence to develop design and to renovate the city. Currently, the “Maisons de Mode” label is a large incubator of talented young people including about thirty designers who represent proudly the textile and fashion revival in the North of France, 104 while revitalizing two neighbourhoods in full renewal. This apparatus is led by the association Maisons de Mode and has been created thanks to the financial and technical involvement of Lille Métropole Communauté Urbaine. The latter has been buying up old shops and buildings to convert them into boutiques, sometimes with accommodations and entrusts them to fashion designers. The Department and the Region gave their support to set up a fund programme for young fashion designers. It is convenient to underline the fierce determination of all players (both public and private) to help restore the Northern Textile’s noble reputation by supporting and promoting the following aspects: training (fashion & textile), design (young designers), know-how (weavers, workshops) and innovation (intelligent and innovating textiles). The association Maisons de Mode, having among its objectives to create a true “designer label” in the North, likely to be recognized at national and international level for the most talented designers, offers a range of services to the talented young people to help them develop their own labels. As connecting factor of metropolitan fashion Maisons de Mode detects, selects and supports daily the talented young designers, while adapting itself to specific individual needs. Maisons de Mode has amazing “success stories” of labels “Made in the North” which are sold in France and abroad. This idea is indeed adapted to the change in the customers’ mentality who, within the prevailing uniformity, acclaim a different fashion style whose added value is creativity, quality and batch production. Maisons de Mode has developed several services that help in developing new fashion labels, which include: availability of boutiques for new designers; incubator and mini-studios for “Fresh Talents”; guidance in sourcing, production, merchandising and sales; commercial and technical coaching; a teaching workshop with assistance in making prototypes and gradations; a network of professional industries; commercialization and distribution; commercial partnerships; public relations and communications assistance; organization of events; participation in professional trade shows and fairs. Several times a year Maisons de Mode organizes the Marché des Modes, a fair dedicated to fashion, which has been an unqualified hit with the public. The Marché des Modes brings together a hundred designers from all over France. Maisons du Mode has also organized the “48h Maisons de Mode”. This fash- ion event designed for the general public welcomed about 10,000 people during its last edition. The Nuit des Soldes is a night event organized one week after the launch of the official sales to allow young designers to sell off the past season’s collections. Maisons de Mode also takes part in several professional trade shows and fairs to promote designers on the national and international scene and to search for national and international buyers. All photos: © www.sebastiengras.com 105 ACTE: a network for innovation, Catalonia (ES) Between 2008 and 2009, the project “ACTE: a network for innovation” was carried out and promoted by six public Catalan institutions linked to ACTE: the cities of Sabadell and Manresa, Reactivació Badalona, IMPEM (Municipal Institute for Economic Promotion of Mataró), Foment de Terrassa S.A. and the Barcelona Provincial Council. The project was co-financed within the framework of the ESF operational programme of Catalonia 2007-2013. There was active participation from other 106 Catalan ACTE members and enterprises within the territory, as well as from members and businesses throughout Spain and Europe. The project’s main objective was to consolidate ACTE as a network for cooperation among territories that, having undergone important processes of industrial change, opt for integrating innovation in their local economy. The six lines of action of the project were: • To create a working group to be a driving force and comprising representatives of the six project partners, intending to orientate and lead the work developed within the project’s framework. The result of this joint work was a methodology and work dynamic able to facilitate the future orientation and leadership of ACTE’s action • To carry out two international workshops: Badalona hosted the“1st In- ternational Congress on Corporate Social Responsibility in the textile sector”, focused on promoting good practices in this field. Terrassa organised the seminar “The thread of sustainability”, which focused on sustainable public procurement • To compile success stories regarding business reorientation through the publication of the Good practice guide “Strategic reorientation of textile-fashion companies”. This publication was considered an important tool to drive and promote innovation as a competitive variable, and used to raise awareness amongst other businesses about the added value of innovative processes of change • To create an online observatory, the Tex4Future observatory, on new products and applications, and a platform for the dissemination of research and innovation material generated by technology and research centres • To create a system for business cooperation, to increase the cooperation processes among businesses themselves, between businesses and research centres, and among research centres, within the municipalities • To develop methodologies and actions for active or laid-off workers of the textile sector. The objective was to support the workers with activities aimed at the re-orientation of skills, improvement of professional abilities to help them to find a better job, by progressing within the textile sector or moving to a new one. The result of this line of action was the direct support provided to 90 workers of the sector 107 Comprehensive Services for the Textile Sector (SIT), Mataró (ES) The comprehensive services for the textile sector were designed at a time when Mataró was going through a process that saw the services sector gradually dominating the city’s economy. The appearance of emerging sectors, coexisting with the pre-existing textile economy, added up to the aggravating factor of a global economy which caused the following consequences: • A lack of competitiveness of the local industry due to high production costs • A delocalisation of the production in order to reduce production costs • Closing down of production centres. The Mataró Town Council has been the main financial promoter of this project, and its Municipal Institute for Economic Promotion (IMPEM) has been the entity to design, implement and assess it. 108 According to the data provided by the Market Observatory for Employment of Mataró, as of December 2005 in Mataró there were 2,164 unemployed workers from the textile sector registered at the Employment Service of Catalonia, which represented 34.1% of the total number of registered workers. In 2005, the Municipal Employment Service attended 3,113 new people (not including previous registered users), of which 35%, exactly 1,090 people, were from the textile sector and 67% of these were women. The programme’s strategic objectives were: • To guarantee the continuity of the city’s industrial base, helping it to adapt to the new market conditions with regard to competitiveness • To implement an action plan which would allow to relocate exceeding workforce from the textile sector into other economic sectors or reassigning them to other jobs within the same sector • To promote stable employment for exceeding workforce from the textile sector through companies located in Mataró The actions to achieve these objectives were: • To create the local textile office, to promote the necessary requalification of companies within this sector, which still have a significant probability of succeeding • To develop an action plan for the exceeding workforce in the textile sector The SIT services were structured around two main issues: Business section: • Drafting an analysis of each company’s situation • Consultancy specialised in key competitiveness issues Employment section: • Actions regarding relocation of the exceeding workforce within the textile sector • Actions involving professional requalification: occupational training courses and reassignment of tasks and knowledge within the textile sector itself • Economic incentives to promote stable employment: A tool to ensure the opening of the job market and provide access to jobs for those groups which have been pushed away from the textile sector • 30 long-term contracts by companies in Mataró to people from the textile sector • 150 people laid-off textile workers provided with professional reorientation • 4 vocational training cycles and/or knowledge recycling actions carried out As regards the indicators: • 30 companies diagnosed and an action plan for business reorientation implemented 109 3.c.2 Entrepreneurship policies BCIN, Badalona (ES) Reactivació de Badalona SA is the local development agency of Badalona Town Council. Its main activities are the proposal and implementation of promotional programmes for the city and its productive community, the development of studies and the organisation of seminars of economic and social interest. The main project of Reactivació de Badalona SA has been the establishment, promotion and management of the Badalona International Business Centre (BCIN). The building opened in 1995 as a facility for the economic promotion and international projection of the city. It comprises a conference centre, a centre for business services and the main institutions for economic promotion of Badalona. Since its opening it has become a local benchmark for economic activity. 110 Among Reactivació de Badalona’s promotion lines of the productive community, it provides special support to the textile-fashion sector. Since 1997, the City of Badalona is member of the ACTE community and, since 1998, Reactivació de Badalona collaborates in the development of several promotion programmes, both at national and international levels, with the association of fashion businesses of Badalona which includes a significant number of the fashion businesses located in the Montigalà industrial district. This industrial district houses a large number of the most important fast fashion businesses in Spain, comprised of SME’s and micro-sized enterprises which work under their own brand. At the moment, there are around 150 brands which generate nearly 1,000 direct jobs. Since 1998, several agreements have been promoted to establish collaborations between the association of Fast Fashion businesses and Reactivació de Badalona. The most highlighted joint projects are: • The Badalona Fashion Week held between 1998 and 2007, where promotion activities targeted specifically the Spanish market • Participation in the Spanish Strategic Textile Plans which were developed between 2005 and 2006 among trade unions, business organisations and textile territories • Several international business missions in groups of 6 enterprises, mainly aimed at Eastern Europe and Latin America • The Montigalà national promotion programme, currently on-going, aiming at increasing the Spanish market quota • Development of Badalona Moda (BDNmoda) within the framework of the project ACTE: a network for innovation, having as its main objective to promote young designers by inviting students from the main fashion design schools to participate in a contest In the immediate future Reactivació de Badalona will need to continue promoting professional business management, communication and marketing actions of Montigalà as a centre generating fashion in the Spanish market, and the internationalisation of the best prepared companies. 111 EuraTechnologies, Lille (FR) A place where project players and innovation converge, EuraTechnologies centre of excellence has been set up around a central building being a former textile industry, Le Blan-Lafont, and is dedicated to development of ICT companies. At first, in 1896, the founders of Lille cotton plant bought a piece of land in a Lille neighborhood called, CanteleuChant-du-Loup. In 1920, Le Blan Company, which owned two spinning mills in Lille Moulins and Nantes-sur-Seine, settled in the site and then purchased the Cotton plant. The factory activity started up in 1921. Le Blan activity peaked in the sixties: at that time, the company provided 3% of the whole French produced cotton thread and employed up to 4,000 workers. In 1989, the company filed a petition for bankruptcy and was subject to a compulsory liquidation. A year before, a land study of the Haute-Deûle banks was ordered by the city of Lille 112 willing to boost economically the site. The study listed 40 hectares of free ground, located in Lomme and Lille. In 1999, Pierre Mauroy, at that time president of Lille Metropolis Urban community, presented a “great regional project in the middle of the metropolis” temporarily called Euratechnologies. Martine Aubry inaugurated the building in March 2007. Nowadays, EuraTechnologies hosts more than 100 ICT companies, created 1400 employments and more than 70 complementary jobs, providing a full range of technological offer. An international company, EuraTechnologies specialized in 4 sectors: E-business & Pure Players, Information systems and software edition, Telecoms & Network, Content Industry. EuraTechnologies also aims to develop a support centre to promote entrepreneurship that gathers venture capital, legal experts, training, technology transfers, etc. The innovation of EuraTechnologies also relies on its ecosystem which gathers within the same place, research (technology transfer), training and entrepreneurship. As a result, companies are closer to the necessary skills and technologies to their growth. On a day to day basis, EuraTechnologies can be defined as a place for: • Innovation and technological experimentation • Innovation and technological testing • Expertise and training • Exchanges, meetings and experience transfer • Demonstrations and know-how transfers • Initiative and entrepreneurial support • Business development for specialized companies EuraTechnologies project has been designed as a place of convergence for players, projects and innovations from the metropolitan and regional ICT sector, and is part of a larger project called Rives de la Haute Deûle project aiming at renewing this area. Located between Lille and Lomme, this eco-district will mix on 100 hectares economic activities, housing, green and blue spaces, as well as all the necessary equipment and infrastructures to make the life of its inhabitants easier. With 10,500 m2 of flexible offices, Le Blan-Lafont allows a real flexibility of creation and growth, convenient for all kind of companies and the different development steps - incubation, spinning-off, company hotel - thanks to a careful real-estate response. The Blan-Lafont, heart of the welcoming and support tool for ICT companies of EuraTechnologies, results from the exemplary rehabilitation, both for its architectural and environmental characteristics, of two old textile factories (Le Blan and Lafont). Le Blan-Lafont building was entirely rehabilitated respecting the High Quality Environmental standard, from a sustainable development perspective: construction, water treatment and waste disposal, transport, energy management, biodiversity. Presence of water, especially the “water station” converted into a river marina, architectural innovation and concern for environmental quality give to this innovative site a remarkable character. Everything is designed to ensure a harmonious mix between work and life place. © Pascaline Chombart © Daniel Rapaich 113 INNOTEX, Lille Métropole Communauté Urbaine (FR) Unique textile incubator in France, INNOTEX has been for more than ten years a real expert in providing support to set up projects of textile companies. Relying on a team of 3 coaches and a privileged network, INNOTEX advises project owners about their entrepreneurial approach, offers them the opportunity to work with textile experts and brings them necessary funds to set their project up. INNOTEX has contributed to 221 projects resulting in the creation of more than 30 companies with a sustainability rate of 74%. The presence of INNOTEX within the European leader of the textile engineer training centre, the École Nationale Supérieure des Arts et Industries Textiles (ENSAIT), and its direct access to the GEMTEX, university laboratory of excellence, specialist in flexible materials, allows each potential entrepreneur to benefit from its textile expertise. 114 The potential entrepreneur must meet 4 essential criteria to enter into the incubation process: Textile Technology – Innovation – Design – Creation in Nord-Pas-de-Calais. INNOTEX gives its support in each project stage and carries out essential analyses in 3 key axes: • Technical Analysis: Search of industrial partners; Prototyping; Economic analysis • Definition of an economic model: Financial study; Financial forecasts; studies of Industrial property • Strategic Definition: state-of-theart search; Patentability Study; Patenting Two examples: they chose INNOTEX… they created their company. Example 1: Grégoire Ghilbert (www. commeuneimpression.com) “I’ve created my company since 2005, in the field of digital textile printing to create high-quality communication supports. My company, Comme Une Impression, has had a turnover of 300,000 € in 2010. The support of INNOTEX allows me to benefit from a professional environment and have an office to organize meetings with customers. A coach supported me to implement my idea, to finalize the Business Plan, so to optimize the chances to success my project.” Example 2: Loïc Pollet and Philippe De Cagny (www.sebola.fr) “By establishing Sébola, our idea was to commercialize a sport and lifestyle clothing line with a double approach: eco-design (to limit to a minimum the ecological print left throughout the life cycle, including the manufacturing process) and technicality (a light material which lets the body breathe, like a second skin). Thanks to the expertise of INNOTEX, we could undertake the researches and studies which validated these two essential aspects for the value of our product with the suitable organizations.” 115 Centre for Young Entrepreneurship, Ronse (BE) The original name of the Centre was “Teinturerie du Soleil” of the family Delbar. The name refers to the nearby Sun Street. The company was founded in 1903 in the existing buildings, and in 1907 a new dye house was realized that stretched to the brook “the Molenbeek”. A steam engine and boiler and a brick chimney were placed next to the existing building. The dye factory was expanded in 1909 and 1917. In the years 1950 and 1980 adjacent buildings were purchased to further expand the activity. The company ceased operations in 1995. The city bought the plant in 2001 after years of decline. Nobody was interested to clean up the pollution in the ground due to the dying activity. With the necessary funds from the Flemish Government, all the buildings which were beyond repair were demolished. 116 In 2007 the city gathered a group of private investors around an ambitious project, namely the development of a Centre for Young Entrepreneurs. A place were entrepreneurs could launch their activity in the best circumstances: an office, a store and all the necessary services. A capital of 600.000 euro was collected and a formal company was established called “NV Ondernemerscentrum Ronse”. It is a public private partnership (PPP), half of the capital is private funding, the other half is public funding. The president of the company “Ondernemerscentrum Ronse Ltd” is Patrice Vandendaele, owner of one of the leading textile related companies in the region. It is his strong belief that these kind of initiatives for new entrepreneurship can bring back a new flourishing era for the city of Ronse. After 15 years of silence, there is again a bustling activity on the site. The centre has concluded its first year of activity and has already a occupancy of 60%. Interesting young people with innovative ideas have found their way to the centre. 117 UP-tex, Lille Métropole / Marcq-en-Baroeul (FR) The UP-tex Cluster is an association of companies, research and tech transfer centres that has been approved as a Competition Cluster by the French State. By 2015, the Cluster aims at becoming a European benchmark in the field of: • Advanced Textile Materials • Polysensoriality • Design and Mass Customisation This cluster federates the best competencies for preparing and optimising projects. It places textile at the heart of the materials of tomorrow through innovative applications in terms of functionality and usage, thus paving the way for a large number of opportunities in sectors offering high added value. 118 New functional requirements and sustainable developments are the two engines for development of Advanced Textile Materials. Sectors of activity: The UP-tex cluster positioning in these sectors brings high diversification and value to the national industrial network. • Clothes and smart textiles, protective equipment • Transport and composite materials • Health care and biotechnologies • Building and civil engineering • Sport and leisure • Biofibres and biomaterials Volume markets, such as transports, packaging, households, as well as niche markets (healthcare, building, sports, geotextile, protective attire) are expected to grow. The Cluster assists companies that have a research or innovation project in the fields of advanced textile materials, polysensoriality, design and mass customisation. The UP-tex cluster supports at regional and national levels energy and performance of the industrial network, on the one hand, competence and reputation of research, tech transfer and training centres on the other hand. The services offered by the UP-tex Cluster include a number of actions that facilitate an innovation-based approach: • Assistance to mounting projects • Fund raising • Access to the watch platform for markets and technologies • Access to networks Promotion and Communication UP-tex assists companies in their international growth. On an international scale, the UP-tex Cluster is developing a worldwide network in Europe, North America, Asia and North Africa. 119 3.d Technological Centres and Textile Museums in ACTE territories Apart from local and regional administrations, ACTE is working in close collaboration with other key players of the territories, such as museums and technology and research centres. These institutions actively participate in the activities of our network as adherent members. In recent years, a significant increase in the number of adherent members of ACTE could be observed. Hence, working groups on R&D and on Textile Museums have been constituted within ACTE in order to encourage the transfer of knowledge and experiences among these players, closely linked to our territories. In that sense, we can even speak about the existence of networks within the network. 120 As shown in this section, textile and fashion museums and other cultural institutions play an important role in many of our territories. They act both as witnesses of the historical productive memory and as drivers for the transition from an industrial economy to a knowledge-based economy. They represent in many cases an excellent example of a successful linkage between the rich industrial heritage and the development of innovative designs and products. As for technology and research centres, their activities are key for the enhancement of the competitiveness of local businesses through the development of new technologies and high value-added products and services. 3.d.1 Technological and Research Centres AITEX, Alcoy (ES) AITEX, Technological Textile Institute, is a private non-profit association, which was established in 1985 by textile entrepreneurs and the Government of the Valencian Community. It is part of the Network of Technological Institutes. AITEX’s main objective is to improve the competitiveness of textile enterprises, promoting modernisation, introducing new technologies and improving the quality of the enterprises and their products. The global objectives involving improvement and support for the sector are distributed through a series of areas of action: Technological research and development activities, advanced technical services, technical consultancy, technology surveillance and transference, training and certifications. 122 All the Institute’s programs and actions are presented as instruments for support within the framework of technological needs of textile enterprises. AITEX carries out R&D projects, which are implemented by different research groups within the Institute. AITEX also has specialised laboratories with credentials and recognitions of the highest level at national and international scopes and a wide range of experts belonging to several different scientific-technical fields. These professionals are qualified to provide consultancy and training services in different subjects (environment, REACH directive, and eco-design). AITEX is an official body, authorised to certify textile products with a range of factors related with ecology, quality, protection and safety. The Institute carries out continuous research on all technological novelties which take place and are applied to the textile sector. The Institute’s activity covers 12 areas of knowledge: • Textile materials applied to biotechnology and biomedicine • Checking and managing comfort • Technologies and design management for fabrics and clothing • Specialised textile training • Nanotechnology applied to textile materials • Technologies for textile processes • Textile solutions for protection and safety • Textile solutions for health • Sustainability of processes and recycling textile products • ICT in textile and management processes • Intelligent and functional textiles • Technical textiles Each area of knowledge is supported by a significant infrastructure which comprises 20 laboratories with stateof-the-art equipment, 22 experimental plants and emerging technologies with direct application to the textile sector. More so, AITEX includes a workforce comprised of the most specialised technicians from each research line, which comprise the different areas of knowledge. The research which takes place in the aforementioned areas of knowledge results in generation and transference of knowledge and technologies in application sectors such as aeronautics, automobile industry, clothing, geotextiles, textile value chain, sports and leisure. 123 EEDRI, Łódź (PL) Entrepreneurship and Economic Development Research Institute at the Academy of Management in Łódź is an independent research unit established in 2004 in order to: • Train and improve the professional skills of academic staff • Intensify research and development cooperation within the framework of national and international scientific networks • Conduct extensive national and international interdisciplinary scientific research and development work • • • The Institute’s core research and development activities cover the following areas: • Regions of knowledge (regional innovation strategies, regional clusters, sectorial innovation systems and innovation support policy, inno- 124 • vative instruments of region management) Innovative instruments for region and company management (regional and technological foresight, benchmarking, technological and innovation audit, governance, monitoring and evaluation). Entrepreneurship and support policies for small and medium enterprises (environment friendly to SME development, including the elimination of administrative barriers, national and international initiatives for SME support, best practices) European integration (theory of integration, economic consequences of integration) Internationalisation of SMEs (theory of internationalisation, internationalisation and globalization of SME, cross-border and international cooperation) Research results are available at the Institute’s web site: www.eedri.pl, as well as in the form of reports, analyses and scientific journals published by the Publishing House of the Academy of Management, etc. Research results are also spread through papers and scientific announcements presented at conferences, workshops and scientific seminars including the ones that are organised by the Institute. The EEDRI staff are members of research teams working for the development of the textile and clothing industry, and are also actively involved in the improvement of vocational education. It is worth noting that it was the EEDRI’s initiative to establish the Advanced Textile Technologies Cluster, which is now promoting the development of the industry. In 2009, EEDRI was awarded by the Polish Textile Association for its sustained effort in the development of the textile industry in Poland. 125 CETEMMSA, Mataró (ES) CETEMMSA opened in 1991 as an innovation and technology centre dedicated to serving the industrial and professional network of Maresme. The company was formed pursuant to a joint initiative between business associations and several public administrations, in order to facilitate the process involving technological innovation and business development, providing a consultancy service and the opportunity to share technical resources. Over the past years, CETEMMSA has increased its sphere of action and is currently recognised by several regional, national and international entities and bodies as being a technological centre of reference in the field of research applied to Smart Materials and Smart Devices, providing a wide range of significantly evolved services, which have made it become a centre for comprehensive innovation services. 126 On the other hand, information technology, organisation consultancy and training are other complementary axies within this portfolio of services. All these factors together favour the fact that the concept of innovation is still managed as a global strategic process. The synergies between these lines of action allow the company to take on the role of intermediary entity, coordinating the efforts of all the agents involved in a certain innovation plan, regardless of whether it is specific to a company or affects the specific activity of a sector. CETEMMSA is organised into different research groups, with clear orientation towards markets and applications: Energy and Photonics, Health and Wellness, Smart Materials, Electronics and Sensors, Smart Textiles and Radiofrequency Identification, RFID. One of the main functions of the technological centre is to establish collaborations with other research centres and universities in order to develop joint projects. The capacities of the research team are distributed over a wide range on scientific and technological fields, covering specialities such as: Chemistry, Electronics, Telecommunications, Physics, Industrial engineering and Textile Engineering, among others. CETEMMSA carries out research applied to intelligent materials and devices, Smart Material & Smart Devices, by means of systems and technologies for deposition, printing, laminating and surface treatments. Providing companies with a joint project for creating intelligent and Smart Objects. 127 CITTA, Córdoba (ES) The Regional Government of Andalusia brought about the creation of the Textile Innovation and Technology Centre of Andalusia (CITTA) in 2006, taking on the legal status of a private nonprofit Foundation. CITTA was created as a tool to promote the textile industry within Andalusia through innovation and technological development, covering 2,094 businesses. Within the region, this sector employs approximately 10,000 workers, and its turnover was 940 million Euros. All this has been done through Innovation and Technological Development, carrying out its main activity within the Regional Government of Andalusia. One of CITTA’s main objectives is to search continuously for new opportunities for the sector, in spite of the competitiveness of the current times, 128 identifying the following lines for development: Fast Fashion – improving the manufacturing flexibility and the speed at which products can be launched, Technical Textiles in the health and protection scopes and new textile applications for construction. The headquarters of the Textile Technological Centre are located in “La Vega” Industrial Estate, in Priego de Córdoba, roughly in the centre of the Andalusia region. The facilities span over more than 2,000 m2. Soon, the same industrial es- tate will house the quality control and research laboratory. CITTA holds, among others, the following credentials: Member of Research & Development Entities, member of the Andalusian Knowledge System, member of RETA, currently involved in the implementation and certification process of its integrated system for quality, environment and R+D+I management. The services CITTA provides are included within the following scopes: Support to design and manage R&D projects, support for internationalisation of businesses within the sector, training, organisation and production and product development. CITTA’s main clients and collaborators are businesses within the textile-clothing sector and prestigious designers, as well as research institutions. The Foundation’s board is currently comprised of 20 businesses and institutions from several regions. CITTA has started the creation of a Scientific-Technological Advisory Committee, aiming to advise the Centre on R+D lines to be followed, as well as its participation in research and technological development projects. 129 INCDTP, Bucharest (RO) The National Research and Development Institute for Textiles and Leather of Bucharest, Romania, is the only institute of this type in the country and is a promoter of innovation and scientific excellence. With an experience of over 60 years, the Institute has evolved and adapted its work continuously over time, in correlation with the development of the textile-clothing industry at European level and acting in support of the economic agents of the sector. Thus, the Institute carries out mainly applied, technological research activity, as part of the National RDI Plan and in the European 7th Framework, Leonardo da Vinci, EUREKA Programmes, bilateral collaborations. Additionally, following Romania’s membership to the European Union, the Institute has focused its efforts to- 130 wards accessing the Structural Funds to finance RDI projects. By approaching complex multidisciplinary research areas, INCDTP becomes one of dynamic actors of R&D, promoting scientific excellence, innovation and contributing to the achieving of the European Research Area objectives. The priority areas of research concerns are: • Custom textiles and interactive products • Technical textiles for environment protection • Medical destination articles • Textile products for the aeronautic domain • Technologic equipment and automation for the textile industry • Quality testing for textile products In addition to RDI, INCDTP carries out a series of related activities: • Consulting activity, in the form of assistance regarding the quality and maintenance of textile materials, the identification of problems emerging in the processes of spin- ning, weaving, knitting, finishing (dyeing, printing, pre-treatment), etc. • The editing of specialized publications: “Textile Industry” magazine which is ISI rated since 2007, guides, handbooks, specialized books • Organizing national and international scientific events for the dissemination of RDI activity results; there can be mentioned TEXTEH annual international conference, which this year was on its third edition • Services offered to test the quality of textile raw materials, semi-finished and finished products, enabling producers to optimise the technologic manufacturing processes, correcting from the early stage those features that do not comply with the requirements; INCDTP has been also appointed at national level to carry out tests and checkings for rendering the eco-label in some product categories • Professional training, at intermediate and higher level; the Institute is in the final stage for receiving the certificate of training for the following occupations: textile designer, clothing designer, leather technician • Micro-production activity in which the following is achieved:technologic experiments for research projects conducted by the Institute, by providing the necessary technical frame and logistics • Technology transfer and exploitation of results obtained in the research activity in technical filter textiles, medical textile articles (non-absorbable surgical thread, woven vascular protheses, bandages for treating wounds), for which INCDTP works directly for hospitals and health clinics 131 LEITAT, Terrassa (ES) LEITAT is one of five Advanced Technological Centres, which are recognised by the Regional Government of Catalonia, and as such, is an active member of one of the economic transformation promoters who have affected Terrassa city and the entire Catalonian region. LEITAT was founded in Terrassa in 1906, within a society which already realised that association, knowledge and innovation were the keys to improve their business competitiveness. In 1906, a group of entrepreneurs preoccupied with quality, certification and research project regarding the wool textile sector, decided to found an association to support the competitiveness of businesses, naming it Acondicionamiento terrasense. Those entrepreneurs knew how to provide solutions for the needs of business collective and they laid the foundations of the current concept of a technological centre. 132 Over the years and thanks to the work carried out, the entity evolved by expanding its activities, as well as changing its name to LEITAT Technological Center. Over the past years, the entity has maintained its vocation to serve businesses and entities, although it has changed the type of activities it develops, the organisational diagram and the internal work systems. The results over the past years have proven that LEITAT’s commitment to generating knowledge and its subsequent transference to the productive network are effective models for increasing the fast sustainable growth of the economy, as well as creating new spaces and models for developing personal talent and performance for all collaborators. LEITAT Technological Center provides multi-sector solutions for the technological needs of businesses within the textile, chemical and marine sectors, among others. These solutions are provided through its technological research units, which range from textile technologies to surface at treatments, including industrial biotechnology. LEITAT believes that intellectual property is universal and can, therefore, be promoted and developed anywhere in the world, and firmly believes and promotes the “open innovation” concept as the basis for collaboration, in order to provide an efficient solution to the technological challenges posed by the clients. LEITAT is a part of and collaborates as a technological member with several different initiatives, which prove its solvency as a motivating agent with regard to technological transference and planning innovation in businesses, entities and institutions, through different national and international organisations. 133 NTT, Prato (IT) Next Technology Tecnotessile is a research and services society that works to improve technological innovation and the competitiveness of businesses, which are faced daily with the challenges which involve innovation, productive and management efficiency. More than 30 years of work have enabled Next Technology Tecnotessile to create and strengthen ties and collaborations with businesses, universities, public entities, other research centres and service centres at national and international scopes. Next Technology Tecnotessile aims to contribute to these services and thanks to the efficiency of the professional support team, contribute to the competitiveness of the businesses, seeking the best solutions which can be applied to the demands of the businesses. The Society works in the fields of research, technological innovation and training research technicians and researchers. It develops technological consultancy activities for businesses involved in the textile industry and textile machinery, as well as other related sectors, in order to resolve a range of different problems. More specifically, with its activities, the society has contributed to the technological growth of the textile sector and textile machinery in Prato district and to the development of national textile realities. 134 Over the past few years, Next Technology Tecnotessile has expanded its activities in the field of research and technological transference through its participation in numerous community projects, playing the role of coordinator or member. By its activities, Next Technology Tecnotessile aims to respond to the technological demands of businesses and the petitions for technological transference of institutional bodies. The Society ensures the quality of its services and its assistance by a management system which is certified according to the norm UNI EN ISO 9001:2000. For implementing research projects, Next Technology Tecnotessile’s clients have benefited from financial support from the Fondo Speciale per la Ricerca Applicata dell’IMI (L. 46/82 and following modifications). Apart from them, Next Technology Tecnotessile uses EU funds for R+D and technological transference. Next Technology Tecnotessile also has experience regarding programming and management of multi-annual and multidisciplinary research projects, with participation from industrial businesses, research entities and universities. The operational structure responsible for research and development activities is divided into the following areas of competency: Theme areas of interest: • New textile technologies and new products for automotive applications • New textile technologies and new treatment for applications to Health, Healthcare and Safety • Fabrics for sports • Fabrics for construction • Innovation of textile machinery and sustainable textile • Fast Fashion • Textile technologies, chemical processes and finishing treatments • Industrial automation and software application • Technologies for treating and reusing industrial wastewater. • Laboratory trials • Training • Quality Management Systems and Environmental Management Systems • Soft loans for R&D 135 R.S. – Ricerche e Servizi srl, Prato (IT) RS is a private independent centre for innovation and technology transfer, working mainly in the Textile and Clothing production chain. It promotes the implementation of research projects oriented towards development of new technologies and new products with special attention paid to Textiles and Clothing over the basis of a partnership specialising in technology transfer. Its structure constantly monitors emerging technologies that exist in the transition phase between laboratory and commercial maturity, as yet little-known in contexts outside their original ones. It is a contact point between technological knowledge sources (universities, research centres, supply companies) and end users (private and public). RS is a centre for innovation that stimulates, disseminates and supports the technical aspects of technological innovation, particularly in the Textile and 136 Clothing sector for Italian and foreign organizations. This company comprises eight partners with multi-disciplinary competences that range from processing of fibres to production of clothing and relative marketing, from textile IT to textile analysis and research methodologies. RS applies the methodologies backed by its partners’ thirty-plus years of experience. Partners provide complementary expertise in various fields of textile technology, from Chemistry to IT Engineering to Economics. Most are backed by over thirty years of experience as researchers or company managers, and currently hold positions as company owners in the fields of IT, Textile Analysis, Managerial or Technical Consultancy. RS carries out research activities for the company itself or others. RS uses its own resources for the development of projects and orders. It makes use of know-how gained through projects developed in various textile districts in Italy and abroad, plus a network of experts and systematic contacts with research centres and Italian and foreign universities. RS has the mission to intercept or anticipate needs for technological development that are not met or are only partially met, to stimulate ideas, development and experimentation for new applications, to develop appropriate IT, demonstration and service systems based on concrete economic applications of knowledge and technologies. The innovation processes considered are totally innovative, incremental, for products and processes. RS develops and delivers its technological consultancy services in the different fields, such as: dissemination of technologies and improvement solutions, promotion and setting up of groups of interest for the realisation of innovative projects, participation of SMEs in complex high-tech research projects, operational and technical scientific support for the development of research programmes. 137 Fitex, Igualada (ES) FITEX is the brand of the Private Foundation for Textile Innovation, a private non-profit entity whose essential aim is to encourage the innovation process of the knitwear industry. Since its establishment in 2000, FITEX has become a centre of reference for those companies that perform R+D+i linked to textile-fashion-clothing industry. The founding members of this Foundation, FITEX from now on, are the Textile Association FAGEPI from Igualada (Spain), and the City Council of Igualada. The team of FITEX technological centre consists of several professional profiles, such as textile engineers, chemical engineers, knitwear engineers, economists, physical science graduates, etc. who ensure a multidisciplinary approach from the various research, development and innovation projects and a wider approach when tackling scien- 138 tific, technological and market innovation challenges. Supporting the innovation process means for FITEX to integrate itself in the value chain of its users, in order to generate customer satisfaction and improve its results. • Technical advice for the design and development of new products and the engineering of textile processes • Specialized training • Research and development • Dissemination of technical and technological innovation FITEX aims to encourage the innovation in the textile industry, especially in textile-fashion, through four basic fields of action: Since 2005, FITEX is part of the Technological Transfer Centres Network of the Generalitat of Catalonia, currently known as TECNIO. Regarding the research road map, FITEX focuses on three priority fields of work: • Conductive fabric • Textile electroluminescence • Pharmacopeia nano-encapsulation for healthcare applications 139 3.d.2 Museums CDMT, Terrassa (ES) The Textile Museum and Documentation Centre (CDMT) is a reference point in Catalonian and the Mediterranean area, specialised in the preservation, study and promotion of the textile culture. Founded in 1946, the Museum is now a Consortium formed by the City Council of Terrassa and the Provincial Council of Barcelona. CDMT has more than 20,000 pieces from all the styles and eras, and is currently focused on recovering and preserving the industrial textile heritage. It is especially worth highlighting the excellent collection of Modernism textiles, a collection which brings together masterpieces by artists, designers and Catalonian businesses of the nineteen hundred, as well as the modern documentation of Catalonian businesses (samples, all types of fabrics for cloth- 140 ing and household items, embroidery, original designs and point cards). The CDMT is a local public entity which works and provides services in three complementary lines: • Services for professional designers, decorators and interior designers, renovating interiors, costume designers, antique dealers, students and researchers are the focus of the specialised textile and fashion library, which is continuously updated and has an online catalogue, and includes a vast collection of fabrics, clothing garments, accessories, original designs and samples, most of which can be accessed on the net (http://imatex.cdmt.es). The CDMT team provides customised consultancy regarding technical or historic aspects, drafting studies or technical reports and helps to search other resources and contacts. • Training The centre organises on-site and online courses regarding documentation, preservation and restoration of fabrics, as well as courses related to specific themes such as analysis and knowledge of textiles and clothing. We have signed agreements with several universities and institutions concerning the organisation of practical courses at the facilities. We provide made-to-measure courses for individuals, businesses or entities, according to their needs and using our own resources and those of other entities with which we collaborate. The current course program is available at www.cdmt.se (training) • Museum The centre also carries out a range of research programs, of which the results are published through temporary exhibitions and relevant publications. CDMT publishes a biannual magazine, Datatèxtile, which is focused exclusively on art, heritage and textile culture and is the only one of its kind to today’s date. The diffusion is complemented with an educational service, including workshops and teaching courses, and a program of activities for all ages. The Museum also has a restoration workshop for fabrics and garments, which services other entities and private clients. 141 Central Museum of Textiles, Łódź (PL) The White Factory, the current site of the Central Museum of Textiles, was erected in the years 1835 – 1886 by the family of Ludwik Geyer, immigrants from Neugersdorf in Saxony. This is a unique solution of industrial architecture, unobserved in other mills. It was the first mechanical textile cotton mill in Łódź. In 1840 -1851 about 700 employees worked in this factory, which had 180 looms and 56 spinning frames. Before World War I the factory housed the spinning room with 21,600 spindles, the weaving room with 717 looms and the printing room as well as departments for mechanics and repairs. There were 1.700 employees altogether. In 1907 one of the first bathrooms was built for factory workers in Łódź. This building is an example of magnificent industrial architecture: a fourwing mill with the building of the Old Boiler House with steam power machine in the middle of a big courtyard, with a high chimney (stack), the first in Łódź, two dust towers and two watertowers. 142 During the World Wars I and II the factory was devastated. In January 1945 the mill was nationalized. Due to the bad technical condition, it was used as a production place to a small extent. There were situated only storerooms, offices, vocational schools and apartments. Part of the spaces were leased. The buildings were not renovated and its technical condition was soon degraded. In 1952 Department of Textiles was established within the structure of the Museum of Art. Two years later the City authorities decided to establish a separate textile museum. The White Factory was suggested as a suitable place. In March 1959 this Department was transformed into the Museum of Textile History, a branch of the Museum of Art. In 1960 it was a separate institution, since 1975 – the Central Museum of Textiles. In 2002 the whole Eskimo factory was closed, former Geyer’s industry, occupying the eastern wing. That year a tender was announced and solved for the conception of the archictectural restructuring of this wing. The idea returned to found an open-air museum in the park adjoining the museum. In 2006 – 2008, thanks to the European and Municipal funds, investment was carried out, which gave the museum an additional surface of 4.110 m2 (all museum has 16,000 m2). The last wing included into the museum houses magnificent exhibition spaces, a reading room, technical facilities, hall with the working weaving and knitting machines. Apart from exhibitions, symposia and concerts, fashion shows and even wedding ceremonies are organized here. The interests of the museum concentrate around everything relating to the textile manufacturing process – from materials, through textile techniques and technologies to textile products representing various processing degrees. This assumption results in the fact that apart from textiles the museum also collects other non-textiles fibers, felts, knitting as well as garments made of them, and contemporary artworks created from paper (because linen and cotton “end” their lives in the mills). Collections are gathered, scientifically elaborated, conserved and in various forms displayed by the specialized thematic departments of the museum. Since 1972 the museum organizes the International Triennial of Tapestry, and is the organizer and exhibitor of important national Polish events (i.e. National Exhibition of the Polish Tapestry). 143 Musée du Folklore, Mouscron (BE) From its creation in 1953, at the instigation of the local historian Léon Maes, the municipal Museum of Folklore has for mission to collect, preserve, expose, study and transfer on the heritage of the mouscronnoise region, mainly the period included between 1850 and 1950. Since 1980, collections are sheltered in a bourgeoise house of 1885, the former house of the director of the school of the city centre. Today, a vast project of extension and renovation is led with the support of the French Community of Wallonia 144 Brussels to allow the development of the increasing museum activities and the new style of the permanent collections more directed on the cross-border life in the last century. The Museum is an institution recognized by the Ministry of Culture, and a reference in the field of regional ethnology. The collections of the Museum, rich in more than 15,000 objects and 45,000 archived documents, describe the peculiar life of Mouscron: a big rural village becoming a city strongly urbanized further to the textile industrial expansion of the middle of the 19th century. Situated in the border of two borders the one linguistics with Flanders, the other political with France - the city also distinguishes itself by its population growing in the middle of three different cultures. The Museum becomes attached quite particularly to these immaterial her- itage, by protecting thousands of testimonies, oral traditions and specific know-how. The manual loom (l’ôtil in Picard) evokes the secular textile tradition of the region. For the 15th century, the work of the weaver at home was centred on the production of the linen, the plant also cultivated on our lands. The mouscronnois manufacturers shaped quality (tissues). The ôtil was in the ward of modest home of the weaver where the regular “terlic-terlac” of the shut- tle gave rhythm to the atmosphere of the room. He set to work, early in the morning till late in the night, and received often only a starvation wage for his tiring and meticulous labour. The everyday life of the worker, the modest housing environment, the social demands, the clubs and societies strictly connected to taverns and to popular games are the other aspects explained during a visit to the Museum. From 1880, most of the craftsmen attracted by the fast development of the industries will abandon their ancestral loom to go to work to the factory. The collections of the Museum evoke also the textile work devolved to the woman: the carding, the spinning, the lace, the knitting, the sewing, the embroidery. Today, this disappeared or threatened textile know-how is passed on in the young generations thanks to the training courses of heritage” Folklore Experiences”. 145 Musée de la Rubainerie, Comines (BE) Nowadays, divided into two entities of different nationalities around a ribbonriver playing the hyphen role, Comines keeps the marks of a highly interesting economic, historical and cultural past. The textile industry has indeed a strong presence there since the 13th century, without interruption. until 1719 so that the textile activity, strong of its family and domestic components, became a real driving force in the economic growth. Located at a place named “Le Fort”, in the geographical and strategic centre of both Comines, exactly where the Ennetières ribbon manufacture was situated, destroyed during the First World War, the Museum of the Ribbon Manufacture of Comines exhibits eight centuries of textile memory, know-how and knowledge transfer. From 1848 to the First World War, Comines became the world capital of the utility ribbon with 400 million meters produced yearly by some 1,000 workers, and 3,500 machines. Large groups were created, such as the Ducarin factories. The infrastructures, destroyed during the First World War, had been almost completely rebuilt after the conflict according to contemporary standards. Still today, a whole neighbourhood of Comines-France is called “Ducarin Work”. If the wars of religion of the 16th century, and the border conflicts that punctuated the reign of Louis XIV gave the textile industry a blow without really eradicating it from the economic spectrum, it would be necessary to wait In the 1980s, many companies closed down. The relocation process was coming. Countries with less expensive labour costs let the large groups that had taken over the family ribbon factories, to carry out bumper profits. The 146 ribbon factories progressively disappeared from both Comines. The sawtooth roofs and the chimneys fell the ones after the others. The banks of the Lys and the intra-urban industrial areas acquired then a new look. Still, the year 2000 does not yet hear the sound of the death knell of the ribbon of Comines. Nine companies, located within the French territory, and a last one within the Belgian territory, perpetuate the secular know-how of the Bleu-Vintes (the ribbon workers and their blue overalls), especially in the fields of luxury and passementerie. Nowadays, about 300 workers weave and design, using advanced machines, straps, escutcheons, decorative ribbons, luggage handles, seat belts, and zippers. At the present time, in Comines, six hundred million meters of high-quality ribbon are still produced yearly. Each year, two significant events take part with this spirit in the collective memory: the festival of the Marmousets, each third Sunday of July, with its procession recalling the life and the work of Bleu-Vintes, and the traditional “souper à pierrot” of the HolyCatherine, the saint patron of the ribbon manufacturers, celebrated every 25th November. At this occasion, the meals of the ribbon manufacturers of Comines are shared among the members of the Ribbon Brotherhood and their sympathizers: a sausage, haricot beans and vinegar red cabbage remind, through this modest dish, all the bonds that Comines wove and still weaves throughout the world… like an eternal return of life history! 147 Museu de la Tècnica de Manresa (ES) Located within one of the city’s old water reservoirs, the Manresa Museum of Technology comprises an exhibition dedicated to ribbon manufacturing, which allows visitors to view one of the city’s most representative and important industries. The building features an extraordinary collection of textile-related machinery. The exhibition provides an insight as to how this industry of narrow strips of cloth has evolved from using silk up until the modern ribbons used in the 21st century, and also getting to know the personality of the ribbon industry of Manresa. This centre is considered to be a specialised centre within the national and international market. The exhibition is divided into five areas, each of which allows visitors to view different historical eras and allows us to relive the work which took place in the early 18th century, ranging from 148 the workshops located within homes, up to the modern 21st century factories that produced ribbons. The exhibition guides visitors through a chronological itinerary starting with the origins of silk and the braid workshop located in an old 18th century house and finishing up with a workshop in a loft, the braid workshop and the factory. The exhibition has recovered looms and machines which belonged to several workers and workshops in Manresa and Catalonia. These machines produced cotton weaves, shoe laces and industrial slings, which employed about 20% of the population. It is also worth highlighting the industry which was created around ribbon manufacturing, and was comprised of fabric manufacturers, maintenance, distribution, etc. This industry still functions today, although in a much smaller way, but the areas surrounding Manresa still produce 25% of the total amount of ribbon, which is manufactured in Spain. The Museum was opened with the aim to recover the city’s industrial history and preserve the memory of the many thousands of people who worked in this industry. As the workshops and factories closed down, the Museum recovered the pieces of the most historic value and included them in this exhibition. Now, besides seeing the machinery, we can also get to know the city’s industrial heritage by means of activities aimed for children and adults, guided tours and many other options. 149 Museo del Tessuto di Prato (IT) The Prato Textile Museum opened in 1975, within the Tullio Buzzi Technical Institute, the school which has trained textile technicians and businessmen within the Prato district for over 100 years. The aim to create a museum as a useful tool in support of the schools’ educational programmes had already been thought about in the 1950s. Some of the teachers, along with some former students and businessmen, started to gather historical evidence regarding local manufacturing. The opportunity to create a genuine museum structure in the school matured within the school’s new head office in Viale de la Repubblica, which opened a few years earlier thanks to the donation made by the textile businessman Loriano Bertini, of a collection of more than 600 textile fragments dated between the 14th and 18th centuries. 150 The museum’s ultimate headquarters opened in 2003, within the first part of the renovated building, occupying some 2,500m2 of the total of 8.500m2. The renovation of the former Campolmi factory went on for another six years and ended in 2009, with the opening of the new and splendid municipal library. The tour is divided into two different exhibition areas. An introductory area is devoted to explaining textile fibres and their manufacturing processes. This stage of the tour includes material for visually impaired visitors and covers the hall with the old collections and the old boiler room on the ground floor. The former Campolmi factory is a monument of textile industrial architecture. Its architectural development began in the second half of the 19th century when the first covered areas were built using groin vaults, which nowadays hosts the museum’s historical collections. The tour of the mezzanine floor includes the areas intended for the textile history of Prato, the section which houses modern fabrics and the halls for temporary exhibitions. The works on the building were concluded around a century later, with the construction of an impressive ogivalceilinged vault which was initially used for the dying works, and it is now the library’s monumental entrance hall. The choice to assign an entire exhibition area to the modern section is due to the need to closely link the museum with the region’s manufacturing reality. Since 2003, large venues have been available for staging temporary exhibitions and events. This has made it possible to organise important textile and fashion shows. Aside from the temporary exhibitions, the Textile Museum Foundation organises periodical temporary rotations of the permanent old collections, as well as modern ones. 151 Museo del Tombolo di Isernia (IT) The Project Museo del Tombolo di Isernia comes into the historical tradition of merletto (lace) in the Region Molise. The house that will host the Museum is located in front of one of the most representative places of the city: Fontana Fraterna, symbolic monument of Isernia, in the circle dedicated to San Pietro Celestino, the beloved Saint born in Isernia. This place preserves and reflects the modern historical aspect of the city. It was also the favourite place for the merlettaie (lace makers) to make their beautiful linen filigrees, in the same Piazza Concezione (Piazza San Pietro Celestino, today) when this was a small circle surrounded by houses, before the bombing of September of 1943. The presence of old houses can be found at the perimeter marked by bricks. The bobbin lace spun the history of the city for five centuries. Thousands of merlettaie have woven yarns and creativity mixed with the daily life of farmwork and housework. These women have contributed to family finances and even to the city’s, selling their handicrafts. The bobbin lace came to Isernia from the Kingdom of Naples around the 15th century, and it spread in the period of the Queens Joanna III and Joanna IV of Aragon. It took the artistic style of the Convento di Santa Maria delle Monache, a Benedictine monastery that housed the young nobles from Naples forced to become 152 nuns, in order to preserve the family assets. Throughout the centuries, from the 16th century onwards, the bobbin lace became synonymous of sophistication, elegance, fine execution and continuous search for patterns and the knitting that traced its evolution. The merletti di Isernia, known throughout the world, demonstrate the taste for beauty that characterizes the city, that it now dedicates them a Museum promoted by the initiative of the City Council, originating from a Project born in 2010. The Museum intends to be the centre of a series of activities to promote the cultural interest in the Molise Regional textile district, herein supported by ACTE. lo di Isernia in a Museum, but also to become a creative forge and a place to study for young students, and all those interested in learning more about this fascinating and peculiar world that gives rise to a subtle and timeless beauty handicraft. Subsequently to the attention paid to the cultural and artistic heritage, forgotten for decades, after the publication of “Il Tombolo nel cuore di Isernia” by Maria Stella Rossi and Olimpia Giancola, promoted by the President of the Region of Molise, Michele Iorio, a renewed interest for the tombolo and its future has began. The historical testimony of the bobbin lace and its related events will be kept up in this museum by initiative of the City Council of Isernia and its Mayor Gabriele Melogli, thus realizing the desire of many people in Isernia, not only to protect the originality of the Tombo153 Museo Zucchi, Milan (IT) Within the textile industry, Lombardy historically represents one of the most important areas in Europe. This is thanks to highly integrated production system and the entire value chain being present in the region. In fact, the Lombardy textile manufacturing sector contributes to about 30% of the exports of products made in Italy. It is also inserted into a productive network involving research, service, imports, exports and distribution, allowing for a substantial development which can support the implementation of rational productive processes in the value chain and other economic sectors. In 1987, Giordano Zucchi, a textile group director sensitive to changing tastes in the art of furnishing, came into possession of a handblock of wood and pewter which had formerly been used for the production of hand-printed fabrics. Theses handblocks had been 154 the property of prestigious English textiles company David Evans & Co. who, for more than 50 years, had been gathering them from Europe’s major printing houses. Giordano Zucchi could not let the opportunity pass and in 1988, this legacy was renamed “The Zucchi Collection”. It was enhanced by the addition of copper batik handblocks. Today this collection is considered to be one of the largest collections of handblocks for hand-printed fabrics in the world. The current value of the Collection gained official recognition in 1997 when it received the Guggenheim Award. The Collection’s 12,000 designs bear witness, over a period which spans three centuries from 1785 to 1935, to a fashion that was both varied and sophisticated, and spanned over Europe during one of the most vital and fertile periods of its culture. This fashion lasted until the first stylistic experiments of the Art Nouveau and Art Deco movements. 56,000 printing blocks, an extraordinary number, this also represents a physical problem, as they take up a great deal of storage space using structures able to support the weight of many tonnes. The Collection is currently housed in different storage locations, the Via Foscolo in Milan and the location in Legnano. To make the Collection accessible not only to scholars but also to the designers, it was necessary to decide upon criteria by which the artefacts could be subdivided. In this sense, the Zucchi Collection has been divided into six categories, which are identified in terms of iconographic forms, abstract, cashmere, floral, geometric, ornamental and pictorial. Another subdivision has been based on the specific uses for borders, foulards or scarves and for ties. Each series of blocks has been assigned with a data card, printed and computerised, which contains various items of information about the handblock, including the style, the historical period, the conservation and the origin. Thought was also given to the preservation of these pieces, as wood is a sensitive material, which needs to be stored at constant temperature and humidity levels in order to avoid any alteration. The blocks also need to be treated with beeswax and turpentine to maintain its elasticity. The Zucchi Collection does not only collect printing blocks, catalogue and preserve them for future exhibition in museums. In fact, a series of initiatives, dedicated to several categories of people, ensures this legacy is continuously available for the public. In order for the general public to become better acquainted with the collection, carry out activities, to share the value of the collection with anyone who shows interest, a constant and dynamic current value. 155 Vapor Buxeda Vell, Sabadell (ES) Vapor Buxeda Vell was founded by the Buxeda brothers, Miquel and Domènech. It was the first industrial business in Sabadell, which in 1879 had its own electricity supplied by its steam machine. The Buxeda brothers rented parts of the building and energy to a few financially modest business owners. In 1896, Vapor Buxeda Vell was sold by the Buxeda family. Some of the reasons for the business’s rapid decline were that the generational inheritance of the family business was not accompanied by a competent management. The non-payment of the debts contracted caused for the building to be embargoed and publicly auctioned. Can Buxeda was an industry devoted to producing and manufacturing wool and cotton fabrics, as well as worsted and wool wires. They took on the entire wool production process and became a vertically-structured enterprise (from spinning, through weaving, including the finishing process of the pieces). In 1858, in their early years, the company produced between 400 and 500 pieces. By 1889, they were manufacturing between 5,000 and 6,000 pieces and had gone from 127 employees in 1858 to 350 in 1889. 156 Between 1905 and 1994, the building was owned by La Mercantil Sabadellense, which suffered a downturn in the 1980s when the lack of operational ca- pacity became evident, added to the perspectives of this small industrial estate located in the centre of the city and the obsolete facilities which were in desperate need of modernisation. In 1993, the Sabadell City Council approved the General Plan for Municipal Zoning, which included a building process for plots which were occupied by old unused factories and were located within the central area of Sabadell. This plan forecast that half of the land could be built on, and the other half was to be transferred to the City Council and used for public facilities or green zones. In the case of the Buxeda Vell, the construction project was approved in 1997 and the following year the renovation works begun. In 2000, part of the original building was demolished. Having demolished a large part of the original building, the available land was used mainly to building homes. Sabadell City Council is the owner of the remaining part and has subsequently renovated it and converted it into the Museu de la Indústria Tèxtil Llanera (Museum of the Wool Textile Industry), which in turn depends on the History Museum of Sabadell. In the interior, the building still preserves some machinery and technology applied to steam energy. Visitors can also see the home of the old steam factory’s supervisor, the machinery room (which still houses the Wolf semi-fixed steam machine, from 1908), and the boiler room. The Vapor Buxeda Vell offers guided tours, during which visitors are explained the evolution of the building since it was founded up until just before it was demolished in 2000. The tours also explain the historic context of Catalonia and Sabadell during that period, as well as the evolution of steam energy towards electricity. 157 Contacts Museums and Research Centres AITEX (ES) http://www.aitex.es [email protected] Plaza Emilio Sala, 1 E- 03801 Alcoy (Alicante) +34 96 554 22 00 CETEMMSA (ES) http://www.cetemmsa.com Av. d’Ernest Lluch, 36 Parc Científic i de la Innovació TecnoCampus E-08302 Mataró +34 93 741 91 00 CITTA (ES) http://www.citta.es [email protected] Polígono Industrial “La Vega” parcela 1 E-14800 Priego de Córdoba (Spain) +34 957 541 799 158 EEDRI, (PL) http://www.eedri.pl [email protected] PL-90-519 Łódź, ul Gdańska 121 ç +48 42 664 22 40 Fitex (ES) http://www.fitex.es Av. Mestre Muntaner, 86 E-08700 Igualada (Spain) +34 938035762 INCDTP (RO) http://www.certex.ro [email protected] Lucretiu Patrascanu 16, sector 3 RO-030508 Bucharest +40 21-340.49.28 LEITAT (ES) http://www.leitat.org [email protected] C/ de la Innovació, 2 E-08225 Terrassa +34 93 788 23 00 Next Technology Tecnotessile (IT) http://www.tecnotex.it [email protected] Via del Gelso, 13 I-59100 Prato (Italy) +39 0574 634040 RS – Ricerca e Servizi (IT) http://www.riser.it [email protected] R.S. - Ricerche e Servizi s.r.l. Via A. Volta, 42 I-50041 Calenzano Firenze (Italy) +39 055 8826628 CDMT (ES) http://www.cdmt.es [email protected] C/ Salmeron, 25 E-08222 Terrassa +34 937 315 202 Central Museum of Textiles, Lodz (PL) http://www.muzeumwlokiennictwa.pl [email protected] ul. Piotrkowska 282 PL-93 - 034 Łódź +48 042 683 26 84 Museo del Tombolo di Isernia (IT) http://www.comune.isernia.it [email protected] Comune di Isernia Piazza Marconi n. 1 (+39) 0865 4491 Musée de Folklore, Mouscron (BE) http://www.mouscron.be [email protected] rue des Brasseurs, 3 B-7700 Mouscron +32 56 86 04 66 Museo del Tessuto di Prato (IT) http://www.museodeltessuto.it [email protected] Via Santa Chiara 24 I-59100 Prato (PO) +39 0574 611503 Musée Rubanerie, Comines (BE) [email protected] rue des Arts, 3 I-7780 Comines-Warneton +32 56 58 77 68 Museu de la Tècnica de Manresa (ES) http://mtecma.blogspot.com [email protected] Carretera de Santpedor, 55 E-08240 Manresa (Bages) +34 93 877 22 31 Vapor Buxeda Vell (ES): http://www.sabadell.cat [email protected] c. de Cervantes 68 Sector CENTRE E-08201 Sabadell (Barcelona) +34 93 727 05 14 Museo Zucchi (IT) http://www.zucchicollection.org [email protected] Via Legnano, 24 Via Legnano, 24 20027 Rescaldina (MI) (+39) (0) (331) 448111 mNATEC (ES) http://www.mnactec.cat [email protected] Rambla d’ègara, 270 E-08221 Terrassa +34 93 736 89 66 159 Participating Organisations Provincia di Novara http://www.provincia.novara.it [email protected] Piazza Matteotti 1 I-28100 Novara +39 0321 3781 Câmara Municipal de Guimarães http://www.cm-guimaraes.pt [email protected] Largo Cónego José Maria Gomes P-4800-419 Guimarães +351 253 421 200 Lille Métropole Communauté Urbaine http://www.lillemetropole.fr [email protected] 1, rue du Ballon BP 749 F-59034 Lille Cedex +33 03 20 21 22 23 160 Comune di Prato http://www.comune.prato.it [email protected] Piazza del Comune, 2 I-59100 Prato (PO) +39 0574 18361 Orbital-40 http://www.orbital40.com [email protected] +34 93 789 11 11 ext. 2346 Ajuntament de Manresa http://www.ajmanresa.cat Plaça Major 1 E-08241 Manresa +34 93 878 23 00 Ajuntament de Sabadell (ES) http://www.sabadell.cat Plaça de Sant Roc, 1 08201 Sabadell +34 93 745 31 00 Promoció Econòminca de Sabadell (ES) http://www.sabadell.es/estructura_ municipal/p/peconomsl_esp.asp [email protected] crta. de Barcelona 208B E-Sabadell 08205 +34 93 745 31 61 TecnoCampus Mataró-Maresme (ES) http://www.tecnocampus.cat [email protected] Av. Ernest Lluch, 32 Edifici Tecnocampus E-08302 Mataró (Barcelona) +34 93 169 65 00 CENTR’ EXPO Mouscron (BE) http://www.mouscron.be [email protected] Rue de Menin 475 B-7700 Mouscron +33 056 860 140 Stad Ronse http://www.ronse.be [email protected] Grote Markt 12 B-9600 Ronse +32 55 232 711 Carpiformazione (IT) http://www.carpiformazione.it [email protected] Via Nuova Ponente 22/b 41012 Carpi (MO) +39 059 699554 Ajuntament de Terrassa (ES): http://www.terrassa.cat Raval de Montserrat 14 E-08221 Terrassa (+34) 93 739 70 00 Łódź Art Center (PL) http://www.lodzartcenter.com [email protected] ul. Tymienieckiego 3 PL-90-365 Łódź Poland +48 42 684 20 95 COPEVO (ES) http://www.consorciocupaciovalles.cat [email protected] Ctra. N. 150 Km 15 E-08227 Terrassa +34 93 707 07 07 Foment de Terrassa (ES): http://www.terrassa.cat [email protected] Ctr. De Martorell, 95, BA 08224 Terrassa (Barcelona) (+34) 93 789 11 11 Manufaktura (PL) http://www.manufaktura.com [email protected] ul. Drewnowska 58 PL-91- 071 Łódź +48 42 664 92 89 Maisons de Mode (FR) http://www.maisonsdemode.com [email protected] Lille - Le Jardin de Mode 58/60, rue du Faubourg des Postes F-59000 Lille +33 03 20 999 120 and Roubaix - Le Vestiaire 27, rue de l’Espérance 59100 Roubaix Ajuntament de Santa Margarida de Montbui (ES) http://www.montbui.net [email protected] Ctra de Valls, 57 E-08710 Santa Margarida de Montbui. +34 93 803 47 35 161 Servei d’Ocupació de Catalunya (SOC) http://www.oficinadetreball.cat Carrer de Llull, 297-307 E-08019 Barcelona +34 93 553 61 00 IMPEM – Mataró (ES) www.mataro.org [email protected] C/ Herrera, 70 08301 - Mataró +34 937582131 Reactivació Badalona (ES) http://www.bcin.org Polígon Les Guixeres C/ Marcus Porcius, 1 E-08915 Badalona +34 93 464 80 00 162 Euratechnologies (FR) http://www.euratechnologies.com [email protected] 165 avenue de Bretagne F-59000 Lille +33 03 59 08 32 30 UP-tex (FR) http://www.up-tex.fr Pôle de compétitivité UP-tex 40, rue Eugène Jacquet - SP15 F-59708 Marcq-en-Baroeul (+33) (0)3 20 99 46 36 INNOTEX (FR) http://www.innotex.fr 2 allée Louise et Victor Champier BP 30329 F-59056 Roubaix Cedex 1 +33 03 20 25 75 70 Glossary Acronyms ACTE MFA ATC EEC ECU European Textile Collectivities Association Multifibre Agreement Agreement on Textile and Clothing European Economic Community European artificial currency unit between 1979 and 1999 EHEA European Higher Education Area EFTA European Free Trade Association PPE Personal Protection Equipment GATT General Agreement on Tariffs and Trade LMI Lead Market Initiative NAFTA North American Free Trade Agreement OECD Organisation for Economic Cooperation and Development OLAF European Anti-Fraud Office WTO World Trade Organization GDP Gross Domestic Profit PPE Personal Protection Equipment SME Small and Medium-sized Enterprise I&D Research & Development 164 REACH Registration, Evaluation, Authorisation T&A T&C EU EU-15 EU-12 and Restriction of Chemical Substances Textile and Apparel Textile and Clothing European Union Members of the EU before 2004 enlargement Members included in the EU after 2004 Countries BE DE ES FR IT PL PT RO Belgium Germany Spain France Italy Poland Portugal Romania References 1 2 3 4 5 6 7 8 9 10 Communication of the European Commission COM(2003) 649 final of 29.10.2003 on “The future of the textiles and clothing sector in the enlarged European Union” http://www.wto.org/english/tratop_e/texti_e/texintro_e.htm Joan Canals: La indústria tèxtil i de la confecció a Espanya, a l’igual que a Europa, es troba en una cruïlla difícil i complexa de la qual li costarà sortir-se’n. In: online journal of CTESCAT, http://www.ctescat.cat/scripts/larevista/article.asp?cat=13&arte=354 Lleonart, P. (Ed.) Forecast for the evolution of the textile/clothing sector in year 2015. (2009) Industrial Watch Group for the Textile/Clothing Sector Communication of the European Commission COM(96) 210final of 15.05.1996 on “The competitiveness of subcontracting in the textile and clothing industry in the European Union” Fabregat, V. Textil y Confección, Generalitat de Catalunya (Textile and Clothing, Regional Government of Catalonia) Department for Industry and Energy (1997) ECU: The European Currency Unit was an artificial currency used between 1979 and 1999 and was replaced by the Euro. Lleonart, P. Op. Cit. Page 9; Fabregat, V. “La internacionalización del sector textil confección” (The internationalisation of the textile and clothing sector) in the ICE Economy Bulletin No. 2768 5 of 18 May 2003; WTO: WTO 2008 International Trade Statistics available online at http://www.wto.org/spanish /nada_s/statis_s/its2008_s/its2008_s.pdf (containing information on the details of trade and production between 1990 and 2007 WTO: 2008 International Trade Statistics (available online at: http://www.wto.org/spanish/res_s/statis_s/its2008_s/ its2008_s.pdf, WTO: 2008 Report on worldwide trade (available online at http://www.wto.org /spanish/nada_s/booksp_s/ anrep_s/world_trade_report08_s.pdf However, these numbers are limited due to limited statistics, which are caused by the proliferation of small businesses and the existence, in some countries, of a significant shadow economy. In 1995, it is estimated that illegal employment added up to about 150,000 workers. The cost of these activities, in unpaid taxes, was equivalent to the economic support which the textile and clothing industry received from the European Union; COM(96) 210final of 15.05.1996 on “The competitiveness of subcontracting in the textile and clothing industry in the European Union” 165 11 The statistics on the number of businesses varies according to the sources which have been consulted, we talk of 132,000 business according to Lleonart (2009). Whose source is EURATEX. 12 El Sector Textil catalán ante el nuevo milenio, 1999, CIDEM. Quoting the OETH as source (L’Observatoire Européen du Textile et de l’Habillement). European Commission: The Impact of International Developments on the Community’s Textile and Clothing Sector, Comunicació October 1995 13 Lleonart, P. (Ed.) Forecast for the evolution of the textile/clothing sector in the year 2015. (2009) Industrial Watch Group for the Textile/Clothing Sector, page 12 - 14 14 Catalonia is the only region mentioned due to the fact that in 2000 the Valencia region and Balearic Islands didn’t provide data regarding the leather subsector, which is a sector of main importance in Valencia. Upon comparison, Valencia gained strength with regard to 2000. 15 For Nord-Pas-de-Calais there are no numbers regarding year 2000, hence it is impossible to compare with current figures. 16 http://ec.europa.eu/enterprise/sectors/textiles/index_en.htm 17 http://ec.europa.eu/enterprise/sectors/textiles/documents/directive-2008_en.htm 18 Directive 2008/1/EC of the European Parliament and of the Council of 15 January 2008 19 Directive 2003/87/EC of the European Parliament and of the Council of 13 October 2003 20 http://ec.europa.eu/environment/chemicals/reach/reach_intro.htm 21 Directive 98/8/EC of the European Parliament and of the Council of 16 February 1998 concerning the placing of biocidal products on the market 22 http://textile-platform.eu/textile-platform/?category_id=75 23 The European Apparel and Textile Confederation- EURATEX - www.euratex.eu; the European Network of Textile Research Organisations - TEXTRANET - www.textranet.net and the European Association of Universities for Textiles - AUTEX www.autex.org 24 As displayed by Futurotextiles, a travelling exhibition which relates science, technology and art with textile innovation. Created in 2006 by initiative of lille3000 (France), this exhibition shows how modern textiles are transformed technically, innovatively and intelligently. 25 http://ec.europa.eu/enterprise/sectors/textiles/single-market/eu27/index_en.htm 26 European Textiles and Clothing in a quota free environment. High Level Group Follow-Up Report and Recommendations of 18 September 2006 online at: http://ec.europa.eu/enterprise/sectors/textiles/files/hlg_report_18_09_06_en.pdf 166 27 Communication of the European Commission COM(2003) 649 final of 29.10.2003 on “The future of the textiles and clothing sector in the enlarged European Union”, page 36 28 European Textiles and Clothing in a quota free environment. High Level Group Follow-Up Report and Recommendations of 18 September 2006, p. 14 ff.; online at: http://ec.europa.eu/enterprise/sectors/textiles/files/hlg_report_18_09_06_ en.pdf. 29 http://www.leapfrog-eu.org/ 30 http://ec.europa.eu/enterprise/policías/innovation/policy/lead-market-initiative/index_en.htm 31 Accelerating the Development of the Protective Textiles Market in Europe. Report of the Taskforce on Protective Textiles. Composed in preparation of the Communication “A Lead Market Initiative for Europe” [COM(2007) 860final], available at: http://ec.europa.eu/enterprise/policies/innovation/policy/lead-market-initiative/files/pt_taskforce_report_en.pdf Text sources Gli Abatoni, Prato (IT): Bettarini, Francesco (2009). Gli Abatoni a Prato. Un esempio di sintesi di vecchia e nuova urbanizzazione. Florence: Società Editrice Fiorentina Area Wild and Area Rotondi, Novara (IT): Bona, G.; Contina, G. (2002). Rinasce Sant’Agabio, la nuova Facoltà di Farmacia e la sede del Dipartamento di Scienze Chimiche, Alimentari, Farmaceutiche e Farmacologiche di Novara. Vol. Passato e futuro, i luoghi dell’Università degli Studi del Piemonte Orientale “Amadeo Avogardo”. Wataghin Alessandria-Novara-Vercelli Pictures mNACTEC, Terrassa: Picture of the former Factory Vapor Aymerich, Amat i Jover in Terrassa, home of the Museu de la Ciència i la Tècnica de Catalunya. File: mNATEC Steam engine, named “la burra”. Museu de la Ciència i de la Tècnica de Catalunya. Archive: mNATEC La Fàbrica Tèxtil Exposition. Warper. Museu de la Ciència i de la Tècnica de Catalunya. File: mNATEC. Author: T. Llordés Area Wild – Rotondi (Novara): Studio CBS Architetti Associati e Servizio Tecnico Università (all pictures) 167 ACTE European Textile Collectivities Association 20 Years of Innovation www.acte.net This book, published on the occasion of the 20th Anniversary of the European Textile Collectivities Association (ACTE), shows how the association and its members have worked and are working to anticipate and manage successfully the structural changes of an industrial sector, textiles and fashion, that symbolise the transformation that has led Europe from an industrial economy to a knowledge-based economy, through projects in the field of urban renovation; restoration of the industrial heritage for diversified and innovative uses; development of employment and entrepreneurship policies; museums and research centres that link tradition and innovation through knowledge. The development, in short, of a set of performances based on the cooperation between territories and on the involvement of socio-economic players that act within ACTE so that Europe continues to make the most of its industrial DNA.