Fall 2016 catalog PDF

Transcription

Fall 2016
Contents
New Titles
5
Collector’s Editions
55
Toiletpaper
71
Backlist
75
Photography
Fashion & Lifestyle
Contemporary Art
Music
Urban Art
Architecture & Design
Antiques & Collectibles
76
86
87
90
91
92
93
Spazio Damiani
94
Contacts
95
Distributors
96
New Titles
Photography
Hiroshi Sugimoto
Theaters
Text by Hiroshi Sugimoto
25.4 x 27.9 cm | 10 x 11 inches
176 pages, 130 b&w, clothbound with jacket
Rights world except France
ISBN 978-88-6208-477-2
$60.00 | £40
In the late 1970s, as Hiroshi Sugimoto was defining his artistic
voice, he posed a question to himself: “Suppose you shoot a
whole movie in a single frame?” The answer that came to him:
“You get a shining screen.” For almost four decades, Sugimoto
has been photographing the interiors of theaters using a
large-format camera and no lighting other than the projection
of the running movie. He opens the aperture when a film
begins and closes it when it ends. In the resulting images, the
screen becomes a luminous white box, its ambient light subtly
bringing forward the rich architectural details of these spaces.
He began the series by photographing the classic movie palaces
built in the 1920s and 30s, their ornate architectural elements
a testament to the cultural importance of the burgeoning
movie industry. He continued with drive-in theaters. In the
last decade, Sugimoto has photographed historic theaters in
Europe as well as disused theaters that expose the ravages of
time. Taken together, these photographs present an extended
meditation on the passage of time, a recurring theme in his
artwork. Theaters, the third in a series of books on Sugimoto’s
art, presents 130 photographs, 18 of which have never before
been published.
Hiroshi Sugimoto has defined what it means to be a multidisciplined contemporary artist, blurring the lines between
photography, painting, installation, and architecture.
Preserving and picturing memory and time is a central
theme of Sugimoto’s photography, including the ongoing
series Dioramas, Theaters, and Seascapes. His work is held
in numerous public collections including The Metropolitan
Museum of Art, New York; Museum of Contemporary
Art, Tokyo; The National Gallery, London; The National
Museum of Modern Art, Tokyo; Smithsonian Institute of Art,
Washington, D.C., and Tate, London, among others.
New Titles
7
Photography
Terence Donovan
Portraits
This is the first book dedicated to the portraiture of legendary
photographer Terence Donovan. Donovan’s interest in
portraiture spanned the entirety of his four-decade career.
During this time, he worked for major British and international
magazines including Vogue, Marie Claire, Harper’s Bazaar and Elle.
Donovan undertook numerous private portrait commissions,
photographing public figures from the worlds of the arts, politics,
and business, in addition to members of the British Royal family.
Some of his many sitters include Yasser Arafat, Naomi Campbell,
Sean Connery, Diana Princess of Wales, Laurence Olivier, and
Charlotte Rampling, among many others. Along with his iconic
portraits, this book will feature unseen work from Donovan’s
archive, never previously published or exhibited. It will also
include magazine spreads, contact sheets, and pages from diaries
and daybooks—rare ephemera that provide a unique insight into
Donovan’s working practice.
Text by Philippe Garner
24.5 x 28 cm | 9 ¾ x 11 inches
176 pages, 160 color and b&w, hardbound
ISBN 978-88-6208-482-6
$50 | £35
Terence Daniel Donovan (1936–1996) was an English
photographer and film director. Donovan was born in the
East End of London and took his first photo at the age of 15.
The bomb-damaged industrial landscape of his home town
became the backdrop of much of his fashion photography, and
he set the trend for positioning fashion models in stark and gritty
urban environments. Along with David Bailey and Brian Duffy,
he captured, and in many ways helped create, the Swinging
London of the 1960s: a culture of high fashion and celebrity
chic. Donovan also directed some 3,000 television commercials.
New Titles
9
Photography
Dennis Hopper
Polaroids
Text by Aaron Rose
23.5 x 20.3 cm | 9 ¼ x 8 inches
132 pages 120 color, clothbound
ISBN 978-88-6208-476-5
$45 | £30
After losing himself in Taos, New Mexico, for 15 years,
Dennis Hopper returned to Los Angeles in the mid-1980s.
In 1987, Hopper began to use a Polaroid camera to document
gang graffiti. He was particularly drawn to the abstract shapes
of overlapping paint that appeared when graffiti had been
covered up or written over, reminding him, he said, “that art is
everywhere in every corner that you choose to frame and not
just ignore and walk by.” The Polaroids presented for the first
time in this book are proof of that. Hopper firmly considered
himself an “Abstract Expressionist and action painter by
nature, and a Duchampian finger pointer by choice.” Hopper
transformed the instantaneous, disposable nature of Polaroid
film into pictures as deliberate and final as images achieved
by an artist painting on canvas, and these images represent
the first part of his journey back to the world of photography,
picking up where he had left off in the 1960s. Aaron Rose—
curator, film director, and the founder of the legendary
Alleged Gallery in New York City—contributes a text, which
is informed by his deep connection to the Beautiful Losers
generation of artists, including Barry McGee, Mike Mills,
Chris Johanson, Ari Marcopoulos, and Ed Templeton. This
book is a companion to Drugstore Camera (Damiani, 2015) also
edited and designed by Michael Schmelling, which presented
Hopper’s personal photographs taken in Taos, New Mexico.
Dennis Hopper (1936–2010) was born in Dodge City, Kansas.
He first appeared on television in 1954 and quickly became
a cult actor, known for films such as Rebel Without a Cause
(1955), Easy Rider (1969), The American Friend (1977), Apocalypse
Now (1979), Blue Velvet (1986) and Hoosiers (1986). In 1988,
he directed the critically acclaimed Colors. Hopper was also
a prolific photographer and published now-classic portraits
of celebrities such as Andy Warhol and Martin Luther King, Jr.
His works are housed in the Metropolitan Museum of Art,
New York; the Museum of Modern Art, New York; and the
Los Angeles County Museum of Art, among others.
New Titles
11
Toiletpaper
Maurizio Cattelan and Pierpaolo Ferrari
Toiletpaper 13
Toiletpaper is an artists’ magazine created and produced by
Maurizio Cattelan and Pierpaolo Ferrari and born out of a
shared passion for images. The magazine contains no text.
Each picture springs from an idea, often simple, and through a
complex orchestration of people it becomes the materialization
of the artists’ mental outbursts. Since the first issue, in June
2010, Toiletpaper has created a world that displays ambiguous
narratives and a troubling imagination. It combines the
vernacular of commercial photography with twisted narrative
tableaux and surrealistic imagery. The result is a publication
that is itself a work of art which, through its accessible form as
a magazine, and through its wide distribution, challenges the
limits of the contemporary art economy.
22.5 x 29 cm | 8 ⅞ x 11 ½ inches
40 pages, 22 color, softbound
ISBN 978-88-6208-490-1
$16 | £10
Limited edition of 500 copies with Toiletpaper fan
ISBN 978-88-6208-501-4
$45 | £35
Maurizio Cattelan has exhibited internationally in leading
institutions and has participated numerous times in the
Venice Biennale. He curated the 4th Berlin Biennale with
Massimiliano Gioni and Ali Subotnick. He collaborated on
No Soul for Sale—A Festival of Independents, which took place
in the Turbine Hall of the Tate Modern in 2010. Cattelan also
conceived the art magazines Permanent Food and Charley. Since
retiring from art, after the acclaimed 2011 retrospective at the
Guggenheim Museum in New York City, he has committed
himself to publishing Toiletpaper magazine.
Pierpaolo Ferrari is a fashion and advertising photographer and
creative researcher. In 2007 he began a productive contribution
with L’Uomo Vogue that offered him the chance to explore the
portrait’s potential and radically change its codes. In 2009, he
teamed with Maurizio Cattelan to create Toiletpaper. When
he is not shooting, he can be found surfing in Costa Rica.
New Titles
13
Fashion & Lifestyle
Alexi Lubomirski
Diverse Beauty
Fashion photographer Alexi Lubomirski was inspired to create
this book, which represents diverse beauty without boundaries,
after photographing the actress Lupita Nyong’o. Lubomirski
was so impressed by Nyong’o’s natural beauty that he felt she
didn’t need studio lighting because she radiated light from
within. After shooting her, it struck him that he rarely had the
chance to photograph beautiful women with a range of different
“looks” for professional assignments. Often when he submitted
a list of models he was interested in shooting, responses
would be along the lines of “We love her, but . . . ”, “Her hair
is a problem . . . ”, “She is too dark.” In response, Lubomirski
conceived Diverse Beauty, which celebrates many different
types of female beauty through sophisticated and lively fashion
photographs. Diverse Beauty embraces all beauty and aims to
put every type of beauty on a pedestal, so that everyone who
looks at it, no matter her race, size, color, or sexual orientation,
can identify and see herself as beautiful.
Text by Lupita Nyong’o, Alexi Lubomirski
25 x 34.5 cm (9 ⅞ x 13 ½ inches)
ISBN 978-88-6208-479-6
$50.00 | £35
Alexi Lubomirski was born in England to a Peruvian-English
mother and a Polish-French father. Lubomirski has become
an established name within the fashion industry, shooting for
such publications as Harper’s Bazaar, Vogue, Elle, Numéro, W,
GQ, and Allure. He has also shot cover stars such as Beyonce
Knowles, Charlize Theron, Natalie Portman, Jennifer Lopez,
Selma Hayek, Julia Roberts, Nicole Kidman, and Scarlett
Johansson, among others. In 2008, Lubomirski had his first
exhibition, Transit, at MILK gallery in New York, a mixed media
commentary on TV culture, comprised of pre-conceived film
stills. In 2014, he published his first photography book, Decade,
a collection of his celebrity and fashion work from 2003–13.
New Titles
15
Photography
James Moore
Retrospective
Retrospective spans 50 years of extraordinary photographs by
this influential mid-20th-century fashion photographer. This
is the first time Moore’s work has been gathered into a single
monograph. This book surveys his career, starting with Harper’s
Bazaar in the 1960s, as well as his work for W, Vogue, Clairol,
Cover Girl, and many other major publications and brands.
Every image is an intricate exploration of space and beauty,
showcasing his attention to detail and clever eye. Moore’s
work influenced a generation of great fashion photographers.
Accompanied by text from leading editors, models, photographers,
and designers of the day, Retrospective is the original and ultimate
collection of James Moore’s astounding career.
24.5 x 31.5 cm | 9 ¾ x 12 ⅜ inches
ISBN 978-88-6208-494-9
$50 | £35
After studying with the legendary art director Alexey Brodovitch,
James Moore (1936–2007) began working for Harper’s Bazaar in
1962. From the 1970s to the mid-1990s, Moore directed television
commercials for Clairol, Cover Girl, and others, as well as
working as a photographer. In the 1980s, he shot the majority
of the covers for the Italian edition of Harper’s Bazaar. Moore
taught photography at the School of Visual Arts in New York
City and lectured at the Smithsonian as well as at the Rochester
Institute of Photography. In 2004, a retrospective of his work was
exhibited at the Carla Sozzani Gallery in Milan.
New Titles
17
Photography
Antoine Le Grand
Portraits
Portraits is the first monograph on the work of Antoine Le Grand
and spans the 20-year career of this acclaimed celebrity
photographer. Taken from the pages of leading fashion and
lifestyle magazines such as Vogue, W, GQ, and Vanity Fair,
Le Grand’s images provide an astonishing collection of portraits
of the actors, musicians, and personalities who enliven our
culture. Through his irony, witty storytelling, and concise visual
aesthetic, Le Grand has created indelible imagery of celebrities
such as Iggy Pop, Gilbert and George, Harrison Ford, Al Pacino,
Tim Burton, Woody Allen, and Jean Nouvel. The book includes
over 250 portraits and an introduction by the French visionary
Jean-Paul Goude.
Introduction by Jean-Paul Goude
27.5 x 27.5 cm | 11 x 11 inches
ISBN 978-88-6208-503-8
$50 | £35
French photographer Antoine Le Grand was born in 1956 and
is widely known for his striking portraits of celebrities. The
secret of his work is that he does not shoot “stars” but people
and artists that he admires: filmmakers, actors and actresses,
musicians, architects. He has photographed major figures in
the contemporary art world, from Marina Abramović to David
Lynch, from Charlotte Rampling to Al Pacino. His photography
has appeared in Elle, Vanity Fair, The New Yorker, W, Libération,
Vogue Hommes, and GQ, among others.
New Titles
19
Photography
Mariano Vivanco
Portraits Nudes Flowers
Mariano Vivanco’s Portraits Nudes Flowers presents ten years
of his photographs of the world’s most fashionable faces,
including Cindy Crawford, Rihanna, Lady Gaga, Naomi
Campbell, Ricky Martin, Antonio Banderas, Emma Watson,
and Sam Smith, among many others. Often in black and
white, his portraits, nudes, and editorial work apply the
principles of pure photography; using simply light and shade,
Vivanco renders visible the natural spirit of the sitter. Nudes
have been a part of Vivanco’s work since his early studies
in Melbourne, Australia, and have since become an integral
part of his signature style. Flowers were also part of his
early photographic explorations, and Portraits Nudes Flowers
contains a never-before-seen series of his flower photographs.
With a fresh and unexpected take on these highly popular
subjects, Vivanco marries his collection of photographs in
a modern way.
Foreword by Domenico Dolce, Stefano Gabbana.
Text by Gianluca Longo. Conversation with Janet Mock
24.5 x 32.6 cm | 9 ¾ x 12 ⅞ inches
224 pages, 200 color, hardbound
ISBN 978-88-6208-489-5
$50 | £35
Lima-born Mariano Vivanco traveled the world with his
family from a young age, leaving Peru at the age of ten and
eventually settling in New Zealand, where his interest in
photography began. Inspired by photographers such as
Edward Steichen and Horst, he moved to London in 2000
to pursue his passion for fashion photography. Since then,
he has become a leading editorial photographer, regularly
shooting for Vogue, Vanity Fair, GQ, Dazed & Confused, and
Numéro, among others. Vivanco has published several books,
including Ninety Five Chapel Market (2008). Three of his
portraits are in the permanent collection of the National
Portrait Gallery in London. Vivanco currently lives in London.
New Titles
21
Photography
Eric Boman
A Wandering Eye. Photographs 1975–2005
Edition of 1,000 numbered copies
Text by Kevin Moore
23.5 x 17.1 cm (9 ¼ x 6 ¾ inches)
ISBN 978-88-6208-487-1
$45 | £30
Eric Boman embarked on a career in fashion photography in
the early 1970s, working for British Vogue, Harper’s & Queen,
and The World of Interiors in London, and Marie Claire in
Paris. Assignments or wanderlust took him to locations near
and far, always with the same Leicaflex that he would train
on whatever caught his eye. This body of personal work has
remained unseen for over 45 years, stored away as 35mm slides.
Most of the photographs are devoid of people, in contrast to
Boman’s professional work, which has almost always involved
some form of portraiture. This book presents the photographs
juxtaposed for the visual dialogue that emerges. A photograph
of a glass merchant in Morocco faces a nearly identical one of
a brass merchant in Tunisia; an image of a manicured Swedish
topiary faces a lush rainforest around the corner from Boman’s
house; and a sculptural memorial to a fallen soldier in Denmark
faces a desert island in the Caribbean. Beautifully designed in
collaboration with renowned book designer Miko McGinty,
this book is a tribute to the poetry of a well-traveled eye.
Originally Swedish, Eric Boman moved to England in the
mid-1960s to enroll at London’s Royal College of Art and
subsequently worked as an illustrator and designer in London
and Paris. In 1978, having made his name as a fashion
photographer, he moved to New York, where his work has
been published in Vogue, Vanity Fair, House & Garden, and
The New Yorker, among others. His publications include Eric
Boman’s Dames (2005), Blahnik by Boman: Shoes, Photographs
and Conversation (2005), and Rare Bird of Fashion: The Irreverent
Iris Apfel (2007). Boman is a frequent contributor to American
Vogue and divides his time between New York and Long Island.
New Titles
23
Photography
Pamela Hanson
Private Room
Private Room is a series of photographs of eight different
women who Pamela Hanson photographed between 2012
and 2014 at Lafayette House, a small hotel in New York City.
Beginning when she photographed Camille Rowe in 2012, the
photographs in Private Room progressed into a series of nudes
and semi-nudes. Although it began as a personal project,
soon after starting Hanson wanted to develop it into a book.
Hanson was inspired to shoot in the Lafayette House because
of its European feeling. A brownstone built in the 19th century,
the hotel is a place of forgotten beauty, with walls lined in
gold-leafed wallpaper. Something not seen much in today’s
modern New York, it is charming, sexy, romantic, and private.
Women photographed by a woman: the intimate and feminine
environment captures the essence of each subject. Hanson
collaborated with stylist Susan Winget, and together they cast
each woman for her individual beauty and personality.
Edition of 1,000 numbered copies
Text by Jack Pierson
17.1 x 22.9 cm (6 ¾ x 9 inches)
96 pages, 60 color, clothbound
ISBN 978-88-6208-491-8
$40 | £30
With over 20 years of experience in the fashion industry,
Pamela Hanson is a world-renowned photographer whose
work has been regularly featured in Porter, Vogue, Vanity
Fair, and numerous ad campaigns. Her photographs reflect
contemporary life as seen through the eyes of free-spirited, funloving, and fashionable young men and women. Hanson began
her career as an assistant to Arthur Elgort. Previous books
include Girls (2001) and Boys (2006). She grew up in Geneva,
spent 20 years in Paris, and now lives in New York City.
New Titles
25
Photography
Happy Massee
Diary of a Set Designer
Diary of a Set Designer is a book of Polaroids that Happy Massee
shot over a 25-year period, while traveling the world as a
production designer. This photographic journal is a journey
through time—a collection of images taken with the nowdefunct Polaroid camera, which at the time was as essential
to the art of designing for film as was a measuring tape. The
images of personalities, sets, locations, and encounters all tell
a story related to Massee’s work and travels, and the people
he met while on them. The images in this book, which was
designed by Fabien Baron, are raw, unretouched, and candid,
and capture his art as well as his life.
Text by Happy Massee
21 x 26 cm | 8 ¼ x 10 ¼ inches
ISBN 978-88-6208-485-7
$50 | £35
After growing up in France and receiving his MFA from the
School of Applied Arts in Paris, American-born Happy Massee
moved to New York to establish himself as a top production
designer. His career has spanned theater, film, commercials,
and fashion. He has worked with directors including Wes
Anderson, David Lynch, Rob Marshall, and David Fincher.
His film credits include Broken English, Welcome to the Rileys,
Two Lovers, and The Immigrant. In the world of fashion, he
has worked with Mert and Marcus, Inez and Vinoodh, Peter
Lindbergh, and Craig McDean. He also received a nomination
for Best Production Design at the MTV Music Video Awards for
Madonna’s “Take A Bow,” which was elected to the permanent
video library of the Museum of Modern Art, New York.
New Titles
27
Contemporary Art
Elizabeth Albert
Silent Beaches, Untold Stories:
New York City’s Forgotten Waterfront
SILENT
BEACHES. UNTOLD STORIES
N E W Y O R K C I T Y ’ S F O R G OT T E N W A T E R F R O N T
Edited by Elizabeth Albert. Text by Elizabeth Albert,
Bill Cheng, Susan Choi, Elizabeth Gaffney, et al.
24 x 30 cm | 9 ½ x 11 ⅞ inches
128 pages, 80 color and b&w, softcover
ISBN 978-88-6208-500-7
$39.95 | £30
Silent Beaches, Untold Stories: New York City’s Forgotten Waterfront
transports the reader into the extraordinary past and present
embedded in New York City’s more than 600 miles of coastline
through a stunning selection of rare photographs, history, new
fiction, and contemporary art. Each of ten chapters centers on
one of New York City’s lesser-known waterfront spaces: Dead
Horse Bay, where the pre-automobile city’s legions of horses
once met their maker; Hart Island, New York City’s still-active
potter’s field, where over 800,000 of New York City’s unclaimed
dead have been laid to rest; Sandy Ground, one of the earliest
free black communities in the nation, made prosperous
through oystering and strawberry farming. Elizabeth Albert
has written historical texts on each location, setting the stage
where history, fiction, and image coalesce into a powerful
and haunting experience. Silent Beaches features the work of
internationally known and notable contemporary artists,
including Joel Meyerowitz, Mary Mattingly, Carrie Mae
Weems, Joel Sternfeld, and Spencer Finch. Silent Beaches
also contains new fiction by Susan Choi, Nelly Reifler, Ravi
Howard, Antoine Wilson, and others.
Elizabeth Albert is a Brooklyn-based visual artist and Associate
Professor at St. John’s University in New York. She has received
fellowships from the NEA/Mid-Atlantic Arts Council and
the Pollock-Krasner Foundation, Inc., and residencies from
Byrdcliffe and the MacDowell Colony. Her paintings are
exhibited nationally and are in the collections of the Butler
Institute, Youngstown, Ohio; the Naples Art Museum, Florida;
and the International Museum of Collage, Assemblage, and
Construction, Santa Fe. Silent Beaches, Untold Stories is based on
the exhibition she curated for St. John’s University in 2013.
New Titles
29
Photography
Susan Burnstine
Absence of Being
Text by Del Zogg, Chantel Paul, Susan Burnstine
24 x 24 cm | 9 ½ x 9 ½ inches
96 pages, 80 b&w, hardbound
ISBN 978-88-6208-475-8
$50 | £35
Absence of Being is a haunting, intensely personal, yet universal
exploration of the subconscious world, which began with
Susan Burnstine’s first, highly praised monograph, Within
Shadows (2011). Burnstine’s creative journey began at the
age of four, when she began to suffer from debilitating night
terrors. Each morning, her mother encouraged her to try to
neutralize the frightening images by reinterpreting them into
some positive form of art. The process allowed her to hold
this paralyzing unconscious world at bay. Burnstine’s night
terrors have continued, with varying degrees of frequency and
intensity, to this day. However, rather than let them define her
life, Burnstine has chosen to let them define her art. Building on
the childhood coping skill fostered by her mother, she now finds
and captures images that psychologically purge her dreams and
better allow her to experience reality. Finding no existing
camera that could create what her mind envisioned, Burnstine
began to build her own until she arrived at the prototype for
the handmade cameras she continues to use. The results are
instantly recognizable, dreamlike images, which have been
described as 21st century Impressionism, and which speak
directly to the viewer’s subconscious.
Susan Burnstine’s work has been widely published and is
represented in galleries worldwide. She has had over 25
international solo exhibitions, and her work is held in numerous
museum and private collections, including the Museum of
Photographic Arts, San Diego; The Museum of Fine Arts,
Houston; The University of Maine Museum of Art, Bangor;
and The University of Texas Jerry and Marilyn Comer
Collection, Dallas, among others. She is also a monthly
columnist for Black + White Photography magazine.
New Titles
31
Photography
Brian Young
The Train NYC, 1984
Brian Young took the pictures in The Train NYC, 1984, the
year he moved to New York, when the city was recovering
from an economic depression that began in the mid-1970s but
whose effects were still quite visible. The loss of manufacturing
followed by loss of population to suburbs led to large-scale
urban decay and a decline in social services. Abandoned shells
of burnt-out cars littered roadways, and muggings were a fact of
daily life. The beginnings of the crack cocaine epidemic, with its
coincident escalating crime, created an atmosphere of citywide
malaise. Graffiti exploded and spread across the city landscape,
in particular on the subway system. Although considered
vandalism, graffiti's proliferation can be thought of as an act of
social protest, an outcry for relief and reform, or a platform for
the dispossessed. It was a bleak time; it was Gotham.
30 x 29.8 cm | 8 ¼ x 11 ¾ inches
ISBN 978-88-6208-492-5
$45 | £30
After moving to New York in 1984 to attend classes the
International Center for Photography, he began assisting
Eugene Richards in the processing and printing production
of materials for publication of the book Below The Line: Living
Poor in America (1987). In addition to being a master printer,
Brian Young has taught black-and-white photography at
International Center of Photography, New York, since 1988 and
has taught workshops in numerous countries, including Brazil,
Mexico, and Spain. He continues to collaborate with prominent
analogue photographers who believe in the unique beauty of
film and the gelatin silver print.
New Titles
33
Photography
Jacqueline Roberts
Nebula
Jacqueline Roberts makes portraits on glass and aluminum
plates using a 150-year-old technique called wet plate
collodion. The long exposures required by the process ease
the subjects into detaching themselves from their immediate
surroundings; they appear to the viewer almost as if
suspended in time and in space. Roberts’s portraits emerge
from that captivating state of limbo to evoke the transitional
stage from childhood to adolescence. “Nebula,” Latin for mist,
reflects on the turmoil of growing up, with all its relational,
psychological, and emotional changes.
Spanish photographer Jacqueline Roberts was born in Paris
in 1969. Her portraits have been featured in magazines such
as New York Magazine, Royal Photographic Society Journal,
Drome, and Photographer’s Companion, among others. She
has published three books and has exhibited her work
internationally. Roberts lives in Germany.
Text by Frank Kalero
25.5 x 30 cm | 10 x 11 ⅞ inches
ISBN 978-88-6208-486-4
$45 | £30
New Titles
35
Photography
Hans Neumann and Gabriel Rivera-Barraza
Nuevo New York
Nuevo New York is a collection of portraits and interviews
with influential Latin Americans who moved to New York
City to pursue their goals and ambitions. Each personality is
an important figure in fashion, the arts, or philanthropy, and
has called New York home for at least five years. Readers will
become acquainted with how these individuals came to be who
they are today and understand how this city has been a muse
and a keystone to their success. Nuevo New York showcases the
great diversity of the Latin American community in the thriving
cultural and artistic capital of the United States.
Hans Neumann was born in 1981 in Lima, Peru, and moved
to new York in 2004, beginning his career assisting fashion
photographers including fellow Peruvian Mario Testino.
Neumann shoots editorial photography for clients such as
Interview, W, and Condé Nast. He also shoots for J Crew, Stuart
Weitzman, David Yurman, Armani Exchange, and Maybelline.
Text by Ben Rodriguez-Cubeñas, Hans Neumann,
Gabriel Rivera-Barraza
25.5 x 30 cm | 10 x 11 ⅞ inches
ISBN 978-88-6208-495-6
$50 | £35
Born in Durango, Mexico, Gabriel Rivera-Barraza is the founder
and president of GRB Communications, which develops and
positions emergent Latin talents. He consults for a select group
of artists and international brands, including the Spanish
luxury fashion house Delpozo. He is also the chair of the Young
International Circle for El Museo del Barrio, New York, where
he has led fundraising activities.
New Titles
37
Photography
Simon Eeles
Australiana
Australiana is the result of a cross-continental road trip
photographer Simon Eeles took in his homeland of Australia
after years of working in the U.S. and other countries. When
he returned, he spent time at his mother’s house in Tasmania.
Playing with his camera, he showed his nieces and nephews
what it was their uncle had been doing during his long time
away from home. Spending time with the people he loved, he
noticed something in those moments. It was something about
the hard Australian light and his family’s honest youthfulness
that seemed very Australian. Roberts believes that Australia’s
culture is “colorful and loud in a land of hardness,” and that
this is due to the country’s perceived “newness” and even
naivety. Australiana presents a portrait of the people who
reside in the geographically separated, diverse landscapes
that make up this unique country.
24.1 x 30.5 cm | 9 ½ x 12 inches
ISBN 978-88-6208-499-4
$35 | £25
Born on a small dairy farm in Longford, Tasmania, in 1983,
Simon Roberts Eeles studied photography at the Royal
Melbourne Institute of Technology. He won Harper’s Bazaar’s
young photographer of year in 2009 and was runner-up in
the ANIYFF awards in 2010. He assisted acclaimed fashion
photographer Craig McDean from 2012–15.
New Titles
39
Photography
Landon Nordeman
Out of Fashion
HION OUT OF FASHION LANDON NORDEMAN OUT OF FAS
T OF FASHION OUT OF FASHION LANDON NORDEMAN OU
DON NORDEMAN LANDON NORDEMAN OUT OF FASHION LAN
N LANDON NORDEMAN OUT OF FASHION LANDON NORDEMA
N OUT OF FASHION LANDON NORDEMAN OUT OF FASHIO
ASHION OUT OF FASHION LANDON NORDEMAN OUT OF F
ORDEMAN LANDON NORDEMAN OUT OF FASHION LANDON N
NORDEMAN LANDON NORDEMAN OUT OF FASHION LANDON
F FASHION OUT OF FASHION LANDON NORDEMAN OUT O
FASHION LANDON NORDEMAN OUT OF FASHION LANDON N
ORDEMAN OUT OF FASHION LANDON NORDEMAN OUT OF
EMAN LANDON NORDEMAN OUT OF FASHION LANDON NORD
HION OUT OF FASHION LANDON NORDEMAN OUT OF FAS
OUT OF FASHION LANDON NORDEMAN OUT OF FASHION
23.5 x 16 cm | 9 ¼ x 6 ¼ inches
ISBN 978-88-6208-496-3
$45 | £30
For the past eight seasons, photographer Landon Nordeman
has infiltrated the world of fashion, shooting hundreds of
shows backstage at fashion weeks in New York, Milan, and
Paris. Originally commissioned by New York magazine and
the New York Times, Nordeman’s inimitable eye brings a
fresh and bold perspective to contemporary photography.
Nordeman sees photographs where most people don’t and has
gained a cult following on Instagram for his surprising images,
which are filled with vivid color, complex gesture, and funny
juxtapositions. Searching for the eternal in the ephemeral,
Nordeman blurs the line between reality and fiction, document
and art, and shows the exclusive world of fashion to itself and
to us like never before.
For more than a decade, Landon Nordeman has traveled
the world to photograph gatherings of people at animal
competitions, sporting events, political rallies, and in the world
of fashion. His photographs have appeared in The New Yorker,
Time, Vanity Fair, and Vogue, among others. His photographs
are in the collections of the Museum of Fine Arts Houston and
the Columbus Museum of Art. Nordeman lives and works in
New York City. This is his first monograph.
New Titles
41
Contemporary Art
FAQ
Edited by Maurizio Cattelan, Myriam Ben Salah
15.5 x 21 cm | (6 x 8 ¼ inches)
120 pages, 80 color, accordion fold
ISBN 978-88-6208-502-1
$35 | £25
FAQ is an art publication conceived and edited by Maurizio
Cattelan and Myriam Ben Salah and commissioned by Le
Dictateur. The first volume will be published to coincide with
the tenth anniversary edition of Le Dictateur, and will then
be published annually. FAQ, or Frequently Asked Questions,
references an attempt to synthesize a recurrent flow, a tenor,
an ideal visual representation of a given and very subjective
“now.” Born out of an acute image consumption disorder,
FAQ reflects the mental assimilation of a relentless roving
within physical and virtual art spaces: from galleries to Tumblr
accounts, museums, or artists studios. It can be seen as a
portable exhibition, a show on paper, a project of restitution,
a hybrid object that you can leaf and scroll through. Far
from being a rational enterprise, its lack of rules, hierarchy,
order—or concept for that matter—make it expressly and
brazenly as personal and biased as possible. FAQ reflects the
obsessive mannerism of its authors. The first issue includes
works by Thomas Bayrle, Neil Beloufa, Caroll Dunham, Andra
Ursuta, Jon Rafman, Kathy Grannan, Llyn Foulkes, Camille
Henrot, Steven Shaerer, Korakrit Arunanondchai, and Judith
Bernstein, among many others.
New Titles
43
Photography
Xavier Guardans
Self-Portraits
Surrounded and inspired by a group of powerful female artists,
Xavier Guardans created Self-Portraits over more than a decade,
a body of work that exudes the confidence of women in the
21st century. Rooted in the classicism of his European origins,
Guardans returns to black-and-white photography in his third
publication with a new perspective in portraiture, subverting
the common understanding of self and the relationship
between photographer and subject. This new book offers his
interpretation of the interchangeable roles of masculine and
feminine today. Guardans utilizes the voice of each artist to
accompany the images. What results is a personal narrative
of their experience with the artist in nature. The intriguing
balance of his vision with the selection of abstract surfaces
and textures makes this a timeless, poignant volume.
Text by Emilie Lee, Sarita Louise Moore, Anja Skidan,
Grace Villamil
28 x 28 cm | 11 x 11 inches
96 pages, 46 b&w, clothbound with jacket
ISBN 978-88-6208-484-0
$50 | £35
Fine art photographer Xavier Guardans was born in Barcelona
and currently lives and works in Brooklyn, New York.
Guardans’s previous publications include Traveling Lights (2015)
and Windows (2014), both published by Damiani.
New Titles
45
Photography
Curt Richter
Thousand Words. Portraits from the
Key West Literary Seminar
Curt Richter’s portraits reveal insights into his sitters beyond
the visible surface. His ability to connect to his subjects is
apparent in their faces, and their candor makes evident the
trust he gains. He approaches portraiture with the belief that
a photograph can steal a bit of a subject’s soul. The intention
with all his photographs, regardless of the subject matter,
is to create a storyline. The narrative thread that bonds
Thousand Words is the Key West Literary Seminar. There
is probably no island in the world that holds the literary
heritage that Key West can claim. For the last eight years,
Richter has photographed anyone involved with the seminar
willing to sit for a portrait, and this series documents a slice
of time in a community with a long history.
Text by Ann Beattie
29.8 x 29.8 cm | 11 ¾ x 11 ¾ inches
ISBN 978-88-6208-478-9
$45 | £30
Curt Richter was born and raised in New York City and
picked up his first camera at the age of 12. Those streets,
movie theaters, and museums were a fertile playground for
anyone hoping to become an artist. He has received many
grants and commissions including a Guggenheim Fellowship
and commissions from the N.E.A. and N.E.H. His prints
are in numerous public collections including the Museum
of Modern Art, New York; The National Portrait Gallery,
Washington, D.C.; Victoria and Albert Museum, London;
and Bibliothèque Nationale, Paris. His first monograph,
A Portrait of Southern Writers, was published in 2000. He
moved to Finland as a Fulbright Senior Scholar in 1997
and continues to work and live in New York and Helsinki.
New Titles
47
Photography
Randi Malkin Steinberger
No Circus
Text by D.J. Waldie
22.9 x 17.8 cm | 9 x 7 inches
ISBN 978-88-6208-480-2
$35 | £25
No Circus brings together a collection of Randi Malkin
Steinberger’s photographs of buildings tented for termite
fumigation around Los Angeles. Randomly coming across these
shrouded structures aroused her sense of wonder from the
time she arrived in this city in the early 1990s. Whenever she
spotted the colorful stripes, she pulled her car off the road to
photograph them, knowing that the tent could be undraped
at any moment. Intrigued by the way the colors and shapes of
the tents “show off ” the forms below and highlight the beauty
of the poor plants on the outside, still flourishing, unaware
that they are slowly being poisoned. These cloaked structures
are ubiquitous in the Los Angeles landscape yet they are most
often seen as a mere flash of color as one drives by. Beyond
their intended purpose of fumigation, they unwittingly allow
us to stop and contemplate not only architectural form and
the meaning of home, but also the Southern California lifestyle
that currently has all eyes upon it.
Randi Malkin Steinberger is an American photographer
and documentary filmmaker whose work has been shown
worldwide. Malkin Steinberger’s experience as a photographer
and filmmaker was shaped by her studies in Italy, where she
lived for ten years while launching a photography school and
gallery. She has produced artists’ books that are now part of
the permanent collections of New York’s Museum of Modern
Art and The Whitney Museum of American Art, and The Art
Institute and Museum of Contemporary Art in Chicago.
Malkin Steinberger’s documentary films include Holi-days,
which was shot in Jerusalem, Florence, and Las Vegas,
and aired on the Sundance Channel. She is represented by
Sears Peyton Gallery in New York and Los Angeles. Malkin
Steinberger resides in Los Angeles.
New Titles
49
Photography
Marco Craig
NYC Marathon: Do Not Cross
Text by Federico Rampini
30.5 x 22.9 cm | 12 x 9 inches
ISBN 978-88-6208-497-0
$45 | £30
In NYC Marathon: Do Not Cross, the Milanese photographer
Marco Craig gathers the photos he took as he ran the New
York City Marathon. Craig describes his experience at the
most famous marathon in the world through images from
inside the race and not from the edges, thus offering a
perspective from someone who experiences the atmosphere
and the energy of the competition in person. “The idea was
to produce portraits of the real element that nourishes and
makes this race special: the public,” says Craig. “Every year,
tens of thousands of people pour into the streets to encourage
all the participants in the Marathon. Through the boroughs
of Brooklyn, Queens, the Bronx, and Manhattan, the crowd
accompanies you with its support, affection, inventiveness,
offering water and food, encouraging you and screaming the
name printed on your shirt. And all this even manages to give
you respite from the atrocious effort needed to finish the race.
New York can be a cruel and merciless city, but not on the day
of the Marathon.”
Marco Craig, born in Milan in 1970, began his career as an
assistant at the prestigious photography studio Ballo&Ballo.
He has collaborated with significant fashion and design
magazines such as Wallpaper, Vogue, Elle Decor, Io Donna, Vanity
Fair, Brutus Japan, and many others. He has also collaborated
with major Italian and international advertising agencies.
Aside from photographing for fashion and design, Craig is
responsible for the international public image of artists in the
music world, as well as advertising campaigns for international
brands such as Diesel, Audi, Trussardi, Ikea, and L’Oréal.
New Titles
51
Photography
Joan Myers and Nathaniel Tarn
The Persephones
In The Persephones, internationally known poet Nathaniel
Tarn and photographer Joan Myers have collaborated on
an elegant retelling of the myth of Persephone’s abduction
by Hades into the Underworld. First published in 1974, and
again in 2009 in a limited collector’s edition (both of which
are out of print), Tarn’s poems have attracted a devoted
readership. This beautifully designed and produced edition
pairs the poems with Myers’s stunning photographs, many of
which were shot at the sites from which the myth originated.
Nathaniel Tarn is an American poet, essayist, translator, and
former publisher whom poet and critic Kenneth Rexroth has
called “one of the most outstanding poets of his generation.”
He has published over 30 books in his various disciplines
and his work has been translated into ten languages.
Edition of 500 numbered copies
Text by Nathaniel Tarn
18 x 23.8 cm | 7 x 9 inches
ISBN 978-88-6208-498-7
$40 | £30
Joan Myers is the author of Fire and Ice: Timescapes (Damiani,
2014). Her highly acclaimed work has been the focus of three
Smithsonian exhibitions, more than 50 solo and 80 group
shows, and eight books. Her work is held in the permanent
collections of Bibliothèque National de Paris, Center for
Creative Photography in Tucson, and the Museum of
Modern Art in New York, among others.
New Titles
53
Carrie Mae Weems
Kitchen Table Series
New for fall 2016
Edition of 25 signed and numbered prints
Untitled (Man Reading Newspaper), 1990/1999
Silver gelatin print
Image size: 25.2 x 25.2 cm (9 ⅞ x 9 ⅞ inches)
Sheet size: 27.7 x 35.5 cm (11 x 14 inches)
Text by Sarah Lewis and Adrienne Edwards
24.8 x 34.3 cm (9 ¾ x 13 ½ inches)
86 pages, 34 b&w, hardbound with jacket
ISBN 978-88-6208-471-0
$3,000 | £2,200
Kitchen Table Series is the first publication dedicated solely to
this early and important body of work by the American artist
Carrie Mae Weems. The 20 photographs and 14 text panels
that make up Kitchen Table Series tell a story of one woman’s
life, as conducted in the intimate setting of her kitchen. The
kitchen, one of the primary spaces of domesticity and the
traditional domain of women, frames her story, revealing to
us her relationships—with lovers, children, friends—and
her own sense of self, in her varying projections of strength,
vulnerability, aloofness, tenderness, and solitude. Weems
herself is the protagonist of the series, though the woman she
depicts is an archetype. Kitchen Table Series seeks to reposition
and reimagine the possibility of women and the possibility
of people of color, and has to do with, in the artist’s words
“unrequited love.” The collector’s edition of Kitchen Table Series
includes a signed and numbered silver gelatin print of Untitled
(Man Reading Newspaper), 1990/1999.
Andrew Moore
Dirt Meridian
New for fall 2016
Cash Meier Barn, 2012
Archival inkjet print
Image size: 35.5 x 27.7 cm (14 x 11 inches)
Text by Kent Haruf, Toby Jurovics, Inara Verzemnieks
24.8 x 34.3 cm (9 ¾ x 13 ½ inches)
ISBN 978-88-6208-470-3
$600 | £450
56
The acclaimed photographer Andrew Moore takes to the air to
create an intimate vision of the High Plains. The title refers to
the 100th meridian, the longitude that neatly bisects the United
States and has long been considered the dividing line between
the fertile green East and dry brown West. Much of the meridian
traverses America’s “flyover country,” those remote and sparsely
populated landscapes with a long history of repeated drought
and failed dreams. Yet other parts of the meridian overlap
bustling and contentious zones such as the heavily fracked
Bakken formation in North Dakota. Dirt Meridian interweaves
both these stories together: the enduring myths and rich history
of a place where so little meets the eye, alongside a portrayal
of those who continue to live amidst its vast and severe
magnificence. The collector’s edition of Dirt Meridian includes
a signed and numbered color print of Cash Meier Barn, 2012.
Dennis Hopper
Polaroids
This limited edition of Polaroids (see p. 11) includes a
numbered print of Untitled (Diamonds), 1987, which has been
certified authentic by the Hopper Art Trust.
New for fall 2016
Edition of 25 numbered prints
Untitled (Diamonds), 1987
Giclée print
Image size: 19.1 x 19.3 cm (7 ½ x 7 ⅝ inches)
Sheet size: 21.5 x 25.5 cm (8 ½ x 10 inches)
Text by Aaron Rose
23.5 x 20.3 cm | 9 ¼ x 8 inches
132 pages 120 color, clothbound
ISBN 978-88-6208-488-8
$500 | £350
David Leventi
Opera
Palais Garnier, 2009
C-print
Image size: 35.6 x 28.2 cm | 14 x 11 inches
Sheet size: 38.1 x 30.5 cm | 15 x 12 inches
Photographing the interiors of some of the most storied and
illustrious opera houses around the world, David Leventi
has constructed an arresting, visually rich survey of grand
architecture. Opera brings together in one publication images
from over 40 opera houses, spanning four continents and
over 400 years of history, and includes a foreword by Plácido
Domingo. Taken over an eight-year period and shot on a large
format camera, the images demonstrate Leventi’s meticulous
approach to his subject, revealing these temples of music in all
their wealth of architectural detail and design. The collector’s
edition of Opera includes a color print of Palais Garnier, 2009.
Text by Plácido Domingo, Marvin Heiferman,
Thomas Mellins
33.8 x 28 cm | 13 ¼ x 11 inches
120 pages, 40 color, clothbound with jacket
ISBN 978-88-6208-440-6
Release date: spring 2016
$700 | £490
57
Hiroshi Sugimoto
The Long Never
Edition of 300 signed and numbered books
Text by Jonathan Safran Foer
26.6 x 35.5 cm | 10 ½ x 14 inches
140 pages, 65 b&w, clothbound with aluminum slipcase
Release date: fall 2014
ISBN 978-88-6208-384-3
$750 | £500
The Long Never is a unique collector’s edition book containing
65 artworks by Hiroshi Sugimoto. Composed of photographs
from five series—Meteorites, Dioramas, Pre-Photographic
Time Recording Devices, Lightning Fields, and Seascapes—the
sequence of images conjures a natural history of the planet,
perhaps even one untouched by humans. The black-and-white
photographs are hand-tipped onto the pages of the book,
which is wrapped in silk cloth. Celebrated author Jonathan
Safran Foer has written an original story. Foer’s text sits on the
page underneath each artwork, so the reader must lift up each
photograph in order to read the story.
The Long Never is limited to an edition of 360 copies. Three
hundred copies of the edition, signed and numbered by
Sugimoto, are available with a custom-made brushed
aluminum slipcase.
An exclusive edition of 50 copies of The Long Never includes
one signed and numbered copy of the book and one of two
silver gelatin prints by Sugimoto, Lightning Fields 289 or
Lightning Fields 304. Each artwork, which the artist produced
for this edition only, was printed in an edition of 25 with 5
artist’s proofs. Each numbered print is signed by Sugimoto.
The book and print are housed in a custom-made brushed
aluminum box.
Each an edition of 25 signed and numbered prints
Top: Lightning Fields 289, 2014
Bottom: Lightning Fields 304, 2014
Gelatin silver prints
Image size: 25.5 x 32 cm | 10 x 12 ⅝ inches
Sheet size: 27.5 x 34.2 cm | 10 ⅞ x 13 ½ inches
ISBN 978-88-6208-460-4
$11,000 | £7,200
58
Joel Meyerowitz
Morandi’s Objects
The Last Object, 2015
Archival digital print
Image size: 22.8 x 28 cm (9 x 11 inches)
ISBN 978-88-6208-453-6
In the spring of 2015, the photographer Joel Meyerowitz sat
at the work table in Giorgio Morandi’s Bologna home, in the
exact spot where the painter sat for over 40 years making
his quiet, sublime still lifes. Here Meyerowitz looked at,
touched, studied, and connected with the more than 250
objects that Morandi painted. Using only the warm natural
light in the room, he photographed Morandi’s objects:
vases, shells, pigment-filled bottles, silk flowers, tins, cans,
funnels, watering cans. In the photographs, each object sits
on Morandi’s table, which still bears the marks the painter
drew to set the positions of his subjects. In the background is
the same paper that Morandi left on the wall, now brittle and
yellow with age. Meyerowitz’s portraits of these dusty, aged
objects are not only works of art themselves, but they offer
insight into the humble subjects that Morandi transformed
into his subtle and luminous paintings. For this collector’s
edition of Morandi’s Objects, Joel Meyerowitz has printed an
edition of 25 each of the photographs The Last Object and
White Bottles.
White Bottles, 2015
Archival digital print
Image size: 22.8 x 28 cm (9 x 11 inches)
ISBN 978-88-6208-473-4
Text by Joel Meyerowitz, Maggie Barrett
25.4 x 32 cm (10 x 12 5/8 inches)
$1,000 / £750
59
Peter Schlesinger
A Photographic Memory 1968–1989
The Deck at La Piscine Deligny, 1975
C-print
Image size: 30. 5 x 22.8 cm | 12 x 9 inches
Sheet size: 35.5 x 28 cm | 14 x 11 inches
The photographs of artist Peter Schlesinger are a visual diary
of an extraordinary life that has intersected with some of the
brightest names in the worlds of art, fashion, and society.
Schlesinger’s remarkable journey began in 1966 when, as an
18-year-old student at UCLA, he met the artist David Hockney.
The couple moved to London, where Schlesinger met and
photographed luminaries including Cecil Beaton, Paloma
Picasso, and Manolo Blahnik. This monograph presents the
full range of Schlesinger’s photographic work. The collector’s
edition includes a signed and numbered color print of The Deck
at La Piscine Deligny, 1975.
Text by Peter Schlesinger, Hilton Als
24.8 x 28.6 | 9 ¾ x 11 ¼ inches
ISBN 978-88-6208-459-8
$500 | £300
Matthew Brookes
Les Danseurs
Feet I, 2014
C-print
Image size: 20. 5 x 26.5 cm | 8 ⅛ x 10 ⅜ inches
Sheet size: 21.6 x 28 cm | 8 ½ x 11 inches
Text by Marie-Agnès Gillot
21.5 x 28.7 cm | 8 ½ x 11 ¼ inches
ISBN 978-88-6208-467-3
$450 | £290
60
Matthew Brookes’s style of photography leans toward the
natural, raw emotion of his subjects. In his first book, Brookes
has turned his lens toward the professional male ballet dancers
of Paris. For a year in the life of these dancers, he took them out
of their regular environment of rehearsals and performances
and photographed them in a raw space, where they were
allowed to explore the physicality of dance in its essential
form. Brookes’s stunning series of portraits depicts the pure
physicality of the male dancer. This collector’s edition includes
a signed and numbered black-and-white print of Feet I, 2014.
Dan Martensen
Wolves Like Us: Portraits of the
Angulo Brothers
Mukunda as Death in the Graveyard, 2015
C-print
Image size: 20.5 x 26.5 cm | 8 x 10 ½ inches
Sheet size: 21.6 x 28 cm | 8 ½ x 11 inches
Text by Crystal Moselle, Joseph Akel
21.6 x 28 cm | 8 ½ x 11 inches
160 pages, 168 color, softcover
ISBN 978-88-6208-461-1
$300 | £200
In 2010, photographer Dan Martensen was introduced to the
Angulo brothers by filmmaker Crystal Moselle, who had just
begun work on her hit documentary The Wolfpack. The film
chronicles the lives of six home-schooled boys, who gained
most of their knowledge of the outside world from the movies
they watched at home. Confined to their four-bedroom
apartment in New York City’s Lower East Side for 14 years, the
siblings recreated cult-classic films, fashioning props as well
as costumes from the contents of their apartment. Martensen
photographed the boys, capturing the cinema-inspired world
they had created, while also documenting their first forays into
to the world outside. The collection of intimate portraits and
still lifes in Wolves Like Us adds another layer to the captivating
story of the Angulo brothers and is a testament to the enduring
spirit of creativity. The collector’s edition of Wolves Like Us
includes a signed and numbered color print of Mukunda as Death
in the Graveyard, 2015.
Matthew Brandt
Lakes & Reservoirs
Edition of 17 unique signed
and numbered prints, matted
Container, 2014
C-print
Sheet size: 37 x 44.5 cm | 14 x 17 ½ inches
35 x 28 cm | 13 ¾ x 11 inches
ISBN 978-88-6208-375-1
$3,000 | £2,000
For his series Lakes & Reservoirs, Matthew Brandt photographed
lakes and reservoirs in the western United States and then
submerged each print in water collected from the subject of the
photograph. Prints are soaked for days, weeks, or even months,
and this process influences the layers of color that comprise
the image. The resulting photographs range from mostly
representational to completely abstract. This series considers
the current condition not only of our lakes and reservoirs, but
also of traditional color photography. This edition of Lakes &
Reservoirs is limited to 17 copies and includes the book and a
unique matted print numbered and signed by the artist. Each of
the 17 prints in the Lakes & Reservoirs series is titled Container,
plus its unique number. The prints comprising this collector’s
edition are not reproduced in the book.
61
Joseph Szabo
Rolling Stones Fans
Delight, 1978
Gelatin silver print
Image size: 25.4 x 33 cm | 10 x 13 inches
On June 17th, 1978, Joe Szabo accompanied two of his high
school students to a Rolling Stones concert. The kids needed
the ride from Philadelphia to JFK Stadium in Long Island, New
York, and Szabo thought he would be able to take some good
photographs. Thirty-five years after the event, Szabo selected
the best shots from that day when 90,000 fans gathered to hear
the Stones and presents them here in Rolling Stones Fans. This
collector’s edition is limited to 20 copies and includes a signed
and numbered print, Delight.
24.5 x 22.5 cm | 9 ¾ x 9 inches
ISBN 978-88-6208-435-2
$650 | £450
Andrew Moore
Cuba
Casa de Verano, El Vedado, 1999
Archival inkjet print
Image size: 28.5 x 36 cm | 11 ¼ x 14 ⅛ inches
Sheet size: 30 x 38 cm | 11 ¾ x 15 inches
Text by Joel Smith, Orlando Luis Pardo Lazo
40 x 30 cm | 15 ¾ x 11 ¾ inches
128 pages, 68 color, hardbound with slipcase
ISBN 978-88-6208-258-7
$750 | £500
62
Cuba offers a series of poignant interiors that display the
changing fortunes of the country over its 500-year history,
with portraits and landscapes that hint at the changes coming
to this island nation. Originally published as Inside Havana in
2002 to wide acclaim, this new version expands that book with
finer and larger reproductions, older photographs never before
seen or published, as well as new work made specifically for
this edition. This collector’s edition includes a signed and
numbered photograph and is housed in a slipcase.
Also available
Edition of 300 signed and numbered books
ISBN 978-88-6208-236-5
$150 | £100
Andrew Moore
Detroit Disassembled
Waiting Room with Snowdrift, 2008
Archival C-print
Image size: 28 x 35.5 cm | 11 x 14 inches
Sheet size: 30.5 x 38 cm | 12 x 15 inches
Text by Andrew Moore, Philip Levine
34.5 x 27 cm | 13 ½ x 10 ½ inches
128 pages, 70 color, hardbound with jacket and slipcase
ISBN 978-88-6208-140-5
$ 750 | £500
For Andrew Moore, the wonder of Detroit’s transformation is
its demonstration of nature’s power to devour, and, through
destruction, to renew. He has remarked, “One could say that
Detroit has become America’s version of an open city. It’s been
left undefended against an onslaught of scrappers, vandals, and
the forces of nature. It’s a city of hundreds, if not thousands, of
empty homes, apartment buildings, factories, libraries, hospitals,
schools, and churches. All are abandoned and most are
unguarded, barely salvageable, and slated for demolition that
gets delayed year after year.” His depiction of Detroit questions
what the changing, precarious future of America holds.
This collector’s edition of Detroit Disassembled includes the
book and one of the two prints at left, signed, numbered, and
titled on its verso. Moore printed these photographs in 2015
in an edition of 5 copies each.
Each an edition of 5 signed and numbered prints
Top: National Time, 2009
Bottom: The Rouge, 2008
Archival inkjet prints
Image size: 42.6 x 53.3 cm | 16 ¾ x 21 inches
Sheet size: 50.7 x 60.8 cm | 20 x 23 ⅝ inches
ISBN 978-88-6208-118-4RT (National Time)
ISBN 978-88-6208-118-4FR (The Rouge)
$4,000 | £2,700
63
Julian Wasser
The Way We Were: The Photography
of Julian Wasser
Marcel Duchamp and Eve Babitz, 1963
Silver gelatin print
Sheet size: 32 x 24.7 cm | 12 ⅝ x 9 ¾ inches
Edited by Brad Elterman
24.1 x 31.7 cm | 9 ½ x 12 ½ inches
144 pages, 150 b&w, hardbound with slipcase
ISBN 978-88-6208-377-5
$700 | £420
This long-overdue monograph presents an astonishing
panorama of a bygone Los Angeles from photographer Julian
Wasser. The Way We Were is replete with iconic images such
as a 1968 shot of Joan Didion leaning against a Corvette
Stingray in Hollywood. But photographs of Jack Nicholson
and Angelica Huston at Nicholson’s Mulholland Drive
home, or the Fonda family lined up on the family sofa, paint
a picture of a very private Hollywood of the 1960s and 70s,
when privacy was possible and celebrity culture had not yet
completely consumed the country. This collector’s edition
includes a numbered and signed photograph and is issued
in a cloth slipcase. Wasser’s famous print captures Marcel
Duchamp playing chess with a naked Eve Babitz at his
seminal 1963 exhibition at the Pasadena Art Museum.
Ari Marcopoulos
Shit and Die: Maurizio Cattelan
Photographed by Ari Marcopoulos
Shit and Die: Maurizio Cattelan Photographed by Ari
Marcopoulos is a limited edition that includes a portrait of
Maurizio Cattelan by Ari Marcopoulos, the book Shit and
Die, and a zine by Marcopoulos. Shit and Die was published
to accompany an exhibition of the same name at Palazzo
Cavour in Turin, curated by Cattelan, Myriam Ben Salah,
and Marta Papini in 2014. Marcopoulos’s zine documents
the exhibition backstage.
Edition of 25 signed and numbered prints, matted
Maurizio Cattelan by Ari Marcopoulos, 2014
C-print
Image size: 27.6 x 41.2 cm | 10 ⅞ x 16 ½ inches
Edited by Maurizio Cattelan, Myriam Ben Salah,
Marta Papini
23 x 29 cm | 9 x 11 ½ inches
ISBN 978-88-6208-409-3
$500 | £350
64
Derek Ridgers
78–87 London Youth
Tuinol Barry, Kings Road, 1983
C-print
Image size: 28.5 x 36 cm | 11 ¼ x 14 ¼ inches
Sheet size: 36.6 x 44.3 cm | 14 ⅜ x 17 ½ inches
Taken in the streets, clubs, basements, and bars of London
between 1978 and 1987, this book brings together an incredible
series of images from the British photographer Derek Ridgers.
Since first picking up a camera in 1971, Ridgers has felt
compelled to record the characters that make up the social
scenes around him. These photographs bridge the extremities
of youth culture in the U.K., from punk through the birth of
acid house, and document the changing faces of fashion, music,
and culture through individuals and influential social scenes
in a time of DIY attitudes. This collector’s edition includes the
numbered and signed print Tuinol Barry, Kings Road.
Text by John Maybury
21.5 x 31.5 cm | 8 ½ x 12 ⅜ inches
ISBN 978-88-6208-405-5
$650 | £450
Tom Bianchi
Fire Island Pines: Polaroids 1975–1983
Untitled, 250, 1978
Giclée print
Image size: 19.1 x 19.3 cm | 7 ½ x 7 ⅝ inches
Sheet size: 21.5 x 25.5 cm | 8 ½ x 10 inches
Edited by Ben Smales. Text by Edmund White,
Tom Bianchi
21.5 x 25.5 cm | 8 ½ x 10 inches
212 pages, 350 color, hardcover with jacket and slipcase
ISBN 978-88-6208-314-0
$750 | £500
Growing up in the 1950s, Tom Bianchi would head into
downtown Chicago and pick up 25-cent “physique” magazines
at newsstands. In one, he found a photograph of bodybuilder
Glenn Bishop on Fire Island. Years later, Bianchi began
traveling to New York and was invited to spend a weekend at
Fire Island Pines, where he encountered a community of gay
men. Using an SX-70 Polaroid camera, Bianchi documented his
friends’ lives in the Pines, amassing an image archive of people,
parties, and private moments. These photos, accompanied
by Bianchi’s moving memoir of the era, record the birth and
development of a new culture. Soaked in sun, sex, camaraderie,
and reverie, Fire Island Pines conjures a magical bygone era.
This collector’s edition of 67 numbered copies comes in
an orange cloth slipcase with a tipped-in cover image and
contains a signed and numbered giclée print.
65
Nick Waplington
Alexander McQueen: Working Process
Untitled, 2009
C-print
Image size: 15.8 x 23.4 cm | 6 ¼ x 9 ¼ inches
Sheet size: 23.8 x 29.4 cm | 9 ⅜ x 11 ½ inches
Edited by Alexander McQueen, Nick Waplington.
Text by Susannah Frankel
26.3 x 30.5 cm | 10 ⅜ x 12 inches
ISBN 978-88-6208-356-0
$1,500 | £990
In 2008, Alexander McQueen commissioned the photographer
Nick Waplington to document the creation of his Fall 2009
collection—all the way from inception to runway showing.
Unfortunately, this fall/winter collection was to be the last
that McQueen would stage before his untimely death. Every
step of the creative process is documented in fascinating
detail, and readers receive a rare insight into the inner
workings of McQueen’s creative process. Waplington was
given unprecedented access to McQueen and his staff,
including Sarah Burton, the current creative director. Most
notably, McQueen edited the sequence of photographs in the
book’s layout. This collector’s edition includes a signed and
numbered print and is housed in a linen slipcase.
Jessica Todd Harper
The Home Stage
Self Portrait with Nicholas, Becky, and Marshall, 2009
Inkjet pigment print
Image size: 35.5 x 28 cm | 14 x 11 inches
Sheet size: 38 x 30.5 cm | 15 x 12 inches
Text by Alain de Botton, Alison Nordström
28 x 24 cm | 11 x 9 ½ inches
$650 | £450
ISBN 978-88-6208-406-2
66
The title of Jessica Todd Harper’s The Home Stage is a double
entendre that alludes to both the homebound lifestyle of
families with small children as well as to the idea that home
is the stage on which children first learn how to live. Her
nuanced treatment of her subjects and environs, coupled with
her elegant compositions, unique color palette, and theatrical
handling of light transforms each room and yard into stage
sets. No detail is left untouched by her eye. Private but
universal, she is genuine, tender, uninhibited, and humorous.
This collector’s edition includes the signed and numbered
print Self Portrait with Nicholas, Becky, and Marshall.
Richard Corman
Madonna NYC 83
Cinderella, 1983
Archival pigment print
Image size: 23.5 x 31.2 cm | 9 ¼ x 12 ¼ inches
Sheet size: 24.9 x 32.5 cm | 9 ¾ x 12 ¾ inches
Madonna NYC 83 celebrates a moment in early 1980s New
York that has been reappraised in recent years for its fecund
interactions and overlaps between the worlds of fashion, art,
and music. The vital, edgy restlessness in the city spawned
adventurous personal styles and music that merged rap, funk,
punk, and pop. Madonna represented this sensibility like no
one else, and she was determined to define a look for herself,
and to carve out a space in the public imagination. After her
countless subsequent incarnations over the past three decades,
it is extraordinary to revisit these early years. This collector’s
edition is housed in a silk slipcase and includes a signed and
numbered print, Cinderella.
24 x 31.5 cm | 9 ½ x 12 ½ inches
96 pages, 80 color and b&w, clothbound with slipcase
ISBN 978-88-6208-346-1
$750 | £500
Xavier Guardans
Windows
Windows is the debut volume of photographer Xavier
Guardans. The photographs in Windows were taken in 2006
while he was exploring the Kenyan bush. Guardans’ portraits
of Turkana, Samburu, Masai, Rendille, Gabra, and Pokot
people were shot through the window of his Toyota Land
Cruiser. His world is both dark and light, expressed elegantly
through black-and-white film. The balance in these images is
both solid and ephemeral. This collector’s edition is housed in
a slipcase and includes a signed and numbered print.
Nangorot. Turkana, Loiyangalani, 2006
Image size: 26.8 x 26.8 cm | 10 ½ x 10 ½ inches
Sheet size: 28 x 28 cm | 11 x 11 inches
Text by Christopher Harth, Amanda Schmitt
28 x 28 cm | 11 x 11 inches
80 pages, 25 b&w, clothbound with jacket and slipcase
ISBN 978-88-6208-350-8
$390 | £250
67
Tierney Gearon
Alphabet Book
This book by Tierney Gearon takes the form of a children’s
alphabet book. Each letter of the alphabet is illustrated with a
photograph by Gearon that animates the letter: A is “Airplane
Adventure,” B is “Bear Boy,” C becomes “Clown Car,” and so
on. At once an inventive photo book and an enchanting take
on the classic children’s alphabet book, this volume is Gearon’s
most charming and lighthearted work to date. This collector’s
edition includes a signed and numbered color print.
Instant Incognito, 2010
Image size: 21.8 x 16.3 cm | 8 ⅝ x 6 ⅜ inches
Sheet size: 24 x 18 cm | 9 ½ x 7 inches
23.5 x 16.5 cm | 9 ¼ x 6 ½ inches
ISBN 978-88-6208-351-5
$490 | £330
Klaus Mitteldorf
Work: Klaus Mitteldorf Photographs
1983–2013
Work: Klaus Mitteldorf Photographs 1983–2013 is a catalogue
raisonné of the work of Brazilian photographer Klaus
Mitteldorf from 1983 to 2013. Now primarily involved in
fashion photography, Mitteldorf began his career as a surf
photographer in Brazil in the 1970s. This collector’s edition
includes the numbered and signed photograph Tributo a Tarsila.
Tributo a Tarsila, 1997
Ultrachrome inkjet print
Print size: 45.1 x 30 cm | 17 ¾ x 11 ¾ inches
Sheet size: 48.9 x 33.8 cm | 19 ¼ x 13 ¼ inches
Text by Rubens Fernades Junior, Simonetta Persichetti,
Diogenes Moura
24 x 30 cm | 9 ½ x 11 ¾ inches
360 pages, 800 color and b&w, softcover
English & Portuguese
ISBN 978-88-6208-425-3
$600 | £450
68
Ed Templeton
Deformer
Cross, 2004
C-print
Image size: 20.3 x 29 cm | 8 x 11 ⅜ inches
Sheet size: 20.3 x 29 cm | 8 x 11 ⅜ inches
Eleven years in the making and compiling more than 30 years
worth of material, Ed Templeton’s Deformer is a multimedia
scrapbook of his upbringing in suburban Orange County,
California. Its photographs give a sun-drenched glimpse of
what it might be like to be young and alive in what Templeton
refers to as “the suburban domestic incubator.” Deformer
intertwines photographs, paintings, drawings, sketchbook
pages, disciplinary letters from his grandfather, and religious
notes from his mother into a magnificent narrative of teenage
isolation and social criticism. This collector’s edition includes
a signed and numbered photograph.
24 x 29 cm | 9.5 x 11.5 inches
ISBN 978-88-6208-060-6
$600 | £300
69
Toiletpaper
Toiletpaper
Toiletpaper is an artists’ magazine and book series
created by Maurizio Cattelan and Pierpaolo
Ferrari, born out of a shared obsession with
images. Each picture in a Toiletpaper publication
springs from an idea, often simple, but through a
complex orchestration of people it becomes the
materialization of the artists’ mental outbursts.
Toiletpaper creates a world that displays ambiguous
narratives and a troubled imagination. It combines
the vernacular of commercial photography with
twisted narrative tableaux and surrealistic imagery.
The resulting publications are themselves works
of art that, through the accessible and widely
distributed media of magazines and books, challenge
the limits of the contemporary art economy.
Kenzine is a collaboration between Toiletpaper
magazine and the Parisian clothing label Kenzo.
Founder Kenzo Takada is known for his synthesis of
Japanese style with Parisian high fashion. The current
creative directors, Humberto Leon and Carol Lim,
embarked on the Kenzine project with Kenzo’s avantgarde aesthetic sense. Set in a graphic and futuristic
universe, the magazine conveys an optimistic utopia
with an element of surprise. The viewer witnesses at
once something instantly recognizable and familiar,
but upon closer reflection records an observation into
the unknown. The images in Kenzine contain subtle
visual tricks that become more powerful the longer
you are exposed to them.
Maurizio Cattelan and
Pierpaolo Ferrari
Toiletpaper Volume II:
Platinum Collection
23.8 x 34.5 cm | 9 ½ x 13 ½ inches
Limited to 1,000 copies
In
Includes Toiletpaper watch
IISBN 978-88-6208-445-1
$150 | £100
Pierpaolo Ferrari
Toiletpaper Volume II
22.9 x 30.5 cm | 9 x 12 inches
$65 | £45
ISBN 978-88-6208-427-7
Pierpaolo Ferrari
Toiletpaper Diamond Collection
Limited edition of 1,000 copies
includes the book and a special
issue magazine
22.9 x 30.5 cm | 9 x 12 inches
Book: 256 pages, 150 color,
hardbound with jacket
Magazine: 40 pages. 20 color,
softcover
ISBN 978-88-6208-347-8
$130 | £85
Pierpaolo Ferrari
Toiletpaper Volume I
(second edition, red cover)
Edited by Dennis Freedman
22.9 x 30.5 cm | 9 x 12 inches
232 pages, 150 color, hardback
ISBN 978-88-6208-210-5
$65 | £40
72
Pierpaolo Ferrari
Toiletpaper Magazine 7
22.5 x 29 cm | 9 x 11 ½ inches
ISBN 978-88-6208-280-8
$16 | £10
Pierpaolo Ferrari
22.5 x 29 cm | 9 x 11 ½ inches
ISBN 978-88-6208-428-4
$16 | £10
Pierpaolo Ferrari
22.5 x 29 cm | 9 x 11 ½ inches
ISBN 978-88-6208-286-0
$16 | £10
Kenzo and Toiletpaper
Kenzine Vol. 1
22.5 x 29 cm | 9 x 11 ½ inches
ISBN 978-88-6208-343-0
$35 | £25
Pierpaolo Ferrari
22.5 x 29 cm | 9 x 11 ½ inches
ISBN 978-88-6208-294-5
$16 | £10
Kenzine Vol. 2
22.5 x 29 cm | 9 x 11 ½ inches
ISBN 978-88-6208-371-3
$35 | £25
Pierpaolo Ferrari
22.5 x 29 cm | 9 x 11 ½ inches
ISBN 978-88-6208-339-3
$16 | £10
Kenzine Vol. 3
22.5 x 29 cm | 9 x 11 ½ inches
ISBN 978-88-6208-385-0
$35 | £25
Pierpaolo Ferrari
22.5 x 29 cm | 9 x 11 ½ inches
ISBN 978-88-6208-394-2
$16 | £10
Kenzine Vol. 4
22.5 x 29 cm | 9 x 11 ½ inches
ISBN 978-88-6208-430-7
$35 | £25
Toiletpaper
73
Backlist
Photography
76
Mark Abrahams
Text by James Frey
24 x 31.4 cm | 9 ½ x 12 ½ inches
304 pages, 150 b&w, clothbound
Rights world except Germany
ISBN 978-88-6208-138-2
$70 | £45
Cass Bird
Rewilding
Text by Sally Singer, Jack
Halberstam
18 x 24 cm | 7 x 9 ½ inches
ISBN 978-88-6208-218-1
$35 | £20
Mariam Amurvelashvili
Endless Questions
22.2 x 22.2 cm | 8 ¾ x 8 ¾ inches
ISBN 978-88-6208-447-5
$35 | £24
Matthew Brandt
Lakes & Reservoirs
35 x 28 cm | 13 ¾ x 11 inches
ISBN 978-88-6208-374-4
$65 | £40
Marco Anelli
Portraits in the Presence of
Marina Abramović
Text by Marina Abramović,
Klaus Biesenbach, Chrissie Iles
22.6 x 22.6 cm | 8 ⅞ x 8 ⅞ inches
192 pages, 1,600 color, softcover
ISBN 978-88-6208-249-5
$40 | £25
Matthew Brookes
Les Danseurs
Text by Marie-Agnès Gillot
21.5 x 28.7 cm | 8 ½ x 11 ¼ inches
ISBN 978-88-6208-433-8
$45 | £30
Stephanie Berger
Merce Cunningham: Beyond
the Perfect Stage
Text by Nancy Dalva
22.8 x 22.8 cm | 9 x 9 inches
with slipcase
ISBN 978-88-6208-465-9
$50 | £35
Kristin Capp
Brasil
Text by Paulo Venancio Filho,
Sergio Alcides
22.5 x 22.5 cm | 8 ⅞ x 8 ⅞ inches
ISBN 978-88-6208-455-0
$40 | £25
Tom Bianchi
Fire Island Pines: Polaroids
1975–1983
Edited by Ben Smales. Text by
Edmund White, Tom Bianchi
21.5 x 25.5 cm | 8 ½ x 10 inches
with jacket
ISBN 978-88-6208-270-9
$50 | £35
James Casebere
Works 1975–2010
Edited and with text by Okwui
Enwezor. Text by Toni Morrison,
Hal Foster, Ford Morrison
29.8 x 29.8 cm | 11 ¾ x 11 ¾ inches
with jacket
ISBN 978-88-6208-186-3
$80 | £50
Gusmano Cesaretti
Fragments of Los Angeles,
1969–1989
In association with Alleged Press
Edited by Aaron Rose. Text by
Jeffrey Deitch, Michael Mann
24 x 30.5 cm | 9 ½ x 12 inches
ISBN 978-88-6208-275-4
$50 | £35
Richard Corman
Madonna NYC 83
24 x 31.5 cm | 9 ½ x 12 ½ inches
96 pages, 80 color and b&w,
clothbound
ISBN 978-88-6208-288-4
$49.95 | £34
Ludovic Cesari
Damiani Factory
Text by Phil Bicker
24 x 28 cm | 9 ½ x 11 inches
ISBN 978-88-6208-421-5
$40 | £25
Alessandro Cosmelli and
Gaia Light
Brooklyn Buzz
Text by Gavin Keeney, Jamie Wellford
16.8 x 23.8 cm | 6 ⅝ x 9 ⅜ inches
ISBN 978-88-6208-241-9
$40 | £25
Michel Comte
Michel Comte and MILK:
A Collaboration 1996–2016
Interview by Bobby Woods
24.1 x 34 cm | 9 ½ x 13 ⅜ inches
with jacket
ISBN 978-88-6208-446-8
$75 | £50
Alessandro Cosmelli and
Gaia Light
Milano Buzz
17.1 x 22.8 cm | 6 ¾ x 9 inches
ISBN 978-88-6208-393-5
$40 | £25
Mariana Cook
Justice: Faces of the Human
Rights Revolution
Text by Anthony Lewis
25 x 29.2 cm | 9 ⅞ x 11 ½ inches
with jacket
ISBN 978-88-6208-261-7
$50 | £35
Chris Craymer
From the Heart
24.1 x 30.5 cm | 9 ½ x 12 inches
192 pages, 48 color, 87 b&w,
hardbound
ISBN 978-88-6208-452-9
$50 | £35
Mariana Cook
Stone Walls: Personal Boundaries
Text by Wendell Barry, Susan
Allport, Lucy Breathitt, Thomas
Cummins, Robert O. Paxton, et al
28 x 28 cm | 11 x 11 inches
with sleeve
ISBN 978-88-6208-169-6
$50 | £35
Stéphane Coutelle
Insomnies
24 x 17 cm | 9 ½ x 6 ¾ inches
ISBN 978-88-6208-303-4
$40 | £25
Backlist
77
78
Philip-Lorca diCorcia
Eleven
Edited by Dennis Freedman.
Interview by Jeff Rian
24.8 x 33 cm | 9 ½ x 13 inches
with jacket
ISBN 978-88-6208-167-2
$75 | £50
Hans Feurer
Text by Gianni Jetzer
24 x 34 cm | 9 ½ x 13 ½ inches
ISBN 978-88-6208-292-1
$65 | £40
Cheryl Dunn
Festivals Are Good
In association with Standard Press
29.2 x 19 cm | 11 ½ x 7 ½ inches
ISBN 978-88-6208-466-6
$40 | £25
Fischerspooner
Egos
Edited by Meredith Mowder.
Text by Klaus Biesenbach,
Gavin Brown, Jeffrey Deitch,
Warren Fischer, Casey Spooner
24.2 x 28 cm | 9 ½ x 11 inches
ISBN 978-88-6208-429-1
$45 | £30
Sasha Eisenman
California Girls
24.2 x 30 cm | 9 ½ x 11 ¾ inches
ISBN 978-88-6208-366-9
$50 | £35
Ron Galella
New York
Edited by Nick Vogelson.
Text by William Van Meter
22.8 x 28 cm | 9 x 11 inches
ISBN 978-88-6208-355-3
$49.95 | £34
Brad Elterman
Dog Dance: The Photographs
of Brad Elterman
Edited by Sandy Kim. Text By
Olivier Zahm
16.8 x 23.8 cm | 6 ½ x 9 ½ inches
hardbound
ISBN 978-88-6208-297-6
$35 | £25
Tierney Gearon
Alphabet Book
23.5 x 16.5 cm | 9 ¼ x 6 ½ inches
with jacket
ISBN 978-88-6208-320-1
$40 | £25
Deborah Feingold
Music
Introduction by Anthony
DeCurtis
25.4 x 25.4 cm | 10 x 10 inches
ISBN 978-88-6208-311-9
$45 | £30
Greg Gorman
Outside the Studio
Text by James Nachtwey,
Greg Gorman
30.5 x 30.5 cm | 12 x 12 inches
with jacket
ISBN 978-88-6208-391-1
$50 | £30
Xavier Guardans
Traveling Lights
Text by Amelia Rina
27.9 x 27.9 cm | 11 x 11 inches
ISBN 978-88-6208-387-4
$50 | £30
Jessica Todd Harper
The Home Stage
Text by Alain de Botton,
Alison Nordström
28 x 24 cm | 11 x 9 ½ inches
ISBN 978-88-6208-364-5
$45 | £30
Xavier Guardans
Windows
Text by Christopher Harth,
Amanda Schmitt
28 x 28 cm | 11 x 11 inches
ISBN 978-88-6208-323-2
$60 | £39
Jessica Todd Harper
Interior Exposure
Text by Larry Fink. Interview by
Sarah A. McNear
28 x 24 cm | 11 x 9 ½ inches
English & Italian
ISBN 978-88-6208-016-3
$45 | £24.99
Torkil Gudnason
Body Vase
25.4 x 30.5 cm | 10 x 12 inches
ISBN 978-88-6208-296-9
$40 | £25
Dennis Hopper
Drugstore Camera
Edited by Michael Schmelling.
Text by Marin Hopper
23.5 x 20.3 cm | 9 ¼ x 8 ½ inches
ISBN 978-88-6208-403-1
$45 | £30
Philippe Halsman
Philippe Halsman’s Jump Book
22 x 28 cm | 8 ⅝ x 11 inches
with jacket
ISBN 978-88-6208-420-8
$45 | £30
David Lykes Keenan
Fair Witness
Text by Eli Reed
24.1 x 20.3 cm | 9 ½ x 8 inches
ISBN 978-88-6208-389-8
$45 | £29
Charles Harbutt
Departures and Arrivals
24 x 29 cm | 10 ½ x 11 ½ inches
ISBN 978-88-6208-243-3
$50 | £35
Daniel King
Ukraine Youth, Between Days
22.8 x 30.5 cm | 9 x 12 inches
ISBN 978-88-6208-398-0
$40 | £25
Backlist
79
80
Jeremy Kost
Fractured
Interview by Franklin Sirmans.
Text by Glenn O’Brien, Garrett Neff
23 x 28 cm | 9 x 11 inches
ISBN 978-88-6208-363-8
$49.95 | £35
Joan Liftin
Marseille
30.5 x 23.5 cm | 12 x 9 ¼ inches
ISBN 978-88-6208-449-9
$50 | £35
David Lachapelle
Landscape
Text by Shana Nys Dambrot,
Paul Watson
33 x 30 cm | 13 x 11 ¾ inches
ISBN 978-88-6208-331-7
$45 | £29
Lima, Peru
Edited by Mario Testino.
Text by Mario Vargas Llosa
23 x 33 cm | 9 x 13 inches
English, Italian & Spanish
ISBN 978-88-89431-92-4
$65 | £35
Gillian Laub
Southern Rites
24.1 x 26.7 cm | 9 ½ x 10 ½ inches
ISBN 978-88-6208-413-0
$50 | £35
Lipstick Flavor:
A Contemporary Art Story
with Photography
Edited by Jérôme Sans, Marla
Hamburg Kennedy
24.4 x 31.7 cm | 9 ⅜ x 12 ½ inches
hardbound
ISBN 978-88-6208-426-0
$50 | £35
David Leventi
Opera
Text by Plácido Domingo, Marvin
Heiferman, Thomas Mellins
33.8 x 28 cm | 13 ¼ x 11 inches
with jacket
ISBN 978-88-6208-397-3
$50 | £30
Magnum Photos with Reda: 150
24 x 28 cm | 9 ½ x 11 inches
clothbound
ISBN 978-88-6208-408-6
$50 | £35
Julien Levy
Every Day Is Doomsday
28 x 19 cm | 11 x 7 ½ inches
ISBN 978-88-6208-442-0
$50 | £35
Eric Maillet
Silent Conversations
Text by Jérôme Sans
24.6 x 30.5 cm | 9 ¾ x 12 inches
hardbound
ISBN 978-88-6208-415-4
$50 | £35
Ari Marcopoulos
Out & About
Edited by Aaron Rose. Text by
Harmony Korine, Diego Cortez
24 x 31.5 cm | 9 ½ x 12 ½ inches
with sleeve
Italian & English
ISBN 978-88-89431-13-9
$65 | £35
Joel Meyerowitz
Morandi’s Objects
Text by Joel Meyerowitz,
Maggie Barrett
25.4 x 32 cm | 10 x 12 ⅝ inches
ISBN 978-88-6208-453-6
$50 | £35
Caleb Cain Marcus
Goddess
Text by Richard Ford
25 x 29.1 cm | 8 ½ x 11 ½ inches
ISBN 978-88-6208-418-5
$50 | £35
William Meyers
Outer Boroughs: New York
Beyond Manhattan
22.2 x 19.7 cm | 8 ¾ x 7 ¾ inches
with jacket
ISBN 978-88-6208-401-7
$50 | £30
Dan Martensen
Photographs from the American
Southwest
30 x 24.5 cm | 11 ¾ x 9 ½ inches
ISBN 978-88-6208-232-7
$50 | £35
Bart Michiels
The Course of History
Text by Sonja Fessel, Simon
Schama
31.5 x 27 cm | 12 ⅜ x 10 ⅝ inches
ISBN 978-88-6208-305-8
$65 | £39
Dan Martensen
Wolves Like Us: Portraits of
the Angulo Brothers
Text by Crystal Moselle,
Joseph Akel
21.6 x 28 cm | 8 ½ x 11 inches
ISBN 978-88-6208-443-7
$35 | £24
Sabine Mirlesse
As If It Should Have Been a Quarry
Damiani Factory
Text by Eduardo Cadara
30 x 24 cm | 11 ¾ x 9 ½ inches
ISBN 978-88-6208-310-2
$40 | £25
Rania Matar
L’Enfant-Femme
Introduction by Her Majesty
Queen Noor. Text by Lois Lowry,
Kristen Gresh
24.1 x 31.7 cm | 9 ½ x 12 ½ inches
ISBN 978-88-6208-450-5
$50 | £35
Klaus Mitteldorf
Next
Text by Joseph Akel
25 x 30.5 cm | 9 ⅞ x 12 inches
ISBN 978-88-6208-456-7
$50 | £35
Backlist
81
82
Klaus Mitteldorf
Work: Photographs 1983–2013
24 x 30 cm | 9 ½ x 11 ¾ inches
softcover
ISBN 978-88-6208-291-4
$50 | £35
Tom Munro
Text by Madonna. Interview
with Pierre Alexandre de Looz
24 x 34 cm | 9 ½ x 13 inches
clothbound with jacket
ISBN 978-88-6208-125-2
$75 | £50
Carlo Mollino
Polaroids
Text by Fulvio Ferrari,
Napoleone Ferrari, James Crump,
Silvio Curto
21.5 x 26.5 cm | 8 ½ x 10 ½ inches
ISBN 978-88-6208-378-2
$65 | £40
Joan Myers
Fire and Ice: Timescapes
Text by Joan Myers, Kathleen
Stewart Howe
31.1 x 24.1 cm | 12 ¼ x 9 ½ inches
ISBN 978-88-6208-392-8
$50 | £30
Andrew Moore
Cuba
Text by Joel Smith, Orlando Luis
Pardo Lazo
40 x 30 cm | 15 ¾ x 11 ¾ inches
ISBN 978-88-6208-252-5
$75 | £50
Marc Ohrem-Leclef
Olympic Favela
Text by Luis Perez-Oramas,
Itamar Silva, David Kelley
24.1 x 31.1 cm | 11 x 11 inches
ISBN 978-88-6208-338-6
$50 | £30
Andrew Moore
Detroit Disassembled
22.5 x 33 cm | 10 x 13 inches
ISBN 978-88-6208-118-4
$50 | £34.95
Christine Osinski
Summer Days Staten Island
Interview by A. H. Data.
Text by Paul Moakley
30.5 x 24.1 cm | 12 x 9 ½ inches
ISBN 978-88-6208-448-2
$40 | £25
Andrew Moore
Dirt Meridian
Text by Kent Haruf, Toby Jurovics,
Inara Verzemnieks
34.5 x 27.9 cm | 13 ½ x 11 inches
ISBN 978-88-6208-412-3
$50 | £35
Elizabeth Peyton
Portrait of an Artist:
Photographs 1994–2008
Text by Richard Klein, Rirkrit
Tiravanija
28 x 20 cm | 11 x 8 inches
ISBN 978-88-6208-077-4
$45 | £24.99
Giuseppe Pino
The Way They Were: Portraits &
Stories from the 20th Century
30 x 30 cm | 11 ¾ x 11 ¾ inches
ISBN 978-88-6208-341-6
$70 | £45
Portraits of an Urban Hymn
HIP HOP
PHOTOGRAPHS
DAVID SCHEINBAUM
David Scheinbaum
Hip Hop: Portraits of an
Urban Hymn
Text by Brian Hardgrove, Michael
Eric Dyson, Gaye Theresa Johnson.
Interview with Frank H. Goodyear III
26 x 30 cm | 10 ¼ x 11 ¾ inches
hardbound
ISBN 978-88-6208-273-0
$50 | £34
Norma I. Quintana
Circus: A Traveling Life
Text by Mona Simpson
28 x 28 cm | 11 x 11 inches
ISBN 978-88-6208-365-2
$60 | £39
Peter Schlesinger
A Photographic Memory 1968–1989
Text by Peter Schlesinger, Hilton Als
24.8 x 28.6 cm | 9 ¾ x 11 ¼ inches
ISBN 978-88-6208-436-9
$50 | £35
Terry Richardson
Terrywood
Text by Jeffrey Deitch, Al Moran
25 x 30 cm | 10 x 12 inches
with jacket
ISBN 978-88-6208-251-8
$60 | £40
David Seltzer
Knowledge of the Raw
Text by Eric Fischl
24.1 x 30.4 cm | 9 ½ x 12 inches
hardbound
ISBN 978-88-6208-417-8
$45 | £30
Derek Ridgers
78–87 London Youth
Text by John Maybury
21.5 x 31.5 cm | 8 ½ x 12 ½ inches
ISBN 978-88-6208-359-1
$50 | £30
Andres Serrano
Holy Works
Text by Germano Celant, James Frey
24 x 31 cm | 9 ½ x 12 inches
ISBN 978-88-6208-209-9
$50 | £30
Lynn Saville
Dark City: Urban America at Night
Text by Geoff Dyer
33.8 x 27 cm | 13 ¼ x 10 ⅝ inches
ISBN 978-88-6208-411-6
$50 | £35
David Benjamin Sherry
It’s Time
Text by Neville Wakefield
22 x 30 cm | 9 x 12 inches
ISBN 978-88-6208-093-4
$50 | £29.99
Backlist
83
NUE YORK
ERICA SIMONE
84
David Benjamin Sherry
Quantum Light
Text by Collier Schorr
21 x 27 cm | 8 ¼ x 10 ⅝ inches
ISBN 978-88-6208-213-6
$50 | £30
Hiroshi Sugimoto
Dioramas
25.2 x 27.8 cm | 10 x 11 inches
with jacket
Rights world except France
ISBN 978-88-6208-327-0
$65 | £40
Erica Simone
Nue York: Self-Portraits of a
Bare Urban Citizen
30.5 x 24.7 cm | 12 x 9 ¾ inches
English & French
ISBN 978-88-6208-464-2
$40 | £25
Hiroshi Sugimoto
Seascapes
25.2 x 27.8 cm | 10 x 11 inches
with jacket
Rights world English
ISBN 978-88-6208-416-1
$70 | £45
Brian Bowen Smith
Projects
24 x 30.5 cm | 9 ½ x 12 ½ inches
ISBN 978-88-6208-263-1
$60 | £40
Joseph Szabo
Rolling Stones Fans
24.5 x 22.5 cm | 9 ¾ x 9 inches
ISBN 978-88-6208-399-7
$39 | £25
Aaron Stern
I Woke Up in My Clothes
Text by David Wagoner, Rich Appel
24 x 30 cm | 9 ½ x 11 ¾ inches
ISBN 978-88-6208-352-2
$45 | £25
Alexey Titarenko
The City Is a Novel
Text by Alexey Titarenko, Gabriel
Bauret, Brett Abbott, Sean Corcoran
24.1 x 26.7 cm | 9 ½ x 10 ½ inches
with jacket
ISBN 978-88-6208-414-7
$60 | £40
Joni Sternbach
Surf Site Tin Type
Text by Lyle Rexer, April M. Watson,
Chris Malloy, Johnny Abegg
30.5 x 24.8 cm | 12 x 9 ¾ inches
ISBN 978-88-6208-380-5
$45 | £29
Michael Thompson
Portraits
Edited by Vince Aletti.
Text by Julianne Moore
26 x 33 cm | 10 x 13 inches
with jacket
English, Italian & French
Rights world except Germany
and Asia
ISBN 978-88-6208-156-6
$65 | £45
Charles H. Traub
Dolce Via: Italy in the 1980’s
Text by Max Kozloff, Luigi Ballerini
30 x 24 cm | 11 ¾ x 9 ½ inches
ISBN 978-88-6208-344-7
$50 | £30
Ben Watts
Montauk Dreaming
22.2 x 22.2 cm | 8 ¾ x 8 ¾ inches
ISBN 978-88-6208-388-1
$45 | £29
Charles H. Traub
Lunchtime
21.5 x 21.5 cm | 8 ½ x 8 ½ inches
ISBN 978-88-6208-423-9
$45 | £30
Jork Weismann
Asleep at the Chateau
Text by Bret Easton Ellis
33 x 24 cm | 12 x 9 inches
ISBN 978-88-6208-242-6
$50 | £35
Diego Uchitel
Polaroids
Text by Diane von Furstenberg
25 x 31.5 cm | 9 ¾ x 12 ½ inches
clothbound
ISBN 978-88-6208-239-6
$50 | £35
James Welling
Glass House
Text by Noam Elcott, Sylvia Lavin
32.2 x 24.8 cm | 12 ¾ x 9 ¾ inches
ISBN 978-88-6208-161-0
$50 | £35
Carlo Van de Roer
The Portrait Machine Project
Damiani Factory
24,5 x 30.5 cm | 9 ¾ x 12 inches
ISBN 978-88-6208-268-6
$40 | £25
Amani Willett
Disquiet
Damiani Factory
16.5 x 24 cm | 6 ½ x 9 ½ inches
ISBN 978-88-6208-274-7
$40 | £25
Julian Wasser
The Way We Were: The
Photography of Julian Wasser
Edited by Brad Elterman. Text by
Julian Wasser
24.1 x 31.7 cm | 9 ½ x 12 ½ inches
ISBN 978-88-6208-349-2
$60 | £39
Stephan Würth
Ikinga
Text by Joseph Akel
24.1 x 24.1 cm | 9 ½ x 9 ½ inches
ISBN 978-88-6208-444-4
$45 | £30
Backlist
85
Fashion & Lifestyle
86
Ara Gallant
Edited by David Wills. Text by
Anjelica Huston
23.5 x 31 cm | 9 ½ x 12 ½ inches
English & French
ISBN 978-88-6208-120-7 (English)
ISBN 978-88-6208-126-9 (French)
$60 | £39
Bob Recine
Alchemy Of Beauty
Text by René Ricard. Photographs
by Mario Sorrenti, Robbie Fimmano
and Bob Recine
24 x 31.2 cm | 9 ½ x 12 inches
hardbound with jacket
ISBN 978-88-6208-212-9
$65 | £40
Embroidery Italian Fashion
Text by Giusy Ferra, Valentino,
Gianfranco Ferre, Anna Molinari,
Roberto Cavalli, et al
24 x 31.5 cm | 9 ½ x 12 ½ inches
with embroidery
English & Italian
ISBN 978-88-89431-23-8 (English)
ISBN 978-88-89431-39-9 (Italian)
$99 | £60
Stephen Sprouse: Xerox / Rock /
Art: An Archive of Drawings and
Ephemera 1970s–1980s
Edited by Carol McCranie, Javier
Magri. Text by Debbie Harry,
Carol McCranie
21.5 x 28 cm | 8 ½ x 11 inches
ISBN 978-88-6208-370-6
$50 | £35
Fashion at the Time of Fascism:
Italian Modernist Lifestyle,
1922–1943
Edited by Mario Lupano,
Alessandra Vaccari
23 x 29.5 cm | 9 x 11 ½ inches
hardbound
English & Italian
ISBN 978-88-6208-051-4 (English)
ISBN 978-88-6208-061-3 (Italian)
$60 | £39
Nick Waplington
Alexander McQueen: Working Process
Edited by Alexander McQueen
and Nick Waplington. Text by
Susannah Frankel
24 x 29 cm | 9 ½ x 11 ½ inches
with jacket
ISBN 978-88-6208-295-2
$60 | £40
Maripol
Little Red Riding Hood
Text by Maripol. Conversation
with Marc Jacobs
24 x 30 cm | 9 ½ x 11 ½ inches
English & French
ISBN 978-88-6208-136-8 (English)
ISBN 978-88-6208-143-6 (French)
$65 | £40
Nick Waplington
The Isaac Mizrahi Pictures:
New York City 1989–1993
25 x 28.4 cm | 9 ⅞ x 11 ¼ inches
ISBN 978-88-6208-451-2
$50 | £35
Harri Peccinotti
H.P.
Text by Derek Birdsall
23 x 30 cm | 9 ½ x 12 inches
with jacket
English & Italian
ISBN 978-88-6208-074-3
$60 | £34
Vivienne Westwood
Shoes
Edited by Luca Beatrice,
Matteo Guarnaccia
24 x 31.5 cm | 9 ½ x 12 ½ inches
with sleeve
English & Italian
ISBN 978-88-89431-84-9 (English)
ISBN 978-88-89431-83-2 (Italian)
$65 | £39
Contemporary Art
Jennifer Bartlett
Epic Systems
Text by Barry Schwabsky
28.5 x 28.5 cm | 11 ¼ x 11 ¼ inches
ISBN 978-88-6208-410-9
$45 | £30
Electrical Banana: Masters of
Psychedelic Art
Text by Paul McCartney, Norman
Hathaway, Dan Nadel
23.5 x 26 cm | 9 ½ x 10 ¼ inches
ISBN 978-88-6208-204-4
$39.95 | £27
Daniel Brush
Text by Oliver Sacks, David
Revere McFadden, Brett Littman.
Interview by Paul Keegan
34.2 x 33 cm | 13 ½ x 13 inches
with jacket
Rights world except USA
ISBN 978-88-6208-278-5
$85 | £50
Okwui Enwezor and
Chika Okeke-Agulu
Contemporary African Art
Since 1980
24 x 31.5 cm | 9 ½ x 12 ½ inches
ISBN 978-88-6208-092-7
$60 | £45
Colors: A Book About a Magazine
About the Rest of the World
Text by Francesco Bonami.
Interview with Luciano Benetton
and Oliviero Toscani
24.5 x 33.8 cm | 9 ⅝ x 13 ¼ inches
with jacket
ISBN 978-88-6208-424-6
$50 | £35
Monir Shahroudy Farmanfarmaian
Cosmic Geometry
Edited by Hans Ulrich Obrist, Karen
Marta. Text by Nader Ardalan, Media
Farzin, Eleanor Sims. Conversation
with Hans Ulrich Obrist
24.5 x 29.4 cm | 9 ½ x 11 ½ inches
ISBN 978-88-6208-175-7
$70 | £45
Johan Creten
In association with Galerie Perrotin
Text by Jan Hoet. Interview by Léa
Chauvel-Lévy
21 x 27 cm | 8 ¼ x 10 ½ inches
ISBN 978-88-6208-308-9
$50 | £34
Daniel Firman
Text by Emmanuel Latreille, Thierry
Raspail. Interview by Hou Hanru
21 x 27 cm | 8 ¼ x 10 ½ inches
ISBN 978-88-6208-309-6
$40 | £25
Dzine
Nailed: The History of Nail Culture
and Dzine
Text by Kim Hastreiter, Luis Gispert,
Yone, Jamel Shabazz, Fred Braithwaite
a.k.a. Fab 5 Freddy
24.4 x 29.3 cm | 9 ½ x 11 ½ inches
ISBN 978-88-6208-205-1
$45 | £30
Fischerspooner: New Truth
Edited with text by Meredith
Mowder. Text by Klaus Biesenbach,
Gavin Brown, Jeffrey Deitch,
Warren Fischer, Casey Spooner
24.2 x 28 cm | 9 ½ x 11 inches
ISBN 978-88-6208-328-7
$50 | £35
Backlist
87
88
Natalie Frank
Tales of the Brothers Grimm
Drawings by Natalie Frank. Edited
by Karen Marta. Text by Claire
Gilman, Linda Nochlin, Julie
Taymor, Jack Zipes
22.8 x 30.5 cm | 9 x 12 inches
ISBN 978-88-6208-386-7
$60 | £39
Mike Mills
Graphics / Films
24 x 31.5 cm | 9 x 12 inches
English & Italian
ISBN 978-88-6208-075-0
$50 | £24.99
Chris Johanson
Please Listen I Have Something
to Tell You About What Is
Text by Aaron Rose, Sean Kennerly,
Jack Hanley
24 x 31.5 cm | 9 ½ x 12 ½ inches
English & Italian
ISBN 978-88-89431-45-0
$50 | £27.50
Gianni Motti
Text by Elisabeth Lebovici, Françoise
Ninghetto, Marie-Olivier Wahler,
Jade Lindgaard, Fabrice Stroun, et al
21 x 27 cm | 8 ¼ x 10 ⅝ inches
hardbound
ISBN 978-88-6208-361-4
$50 | £34
JR and Art Spiegelman
The Ghosts of Ellis Island
21.7 x 27 cm | 8 ½ x 10 ½ inches
ISBN 978-88-6208-395-9
$39.95 | £25
Kaz Oshiro
Text by Michael Duncan, Ed Schad
21 x 27 cm | 8 ¼ x 10 ½ inches
ISBN 978-88-6208-342-3
$40 | £25
JR and José Parlá
The Wrinkles of the City:
Havana Cuba
Text by Clara Astiasarán,
Janet Batet, Michael Betancourt,
Jeffrey Deitch
30 x 30 cm | 11 ¾ x 11 ¾ inches
with jacket
ISBN 978-88-6208-250-1
$49.95 | £35
Parallel Views: Italian and Japanese
Art from the 1950s, 60s and 70s
Edited and with text by by Allan
Schwartzman. Text by Joshua Mack,
Carolyn Christov-Bakargiev, Nicholas
Cullinan, Ming Tiampo
28 x 30.5 cm | 11 x 12 inches
with jacket
ISBN 978-88-6208-400-0
$75 | £45
Barry McGee
Edited by Aaron Rose
24 x 31.5 cm | 9 ½ x 12 ½ inches
ISBN 978-88-6208-096-5
$49.95 | £29.99
José Parlá
In Medias Res
Text by Manon Slome, Greg
Tate, Carlo McCormick, Michael
Betancourt, Isolde Brielmaier, et al
24 x 29.2 cm | 9 ½ x 11 ½ inches
ISBN 978-88-6208-362-1
$60 | £39
José Parlá
Segmented Realities
Text by Michael Rooks, Rey Parlá,
Steve Swieter, Mike Jensen, Farzad
24 x 29.2 cm | 9 ½ x 11 ½ inches
ISBN 978-88-6208-422-2
$45 | £30
John Severson
John Severson’s Surf
Text by Gerry Lopez, Drew Kampion.
Interview by Nathan Howe
24 x 31 cm | 9 ½ x 12 ¼ inches
hardbound
ISBN 978-88-6208-326-3
$45 | £29
Paola Pivi
Text by Massimiliano Gioni, Jens
Hoffmann
21 x 27 cm | 8 ¼ x 10 ½ inches
ISBN 978-88-6208-319-5
$50 | £34
Shit and Die
Edited by Maurizio Cattelan,
Myriam Ben Salah, Marta Papini
23 x 29 cm | 9 x 11 ½ inches
English & Italian
ISBN 978-88-6208-402-4
$30 | £19
Carlos Rolon
Boxed: A Visual History and
the Art of Boxing
Edited and with text by Carlos
Dzine Rolon. Text by Franklin
Sirmans
24 x 29.2 cm | 9 ½ x 11 ½ inches
ISBN 978-88-6208-354-6
$60 | £39
Gary Simmons
Paradise
Text by Gwen Allen, Nancy
Princenthal, Charles Wylie.
Conversation with Okwui Enwezor
24.2 x 29.2 cm | 9 ½ x 11 ½ inches
ISBN 978-88-6208-240-2
$50 | £35
Claude Rutault
Text by Claude Rutault. Interview
by Hans Ulrich Obrist
21 x 27 cm | 8 ¼ x 10 ⅝ inches
ISBN 978-88-6208-321-8
$50 | £34
Tabboo! The Art of Stephen
Tashjian
Edited by Lia Gangitano. Text
by Jack Pierson, Elisabeth Kley,
Lia Gangitano
24 x 30.5 cm | 9 ½ x 12 inches
ISBN 978-88-6208-264-8
$50 | £35
Kenny Scharf
Kolors
Text by Jeffrey Deitch
21.6 x 26.7 cm | 8 ½ x 10 ½ inches
ISBN 978-88-6208-287-7
$40 | £25
Ed Templeton
Deformer
24 x 29 cm | 9 ½ x 11 ½ inches
hardbound
ISBN 978-88-6208-050-7
$55 | £25
Backlist
89
Music
Cy Twombly
Paradise
Edited by Julie Sylvester. Text by
Walter Hartsarich, Gabriella Belli,
Philip Larratt-Smith
25 x 34.5 cm | 9 ¾ x 13 ½ inches
with jacket
ISBN 978-88-6208-376-8
$60 | £39
Keziah Jones and Native Maqari
Captain Rugged
16.5 x 24 cm | 6 ½ x 9 ½ inches
120 pages, 110 color, hardbound,
includes a card to download an
album by Keziah Jones
English & French
ISBN 978-88-6208-340-9 (English)
ISBN 978-88-6208-336-2 (French)
$45 | £29
Carrie Mae Weems
Kitchen Table Series
Text by Sarah Lewis and
Adrienne Edwards
24.8 x 34.3 cm | 9 ¾ x 13 ½ inches
ISBN 978-88-6208-462-8
$50 | £35
Moby
Destroyed
29 x 22.8 cm | 11 ½ x 9 inches
128 pages, 55 color, hardback,
includes Destroyed CD
English, Italian, German,
Spanish & French
ISBN 978-88-6208-155-9
$39.95 | £25
Peter Zimmermann
21 x 27 cm | 8 ¼ x 10 ½ inches
ISBN 978-88-6208-307-2
$40 | £25
Sound & Vision
Texts by Luca Beatrice,
Alberto Campo
20 x 28 cm | 8 x 11 inches
260 pages, 200, softcover
English & Italian
ISBN 978-88-89431-98-6 (English)
ISBN 978-88-89431-55-9 (Italian)
$35 | £22
Sound Zero
Texts by Fabio de Luca, Uwe Husslein,
Aaron Rose, Valerio Dehò
16.5 x 23 cm | 6 ½ x 9 inches
English, Italian & German
ISBN 978-88-89431-65-8 (English)
ISBN 978-88-89431-64-1 (Italian)
ISBN 978-88-89431-63-4 (German)
$48 | £27.50
Roger Harris
This Is My Generation.
Rock Legends of the 1950s, 60s, 70s
and 80s on Stage Today
Text by Bob Eisenberg, Roger Harris
22.9 x 22.9 cm | 9 x 9 inches
ISBN 978-88-6208-493-2
$30 | £20
90
Urban Art
Chaz Bojorquez
The Art and Life of Chaz Bojorquez
Edited by Mario Klefisch, Alberto
Scabbia. Text by François Chastenet,
Greg Escalante, Usugrow
24 x 28 cm | 9 ½ x 13 inches
ISBN 978-88-6208-121-4
$50 | £30
Phil Frost
Text by Pushead, Carlo McCormick
28 x 28 cm | 11 x 11 inches
English & Italian
ISBN 978-88-6208-024-8
$45 | £24.99
Dumbo
Acts of Vandalism and Stories
of Love
Text by Barry McGee, Federico
Sarica, Kyri Chenven
20 x 29 cm | 8 x 11 ½ inches
English & Italian
ISBN 978-88-89431-95-5
$35 | £19
Rae Martini
24 Carat Dirt
24 x 30 cm | 9 ½ x 11 ½ inches
ISBN 978-88-6208-207-5
$40 | £25
Alex Fakso
Fast or Die
Text by Andrea Caputo,
Alessandro Zuek Simonetti
24 x 31 cm | 9 ½ x 12 ½ inches
ISBN 978-88-6208-164-1
$35 | £19.95
Stefano Pane
People Think I’m Cool: The Life
and Art of Pane
23 x 28.7 cm | 9 ½ x 11 inches
English & Italian
ISBN 978-88-6208-183-2
$39 | £24.95
Alex Fakso
Heavy Metal
Text by Alex Fakso, Giovanna
Calvenzi, Jamel Shabazz
30 x 18 cm | 12 x 7 inches
ISBN 978-88-89431-49-8
$35 | £19
Raptuz
Mother Road
Text by Lorenzo Bonini, Raptuz
22.8 x 22.8 cm | 9 x 9 inches
ISBN 978-88-6208-229-7
$35 | £20
Frontier: The Line of Style
Edited by Claudio Musso, Fabiola
Naldi. Text by Mubi Brighenti,
Claire Calogirou, Dado, Stewart
Home, Christian Omodeo, et al
16.5 x 23 cm | 6 ½ x 9 inches
English & Italian
ISBN 978-88-6208-300-3
$40 | £25
Tsang Tsou Choi
The King of Kowloon: The Art
of Tsang Tsou Choi
Edited and with text by David
Spalding. Text by Hans Ulrich
Obrist, Hon Hanru, Ou Ning
24.5 x 27 cm | 9 ⅝ x 10 ⅝ inches
English & Chinese
ISBN 978-88-6208-271-6
$50 | £35
Backlist
91
Architecture & Design
92
Diller Scofidio & Renfro
Lincoln Center Inside Out
23.8 x 31.8 cm | 9 ⅜ x 12 ½ inches
ISBN 978-88-6208-244-0
$85 | £50
Qualities of Duration: The
Architecture of Phillip Smith
and Douglas Thompson
Text by Alastair Gordon
22.9 x 22.9 cm | 9 x 9 inches
ISBN 978-88-6208-231-0
$50 | £35
Stewart Grimshaw
The Loveliest Valley: A Garden
in Sussex
Text by Stewart Grimshaw,
Christopher Gibbs, Mary Keen,
Julian and Isabel Bannerman,
William Pye, and Tessa Traeger
30 x 25 cm | 11 ¾ x 9 ⅞ inches
with jacket
ISBN 978-88-6208-441-3
$65 | £40
Thomas R. Schiff
Prospect
Text by Michael Speaks, Ann Cotter
42.5 x 24.8 cm | 16 ½ x 10 inches
with jacket
ISBN 978-88-6208-195-5
$80 | £50
The Haas Brothers
Haas Brothers
Text by Laura Dern, Vincent Gallo,
Simon and Nikolai Haas
22 x 29 cm | 8 ½ x 11 ½ inches
ISBN 978-88-6208-373-7
$50 | £35
Walter Vallini
Walter Vallini Architect:
Works 2000–2012
19 x 22 cm | 7 ¾ x 8 ¾ inches
ISBN 978-88-6208-279-2
$30 | £20
The Haas Brothers
Haas Brothers Volume II: Afreaks
21.6 x 29.2 cm | 8 ½ x 11 ½ inches
ISBN 978-88-6208-434-5
$50 | £35
Village: One Land Two Systems
and Platform Paradise
Edited and with text by Malkit
Shoshan, Maurizio Bortolotti
16.5 x 24 cm | 6 ½ x 9 ½ inches
ISBN 978-88-6208-254-9
$30 | £19
Maria Pergay
Complete Works 1957–2010
Text by Suzanne Demisch,
Stephane Danant, Adam Lindeman
25.4 x 29.8 cm | 10 x 11 ¾ inches
with jacket
ISBN 978-88-6208-174-0
$80 | £50
Jeff Zimmerman
Text by John Drury. Interview by
Sean Kelly
24 x 28 cm | 9 ½ x 11 inches
ISBN 978-88-6208-358-4
$60 | £39
Antiques & Collectibles
Longines Watches
Edited by John Goldberger.
Text by Giampiero Negretti
21 x 29 cm | 8 ½ x 11 ½ inches
English, Italian & French
ISBN 978-88-89431-40-5 (English)
ISBN 978-88-89431-41-2 (Italian)
ISBN 978-88-89431-47-4 (French)
$99 | £60
100 Superlative Rolex Watches
24 x 32 cm | 9 ½ x 12 ½ inches
with leather
English & Italian
ISBN 978-88-6208-031-6 (English)
ISBN 978-88-6208-032-3 (Italian)
$200 | £99.99
Omega Sportswatches
21.5 x 29 cm | 8 ½ x 11 ½ inches
English & Italian
ISBN 978-88-89431-70-2 (English)
ISBN 978-88-89431-97-9 (Italian)
$89 | £50
Omega Watches
21 x 29 cm | 8 ½ x 11 ½ inches
English & Italian
ISBN 978-88-89431-27-6 (English)
ISBN 978-88-89431-24-5 (Italian)
$89 | £55
John Goldberger
Patek Philippe Steel Watches
Limited edition of 300 copies
numbered and signed by the author
24 x 32.5 cm | 9 ½ x 12 ¾ inches
with cork, plexiglass slipcase
ISBN 978-88-6208-304-1
$800 | £500
Manfred Rössler
Zenith
21 x 29 cm | 8 ½ x 11 ½ inches
English & Italian
ISBN 978-88-6208-069-9 (English)
ISBN 978-88-6208-068-2 (Italian)
$150 | £80
Backlist
93
Via dello Scalo, 3/2 ABC
40131 Bologna, Italy
Tel. +39 051 438 07 47
[email protected]
www.spaziodamiani.com
In June 2015, Damiani opened a new gallery space, Spazio Damiani. Past exhibitions include Morandi’s Objects
by Joel Meyerowitz and Dirt Meridian by Andrew Moore. Spazio Damiani offers a continuing program of
exhibitions devoted to showcasing the work of significant contemporary artists along with lectures and other
events. Spazio Damiani is open to the public from Monday to Friday, 12:00 to 6:00 pm, and by appointment.
94
Contacts
Damiani
Via dello Scalo, 3/2 ABC
40131 Bologna, Italy
Tel. +39 051 635 68 58
[email protected]
www.damianieditore.com
President and Publisher
Andrea Albertini
[email protected]
Editorial Office
Eleonora Pasqui
[email protected]
Sales and Marketing
Enrico Farinazzo
[email protected]
Press Offices
Europe
[email protected]
London
Claire Sawford
[email protected]
Marketing, Media, Brand
Management
T: +44 (0)20 7722 4114
New York
Artbook | D.A.P.
Luke P. Brown
[email protected]
155 6th Avenue, 2nd floor
New York, NY 10013-1507
T: +1 212 627 1999
F: +1 212 627 9484
www.artbook.com
Printed in April 2016 by Grafiche Damiani – Faenza Group, Italy
Design: Robin Brunelle, Matsumoto Incorporated, New York
Editor: Amy Wilkins, Matsumoto Incorporated, New York
Unless otherwise indicated, all photographs are copyright the artists.
Cover: Antoine Le Grand, Iggy Pop (detail), 2002. From Portraits (p. 19)
Pages 4–5: Susan Burnstine, Across the Line (detail), 2010. From Absence of Being (p. 31)
Pages 54–55: Andrew Moore, Cash Meier Barn (detail), 2012. From Dirt Meridian (p. 82)
Pages 70–71: Concept and images by Maurizio Cattelan and Pierpaolo Ferrari. From Toiletpaper (pp. 72–73)
Pages 74–75: Cy Twombly, Untitled (detail), 1989. From Cy Twombly Paradise (p. 90)
Information in this catalogue is accurate at press time. Prices, specifications, and terms are subject to change without notice.
95
Distributors
Artbook | D.A.P.
North, Central, and South America
Elisa Leshowitz
Distributed Art Publishers Inc.
T: +1 212 627 1999
F: +1 212 627 9484
[email protected]
Books Import
Italy
Books Import
via Achille Maiocchi, 11
20129 Milano, Italy
T: +39 02 29400478
F: +39 02 29515254
[email protected]
Abrams & Chronicle
Great Britain
Douglas Pocock
Managing Director, Abrams & Chronicle Books Ltd.
T : +44 207 713 2070
[email protected]
Ewen Robertson
Head of Publisher Sales, Abrams & Chronicle
Books Ltd.
T: +44 (0) 20 7713 2064
M: +44 (0) 7841 827636
[email protected]
www.abramsandchronicle.co.uk
Tabitha Ward
Head of UK Trade, Abrams & Chronicle Books Ltd.
T: +44 (0) 20 7713 2078
[email protected]
Tim Loynes
Head of Special Sales, Abrams & Chronicle
Books Ltd.
T: +44 (0) 20 7713 2072
[email protected]
Ieva Kudeiko
Special Sales and New Business Executive, Abrams
& Chronicle Books Ltd.
T: +44 (0) 20 7713 2062
[email protected]
Nick Hawkes
Key Account Manager, Abrams & Chronicle
Books Ltd.
T: +44 (0) 20 7713 2069
[email protected]
Charlotte Jones
Sales Assistant, Abrams & Chronicle Books Ltd.
T: +44 (0) 20 7713 2079
[email protected]
Noortje Van Lienen
Head of International Sales, Abrams & Chronicle
Books Ltd.
T: +44 (0) 20 7713 2071
M: +44 (0) 7939 662379
[email protected]
96
Matt Boxell
Export Sales Executive, Abrams & Chronicle
Books Ltd.
T: +44 (0) 20 7713 2075
[email protected]
South Of England, South Wales,
North Wales, Midlands, North of England,
Scotland
Publishers Group UK
8 The Arena, 63-66 Hatton Garden
EC1N 8LE London, UK
T: +44 (0) 207 405 1105
F: +44 (0) 207 242 3725
[email protected]
[email protected]
France
Tiffany Georges
19 rue des Frigos
75013 Paris, France
T: +33 (0) 145 866 012
[email protected]
Spain
Jenny Padovani
Padovani Books
Passage Saladrigas 15, 2-2
08005 Barcelona, Spain
T/F: +34 93 2218561
[email protected]
Portugal
Penny Padovani
Padovani Books
NA La Chiesa 9,
52044 Pergo-Cortina (AR), Italy
T/F: +39 0575 614 338
[email protected]
Greece
Isabella Curtis
Padovani Books
4 Odos Plutarchou, 106 76 Athens, Greece
T/F: +30 210 721 8995
[email protected]
Ireland
John Fitzpatrick
Siobhan Mullett
58 New Vale Cottages
Shankill - County Dublin, Ireland
M: +353 872 469 859
[email protected]
Nordic Countries
Melanie Boesen
Mediehuset Rubrik
Vandkunsten 6, 2
DK-1467 Copenhagen, Denmark
T: +45 33 13 75 54
[email protected]
The Netherlands
Francine Siemer-Ankersmit
and Geke Luichies
62 Damrak, Zeverijnstraat 14
1216 GK Hilversum - The Netherlands
T: +31 (0) 626236768
[email protected]
[email protected]
The Middle East
Richard Ward
Ward International Ltd
Unit 3, Taylors Yard
67 Alderbrook Road
SW12 8AD London, UK
T: +44 (0) 208672 1171
[email protected]
Germany, Austria, Switzerland
Gabriele Kern
Publisher Services
Ziegenhainer Strasse 169
D-60433 Frankfurt, Germany
T: +49 (0) 69 510 694
[email protected]
Eastern Europe
Cristian Juncu
Str. Fabricii nr. 2B-A
bl.15D, ap.36
060823 Bucharest, Romania
T: +40 722 454 800
[email protected]
Kenya, Tanzania, Uganda, Ethiopia,
Mauritius, Seychelles, Zambia, Malawi,
Ghana, Nigeria, Sierra Leone, Cameroon
Anita Zih
A-Z Africa Services
105b Prins Mauritssingel
3043 PE Rotterdam, The Netherlands
T: +31 (0) 10 415 4250
F: +31 (0) 10 415 1128
[email protected]
South Africa, Swaziland, Lesotho, Namibia,
Botswana
Peter Hyde
5/7 Speke Street (Corner Nelson Street)
Observatory
7935 Cape Town, South Africa
T: +27 (0) 214475300
[email protected]
Asia
Chris Ashdown
Publishers International Marketing
Timberham
1, Monkton Close
BH22 9LL Ferndown, Dorset, UK
T: +44 (0) 1202 896210
[email protected]
India
Surit Mitra
Maya Publishers Pvt LTD
4821, Parwana Bhawan (3rd Floor)
24, Ansari Road
Daryaganj
110 002 New Delhi, India
T: +91 11 64712521, 43549145
F: +91 11 23243829
[email protected]
If your territory is not covered above, please contact:
[email protected]

Fall 2016 catalog PDF

Transcription

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