Pdf Version - Altermann Galleries

AUCTION
James Bama Old Crow Native American Shield Oil on board
14 by 12 inches Estimate $15,000 - $17,000
David Mann Among the Enemy Oil on canvas 48 by 36 inches Estimate $19,000 - $21,000
SANTA FE, NEW MEXICO
225 CANYON ROAD, 87501
(505) 983-1590
FAX: (505) 989-4390
NEW YORK, N EW YORK
22 EAST 72ND STREET, SUITE 1A, 10021
(212) 570-9700
FAX: (212) 570-9701
WWW. ALTERMANN . COM
M ARCH 3, 2007 • P ARADA E XPO C ENTER • S COTTSDALE , A RIZONA
ALSO SET PRICE OFFERING
BY
OF
MAJOR WORKS
DONALD CROWLEY & ELIAS RIVERA
AUCTION
Saturday, March 3, 2007
2:30 p.m.
SCOTTSDALE, ARIZONA
PARADA EXPO CENTER
7303 E. Earll Drive
- ALSO A SELECTION OF MAJOR WORKS BY
DONALD CROWLEY AND ELIAS RIVERA
BEING OFFERED AT SET PRICE AND SOLD ON A FIRST-COME, FIRST-SERVED BASIS.
P R E V I E W & R E G I S T R AT I O N
Saturday, March 3, 9:00 a.m. to 2:30 p.m.
Parada Expo Center
All works are available for inspection at our Santa Fe Galler y, until February 24th
Crowley-Rivera Exhibition
February 16 -24, 2007 Altermann Galleries Santa Fe
For additional information, please call 505.983.1590
[email protected] • richar [email protected]
VISIT WWW.ALTERMANN.COM TO VIEW OUR ONLINE
AUCTION & SET PRICE OFFERING CATALOG
A N D
P R O C E D U R E S , T E R M S
C O N D I T I O N S O F A U C T I O N
PURCHASE PRICE
The purchase price payable on each lot by the
Purchaser shall be the total of the final
Hammer Price PLUS A BUYERS PREMIUM
OF TWEN TY PERCEN T (20%) ON THE
FIRST $100,000 AND TEN PERCENT (10%)
THEREAFTER, PLUS AN Y APPLICABLE
SHIPPING AND HANDLING CHARGES.
If you attend the auction, you must
pre-register and be assigned a bidder
paddle number in order to participate.
Registration by the bidder shall constitute
approval and acceptance of the following
terms and conditions.
Auction
The lots presented in the auction catalog will be
offered by oral auction Saturday, March 3, 2007,
2:30 pm, at Parada Expo Center, Scottsdale, AZ.
Absentee Bidding
Absentee bids for auction lots will be executed
by the Gallery on behalf of the Client during the
auction. The Gallery shall not be responsible for
any errors or omissions or failur e to execute
such absentee bids. The Galler y requests the
Client make absentee bidding ar rangements at
least 72 hours prior to the auction. We strongly
advise you to leave an absentee ‘insurance’ bid
for the lots for which you wish to be called,
which will be executed ON L Y if we can not
reach you.
Telephone Bidding
As a convenience to Galler y clients who ar e
unable to attend the auction, a telephone bid
service will be offered as staff and time allow. The
Gallery shall not be r esponsible for any errors or
omissions or failur e to execute such telephone
bids. The Gallery requests the Client make
telephone bidding arrangements at least 72 hours
prior to the auction. We strongly advise you to
leave an absentee ‘insurance’ bid for the lots for
which you wish to be called, which will be
executed ONLY if we can not reach you.
This catalog may be amended by posted notice or
oral auction room announcement and r epresents
Altermann Galleries (Galler y) entire agreement
with any and all Purchasers of the property listed
herein. The following pr ocedures, terms and
conditions on which all such pr operty listed is
offered for auction by the Galler y as agent for
various owners or other Consignors:
1. All pr operty will be sold by the Galler y at
auction to be conducted by Doak Lamber t.
2. Altermann Galleries r eserves the right to
withdraw any pr operty at any time befor e the
auction and shall have no liability whatsoever for
such withdrawal.
3. All property will be sold “as is” and neither
the Gallery nor Auctioneer nor Consignor
make any expr ess or implied warranties or
representations with respect to the pr operty or
correctness of the adver tisement, catalog and
2
any other medium used to announce this auction
or any other description of the physical
condition, quality, importance, size or
authenticity of the property offered. No reference
to imperfections is made in individual catalog
descriptions of pr operty offered for auction. A
condition report may be obtained by contacting
the Gallery. N ot withstanding any condition
reports or catalog descriptions pr ovided, all lots
are offered and sold “AS IS” in accor dance with
paragraph 3 of the Pr ocedures, Terms and
Conditions of Auction. However , if within 21
calendar days after the pur chase of any lot, the
purchaser provides two opinions by r ecognized
authorities on the ar tist, and gives notice in
writing to the Galler y that the lot is not
authentic, and within 7 calendar days of such
notice the pur chaser returns the lot to the
Gallery in the same condition as when sold, the
Gallery will refund the full purchase price.
4. The Gallery and/or Auctioneer r eserve the
right to r eject any bids. The highest bidder
acknowledged by the Auctioneer shall be the
Purchaser. In the event of any dispute between
bidders or a tie between bidders, the Auctioneer will
have absolute and final discretion to either determine
the successful bidder or to r eoffer and r esell the
property in dispute. After the auction, the Galler y’s
record of final Hammer Price shall be conclusive.
5. Unless exempt by law , the Pur chaser will be
required to pay any and all Arizona, New Mexico and
New York state and local sales tax or, in the event of
deliveries outside the state, it is the pur
chaser’s
responsibility to pay any applicable compensating
use tax of another state on the purchase price.
6. Terms for all purchases will be cash. Credit cards
are not accepted as payment for works of ar
t
purchased at auction. All monies shall be made
payable to Altermann Galleries. At the Galler y’s
discretion, payment will not be deemed to have
been made in full until funds r
epresented by
checks have been collected or the authenticity of
bank or cashier’s checks has been confirmed. The
Gallery may char ge the Pur chaser’s credit card
account in the full amount of the pur chase price.
The full amount of the Purchase price is due in full
immediately upon purchase.The Gallery will only
charge the Purchaser’s credit card if the Purchaser
has not made full payment of the pur chase price
before thirty (30) days.
7. Auction lots may not be r emoved from Parada
Expo Center during the auction. Shipment
generally occurs within one week after payment has
been received. We prefer to ship Federal Express or
UPS. Please provide a correct street address for our
shipper. It will expedite your r eceipt of your
purchase. Items not r emoved from our warehouse
after 30 days will be subject to a storage char ge.
8. Some pr operty may be of fered subject to a
“reserve” or confidential minimum price below
which the lot will not be sold. In such instances the
Gallery may exer cise the r eserve by bidding on
behalf of the Consignor. The auctioneer may bid up
to the reserve by placing successive or consecutive
bids for a lot, or bids in r esponse to other bidders.
9. N either the Galler y nor Auctioneer nor
Consignor make any r epresentations whatsoever
that the Purchaser of a work of art will acquire any
reproduction rights thereto. Purchaser’s ownership
of the work shall r emain subject to the copyrights
of the consignor.
10. These Procedures, Terms and Conditions of
Auction and any other applicable conditions, as
well as the Pur chaser’s and Galler y’s rights and
obligations herein shall be governed by
,
construed and enforced in accordance with the
laws of the State of N ew Mexico. If these
Procedures, Terms and Conditions of Auction
are not complied with by the Pur chaser, the
Gallery may, in addition to other r
emedies
available by law , including without limitation
the right to hold the Pur chaser liable for the
purchase price stated on the invoice, either (a)
cancel the sale and retain as liquidated damages
any and all payments made by the Pur chaser or
(b) resell the pr operty privately or at public
auction on three days notice to the Purchaser for
the payment of any deficiency in the pur chase
price and all costs including handling char ges,
warehousing, the commissions, attorney's fees,
any and all other auction-r elated charges due
and incidental damages.
11. In most instances, sculptur e measurements
do not include base. In measur ements for twodimensional art, height precedes width and does
not include frame.
12. Some Crowley-Rivera works are offered as set price,
and are being sold on a first come, first-ser ved basis.
LEGEND
FOR
AAA
AAEA
ANA
AOA
AWS
CAA
NA
NAWA
Allied Artists of America
American Academy of Equine Art
Associate National Academy
Artists of America
American Watercolor Society
Cowboy Artists of America
National Academy
National Academy of
Western Art
National Institute of Arts
and Letters
National Oil and Acrylic
Painters Society
National Sculpture Society
Northwest Rendezvous Group
Oil Painters of America
Oil Painters of America Master
Plein Aire Painters of
America
Pastel Society of America
Royal Society of Arts,
London
Society of Animal Artists
Society of American
Historical Artists
Society of
American Impressionists
Society of Illustrators
Taos Society of Artists
Texas Professional
Artists Association
NIAL
NOAPS
NSS
NWR
OPA
OPAM
PAPA
PSA
RSA
SAA
SAHA
SAI
SI
TSA
TAPA
ARTIST ORGANIZATIONS
AUCTION ABSENTEE BID FORM
SATURDAY, MARCH 3, 2007 • ALTERMAN N GALLERIES
As a service to our clients, Altermann Galleries will execute your absentee bid
if you ar e unable to be pr esent at the auction. Someone appoin ted by the
gallery will exercise your absentee bid on your behalf, not nec essarily to your
maximum absentee bid, but to the next bid above what is of fered, provided
your maximum bid is in excess of the reserve. All absentee bids are subject to
the Procedures,Terms and Conditions of Auction as stated in the auction catalog.
Sale:___________________________________ Date:________
Please send to Altermann Galleries at:
225 Canyon Road, Santa Fe, NM 87501
CITY/STATE/ZIP__________________________________________________
Please absentee bid on my behalf for the following lots up to t he maximum absentee bid stated. I have made arrangements with my bank for
verification of funds for the maximum bid amount stated below a
nd
understand that my absentee bid is subject to Altermann Galleri
es
Procedures, Terms and Conditions of Auction. Altermann Galleri es cannot guarantee the execution of an absentee bid, but will make a ll reasonable efforts. I also understand that my absentee bid on each lot, if successful, will be subject to a buyers premium of 20% on the first $100,000 and
10% thereafter, plus any shipping char ges and applicable taxes. Credit
cards are not accepted as payment for works of ar t purchased at auction.
EMAIL__________________________________________________________
Signature:_______________________________________________
LOT #
LOT #
NAME__________________________________________________________
ADDRESS_______________________________________________________
DESCRIPTION
MAXIMUM BID
DESCRIPTION
MAXIMUM BID
Fax to 505.989.4390
To ensure proper placement of your bids we encourage you to sub mit your absentee and telephone bidding plans at least 72 hours prior to the auction.
All absentee bids are subject to the Procedures, Terms and Conditions of Auction as stated in the auction catalog.
TELEPHONE BID FORM
NAME _________________________________________________________
ADDRESS
Sale:___________________________________ Date:________
Please send to Altermann Galleries at:
_______________________________________________________
225 Canyon Road, Santa Fe, NM 87501
CITY/STATE/ZIP _________________________________________________
PHONE ________________________________________________________
LOT #
DESCRIPTION
LOT #
DESCRIPTION
To ensure proper placement of your bids we encourage you to sub mit your absentee and telephone bidding plans 72 hours prior to the auction.
All telephone bids are subject to the Procedures, Terms and Conditions of Auction as stated in the auction catalog.
FAX TO 505.989.4390
PLEASE VISIT OUR WEBSITE TO VIEW ONLINE AUCTION CATALOG
AND SUBMIT ABSENTEE AND/OR TELEPHONE BIDS ELECTRONICALLY.
www.altermann.com
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SCOTTSDALE & PARADA EXPO CENTER MAP
INSET
- PARADA EXPO CENTER
PARADA EXPO CENTER • 7303 E. EARLL DRIVE
SEE INSET
Map courtesy of Scottsdale Convention and Visitors Center
4
ALTERMANN GALLERIES STAFF
Tony Altermann Richard Altermann
Karen Burbank, Operations Manager
Angela Pennock, Assistant Registrar
James Robinson, Sales
Alison Ayers, Administrative Assistant
Anya Roberts-Toney, Administrative Assistant
Robyn Richards, Administrative Assistant
Chris Shattuck, Art Handler/Web
Ethan Urbanik, Art Handler/Web
Hannah O'Gorman, Art Handler/Registration
ReflexBlue Design, Catalog Production
Special Appreciation for the Assistance of Susan McGar ry
UPCOMING EVENTS AT ALTERMANN GALLERIES
Auction • June 16th • The Hilton of Santa Fe, Santa Fe
American Western Art Classic Show • July 13th • Santa Fe
Tim Solliday • July 20th • Santa Fe
Kim Wiggins • August 6th - 7th • Santa Fe
Last Call Auction • August 11th • Santa Fe
Martha Pettigrew • August 18th • Santa Fe
Check our website for changes and updates *
ORDER YOUR CATALOGS NOW • 505.983.1590
PLEASE SEND US YOUR EMAIL ADDRESS AND SIGN UP FOR COLLECTOR NOTIFICATION SYSTEM
SO WE CAN SEND YOU INFORMATION ON UPCOMING EVENTS AND AVAILABLE INVENTORY.
Richard Altermann — [email protected] • Tony Altermann — [email protected]
Altermann Galleries offers Private Sale services to sellers that prefer to sell works privately.
Please contact Richard Altermann or Tony Altermann for more information.
*Dates subject to change*
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2.
Robert Scriver
(1914 - 1999 CAA, NAWA,
NSS, SAA)
The Outfitter, 1992
Signed ‘© Bob Scriver
1992’ at the back
Bronze Edition of 50
12 inches high
Estimate $1,000 - $2,000
1.
John Moyers
(b. 1958 CAA)
Zapatista
Signed ‘John Moyers 1998 © CA’ lr
Oil on board
16 by 12 inches
Estimate $3,500 - $4,500
▼
3.
G. Harvey
(b. 1933)
Working as One, 1984
Signed ‘G. Harvey © 1984’ lr,
‘“Working as One” 25/40’ at the back
Bronze Edition of 40
13 inches high
Estimate $2,500 - $3,000
6
4.
John Moyers
(b. 1958 CAA)
Metis Fiddler
Signed ‘John Moyers CA ©’ ll
Oil on board
12 by 9 inches
Estimate $2,500 - $3,500
5.
Robert Scriver
(1914 - 1999 CAA, NAWA, NSS, SAA)
War Prize, 1985
Signed ‘© Bob Scriver 1985 22/210’
at the back
Bronze Edition of 210
14 inches high
Estimate $1,000 - $2,000
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6.
Thomas P. Darro
(b. 1946)
Portrait of a Native
American, 1980
Signed ‘Tom Darro © 80’ lr
Conte crayon on paper
27¾ by 19¾ inches
Estimate $1,500 - $2,500
No Reserve
7. ▼
Dee Toscano
(b. 1932 PSA)
Preparing for the Dance
Unsigned
Pastel on paper
18¾ by 12 inches
Estimate $1,800 - $2,200
8.
Robert Scriver
(1914 - 1999 CAA, NAWA,
NSS, SAA)
Horn Society Warrior, 1982
Signed ‘© Bob Scriver 1982
37/50’ at the back, ‘Horn
Society Warrior’ at the front
Bronze Edition of 50
14½ inches high
Estimate $1,000 - $2,000
7
9.
James Boren
(1921 - 1990 AOA, CAA, NAWA)
Winter Sunlight
Signed ‘James Boren CA’ ll
Watercolor on paper
12 by 16 inches
Estimate $2,500 - $3,500
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10.
Bob Wygant
(b. 1927 TAPA)
Lost and Found
Signed ‘Bob Wygant TA’ lr
Oil on board
9 by 12 inches
Estimate $2,000 - $3,000
8
11.
Robert A. Winter
(b. 1953)
Sounds of Moonlight, 1981
Signed ‘Robert Winter © 1981’ lr
Oil on board
30 by 24 inches
Estimate $2,500 - $3,500
12.
Robert Summers
(b. 1940 TAPA)
John Wayne, 1981
Signed ‘John Wayne ©
Robert Summers 7/8 AP’ lr
Bronze Edition of 8
33 inches high
Estimate $8,000 - $12,000
This is the maquette for Summers’
monument of John Wayne, sited at
the John Wayne International Airport
in Orange County, CA. Summers’
numerous public commissions
include the Texas Trail, comprising
three mounted cowboys and 70 Texas
longhorns near Pioneer Plaza, Dallas
Convention Center, TX; Texas Legacy
at the Astro Dome Complex,
Houston, TX, and a portrait of
American cattleman John S. Chisum,
Chisum Memorial Foundation,
Roswell, NM.
13.
Harry Jackson
(b. 1924 CAA, NAWA, NSS)
The Marshal III, 1979
Signed ‘© Harry Jackson 79 MA III
102/1000’, Thumbprint and WFS Italia
Foundry Mark stamp on the base
Bronze Edition of 1000
10½ inches high
Estimate $1,500 - $2,500
A sculptor, painter and member of the Cowboy Ar tists
of America from 1967 to 1975, Jackson did two br onzes
of John Wayne, including The Marshall, the polychrome
version of which appeared on the cover of Time Magazine
in 1969. His monumental bronzes of western heroes
are found in numerous public collections, including
Sacagawea at the Buffalo Bill Historical Center, Cody,
WY. Jackson’s work has been featured at the Amon
Carter Museum, Fort Worth, TX, at the Gilcrease
Museum, Tulsa, OK, and in the 1981 monograph,
Harry Jackson by Donald Goddard and Larry Pointer.
9
14.
Kim Mackey
(b. 1953 OPA)
Ambush of the Detail
Oil on canvas
30 by 40 inches
Estimate $9,000 - $11,000
15.
Kim Mackey
(b. 1953 OPA)
Those of the Earth
Signed ‘Mackey O.P.A. ©’ lr
Oil on canvas
30 by 40 inches
Estimate $9,000 - $11,000
10
16.
Tim Solliday
Tim Solliday will be having an exhibition sale of his new works
(b. 1952)
July 20, 2007 at Altermann Galleries in Santa Fe.
Rest Under the Leaves
Oil on canvas
40 by 30 inches
Estimate $10,000 - $12,000
11
17.
David Mann
(b. 1948)
Among the Enemy
Signed ‘-David Mann-’ lr
Oil on canvas
48 by 36 inches
Estimate $19,000 - $21,000
12
The artist exhibits annually in the Masters of the American W est Fine
Art Exhibition, Los Angeles, CA, as well as at the Prix de W est
Invitational at the National Cowboy and Western Heritage Museum,
Oklahoma City, OK.
18.
David Mann
(b. 1948)
Buffalo Sundown
Signed ‘-David Mann-’ lr
Oil on canvas
60 by 40 inches
Estimate $23,000 - $25,000
13
19.
David Mann
(b. 1948)
Something in the Night
Signed ‘-David Mann-’ lr
Oil on canvas
20 by 16 inches
Estimate $4,600 - $4,800
20.
David Mann
(b. 1948)
Spirit of the Bear
Signed ‘-David Mann-’ lr
Oil on canvas
24 by 18 inches
Estimate $5,500 - $6,500
14
21.
M. C. Poulson
(b. 1953)
Motherhood
Signed ‘M.C. Poulsen’ lr
Oil on board
18 by 24 inches
Estimate $17,000 - $19,000
Born in Ohio and educated at the Akr on Art Institute, Poulsen grew up on his
parents' cattle and dude ranch in Wyoming, going on to study at Arizona State
University, Tempe, and in Honolulu, HI. He is widely known for his Old Master
style portraits, including one of jeweler and former Senator fr om Colorado, Ben
Nighthorse, which is in the Smithsonian's National Museum of th e Native
American, Washington, DC. Poulsen has shown at the CM Russell S how &
Auction, Great Falls, MT; the National Museum of Wildlife Art Western Visions,
Jackson, WY; and the Masters of the American West, Autry National Center, Los
Angeles, CA. He shows regularly at the Buffalo Bill Art Show & Sale, Cody, WY,
where he has won the 2004, 2000 and 1998 People's Choice awar d. He was the
featured artist at the 2005 Southeastern Cowboy Symposium, Boot h Western Art
Museum, Cartersville, GA, which has two of his works in its per manent collection.
15
22.
Nelson Boren
(b. 1952)
Work'n Hard or Hardly Work'n
Signed ‘Nelson Boren NB’ ll
Watercolor on paper
39 by 60 inches
Estimate $17,000 - $19,000
16
After a sabbatical, Boren is back at the easel cr eating his bold, textured statements
that have brought him accolades as a stor yteller and a traditional painter with a contemporary flair. Trained as an architect, a profession in which he worked for fifteen years
in Arizona, Boren moved to Idaho and began a fine ar ts career in 1980. His watercolor
paintings were included in the 2000-2004 traveling museum exhib ition The Other Side of
the West, and are featured in the 1997 survey Leading the West by Donald Hagerty and
the permanent collection of Whitney Galler y of Western Art, Buffalo Bill Historical
Center, Cody, WY.
23.
Woodrow Blagg
One, Two, Three, 1984
Signed ‘WM Blagg 84’ lr
Pencil on paper
34 by 50 inches
Estimate $6,000 - $9,000
Educated at the Pennsylvania
Academy of Fine Arts, Philadelphia,
Blagg is well-known for his
detailed pencil drawings of western
American and Americana subjects.
In the spring of 2005, eight of his
large-scale drawings developed
during visits to working Texas
ranches in the 1980s were the
subject of an exhibition at the
Waco Art Center, TX.
24.
Karmel Timmons
(b. 1966)
Compadres
Pencil on board
20 by 14½ inches
Estimate $7,000 - $9,000
Timmons was the co-winner of
the 2004 People’s Choice Award at
the Buffalo Bill Art Show and Sale
Cody, Wyoming.
17
25.
Robert Lougheed
(1910 - 1982 CAA, NAWA)
Morning Stroll in Grizzly Country, 1979
Signed ‘Robert Lougheed
British Columbia’ ll
Oil on board
12 by 24 inches
Estimate $8,000 - $10,000
On verso, “Morning Stroll in Grizzly Country”
Robert Lougheed CA October 1979 Painted fr om
Life on Location.
Provenance: Gov. John Connally, Texas
A Texas Collector
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26.
Robert Scriver
(1914 - 1999 CAA, NAWA, NSS, SAA)
Three Bears, 1991
Signed ‘© Bob Scriver 1991 26/110’ at the back,
‘"Three Bears"’ at the front
Bronze Edition of 110
12 inches high
Estimate $1,000 - $1,500
27.
Herb Mignery
(b. 1937 CAA)
Bring on the Competition
Signed ‘SE9/55 Herb Mignery’ at the base,
‘Bring on the Competition US WEST’
at the front
Bronze Edition of 55
5½ inches high
Estimate $1,800 - $2,200
18
28.
John Schoenherr
(b. 1935)
Relics
Signed ‘Schoenherr’ lr
Oil on canvas
24 by 40 inches
Estimate $6,000 - $9,000
On verso, a Colorado
Historical Society label;
an Artists of America label.
Schoenherr has been awarded numerous honors for
illustration commissions in more than 40 books, as well as
for several books that he authored and illustrated.
Educated at Pratt Institute, he began doing fine ar t in
the late 1970s. He has exhibited his power fully
composed paintings of wildlife at the Ar tists of America,
Denver, CO, and at the Leigh Yawkey Woodson Museum,
Wausau, WI. A member of the Society of Animal Ar tists,
he had a 1997 retrospective at the Hiram Blauvelt Art
Museum, Oradell, NJ.
29.
John Schoenherr
(b. 1935)
Polar Bear
Signed ‘Schoenherr’ lr
Oil on canvas
24 by 40 inches
Estimate $6,000 - $9,000
19
30.
David Drinkard
(b. 1948)
Bird Hunters
Signed ‘Drinkard’ lr
Acrylic on board
24 by 36 inches
Estimate $4,000 - $6,000
▼
▼
31.
Robert Abbett
(b. 1926 SAA, SI)
German Shorthair Pointer, 1980
Signed ‘Abbett© 1980’ ll
Oil on board
16 by 20 inches
Estimate $4,000 - $6,000
20
32.
Alexander Phimister Proctor
(1862 - 1950)
Fawn, 1893
Signed ‘AP Proctor 1893
Copy RT 95’ lr
Bronze
7 inches high
Estimate $9,000 - $12,000
Canadian born, Alexander Proctor was raised in Denver,
CO, spending his teenage years hunting and trapping in
the Rockies. Following an apprenticeship with Augustus
Saint-Gaudens, Proctor studied abroad and began an
illustrious career sculpting animals and western
American subjects. Fawn [Second Model] is
documented on pages 106-107, in the 2003
monograph Wildlife and Western Heroes,
Alexander Phimister Proctor, Sculptor by
Peter Hassrick, et. al. Working from his
first model of the deer, Proctor
modified it “as a sleek, delicate form
presented on an oblong rather than a
rectangular base with its ears laid back
along its neck, the tail timidly tucked
further between its legs a new
interpretation that afforded a sense of
grace and movement.” The statue’s
lengthy exhibition record includes a
Gold Medal from the 1900 Paris
Universal Exhibition.
33.
Charles Marion Russell
(1864 - 1926)
Friar Tuck
Signed ‘MR28/30’ at the back
7½ inches high
Estimate $3,000 - $5,000
A Certificate of Authenticity from the C.M.
Russell Museum accompanies the work. Cast
by Avnet-Shaw Foundry, NYC as authorized
by the Trigg-C.M. Russell Foundation, Inc.j
21
34.
Curt Walters
(b. 1950 AOA, NAWA, OPA)
Design Heritage
Signed ‘Curt Walters’ ll
Oil on canvas
30 by 30 inches
Estimate $8,000 - $12,000
35.
Cyrus Afsary
(b. 1940 NAWA, NWR, OPA)
Still Life with Fruit & Red Vase
Signed ‘Cyrus Afsary NAWA NWR’ ll
Oil on canvas
26 by 40 inches
Estimate $16,000 - $19,000
22
36.
Curt Walters
(b. 1950 AOA, NAWA, OPA)
Desert Wonder, 1987
Signed ‘© Curt Walters 1987’ lr
Oil on canvas
60¼ by 90 inches
Estimate Upon Request
A plein-air painter, Walters travels extensively painting on-location throughout the
western United States and notably in nor thern Arizona where the Grand Canyon has
become one of his favorite and most challenging of subjects. It is the Canyon that has
taught Walters about capturing the illusive light, color and va lues of the landscape, and for
this privilege, the artist has returned the favor by serving as a ambassador for the Canyon,
donating his time and his paintings to pr eserving the mercurial magic of this Wonder of
the World. Walters has shown in the Prix de West, National Cowboy & Western Heritage
Museum, Oklahoma City, OK, for eight years, winning the Buyer’s Choice Award in 1998
and 2002 and the Frederic Remington Award in 2004 and 2005. He also shows with the
Masters of the American West, Autry National Center, Los Angeles, CA, where he won the
1999 Patron’s Choice Award.
23
37.
Matt Smith
(b. 1960)
Catalina Coastline, 2001
Signed ‘Matt Smith’ lr
Oil on canvas
16 by 20 inches
Estimate $3,000 - $4,000
38.
Rod Goebel
(1946 - 1993 NAWA)
High Aspen Country
Signed ‘Rod Goebel’ ll
Oil on board
12 by 16 inches
Estimate $1,500 - $2,000
39.
Bill Hughes
(1932 - 1992)
Conversations with White Cloud
Signed ‘Hughes’ ll
Oil on canvas
31 by 42 inches
Estimate $3,000 - $5,000
24
40.
Clyde Aspevig
(b. 1951 NAWA, OPA, NWR)
The Grand Canyon from Mather Point
Signed ‘C. Aspevig’ ll
Oil on canvas
40 by 60 inches
Estimate $50,000 - $60,000
Clyde Aspevig is one of the seminal r ecorders of today’s landscape. He routinely
investigates the mountains and plains of his home state of Mont ana, as well as
remote wilderness areas in the upper Northwest, such as The Bare Northland.
He has won countless awards, including the 2004 Artists Choice and Life Time
Achievement awards from the Masters of the American West, Autry National Center,
Los Angeles, CA. He was the honor ed guest artist at the C.M. Russell
Museum/Auction, Helena, MT, in 2000, and in 1997, he won the Pr ix de West at the
National Cowboy & Western Heritage Museum, Oklahoma City, OK. Additional
awards include the NCWHM’s Robert Lougheed Award (1993 and 1999) and
Frederic Remington Award (1990 and 1992). The artist had a retrospective
exhibition at the Rockwell Museum of Western Art, Corning, NY, in August 2005.
25
41.
Michael Stack
(b. 1947 Master AOA)
Distant Rain Near Bluff
Signed ‘Michael Stack’ lr
Oil on canvas
26 by 36 inches
Estimate $11,000 - $12,000
42.
Michael Stack
(b. 1947 Master AOA)
Big Sur Evening, 2005
Signed ‘Michael Stack’ lr
Oil on canvas
8 by 12 inches
Estimate $2,500 - $2,700
26
The artist exhibits annually at the Masters of the American W est
Exhibition at the Autry National Center, Los Angeles, California
and at the Prix de West, Oklahoma City, Oklahoma.
43.
Fremont Ellis
(1897 - 1985 Los Cincos Pintores)
Autumn Reflections
Signed ‘Fremont Ellis’ lr
Oil on canvas
20 by 16 inches
Estimate $10,000 - $15,000
44.
Fremont Ellis
(1897 - 1985 Los Cincos Pintores)
Meadows of La Veta
Signed ‘Fremont Ellis’ lr
Oil on board
11 by 14 inches
Estimate $7,000 - $9,000
27
45.
Tom Lovell
(1909 - 1997 AOA, CAA, NAWA, SI)
Teddy Blue and the Snowy Owl
Signed ‘Tom Lovell’ lr
Charcoal on paper
40 by 30 inches
Estimate $10,000 - $12,000
28
The following commentary by the artist was published in Tom Lovell:
Drawing from Experience, Altermann & Morris Galleries, Santa Fe New
Mexico, 1997, p. 32, illustrated No 35. E.C. (Teddy Blue) Abbott was an
English-born Texan who spent his early years driving trail her ds north to
Kansas. Later he made his home in Montana and married a Cheyenn e girl,
and naturally was on good terms with the Indians. One day in ea rly winter
he was out riding with a Cheyenne friend when they star tled a snowy owl.
The Indian told him that it was their belief that this was a si gn of a very
severe winter. This was not necessarily so but about ever y five years these
large birds would drift down below the Arctic Circle because their normal
food supply (lemmings) would become scarce. Abbott was a friend of
Charlie Russell’s and later wrote his own story “We pointed them North”. TL
46.
R. Brownell McGrew
(1916 - 1994 CAA, NAWA)
The Holtsoie Girl
Signed ‘R Brownell McGrew’ ll
Oil on board
18 by 14 inches
Estimate $7,000 - $10,000
Provenance: Autry National Center, Museum of the
American West, Los Angeles, CA.
47.
R. Brownell McGrew
(1916 - 1994 CAA, NAWA)
Fanny Left Hand
Signed ‘R Brownell McGrew’ ll
Oil on board
20 by 16 inches
Estimate $7,000 - $10,000
Provenance: Autry
National Center, Museum
of the American West,
Los Angeles, CA.
29
48.
Olaf Wieghorst
(1899 - 1988)
Indian Head
Signed ‘OW’ and inscribed
with artists’ device ll
Pen, ink, and watercolor on paper
9¾ by 8 inches
Estimate $3,500 - $4,500
This work is illustrated in Desert
Magazine, May 1962, page 32.
49.
Olaf Wieghorst
(1899 - 1988)
Horse Head, 1937
Signed ‘O. Wieghorst '37’ ll
Pencil on paper
11½ by 9½ inches
Estimate $2,000 - $3,000
50.
Olaf Wieghorst
(1899 - 1988)
Mexican with Sombrero
Signed ‘O-Wieghorst’ ll
Watercolor on paper
10 by 8 inches
Estimate $6,000 - $8,000
30
51.
Olaf Wieghorst
(1899 - 1988)
Breaking Corral
Signed 'O Wieghorst' ll
Oil on canvas
28 by 38 inches
Estimate $55,000 - $70,000
Wieghorst’s legendary talents included horsemanship and making art in a variety of
media, including sculpture, drawings and paintings in oils and water colors.
His first-hand knowledge of horses was developed as a U.S. Cavalr yman on the
Mexican border, as a wrangler on a ranch near Alma, NM, and as a New York City
mounted policeman. His art career developed out of a passion to record his countless
experiences traveling throughout the American West, including visiting Arizona’s
Indian Reservations. His first major one-man show in 1954 at G rand Central Art
Galleries, New York NY, was followed by countless others, inclu ding retrospectives at
the National Cowboy & Western Heritage Museum, Oklahoma City, OK (1974), The
Tucson Museum of Art, AZ (1981), and the San Diego Historical S ociety, CA (2002).
His work was the subject of a 1981 monograph by W illiam Reed.
31
52.
Olaf Wieghorst
(1899 - 1988)
Just Restin'
Signed ‘O. Wieghorst’ ll
Oil on canvas
13 by 14½ inches
Estimate $ 16,000- $22,000
32
53.
Olaf Wieghorst
(1899 - 1988)
American Nomads
Signed ‘O Wieghorst’ ll
Oil on canvas
22 by 30 inches
Estimate $45,000 - $60,000
33
54.
Joe Beeler
(1931 - 2006 CAA)
Apache
Signed ‘Joe Beeler CA’ lr
Pastel on paper
17 by 13 inches
Estimate $3,500 - $4,500
55.
Ned Jacob
(b. 1938 CAA, NAWA)
Charcoal Sketch Indian
Signed ‘N. Jacob’ lc
Charcoal on paper
24½ by 13½ inches
Estimate $1,500 - $2,500
56.
Ken Payne
(b. 1938)
Injun Ways, 1990
Signed ‘Ken Payne © 90 13/45’ lr
Bronze Edition of 45
16½ inches high
Estimate $3,000 - $4,000
34
57.
Doug Hall
(b. 1959)
Afternoon Shade
Signed ‘Doug Hall 2005©’ ll
Oil on canvas
18 by 24 inches
Estimate $4,500 - $5,000
58.
Fred Fellows
(b. 1934 CAA)
The Herd Bull, 1966
Signed ‘Fellows’ ll
Oil on canvas
11 by 20 inches
Estimate $1,000 - $2,000
On verso, handwritten ‘The Herd Bull Fred Fellows 8/26/66
Box 464 Big Fork, MT; A small herd of buffalo on the
prairie in early spring. Some of the snow is still on the
ground and between clumps of buffalo grass. The sun is just
breaking across the herd as the moon climbs the sky in the
background. By 1883 the buffalo was near extinct.’
35
59.
Michael Coleman
(b. 1946 Guest Artist NAWA)
Evening Glow
Signed ‘Michael Coleman ©’ lr
Oil on board
20 by 30 inches
Estimate $14,000 - $18,000
▼
36
60. ▼
Gary Kapp
(b. 1942 NWR)
Nez Perce Summer
Oil on canvas
30 by 40 inches
Estimate $8,000 - $10,000
61.
John Coleman
(b. 1949 CAA)
Pariskaroopa Two Crows
Signed ‘"Pariskaroopa Two Crows" Bodmer
Catlin Series ©’
John Coleman CA 2005 3/35’ at the back
Bronze Edition of 35
31 inches high
Estimate $13,000 - $15,000
62.
John Coleman
(b. 1949 CAA)
Little Medicine Girl
Signed ‘Little Medicine Girl © 2005 John Coleman
15/35 CA’ at the back
Bronze Edition of 35
16¼ inches high
Estimate Upon Request
37
63.
Jason Rich
(b. 1971)
Kanab Cowboy
Signed ‘J Rich’ ll
Oil on canvas
18 by 24 inches
Estimate $4,000 - $5,000
▼
38
64. ▼
Craig Tennant
(b. 1946 OPA)
South Dakota Cowboy
Signed ‘Craig Tennant ©’ lr
Oil on canvas
20 by 30 inches
Estimate $8,000 - $10,000
65.
Gary Niblett
(b. 1943 CAA)
Friendly Signal
Signed ‘Gary Niblett CA ©’ ll
Oil on canvas
24 by 30 inches
Estimate $8,000 - $12,000
66.
William Whitaker
(b. 1943 AOA, NAWA, OPA)
Southwest Indian Girl, 1976
Signed ‘William Whitaker © 1976’ lr
Charcoal on paper
28 by 34 inches
Estimate $3,000 - $5,000
39
▼
67.
Ben Wagner/Fred Fellows
Heavy Concord Coach
Wood, Metal, Leather, Paint
19 by 31 by 13¼ inches
Estimate $5,000 - $7,000
Fred Fellows was commissioned to
create miniature paintings on the
doors of the to-scale stage coach
created by Ben Wagner.
See www.altermann.com for detail
images of paintings.
40
68. ▼
Fred Fellows
(b. 1934 CAA)
Shotgun
Signed ‘Fellows’ ll
Oil on canvas
24 by 36 inches
Estimate $4,000 - $5,000
69.
Fred Fellows
(b. 1934 CAA)
Riding Point
Signed ‘Fellows’ ll
Watercolor on paper
8½ by 11 inches
Estimate $900 - $1,200
Work is offered unframed.
70.
Fred Fellows
(b. 1934 CAA)
War or Peace
Signed ‘Fellows’ lr
Watercolor on paper
8½ by 11 inches
Estimate $900 - $1,200
Work is offered unframed.
71.
Fred Fellows
(b. 1934 CAA)
Winter Remuda
Signed ‘Fellows CA’ ll
Oil on board
12 by 16 inches
Estimate $1,000 - $2,000
72.
Fred Fellows
(b. 1934 CAA)
Their Place in the Circle, 1966
Signed ‘Fellows’ ll
Oil on canvas
10 by 14 inches
Estimate $900 - $1,200
41
73.
Frank McCarthy
(1924 - 2002 AAA, AOA,
CAA, NAWA, NWR)
The Hanging Party
Signed ‘McCarthy’ ll
Casein on board
18½ by 14¼ inches
Estimate $3,000 - $5,000
▼
▼
42
▼
76.
Gary Carter
(b. 1939 CAA, NWR)
Bushwacked, 1972
Signed ‘© Gary Carter’ lr
Oil on board
15 by 30 inches
Estimate $5,000 - $7,000
74.
Frank McCarthy
(1924 - 2002 AAA, AOA, CAA,
NAWA, NWR)
Pursuit
Signed ‘McCarthy’ lr
Casein on board
10 by 8 inches
Estimate $900 - $1,200
75.
NOT ILLUSTRATED
Frank McCarthy
(1924 - 2002 AAA, AOA, CAA NAWA,
NWR)
The Old West
Published by the Greenwich Workshop
Signed ‘Frank McCarthy’ cover
Book, Edition of 1300
Estimate $500 - $700
77.
Michael Coleman
(b. 1946 Guest Artist NAWA)
Castle Geyser
Signed ‘Michael Coleman ©’ ll
Gouache on paper
11 by 24 inches
Estimate $13,000 - $16,000
78.
Michael Coleman
(b. 1946 Guest Artist NAWA)
Big Sky Country
Signed ‘Michael Coleman ©’ lr
Oil on board
20 by 30 inches
Estimate $14,000 - $18,000
43
79.
Howard Post
(b. 1948)
Moving Cattle
Signed ‘H. E. Post’ ll
Oil on canvas
43 by 55 inches
Estimate $14,000 - $18,000
44
A native of Arizona, Post’s oil and pastel paintings blend his experiences as a rodeo champion
with his BA and MA degr ees in fine art. Known for unique bird’s eye perspectives and
saturated colors, he focuses on contrasting shapes, patterns, a nd values. His work was the
subject of a 1992 retrospective at the Desert Caballeros Western Museum, Wickenburg, AZ,
and was featured in the 1997 survey Leading the West by Donald Hagerty. He exhibits at the
Coors Western Art Exhibit, Denver, CO.
80.
Michael Coleman
(b. 1946 Guest Artist NAWA)
Golden Eagles
Signed ‘Michael Coleman ©’ ll
Oil on board
24 by 30 inches
Estimate $20,000 - $24,000
On verso, a Colorado
Historical Society label.
81.
Michael Coleman
(b. 1946 Guest Artist NAWA)
High Mountain Moose
in Majestic Meadow
Signed ‘Michael Coleman ©’ lr
Oil on board
24 by 30 inches
Estimate $18,000 - $24,000
45
82.
M. C. Poulson
(b. 1953)
Mystic Warrior
Signed ‘© M.C. Poulsen’ ll
Oil on canvas
36 by 24 inches
Estimate $16,000 - $22,000
46
83.
Donald Crowley
(b. 1926 CAA)
Raindrops
Signed ‘© Don Crowley’ lr
Oil on canvas
33 by 42 inches
Estimate $23,000 - $29,000
A member of the Cowboy Artists of America since 1994, Crowley has won ten awards
in the annual exhibition at the Phoenix Ar t Museum, AZ, including the 2006 Gold
Medal in Oil. He received the 2006 Award of Distinction and the Patron’s Choice
Award at the Quest for the West exhibition, Eiteljorg Museum, Indianapolis, IN, and
the 1999 Masters of the American West purchase award at the Autry National Center,
Los Angeles, CA.
Altermann Galleries also offers a selection of his work in a fi xed-price (first-come, firstserved) sale on the day of the Mar ch 2007 auction. These paint ings are to be found on
pages 75 through 79 of this catalog.
47
84.
G. Harvey
(b. 1933)
Evening Cabbie
Signed ‘G. Harvey’ ll
Oil on board
11 by 7 inches
Estimate $11,000 - $15,000
85. ▼
Richard Schmid
(b. 1934)
Greenwich Village NYC 8th St and 5th Ave, 1962
Signed ‘Schmid’ ll
Oil on canvas
18 by 24 inches
Estimate $10,000 - $15,000
On verso, handwritten on label ‘13 Gr eenwich
Village’; Handwritten ‘Greenwich Village
N.Y.C. 8th St & 5th Ave. Richard Schmid
Gaylordsville, Conn. 1962’.
48
86.
George Hallmark
(b. 1949)
La Matinee de Soleil, 1999
Signed ‘© Hallmark’ lr
Oil on canvas
48 by 36 inches
Estimate $15,000 - $20,000
87.
Herb Mignery
(b. 1937 CAA)
St Francis of Assisi, 2001
Signed ‘Mignery 01 8/9’ at the back
Bronze Edition of 9
40½ inches high
Estimate $14,000 - $16,000
49
89. ▼
Howard Rogers
(b. 1932)
Nude, 1988
Signed ‘H. Rogers '88 21/25’ on the back
Bronze Edition of 25
35½ inches high
Estimate $3,000 - $5,000
88.
Howard Rogers
(b. 1932)
Nude I
Signed ‘H. Rogers ©’ lr
Oil on canvas
16 by 12 inches
Estimate $2,500 - $3,500
▼
▼
90.
Howard Rogers
(b. 1932)
Nude II
Signed ‘H. Rogers ©’ lr
Oil on canvas
14 by 24 inches
Estimate $3,000 - $6,000
50
91.
William C. Hook
(b. 1948)
Santa Fe Merchants
Signed ‘W.C. Hook’ lr
Acrylic on canvas
30 by 40 inches
Estimate $8,000 - $14,000
92.
Gary Ernest Smith
(b. 1942)
Strawberry Patch
Signed ‘Gary Ernest Smith ©’ lr
Oil on canvas
24 by 18 inches
Estimate $3,000 - $5,000
51
94.
Mela Youngblood
Melon Jar with Nathan Youngblood
Incised ‘79 Nathan Youngblood Mela
Youngblood’ and inscribed with artists’
device on the bottom
Clay
8 by 5½ by 5½ inches
Estimate $7,000 - $9,000
▼
▼
▼
93.
Nathan Youngblood
Black Jar Gourd Design Pot
Signed ‘2nd Nathan Youngblood C026J’
and inscribed with artists’ device on the bottom
Clay
6½ by 6 by 6 inches
Estimate $7,000 - $9,000
95.
Richard Ebelacker
Redware Carved Plate
with Four Seasons Design
Signed ‘Richard L Ebelacker
Santa Clara Pueblo’ on the bottom
Clay
2½ by 18¾ by 18¾ inches
Estimate $14,000 - $16,000
This work is sold with its awar dwinning SWAIA Third Place Ribbon.
96. ▼
Maria & Julian Martinez
Macaw Feathers Black Pot
Signed ‘Maria + Julian’ on the bottom
Clay
4¾ by 7¼ by 7¼ inches
Estimate $7,000 - $9,000
52
97. ▼
M Popovi
Avanyu Pot
Signed ‘Maria Popovi 1070’ on the bottom
Clay
4¾ by 5½ by 5½ inches
Estimate $8,000 - $10,000
98.
Allan Houser
(1914 - 1994 AOA, NAWA)
Ready for Battle, 1985
Signed ‘Allan Houser 85 © 12/20’ at the back
Bronze Edition of 20
17 inches high
Estimate $20,000 - $30,000
99.
Allan Houser
(1914 - 1994 AOA, NAWA)
Just Friends, 1983
Signed ‘A. Houser © 83’ lr
Bronze Edition of 20
5¼ inches high
Estimate $6,000 - $7,000
Allan Houser Inc, has informed
the Gallery that the entire edition
was cast at Shidoni and has been
sold out for many years.
53
100.
R.C. Gorman
(1932 - 2005)
Study of Three Navajo Women, 1966
Signed ‘RC Gorman’ ll
Mixed Media on paper
20 by 15 inches
Estimate $6,000 - $8,000
101.
Patricia Dobson
(b. 1947)
St John's c. 1175-1300 A.D.
Signed ‘Patricia Dobson’ lr
Oil on board
30 by 40 inches
Estimate $18,000 - $22,000
54
102.
Elias Rivera
(b. 1937)
Solola - Whispers by the Lake, 1994
Signed ‘Rivera’ lr
Oil on canvas
60 by 78 inches
Estimate $35,000 - $40,000
A recipient of the 2004 New Mexico Governor’s Award, Rivera’s work was featured
in 2006 retrospectives at the Museum of Fine Ar ts, Santa Fe, NM, and the National
Hispanic Cultural Center, Albuquerque, NM. His work is the subj ect of the 2006
monograph Elias Rivera by Edward Lucie Smith.
Illustrated in book Elias Rivera by Edward Lucie-Smith, Hudson Hills Press, NY and
Manchester, 2006. Plate 84.
VERSO: Riva Yares Gallery label.
Altermann Galleries offers a selection of his work in a fixed-p rice (first-come, firstserved) sale on the day of the Mar ch 2007 auction. The works ma y be found on
pages 80 through 85 of this catalog.
55
103.
Loran Speck
(b. 1943)
Lemons and Peel
Signed ‘L. Speck’ ll
Oil on board
14 by 12 inches
Estimate $7,000 - $9,000
104.
Loran Speck
(b. 1943)
Orange with Rind
Signed ‘L. Speck’ lr
Oil on board
8 by 11 inches
Estimate $5,000 - $6,000
56
▼
105.
"Kim" Douglas Wiggins
(b. 1960 SAI)
Dear Brother Abel, 1996
Signed ‘KD Wiggins 96’ ll
Oil on canvas
30 by 40 inches
Estimate $9,000 - $11,000
106. ▼
"Kim" Douglas Wiggins
(b. 1960 SAI)
Ranchos in Spring
Signed ‘Kim Wiggins’ lr
Oil on canvas
30 by 40 inches
Estimate $9,000 - $11,000
Wiggins has recently completed a oneman exhibition at the Roswell Museum
in Roswell, New Mexico, and will be
participating in the upcoming Masters
of the American West. He will be
having a show August 6th & 7th, 2007,
at Altermann Galleries, Santa Fe.
57
107.
James Ayers
(b. 1969)
Indian Warrior
Signed ‘James Ayers 2002’ lr
Oil on canvas
30 by 24 inches
Estimate $8,000 - $10,000
108.
Arthur Sarnoff
(1912 - 2000)
The Tomahawk
Signed ‘Arthur Sarnoff’ lr
Oil on board
32 by 28 inches
Estimate $3,000 - $5,000
58
109.
Cyrus Afsary
(b. 1940 NAWA, NWR, OPA)
Bored
Signed ‘Cyrus Afsary’ ll
Oil on canvas
16 by 20 inches
Estimate $7,000 - $9,000
110.
Cyrus Afsary
(b. 1940 NAWA, NWR, OPA)
Basket Maker
Signed ‘Cyrus Afsary’ lr
Charcoal
18 by 24 inches
Estimate $6,500 - $7,500
59
111.
James Bama
(b. 1926 NAWA)
Old Crow Native American Shield, 1972
Signed ‘Bama '72’ ll
Oil on board
14 by 12 inches
Estimate $15,000 - $17,000
60
From his vantage point on the edge of the eastern side of Y ellowstone National
Park, WY, Bama has encountered a steady stream of contemporary westerners
whose faces and attitudes he immortalizes in photo-realistic paintings that have
become icons of the West. Born in New York, he trained at the High School of
Music and the Arts and at the Art Students League, becoming a successful
illustrator working for clients such as Coca-Cola, For d and Bantam Books, as well
as Saturday Evening Post, Argosy and Reader’s Digest. In the late 1960s, he moved to
Wyoming where he refined his seemingly brushless technique. The Teamster was
issued as a poster in 2001 by Gr eenwich Workshop. Bama has shown eight years at
the Prix de West, National Cowboy & Western Heritage Museum, Oklahoma City,
OK, and in 2000, he was inducted into the Illustrator’ s Hall of Fame.
112.
William Acheff
(b. 1947 AOA, NAWA)
Twilight Meeting
Signed ‘© Wm. Acheff 2006’ lr
Oil on canvas
16 by 12 inches
Estimate $17,000 - $19,000
113.
William Acheff
(b. 1947 AOA, NAWA)
Santo Domingo Dipper, 1982
Signed ‘© Wm. Acheff 1982’ lr
Oil on canvas
12 by 18 inches
Estimate $17,000 - $19,000
61
114.
Ross Stefan
(1934 - 1999)
The Passing Parade
Signed ‘Ross Stefan’ ll
Oil on canvas
28 by 40 inches
Estimate $8,000 - $12,000
▼
62
115. ▼
David Halbach
(b. 1931 CAA, Guest Artist NAWA)
Indian and Buffalo Skull, 1973
Signed ‘David Halbach 1973 ©’ ll
Watercolor on board
5 by 11 inches
Estimate $2,000 - $4,000
116.
Tom Gilleon
(b. 1942)
Metis Bow Coup
Signed ‘TC Tom Gilleon’ lr
Oil on canvas
36 by 36 inches
Estimate $13,000 - $16,000
An illustrator who worked with NASA’s Apollo Program, Gilleon lives in rural Montana
where he continues to consult for Disney, doing storyboards for films and designs for theme
parks. There, in his Timberline Studio, he does fine art that “tells a story” in the simplest
and most direct way and illustrates books, most r ecently the 2006 children’s picture book,
The Cat Who Wanted Out by Diane Fredel-Weis.
63
▼
▼
117.
William Matthews
(b. 1949)
Wire Gate Arrangement
Signed ‘William Matthews’ and
inscribed with artists’ device ll
Watercolor on paper
18½ by 18½ inches
Estimate $6,000 - $8,000
118.
Tim Solliday
(b. 1952)
Rendezvous
Signed ‘Solliday’ lr
Oil on canvas
28 by 22 inches
Estimate $2,000 - $3,000
▼
119.
Bruce Greene
(b. 1953 CAA)
An Old Dog and a New Trick
Signed ‘Bruce Greene CA’ at the back
Bronze Edition of 75
16 inches high
Estimate $5,000 - $5,500
64
120.
Ron Riddick
(b. 1952 CAA, PAPA)
Room with a View
Signed ‘R Riddick CA 2003 ©’ lr
Oil on canvas
50 by 40 inches
Estimate $45,000 - $50,000
A member of the Cowboy Ar tists of America since 1997, Riddick h as taken
numerous Gold and Silver medals in drawing and water solubles a t the annual exhibition at the Phoenix Art Museum, AZ. He was the 2004 Ar tist of the
Year, Tucson Festival Society and Friends of Western Art, and in 2000, he
received the Remington Award for Artistic Merit and the Buyers’ Choice Award
at the Prix de West Exhibition, National Cowboy & Western Heritage Museum,
Oklahoma City, OK.
65
▼
121.
John Jarvis
(b. 1946)
Ute Camp
Signed ‘John Jarvis 2006’ lr
Gouache on paper
16¼ by 29¾ inches
Estimate $5,000 - $6,500
66
122. ▼
Gerald McCann
(b. 1916)
Field Working
Signed ‘G. McCann’ lr
Oil on canvas
24 by 36 inches
Estimate $2,000 - $3,000
▼
123.
Wayne Justus
(b. 1952)
Dry Throats Cool Water
Signed ‘W Justus’ lr
Oil on board
36¼ by 48 inches
Estimate $9,000 - $11,000
124. ▼
Robert Scriver
(1914 - 1999 CAA, NAWA, NSS, SAA)
1861 Pony Express Mail, 1991
Signed ‘© Bob Scriver 1991 17/100’ at the back,
‘“1861 Mail”’ at the front
Bronze Edition of 100
12½ inches high
Estimate $1,000 - $2,000
125. ▼
Peter Fillerup
(b. 1953)
Kit Carson – Frontiersman, 1981
Signed ‘Peter M. Fillerup ©1981 19/51’ on the base
Bronze Edition of 51
15 inches high
Estimate $3,000 - $4,000
67
126.
Karl Thomas
(b. 1948)
Kaibab Trail - Grand Canyon
Oil on canvas
36 by 60 inches
Estimate $14,000 - $16,000
68
Thomas was trained to draw as a youngster, studying with his father, a physician whose
avocation was painting landscapes and portraits. He continued his studies at Brigham
Young University, Provo, UT, where he received his degree in 1982, followed by
additional studies at the Los Angeles Ar t Center, CA. For several years Thomas worked as
an illustrator, animator and graphic designer before committing himself to plein-air
painting, where he develops resource material for studio paintings such as Kaibab Trail.
His work was included in the 1995 Ar ts for the Parks Top 100 exhibition/catalogue and is
featured in the 2003 survey book, Enchanted Isle—A History of Plein Air Painting in
Santa Catalina Island by Molly Siple.
127.
Dalhart Windberg
(b. 1933)
Yucca
Signed ‘Windberg’ ll
Oil on canvas
30 by 16 inches
Estimate $5,000 - $7,000
128.
Rod Goebel
(1946 - 1993 NAWA)
Big Bend
Signed ‘Rod Goebel’ ll
Oil on canvas
24 by 30 inches
Estimate $4,000 - $6,000
69
▼
129.
Curt Walters
(b. 1950 AOA,
NAWA, OPA)
Winter Rockies
Signed ‘Curt Walters’ lr
Oil on canvas
30 by 40 inches
Estimate $5,000 - $7,000
▼
▼
130.
Curt Walters
(b. 1950 AOA, NAWA, OPA)
Cathedral Afternoon
Signed ‘© Curt Walters’ ll
Oil on canvas
12 by 16 inches
Estimate $3,000 - $4,000
131.
Curt Walters
(b. 1950 AOA, NAWA, OPA)
Cape Solitude Alcove
Signed ‘Curt Walters’ lr
Oil on board
10 by 8 inches
Estimate $3,000 - $4,000
On verso, a Prix de West
Invitational label.
70
132.
Rod Goebel
(1946 - 1993 NAWA)
Evening Glow
Signed ‘Rod Goebel’ lc
Oil on canvas
24 by 30 inches
Estimate $3,000 - $5,000
133.
Rod Goebel
(1946 - 1993 NAWA)
Ridge Light
Signed ‘Rod Goebel’ lr
Oil on canvas
30 by 40 inches
Estimate $6,000 - $8,000
On verso, a National
Invitational Western Art
Show label.
71
135. ▼
Gene Kloss
(1903 - 1996 NA)
Quoth the Raven, Nevermore
Signed ‘Gene Kloss N.A.’ lr
Etching on paper Edition of 50
11½ by 14 inches
Estimate $1,500 - $2,000
134.
Gene Kloss
(1903 - 1996 NA)
Rain in Taos Valley
Signed ‘Gene Kloss N.A.’ lr
Etching on paper
15 by 12 inches
Estimate $1,500 - $2,000
▼
137. ▼
Frederic Remington
(1861 - 1909 ANA, NIAL)
The Cowpuncher, 1905
Signed ‘Frederic Remington’ in print lr
Chromolithograph
19½ by 13¾ inches
Estimate $1,500 - $2,000
▼
136.
N. C. Wyeth
(1882 - 1945 NA, SI)
Bucking, 1906
Signed ‘N.C. Wyeth Jim's
Canyon Colo. 1904’ in print lr,
‘Copyright 1906’ in print ll
Chromolithograph
14¾ by 10 inches
Estimate $1,500 - $2,000
72
139. ▼
Nathaniel Currier
(1813 - 1888)
Indian Hunter 373, 1845
Signed ‘Lith. & Pub. by N. Currier’ in print ll
Handcolored lithograph
13½ by 9 inches
Estimate $1,500 - $2,000
In Margin ‘Entered
according to Act of
Congress in the year
1845 by N. Currier, in
the Clerk’s office of the
District Court of the
Southern District of
N.Y.; 2 Spruce St. N.Y.;
Indian Hunter.; 373.’
138.
Edwin Willard Deming
(1860 - 1942)
Archery Practice
Signed ‘E.W. Deming’ and inscribed with artists’ device ll
Watercolor and pencil on paper
9¾ by 13¾ inches
Estimate $2,000 - $3,000
▼
▼
140.
Karl Bodmer
(1809 - 1893)
Mato-Tope
Lithograph
18¼ by 13¾ inches
Estimate $2,000 - $3,000
In margin, bottom ‘Feint d’ap nat par Ch Bodmer Grave par T Hul imann MatoTope Gesmuckl mit den heichen seiner Kriegsthaten Par e’ des emblemes se ses
faits d’armes Adorned with the insignia of his
warlike deeds Coblenz bei J. Holscher London
published by Ackermann & Co 96 Strand Paris,
Arthus Bertrand, editeur’; upper right ‘Tab 14’.
On verso, a Zaplin/Lampert Gallery Label and a
Fenn Galleries LTD. label.
▼
141.
Karl Bodmer
(1809 - 1893)
Fort Pierre on the Missouri, 1840
Handcolored lithograph
13 by 15½ inches
Estimate $3,000 - $6,000
On verso, a Zaplin Lampert Gallery label and a Fenn Galleries l td. label.
142.
Frank Tenney Johnson
(1874 - 1939 NA)
Men and Dog, 1912
Signed ‘Frank Tenney Johnson 1912’ ll
Charcoal on paper
22¼ by 14¼ inches
Estimate $2,000 - $3,000
▼
In margin, center left ‘FORT PIERRE
am Missouri. Center’; top ‘Imp de
Bougard’; center middle ‘FORT
PIERRE on the Missouri’; center bottom ‘London, published by Ackermann & Co 90 Strand, 1th Jany 18 40’. Embossed
on bottom ‘C. Bodmer Direct’; right ‘FORT PIERRE sur le Missouri’; lower left margin
top ‘Ch. Bodmer pinx ad, nat’; bottom ‘Coblenz bei J. Holscher ’; lower right margin
top ‘Salathe sculp’; bottom ‘Paris, Arthus Bertrand, editeur’; upper right ‘Tab 10’.
73
D ONALD C ROWLEY & E LIAS R IVERA S ET P RICE E XHIBIT
M ARCH 3, 2007 • S ANTA F E • S COTTSDALE
P RICE L IST
B EING
OFFERED ON A FRIST- COME , FIRST- SERVED BASIS , SUBJECT TO PRIOR SALE
(Check box to indicate purchase)
D ONALD C ROWLEY
LOT NO.
TITLE
MEDIA
DIMENSIONS
RETAIL VALUE
C1
Tortillas, 1993
Oil on canvas
30 by 40 inches
$31,000.00
C2
The Dressing Tent, 1991
Oil on canvas
48 by 60 inches
$50,000.00
C3
Spirit of the Bear, 1995
Oil on canvas
30 by 40 inches
$31,000.00
C4
The Grinding Stone
Oil on canvas
30 by 40 inches
$24,000.00
C5
The Homestead
Oil on canvas
24 by 30 inches
$16,500.00
(Check box to indicate purchase)
E LIAS R IVERA
R1
Fruits of the Harvest, 1997
Oil on canvas
68 by 80 inches
$45,000.00
R2
First Glimpse of Peru, 1999
Oil on canvas
72 by 40 inches
$28,000.00
R3
Carmen
Oil on canvas
30 by 24 inches
$15,000.00
R4
Light of Life, 1997
Oil on canvas
80 by 68 inches
$40,000.00
R5
Outdoor Laundry, 1997
Oil on canvas
68 by 80 inches
$45,000.00
R6
Ester, 1995
Oil on canvas
84 by 41 inches
$28,000.00
Please fax your completed purchase form to 505.989.4390
or mail to Altermann Galleries, 225 Canyon Road, Santa Fe, New Mexico 87501. Prices subject to change and availability.
I agree to pay the stated price for the above indicated pieces.
Name:
Signature:
Address:
City:
State:
Telephone:
Email:
Zip:
w w w. a l t e r m a n n . c o m
74
DONALD CROWLEY SET PRICE OFFERING
C1
Donald Crowley
(b. 1926 CAA)
Tortillas, 1993
Signed ‘© Don Crowley CA’ lr
Oil on canvas
30 by 40 inches
$31,000
Work sold on first-come,
first-served basis. Subject to
prior sale.
Born and raised in California, Crowley served in the U.S. Navy and Merchant Marines,
using his GI Bill benefits to study drawing and painting the fi gure for five years at the
Art Center College of Design in Los Angeles, CA. However , when he went to work as an
illustrator for the Charles E. Cooper Studio in New Y ork, NY, his focus shifted to still life.
From 1953 to 1973 he illustrated in his linear , detailed style using opaque watercolors.
Encouraged by James Bama, who worked in the same studio and mov ed west in the late
1960s, Crowley moved to Tucson, AZ, in 1974. He began working i n oils and finding his
subjects among the Paiute Indians living on the Kaibab Reser vation in northern Arizona
and the Apache Indians who work the Arsenic Tubs ranch on the San Carlos Reservation.
Using meticulous, almost invisible brush strokes, Crowley is a consummate draftsman
who has painted several of his female models for mor e than 20 years. In particular, he
has documented the growth and maturation of five Paiute sisters from the Martineau
family in more than 300 images. Members of a dance tr oupe that performs across the
country, the sisters pose in beadwork and buckskins of their ow n creation. They are
shown magnificently attired in The Dressing Tent, an image that is pictured on page 67
of Crowley’s 2003 monograph, Desert Dreams by Don Hedgpeth.
continued on page 76
75
DONALD CROWLEY SET PRICE OFFERING
C2
Donald Crowley
(b. 1926 CAA)
The Dressing Tent, 1991
Signed '© Don Crowley' lr
Oil on canvas
48 by 60 inches
$50,000
Work sold on first-come,
first-served basis. Subject
to prior sale.
76
Crowley continues to love still life, often cr eating delightful still life arrangements within
the scenes, as with the cooking utensils on the left side of Tortillas (page 59 of his monograph), and the foreground boulder, pot and miniature canoe in Raindrops (page 66 of the
monograph). However, as much as he loves people, Cr owley equally adores conveying textures, such as the magnificent walls of a stone cave in The Grinding Stone (page 73 of the
monograph), contrasted with the fur blanket, the mesquite beans , basketry, beadwork and
gossamer skirt of his sitter.
Living in the sun-drenched southwestern desert, Crowley finds the backdrops for many of
his paintings in the magnificent boulders and vistas he sees fr om his backyard. However,
he also seeks out landscapes that of fer an opportunity to play with light and textures, as in
The Homestead (page 111 of the monograph), in which he contrasts life and dea th in the
verdant and dead trees, and in the crumbling building no longer of service to the wranglers
on the horizon.
DONALD CROWLEY SET PRICE OFFERING
C3
Donald Crowley
(b. 1926 CAA)
Spirit of the Bear, 1995
Signed ‘© Don Crowley CA’ lr
Oil on canvas
30 by 40 inches
$31,000
Work sold on first-come, first-served basis.
Subject to prior sale.
77
DONALD CROWLEY SET PRICE OFFERING
C4
Donald Crowley
(b. 1926 CAA)
The Grinding Stone
Signed ‘© Don Crowley CA’ lr
Oil on canvas
30 by 40 inches
$24,000
Work sold on first-come, first-served basis.
Subject to prior sale.
78
DONALD CROWLEY SET PRICE OFFERING
C5
Donald Crowley
(b. 1926 CAA)
The Homestead
Signed ‘© Don Crowley CA’ lr
Oil on canvas
24 by 30 inches
$16,500
Work sold on first-come, first-served basis.
Subject to prior sale.
79
ELIAS RIVERA SET PRICE OFFERING
R1
Elias Rivera
(b. 1937)
Fruits of the Harvest, 1997
Signed ‘Rivera’ lr
Oil on canvas
68 by 80 inches
$45,000
Illustrated in book Elias Rivera
by Edward Lucie-Smith, Hudson Hills Press, NY
and Manchester, 2006. Plate 112.
VERSO: Riva Yares Gallery label.
Work sold on first-come, first-served basis.
Subject to prior sale.
80
Born in Bronx, NY, of Puerto Rican descent, Rivera began sculpt ing in
clay as a child and studied painting at the Ar t Students League, New
York, NY, from 1955 to 1961. Among his instructors was Frank Ma son,
a figural painter using Old Master styles and techniques. Despi te the
pressure to paint abstractly, Rivera was intrigued by people, f inding his
subject matter in New York’s subway trains, local cafes and air ports.
He also painted portraits.
ELIAS RIVERA SET PRICE OFFERING
R2
Elias Rivera
(b. 1937)
First Glimpse of Peru, 1999
Signed ‘Rivera’ ur
Oil on canvas
72 by 40 inches
$28,000
Illustrated in book Elias Rivera
by Edward Lucie-Smith, Hudson
Hills Press, NY and Manchester,
2006. Plate 129.
Work sold on first-come,
first-served basis. Subject to
prior sale.
In 1982, encouraged by his artist
friend, Albert Handel, Rivera
moved to Santa Fe, NM, where
he developed an interest in
Native peoples. In time he began
traveling throughout Central and
South America, including Peru,
Guatemala and Oaxaca, where
he became enamored of peasantry engaged in everyday activities. Using a telephoto lens and a
practiced ability to be anonymous, Rivera takes photographs
in marketplaces and along city
streets. Back in his studio, he
composes his figures into powerful vignettes showcasing individuals or groupings of people. Set
against compressed, flattened
planes of color, the figures take
on a monumental quality that is
articulated by the jewel-like
shapes and patterns of their
clothing, which seem to glow
from inside the canvas.
81
ELIAS RIVERA SET PRICE OFFERING
R3
Elias Rivera
(b. 1937)
Carmen
Signed ‘Rivera’ lr
Oil on canvas
30 by 24 inches
$15,000
Work sold on first-come, first-served basis.
Subject to prior sale.
82
Adding to the heroic feeling of the figures is the size of the canvases, many
of which are so large that Rivera works at almost life size. Hi s paintings
have often been likened to friezes, in which figur es have been “lifted” out
of their settings in sculptural low r elief. Rivera achieves this sensation in
part by using strong contrasts and chiaroscuro lighting to convey facial
expressions. While the details of the figur es’ faces imply empathetic portraiture, they are also timeless, becoming universal archetypes of the nobility and dignity of the human condition.
ELIAS RIVERA SET PRICE OFFERING
R4
Elias Rivera
(b. 1937)
Light of Life, 1997
Signed ‘Rivera’ lr
Oil on canvas
80 by 68 inches
$40,000
Work sold on first-come, first-served basis.
Subject to prior sale.
The painting Outdoor Laundry was included in a 2003 retrospective Rivera
had as Distinguished Visiting Artist, University of Oklahoma School of Art,
and is illustrated in plate 113 in his 2006 monograph by Edwar d Lucie-Smith,
as are First Glimpse of Peru (plate 129) and Fruits of the Harvest (plate 112).
New Mexico Governor Bill Richardson, a friend and collector of Rivera’s
work, also contributed to the monograph. Rivera’s paintings are represented
in the permanent collections of the Fr ed Jones Jr. Museum of Art, Norman,
OK, the Georgia Museum of Art, Athens, and the Museum of Fine A rts, Santa
Fe. In 2005 Rivera received the Santa Fe Rotary Foundation Distinguished
Artist of the Year award.
83
ELIAS RIVERA SET PRICE OFFERING
R5
Elias Rivera
(b. 1937)
Outdoor Laundry, 1997
Signed ‘Rivera’ lr
Oil on canvas
68 by 80 inches
$45,000
Illustrated in book Elias Rivera by Edward
Lucie-Smith, Hudson Hills Press, NY and
Manchester, 2006. Plate 113.
Work sold on first-come, first-served basis.
Subject to prior sale.
84
ELIAS RIVERA SET PRICE OFFERING
R6
Elias Rivera
(b. 1937)
Ester, 1995
Signed ‘Rivera’ lr
Oil on canvas
84 by 41 inches
$28,000
Work sold on first-come, first-served basis.
Subject to prior sale.
85
IN DEX TO ARTISTS BY LOT N UMBER
Abbett, Robert . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Fillerup, Peter . . . . . . . . . . . . . . . . . . . . . . . . . 125
Acheff, William . . . . . . . . . . . . . . . . . . . . 112, 113
Gilleon, Tom . . . . . . . . . . . . . . . . . . . . . . . . . . 116
Afsary, Cyrus . . . . . . . . . . . . . . . . . . . 35, 109, 110
Goebel, Rod . . . . . . . . . . . . . . . . 38, 128, 132, 133
Aspevig, Clyde . . . . . . . . . . . . . . . . . . . . . . . . . . 40
Gorman, R.C.. . . . . . . . . . . . . . . . . . . . . . . . . . 100
Ayers, James . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Greene, Bruce. . . . . . . . . . . . . . . . . . . . . . . . . . 119
Bama, James . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
Halbach, David. . . . . . . . . . . . . . . . . . . . . . . . . 115
Beeler, Joe. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Hall, Doug . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Blagg, Woodrow. . . . . . . . . . . . . . . . . . . . . . . . . 23
Hallmark, George. . . . . . . . . . . . . . . . . . . . . . . . 86
Bodmer, Karl . . . . . . . . . . . . . . . . . . . . . . 140, 141
Harvey, G. . . . . . . . . . . . . . . . . . . . . . . . . . . . 3, 84
Boren, James . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Hook, William C.. . . . . . . . . . . . . . . . . . . . . . . . 91
Boren, Nelson . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Houser, Allan . . . . . . . . . . . . . . . . . . . . . . . . 98, 99
Carter, Gary . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Hughes, Bill . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Coleman, John . . . . . . . . . . . . . . . . . . . . . . . 61, 62
Jackson, Harry . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Coleman, Michael . . . . . . . . . . . 59, 77, 78, 80, 81
Jacob, Ned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Crowley, Donald. . . . . . . . . . . . . . . . . . . . . . . . . 83
Jarvis, John. . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Currier, Nathaniel . . . . . . . . . . . . . . . . . . . . . . 139
Johnson, Frank Tenney . . . . . . . . . . . . . . . . . . 142
Darro, Thomas P. . . . . . . . . . . . . . . . . . . . . . . . . . 6
Justus, Wayne . . . . . . . . . . . . . . . . . . . . . . . . . 123
Deming, Edwin Willard . . . . . . . . . . . . . . . . . . 138
Kapp, Gary. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Dobson, Patricia. . . . . . . . . . . . . . . . . . . . . . . . 101
Kloss, Gene . . . . . . . . . . . . . . . . . . . . . . . 134, 135
Drinkard, David . . . . . . . . . . . . . . . . . . . . . . . . . 30
Lougheed, Robert. . . . . . . . . . . . . . . . . . . . . . . . 25
Ebelacker, Richard . . . . . . . . . . . . . . . . . . . . . . . 95
Lovell, Tom . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Ellis, Fremont . . . . . . . . . . . . . . . . . . . . . . . 43, 44
Mackey, Kim . . . . . . . . . . . . . . . . . . . . . . . . 14, 15
Fellows, Fred. . . . . . . . . . . . 58, 68, 69, 70, 71, 72
Mann, David . . . . . . . . . . . . . . . . . . 17, 18, 19, 20
86
IN DEX TO ARTISTS BY LOT N UMBER
Martinez, Maria & Julian. . . . . . . . . . . . . . . . . . 96
Smith, Gary Ernest . . . . . . . . . . . . . . . . . . . . . . 92
Matthews, William. . . . . . . . . . . . . . . . . . . . . . 117
Smith, Matt . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
McCann, Gerald. . . . . . . . . . . . . . . . . . . . . . . . 122
Solliday, Tim . . . . . . . . . . . . . . . . . . . . . . . 16, 118
McCarthy, Frank . . . . . . . . . . . . . . . . . . 73, 74, 75
Speck, Loran . . . . . . . . . . . . . . . . . . . . . . 103, 104
McGrew, R. Brownell . . . . . . . . . . . . . . . . . . 46, 47
Stack, Michael . . . . . . . . . . . . . . . . . . . . . . . 41, 42
Mignery, Herb . . . . . . . . . . . . . . . . . . . . . . . 27, 87
Stefan, Ross . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Moyers, John . . . . . . . . . . . . . . . . . . . . . . . . . . 1, 4
Summers, Robert . . . . . . . . . . . . . . . . . . . . . . . . 12
Niblett, Gary . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Tennant, Craig . . . . . . . . . . . . . . . . . . . . . . . . . . 64
Payne, Ken . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
Thomas, Karl . . . . . . . . . . . . . . . . . . . . . . . . . . 126
Popovi, M. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Timmons, Karme . . . . . . . . . . . . . . . . . . . . . . . l24
Post, Howard . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Toscano, Dee . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Poulsen, M. C. . . . . . . . . . . . . . . . . . . . . . . . 21, 82
Wagner, Ben . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Proctor, Alexander Phimister. . . . . . . . . . . . . . . 32
Walters, Curt . . . . . . . . . . . . 34, 36, 129, 130, 131
Remington, Frederic . . . . . . . . . . . . . . . . . . . . 137
Whitaker, William . . . . . . . . . . . . . . . . . . . . . . . 66
Rich, Jason . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Wieghorst, Olaf . . . . . . . . . . 48, 49, 50, 51, 52, 53
Riddick, Ron . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Wiggins, “Kim” Douglas . . . . . . . . . . . . . 105, 106
Rivera, Elias . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Windberg, Dalhart . . . . . . . . . . . . . . . . . . . . . . 127
Rogers, Howard . . . . . . . . . . . . . . . . . . . 88, 89, 90
Winter, Robert A. . . . . . . . . . . . . . . . . . . . . . . . . 11
Russell, Charles Marion. . . . . . . . . . . . . . . . . . . 33
Wyeth, N. C. . . . . . . . . . . . . . . . . . . . . . . . . . . 136
Sarnoff, Arthur . . . . . . . . . . . . . . . . . . . . . . . . . 108
Wygant, Bob. . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Schmid, Richard. . . . . . . . . . . . . . . . . . . . . . . . . 85
Youngblood, Mela . . . . . . . . . . . . . . . . . . . . . . . 94
Schoenherr, John . . . . . . . . . . . . . . . . . . . . . 28, 29
Youngblood, Nathan . . . . . . . . . . . . . . . . . . . . . 93
Scriver, Robert . . . . . . . . . . . . . . . . 2, 5, 8, 26, 124
87
WE
ARE NOW PURCHASING AND ACCEPTING ON CONSIGNMENT
ARTWORK
FOR OUR JUNE
EVALUATION DAYS
AT
2007 AUCTION
PARADA EXPO CENTER
FRIDAY, MARCH 2 — 10 AM - 4 PM • SATURDAY, MARCH 3 — 9 AM - 12 PM
ND
RD
William Robinson Leigh Roping the Wolf, 1913
Oil on canvas 22 by 28 inches
Estimate $200,000 - $225,000
Joseph Henry Sharp An Evening Pipe
Oil on canvas 20 ⅛ by 24 ⅛ inches
Estimate $250,000 - $350,000
Sold for $401,000
Sold for $599,000
Albert Bierstadt Old Faithful
Oil on canvas 28 ½ by 20¼ inches
Estimate $250,000 - $350,000
Sold for $665,000
A PARTIAL LIST OF RESULTS FROM THE DECEMBER 16, 2006 AUCTION
Frank McCarthy
The Dispatch Riders, 1980
Oil on board
24 by 36 inches
Estimate $40,000 - $45,000
Sold for $75,900
Ed Mell
Skyfires—Hoska Butte
Oil on canvas
48 by 72 inches
Estimate $25,000 - $35,000
Sold for $64,400
Howard Terpning
Empty Saddle, 1982
Oil on canvas
20 by 30 inches
Frank Tenney Johnson
Beneath the Southern Moon
Oil on canvas
36¼ by 28¼ inches
Martin Grelle
Snake River Wolves
Oil on canvas
36 by 42 inches
Thomas Hill
Mountain Ride
Oil on canvas
25 by 30 inches
Estimate $70,000 - $100,000
Sold for $142,500
Paul Calle
Sharing with Friends, 1995 Oil on board
27½ by 40 inches
Estimate $50,000 - $60,000
Sold for $63,250
Sold for $225,000
Estimate $200,000 - $300,000
Sold for $368,000
Sold for $115,000
TOTAL AUCTION RESULTS— $4,900,000
New York
22 East 72nd Street, Ste. 1A, 10021
212.570.9700
Santa Fe
225 Canyon Road, 87501
505.983.1590
www.altermann.com
email: [email protected]