Pdf Version - Altermann Galleries

A LTERMANN G ALLERIES & A UCTIONEERS
AUCTION
A UCTION
NEW YORK, NEW YORK
22 EAST 72ND STREET, SUITE 1A, 10021
(212) 570-9700
FAX: (212) 570-9701
WWW. ALTERMANN . COM
S ANTA F E
SANTA FE, NEW MEXICO
225 CANYON ROAD, 87501
(505) 983-1590
FAX: (505) 989-4390
Oil on canvas 22 by 28 inches Estimate $200,000 - $225,000
D ECEMBER 16, 2006
William Robinson Leigh Roping the Wolf
Albert Bierstadt Old Faithful Oil on canvas 28 ½ by 20 ¼ inches Estimate $250,000 - $350,000
D ECEMBER 16, 2006 S ANTA F E , N EW M EXICO
T HE H ILTON H OTEL
AUCTION
Saturday, December 16, 2006
SANTA FE, NEW MEXICO
THE HILTON HOTEL
100 Sandoval Street
1:30 p.m.
A significant selection of fine art by Gallery artists and
works from estates and institutions.
A U C T I O N P R E V I E W & R E G I S T R AT I O N
Saturday, December 16th, 9:00 a.m. to 1:00 p.m.
The Hilton Hotel
For additional information, please call 505.983.1590.
[email protected] • richar [email protected]
VISIT WWW.ALTERMANN.COM TO VIEW OUR ONLINE AUCTION CATALOG.
A N D
P R O C E D U R E S , T E R M S
C O N D I T I O N S O F A U C T I O N
PURCHASE PRICE
The purchase price payable on each lot by the
Purchaser shall be the total of the final
Hammer Price PLUS A BUYERS PREMIUM
OF FIFTEEN PERCEN T (15%) ON THE
FIRST $100,000 AND TEN PERCENT (10%)
THEREAFTER, PLUS AN Y APPLICABLE
SHIPPING AND HANDLING CHARGES.
If you attend the auction, you must
pre-register and be assigned a bidder
paddle number in order to participate.
Registration by the bidder shall constitute
approval and acceptance of the following
terms and conditions.
Auction
The lots presented in the auction catalog will be
offered by oral auction Saturday, December 16, 2006,
1:30 pm, at The Hilton Hotel, Santa Fe, New Mexico.
Absentee Bidding
Absentee bids for auction lots will be executed
by the Gallery on behalf of the Client during the
auction. The Gallery shall not be responsible for
any errors or omissions or failur e to execute
such absentee bids. The Galler y requests the
Client make absentee bidding ar rangements at
least 72 hours prior to the auction. We strongly
advise you to leave an absentee ‘insurance’ bid
for the lots for which you wish to be called,
which will be executed ON L Y if we can not
reach you.
Telephone Bidding
As a convenience to Galler y clients who ar e
unable to attend the auction, a telephone bid
service will be offered as staff and time allow. The
Gallery shall not be r esponsible for any errors or
omissions or failur e to execute such telephone
bids. The Gallery requests the Client make
telephone bidding arrangements at least 72 hours
prior to the auction. We strongly advise you to
leave an absentee ‘insurance’ bid for the lots for
which you wish to be called, which will be
executed ONLY if we can not reach you.
This catalog may be amended by posted notice or
oral auction room announcement and r epresents
Altermann Galleries (Galler y) entire agreement
with any and all Purchasers of the property listed
herein. The following pr ocedures, terms and
conditions on which all such pr operty listed is
offered for auction by the Galler y as agent for
various owners or other Consignors:
1. All pr operty will be sold by the Galler y at
auction to be conducted by Doke Lamber t and
Tony Altermann.
2. Altermann Galleries r eserves the right to
withdraw any pr operty at any time befor e the
auction and shall have no liability whatsoever for
such withdrawal.
3. All property will be sold “as is” and neither
the Gallery nor Auctioneer nor Consignor
make any expr ess or implied warranties or
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representations with r espect to the pr operty or
correctness of the advertisement, catalog and any
other medium used to announce this auction or
any other description of the physical condition,
quality, importance, size or authenticity of the
property offered. N o r eference to imper fections
is made in individual catalog descriptions of
property offered for auction. A condition r eport
may be obtained by contacting the Galler y. N ot
withstanding any condition r eports or catalog
descriptions provided, all lots ar e offered and
sold “AS IS” in accor dance with paragraph 3 of
the Procedures, Terms and Conditions of
Auction. However, if within 21 calendar days
after the pur chase of any lot, the pur chaser
provides two opinions by r ecognized authorities
on the ar tist, and gives notice in writing to the
Gallery that the lot is not authentic, and within
7 calendar days of such notice the pur
chaser
returns the lot to the Galler
y in the same
condition as when sold, the Galler y will refund
the full purchase price.
4. The Gallery and/or Auctioneer r eserve the
right to r eject any bids. The highest bidder
acknowledged by the Auctioneer shall be the
Purchaser. In the event of any dispute between
bidders or a tie between bidders, the Auctioneer will
have absolute and final discretion to either determine
the successful bidder or to r eoffer and r esell the
property in dispute. After the auction, the Galler y’s
record of final Hammer Price shall be conclusive.
5. Unless exempt by law , the Pur chaser will be
required to pay any and all New Mexico and New
York state and local sales tax or , in the event of
deliveries outside the state, it is the pur chaser’s
responsibility to pay any applicable compensating
use tax of another state on the pur chase price.
6. The full amount of the Pur chase price is due in
full immediately upon pur chase. Terms for all
purchases will be cash. Cr edit cards are not
accepted as payment for works of ar t purchased at
auction. All monies shall be made payable to
Altermann Galleries. At the Galler y’s discretion,
payment will not be deemed to have been made in
full until funds r epresented by checks have been
collected or the authenticity of bank or cashier’ s
checks has been confirmed. The Galler
y may
charge the Purchaser’s credit card account in the
full amount of the purchase price. The Gallery will
only charge the Pur chaser’s credit card if the
Purchaser has not made full payment of the
purchase price before thirty (30) days.
7. Auction lots may not be r emoved from The
Hilton Hotel during the auction. Shipment
generally occurs within one week after payment has
been received. We prefer to ship Federal Express or
UPS. Please provide a correct street address for our
shipper. It will expedite your r eceipt of your
purchase. Items not r emoved from our warehouse
after 30 days will be subject to a storage char ge.
8. Some pr operty may be of fered subject to a
“reserve” or confidential minimum price below
which the lot will not be sold. In such instances
the Gallery may exercise the reserve by bidding on
behalf of the Consignor.
9. N either the Galler y nor Auctioneer nor
Consignor make any r epresentations whatsoever
that the Purchaser of a work of art will acquire any
reproduction rights thereto. Purchaser’s ownership
of the work shall r emain subject to the copyrights
of the consignor.
10. These Procedures, Terms and Conditions of
Auction and any other applicable conditions, as
well as the Pur chaser’s and Galler y’s rights and
obligations herein shall be governed by
,
construed and enforced in accordance with the
laws of the State of N ew Mexico. If these
Procedures, Terms and Conditions of Auction
are not complied with by the Pur chaser, the
Gallery may, in addition to other r
emedies
available by law , including without limitation
the right to hold the Pur chaser liable for the
purchase price stated on the invoice, either (a)
cancel the sale and retain as liquidated damages
any and all payments made by the Pur chaser or
(b) resell the pr operty privately or at public
auction on three days notice to the Purchaser for
the payment of any deficiency in the pur chase
price and all costs including handling char ges,
warehousing, the commissions, attorney's fees,
any and all other auction-r elated charges due
and incidental damages.
11. In most instances, sculptur e measurements
do not include base. In measur ements for twodimensional art, height precedes width and does
not include frame.
LEGEND
FOR
AAA
AAEA
ANA
AOA
AWS
CAA
NA
NAWA
Allied Artists of America
American Academy of Equine Art
Associate National Academy
Artists of America
American Watercolor Society
Cowboy Artists of America
National Academy
National Academy of
Western Art
National Institute of Arts
and Letters
National Oil and Acrylic
Painters Society
National Sculpture Society
Northwest Rendezvous Group
Oil Painters of America
Oil Painters of America Master
Plein Aire Painters of
America
Pastel Society of America
Royal Society of Arts,
London
Society of Animal Artists
Society of American
Historical Artists
Society of
American Impressionists
Society of Illustrators
Taos Society of Artists
Texas Professional
Artists Association
NIAL
NOAPS
NSS
NWR
OPA
OPAM
PAPA
PSA
RSA
SAA
SAHA
SAI
SI
TSA
TAPA
ARTIST ORGANIZATIONS
AUCTION ABSENTEE BID FORM
S AT U R D AY, D E C E M B E R 1 6 , 2 0 0 6 • A LT E R M A N N G A L L E R I E S
As a service to our clients, Altermann Galleries will execute your absentee bid
if you ar e unable to be pr esent at the auction. Someone appoin ted by the
gallery will exercise your absentee bid on your behalf, not nec essarily to your
maximum absentee bid, but to the next bid above what is of fered, provided
your maximum bid is in excess of the reserve. All absentee bids are subject to
the Procedures,Terms and Conditions of Auction as stated in the auction catalog.
Sale:___________________________________ Date:________
Please send to Altermann Galleries at:
225 Canyon Road, Santa Fe, NM 87501
CITY/STATE/ZIP__________________________________________________
Please absentee bid on my behalf for the following lots up to t he maximum absentee bid stated. I have made arrangements with my bank for
verification of funds for the maximum bid amount stated below a
nd
understand that my absentee bid is subject to Altermann Galleri
es
Procedures, Terms and Conditions of Auction. Altermann Galleries cannot guarantee the execution of an absentee bid, but will make all reasonable efforts. I also understand that my absentee bid on each lot, if successful, will be subject to a buyers pr emium of 15% on the first $100,000
and 10% thereafter, plus any shipping charges and applicable taxes. Credit
cards are not accepted as payment for works of art purchased at auction.
EMAIL__________________________________________________________
Signature:_______________________________________________
LOT #
LOT #
NAME__________________________________________________________
ADDRESS_______________________________________________________
DESCRIPTION
MAXIMUM BID
DESCRIPTION
MAXIMUM BID
Fax to 505.989.4390
To ensure proper placement of your bids we encourage you to sub mit your absentee and telephone bidding plans at least 72 hours prior to the auction.
All absentee bids are subject to the Procedures, Terms and Conditions of Auction as stated in the auction catalog.
TELEPHONE BID FORM
NAME _________________________________________________________
ADDRESS _______________________________________________________
Sale:___________________________________ Date:________
Please send to Altermann Galleries at:
CITY/STATE/ZIP _________________________________________________
225 Canyon Road, Santa Fe, NM 87501
PHONE ________________________________________________________
EMAIL _________________________________________________________
LOT #
DESCRIPTION
LOT #
DESCRIPTION
To ensure proper placement of your bids we encourage you to sub mit your absentee and telephone bidding plans 72 hours prior to the auction.
All telephone bids are subject to the Procedures, Terms and Conditions of Auction as stated in the auction catalog.
FAX TO 505.989.4390
PLEASE VISIT OUR WEBSITE TO VIEW ONLINE AUCTION CATALOG
AND SUBMIT ABSENTEE AND/OR TELEPHONE BIDS ELECTRONICALLY.
www.altermann.com
3
S A N TA F E A R E A
THE HILTON HOTEL
SANTA FE, NEW MEXICO
100 Sandoval Street
Walking distance
to the Plaza
Guest Casitas
Fitness Center
Indoor Pool
WiFi Equipped
For Reservations
Call 505-988-2811
4
ALTERMANN GALLERIES STAFF
Tony Altermann Richard Altermann
Karen Burbank, Registrar
Angela Pennock, Assistant Registrar
James Robinson, Sales
Alison Ayers, Administrative Assistant
Anya Roberts-Toney, Administrative Assistant
Robyn Richards, Administrative Assistant
Chris Shattuck, Art Handler/Web
Ethan Urbanik, Art Handler/Web
Colin Pierce, Art Handler/Web
ReflexBlue Design, Catalog Production
Special Appreciation for the Assistance of Susan McGar ry
UPCOMING EVENTS AT ALTERMANN GALLERIES
Auction • March 3, 2007 • Parada Expo Center • Scottsdale, Arizona
Auction • May 21, 2007 • Society of Illustrators • New York, New York
Auction • June 16, 2007 • Santa Fe, New Mexico
Last Call Auction • August 18, 2007 • Eldorado Hotel • Santa Fe, New Mexico
Check our website for changes and updates.
ORDER YOUR CATALOGS NOW • 505.983.1590
PLEASE SEND US YOUR EMAIL ADDRESS AND SIGN UP FOR COLLECTOR NOTIFICATION SYSTEM
SO WE CAN SEND YOU INFORMATION ON UPCOMING EVENTS AND AVAILABLE INVENTORY.
Richard Altermann — [email protected] • Tony Altermann — [email protected]
Altermann Galleries offers Private Sale services to sellers that prefer to sell works privately.
Please contact Richard Altermann or Tony Altermann for more information.
5
1.
Nicholas Coleman
(b. 1978)
Blackfeet Riders
Signed ‘Nicholas Coleman ©’ ll
Oil on canvas
20 by 30 inches
Estimate $4,500 - $5,500
2.
James Ayers
(b. 1969)
Display of Strength, 2006
Signed ‘James Ayers 2006’ ll
Oil on canvas
30 by 30 inches
Estimate $9,000 - $11,000
6
3.
Doug Hall
(b. 1959)
The Finishing Touch
Signed ‘Doug Hall ©’ ll
Oil on canvas
24 by 18 inches
Estimate $5,500 - $6,000
4.
Susan Terpning
(b. 1953)
Into the Desert, 1996
Signed ‘© 1996 S. Terpning’ ll
Oil on canvas
22 by 34 inches
Estimate $6,000 - $9,000
7
5.
David Mann
(b. 1948)
Scouting Party
Signed ‘–David Mann–’ ll
Oil on canvas
36 by 48 inches
Estimate $18,000 - $20,000
8
During several years of hands-on involvement with Native peoples and extensive
research into their lifeways and artifacts, Mann has become a sympathetic recorder of the
pre-reservation history of southwestern and Plains tribes. His paintings are distinguished by
not only authenticity and accuracy but also by luminous lighting effects that capture the
clarity of unpolluted skies, ephemeral sunsets and the warmth of firelight. He exhibits in
the Prix de West at the National Cowboy & Western Heritage Museum, Oklahoma City,
OK, and at the Masters of the American West, Autry National Center, Los Angeles, CA.
6.
Donald Crowley
(b. 1926 CAA)
The Eaglet
Signed ‘© Don Crowley’ lr
Oil on canvas
26 by 18 inches
Estimate $9,000 - $12,000
After illustrating in New York for two decades, Crowley moved
to Tucson, AZ, in the mid-1970s and began a career focused on genre
scenes and portraits of contemporary westerners. Crowley’s detailed
paintings of Native peoples have taken many awards, most recently the
Award of Distinction and the Patron’s Choice Award at the 2006 Quest
for the West, Eiteljorg Museum, Indianapolis, IN. Exhibiting with the
Cowboy Artists of America, Phoenix Art Museum, AZ, since 1994, he
has won two Gold Medals in Oils, three Gold and two Silver Medals
in Other Media, a Kieckhefer Award and two Artists’ Choices. He also
exhibits at the Master of the American West, Autry National Center,
Los Angeles, CA, where he won the 1999 Masters of the American
West Purchase Award.
A collection of Crowley’s paintings will be the subject of a
fixed-price, intent-to-purchase sale at Altermann’s March 3, 2007
Auction in Scottsdale, AZ.
7.
Donald Crowley
(b. 1926 CAA)
Generations
Signed ‘© Don Crowley’ lr
Oil on canvas
30 by 24 inches
Estimate $12,000 - $16,000
9
8.
R. Brownell McGrew
(1916 - 1994 CAA, NAWA)
A Navajo Girl of Teec Toh Area
Signed ‘R. Brownell McGrew’ ll
Oil on board
20 by 16 inches
Estimate $15,000 - $20,000
9.
Bettina Steinke
(1913 - 1999 AOA, NAWA, SI)
Squaw Dance
Signed ‘Bettina Steinke/NAWA’ lr
Oil on canvas
20 by 26 inches
Estimate $9,000 - $12,000
10
Steinke’s sumptuous painting handling is apparent in her portraits and genre scenes of
Native Americans, from Alaska to the American Southwest. A founder of the National Academy
of Western Art at the National Cowboy & Western Heritage Museum, Oklahoma, OK, Steinke
won the 1978 Prix de West Purchase Award, five Silver and a Gold Medal in Drawing and the
1995 Lifetime Achievement Award. Her work was documented in the 1978 monograph Bettina:
Portraying a Life in Art by Don Hedgpeth.
10.
M. C. Poulsen
(b. 1953)
Little Angel
Signed ‘© M. C. Poulsen’ ll
Oil on board
24 by 12 inches
Estimate $14,000 - $16,000
Poulsen’s Old Master style portraits have been featured at
the CM Russell Show & Auction, Great Falls, MT; the National
Museum of Wildlife Art Western Visions, Jackson, WY; and
the Masters of the American West, Autry National Center, Los
Angeles, CA. He also shows at the Buffalo Bill Art Show & Sale,
Cody, WY, where he has won three People’s Choice Awards.
11.
Thomas P. Darro
(b. 1946)
Portrait of a Native American, 1980
Signed ‘Tom Darro © 80’ lr
Conte crayon on paper
27¾ by 19¾ inches
Estimate $2,000 - $3,000
11
12.
M. C. Poulsen
(b. 1953)
Wally McRae - Cowboy Poet, 1985
Signed ‘© M.C. Poulsen 1985’ ul
Oil on board
23 by 19 inches
Estimate $12,000 - $16,000
The subject of this painting is Wally McRae,
a well-known cowboy poet, who among other
accolades received the National Heritage Award
from the NEA, 1990. On exhibition with the
painting will be two books containing his poetry.
13.
Don Spaulding
(b. 1926)
Chuck Wagon Congregation, 1996
Signed ‘Don Spaudling © ‘96’ lr
Oil on canvas
24 by 36 inches
Estimate $10,000 - $15,000
On verso, a National Cowboy Hall of Fame
Prix de West Invitational label.
12
14.
Frank McCarthy
(1924 - 2002 AAA, AOA, CAA, NAWA, NWR)
The Dispatch Riders, 1980
Signed ‘McCarthy CA © 1980’ ll
Oil on board
24 by 36 inches
Estimate $40,000 - $45,000
McCarthy’s focus on archetypal players in the western saga is
epitomized in this work, which is illustrated on page 220 of the 1986
survey book, The American West by Dr. Rick Stewart, who notes of
the painting, “There is obvious mood and tension… We also sense that
McCarthy’s respect and admiration for these brave men is real, and that
he has infused into this painting a personal empathy that transcends the
technical aspects of composition and color. Such is the hallmark of fine
art, no matter what the subject matter.” A renowned illustrator of paperback books, movie posters and advertisements, McCarthy carried his
skills into the fine art world beginning in the mid-1970s. His passion
for the 1800s era and heroic men taming the West on charging horses
has become an art market niche he continues to dominate. McCarthy
exhibited with the Cowboy Artists of America, Phoenix Art Museum,
AZ, for more than 20 years and his work was the subject of three books
and four retrospectives.
Provenance:
John Eulich, Dallas, Texas.
A California collection.
13
15.
Ed Mell
(b. 1942)
Skyfires—Hoska Butte
Signed ‘Ed Mell’ lr
Oil on canvas
48 by 72 inches
Estimate $25,000 - $35,000
14
16.
Ed Mell
(b. 1942)
Schnebly Hill Formation
Signed ‘Ed Mell’ ll
Oil on canvas
30 by 40 inches
Estimate $15,000 - $20,000
17.
Ed Mell
(b. 1942)
Jackknife
Signed ‘15/15 Ed Mell’ and inscribed
with Foundry Mark on the base
Bronze, Edition of 15
24 inches high
Estimate $5,000 - $7,000
15
18.
Richard Thomas
(b. 1935)
Journey to Rendezvous, 2005
Signed ‘Richard D Thomas’ lr
Oil on canvas
40 by 62 inches
Estimate $35,000 - $40,000
16
The rich earth tones of the Rocky Mountain West are the inspiration for Thomas’
paintings of contemporary ranchers and historic Native peoples. A longtime resident of
Colorado, Thomas now lives on a ranch in Montana. His distinctive style, which melds
realism and impressionism, has been showcased in major invitational exhibitions and
competitions, including Masters of the American West, Autry National Center, Los Angeles,
CA; Arts for the Parks, Jackson, WY; the National Museum of Wildlife Art, Jackson; and
the Coors National Western Art Show, Denver, CO.
19.
Roy Andersen
(b. 1930 CAA, NAWA, OPA)
Cry of the Sandhill Crane
Signed ‘Roy Andersen CA’ ll, ‘RA’ lr
Oil on canvas
40 by 30 inches
Estimate $35,000 - $45,000
With a long list of illustration credits, among them designing
U.S. Postal Service stamps and illustrating for Time, Sports Illustrated
and National Geographic, Andersen moved into a western art career
during the early 1980s. For fifteen years, his colorful, dynamic
paintings have been shown at the Prix de West, National Cowboy
& Western Heritage Museum, Oklahoma City, OK, and the
Cowboy Artists of America, Phoenix Art Museum, AZ, where he
received the 1990 Gold Medal and the 1991 Silver Medal in Oils.
Exhibited: the National Cowboy Hall of Fame Prix de
West invitational.
17
In the 1980 monograph William Robinson Leigh, Western Artist, author D. Duane Cummins
notes that the painting Roping the Wolf was one of three works that were part of Leigh’s 1913 exhibition with the art dealers Snedecor and Babcock. Reviews of his work referenced his illustration
style, however, one mentioned that Leigh’s best works came from the West, to which Leigh replied,
“the west has called forth the best there is in me.” (p. 93). The paintings from this period in which
Leigh spent summers on hunting trips in the Rockies and Yellowstone area and on a Wyoming
ranch exhibit his attempt to “loosen up” and use impressionistic techniques, as seen in the sky.
They also foretell his decision to stop illustrating for publications such as Scribner’s, Harper’s and
McClure’s and move forward with a fine arts career. Born in West Virginia, Leigh trained at the
Maryland Institute, Baltimore, followed by twelve years in Munich. His distaste for the shackles of
civilization and his belief in individualism, commonsense and self-respect were often expressed in
the metaphor of the American cowboy. In the final decade of his life, Leigh achieved the respect he
had long sought, when art critics identified him as a part of the glorious western triumvirate of
Remington and Russell.
The painting comes from a family whose heritage is associated with the Barbicora Ranch on
the eastern slope of the Sierra Madre near Chihuahua, Mexico, established by U.S. Senator George
Hearst, father of Randolph, in the late 1800s. According to documents supplied by a relative of
the painting’s current owner, the painting was purchased in the 1960s by a woman whose father
worked the Barbicora with “vaqueros” the likes of Ed Borein, Tom Mix and the Sundance Kid.
Its subject of roping wolves to protect the cattle brought back fond memories of her days on the
Barbicora and other ranches, including Hearst’s California properties, including the San Simeon,
where her father was foreman and immersed his daughter in all aspects of ranch life.
18
20.
William Robinson Leigh
(1866 - 1955 AAA, NA)
Roping the Wolf, 1913
Signed ‘W.R. Leigh N.Y. 1913’ ll
Oil on canvas
22 by 28 inches
Estimate $200,000 - $225,000
19
21.
Joseph Henry Sharp
(1859 - 1953 TSA)
Taos Drummer
Signed ‘J H Sharp’ lr
Oil on canvas
18 by 15 inches
Estimate $80,000 - $100,000
20
22.
Eanger Irving Couse
(1866 - 1936 NA, TSA)
Solitary Indian
Signed ‘E.I. Couse’ lr
Watercolor on paper
19¾ by 27¾ inches
Estimate $50,000 - $70,000
Provenance: Caleb E. Calkins acquired from the artist’s family;
Acquired from Calkins by present owner
21
23.
Oscar Edmund Berninghaus
(1874 - 1952 ANA, TSA)
On the Apache Indian Reservation
Signed ‘O.E. Berninghaus’ lr
Oil on board
16¼ by 20 inches
Estimate $80,000 - $100,000
22
Provenance: Acquired from the artist by Dr. and Mrs. Ashly Pond, Taos, NM.
Inherited by Dorothy Benedict, Glendale, OR, daughter of Mrs.
Pond. Acquired by the present owner's family from Bent Gallery,
Taos NM, 1975.
On verso, written in the artist’s hand “On the Apache Indian Re servation”
O.E. Berninghaus Taos, N.M.
24.
Eanger Irving Couse
(1866 - 1936 NA, TSA)
Leandro Bernal, Taos, 1915
Signed ‘E-I-Couse- N.A.’ lr
Oil on board
20 by 16 inches
Estimate $50,000 - $70,000
This portrait of Taoseño Leandro Bernal was painted at approximately the
same time that Couse became a charter member and the first president of the
Taos Society of Artists. The painting is in its original carved frame, according to
the current owner whose father, Edward C. Hinkle, acquired the painting from
the artist’s son Kibbey. Hinkle’s colorful military career included serving with
Gen. Blackjack Pershing in pursuit of Pancho Villa, followed by a move from
Ft. Bliss, TX, to Denver, CO. In the move and during subsequent visits, Hinkle
passed through Taos, establishing a relationship with the artist.
23
25.
Eanger Irving Couse
(1866 - 1936 NA, TSA)
Evening at the River Bank [Moonstone]
Signed ‘E-I-Couse-N-A’ lr
Oil on canvas
30 by 36 inches
Estimate $150,000 - $200,000
24
Born in Michigan and educated in Chicago, IL, New York, NY, and Paris,
France, Couse exhibited widely, winning major prizes for his depictions of Pueblo
Indians engaged in a variety of activities illuminated by dramatic light sources,
whether dazzling sunlight, pulsing firelight or cool twilight. Focused on spiritual as
opposed to ethnographic themes, his work also received popular acclaim on more
than twenty Atchison, Topeka and Santa Fe Railway calendars published between
1914 and the late 1930s. Couse’s home/studio still stands at 146 Kit Carson Road
in Taos, NM, much as it was when the painter posed Pueblo Indians there. As of
2002, the studio has been designated a National Trust Associate Site, overseen by
the artist’s daughter Virginia Couse Leavitt, who contributed to the 1991 monograph
E.I. Couse—Image Maker for America which accompanied an Albuquerque Museum
retrospective of Couse’s work.
26.
Joseph Henry Sharp
(1859 - 1953 TSA)
An Evening Pipe
Signed ‘J H Sharp’ lr
Oil on canvas
20 ⅛ by 24 ⅛ inches
Estimate $250,000 - $350,000
This painting resembles several other Sharp paintings that are found in private and
public collections such as the Stark and Gilcrease museums. In unpublished papers, shared
by California collector Steven Holmes, Carolyn Riebeth, author of the 1972 monograph
J.H. Sharp Among the Crow Indians, compares this group of paintings with titles such as
Council Call of the Crows as to their similar compositions, landscape elements, figures and
internally lit tepees. The similarities suggest that Sharp, as with many artists of the time,
periodically replicated a subject in various sizes and manners.
The spiritual father of the Taos Art Colony and a founder of the Taos Society of Artists,
Sharp was not only the one of the most popular of the TSA members, he was also the most
prolific, versatile and widely traveled. Before settling in Taos in 1912, he divided his time
between his home base of Cincinnati, OH, summers in Taos, and winters in Montana,
where from roughly 1902 to 1910 he lived near the Crow reservation, assuaging his passion
for recording Plains Indians lifeways through portraits and genre scenes and collecting a
treasure trove of artifacts.
On verso, a Fenn Galleries JH Sharp Exhibition 10/14/83 label
25
27.
Mike Desatnick
(b. 1943)
The Kid Sitter
Signed ‘© M. Desatnick’ lr
Oil on board
30 by 24 inches
Estimate $7,000 - $8,000
28.
Gary Kapp
(b. 1942 NWR)
The Shining Mountains
Oil on canvas
36 by 40 inches
Estimate $8,000 - $10,000
26
29.
John Moyers
(b. 1958 CAA)
Blackfoot Moon, 2004
Signed ‘John Moyers © 04 CA’ ll
Oil on canvas
40 by 30 inches
Estimate $18,000 - $20,000
30.
Joe Beeler
(1931 - 2006 CAA)
Sitting Indian with Small Animals
Signed ‘Joe Beeler’ on back
Bronze, Edition of 30
12¼ inches high
Estimate $4,000 - $5,000
27
31.
James Ayers
(b. 1969)
Feathers of Mystic Power—Sioux
Signed ‘James Ayers 2006’ lr
Oil on canvas
20 by 16 inches
Estimate $4,500 - $6,500
32.
Cyrus Afsary
(b. 1940 NAWA, NWR, OPA)
Packing Out
Signed ‘Cyrus Afsary NAWA OPA NWR’ ll
Oil on canvas
24 by 30 inches
Estimate $16,000 - $19,000
28
33.
Michael Coleman
(b. 1946 Guest Artist NAWA)
Golden Indian Camp
Signed ‘Michael Coleman ©’ ll
Oil on board
40 by 60 inches
Estimate $40,000 - $60,000
As a young man growing up in Utah, Coleman spent hours in the wilderness, backpacking, hunting and trapping. Those passions combined with a love of frontier history
and artifacts are brought to his paintings, which are set in remote environments where
land, Native peoples and animals live in harmony. Coleman is a regular exhibitor at the
Prix de West, National Cowboy & Western Heritage Museum, Oklahoma City, OK,
where he won the 1999 Prix de West Purchase Award, and at the Buffalo Bill Art Show &
Sale, Cody, WY, where he won the 1986 William Weiss Purchase Award. He also shows
with the Masters of the American West, Autry National Center, Los Angeles, CA.
29
34.
Roy Andersen
(b. 1930 CAA, NAWA, OPA)
The Edge of Chance
Signed ‘Roy Andersen’ lr
Oil on canvas
18 by 24 inches
Estimate $18,000 - $24,000
30
Illustrated page 112 of Dream Spinner
The Art of Roy Andersen by Jan Atkins.
35.
Michael Coleman
(b. 1946 Guest Artist NAWA)
Yellowstone Morning
Signed ‘Michael Coleman ©’ lr
Oil on board
20 by 30 inches
Estimate $16,000 - $19,000
36.
Kenneth Riley
(b. 1919 CAA, NAWA)
The Virgin Country
Signed ‘Kenneth Riley’ lr
Acrylic on board
12½ by 24 inches
Estimate $18,000 - $22,000
Winner of the 1993 Award of Excellence, Eitlejorg Museum, Indianapolis, IN, Riley
exhibited with the Cowboy Artists of America, Phoenix Art Museum, AZ, for more than
20 years, winning 13 awards. He won the 1995 Prix de West Purchase Award, National
Cowboy & Western Heritage Museum, Oklahoma City, OK, which hosted a major 2003
retrospective accompanied by a catalog. His work is documented in the 1993 monograph
West of Camelot: The History Paintings of Kenneth Riley by Susan Hallsten McGarry.
Exhibited: National Academy of Western Art, National Cowboy Hall of Fame,
Oklahoma City, OK.
37.
Carl Hantman
(b. 1935)
Threat of the Iron Horse, 1977
Signed ‘Carl Hantman /77 ©’ lr
Oil on canvas
18¼ by 34 inches
Estimate $3,000 - $5,000
31
38.
Tom Gilleon
(b. 1942)
Black Hawk Dawn
Oil on canvas
36 by 36 inches
Estimate $23,000 - $27,000
32
An illustrator who worked with NASA’s Apollo Program, Gilleon lives in rural Montana
where he continues to consult for Disney, doing storyboards for films and designs for theme
parks. There, in his Timberline Studio, he does fine art that “tells a story” in the simplest and
most direct way and illustrates books, most recently the 2006 children’s picture book, The Cat
Who Wanted Out by Diane Fredel-Weis.
39.
Howard Terpning
(b. 1927 CAA, NAWA, OPA)
Empty Saddle, 1982
Signed ‘© Terpning 1982’ lr
Oil on canvas
20 by 30 inches
Estimate Upon Request
Terpning’s honors in the field of western American art are legion. He exhibited with the
Cowboy Artists of America, Phoenix Art Museum, AZ, from 1979 to 2002, taking more
than 35 awards. He is also the recipient of the Eiteljorg Award of Excellence, the Hubbard
Award for Excellence, and the Lifetime Achievement and two Prix de West Purchase Awards
from the National Cowboy & Western Heritage Museum, Oklahoma City, OK. He has
shown regularly at the Masters of the American West, Autry National Center, Los Angeles,
CA, where he won the 2005 Patron’s Choice Award, three Thomas Moran Awards, the 2004
Purchase Award and the 2000 John Geraghty Award. His work has been featured in three
monographs.
33
40.
William Acheff
(b. 1947 AOA, NAWA)
Pueblo Pot 1890, 1986
Signed ‘© William Acheff 1986’ lr
Oil on canvas
22 by 18 inches
Estimate $19,000 - $21,000
41.
William Acheff
(b. 1947 AOA, NAWA)
Mabel’s Pots, 2005
Signed ‘© Wm. Acheff 2005’ lr
Oil on canvas
18 by 36 inches
34
42.
William Acheff
(b. 1947 AOA, NAWA)
Hopi Dancer
Signed ‘© Wm. Acheff 1980’ lr
Oil on canvas
24 by 26 inches
Estimate $24,000 - $28,000
As brilliant as his trompe l’oeil techniques are Acheff ’s records of Native American objects,
sacred and secular. Using the objects themselves, he sets up still-life compositions, pairing pots,
fetishes, masks and blankets that enhance one another visually as well as narratively. Such is
the case with Hopi Dancer, which includes a Hopi pot, kachina and mask, backed by Acheff ’s
“reproduction” of an E.S. Curtis photogravure of Walpi (plate 405, North American Indian,
Vol 12) “taped” to the wall. Acheff has won two Prix de West awards and the Remington
Award at the National Cowboy & Western Heritage Museum, Oklahoma City, OK. He shows
in the Masters of the American West at the Autry National Center, Los Angeles, CA, where
he received the 1998 Masters of the American West award, and was the subject of a 1999
retrospective at the Gilcrease Museum, Tulsa, OK.
35
43.
Eric Sloane
(1905 - 1985 NA)
Storm Over Walpi
Signed ‘Eric Sloane NA ESM’ lr
Oil on board
36 by 24 inches
Estimate $18,000 - $22,000
36
On verso, handwritten C24231-8; Storm Over Walpi 30’;
on frame handwritten Eric Sloane and a Fenn Galleries label.
44.
Martin Grelle
(b. 1954 CAA)
Snake River Wolves
Signed ‘Martin Grelle CA © 2006’ ll
Oil on canvas
36 by 42 inches
Estimate Upon Request
Grelle’s self-directed education under the tutelage of James Boren and Mel
Warren, both CAA members and residents of Grelle’s hometown of Clifton, TX, has
resulted in a unique vision. Whether painting contemporary ranch scenes or traveling
into historic landscapes, such as this one showing Crow Indians at the Snake River
with Mount Moran in the background, Grelle’s pleasing palette, sense of texture and
subtle compositions have earned top awards. He won the 2002 and 2005 Prix de
West and the 2004 Buyers’ Choice at the National Cowboy & Western Heritage
Museum, Oklahoma City, OK. He also exhibits at the Masters of the American West,
Autry National Center, Los Angeles, CA, and since 1995, with the Cowboy Artists
of America, Phoenix Art Museum, AZ, receiving the 2002 People’s Choice Award.
37
Houser developed a sleek minimalist style that draws upon
silhouette and line to convey universal human emotions. A
Chiricahua Apache born in Oklahoma, he studied at the Santa
Fe Indian School, NM, going on to teach in Utah and at the
Institute of American Indian Art, Santa Fe, where he influenced
a whole generation of Native American sculptors. Houser’s
awards are numerous, including the 1992 National Medal for
the Arts. In 1985, he was inducted into the Oklahoma Hall of
Fame, and in 1993, he received the Ellis Island Award and the
Prix de West, National Cowboy & Western Heritage Museum,
Oklahoma City, OK. His public monuments are installed
worldwide including France, Germany, Japan, England and
throughout the United States, including Oklahoma, New
Mexico, Washington, DC, New York, California and Arizona.
45.
Allan Houser
(1914 - 1994 AOA, NAWA)
Tending the Flock, 1984
Signed ‘Allan Houser 84 © 9/20’ on base
Bronze, Edition of 20
25 inches high
Estimate $15,000 - $20,000
46.
Allan Houser
(1914 - 1994 AOA, NAWA)
Standing Indian
Signed ‘Allan Houser’ on the back
Bronze, Edition of 24
13½ inches high
Estimate $9,000 - $12,000
38
47.
Harry Jackson
(b. 1924 CAA, NAWA, NSS)
Washakie—First Working Model
for a Monument, 1978
Signed ‘© Harry Jackson 1978’ and
inscribed with a Foundry Mark and
thumbprint on the base
Bronze, Edition of 20
35 inches high
Estimate $12,000 - $15,000
48.
Harry Jackson
(b. 1924 CAA, NAWA, NSS)
The Marshal III, 1979
Signed ‘© Harry Jackson 79 MAII 425/1000’ and
inscribed with a Foundry Mark and Thumbprint
on the base
Bronze, Edition of 1000
10½ inches high
Estimate $2,000 - $3,000
39
49.
Walter Ufer
(1876 - 1936 NA, TSA)
El Cacique De Pueblo
Signed ‘W Ufer’ ll
Oil on canvas
30 by 25 inches
Estimate $100,000 - $150,000
Provenance: Sold by the artist to
Emil Eitel, Chicago, 1916. Offered at
Sotheby’s NY, June 2 1983, lot 121.
40
Born in Huckeswagon Germany as a child he immigrated with
his parents to America. Later in life he return to his homeland where
he received his formal education in art. Ufer visited Taos, NM, in
1914, his transportation paid in exchange for paintings commissioned
by a Chicago, IL, syndicate of art collectors. Ufer returned each year,
settling there and joining the Taos Society of Artists in 1917, in which
he was both an officer and active exhibitor. A confessed Socialist,
Ufer believed that religion and industrialism had compromised the
lifeways of the Pueblo Indians. His depictions, as with this Pueblo
Chief, have a sympathetic eye for actual costuming and accouterments,
while lacking the romanticism typical of his fellow TSA members.
The painting was executed in 1916 and was exhibited the same
year at the Art Institute of Chicago.
50.
Eanger Irving Couse
(1866 - 1936 NA, TSA)
Straightening Arrows
Signed ‘E.I.Couse-N-A-’ lr
Oil on board
9 by 12 inches
Estimate $60,000 - $80,000
On verso, handwritten “Straightening Arrows 9x12 E. Irving Couse N.A.”
41
51.
Joseph Henry Sharp
(1859 - 1953 TSA)
Garden Scene
Signed ‘J. H. Sharp’ lr
Oil on canvas on board
13¾ by 10½ inches
Estimate $10,000 - $15,000
Provenance:
Caleb E. Calkins,
Flint, MI.
Present owner.
52.
Eanger Irving Couse
(1866 - 1936 NA, TSA)
Sheepherder
Signed ‘E-I-Couse-’ ll
Watercolor on paper
14¾ by 21½ inches
Estimate $9,000 - $12,000
While studying in Paris, Couse met Virginia Walker, from Washington state. The couple
married in 1899 and returned to her parents’ ranch, where Couse painted Northwest Coast
Indians and pastoral subjects such as this one. For three years thereafter, the couple returned to
a small fishing village and art colony on the northern coast of France. There Couse continued
to paint pastoral and genre scenes that would inspire similar subjects once he returned to the
ranch and ultimately moved to Taos.
42
53.
Leon Gaspard
(1882 - 1964)
Russian Winter
Signed ‘Leon Gaspard Russe’ lr
Oil on board
5¾ by 11¾ inches
Estimate $25,000 - $35,000
Russian born, Gaspard was educated in his hometown of Vitebsk, followed by studies in Odessa, the Academy of Moscow and the Academie Julian in Paris, France. He
arrived in Taos, NM, via New York, NY, in 1918. His colorful, bravura brushwork
brings to life scenes from his life in Czarist Russia, as well as the affinity he felt for the
landscape and Native peoples of northern New Mexico. His work was documented in
Frank Waters’ 1981 monograph Leon Gaspard.
43
54.
Joseph Henry Sharp
(1859 - 1953 TSA)
On the Banks of the Little Big Horn , 1906
Signed ‘J.H. Sharp 06’ lr
Oil on board
10 by 14 inches
Estimate $60,000 - $75,000
On verso, in cursive script, probably in the artist’s handwriting:
“On the Banks of the Little Big Horn JH. Sharp 1906”.
44
55.
Francis Luis Mora
(1874 - 1940)
Rancho de Taos, 1934
Signed ‘F. Luis Mora’ ll
Oil on canvas
36 by 48 inches
Estimate $25,000 - $30,000
Francis Luis Mora produced several oils in Arizona and New Mexico, Ranchos de Taos
exhibited at the National Academy of Design 1936 (item #19), he exhibited works from his trips,
all focusing on Native Americans and other Indigenous people in a scenic background.
The oil depicts the vast New Mexican desert and its indigenous people. The viewer’s eye is
first drawn to the mother and child at the right lower ground. The mother, wearing a Madonna’s
shawl, is holding a baby. In many of Mora’s paintings, indigenous mothers are depicted as saintly.
Behind them is a splendid desert background, with a mission and settlement quite far in the
distance. The big sky and desert are richly painted with impasto, the figures are smoother portraits
with smaller brush strokes. The artist was a portraitist by profession.
Provenance: This painting is from the estate of Francis Luis Mora’s closest friend who served
as Best Man at the artist’s wedding. The painting has been in the family since the 1930s. It was
passed down by descent. Ranchos de Taos was produced in 1931, on one of Mora’s two trips to
the American West. In 1931 and 1933, Mora traveled to visit his artist brother, Joseph Jacinto
(Jo) Mora (1876-1947). The Mora brothers toured and painted around the region, paying special
interest to Native Americans. They spent time with a Hopi tribe, and learned the language.
45
Beneath the Southern Moon is the first color plate following page 96 in the
1974 monograph The Frank Tenney Johnson Book, A Master Painter of the Old
West by Harold McCracken. It is an exercise in Johnson’s trademark: remarkable
nocturnal lighting effects. The figures, which were undoubtedly photographed
or sketched during the artist’s many trips into the Southwest, are depicted in
moonlight. Highlights guide the viewer’s eye throughout the composition,
starting with the white paper to the left of the wagon shadow, up to the stripes
on the serape of the figure lighting a cigarette, hats, highlight on the head of the
shawl-draped woman, burro’s nose and its rider’s shirt and hat, to the silhouetted
figures against firelight beaming through an adobe door.
Iowa born, Johnson left high school to apprentice with Wisconsin painter
F.W. Heinie and Texan Richard Lorenz, followed by additional study at the Art
Students League and New York School of Art under Henry Twachtman, William
Merritt Chase and Robert Henri. His future was sealed with his first illustration
assignment for Field & Stream, which sent him to Colorado, Wyoming and the
Southwest in 1904. Although he remained in New York during the winters
doing illustrations for periodicals and novels by Zane Grey, Johnson’s summers
were spent traveling in the West, including California, to gather information.
He eventually set up a studio in Alhambra, CA, where he moved in 1930. It
became a gathering place for western artists and put Johnson in position to
establish the Painters of the West and the Biltmore Salon, as well as serving as
president of the California Arts Club.
56.
Frank Tenney Johnson
(1874 - 1939 NA)
Beneath the Southern Moon
Signed ‘Frank Tenney Johnson’ lr
Oil on canvas
36¼ by 28¼ inches
Estimate $200,000 - $300,000
46
47
57.
Cyrus Edwin Dallin
(1861 - 1944 NA, NSS, RSA)
Appeal to the Great Spirit
Signed ‘© C.E. Dallin 19 P’ on base,
‘Gorham Co. founders OXC’ and ‘#91’
on edge of base, ‘XII’ on underside of base
Bronze
8¾ inches high
Estimate $10,000 - $15,000
58.
Henry Herman Cross
(1837 - 1918)
Chief Joseph Nez-Perce, 1879
Signed ‘Chief Joseph Nez-Perce H.H Cross. 1879’ ul
Oil on canvas
17 by 13 inches
Estimate $4,000 - $6,000
48
59.
Gerard Curtis Delano
(1890 - 1972 CAA)
The Riders
Signed ‘Delano’ lr
Watercolor on paper
12½ by 16 inches
Estimate $9,000 - $12,000
On verso, a pouch
containing envelope; photocopy of original verso: The
Riders (Navajo) Locale–
Canyon de Chelly, Chinle,
Arizona. (on the Navajo
Reservation.) Painted by
Gerard Curtis Delano 21
E. 18th Ave Denver, Colo– .
12½ x 16"; Contents of
Envelope–Transparency;
Denver Post envelope
& letter
Accompanying this lot is a letter dated Jan 16, 1947 from Delano to McKinney, managing editor
of the Denver Post, in which the artist’s gifts to McKinney Rider, Canyon de Chelly, also accompanying
this lot is a signed letter from McKinney discussing the work and the artist.
60.
Gerard Curtis Delano
(1890 - 1972 CAA)
Navajo Sheep, 1970
Signed ‘© Delano’ lr
Oil on canvas board
8 by 10 inches
Estimate $9,000 - $12,000
49
Bierstadt made his first trip to Yellowstone in 1881, staying for three
months. As noted in the 1988 monograph Albert Bierstadt—Painters of the
American West by Gordon Hendricks (p. 267), Bierstadt told a r eporter that
it was not his first visit to the ar ea but it was his “first in troduction to the
geysers of the Yellowstone…. We encamped near the geysers, and hence the
heat of the boiling water warmed the atmospher e about us. The scene when
looking from our tents out into the cool moonlight air , with the silvery
spray of the geysers spreading out over the landscape, and the cascades
falling from the cliffs in the distance, was ver y beautiful. I have several
sketches here which I intend as jogs to my memor y.”
German born, Bierstadt immigrated to the United States with his family, settling in New Bedford, MA. He returned to his home town of
Dusseldorf, Germany, to study, coming back to New York from which he
traveled extensively in the American West, during three major trips in 1859,
1863 and 1871-73. Back in his studio, he dramatized and enlar ged upon the
sketches and photographs he used as r esources. During the 1860s and ‘70s,
Bierstadt’s panoramas, distinguished by deistic lighting ef fects, fulfilled the
public’s yearning for information about the untamed wilderness. Adored
during his day for “Wagnerian” records of the American frontier, Bierstadt’s
contributions to American art history continue to rank him as o ne of the
greatest 19th-century frontier interpreters. His paintings are found in major
museum collections throughout the country.
This work is illustrated on page 76, plate 18 in Drawn to Y ellowstone;
Artists in America’s First National Park by Peter Hasserick, Autry Museum
of Western Heritage, CA, in association with the University of Washington
Press, Seattle and London, 2002.
61.
Albert Bierstadt
(1830 - 1902 NA)
Old Faithful
Signed ‘ABierstadt’ lr
Oil on canvas
28½ by 20¼ inches
Estimate $250,000 - $350,000
50
51
62.
John Pope
(1821 - 1880 ANA)
River Scene
Signed ‘J. Pope’ ll
Oil on canvas
14 by 24 ¼ inches
Estimate $1,000 - $1,500
Born in Maine, Pope
studied in Boston, MA, joining
the Gold Rush migration to
California, where he painted
briefly before returning to New
York and pursuing additional
studies in Europe. He became
an associate member of the
National Academy in 1858
and set up a studio in New
York, NY.
On verso, Georgetown
Cynthia Fehr Antiques New
Market, MD.
63.
Charles Partridge Adams
(1858 - 1942)
Late Afternoon Southwest
Signed ‘Charles Partridge Adams’ ll
Oil on canvas
24 by 36 inches
Estimate $20,000 - $30,000
52
Born in Massachusetts, Adams moved to Denver, CO, with his family as a
youth. He focused his self-directed art training on studying the works of George
Inness, Worthington Whittredge and Thomas Hill. While living in Estes Park, CO,
Adams was a popular painter of Rocky Mountain National Park. He also traveled
extensively, gathering information in Arizona and New Mexico, where he no doubt
saw scenes such as Late Afternoon Southwest. His work is documented in the 1993
monograph The Art of Charles Partridge Adams, by Dine, et. al.
64.
Thomas Hill
(1829 - 1908)
Mountain Ride
Signed ‘T. Hill.’ lr
Oil on canvas
25 by 30 inches
Estimate $70,000 - $100,000
There is no more classic view of Yosemite than the western end of the valley, showing
El Capitan rising on the left and Bridalveil Falls cascading between Cathedral rocks on
the right. And there is no more classic recorder of such a scene than Thomas Hill who
maintained a summer studio and residence in the park from 1883 to the end of his life.
Hill was born in England and immigrated to Massachusetts at 16, followed by studies at
the Pennsylvania Academy of Fine Arts, Philadelphia, and later in France. He moved to
San Francisco, CA, for health reasons in 1861 and shortly thereafter made his first visit
to Yosemite. He was a founding member of the San Francisco Art Association and the
Bohemian Club and received numerous awards, while taking advantage of the booming
San Francisco art market of the 1870s.
53
65.
Bill Anton
(b. 1957)
Packing the Superstitions
Signed ‘Bill Anton ©’ lr
Oil on board
30 by 50 inches
Estimate $24,000 - $28,000
66.
Cyrus Afsary
(b. 1940 NAWA, NWR, OPA)
Scouting Party
Signed ‘Cyrus Afsary’ ll
Oil on canvas
24 by 30 inches
Estimate $22,000 - $26,000
54
67.
Paul Calle
(b. 1928 NWR)
Sharing with Friends, 1995
Signed ‘Paul Calle © 1995’ lr
Oil on board
27½ by 40 inches
Estimate $50,000 - $60,000
Of this painting, Calle has written: “The trapper came upon a small flock of
waterfowl in the thawing wetlands and meadows. Upon returning to camp, gathered
around the warm fire, he was happy to share his mixed bag of birds with his friends
along with tales of the morning’s adventures.” Calle’s name is widely associated with a
variety of artistic pursuits. Among them are more than 35 stamp designs for the U.S.
Postal Service, including the stamp honoring the 1969 Moonwalk. He is equally
renowned for his paintings and drawings of western American history, including the
fur trade era and Native peoples. Calle’s works have been featured at the Prix de West,
National Cowboy & Western Heritage Museum, Oklahoma City, OK, where he
received the 1995 Buyers’ Choice Award and the 1992 Silver Medal in Drawing.
On verso, Stamped All reproduction rights retained by the artist Paul Calle;
signed Paul Calle; stamped Calle address; National Cowboy Hall of Fame Prix de West
Invitational label, 1995.
55
68.
Richard Schmid
(b. 1934)
Carly, 1992
Signed ‘Schmid’ lr
Oil on canvas
20 by 24 inches
Estimate $30,000 - $40,000
56
Working from life, Schmid’s paintings are admired for their masterful use of color
and bravura brushwork in all subjects, from landscape to figural and still life. In Carly,
he combines his penchant for casual portraiture with his deftness at capturing the fresh
textures of flowers set against the delicate reflective surfaces of china and mirror. He has
won numerous major art awards, including the American Watercolor Gold Medal and
the John Singer Sargent Medal for Lifetime Achievement from the American Society of
Portrait Artists Foundation. His work was featured in a 2003 retrospective at the Butler
Institute of American Art, Youngstown, OH, and a 1986 retrospective Gilcrease Museum,
Tulsa, OK. His 1999 monograph, Alla Prima, is in its sixth printing.
69.
Elias Rivera
(b. 1937)
Women of Antigua I, 1993
Signed ‘Rivera’ lr
Oil on canvas
78 by 60 inches
Estimate $35,000 - $40,000
Rivera, who won a 2004 New Mexico Governor’s Award, creates monumental canvases of Latin
American life using Old Master techniques. His work was featured in 2006 retrospectives at the
Museum of Fine Arts, Santa Fe, NM, and the National Hispanic Cultural Center, Albuquerque,
NM, and is the subject of the 2006 monograph Elias Rivera by Edward Lucie Smith. A collection
of Rivera’s paintings will be the subject of a fixed-price, intent-to-purchase sale at Altermann’s
March 3, 2007 Auction in Scottsdale, AZ.
57
70.
Loran Speck
(b. 1943)
Vase and Grapes
Signed ‘L. Speck’ lr
Oil on board
20 by 16 inches
Estimate $6,000 - $9,000
71.
Loran Speck
(b. 1943)
Lemon Peel, Oranges, and
Strawberries on a Ledge
Signed ‘L. Speck’ lr
Oil on board
8 ½ by 13 inches
Estimate $3,000 - $4,000
72.
Loran Speck
(b. 1943)
Pears, Nectarine and Blackberries
on a Ledge
Signed ‘L. Speck’ lr
Oil on board
8 ½ by 13 inches
Estimate $3,000 - $4,000
58
73.
Curt Walters
(b. 1950 AOA, NAWA, OPA)
Traditions
Signed ‘Curt Walters’ ll
Oil on canvas
48 by 36 inches
Estimate $15,000 - $20,000
74.
Cyrus Afsary
(b. 1940 NAWA, NWR, OPA)
Still Life with Fruit & Blue Vase
Signed ‘Cyrus Afsary’ ll
Oil on canvas
24 by 36 inches
Estimate $18,000 - $20,000
59
75.
Clark Hulings
(b. 1922 AOA, NAWA, SAI)
The Irish Peat Man, 1991
Signed ‘Hulings 1991’ ll
Oil on canvas
16 by 24 inches
Estimate $25,000 - $35,000
60
This painting, which shows a man collecting peat to be used as fuel, will be included
in the revised, soft-bound 2006 edition of Hulings’ book A Gallery of Paintings by Clark
Hulings. Its subject matter is inspired, as with all of Hulings’ paintings, by the artist’s travels
throughout Europe, the United States and Mexico. He has made two trips to Ireland,
in 1978 and once again in 1994. Characteristically, Hulings concentrates on local folk,
recording them as they go about their daily chores. Hulings received the 1973 Prix de
West Purchase Award from the National Cowboy & Western Heritage Museum, Oklahoma
City, OK, and went on to win three Silver and two Gold Medals and the NCWHM
Trustees’ Gold Medal for distinguished contributions to art, which included a retrospective
exhibition. In 2004 he won the New Mexico Governor’s Award for Excellence.
76.
Fremont Ellis
(1897 - 1985 Los Cincos Pintores)
Landscape
Signed 'Fremont Ellis' lc and lr
Oil on canvas
16 by 20 inches
Estimate $9,000 - $12,000
77.
Carl Redin
(1892 - 1944)
Southwestern Church
Signed ‘Carl Redin’ lr
Oil on board
14 by 16 inches
Estimate $3,000 - $4,000
78.
Sheldon Parsons
(1866 - 1943)
Curtain Residence on Acequia Madre
Signed ‘Sheldon Parsons’ lc
Oil on board
36 by 24 inches
Estimate $8,000 - $12,000
On verso, a Nedra Mettucci
Galleries label Exhibited in the
Artist Crossroads November 2005.
61
79.
Gustave Baumann
(1881 - 1971)
Pine and Aspen, c. 1920
Signed ‘Gustave Baumann’ and inscribed with artists’ device lr
Woodblock print
13¾ by 13¾ inches
Estimate $5,000 - $7,000
80.
Gustave Baumann
(1881 - 1971)
Strangers from Hopi Land, 1920-1921
Signed ‘Gustave Baumann’ and inscribed with artists’ device lr
Woodblock print
12 by 10 ¼ inches
Estimate $5,000 - $7,000
82.
Emil J. Bisttram
(1895 - 1976)
Zuni War God, 1933
Signed ‘Bisttram 33’ lr
Watercolor on paper
17 by 22½ inches
Estimate $5,000 - $7,000
On verso, a Gallery “A” label; Gene Kloss
bio page; Newspaper article about an exhibition
featuring E.I. Couse and Gene Kloss; Cer tificate
of Title to Mr. and Mrs. Lozier Funk 1963;
Handwritten on frame Aug. 3, 1963; Handwritten
on frame Gene Kloss “Taos Corn Dancers” $75.00.
62
81.
Gene Kloss
(1903 - 1996 NA)
Taos Corn Dancers, 1963
Signed ‘Gene Kloss’ ll
Oil on board
12¼ by 9¼ inches
Estimate $3,000 - $5,000
On verso, Another
painting Spirit People;
handwritten on paper
backing of frame Zuni
War God.
83.
George Catlin
(1796 - 1872 NA)
Archery of the Mandan Plate 24
Handcolored lithograph
12 by 17 inches
Estimate $3,500 - $4,500
In Margin, Catlin del_on Stone by
Mcgahey. Day & Haghe Lith rs to the
Queen No. 24 Archery of the Mandans
From Catlins N.A. Indian Collection.
84.
George Catlin
(1796 - 1872 NA)
Ball Players
Handcolored lithograph
12 by 18 inches
Estimate $5,000 - $8,000
On verso, 84-072.15 after George Catlin. McGahey (lith.)
Day & Haghe (printers) Egyptian Hall, London (publ.)
Ball Players, 1844 Plate 21 from the North American
Indian Portfolio Lithograph with hand-coloring 12⅛ x 17⅞
inches. George Catlin Ball Players, 1844 hand colored
lithograph 12⅛ x 17 ⅞"
85.
Gene Kloss
(1903 - 1996 NA)
Young Apache Wife
Signed ‘Gene Kloss’ lr
Etching
12 by 9 inches
Estimate $1,000 - $2,000
86.
Gene Kloss
(1903 - 1996 NA)
The Interpreter
Signed ‘Gene Kloss’ lr
Etching
7½ by 6½ inches
Estimate $1,000 - $2,000
63
87.
Nelson Boren
(b. 1952)
Toe to Toe
Signed ‘Nelson Boren NB’ ll
Watercolor on paper
52 by 90 inches
Estimate $15,000 - $20,000
64
88.
Nelson Boren
(b. 1952)
Flowered Boots
Signed ‘Nelson Boren NB ©’ lr
Watercolor on paper
40½ by 63½ inches
Estimate $8,000 - $12,000
89.
Howard Terpning
(b. 1927 CAA, NAWA, OPA)
The Taming of the Shrew Illustration
Signed ‘Terpning’ ll
Gouache on board
31½ by 27½ inches
Estimate $11,000 - $13,000
Educated at the Chicago Academy of Fine Arts and the American Academy of Art, IL,
Terpning began his career as an advertising illustrator, as well as doing covers for such
publications as Time, Cosmopolitan and Field and Stream. He was especially known for his
80-plus movie posters, among them Dr. Zhivago, The Sound of Music and A Man for All
Seasons. Terpning did this poster design in 1967 for the film version of Shakespeare’s Taming
the Shrew, produced by Franco Zefferilli and starring Elizabeth Taylor as Kate and Richard
Burton Petrucio. Movie trivia indicates that both stars co-produced the film, waiving salaries
for a cut of the profits. Terpning conveys the robustness of this farcical comedy by showing
Petrucio riding into the marriage that leads to a serpentine montage of events, climaxing in
wifely submission.
65
90.
Andy Warhol
(1928 - 1987)
Cowboys and Indians:
Northwest Coast Mask, 1986
Signed ‘HC13/15 Andy Warhol’ lr
Color screenprint
36 by 36 inches
Estimate $8,000 - $12,000
66
Warhol’s Cowboys and Indians Suite was created in 1986, a year before
he succumbed to complications from gall bladder surgery. The portfolio, which
comprises ten subjects reproduced as “screen prints” or serigraphs, includes
celebrities such as John Wayne, historical figures such as Geronimo, and three
Native American artifacts: a Plains Indian Shield, Kachina Dolls and this
Northwest Coast Mask, marked as one of 15 “HC” prints, which stands for
Hors Commerce. This French term originally referred to a portion of an edition
not intended for sale. However, in recent times, HC prints are readily sold,
having neither a higher nor a lower value than any other prints in the edition.
The printer was Rupert Jasen Smith, New York, and the publisher was
Gaultney, Klineman Art, Inc., New York.
91.
“Kim” Douglas Wiggins
(b. 1960 SAI)
Song of the Valle Vidal, 2006
Signed ‘Kim Wiggins’ ll
Oil on canvas
48 by 60 inches
Estimate $18,000 - $20,000
Wiggins distinctive style emerged in the late 1980s, after experimenting in
sculpture and impressionistic painting techniques. Today, his rhythmic, colorful
paintings deal with a variety of historical and contemporary subjects, most of which
center on his home state of New Mexico. Born and reared in the Roswell area, where
he continues to live, Wiggins travels the state looking for meaningful subjects that
touch his soul. Song of the Valle Vidal (Valley of Life) is a tribute to vast expanse of
public land in northern New Mexico that is under pressure to be drilled by the oil
and gas industry. Wiggins’ work was the subject of a 2006 one-man exhibition at
the Roswell Museum and Art Center, NM. He has also exhibited in the Masters
of the American West, Autry National Center, Los Angeles, CA; the Pennsylvania
Academy of Fine Arts, Philadelphia, and the National Society of American
Impressionists, St. Louis, MO.
67
92.
Ken Carlson
(b. 1937 NAWA)
The Play of Shadows— Mule Deer
Signed ‘Carlson’ lr
Oil on board
18 by 36 inches
Estimate $30,000 - $35,000
68
93.
John Scott
(1907 - 1987 NWR)
Fisherman
Signed ‘John Scott’ lr
Oil on canvas
24 by 40 inches
Estimate $3,000 - $6,000
Early in his career, Scott illustrated pulp westerns
and later the “slick” magazines such as Woman’s Day.
He also contributed to men’s publications such as True
and Argosy, becoming widely known for hunting and
fishing scenes that also appeared in Sports Afield. In
the late 1970s, he turned to a fine arts career focused
on historic scenes of the American West and became a
founding member of the Northwest Rendezvous Group.
94.
Michael Coleman
(b. 1946 Guest Artist NAWA)
Rocky Mt Goats Sikanni Chief River
Signed ‘© Michael Coleman’ ll
Oil on board
24 by 30 inches
Estimate $18,000 - $22,000
95.
Michael Coleman
(b. 1946 Guest Artist NAWA)
On Vancouver Island Nimpkish River
Signed ‘© Michael Coleman’ lr
Oil on board
30 by 46 inches
Estimate $30,000 - $35,000
69
96.
George Dick
(1916 - 1978)
Moving in to Feed
Signed ‘George Dick’ lc
Oil on board
10 by 24 inches
Estimate $1,000 - $1,500
97.
George Dick
(1916 - 1978)
Hide and Seek [Bob White]
Signed ‘George Dick’ ll
Oil on board
16 by 13 inches
Estimate $1,000 - $1,500
98.
Susan Terpning
(b. 1953)
A Wichita Buffalo, 1978
Signed ‘Susan Terpning Huntington’ lr
Oil on canvas
18 by 24 inches
Estimate $4,000 - $6,000
99.
David Drinkard
(b. 1948)
Buck and Doe in Landscape
Signed ‘Drinkard’ lr
Acrylic on board
24 by 36 inches
Estimate $4,000 - $6,000
70
100.
Tim Solliday
(b. 1952)
No Body Left Behind
Signed ‘T. Solliday’ ll
Oil on canvas
30 by 24 inches
Estimate $7,000 - $9,000
101.
Tony Eubanks
(b. 1939 OPA, Prix de West, NWR)
Taos Winter Morning
Signed ‘Eubanks’ ll
Oil on canvas
32 by 48 inches
Estimate $18,000 - $20,000
71
102.
Kim Mackey
(b. 1953 OPA)
Comedy of Errors
Signed ‘Mackey O.P.A. ©’ lr
Oil on canvas
24 by 36 inches
Estimate $5,000 - $5,500
The artist writes: Cowboys tend to work in
a dangerous environment with lethal tools. Every
so often in the course of their work, cowboys
will experience an spectacular “wreck”. After the
shock wears off, they laugh about it. In fact, the
thing that becomes more hilarious each time the
story is repeated… a true Comedy of Errors, also
known as cowboy humor.
103.
Karmel Timmons
(b. 1966)
Topaz and Ocotillo
Pencil
13¼ by 10 ¼ inches
Estimate $2,500 - $3,000
Timmons was the co-winner of the 2004 People’s Choice
Award at the Buffalo Bill Art Show and Sale Cody WY.
72
104.
Olaf Wieghorst
(1899 - 1988)
Bronc Rider
Signed ‘O. Wieghorst’ ll
Oil on board
12 by 16 inches
Estimate $9,000 - $12,000
105.
Fred Harman
(1902 - 1982 CAA, SI)
Red Ryder
Signed ‘Fred Harman ©’ lr
Oil on canvas
24 by 20 inches
Estimate $4,000 - $5,000
106.
Olaf Wieghorst
(1899 - 1988)
Resting
Signed ‘O-Wieghorst ©’ and inscribed with artists’ device ll
Pen, ink and watercolor on board
11¾ by 9¾ inches
Estimate $4,000 - $6,000
73
107.
William Matthews
(b. 1949)
Surplus
Signed ‘William Matthews’ and
inscribed with artists’ device lr
Watercolor on paper
18½ by 18½ inches
Estimate $5,000 - $7,000
108.
John Fawcett
(b. 1952 AAEA)
Rocky Crossing
Signed ‘Fawcett © LL’ ll
Oil on canvas on board
18 by 24 inches
Estimate $4,000- $5,500
74
109.
Oleg Stavrowsky
(b. 1927)
Rest Stop, 1971
Signed ‘Oleg ‘71’ lr
Oil on canvas
25 by 34 inches
Estimate $6,000 - $8,000
110.
Oleg Stavrowsky
(b. 1927)
Due for a Rude Awakening, 1972
Signed ‘Oleg Stavrowsky’ lr
Oil on canvas
22 by 34 inches
Estimate $5,000 - $7,000
111.
Marco Antonio Gomez
(1910 - 1972)
Knights of the Range [Campfire]
Signed ‘M.A. Gomez’ lr
Oil on canvas
24 by 30 inches
Estimate $3,000 - $6,000
75
112.
Michael Stack
(b. 1947 Master AOA)
Clouded Sun over the Sierras
Signed ‘Michael Stack’ ll
Oil on canvas
32 by 40 inches
Estimate $16,000 - $19,000
113.
A.D. Greer
(1904 - 1998)
The Sublime American Wilderness
Signed ‘A.D. Greer’ lr
Oil on canvas
36 by 48 inches
Estimate $10,000 - $15,000
76
114.
Robert Daughters
(b. 1929)
Ranchos Spring
Signed ‘R. Daughters’ lr
Oil on canvas
30 by 24 inches
Estimate $5,000 - $7,000
115.
Robert Clifford Rishell
(1917 - 1976 NAWA)
Reflections
Signed ‘Robt. C. Rishell’ lr
Oil on canvas
30 by 36 inches
Estimate $10,000 - $15,000
77
116.
Kang Yon Cho
(b. 1953)
Small Talk, Nepal, 1986
Signed ‘Cho’ ll
Oil on canvas
53 by 37 inches
Estimate $10,000 - $15,000
118.
Mian Situ
(b. 1953 OPAM)
Girls from Yun Nan
Signed ‘Mian Situ’ ll
Oil on canvas
24 by 26 inches
Estimate $15,000 - $18,000
In February 2005, Situ received the Artists’
Choice Award from the Masters of Western
Art, Autry National Center, Glendale, CA. He
adds it to nine other awards he has taken at
the event.
117.
Ramon Kelley
(b. 1939 AAA, AWS, NAWA, NWA, OPA, PSA)
Study of Mary
Signed ‘Ramon K PSA ©’ ll
Pastel on paper
22 by 15 inches
Estimate $2,000 - $3,000
78
119.
Sonya Terpening
(b. 1954 AOA, NWS)
The Mission Well, 2002
Signed ‘Sonya Terpening’ lr
Oil on canvas
24 by 30 inches
Estimate $7,000 - $8,000
120.
Lowell E. Smith
(b. 1924 AWS, NAWA)
Afternoon Light, Rancho Golondrinas, 1983
Signed ‘Lowell Ellsworth Smith A.W.S.
N.A.W.A.’ lr
Watercolor on paper
9 by 13 inches
Estimate $1,500 - $2,000
On verso, handwritten Afternoon Light,
Rancho Golondrinas (c) 1983 Lowell
Ellsworth Smith A.W.S. N.A.W.A.
121.
Lowell E. Smith
(b. 1924 AWS, NAWA)
Upper Street, Patzquaro, Mex
Signed ‘Lowell Ellsworth Smith
A.W.S. N.A.W.A.’ lr
Watercolor on paper
14 by 21 inches
Estimate $3,000 - $4,000
On verso, handwritten Upper
Street, Patzquaro, Mex- By
Lowell Ellsworth Smith A.W.S.
N.A.W.A.
79
122.
Karl Thomas
(b. 1948)
In the High Country
Signed ‘Karl Thomas’ ll
Oil on canvas
36 by 48 inches
Estimate $9,000 - $12,000
80
123.
Michael Stack
(b. 1947 Master AOA)
Sonoran Desert at Sundown, 2002
Signed ‘Michael Stack’ lr
Oil on canvas
20 by 30 inches
Estimate $6,500 - $7,500
124.
Bill Hughes
(1932 - 1992)
Heaven’s Gateway
Signed ‘Hughes’ lr
Oil on canvas
32 by 48 inches
Estimate $6,000 - $9,000
81
125.
James Swinnerton
(1875 - 1974)
Monument Valley Thunderstorm
Signed ‘Swinnerton’ lr
Oil on canvas
30 by 40 inches
Estimate $10,000 - $15,000
126.
James Swinnerton
(1875 - 1974)
Smoke Tree & Cloud Shadows
Signed ‘Swinnerton’ lr
Oil on canvas
30 by 40 inches
Estimate $10,000 - $15,000
82
From his first career as a newspaper cartoonist, Swinnerton turned to fine art in the
early 1900s, traveling into remote areas throughout the Southwest and California painting
desert and canyon landscapes. He frequently visited Navajo country in Monument Valley,
where Swinnerton Arch is named for him. For twenty years, he wrote and illustrated stories
for Good Housekeeping called Canyon Kiddies. His paintings are found in museum
collections throughout the Southwest, and his work was documented in a 2001 exhibition
catalogue by Donald Hagerty published by Gerald Peters Gallery.
127.
Wilson Hurley
(b. 1924 AOA, NAWA)
The Cliff at Algodones
Signed ‘Wilson Hurley’ lr
Oil on board
14 by 20 inches
Estimate $4,500 - $6,500
128.
Thomas L. Lewis
(1907 - 1978)
Desert Scene
Signed ‘Thos. L. Lewis -Taos-’ ll
Oil on canvas
22 by 27 inches
Estimate $1,500 - $2,000
129.
Matt Smith
(b. 1960)
High Country Lake, 1990
Signed ‘Matt Smith’ ll
Oil on canvas
30 by 24 inches
Estimate $5,000 - $7,000
83
INDEX TO ARTISTS BY LOT NUMBER
Acheff, William . . . . . . . . . . . . . . . . . . . . .40, 41, 42
Adams, Charles Partridge . . . . . . . . . . . . . . . . . . .63
Afsary, Cyrus . . . . . . . . . . . . . . . . . . . . . .32, 66, 74
Andersen, Roy . . . . . . . . . . . . . . . . . . . . . . . .19, 34
Anton, Bill . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .65
Ayers, James . . . . . . . . . . . . . . . . . . . . . . . . . . .2, 31
Baumann, Gustave . . . . . . . . . . . . . . . . . . . . .79, 80
Beeler, Joe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30
Berninghaus, Oscar Edmund . . . . . . . . . . . . . . . .23
Bierstadt, Albert . . . . . . . . . . . . . . . . . . . . . . . . . .61
Bisttram, Emil J. . . . . . . . . . . . . . . . . . . . . . . . . . .82
Boren, Nelson . . . . . . . . . . . . . . . . . . . . . . . . .87, 88
Calle, Paul . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .67
Carlson, Ken . . . . . . . . . . . . . . . . . . . . . . . . . . . . .92
Catlin, George . . . . . . . . . . . . . . . . . . . . . . . .83, 84
Cho, Kang Yon . . . . . . . . . . . . . . . . . . . . . . . . . .116
Coleman, Michael . . . . . . . . . . . . . . .33, 35, 94, 95
Coleman, Nicholas . . . . . . . . . . . . . . . . . . . . . . . . .1
Couse, Eanger Irving . . . . . . . . . .22, 24, 25, 50, 52
Cross, Henry Herman . . . . . . . . . . . . . . . . . . . . . .58
Crowley, Donald . . . . . . . . . . . . . . . . . . . . . . . . .6, 7
Dallin, Cyrus Edwin . . . . . . . . . . . . . . . . . . . . . . .57
Darro, Thomas P. . . . . . . . . . . . . . . . . . . . . . . . . .11
Daughters, Robert . . . . . . . . . . . . . . . . . . . . . . . .114
Delano, Gerard Curtis . . . . . . . . . . . . . . . . . .59, 60
Desatnick, Mike . . . . . . . . . . . . . . . . . . . . . . . . . .27
Dick, George . . . . . . . . . . . . . . . . . . . . . . . . .96, 97
Drinkard, David . . . . . . . . . . . . . . . . . . . . . . . . . .99
Ellis, Fremont . . . . . . . . . . . . . . . . . . . . . . . . . . . .76
Eubanks, Tony . . . . . . . . . . . . . . . . . . . . . . . . . .101
Fawcett, John . . . . . . . . . . . . . . . . . . . . . . . . . . .108
Gaspard, Leon . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
Gilleon, Tom . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38
Gomez, Marco Antonio . . . . . . . . . . . . . . . . . . .111
Greer, A.D. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .113
Grelle, Martin . . . . . . . . . . . . . . . . . . . . . . . . . . . .44
Hall, Doug . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3
Hantman, Carl . . . . . . . . . . . . . . . . . . . . . . . . . . .37
Harman, Fred . . . . . . . . . . . . . . . . . . . . . . . . . . .105
Hill, Thomas . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64
Houser, Allan . . . . . . . . . . . . . . . . . . . . . . . . .45, 46
Hughes, Bill . . . . . . . . . . . . . . . . . . . . . . . . . . . .124
Hulings, Clark . . . . . . . . . . . . . . . . . . . . . . . . . . .75
Hurley, Wilson . . . . . . . . . . . . . . . . . . . . . . . . . .127
Jackson, Harry . . . . . . . . . . . . . . . . . . . . . . . .47, 48
Johnson, Frank Tenney . . . . . . . . . . . . . . . . . . . . .56
84
Kapp, Gary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28
Kelley, Ramon . . . . . . . . . . . . . . . . . . . . . . . . . . .117
Kloss, Gene . . . . . . . . . . . . . . . . . . . . . . . .81, 85, 86
Leigh, William Robinson . . . . . . . . . . . . . . . . . . .20
Lewis, Thomas L. . . . . . . . . . . . . . . . . . . . . . . . .128
Mackey, Kim . . . . . . . . . . . . . . . . . . . . . . . . . . . .102
Mann, David . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5
Matthews, William . . . . . . . . . . . . . . . . . . . . . . .107
McCarthy, Frank . . . . . . . . . . . . . . . . . . . . . . . . . .14
McGrew, R. Brownell . . . . . . . . . . . . . . . . . . . . . . .8
Mell, Ed . . . . . . . . . . . . . . . . . . . . . . . . . .15, 16, 17
Mora, Francis Luis . . . . . . . . . . . . . . . . . . . . . . . .55
Moyers, John . . . . . . . . . . . . . . . . . . . . . . . . . . . .29
Parsons, Sheldon . . . . . . . . . . . . . . . . . . . . . . . . . .78
Pope, John . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .62
Poulsen, M. C. . . . . . . . . . . . . . . . . . . . . . . . .10, 12
Redin, Carl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .77
Riley, Kenneth . . . . . . . . . . . . . . . . . . . . . . . . . . .36
Rishell, Robert Clifford . . . . . . . . . . . . . . . . . . . .115
Rivera, Elias . . . . . . . . . . . . . . . . . . . . . . . . . . . . .69
Schmid, Richard . . . . . . . . . . . . . . . . . . . . . . . . . .68
Scott, John . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .93
Sharp, Joseph Henry . . . . . . . . . . . . . .21, 26, 51, 54
Situ, Mian . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .118
Sloane, Eric . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .43
Smith, Lowell E. . . . . . . . . . . . . . . . . . . . . .120, 121
Smith, Matt . . . . . . . . . . . . . . . . . . . . . . . . . . . .129
Solliday, Tim . . . . . . . . . . . . . . . . . . . . . . . . . . . .100
Spaulding, Don . . . . . . . . . . . . . . . . . . . . . . . . . . .13
Speck, Loran . . . . . . . . . . . . . . . . . . . . . . .70, 71, 72
Stack, Michael . . . . . . . . . . . . . . . . . . . . . .112, 123
Stavrowsky, Oleg . . . . . . . . . . . . . . . . . . . . .109, 110
Steinke, Bettina . . . . . . . . . . . . . . . . . . . . . . . . . . . .9
Swinnerton, James . . . . . . . . . . . . . . . . . . .125, 126
Terpening, Sonya . . . . . . . . . . . . . . . . . . . . . . . .119
Terpning, Howard . . . . . . . . . . . . . . . . . . . . .39, 89
Terpning, Susan . . . . . . . . . . . . . . . . . . . . . . . .4, 98
Thomas, Karl . . . . . . . . . . . . . . . . . . . . . . . . . . .122
Thomas, Richard . . . . . . . . . . . . . . . . . . . . . . . . .18
Timmons, Karmel . . . . . . . . . . . . . . . . . . . . . . . .103
Ufer, Walter . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49
Walters, Curt . . . . . . . . . . . . . . . . . . . . . . . . . . . .73
Warhol, Andy . . . . . . . . . . . . . . . . . . . . . . . . . . . .90
Wieghorst, Olaf . . . . . . . . . . . . . . . . . . . . .104, 106
Wiggins, "Kim" Douglas . . . . . . . . . . . . . . . . . . .91