about the play - Arizona Theatre Company

Printer’s Ad
Printer’s Ad
LEARNING
&
EDUCATION
USING THEATRE AS A CATALYST TO INSPIRE CREATIVITY
“ATC’S EDUCATION DEPARTMENT HAS BEEN NOTHING SHORT OF A MIRACLE.”
-Cheryl Falvo, Crossroads English Chair / Service Learning Coordinator
Theatre skills help support critical thinking, decision-making, teamwork and improvisation . It can
bridge the gap from imagination to reality . We inspire students to feel that anything is possible .
LAST SEASON
WE REACHED
OVER 11,000
STUDENTS
IN 80
SCHOOLS
ACROSS 8
AZ COUNTIES
For more information about our Learning & Education programs, visit
EDUCATION.ARIZONATHEATRE.ORG
IN THIS ISSUE
April – May 2015
Title Page. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Cast List. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
About the Play. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
ATC Leadership. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
The Cast. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
About Arizona Theatre Company. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
The Creative Team. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Board of Trustees. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
ATC 2014-15 Season Artists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
Theatre Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Corporate and Foundation Donors. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Individual Donors. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Staff . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Herbert Siguenza in Arizona Theatre Company’s production of A Weekend with Pablo Picasso. Photo by Darren Scott.
THE ART OF LIVE
Shakespeare would say, “A rose by any other name would smell as sweet.”
You know Arizona Theatre Company as “The State Theatre”: Arizona’s preeminent fully professional
theatre, with a proud 48-year history of producing the rich variety of world drama – from classics
to contemporary plays, from musicals to new works – along with a wide array of community
outreach programs, educational opportunities, access initiatives and new play programs.
That’s the “rose” you know and love – and that’s the “rose” we are privileged to nurture and guide.
Starting this spring, we invite you to see Arizona Theatre Company in a new way … and it starts
with a new logo designed to assert what makes ATC unique: the highest quality, of course,
coupled with promise that this company is energetic, strong and inviting.
A new approach to ATC’s public face is one of the important ways to shape our future. And ATC
has a bright future! Even so, we recognize and respect the history, efforts and deep-rooted
community support that has enabled us to reach our 49th season. We hope you’ll join us for it!
With thanks for the past – and with great aspirations for the future!
David Ira Goldstein
Artistic Director
Matt Lehrman
Interim Managing Director
4
APPLAUSE FOR MIKE KASSER
In recognition of his longtime support of and fervent dedication to
Arizona Theatre Company, I. Michael Kasser was honored, on March 24,
with the 2015 Individual Governor’s Arts Award.
Mike Kasser and his wife, Beth, have been ardent and generous
supporters of the arts in Southern Arizona for many years. Mike’s
passion encompasses Arizona Theatre Company, Tucson Museum of
Art and beyond.
In letters of support for Mike’s nomination, University of Arizona
President Ann Weaver Hart wrote of Mike’s “humble, easy demeanor”
Mike Kasser
and added that we, “are fortunate to have Michael Kasser as a civic,
cultural and business leader.” Tucson business leader Jim Click noted that Mike’s “support of our
community and passion for fine arts…is immense.”
That combination – “humble and easy” joined with “immense passion” – describes Mike Kasser perfectly.
Mike’s commitment isn’t merely to one organization, but to the belief that Arizonans deserve a rich,
diverse, and high-quality array of arts and cultural offerings. In addition to years of financial support
to Arizona Theatre Company, Mike was responsible for this season’s blockbuster exhibit at Tucson
Museum of Art entitled, The Figure Examined, featuring his family’s impressive collection of early
20th-century western European modern art comprised of 120 works from 70 different artists.
Mike Kasser is a role model for what it means to be an enthusiastic audience member, a committed
philanthropist, an activist board member, a passionate advocate and a visionary community leader.
Arizona Theatre Company couldn’t be prouder of his accomplishments – or more profoundly grateful.
ABOUT I. MICHAEL KASSER
Mike Kasser is the CEO and president of Holualoa Companies, a real estate investment company
with interests in residential and commercial real estate in the Northeast, Southwest, Hawaii and
Europe. A multi-Ironman triathlete, Mike has a B.S. and an M.S. in chemical engineering from MIT, a
Doctorate of Engineering from the University of Grenoble (France) and an M.B.A. from Harvard
Business School. He is fluent in French, German, Spanish, Italian and Hungarian.
Mike presently serves as a trustee or board member of Arizona Theatre Company, Tucson Museum
of Art, The University of Arizona Foundation, the College of Science at The University of Arizona,
and the Metropolitan Museum of Art Department of Scientific Research Visiting Committee.
5
David Ira Goldstein
Matt Lehrman
Jessica L. Andrews
Artistic Director
Interim Managing Director
Managing Director Emeritus
A WEEKEND with PABLO PICASSO
written and performed by Herbert Siguenza
based on the writings of Pablo Picasso
Todd Salovey . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Director
Giulio Cesare Perrone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Scenic and Costume Designer
Ross Glanc. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lighting Designer
Bruno Louchouarn. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sound Designer
Victoria Petrovich.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Projections Designer
Omar Ramos. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Assistant Projections Designer
T. Greg Squires . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Resident Lighting Designer
Brian Jerome Peterson. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Resident Sound Designer
Glenn Bruner . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Production Stage Manager
Timothy Toothman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Assistant Stage Manager
On this Arizona Theatre Company production, the ATC Production Staff is responsible for
coordinating costumes, lighting, projections, sound, props, furniture, wigs, scene painting,
special effects and for building the scenery.
Workshop Production originally produced by San Diego Repertory Theatre. Sam Woodhouse,
Artistic Director; Larry Alldredge, Managing Director. World Premiere produced by Alley Theatre.
Gregory Boyd, Artistic Director; Dean R. Gladden, Managing Director.
THIS PERFORMANCE IS SUPPORTED IN PART BY AN
AWARD FROM THE NATIONAL ENDOWMENT FOR THE ARTS:
2014-2015 SEASON SPONSORS:
COVER ART BY:
I. Michael and Beth Kasser
Esser Design
6
Printer’s Ad
CAST
Herbert Siguenza. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Pablo Picasso
The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the Union of
Professional Actors and Stage Managers in the United States.
TIME: 1957 Place: The south of France
A Weekend with Pablo Picasso is performed without an intermission.
ADDITIONAL STAFF
Emma DeVore. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Assistant to the Stage Manager
Arizona Theatre Company operates under agreements between the League of Resident Theatres (LORT) and Actors’
Equity Association, the Union of Professional Actors and Stage Managers in the United States; Stage Directors and
Choreographers, an independent national labor union; and United Scenic Artists Local USA-829, IATSE.
To learn more about A Weekend with Pablo Picasso, please visit the Education page on our website
at arizonatheatre.org for a comprehensive free Play Guide. The Play Guide contains information
about Picasso’s artistic endeavors, historical information, and more. Play Guides are also available
in The Temple Lounge for a nominal charge to cover printing.
No te pierdas funciones en Espanol: 6 de mayo a las 7:30pm y 17 de mayo a las 7pm.
Don’t miss the performances in Spanish: May 6 at 7:30pm and May 17 at 7pm.
Cell phones and other devices that make a noise can greatly disturb your
fellow audience members and the performers. PLEASE TURN THEM OFF
before the performance.
8
Printer’s Ad
Printer’s Ad
Printer’s Ad
ABOUT THE PLAY
INTERVIEW WITH THE PLAYWRIGHT
Mark Bly, Resident Dramaturg at Alley Theatre, Interviews
Herbert Siguenza
Mark Bly: What inspired you to write A Weekend with Pablo Picasso?
Herbert Siguenza: I was born with the mysterious gift of being able
Herbert Siguenza
to draw. Since I was a young boy, I would press crayons against
paper and create imaginary worlds and characters. In fact, when I
was in second grade, my teacher, Mrs. Sharp, would pull me out of
the reading circle and have me draw on giant rolls of butcher paper
instead. She kept everything I drew.
Later that semester, we went on a field trip to downtown San Francisco to visit City Hall and the
Board of Education building. To my great surprise, there was an exhibit of all my work hanging in
the halls! My fellow students were very impressed, and I was immensely proud as well. That first
exhibit made it clear to me that I would grow up to become an artist.
That same year, my mother took me to the dentist. While we waited in the reception area, I picked
up a photo book by Douglas Duncan called The Private Life of Picasso. The beautiful black and
white photos showed a shirtless old man who painted and played like a child. He also had doves,
several dogs and a goat. I turned and said to my mom, “When I grow up I want to be that old man.”
“That’s Pablo Picasso,” she said. “Es loco” [“You’re crazy”]. My dear mother did not discourage
me; I knew better. The old man Columbus was not crazy but rather unconventional and free, which
inspired me profoundly to later live my own life in that manner. I eventually went to the California
College of Arts in Oakland were I got a B.F.A. in printmaking and taught for two years. I also worked
for ten years at La Raza Silkscreen Center producing posters for cultural and political events.
All these experiences have contributed to my personal and artistic growth. I see this play as a result
of everything I have ever learned in regard to the visual and theatrical arts. It is a perfect and natural
marriage for me. A play that I was born to perform starting now. It is a culmination of everything I’ve
known since I was a curious child. And yes, I still don’t read very well. Thank you, Mrs. Sharp!
Herbert Siguenza in Arizona Theatre Company’s production of A Weekend with Pablo Picasso. Photos by Darren Scott.
12
ABOUT THE PLAY
Herbert Siguenza in Arizona Theatre Company’s production of A Weekend with Pablo Picasso. Photos by Darren Scott.
MB: Would you talk about your process as an actor and playwright in creating the play? Where
does the painter-artist Herbert Siguenza figure into this stage equation?
HS: I don’t have a formal education in theatre but rather, as I said, a degree in art. To a certain extent
that has been very liberating, because I never overthink or analyze what I do. I simply act on a
real instinctive level, free from academic philosophies. I just do. My character of Picasso is not
an imitation of Picasso because that would be false or impossible. My character of Picasso is me
as a rich, old man who paints and lives in southern France. It’s simple and direct.
After 30 years of performing comedy and drama on stage, I feel ready to take on the challenge
of portraying an icon. I could never have portrayed him ten years ago, you know? I wasn’t
ready to take on such a giant character. He is [Shakespeare’s] Falstaff or Big Papa from Cat
on a Hot Tin Roof. Now on the script, I took all the quotes Picasso said during his lifetime and
constructed an imaginary weekend in 1957 in his studio, La Californie. I wanted to recreate
the sights and sounds of the pictures I saw in Duncan’s wonderful photographs. My only goal
as a playwright was for the audience to experience and feel like they are spending an intimate
weekend with a master, a genius but also a Spanish man in exile.
Picasso said that viewing art is a kind of voyeurism. I think viewing theatre is even more
voyeuristic, because we are seeing people in their most private moments. In my play I want
no separation between performer and audience. The audience is a participant and the reason
for the play. There are only a few moments where the audience “is not there” and watches
Picasso at his most private and most vulnerable. As a painter I am also vulnerable, I paint and
create in front of the audience. No safety net, no gimmicks – just magic and truth in action.
Like my acting, I just do it without thinking. I think Picasso would be proud of me.
13
ABOUT THE PLAY
MB: Picasso’s relationship with 20th-century political movements was complex and you explore
that struggle in your play. Can you characterize that epic “tug and pull” between art and
politics that manifested itself in Picasso’s work?
HS: Picasso’s long-time friend Jaime Sabartés said that, “Picasso is the most apolitical person
I know.” I think to a certain degree it was true. Even though Picasso was a member of the
French Communist Party and contributed to many leftist causes, he wasn’t politically or
physically involved. He was sort of a communist from afar. As long as he could paint what he
wanted in freedom, he was content being in the party for idealistic reasons.
He was an artist first and foremost and an activist second. I have struggled with that “tug
and pull” in my own life as a Chicano/Latino actor-activist. At one point you have to decide
what you were meant to do in this life, you know? Are you an artist or a politician?
Picasso remained free and true to his style, he never succumbed to the pressures of the
party to paint in a social realist manner. I believe theatre that is didactic and pounds you
over the head is the worst kind of theatre and does not accomplish what it wants to do in
the first place: make people think. If art does the thinking for you, what’s the use? That’s
why [Picasso’s] Guernica is so amazingly powerful and eternal. It’s politically charged but
aesthetically transcendental.
During the Cold War, Picasso did not fan the fire of nuclear destruction but rather was a
global peace campaigner and contributed art and financial donations to many peace organizations and social causes. In fact, the iconography of the peace movement – the doves,
flowers, children that are used today – was first created by Picasso in the late ’50s.
Picasso was a humanist who just happened to be a communist. We are lucky because
Guernica, the peace dove, the hands holding flowers were created as if a child had drawn
them, and that is why it has lasted so long because it connects with our inner child full of joy,
happiness and hope.
– This interview originally appeared in the Alley Theatre’s program for A Weekend with Pablo Picasso.
Herbert Siguenza in Arizona Theatre Company’s production of A Weekend with Pablo Picasso. Photos by Darren Scott.
14
ABOUT THE PLAY
PICASSO’S WHO’S WHO
Diego Velázquez (1599-1660) Spanish baroque painter and leading artist of
the Spanish Golden Age and court of King Philip IV . In 1957 Picasso painted
58 variations on Velázquez’s most famous creation, Las Meninas.
Eugène Delacroix (1798-1863) French romantic artist whose painting style
greatly influenced the later impressionists . Delacroix’s 1834 harem scene The
Women of Alger (In Their Apartment) inspired Picasso’s Les Femmes d’Alger
series of 15 paintings . Picasso’s model for the series was his lover, Jacqueline
Roque, whom he married in 1961 .
Gertrude Stein (1874-1946) American writer, poet, and art collector whose
prestigious salon in Paris in the early 20th century brought together many
artists, including Picasso, F . Scott Fitzgerald, Ernest Hemingway, Max Jacob,
James Joyce, Sinclair Lewis, Henri Matisse and Thornton Wilder .
Max Jacob (1876-1944) French artist and critic and one of Picasso’s first
friends in Paris; the two young artists shared an apartment on the Boulevard
Voltaire . Jewish by birth, Jacob converted to Catholicism in 1909, but he was
nonetheless arrested by the Gestapo in 1944 and died in Drancy internment camp .
Jaime Sabartés (1881-1968) Spanish artist, writer and close friend of; he became
Picasso’s secretary in 1939 .
Béla Czóbel (1883-1976) Hungarian painter who was a member of “The Eight,”
an avant-garde movement known for introducing post-impressionist forms
into Hungary, including Fauvism, cubism and expressionism .
Daniel-Henry Kahnweiler (1884-1979) One of the premier French art dealers
of the 20th century whose gallery opened in Paris in 1907 and championed
Picasso and other cubist artists . Picasso said, “What would have become of us
if Kahnweiler hadn’t had a business sense?”
André Breton (1896-1966) French writer/poet and founder of surrealism . He
wrote the first Surrealist Manifesto in 1924 .
Gary Cooper (1901-1961) American film actor who won two Academy Awards
for Best Actor in Sergeant York and High Noon . He eventually appeared in
more than 100 films, including westerns, crime stories, comedy and drama .
Salvador Dalí (1904-1989) Spanish surrealist painter who revered Picasso as
his “artistic father,” but later challenged him saying he was a “destroyer” of art,
concerned with ugliness, while Dalí embraced beauty .
15
Printer’s Ad
Printer’s Ad
Printer’s Ad
Printer’s Ad
ATC LEADERSHIP
David Ira Goldstein celebrates his 23rd season as Artistic Director of
Arizona Theatre Company. In over two decades, he has produced over
190 mainstage plays, workshops and presentations including
acclaimed appearances by the Royal National Theatre of Great Britain
and the Theatre Royal Bath. He received the 2010 Leader of the Year
Award in Arts and Humanities from the Capitol Times and the 2003
Governor’s Arts Award as Individual Artist for his contributions to the
arts in Arizona.
This season he directed Wait Until Dark for ATC. He has directed over
40 mainstage productions for ATC ranging from classics to new
plays to musicals, including Wait Until Dark, Xanadu, Next To Normal,
The Sunshine Boys, Hair, Much Ado about Nothing, My Fair Lady, Valley Song, The Illusion,
The Pajama Game, Side Man, [title of show], How I Learned to Drive, The Mystery of Irma Vep,
Scapin, The Two Gentlemen of Verona, The Boys Next Door, Shadowlands, Fully Committed, The
Pirates of Penzance, H.M. S. Pinafore, Willi, Dreams from A Summer House, Other People’s Money,
The Heidi Chronicles, Noises Off and A Midsummer Night’s Dream, as well as many world
premieres including The Kite Runner by Khaled Hosseini, Sherlock Holmes: The Final Adventure
(winner of the Edgar Award from the Mystery Writers of America), Inventing van Gogh, Rocket
Man, Private Eyes, Over the Moon and Dracula by Steven Dietz, and Ten Chimneys, Dr. Jekyll and
Mr. Hyde (Edgar Award nominee) and Sherlock Holmes and the Adventure of The Suicide Club
(Edgar Award nominee) by Jeffrey Hatcher.
Mr. Goldstein has been a guest director at theatres all across the country including Arizona Opera,
The Pasadena Playhouse, Berkeley Repertory Theatre, Seattle Repertory Theatre, Florida Stage,
Center Repertory Theatre, Kansas City Repertory Theatre, Northlight Theatre, San Jose Repertory
Theatre, Village Theatre, Geva Theatre Center, Laguna Playhouse, Repertory Theatre of St. Louis,
Mixed Blood Theatre, The Children’s Theatre Company in Minneapolis, Alaska Repertory Theatre,
Illusion Theatre. His musical A Marvelous Party: The Noël Coward Celebration, which originated at
ATC, has played extensively across the U.S., winning many awards including four Jeff Awards in
Chicago (including Best Director), the Elliot Norton Award in Boston, several Bay Area Critics
Awards and the Los Angeles Drama Critics Award for Best Production.
Before coming to Arizona, Mr. Goldstein was Associate Artistic Director of ACT Theatre in Seattle.
His many productions there included Glengarry Glen Ross, Hapgood, Breaking the Silence, Lloyd’s
Prayer, the world premieres of God’s Country by Steven Dietz and Willi by John Pielmeier, as well
as a joint Soviet-American production of The Falcon. He was Associate Artistic Director at Actors
Theatre of St. Paul from 1983-86. Mr. Goldstein holds an MFA from the University of Minnesota. He
has been a visiting instructor and director at ASU, University of Washington, University of
Minnesota and University of Northern Iowa. He has served as a panelist for the National
Endowment for the Arts, Theatre Communications Group, Arts Midwest, and the Arizona,
Minnesota, Oregon and Washington State Arts Commissions. Mr. Goldstein is a proud member of
Stage Directors and Choreographers Society, and Actors’ Equity Association. He is married to
KJZZ radio announcer Michele Robins. They share their home with their dogs and cats: Rio, Rocky,
Cary, Reggie, and Dexter.
20
ATC LEADERSHIP
Matt Lehrman experienced his first Arizona Theatre Company production, A Walk in the Woods, as an audience member in 1989, shortly
after moving to Arizona. He’s delighted to join ATC as Interim Managing
Director as of September 2014.
Mr. Lehrman is best known in Arizona as the founder (in 2003) and CEO
of Alliance for Audience and ShowUp.com, a pioneering initiative within
Arizona’s arts and cultural community to stimulate public engagement
with theatre, music, dance, art and cultural attractions statewide.
He was recognized by the Arizona Republic as “Best Cheerleader for
the Arts,” and has received accolades from the ariZoni Theatre Awards,
the Arizona Office of Tourism and the Arts and Business Council of
Greater Phoenix. He has served as Faculty Associate at Arizona State University, teaching upper
level seminars on Arts Entrepreneurship and Arts and Public Policy.
As the Principal of Audience Avenue, LLC, Mr. Lehrman is a popular speaker and consultant to
arts and cultural organizations nationally, excited to explore the options and opportunities of
not-for-profits when viewed from the audience-side of their mission statement.
Beginning in 1995, Mr. Lehrman served as the Scottsdale Cultural Council’s Vice President of
Marketing & Communications, the not-for-profit agency that manages the Scottsdale Center for
the Performing Arts and the Scottsdale Museum of Contemporary Art. Mr. Lehrman began his
career as a lobbyist on banking and mortgage finance issues in Washington, D.C., in the mid 1980s.
He is a graduate of Oberlin College.
21
ATC LEADERSHIP
Jessica L. Andrews became Managing Director Emeritus in September,
2014. She returned last year as Managing Director having retired from
ATC in July 2009 after eleven seasons as Managing Director and three
as Executive Director. From September 2010 – September 2011, she
returned to ATC as Interim Managing Director. Following her tenure at
ATC, she founded jandrews consulting and is currently consulting with
Invisible Theatre and The Mini-Time Machine Museum. Previous
consultancies include Borderlands Theater, The Loft Cinema, Pan Left
Productions, the University of Arizona Poetry Center through the Tucson
Pima Arts Council, Metro Theater Company, The Vineyard Playhouse,
Emerge! Center Against Domestic Abuse, and Break-Away Tours.
Ms. Andrews is the recipient of the 2008 Governor’s Arts Award for an
Individual, the 2013 Lumie for Lifetime Achievement from the Tucson Pima Arts Council, the 2007
Distinguished Achievement in Theatre Management Award from the United States Institute of
Theatre Technology, and a 2002 Woman on the Move Award from the Tucson YWCA.
During her career, she served on the Executive Committee of the League of Resident Theatres, and
on the Board of Directors of Theatre Communications Group. Since her arrival in Arizona, she has
served on the Theatre Panel of the Arizona Commission on the Arts, was the president of Arizona
Theatre Alliance, on the Board of the Maricopa Partnership for Arts and Culture and Arizona
Citizens for the Arts, and is a member of Women at the Top; Nonprofit Executives Together; Nature,
Arts, Culture and Heritage Organizations; and the Advisory Board of Arizona Woman Magazine.
She also chaired a task force for the Pima Cultural Plan and served on the Livable Communities
Mobilization Council of the Tucson Regional Economic Organization Blueprint.
From 1990-94, Ms. Andrews served as Managing Director of The Shakespeare Theatre
(Washington, D.C.), and was the Director of the Theater Program for the National Endowment for
the Arts from 1987-1990. From 1985-87, she was Managing Director of Indiana Repertory Theatre
and from 1980-85 was Director of the Theatre Division of the national service organization,
FEDAPT. Previously, Ms. Andrews was Managing Director of Geva Theatre Center in Rochester,
NY, and Hartford Stage Company.
In 2010, Ms. Andrews taught a class on Theatre Management and Organization at Arizona State
University. She has guest lectured at University of Arizona, Arizona State University and The Yale
School of Drama, and has been a reader for the Fund for New American Plays at the Kennedy
Center. She served as co-chair of the Arts Committee for the 1997 UK/AZ Festival, and during the
summer of 1995, taught a class in theatre management at the Centro Nacional de los Artes in
Mexico City. She has served on grants panels for nine state arts agencies and on the Theatre
Grants Panel for the U.S./Mexico Fund for Culture. She has served on the NEA Theater Program’s
Professional Companies, Challenge Review, Creation and Presentation, and Education and Access
panels, and was an NEA site reporter for the Theater and Musical Theater Program.
22
Printer’s Ad
Printer’s Ad
Printer’s Ad
Printer’s Ad
Printer’s Ad
THE CAST
Herbert Siguenza (Pablo Picasso) is a founding member of the perfor-
Herbert Siguenza
mance group Culture Clash. Along with Richard Montoya and Ric Salinas,
Culture Clash is the most-produced Latino theatre troupe in the United
States. Founded in San Francisco in 1984, Culture Clash has performed
on the stages of America’s top regional theatres including Mark Taper
Forum, The Kennedy Center, Arena Stage, Alley Theatre, Berkeley
Repertory Theatre, Yale Repertory Theatre, South Coast Repertory, La Jolla
Playhouse, San Diego Repertory Theatre, Syracuse Stage, Huntington
Theatre Company and countless universities and colleges. Mr. Siguenza
has co-written and/or performed in the following Culture Clash plays:
American Night (commissioned by Oregon Shakespeare Festival); Palestine
New Mexico, Water and Power, Chavez Ravine (all three commissioned
by Mark Taper Forum); Peace (commissioned by Getty Villa); Zorro in Hell!
(commissioned by Berkeley Repertory Theatre); The Birds (commissioned
by Berkeley Repertory Theatre and South Coast Repertory); Bordertown
(commissioned by San Diego Repertory Theatre); Radio Mambo,
Nuyorican Stories, Anthems, S.O.S., A Bowl of Beings, The Mission and
others. As a solo writer and performer Mr. Siguenza has produced
Cantinflas! and A Weekend with Pablo Picasso, currently on national tour.
His latest plays Steal Heaven and El Henry (Best New Play, San Diego
Critics Circle Award 2014) have been produced at San Diego Repertory
Theatre and La Jolla Playhouse. Mr. Siguenza is also an accomplished
visual artist and has exhibited both nationally and internationally. He has
a B.F.A. in printmaking from the California College of Arts, Oakland,
California. TV and Film credits: Ben Ten Alien Swarm for Cartoon Network
and Larry Crowne, a feature film directed by Tom Hanks.
28
THE CREATIVE TEAM
Todd Salovey (Director) has directed A Weekend with Pablo Picasso at San Diego Repertory
Theatre, Denver Center Theatre Company, Alley Theatre, Los Angeles Theatre Center, San Jose
Stage and Center Repertory Company. He is in his 25th season as San Diego Repertory Theatre’s
Associate Artistic Director, where he has directed the American protest musical A Hammer, A Bell,
and A Song to Sing, which he also co-wrote; Steal Heaven and In the Time of the Butterflies with
Herbert Siguenza; The Blessing of a Broken Heart, which he also adapted; the world premiere of
Yehuda Hyman’s The Mad Dancers; Hamlet starring Jefferson Mays; Uncle Vanya; Death of a
Salesman; Who’s Afraid of Virginia Woolf?; King Lear; The Illusion; The Dybbuk; The Imaginary
Invalid; Doubt; The Road to Mecca; Three Hotels and A Christmas Carol. He has won numerous
West Coast and national awards, and is on the theatre faculty at the University of California, San
Diego. Mr. Salovey is the Artistic Director of the Lipinsky Family San Diego Jewish Arts Festival.
[email protected].
Giulio Cesare Perrone (Scenic and Costume Designer) is making his Arizona Theatre Company
debut. Previous theatre credits include: Laguna Playhouse, San Diego Repertory Theatre, San
Jose Repertory Theatre, Festival Opera, Dell’Arte International, ACT Academy, Opera San Jose,
Foghouse Productions, California Shakespeare Festival, Theatre Works, A Travelling Jewish
Theatre, Marin Theatre Company, Magic Theatre, Alley Theatre, Denver Center Theatre Company,
and others. International credits include: Milan, Rome, Naples, Sicily, Croatia, Hungary and
Denmark. Special/Awards/Training: 2000 Pew National Artists Residency grant with Dell’Arte
International for his adaptation of Milton’s Paradise Lost and a 2002 Pew-Theatre Communications
Group grant for his adaptation of The Memoirs of Jacques Casanova. Mr. Perrone graduated from
the Accademia di Belle Arti “Brera” in Milan.
Ross Glanc (Lighting Designer) is happy to be making his ATC debut. Previous regional designs
include: Walter Cronkite is Dead, Storyville, The Road to Mecca, A Weekend with Pablo Picasso
(2009, 2012) at San Diego Repertory Theatre; Rick Najera’s Daddy Diaries, Lipinsky Family San
Diego Jewish Arts Festival (2009-2014); Kuumba Fest (2009-2014); Mistakes Were Made, Joe
Calarco’s Shakespeare’s R&J at Cygnet Theatre; Crumbs from the Table of Joy at Moxie Theatre;
A Weekend with Pablo Picasso at Los Angeles Theatre Center; A Weekend with Pablo Picasso at
San Jose Stage; Old Jews Telling Jokes with Philip Roger Roy Productions; Mira Costa Dance; San
Diego Ballet; Malashock Dance; ion theatre; Lasting Glow Productions.
Bruno Louchouarn (Sound Designer) has designed for theatre, dance and film. Credits include
the futuristic cantina music in the film Total Recall; A Weekend with Pablo Picasso (San Diego
Repertory Theatre, Alley Theatre, Los Angeles Theatre Center, Center Rep, Denver Center Theatre
Company, San Jose Stage); Motherfu**er with a Hat, Eurydice (South Coast Repertory); Surf
Orpheus, the musical (UCSD, Getty Villa); Courting Vampires (Boston Court Performing Arts
Center); Café Vida (Cornerstone Theater Company); The Road Weeps, The Well Runs Dry (Los
Angeles Theatre Center); Wrestling Jerusalem (Intersection for the Arts, Playmakers Repertory
Company); Day for Night, 12-hour installation (GLOW 2010, Santa Monica); Voces en el Polvo, an
opera (Boston Court Performing Arts Center); El Henry (La Jolla Playhouse/San Diego Repertory
Theatre); Sol Path, immersive installation (AxS Festival 2014); Pygmalion (Pasadena Playhouse);
Cubicle, Diavolo Dance Company (Broad Stage, Santa Monica).
29
THE CREATIVE TEAM
Victoria Petrovich (Projections Designer) is making her Arizona Theatre Company debut.
Broadway/NYC: Roundabout Theatre Company, Music-Theatre Group, Theater for the New City,
BOCA Downtown. Regional: Set/Costume Design and/or Projection Design at American Repertory
Theater, Denver Center Theatre Company, Geva Theatre Center, Seattle Repertory Theatre, La
Jolla Playhouse, Mark Taper Forum, Alley Theatre, Trinity Repertory Company, South Coast
Repertory, East West Players, Center Repertory Company, San Jose Repertory Theatre, Los
Angeles Theatre Center, San Diego Repertory Theatre, Children’s Theatre, Mainstreet Theatre
Company, El Teatro Campesino. Opera: Los Angeles Opera, Minnesota Opera Company, Nautilus
Music-Theater. International: Singapore Repertory Theatre. Special Awards: L.A. Drama-Logue
Award for Outstanding Scenic Design: Lips Together, Teeth Apart (South Coast Repertory),
Passion (East West Players), The Women (San Diego Repertory Theatre); San Diego Theatre
Critics Circle Award for Outstanding Projection Design: A Weekend with Pablo Picasso (San Diego
Repertory); Ivey Award for Best Production: Ordinary Days (Scenic/Costume Design, Nautilus
Music-Theatre).
Omar Ramos (Assistant Projections Designer) is keenly interested in emerging technologies,
real-time design for aleatoric stage performances, and works that question perceptions of reality
and undermine prevailing ideas about how humanity and the world function. Video credits
include Into the Woods, The Cocoanuts, The Tenth Muse, King Lear (Oregon Shakespeare Festival);
The Canticle of the Black Madonna, a new opera (Newmark Theatre); The Trial of Dedan Kimathi
(Claire Trevor School of the Arts, UCI).
T. Greg Squires (Resident Lighting Designer) began working for ATC in 1988 as a lighting and
sound technician. Since becoming the Resident Lighting Designer, he is responsible for remounting
all of the designs in Phoenix and was the designer for Permanent Collection and Tuesdays with
Morrie. Mr. Squires has been the Associate Lighting Designer for Michael Gilliam, Dennis Parichy,
Ann Wrightson, Don Darnutzer, Allen Lee Hughes, York Kennedy, David Lee Cuthbert and Peter
Maradudin. In addition to ATC, Mr. Squires has designed lights and/or sound for Laguna Playhouse,
The Pasadena Playhouse, Creede Repertory Theatre, Borderlands Theater and Childsplay. Recently,
Mr. Squires was Sound Designer for Actors Theatre of Phoenix productions of This, Circle Mirror
Transformation and Dead Man’s Cell Phone, all of which received ariZoni Award nominations.
Brian Jerome Peterson (Resident Sound Designer) celebrates his 29th season at ATC, where he
has designed 77 productions, including Wait Until Dark, Around the World in 80 Days, The
Importance of Being Earnest, The Sunshine Boys, Jane Austen’s Emma, The Great Gatsby, God of
Carnage, Ma Rainey’s Black Bottom, Lost in Yonkers, Ain’t Misbehavin’, George is Dead, Somebody/
Nobody, Enchanted April, Touch the Names, I Am My Own Wife, Twelfth Night, Tuesdays with Morrie,
Crowns, Macbeth, The Pirates of Penzance, The Immigrant, A Streetcar Named Desire, Oh Coward!,
Copenhagen, Fully Committed and The Mystery of Irma Vep (for which he won an ariZoni Award)
and the world premieres of Sherlock Holmes and the Adventure of The Suicide Club, Dr. Jekyll and
Mr. Hyde, Sherlock Holmes: The Final Adventure, Inventing van Gogh, Rocket Man, Minor Demons
and The Holy Terror. His designs have been heard in many theatres including GEVA, Berkeley
Repertory Theatre, Seattle Repertory Theatre, The Cleveland Play House, Northlight Theatre,
Portland Center Stage, Actors Theatre of Louisville and San Jose Repertory Theatre.
30
THE CREATIVE TEAM
Glenn Bruner (Production Stage Manager) is in his 18th season as Production Stage Manager at
ATC where he has stage managed over 60 productions, including Romeo and Juliet, Five
Presidents, Other Desert Cities, The Mountaintop, The Importance of Being Earnest, Clybourne
Park, The Sunshine Boys, Next to Normal, The Great Gatsby, The Mystery of Irma Vep, [title of
show], The Kite Runner, Hair, Enchanted April, and the world premieres of Jeffrey Hatcher’s
Sherlock Holmes and the Adventure of The Suicide Club and Ten Chimneys, and Steven Dietz’s
Sherlock Holmes: The Final Adventure, Rocket Man, Inventing van Gogh, and Over the Moon.
Mr. Bruner has worked at Kansas City Repertory Theatre, Alley Theatre, Dallas Theater Center, The
Pasadena Playhouse, Centerstage, Studio Arena Theatre, and Maine’s Portland Stage Company.
He was the Assistant Stage Manager for the world premiere of On the Waterfront at Cleveland
Play House and stage managed the Off-Broadway premiere of Alan Ayckbourn’s Season’s
Greetings. He has also been the voice for many radio and television commercials and worked
for Texas Public Radio in his hometown of San Antonio. Mr. Bruner was the 2012 recipient of the
Lucy Jordan Recognition Award, presented annually by the Western Region of Actors’ Equity
Association. He has been a member of AEA since 1981.
Timothy Toothman (Assistant Stage Manager) is the Artistic Associate at ATC. He most recently
stage managed ATC’s productions of Five Presidents, Wait Until Dark, Around the World in 80
Days, The Importance of Being Earnest, Freud’s Last Session, Lombardi, Daddy Long Legs and God
of Carnage, among others. Mr. Toothman spent five seasons as the Production Stage Manager for
Geva Theatre Center in Rochester, NY and then Company Manager for five years for Sunshine Too,
a national touring ensemble of deaf and hearing actors. He has also managed producing and
presenting theatres in Indiana and Maryland. Prior to moving to Arizona, Mr. Toothman spent
eleven years as a program and grants director for the Maryland State Arts Council and the
Connecticut Commission on the Arts. Mr. Toothman stage managed the National Heritage Awards
Program for the National Endowment for the Arts for ten years and was the Production Stage
Manager for six seasons at Martha’s Vineyard Playhouse.
Emma DeVore (Assistant to the Stage Manager) served as Assistant to the Stage Manager for
ATC’s productions of Romeo and Juliet, Murder for Two, Vanya and Sonia and Masha and Spike,
Around the World in 80 Days, Xanadu, The Importance of Being Earnest, Clybourne Park, Freud’s
Last Session, Lombardi, God of Carnage and The Great Gatsby. Regionally, she has worked at the
Utah Shakespearean Festival, Phoenix Theatre, Phoenix Theatre’s Cookie Company, Gulfshore
Playhouse, and Southwest Shakespeare Company. She was the Production Stage Manager for
E&M Theatrical’s Las Vegas production of The D*Word: A Musical, and has toured with the vaudeville
troupe Handsome Little Devils, and with The Magic of David Copperfield.
The Actors and Stage
Managers employed in these
productions are members of
Actors’ Equity Association,
the Union of Professional
Actors and Stage Managers
in the United States.
The Director is a member
of the Stage Directors and
Choreographers Society,
an independent national
labor union.
31
The Scenic, Costume,
Lighting and Sound
Designers in LORT
Theatres are represented
by Union Scenic Artists
Local USA-829, IATSE.
Printer’s Ad
Printer’s Ad
Announcing Our New Season
2015-2016
ARIZONA THEATRE COMPANY IS THRILLED TO SHARE WITH YOU A LOOK AT
WHAT PROMISES TO BE ONE OF OUR MOST SENSATIONAL SEASONS EVER.
HERSHEY FELDER
AS IRVING BERLIN
"Remarkable! Richly entertaining and
ultimately touching." – LOS ANGELES TIMES
Lyrics & Music by IRVING BERLIN
Book by HERSHEY FELDER
DISGRACED
By AYAD AKHTAR
WINNER of the 2013 Pulitzer Prize
SNAPSHOTS
Lyrics & Music by STEPHEN
Book by DAVID STERN
“Terrific, turbulent, DISGRACED comes
roaring to life!” – THE NEW YORK TIMES
ARIZONA ★
PREMIERE!
★
“Truly superb!” – CHICAGO TRIBUNE
SCHWARTZ
ARIZONA ★
PREMIERE!
★
FENCES
By
ARIZONA ★
PREMIERE!
★
“A blockbuster and a major American play.”
– NEW YORK DAILY NEWS
AUGUST WILSON
WINNER of the Pulitzer Prize
WINNER of the Tony Award for Best Play
OF MICE AND MEN
“A pulls-no-punches American classic.”
– THE WALL STREET JOURNAL
THE GOSPEL ACCORDING TO THOMAS JEFFERSON,
CHARLES DICKENS AND COUNT LEO TOLSTOY:
“Funny and thought-provoking ... Hilariously
theatrical!" – LOS ANGELES TIMES
By JOHN STEINBECK
WINNER of the NY Drama Critics
Circle Award for Best Play
DISCORD
A new play by
ARIZONA ★
PREMIERE!
★
SCOTT CARTER
TUCSON / THE TEMPLE OF MUSIC AND ART
PHOENIX / THE HERBERGER THEATER CENTER
520-622-2823 602-256-6995
ARIZONATHEATRECOMPANY.ORG/SUBSCRIBE
34
ABOUT ARIZONA THEATRE COMPANY
Herbert Siguenza in Arizona Theatre Company’s production of A Weekend with Pablo Picasso. Photo by Darren Scott.
Now celebrating 48 years, Arizona Theatre Company (ATC) boasts the largest subscriber base of
any performing arts organization in Arizona with more than 130,000 people each year attending
performances at the historic Temple of Music and Art in Tucson, and the elegant Herberger
Theater Center in downtown Phoenix. Each season of carefully selected productions reflects the
rich variety of world drama – from classic to contemporary plays, from musicals to new works,
as audiences enjoy a rich emotional experience that can only be captured through live theatre.
Touching lives through the power of theatre, ATC is the preeminent professional theatre in the state
of Arizona. Under the direction of Artistic Director David Ira Goldstein, Interim Managing Director
Matt Lehrman and Managing Director Emeritus Jessica L. Andrews, ATC operates in two cities –
unlike any other League of Resident Theatres (LORT) company in the country.
ATC shares the passion of the theatre through a wide array of outreach programs, educational
opportunities, access initiatives and community events. Through school and summer programs,
ATC focuses on teaching Arizona’s youth about literacy, cultural development, performing arts,
specialty techniques used onstage, and opens their minds to the creative power of dramatic
literature. With approximately 450 Learning & Education activities annually, ATC reaches far
beyond the metropolitan areas of Tucson and Phoenix, enriching the theatre learning experience
for current and future audiences.
The mission of Arizona Theatre Company is to inspire, engage and entertain – one moment,
one production and one audience at a time.
35
2014-2015 BOARD OF TRUSTEES
Cameron Artigue
Jessica L. Andrews
Chair
Attorney, Gammage & Burnham
Managing Director Emeritus
Arizona Theatre Company
Robert Glaser
Char Augenstein
Immediate Past Chair
Principal, PICOR Commercial Real Estate
Services
Community Volunteer
Robert Begam
Attorney, Begam & Marks
Lynne Wood Dusenberry
President
Community Volunteer
Joanie Flatt
Susan Segal
Kevin Gebert
President, Flatt & Associates
Vice President (Phoenix)
Attorney, Gust Rosenfeld PLC
Investment Analyst, Holualoa Companies
Peter Akmajian
Retired Computer Professional and
Community Volunteer
Jay Glaser
Treasurer
Attorney, Udall Law Firm LLP
David Ira Goldstein
Marc Erpenbeck
Artistic Director, Arizona Theatre Company
Assistant Treasurer
President and Chief Legal Officer, George Brazil
Daniel Hagerty
Senior Consultant, DeVos Institute
of Arts Management
Robert Taylor
Secretary
Senior Director of Regulator Policy and Public
Involvement, Salt River Project
I. Michael Kasser
Jeff Gold
Matt Lehrman
President, Holualoa Companies
Interim Managing Director
Arizona Theatre Company
Assistant Secretary
Retired Entrepreneur and Community Volunteer
Jennifer Lohse
Program Director, Tucson Foundations
EMERITI TRUSTEES
HONORARY TRUSTEES
Shirley Estes, Donald Nickerson,
George Rosenberg, F. William Sheppard
Betsy Bolding, Joan Kaye Cauthorn, Norma
Feldman, Catherine “Rusty” Foley, Joe Gootter,
Sandy Hatfield, Jessica Lazarus, Sandra C.
Maxfield, Emily Rosenberg Pollock, Nina Trasoff,
Arlene Webster, Ruth A. Zales
A special note of thanks to the partners and staff at Lewis Roca Rothgerber for hosting
ATC’s Board of Trustees’ meetings.
36
Printer’s Ad
Printer’s Ad
Printer’s Ad
ATC 2014-15 SEASON ARTISTS
Writers
Kellen Blair
Rick Cleveland
Kristiana Colón
Christopher Durang
Jeffrey Hatcher
Joe Kinosian
Frederick Knott
Pablo Picasso
William Shakespeare
Herbert Siguenza
Natasha Smith
Caridad Svich
Directors
Kirsten Brandt
Mark Clements
David Ira Goldstein
Katherine Monberg
Todd Salovey
Joel Sass
Scott Schwartz
Stephen Wrentmore
Composers
Michael Roth
Jonathan Snipes
Choreographer
Wendy Seyb
Music Director
David Caldwell
Fight Directors
Adriano Gatto
Brent Gibbs
Designers
Actors
Beowulf Boritt
Barry Browing
David Lee Cuthbert
Don Darnutzer
Jill BC Du Boff
Kish Finnegan
Mary Folino
Ross Glanc
Sean Healey
Todd Edward Ivins
Marcia Dixcy Jory
Jesse Klug
Andrea Lauer
Bruno Louchouarn
Jason Lyons
Giulio Cesare Perrone
Brian Jerome Peterson
Victoria Petrovich
Todd Rosenthal
Vicki Smith
Ilona Somogyi
T. Greg Squires
Lauren Wilde
Richard Baird
Kevin Black
Craig Bockhorn
John Bolger
Micah Bond
Suzanne Bouchard
Sterling Boyns
Joshua James Campbell
Ali Rose Dachis
Vivia Font
Teré Fowler-Chapman
Marissa Garcia
Heather Lee Harper
Tess Hernandez
Jennifer Hijazi
Hunter V. Hnat
Mark Jacoby
Charles Janasz
Israel Jimenez
Joe Kinosian
Ted Koch
Joseph Kremer
Chelsea Kurtz
Leslie Law
Ezra Letra
Martin L’Herault
Ian Lowe
Reese Madigan
José Martinez
Carli Naff
Isabell Monk O’Connor
Chris Okawa
Brooke Parks
Marc David Pinate
Peter Rini
Remi Sandri
Lauren Schaffel
Steve Sheridan
Herbert Siguenza
Kyle Sorrell
Jeff Steitzer
Paul David Story
Paul Michael Thomson
Kathryn Tkel
Richard Trujillo
Silvia Vannoy
Suzanne Warmanen
Brenna Welsh
Brit Whittle
Dramaturgs
Katherine Monberg
Carla Steen
Danielle Ward
Casting
Calleri Casting
Elissa Myers, CSA
McCorkle Casting, Ltd.
Michael Donovan, CSA
Paul Fouquet, CSA
Movement Coach
Marcela Lorca
Voice and Dialect
Coaches
Lucinda Holshue
David Morden
Jill Walmsley Zager
Stage Managers
Glenn Bruner
Timothy Toothman
Kat West
Understudies
Bryn Booth
Sterling Boyns
Kyle Branzel
Noel Carey
Abigail Grace Harms
David Anthony Hentz
Hunter V. Hnat
Brian Klimowski
Paul Michael Thomson
Silvia Vannoy
Brenna Welsh
Assistant Director
Adin Walker
Associate
Designer
Gregory W. Towle
Assistant Designer
Omar Ramos
Casting Assistant
Richie Ferris
Assistants to the
Stage Managers
Emma DeVore
Carlos A. Lara
Ashley Simon
Assistant to
the Director
Natasha Smith
PHOTO CREDITS FOR PAGE 41: Top Left: Paige Lindsey White in Other Desert Cities. Top Right: Anneliese van
der Pol & Loren Dunn in The Importance of Being Earnest. Middle Right: Kyle Sorrell, Mark Anders, Jon Gentry
& Bob Sorenson in Around the World in 80 Days. Bottom Left: James T. Alfred in The Mountaintop.
Bottom Right: Jessica Skerritt & Company in Xanadu. Photos by Tim Fuller.
40
48
YEARS
OF AWARD-WINNING
THEATRE
ARIZONA’S NATIONALLY-RENOWNED
PROFESSIONAL THEATRE
Special Thanks to I. Michael and Beth Kasser
Season Sponsors
Printer’s Ad
Printer’s Ad
Printer’s Ad
Printer’s Ad
Printer’s Ad
THEATRE INFORMATION
HERBERGER THEATER
CENTER
ACCESSIBILITY SERVICES
The Box Office is located on the
southeast side of the building,
near the corner of 3rd and
Monroe Streets.
The Herberger Theater Center
strives to be accessible to all
patrons. Request special services
when purchasing tickets or
arriving at the theater. Infrared
assistive listening headsets are
available in the lobby. Many
performing companies provide
audio-described performances
for the visually impaired and ASL
interpretation for the hearing
impaired. Call the Box Office for
dates and performance times.
PURCHASING TICKETS
LATECOMER SEATING POLICY
BOX OFFICE INFORMATION
Monday - Friday: 10am to 5pm
Saturday & Sunday: 12pm to 5pm
Evenings: one hour prior
to performance
LOCATION
Tickets can be purchased
in person at the Box Office,
by calling 602-252-8497 or
through our website at
www.HerbergerTheater.org.
All tickets are subject to a
facility fee.
PAYMENT METHODS ACCEPTED
The Herberger Theater Center
accepts cash, personal checks,
American Express, Discover,
MasterCard and Visa.
REFUND POLICY
Refunds are offered for cancelled
performances only.
GROUP & DISCOUNT INFO
Please contact the performing
company for group discounts.
FACILITY INFORMATION
CHILDREN
Children under 3 years of age
are not permitted in the theaters,
unless otherwise specified by
the performing company.
EMERGENCY EXIT NOTICE
Emergency exits are indicated by
the red Exit signs located above
certain doors. Please check the
location of the nearest exit after
you have taken your seat. It may
not be the same way you entered.
RESTROOMS
Restrooms are located in the first
and second floor lobbies between
Center Stage and Stage West.
Depending on the performing
company’s policy, patrons
arriving after a performance has
begun may be asked to wait in
the lobby. At the appropriate
time, latecomers will be escorted
to available seating near the back
of the orchestra or to the balcony,
and may proceed to their ticketed
seats at intermission.
CELL PHONES AND PAGERS
Please turn off all cell phones,
pagers and watch alarms before
entering the theater.
LOBBY REFRESHMENTS
ADDITIONAL SERVICES
VOLUNTEER USHERS
AND TICKET TAKERS
The Herberger Theater seeks
volunteers to serve as ushers
and ticket takers. New
volunteers will attend a tour
and orientation. Volunteer
orientation is held monthly.
For more information, please
call 602-254-7399 x176.
LOST AND FOUND
Please call 602-254-7399 x0
regarding items left at the
Herberger Theater Center.
EMERGENCY TELEPHONE CALLS
Please leave your name and seat
location with our Patron Services
Manager if you are expecting
emergency calls during the
performance, and leave the
phone number 602-254-7399 x0
with your telephone service.
TOURS
The Herberger Theater Center
provides free tours of the facility
by appointment. Call 602-2547399 x197.
Put A Fork In It Catering sells
beverages as well as light and
delicious food items 90 minutes
prior to performances and during
intermission. Bottled water is
the only refreshment permitted
in the theater. During certain
performances, additional
beverages may also be permitted.
Please inquire when purchasing
beverages to determine if they
will be permitted in the theater
for your performance.
PARKING PASSES
To avoid intermission lines, you
can pre-purchase your food
and drinks and have it ready
when intermission begins.
HTC CONTACT INFORMATION
SMOKING
ADMINISTRATIVE OFFICES
Smoking is prohibited in the
Herberger Theater Center. In the
event of smoking onstage, nonnicotine electronic cigarettes or
non-nicotine herbal substitutes
will be used, and a sign will be
posted in the lobby.
602-254-7399
47
Purchase your parking pass
from the Herberger Theater’s
Box Office or online prior to the
performance and park at the
Arizona Center Parking Garage
for only $3.00.
Located at 5th Street & Fillmore.
Valid Monday - Friday from 5pm
to 4am and all day on Saturday
and Sunday.
222 E. Monroe Street
Phoenix, AZ 85004
BOX OFFICE
602-252-8497
Fax 602-258-9521
www.HerbergerTheater.org
GET CONNECTED TO ATC
BECOME AN ATC CIRCLES MEMBER AND
EXPERIENCE THE POWER OF THEATRE
When you’re a circles member: You
go behind the scenes . You enjoy the highest
level of customer service . You interact with
theatre patrons such as yourself . Through
your generous support, you’ll help ATC
produce thrilling and engaging work and
continue our Learning & Education programs .
ANGELS
$25,000 and above
PLAYWRIGHT’S GUILD
$10,000 – $24,999
PRODUCER’S CIRCLE
$5,500 – $9,999
DESIGNER’S CIRCLE
$3,500 – $5,499
DIRECTOR’S CIRCLE
$1,750 – $3,499
For more information visit our website arizonatheatre.org or contact:
Geri Wright, Senior Director of Development | 602-810-0918 | gwright@arizonatheatre .org
Leslie Freed, Director of Development | 520-884-8210 x7301 | lfreed@arizonatheatre .org
CORPORATE AND FOUNDATION DONORS
ATC is proud to acknowledge the following donors who made contributions to the ATC Annual
Fund from July 1, 2013 through April 1, 2015.
$25,000 AND UP
$5,500 – $9,999
$1,000 – $1,749
American Express
Anonymous
APS
Arizona Commission
on the Arts
Cities West Publishing
City of Phoenix
Community Finance Corporation
Holualoa Arizona, Inc.
Jewish Community Foundation
of Southern Arizona
Jim Click Automotive Team
Phoenix Magazine
Phoenix Office of Arts
and Culture
The Diamond Foundation
The Margaret E. Mooney
Foundation
The Shubert Foundation
The Stonewall Foundation
Zazu Pannee Park Regent
BeachFleischman PC
Boeing Co.
City of Tempe
Frances Chapin Foundation
Gammage & Burnham
Lewis Roca Rothgerber LLP
Scottsdale League for the Arts
The Maurice and Meta Gross
Foundation
Tucson Electric Power
Actors’ Equity Foundation, Inc.
Margaret Mellon Hitchcock
Foundation
Nextrio, LLC
Phoenix New Times
Phoenix Suns Charities
PICOR Charitable Foundation
Resolution Copper
The Charro Foundation
The Donald Pitt Family
Foundation
The Molly and Joseph Herman
Foundation
The Phoebe R. and John D. Lewis
Foundation
Tim Fuller Studio
$10,000 – $24,999
Anonymous
Arizona Community Foundation
BMO Private Bank
Downtown Kitchen + Cocktails
Frances Chapin Foundation
Holsclaw Advisory Endowment
Fund
National Endowment
for the Arts
PICOR Commercial Real Estate
Services
Salt River Project
Side By Side Foundation
Syncardia
The David C. and Lura
M. Lovell Foundation
The Stocker Foundation
Tucson Pima Arts Council
$3,500 – $5,499
Anonymous
AGM Container Controls, Inc
Break-Away Tours
City of Glendale
Community Foundation for
Southern Arizona
Cox Charities
Cox Communications
Flagstaff Community Foundation
Kinder Morgan Foundation
Kohl Family Foundation
Providence Service Corporation
Shapiro Family Philanthropic
Foundation
$1,750 – $3,499
Bank of America
Desert Diamond Casino
Enterprise Holdings Foundation
GeoFund
Joseph and May Winston
Foundation
LASSO Corp.
Raytheon Systems Company
Scottsdale Cultural Council
Target Corporation
The Evo and Ora DeConcini and
Thu Family Foundation
The Torosian Foundation
Zuckerman Family Foundation
49
$500 – $999
ACP Computer Services
Russ and Carolyn Russo
Foundation
The Shirley and David Allen
Foundation
The Harold and Jean Grossman
Family Foundation
The Learning Curve /
Susan and Barclay Dick
$250 – $499
ExxonMobile Foundation
Kaizen Education Foundation
Gordon and Betty Moore
Foundation
Palomar Group Clinic, Inc.
Roth Family Foundation
INDIVIDUAL DONORS
ATC is proud to acknowledge the following donors who made contributions to the ATC Annual
Fund from July 1, 2013 through March 1, 2015.
ANGELS
DESIGNER’S CIRCLE
Paul and Alice Baker
Jim and Vicki Click / The Jim
Click Automotive Team
Donald and Joan Diamond
Shirley Estes
Mr. and Mrs. I. Michael Kasser
Dolly and Jim Moran
Marilyn Papp
Frank and Barbara Bennett
In Memory of Dr. Richard D. Call
Bruce and Jane Cole
Dino and Elizabeth Murfee
DeConcini
Bruce L. and Lynne Wood
Dusenberry
Ms. Deanna Evenchik
Norma and Stanley G. Feldman
Catherine “Rusty” Foley
Kate Garner
Michael and Lauren Gordon
Daniel Hagerty and Michael Cook
Donald Henke
Bob and JoAnne Hungate
Rebecca and Sid Johnson
Randy Kendrick
Drs. Steven and Marta Ketchel
Tandy and Gary Kippur
Kevin and Jill Madden
Allan and Alfie Norville
Matthew and Mary Palenica
Jennifer A. Roberts
Herschel and Jill Rosenzweig
Susan P. Segal
F. William Sheppard and
Range P. Shaw
Richard P. Stahl
Mrs. Robert K. Swanson
Robert and Shoshana Tancer /
Tancer Law Firm, P.L.C.
Ann and Van Wolf
Gary Wolff and Sandy Gibson
Linda Wurzelbacher
$25,000 AND UP
PLAYWRIGHT’S GUILD
($10,000 – $24,999)
Anonymous
Mary and Cameron Artigue
Paul and Mary Jan Bancroft
Darryl and Mary Ann Dobras
Bruce and Katie Dusenberry /
Horizon Moving Systems
Joanie Flatt
Roger G. Ford
Bruce and Edythe Gissing
Rob and Laurie Glaser
Scott Kendall Haun
Helen Dyar King Fund
Peggy and Emerson Knowles
Mr. and Mrs. Richard Lehmann
Dr. and Mrs. Robert G. Maxfield
Enid and Michael Seiden
Janos and Rebecca Wilder
PRODUCER’S CIRCLE
($5,500 – $9,999)
Anonymous
Jessica L. Andrews and
Timothy W. Toothman
Bill and Donna Dehn
Dr. Mary Jo Ghory
Babs and Jay Glaser
Davina Glaser
David Ira Goldstein and Michele
Robins Goldstein
Paulette and Joe Gootter
Judith Hardes
Bill Lewis and Rick Underwood
Humberto and Czarina Lopez
David Mackstaller and Lyn
Papanikolas
Elyce and Mark Metzner
Jack and Becky Moseley
Slobodan Popovic and Janie Shapiro
Mary Beth and Gerald Radke
Jeffrey, Susan, Sara, and James Rein
Drs. Helen and John Schaefer
James Wezelman
Michael Willoughby
($3,500 – $5,499)
DIRECTOR’S CIRCLE
($1,750 – $3,499)
Anonymous
Roberta Aidem
Affinity Eye Care /
Dr. Robert Mulgrew
Peter Akmajian and Colleen Cacy
Mary and Todd Anderson
Alan and Char Augenstein
Christine and John R. Augustine
Mr. A. Frederick Banfield and
Ms. Eileen M. Fitzmaurice
Denice Blake and John Blackwell
Betsy Bolding held at the
Community Foundation of
Southern Arizona
Connie and Rodney Boorse
Dr. Jose M. and Mrs. Frances
A. Burruel
50
Robert and Nancy Clark
Ginny Clements
Jacklyn Connoy and
William Maguire
Len and Doris Coris /
Watermill Financial
Bob and Vanne Cowie
Mark and Julie Deatherage
Don and Jonae DeLong
Michael and Geri DeMuro
Martha Durkin
Marc and Margaret Erpenbeck
Fractured Earth Tile & Stone /
Elizabeth Miller
Leslie Freed
Ellis F. Friedman and
Irene Stern Friedman
Ted and Barb Frohling
Harry and Lois Garrett
Harry George and Cita Scott
Gail and Patric Giclas
Ellyn and Jeff Gold
Charles and Laurie Goldstein
Dr. Robert W. Gore
Jeff Guldner
Leslie Hall and Ted Jarvi
Hazel Hare
William and Theresa Hawgood
Elliott and Sandra Heiman
Dan Hennessee
Jeanne and Gary Herberger
Joseph Huang and Karen Rigby
Kay Juhan
Martha and George Kellner
Don Klomp
Drs. George and Maria Knecht
Ruth and Ronald Kolker
Drs. Paul and Mary Koss
Toby and Matt Lehrman
Tracy and Michael Levy
Lithe Technology
Leroy Littleton
Stacy and Susan Litvak
Lori Mackstaller, M.D.
Nora and Phil Mazur
Richard and Yvonne Morris
Deborah Moss and Stephen Collins
Helen and John Murphey
Linda and Fred A. Nachman
Don and Peg Nickerson
Dr. and Mrs. Charles W. Otto
Mr. Sydney Pearl and
Dr. Judy Balan Pearl
Ben and Sally Perks
Linda “Mac” and Russ Perlich
Jennifer A. Roberts
Toby and Michael Rozen
Ken and Judy Ryan
Printer’s Ad
Printer’s Ad
Printer’s Ad
INDIVIDUAL DONORS
DIRECTOR’S CIRCLE
CONTINUED
($1,750 – $3,499)
Dina Scalone-Romero
Dr. and Mrs. Sanford H. Roth
Lewis and Suzanne Schorr
Steve and Shelly Silverman
Daniel J. and Evelyn G. Simon
Susan S. Small
Dawnelle and Ronald Spaulding
Rica and Harvey Spivack
Phyllis and Richard Stern
Robert and Shoshana Tancer /
Tancer Law Firm, P.L.C.
Melissa and Robert Taylor
Mr. and Mrs. Don Underwood
David and Dawn Veldhulzen
Barbra Vogen
Dr. Richard and Madeline Wachter
Russell and Kay Weed
Richard and Nancy Weiss
Nancy and Jeff Werner
Mark and Taryn Westergaard
Allan and Diana Winston
Enid and Mel Zuckerman
BACKERS
($1,000 - $1,749)
Anonymous (4)
Loren and Darla Acker
Judy and Rory Albert
Ms. Kathy Alexander and
Mr. Paul Lindsey
Becky and Doug Pruitt Family Fund
Susan Berg
Bill and Barbara Bowermaster
Ed and Arlene Cohen
Jan Copeland
Judie Cosetino
Ronna Fickbohm and Jeff Willis
Ms. Carol Fink
Pamela Frame
Todd Franks and Nancy Bodinet
Drs. Margot W. and J.D. Garcia
Becky and Dave Gaspar
Mr. and Mrs. James J. Glasser
Laurie and Chuck Goldstein
Jon and Erika Grasse
Ms. Pamela Grissom
Jennifer H. Gross and Jerry LeFevre
Jeff Guldner
Sarajean Harwood
Stephen and Amanda Heitz
Peggy M. Hitchcock
Ed and Sandra Holland
Judy and William Jenney
Nathan Joseph
Robyn Kessler and Jeff Timan
Carol and Foster Kivel
Janice and Al Kivel
Carole and Rich Kraemer
Eileen and John Lamse
Rob and Jenni Leinbach
Helaine Levy and Steve Alley
Phoebe and John Lewis
Sam and Judy Linhart
Edith E. Luty
Anne and Ed Lyman
Phil and Carol Lyons
Courtney Mc Eniry
Ms. Elsa McTavish
Dorothy and Roy Mayeske
Tom and Marilyn Merryweather
Jeffrey and Barbara Minker
Rosanna Miller
Dr. James E. Nation
Pat and Wayne Needham
Jordan and Jean Nerenberg
Shelley Jo Pozez and Bill Holmes
Sandra L. Rausch
Drs. Adib and Vivi Sabbagh
Michael and Enriqueta Salvo
Samloff Family Fund
Mary and Heliodoro Sanchez
Marc and Deborah Sandroff
John Usher Sands
Claire and Henry Sargent
Ms. Judith Seinfeld
Cathy Shell
Ralph and Ingeborg Silberschlag
Mary P. Sullivan
Mr. and Mrs. Richard Tofel
Mollie Trivers and Shelley Cohn
Gerald and Linda Tumarkin
D. Rae Turley
Mr. Richard K. Walker
Ronald and Diane Weintraub
Mary and Robert Wolk
Ruth Zales and Kenneth Greenfield
PATRONS
($500 - $999)
Anonymous (5)
Sandra L. Abbey
Dwight and Amy Adams
Susan and Larry Allen
Corbett and Pat Alley
Kate and Dabney Altaffer
Arlene and Morton Scult
Philanthropic Fund
Susan and Gregory Ash
Lee and Gay Ashton
Bob and Judy Atwell
Mary Ellen and Emery Bartle
Richard and Ann Bates
Mathis and Barbara Becker
Bill and Barbara Bickel
54
Mr. and Mrs. Edwin L. Biggers
Kay Bouma
Susan and Brian Boylan
Martha V. Brightwell
Shirley and Roland Calhoun
Tyna Callahan and Dimitri
Voulgaropoulos
Neal and Sally Cash
Paul and Vicki Chandler
Shirley J. Chann
Amy Charles and Steve McMillan
Paul and Susan Charlton
Kris and Earl Cohen
Steven Cohen and Michael Godnick
David and Susan Cone
Ms. Cheryl Convery
Mr. and Mrs. Duane Cote
Harlan and Gayla Crossman
Alicia and Jon Crumpton
Shawne F. Cryderman
Mr. and Mrs. William Cullen
Barbara and John Cummings
Marjorie and George Cunningham
Mr. and Mrs. William H. Dantzler
Leslie Dashew and Jack Salisbury
William DiVito and
Mary Jo Sheldon-DiVito
Gail E. Dunlap
Dennis Emond
Annette Everlove and
Michael Johnson
Dr. and Mrs. John H. Finley
Helen V. Fisher
John and Louise Francesconi
Wendy Gamble and Carl Kuehn
Ann and Arthur Goldberg
Donita Gross
Jerome and Anita Gutkin
Andy and Sara Gyorke
Rita C. Hagel
Ms. Athia Hardt
Drs. John M. and Robin B. Harris
Kathy Haun, The Haun Family Trust
Michael and Phyllis Hawkins
John L. Hay and Ruth M. Murphy
Les and Suzanne Hayt
Pat and Jack Hemann
Susan E. Hetherington
Tom and Sandy Hicks
Sharon and Jesse Hise
J. Hufford-Jensen and G. Kroening
David and Lori Iaconis
Abe J. Jacob
Karen and Chuck Jonaitis
Ms. Leianne Jones
Valerian and Mira Kaplan
Gary and Lee Ana Kains
Sandy and Rick Kauffman
Mr. and Mrs. Joseph Kendhammer
Raymond Kemp and Rick Douglas
INDIVIDUAL DONORS
PATRONS CONTINUED
($500 – $999)
Gabrielle Klein
Mr. Robert Knopf
Bill and Linda Knox
Jami Kozemczak
Mr. and Mrs. Donald Laidlaw
Linda Lambert
Bob and Sherrie Lane
Anne Leary and Bill Hemelt
Marianne and Bill Leedy
James K. LeValley and
Nancy Philippi
Dr. Alan Levenson
Dr. and Mrs. Marc Levison
Sharon Lewis and Mayor Shanken
Herb and Nancy Lienenbrugger
Elaine Litvack
Roy Loewenstein
Jennifer Lohse and Jason DiPizzo
Peter and Suzan Makaus
Gregory and Emma Melikian
Richard and Kathryn Merkel
Darrel and Ann Merwin
Merrily and Bob Metzger
Mr. Gary Molenda
Essie and George Nadler
Marlys and David Nelson
Caren and Thomas Newman
Parviz Nikravesh and
Agnes Stahlschmidt
Leslie Nixon and Barry Kirschner
Mr. and Mrs. Michael Ore
Bill and Kathie Peterson
Marilyn M. Prince
Will Rapp and Kathy Kolbe
Charles and Linda Redman
Lynda and Ed Rogoff
George and Bobbe Rosenberg
David and Sonja Saar
Suzanne Samuels
Annette and Bob Sandler
Vance, Louise and
Camille Saunders
Dr. J.M. Santiago and
Ms. Janice Catt
Dr. Frances Schulter-Ellis
Paul and Jacqueline Schulz
Edward and Robyn Schwager
Dr. and Mrs. Fred Schwartz
Mr. and Mrs. Marc Schwimmer
Dr. and Mrs. J. F. Seeger
Dr. William and Joanne Sibley
Drs. David Siegel and
Linda Riordan
Raj Sivananthan
Mr. and Mrs. Ken Skotak
Richard Snodgrass and
Merrie Brucks
Lin and Bob Spangler
Darryl and Helen Stern
Dan and Jill Stevenson
Doug and Jean Stuart
Morton and Nina Susman
Mrs. Susan and Mr. Glyn Thickett
Hugh and Allyn Thompson
Stephen and Susan Thompson
Bruce and Catherine Uhl
David and Nancy Ulmer
Bob and Emily Vincent
Barbara and John Walker
Steve and Linda Wegener
Bernie and Libby Weiner
Maggie White
FRIENDS
($250 – $499)
Anonymous (7)
Daniel and Audrey Abrams
Vicki and Jerry Alpert
Julia and Neal Armstrong
Lee and Gay Ashton
Eva and Martin Bacal
Carole and John Backstrom
Emery and Jackie Barker
Mr. and Mrs. Robert Barnes
Bret and Mary Batchelor
Char and Gerry Bates
Trig Batten and Bill Henry
John Bechman
Dr. Cash and Susanne Beechler
Tony Beram
Bill and Kathleen Bethel
Elizabeth Beyrer and Fred D’Angelo
Phylis and Gary Bolno
David and Bonnie Bickford
Chuck and Sandy Bonstelle
Carla and Chuck Borkan
John Bowers
Sharon and Barry Briskman
Diane and Donald Bristow
Corrine Brooks
Ms. Martha Brumfield
Vivian Bruns
Gene and Jeanne Bryan
Herb and Sylvia Burton
Ralph H. Byerly
Mr. and Mrs. John Carhart
Margaret Chrisman
Elaine and Sidney Cohen
Ms. Joyce Cohen
Beth A. Cooper
Mr. and Mrs. James Coyle
Joan Coyne
Ronald & Vic Crowe
William and Saucy Cutlip
Susan Dale
Sandra and Anthony Dalessandro
55
Thomas Delgado
Mr. Philip G. Derkum
Peter DeLuca
Stephen and Ruth Dickstein
Mr. Tom Dinwiddie
William DiVito and Mary Jo
Jan and Leo Dressel
James Eichman
Michael R. Elert and
Dr. Honora A. Norton
Lee and Spencer Elliott
Tim and Susan Ernst
Mario and Elaine Espericueta
Kish Finnegan
Nancy and Richard Fintzy
Ms. Mary Jo Fitzgerald
Ms. Tay Fitzgerald
Sarilyn and Sherman Fogel
Cindy Foley
Brian Folkes
Denise Andre Ford
Drs. David William and
Virginia Ramos Foster
M. Fowler
Michael and Mary Fox
David and Cathy Freedman
Carol and Paul Gerlach
Gary and Gini Gethmann
M. Joyce Geyser
Mrs. Linda G. Golburgh
Muriel and Marc Goldfeder
Dr. Gerald Golner
Stephen Gottlieb and Laura Penny
Robert and Judi Gottschalk
Nancy and Thomas Green
Alan and Ann Grove
Mary L. Haddad
Diane Haller and Steve Betts
Michel Hamant, M.D., and
Lynnell Gardner, M.D.
Kenneth and Marian Handy
Monica and Jim Hart
Pamela and Stanley Hart
James and Victoria Haskins
Mr. and Mrs. Jerrold Hatcher
Alma Haywood
Susan B. Hazan and Michael T. Burns
Frederick C. Henning
Dr. and Mrs. Arthur L. Herbst
Sherry Heyman
Mr. and Mrs. William Hicks III
Greg and Marcia Hilliard
Ms. Michele Himovitz
Harriet and Robert Hirsch
Marsha and Sid Hirsh
Marjorie Hoffman
Dr. Arnold and Carol Hollander
Helen Holliday
Ms. Pamela Horner
Ms. Nancy Howell
INDIVIDUAL DONORS
FRIENDS CONTINUED
($250 – $499)
Mr. Robert Huber
John Irby and Norizan Osman
Gary Israel
Dr. Leo M. Jacques
Frank and Caroline Jank
Helen and Robert Jennette
Leonard and Marcelle Joffe
David Hoyt Johnson
Kim Johnson
Bob and Susan Johnstone
Mr. Bill Jones
Marcia Jones
Mr. and Mrs. Robert Jones
Hy Kaplan and Sue Vardon
Mr. and Mrs. Gerald Karches
Ms. Juliana Kasper
Sandra B. Katz, MD, JD and
D. Stephenson
Pam and Charles Katzenberg
David and Lisa Keene
Allan and Carol Kern
Darrell and Susan Kidd
Ms. Susan Kidd
Bruce Kilbride and Lynn Krabbe
Susan and Carlton King
Jay and Barbara Kittle
Don and Susan Kjerland
Donald and Marsha Klein
Susan Knowlton and Don Bourque
Karen and Sherwin Koopmans
Jessica and Steve Kozloff
Bobbie and Ted Kraver
Lynne Lagarde
Arvie and Karen Lake
Nancy J. Lamphere
Sally Lanyon
Drs. Arlyn and Joyce Larson
Lynne C. Larson
Leslie Latham and Lou Kahn
Jim and Gloria Lawrence
Philip and Ellen Leavitt
Mr. and Mrs. Robert Lebby
Mr. John Leonardo
Bertie Levkowitz and Thomas Herz
Mr. and Mrs. Matthew Madonna
Martin Mannlein and
Barbara Stern Mannlein
Mr. and Mrs. Thom Mansur
Mike Martin
Alice Mason
Rudy and Maria Mathews
Mr. and Mrs. Stanley Matlick
Alan S. and Judi E. Max
Skip and Barbara McCarthy
Andy McKnight
Delos D. McKnight
Lynda Menis
Jean and Walt Merkel
Valla Merriman
Debra and Jeffrey Messing
Fred and Joyanne Mills
Joe and Michelle Millstone
Mr. and Mrs. George Mink
Jacque L. Montrose
Ms. Frances Moore
Phyllis and Harold Morgan
Melvin E. Mounts
Shirley G. Muney
Mr. and Mrs. Chuck Munson
Mrs. Connie Myren
Dana and Rick Naimark
Carl and Carolyn Nau
Susan and James Navran
Dr. Janko Nikolich-Zugich
Ms. Leslie O’Hara
Marilyn V. Olander, Ph.D.
Paula and Carl Olson
Betty Olwin
Mr. Jones Osborn, II
John Parente
Roger and Lori Peck
Martha and Terry Allen Perl
Julia Pernet
Jeanne Pickering and
Mike Andrew
Ms. Linda Piele
Mr. Herbert C. Ploch
Jeanne Porter
Robert and Sheila Press
Robert Davis and
Lourdes Ramonet
John and Jennifer Reid
Mr. and Mrs. Eugene R. Rice
Roger and Janet Robinson
Mr. and Mrs. James Ronstadt
Herbert and Laura Roskind
Kent and Barbara Rossman
Arnold and Carol Rudoff
Mr. and Mrs. Richard Rundle
Jennifer and Charles Sands
Kirk Saunders
Bart and Marcella Schannep
Tom and Chris Schatzman
Alred and Doris Schiller
Dr. and Mrs. Harry Schlosser
Rita and Steven Schlosser
Jerusha and Marc Schmalzel
Mr. and Mrs. S.L. Schorr
Trisa and Andy Schorr
Lyle and Gail Schultz
Susan and Ford Schumann
Jon and Maria Schwarz
Olivia and Dev Sethi
56
Robert Sheely
Jim and Hazel Shuttleworth
Marvin Siegel and Eileen Bloom
Steve and Anita Slaughter
John and Phyllis Smiley
Lois and Lowell Sorenson
Bradley and Loretta Sowers
Mark and Gloria Spies
Linda Staubitz
Claire Steigerwald
Mr. and Mrs. David J. Sterle
Randy Sterna
Richard and Marie Stewart
Ms. Dana Stout
Teri and Don Sullivan
Mr. Matthew Sweger
Jay Sykes
Philip and Mary Taylor
Robert and Beth Taylor
Dr. N. Thomas and
Ruth R. Debevoise
Anne and Steve Thomas
Neil and Marge Thornton
Nina Trasoff and Rodney Jilg
James and Vivian Ullman
Joan Vandevoort
Tony and Rita Vickers
Carol Vivona
Charles and Ruth Waldron
Linn and Karen Wallace
John and Connie Nygaard Wareing
Susan Watchman and
Terry Corbett
Mr. and Mrs. Gregory S. Waterfall
Ronald and Mary Weinstein
Mrs. Virginia A. Weise
Richard and Stephanie Weiss
Jan Wezelman
Willard W. White
Mr. and Mrs. Preston Whitt
Ms. Karin Williams
Mr. and Mrs. Peter Woods
Pennie DeHoff and Larry Wurst
GIFTS IN MEMORY OF
Charles Artigue by Gammage &
Burnham, Richard B. Burnham,
F. William Shepard and Range
P. Shaw, Curtis and Paula
Ullman, Susan Watchman and
Terry Corbett
Charles Artigue and Richard
Segal by Bill Sheppard
Ms. Beryl Beville by Matthew
and Jo Ann Madonna
Dr. Richard Call by
Mrs. Susan M. Call
INDIVIDUAL DONORS
GIFTS IN MEMORY OF
CONTINUED
Bob Cauthorn by John and Laura
Almquist, Jessica L. Andrews
and Timothy W. Toothman,
Barbara Atwood, Alice and Paul
Baker, Patricia Ballard, Deanna
and Robert Bates, Jill Bishop,
Betsy Bolding, Neal and Sally
Cash, Shirley J. Chann, Len and
Doris Coris, Edward Gentile and
Deborah Rosenwald, Rob and
Laurie Glaser, David Ira
Goldstein and Michele Robins
Goldstein, Pamela Grissom,
Naomi and Gene Karp, Shirley
and Jim Kiser, Trudy Kohl, Clyde
W. Kunz and Brian L. Arthur
George Loesch and Friends at
Intersate General Media,
Jennifer Lohse, David
Mackstaller and Lyn
Bob Cauthorn by Papanikolas,
Robert Marshall, Sandy and
Robert Maxfield, Brent Pichler,
Judith Rich, Jill and Herschel
Rosenzweig, Robert Strauss,
Lisa Ungar, Patricia H. Waterfall,
Jan Wezelman and David
Bartlett, Ruth Zales and Ken
Greenfield, Enid and Mel
Zuckerman
Rudy Cosentino by Judie Cosentino
Dan Davis by F. William
Sheppard and Range P. Shaw
Adele Furman by Ina and
Ian Shivack
Armen Dermen by Col. Mary
Pat Sullivan
Allan Glaser by Jessica L.
Andrews and Timothy W.
Toothman, Alice and Paul
Baker, I. Michael and Beth
Kasser, Robyn Kessler and Jeff
Timan, Lynn and Mark Thomas
Rose Gottlieb by James Erikson,
Joanne Adams, Jean and
Marvin Glassberg, Shigeko and
Ke Hsieh, Lisa Humenik,
Rebecca Hurd, Linda and James
Kastella, Phyllis and Theodore
Katz, Hani and Nora Murad,
Kenneth and Phyllis Myslik,
Wanda and Angelo Petropolis,
Sonja Reinhardt, Nancy and Lu
Rudolph, Robert and Susan
Shrager, Dave Solomon
Chris and Joel Hatfield by Norma
and Stanley G. Feldman
Karl Haytcher by Jessica L.
Andrews and Timothy W.
Toothman, Claudia Vazquez
Bob Hegyi by Raymond Kemp
and Rick Douglas
Dr. Arnold I. Hollander by
Carol Hollander
Mollie Hughes by Diane Tweedy
Anna Jolivet by Jessica L.
Andrews and Timothy
W. Toothman
Renay F. Lehman by Carol Hollander
Elayne Miller by Jan Wezelman
and David Bartlett
Alfena “Alfie” Norville by
Jessica L. Andrews and
Timothy W. Toothman
Mary Katherine Robinson by
Jessica L. Andrews and
Timothy W. Toothman
Michael Schroeder by Raymond
Kemp and Rick Douglas
Richard Segal by Jessica L.
Andrews and Timothy W.
Toothman, Betsey Bayless,
Laura and Terry Bercovitz, Gina
and Rick DeGraw, Norma and
Stanley G. Feldman, Babs and
Jay Glaser, David Ira Goldstein
and Michele Robins Goldstein,
Ellen and Mark Harrison, Luana
and Doug Manning, Patricia
Martin and Timothy Berg,
Charles J. Muchmore and Karen
Nyrop, Nancy and Bruce Oyen,
Michael Parrish and Susan
Davis, Vicki and Scott Ruby,
Michelle and Stan Sparrow, F.
William Sheppard and Range P.
ShawSheryl and Dale Wanek
Trudy Shapiro by Jessica L.
Andrews and Timothy W.
Toothman, Rob and Laurie
Glaser, Slobodan Popovic and
Janie Shapiro
Larry Smith by Frank Davis, F.
William Sheppard and Range
P. Shaw
Nemesio Trevino by Jessica L.
Andrews and Timothy W.
Toothman, David Ira Goldstein
and Michele Robins Goldstein
Alan Wall by Mr. and Mrs.
Gerald Vegodsky
GIFTS IN HONOR OF
Jessica Andrews by Paulette
and Joe Gootter
Betsy Bolding by Rebecca
and David Gaspar
Danielle Faitelson by Karen
and Lionel Faitelson
Stanley Feldman by David
Mackstaller and Lyn Papanikolas
Jay Glaser by Linda Goldburgh
David Ira Goldstein by Karen
and Lionel Faitelson, Paulette
and Joe Gootter
Beth and Mike Kasser by Ruth
and Henry Jacobson, Jill and
Herschel Rosenzweig, Paul
Kraft, Leslie Glaze, Shelly
Silverman, Jody Gross, and
Scott Maizlish
57
Robyn Kessler by David
Mackstaller and Lyn Papanikolas
Randy Kincaid by F. William
Sheppard and Range P. Shaw
Anne Kleindienst by F. William
Sheppard and Range P. Shaw
Seth Kromholz and Gilat
Ben-Dor by Davina Glaser
Clyde Kunz and Brian Arthur by
Jessica L. Andrews and
Timothy W. Toothman
Matt Lerhman by Paulette and
Joe Gootter
Helaine Levy by Len and Doris
Coris, Deanna Evenchik, Norma
and Stanley G. Feldman, Babs
and Jay Glaser, Judi Kessler,
Richard and Sally Lehmann,
Francie Merryman, Anne and
Lowell Rothschild, Anne and Tim
Schaffner, Cristie and Bill Street,
David and Kathryn Unger
Bill Lewis and Rick Underwood
by F. William Sheppard and
Range P. Shaw
Ann Lovell and the Lovell
Foundation by Judith Braun,
Clyde W. Kunz and Brian
L. Arthur
Vincent Lopez and Greg Roller
by Raymond Kemp and
Rick Douglas
Phil Lyon by Elyce and Mark
Metzner
Kevin E. Moore by David Ira
Goldstein and Michele Robins
Goldstein
Jean and Jordan Nerenberg by
Elyce and Mark Metzner
Linda “Mac” Perlich by Kathy
Anne Raymond by Ann Bladwin
Asha and Jason Ricci by Len and
Doris Coris
Anne Rothschild by Norma and
Stanley G. Feldman
Patricia J. Ryan MSW by Terri Hall
Karen Scates by Betsy Bolding
John and Helen Schaefer by Len
and Doris Coris, Norma and
Stanley G. Feldman
Lew Schorr by Shirley J. Chann
Mike and Enid Seiden by
Stephanie Garfinkle
Bill Sheppard and Range Shaw
by Raymond Kemp and
Rick Douglas
Ralph and Ingeborg Silberschlag
by Marilyn Prince
Geri Silvi by Slobodan Popovic
and Janie Shapiro
Sara J. Wich by Anonymous
Ruthie Zales by Marsha Cohen,
Judy and Jay Feldstein
Printer’s Ad
STAFF
David Ira Goldstein
Matt Lehrman
Jessica L. Andrews
Artistic Director
Interim Managing Director
Managing Director Emeritus
ARTISTIC
ARTISTIC ASSOCIATE
Timothy Toothman
COMPANY MANAGER
Ashley Simon
ASST. COMPANY MANAGER
Nicole Smith
LITERARY ASSOCIATE
Katherine Monberg
ARTISTIC &
PLAYWRITING INTERN
Natasha Smith
COMPANY MANAGEMENT
INTERN
Sara Patterson
ADMINISTRATION
PLAYWRIGHT-IN-RESIDENCE
Elaine Romero
LITERARY INTERNS
Kalan Benbow, Skye Westberg
RESIDENT COSTUME DESIGNER
Kish Finnegan
RESIDENT LIGHTING DESIGNER
T. Greg Squires
RESIDENT SOUND DESIGNER
Brian Jerome Peterson
STAGE MANAGEMENT
SCENERY
TECHNICAL DIRECTOR
Matthew Saxton
ASST. TECHNICAL DIRECTOR
Philip Blackwood
STAFF CARPENTERS
Scott Greenleaf, Jason LaFleur
OVERHIRE CARPENTERS
Butch Foley, Matt Murray,
Arthur Potts, Aaron Wheeler
SCENIC CHARGE ARTIST
Brigitte Bechtel
SCENIC ARTIST
Andrea Pratt
STAGE CARPENTER – PHX
Robert Douglass
STAGE CARPENTER – TUC
Russell Long
ACCESSIBILITY
FACILITIES – TUCSON
DEVELOPMENT
SENIOR DIRECTOR
OF DEVELOPMENT
Geri Wright
DIRECTOR OF DEVELOPMENT
Leslie Freed
DEVELOPMENT
COORDINATOR – TUC
Carley Elizabeth Preston
GRANTS MANAGER
Alexis Smith-Schallenberger
COSTUMES & WARDROBE
COSTUME DESIGN MANAGER
Kish Finnegan
DRAPERS
Phyllis Davies
WARDROBE SUPERVISOR
Lisa A. Leonhardt
WIGMASTER
Amanda Gran
FINANCE
DIRECTOR OF FINANCE
& ADMINISTRATION
Carrie Toth
SENIOR ACCOUNTING
ASSOCIATE
Yvette Miranda
ACCOUNTING ASSISTANTS
Debbie Archuleta
Kalyn Scanlan
PRODUCTION STAGE MANAGER LIGHTING
Glenn Bruner
STAGE MANAGER
Timothy Toothman
ASST. TO THE STAGE MANAGER
Emma DeVore
MARKETING
ACCESSIBILITY COORDINATOR
Eileen Bagnall
PRODUCTION
PRODUCTION MANAGER
Jennifer Smith
ASSOCIATE PRODUCTION
MANAGER
Christopher Gerling
PRODUCTION MANAGEMENT
INTERNS
Courtney Stevens,
Jonathan Thompson
ASSOCIATE MANAGING
DIRECTOR
Robyn Lambert
FRONT OFFICE MANAGER
Sara Kavitch
FRONT OFFICE
Pat Boysen, Helen Daniels, Barb
Dominick-Price, Ellen Gurewitz,
Emily Lucas, Susan Tomlinson,
Linda Vogel
LIGHTING SUPERVISOR
T. Greg Squires
MASTER ELECTRICIAN
Timothy Smith
STAFF ELECTRICIAN
Kat Seaton
LIGHT BOARD OPERATOR – PHX
Alexis Raetz
OVERHIRE ELECTRICIANS
Connor Adams, Katelin Ashcraft,
Daniel Black, Rick Holya,
Blue Martin, Dale Nakagawa
THE TEMPLE LOUNGE
MANAGER
Emily Lucas
ASST. MANAGER
Sara Kavitch
CONCESSIONAIRES
Angela Aldrin, Crisi Badke,
Dawn Copps, Alison Doran, Dani
Gifford, Kim Grygutis, Cynthia
Hough, Shannon Lempke, Mariah
McCammond, John McNiece,
Rebecca Smiley, Liz Weibler
SOUND
SOUND SUPERVISOR
Brian Jerome Peterson
ASST. TO THE SOUND DESIGNER
Kenny Erickson
PRODUCTION SOUND ENGINEER
Mathew DeVore
SOUND BOARD OPERATOR – PHX
Billy Lopez
SOUND INTERN
Jason Campbell
PROPERTIES
PATRON RELATIONSHIP
MANAGER
Ron May
MARKETING & COMMUNICATIONS
COORDINATOR – TUC
Erin Treat
MARKETING ASST.
Gary Edwards
MAINTENANCE SUPERVISOR
Horace Ashley
MAINTENANCE TECHNICIANS
David Fitch, Dean Morgan
TICKET SALES &
HOUSE MANAGEMENT
TICKETS SERVICES MANAGER
Geri Silvi
BOX OFFICE MANAGER – TUC
Becca Moore
CUSTOMER SERVICE
REPRESENTATIVES – PHX
Pam Beitman, Linda Scwartz
CUSTOMER SERVICE
REPRESENTATIVES – TUC
Carrie Luker, Michi Yamasaki
TICKET SERVICES
ASSOCIATE – PHX
Debra Field
TICKET SERVICES
ASSOCIATE – TUC
Debbie Archuleta
HOUSE MANAGERS – TUC
Bill Bethel, Sonja Reinhardt
AUDIENCE ENGAGEMENT STAFF
Freda Ganem
CONSULTANTS
HUMAN RESOURCES
Dina Scalone-Romero
AUDITORS
Beach, Fleischman & Co.
MARKETING & COMMUNICATIONS
Crowley Communications
GRAPHIC DESIGN
Esser Design
IT SUPPORT
Team Logic IT
PUBLIC RELATIONS
The Kur Carr Group, Inc.,
SPANISH TRANSLATION
Angelica Delgadillo
LEARNING & EDUCATION
PROPERTIES MASTER
Paul Lucas
PROPERTIES ARTISANS
Katelin Ashcraft
DIRECTOR OF
LEARNING & EDUCATION
Stephen Wrentmore
LEARNING & EDUCATION
MANAGER
April Jackson
LEARNING & EDUCATION
ASSOCIATES
Bryanna Patrick, Luke Young
59
TEACHING ARTISTS
Heidi Barker, Kevin Black,
Emma DeVore, Mathew DeVore,
Christopher Gerling, Athena
Hagen-Krause, Russell Long,
Katherine Monberg, Brian
Jerome Peterson, Andrea Pratt,
Sarah Ross, Kat Seaton, Amy
Shuttleworth, Ashley Simon,
Natasha Smith, Jared Strickland,
Barbara Tanzillo, Amber Tibbitts
Printer’s Ad
Printer’s Ad
Printer’s Ad