SOUTH - FDb.cz
Transcription
SOUTH - FDb.cz
OFFICIAL SELECTION 43 rd HOF INTERNATIONAL FILM FESTIVAL 2009 OFFICIAL SELECTION FILM FESTIVAL MAX OPHUELS PREIS 2010 OFFICIAL SELECTION DIAGONALE 2010 OFFICIAL SELECTION INTERNATIONAL PANORAMA 50 th CARTAGENA INT. FILM FESTIVAL 2010 SCREENINGS BERLIN / EFM CINE STAR 2 SAT 02.13th 2010 I 10:45am CINE STAR 6 MON 02.15th. 2010 I 12:45pm © finnworks 2009 FINNWORKS in association with ADRIALPE MEDIA “SOUTH” MATTHEW MARK MEYER CLAUDIA VICK SAL GIORNO TIM KIRKPATRICK BILLY CROSBY NINA HADER BRYAN HANNA and JIMENA HOYOS visual fx by ONLINEVIDEO46 sound by ROTOR FILM POSTPRODUCTION casting by DORIS HARDER and CLAUDIA KOPACKA edited by FINN music by SASCHA SELKE score producer ROBERT ELLIS-GEIGER recorded at SHAW STUDIOS HONG KONG director of photography JOACHIM KRENN and JARROD KLOIBER executive producers GERHARD FILLEI JOACHIM KRENN CARL HOLLMANN co-producers MATTHEW MARK MEYER JULIAN COUTTS written and directed by GERHARD FILLEI and JOACHIM KRENN WWW:SOUTH-THEMOVIE.COM SYNOPSIS SHORT 1999. A few days before Thanksgiving. After a disastrous bank robbery attempt in Los Angeles fails, Bruce McGray hits rock bottom. He longs to leave everything behind and start a new life. Maybe even in the place in South America so vividly described in an unknown woman’s diary: An abandoned orange grove on the coast of Columbia. When he finds several disturbing photos in the book, for some reason they seem familiar to him and he senses he must somehow be connected to this mysterious young woman. Bruce has no idea that this book will bring his entire past into question. As federal authorities and the New York police close in, Bruce sets out on a desperate search to discover his true identity. WWW:SOUTH-THEMOVIE.COM SYNOPSIS MEDIUM 1999. A few days before Thanksgiving. After a disastrous bank robbery attempt in Los Angeles fails, Bruce McGray hits rock bottom. Pursued by the FBI and badly injured, he escapes up north to Oregon and from there to New York. He longs to leave everything behind and start a new life. Maybe even in the place in South America so vividly described in an unknown woman’s diary: An abandoned orange grove on the coast of Columbia. The diary describes her stay at the extraordinary orange farm, 15 miles southwest of Cartagena and her difficult journey home to Alabama. When he finds several disturbing photos in the book, for some reason they seem familiar to him and he senses he must somehow be connected to this mysterious young woman. As federal authorities and the New York police close in, Bruce sets out on a desperate search to discover his true identity. WWW:SOUTH-THEMOVIE.COM SYNOPSIS LARGE 1999. A few days before Thanksgiving. After a disastrous bank robbery attempt in Los Angeles fails, Bruce McGray hits rock bottom. Pursued by the FBI and badly injured, he escapes up north to Oregon and from there to New York. He longs to leave everything behind and start a new life. Maybe even in the place in South America so vividly described in a young woman’s diary: An abandoned orange grove on the coast of Columbia. Bruce received the book in the mail just a few days ago from a woman named Maria. Ten years ago, they were in a tumultuous relationship with one another, which Bruce abruptly ended. Now, he wonders how Maria found him after all these years and why she would send him a perfect stranger’s diary. The diary describes her stay at the extraordinary orange farm, 15 miles southwest of Cartagena and her difficult journey home to Alabama. When he finds several disturbing photos in the book, for some reason they seem familiar to him and he senses he must somehow be connected to this mysterious young woman. When he finally reaches Maria the next evening, he discovers some very unsettling things about himself. As federal authorities and the New York police close in, Bruce sets out on a desperate search to discover his true identity. WWW:SOUTH-THEMOVIE.COM ABOUT THE FILM The foundation for SOUTH was laid very early. The filmmakers Joachim Krenn and Gerhard Fillei, both avid film fans since childhood, quit their jobs in 1996 and began writing a treatment for a feature film entitled ANTARKTIKA. In 1996, they received screenplay funding. But it proved difficult to find producers and investors for a thriller set at the South Pole and in Europe. In February 1997 they went to New York and wrote the screenplay for a 30-minute, English-language short film with the working title STIGMA. After intensive preparation, shooting began in April 1997 with an American cast. Once back in Austria, they re-worked the entire story. The title was changed to THE ORANGE PAPER and they decided to make it a feature film. This decision was to shape the next decade of their lives. ”During production we had so many setbacks that from the beginning of shooting until the film was finally finished some twelve years had gone by. For seven years, we didn’t even own the rights to the film. But that’s a story of its own. During this time, we had to fight for every inch of the film and, more than once, we were on the brink of financial ruin. There were a total of seven versions of the screenplay, the final version was completed in New York in 2004. Three shoots in Austria, the last one in the spring of 2008. There are even scenes in which the actors’ ages differ eight years from one scene to the next!” Work on the film had to be interrupted time and time again. Together, they worked on numerous other projects in different artistic fields. But despite a dismal financial situation, they never lost sight of their goal to finish the film. When time allowed, they both worked on the editing, often times in remote places like a lakeside cottage or a cabin in the snow-covered mountains. A total of over 50 hours of film material was shot for SOUTH and the first edited version had a harrowing length of over three and a half hours. In literally thousands of hours, day and night, the film was completely dissected and re-assembled in different structures. The final cut came to 105 minutes. In 2007, after the filmmakers had fought for the film rights for over seven years in vain, the project was at rock bottom, again. Thanks to two extraordinary people, an investor and a producer, it became possible to secure the film rights that same year and post-production began in New York, Berlin, and Zurich. WWW:SOUTH-THEMOVIE.COM The composer Sascha Selke from Salzburg had already written a suite of piano pieces for SOUTH in 1998, these pieces varied over the years in innumerable themes and later formed the basis of the final score. The conductor and score producer is the Australian Robert Ellis-Geiger who made it possible to record the score in the new Shaw Studios in Hong Kong with musicians from the Hong Kong Symphony Orchestra. “We have often been asked where we got all the stamina and energy to make it through it all. That, we do not know. What motivated us? Perhaps one can cautiously say that a distinctive trust was the basis of the entire production. Trust in people, in our own abilities, in life … whatever … There were hundreds of situations where one would normally say, ‘Ok, that’s enough, I can’t go any further.’ But we had already gone way too far to stop. It wouldn’t have made any sense to turn back… we had too much responsibility to carry…” “We both have this passion for grim and mysterious stories. Most likely that’s the reason we show a very atmospheric and dark New York, where it almost always rains. Except for in a very few scenes, the almost entire lack of color is predominantly for reasons of content. But since SOUTH, in addition to the thriller elements, is also a film-noir love story, the use of chilly black & white was also an aesthetic decision! From its narrative and camera styles, SOUTH is often quite challenging. Particularly when we accompany the main characters. Their deep, internal trepidation and their restlessness, we wanted to transfer all that to the visual language.” “The story is also an enigma. That is the reason we chose to apply that kind of editing and dramaturgy. We wanted to transpose the viewer to a similar situation as the main character, who until the end doesn’t really know who he actually is. Together we experience and witness him losing sight of himself and his life slowly falling apart.” “Above all, “South” is a movie about the longing for a self-determined life. Sooner or later, we all ask questions about the deeper meaning of freedom. That is, once we finally realize that our actions have consequences and leave indelible traces on our lives and the lives of others…” WWW:SOUTH-THEMOVIE.COM MAIN CAST Bruce McGray MATTHEW MARK MEYER Dana Millea Al Davis Agent Robert Delaney Maria Coelho Kate Agent Jerome Nelson Travis Agent Thomas Cab Driver Mike John The Canadian Dante CLAUDIA VICK SAL GIORNO TIM KIRKPATRICK JIMENA HOYOS NINA HADER BILLY CROSBY BRYAN HANNA CHRISTOPHER BATYR GIL SILVERBIRD JULIAN COUTTS JEREMY XIDO MICHAEL OSIRIS PIERRE O’FARRELL WWW:SOUTH-THEMOVIE.COM MAIN CREW writer, producer, director GERHARD FILLEI – JOACHIM KRENN executive producer co-producer co-producer unit production manager casting director #1 casting director #2 first assistant director second assistant director #1 second assistant director #2 director of photography #1 director of photography #2 production sound location manager editors set photographer #1 set photographer #2 CARL HOLLMANN MATTHEW MARK MEYER JULIAN COUTTS PETRA HERGLOTZ DORIS HADER CLAUDIA KOPACKA CLAUS LACHMANN CLAUDIA HEU JEREMY XIDO JOACHIM KRENN JARROD KLOIBER SPENCER SNYGG WOLFGANG RUNDA GERHARD FILLEI – JOACHIM KRENN OLIVER HAIDUTSCHEK HANNES KOHLMEIER WWW:SOUTH-THEMOVIE.COM THE FILMMAKERS – joachim krenn born 1964 Wolfsberg AUSTRIA Education: Marketing Design Training / 16 mm Film techniques Further Studies New York University – Directing and Acting Active as writer, director and producer Further Activities Photography Graphic Design Stage and Exhibition Design Filmography (Joachim Krenn – Gerhard Fillei) Moloch (1995 short) Red (2008 short) Rape (2008 short) Secret (2008 short) South (2009 feature) WWW:SOUTH-THEMOVIE.COM THE FILMMAKERS – gerhard fillei born 1963 Villach AUSTRIA Education: Technical Director – Production – Stage Design for Theater and Fine Arts Education: Marketing Designer Training / 16 mm Film techniques Further Studies New York University – Directing and Acting Active as writer, director and producer Further Activities: Painting Graphic Design Stage and Exhibition Design Music Filmography (Joachim Krenn – Gerhard Fillei) Moloch (1995 short) Red (2008 short) Rape (2008 short) Secret (2008 short) South (2009 feature) WWW:SOUTH-THEMOVIE.COM IN COOPERATION WITH federal arts bm:uk AUSTRIAN FILM COMMISSION ORF Film / Fernseh-Abkommen Raiffeisen Bank Villach Austrian Airlines Stadt Villach Stadt Wolfsberg WWW:SOUTH-THEMOVIE.COM