27 th November - International Film Festival of India

page 1_Layout 1 11/26/2011 9:25 PM Page 1
23rd Nov - 3rd Dec 2011
DAY 5 | 27th Nov, 2011
IDPA SEES A NEW ERA FOR SHORT AND DOCUMENTARY FILMMAKERS
D
oordarshan is to telecast award-winning and acclaimed documentaries,
short fiction, and animation films at
prime time on Sunday mornings from January 2012, following a Memorandum of Understanding with the Indian Documentary
Producers Association, the oldest organization of documentary and short filmmakers in
the country. The films will be telecast on
Doordarshan’s National Channel and later repeated on DD News, DD Bharati, and the International DD India channel.
This was stated by IDPA President Mike
H Pandey who emphasized that while priority will be given to members of IDPA, the slot
would be open to all documentary and short
filmmakers. The programmes will be acquired/commissioned by IDPA from independent producers. The aim was to promote
the independent documentary film movement
in India, and empower independent producers
to work up to the best international standards.
The MoU signed for a period of five years
has been facilitated by I&B Minister Smt Ambika Soni. Mike said IDPA was a knowledge
Veena Bakshi, Mike Pandey, Sanskar Desai and Lygia Mathews
partner with the Ministry to promote short and
documentary films and would also promote
the non-feature films in the Indian Panorama.
The IDPA is also in talks with the Ministry
to get a dedicated documentary television channel, and for reduction of duties on equipment,
since documentaries are a tool for education. All
channels should carry documentary slots part of
their corporate social responsibility, he added.
The slot of twenty minutes of documentary in cinema halls is also being revived
soon. The IDPA hard approached the Plan-
Research is the body and soul of filmmaking
R
esearch is the body
and soul of good cinema, and documentary films in particular cannot
be made without in-depth
study of the subject.
This was the general consensus at the Open Forum on
the ‘Role of Research in filmmaking’. However, the speakers regretted that most makers
of the commercial cinema did
not bother about research if
they had good stars.
Filmmaker Anwar Jamal
whose film Dil ki Basti mein
is in the Short Film Center
said: ‘Originality needs sensitivity and research.’ But this
is often ignored if market
forces dictate terms or the star
value takes over. In documentaries, he said research has to
be authentic and in-depth.
Filmmaker Ramesh Tekwani who also moderated the
Film Analyst, Ketan Dewan addressing at the Open Forum
discussion said ‘pure enjoyment gets substance if there is
adequate research’ and gave
examples of popular films
that fail because of bad research. Research should not
be confined to the subject of
the film, but should also be
about public perception.
Film analyst Ketan Dewan
said a filmmaker may have a
gut feel about the subject of
his film, but it will come
crashing down if there is no
research. A good film works
from the theme selection to
the marketing stage. Content
cannot be limited by bound-
aries and so research has to be
such that the film is understood by all. He added that
the media has a major role to
play through reviews, just as
social networking also can
make or mar a film.
Jan Tilman Schwab, who is
a film historian from Germany, said he had found films
on football in every continent
when he set out to do his research and finally produced a
book which is over 1000
pages long. The same kind of
diligence is needed in research
for making films, he said.
Mr U Radhakrishnan of
the FFSI said that early filmmakers in India did not have
to do much research because
their works were based on
mythology, but this had become very essential in the
present-day cinema.
- B.B. Nagpal
SOCCER & CINEMA SPEARHEADS SPORTING AND CULTURAL TIES
B
razil's(first female ) President
Dilma Rousseff has signed a decree abolishing taxes on cinematic co-productions between the two
countries. That's not all. In a judicious
blending of sports and culture, Brazilian
film-makers, in tandem with their sports
admins, will delight Goan enthusiasts of
the game with fancy footwork and training from the Latin American country's
football stars and coaches.
Disclosing this at a press meet yesterday, Luis Henrique Severiano Riberio
Baez, producer of "Mario Filho:The Creator of Crowds" said that this would be
part of "a series of exchanges between
Brazil, Goa and India."Goa is being
given most favored status because it is,
like Brazil and Argentina, football crazy.
Kerala too will be part of this favored set
and its football enthusiasts will also get
the opportunity to be coached by Brazilian trainers.
cultural elements define it,asserts "football brings people together. Football is
being spread by globalization."
Pressed by this correspondent, Roubio
concedes there is "some violence" at
matches (in Europe), but “this really has
nothing with the game; it is an undesirJuan Pablo Roubio, Luis Henrique Severialo
able commercial development."
Ribeiro Baez and Oscar Maran Filho
A special package called “Soccer in
Before the special soccer camps get Cinema " is being screened for the first
underway, a fest of the Soccer and Film time ever at IFFI) venue: the Campal Footpackage screened at the ongoing 42nd ball Grounds) giving Goans (and IFFI delIFFI will travel to Kerala in January.
egates) an intimate look into a beloved
Baez and Oscar Maron Filho, a jour- sport that reverberates far beyond the
nalist and director of "Mario Filho:The pitch. The segment's showcase includes
Creator of Crowds" are at IFFI and with, More Than Just a Game (South Africa)
Juan Pablo Roubio, Director of " Argentina and Zidane: A 21st Century Portrait
Futbol Club " are united in their desire to " (France) A Barefoot Dream (South Korea)
enhance cultural relations, learn about In- - directed by Kim Tae-gyun and Foot of
dian movies and the Indian film market and God (Italy) directed by Louis Sardiello
collaborate on co-productions."
and The Best Women in the World (GerRoubio whose film decodes the soc- many) -directed by Britta Becker.
cer identity in Argentina and which socio
-- Ronita Torcato
ning Commission to raise the budget of the
Films Division for commissioning films.
IDPA General Secretary Sanskar Desai
said the Association also presents awards annually to the best documentaries and short
fiction films made in the country. A total of
seventy-two films have won Gold, Silver or
Certificate of Merit in 26 categories ranging
from documentaries, short fiction, animation
and special theme films presented for 2010.
The IDPA has been in regular collaboration
since its inception with the Mumbai International Film Festival for shorts; documentary
and animation films organized by the Films
Division, the Short Film Center at IFFI, and
the Chhota Cinema that helps promote the
documentary movement.
The IDPA is one of the oldest film associations to be set up as a trust way back in
1956, guided since its birth by a galaxy of
member filmmakers and producers from
Satyajit Ray, Paul Zils, Shyam Benegal,
Saeed Akhtar Mirza, Manmohan Shetty etc.
who started their careers with short films.
- B.B. Nagpal
TRISHNA IS A FILM
CLOSE TO MY HEART FREIDA PINTO
D
uring the press conference, at the outset,
Shankar Mohan, Director-IFFI, introduced
the director of the film -- Michael Winterbottom and actress Freida Pinto, who plays the role
of Trishna. Freida Pinto, who plays the role of protagonist of the movie “Trishna” said that “Trishna”
is a film which is really close to her heart and she
found it emotionally satisfying to be associated with
it. She said that the storyline gave her an opportunity to discover her acting skills.
Freida Pinto, Michael Winterbottom and Shankar Mohan
Freida said “I did not feel any embarrassment
while shooting this film because this was the strong
requirement of the script”. When asked whether the
film had given her any mileage, she said that she
has gone ten steps ahead in terms of her performance.
Michael Winterbottom said that the movie was
based on Thomas Hardy’s classic novel Tess of the
D’urbervilles and set out to tell the story of a
woman whose life was destroyed by a combination
of love and circumstances. Michael said that he had
met Freida in London for the first time and chose
her for the role of Trishna, which represents a classic Indian Woman with contemporary sensibilities.
He felt that nobody could have played the role of
Trishna as perfectly as Freida did and he was very
happy to note that she was a part of the project.
Michael Winterbottom said that Trishna will be released in March-April next year.
Freida said that it was her second Indian Film,
the first being Slum Dog Millionaire. Speaking
about her future projects, Freida Pinto said that a
few of her projects were in the pipeline and she
looked forward to work in more Indian films. When
asked, whether she will like to work in a Bengali
Film, she replied very enthusiastically, “Yes. I love
Bengali Cinema very much”.
-- Satinder Mohan
PAGE 2_Layout 1 11/27/2011 12:30 AM Page 1
2
November 27 2011
TOday’S ScReeNINg SchedUle
INOX ScReeN I
08.30 A.M.
11.00 A.M.
02.00 P.M.
04.30 P.M.
07.00 P.M.
10.00 P.M.
REVENGE:A LOVE
STORY
ONE.TWO.ONE
WHAT LOVE MAY
BRING
HOW BIG IS YOUR
LOVE
THE PRECINCT
(SAHE)
SMALL TOWN
MURDER SONGS
Dir. Ilgar Safat
Azerbaijan/2010/
117 min./Col.
(CW)
Dir. Ed Gass-Donnelly
Canada/2010/
75 min./Col.
(CW)
Dir. Mania Akbari
Iran/2011/86 min./Col.
(CW)
Dir. Wong Ching-Po
Hong Kong/2010/91
min./Col. (CW)
(CES AMOURS-LA)
Dir. Fatma Zohra Zamoum
Dir. Claude Lelouch
Algeria/2011/98 min.
France/2010/120 min./Col.
(CW)
(CW)
INOX ScReeN II
10.00 AM
COMPULSORY
HELL-MATE
(IP-NF)
Dir. Mithunchandra
Chaudhari
Marathi/10 min./Col.
12.30 PM
3.30 PM
6.00 PM
8.30 PM
HOMAGE – SAMIR
CHANDA
RED BUILDING WHERE THE SUN
SETS (IP-NF)
THE BOXING
LADIES
THE FINISH LINE
(IP-NF)
Dir. Kalpana Lajmi
Hindi/1992/128 min.
Dir. Revathy
English/Tamil/17
min./Col.
(IP-NF)
Dir. Anusha Nandakumar
Hindi/26 min./Col.
Dir. Akshay Roy
Hindi/English/26 min./Col.
RUDALI
SAHI DHANDHE
GALAT BANDE
TRAFFIC (IP-F)
Dir. Rajesh Pillai
Malayalam/116 min./Col.
(IP-F)
Dir. Parvin Dabas
LAPTOP (IP-F)
A D A M I N T E
MAKAN ABU (IP-F)
Dir. Kaushik Ganguly
Bengali/124 min./Col.
06.00 PM
Dir. Salim Ahamed
Malayalam/113 min./Col.
ADAMINTE
MAKAN ABU
INOX ScReeN III
09.00 A.M.
11.30 A.M.
02.30 P.M.
05.00 P.M.
Homage–Sidney Lumet
CIRCUMSTANCE
THE QUIET
AMERICAN
NATIONAL ALLEY
NETWORK
Dir. Maryam Keshavarz
Dir. Sidney Lumet
France/USA/Iran/2011/107
USA/1976/121 min./Col.
min./ Col.
(FK)
Dir. Mehrshad Karkhani
Iran/2011/82 min./Col.
(ACA)
Dir. Phillip Noyce
Germany/USA/2002/
101 min./Col.
(PN Retro)
07.30 P.M.
10.30 P.M.
MY AUSTRALIA
THE CHILEAN
BUILDING
Dir. Ami Drozd
Israel/Poland/2011/1
00 min./Col.
(ACA)
(EL EDIFICIO DE LOS
CHILENOS)
Dir. Macarena Aguilo,
Susana Foxley
Chile/France/
INOX ScReeN IV
09.15 A.M.
11.45 A.M.
THE MIRROR
(ZERKALO)
02.45 P.M.
05.15 P.M.
07.45 P.M.
THE STORY OF
JOAN OF ARC
KING’S ROAD
(KONGAVEGUR)
SHINE A LIGHT
Dir. Luc Besson
France/1999/148
min./Col.
(LB Retro)
Dir. Valdis Oskarsdottir
Iceland/2011/99 min./Col.
(ED)
(LE GRAND BLEU)
Dir. Luc Besson
France/USA/ITALY/
1988/
132 min./Col.
(LB Retro)
THE MESSENGER:
Dir. Andrei Tarkovsky
Russia/1975/102 min./Col.
(RC)
09.15 AM
Dir. Martin Scorsese
USA/2008/122
min./Col.
(MA&F-AW)
THE BIG BLUE
THE MIRROR
maQUINeZ 1
09.30 A.M.
THROUGH THE
YOUNG EYES
CHARAN DAS
CHOR
Dir. Shyam
Benegal
India/1974/155
min./B&W
12.00 P.M.
3.00 P.M.
CLASSICS FROM MASTER CLASS
TAGORE
RESUL
CHARULATA
Dir. Satyajit Ray
Bengali/1964/117
min.
POOKKUTTY
Weaving the
Magic of Sound
in Cinema
05.30 P.M.
8.00 P.M.
DEBUT INDIAN SHORTS
AT COURT METRAGE
RETROSPECTIVE –
K BALACHANDER
Dir. Rabbit Sack C Music.Silent/2011/6 min.
CIA
THANNEER
THANNEER
Dir. Prabhu B. Doss, Tamil/2011/6 min.
Dir. K Balachander
Tamil/1981/143 min./Col.
YAMAGANDAM
MOMBATTI
Dir. Puneet Prakash Hindi/2011/22 min.
CHAAYA
Dir. V K Subhash Malayalam/2011/29 min.
AMMA
Dir. M. Prabhaharan Tamil/2011/35 min.
5.30 PM
CHARULATA
Kala academy
09.30 A.M.
12.00 P.M.
3.00 P.M.
05.30 P.M.
8.30 P.M.
10.15 P.M.
MY WEDDING AND
OTHER SECRETS
CHICO AND RITA
BONSAI
RESTORATION
Dir. Tono Errando, Fernando Trueba, Javier
Mariscal
Spain/2010/94 min./Col.
(SOS)
Dir. Cristian Jimenez
Chile/France/2011/
92 min./Col.
(CW)
(BOKER TOV, ADON
FIDELMAN)
Dir. Joseph Madmony
Israel/2011/105
min./Col.
(IC)
THE REDEMPTION OF
GENERAL BUTT NAKED
Dir. Daniele Anastasion, Eric
Strauss
USA/2011/85 min./Col./
(DWD)
THE TRUTH OF LIE
Dir. Roland Reber
Germany/2011/90min
/Col
Dir. Roseanne Liang
New Zealand/2011/
120 min./Col.
(CW)
CW
ED
FK
IC
SOS
:
:
:
:
:
Cinema of the World
Euro Discoveries
Festival Kaleidoscope
International Competition
Sketches on Screen
DWD
: Documentaries with a Difference
TD
: Third Dimension
RC
: Russian Classics
LB Retro : Luc Besson Retrospective
PN Retro: Philip Noyce Retrospective
SOP : Spotlight on Polish
ACA : A Cut Above
MA &F-AW: Music Arts and Films - The American
Way
IPR : Indian Premier
IP F : Indian Panorama (Feature)
IP-NF : Indian Panorama (Non Feature)
*: without English subtitles
PAGE 3_Layout 1 11/26/2011 9:26 PM Page 1
3
November 27 2011
The Truth of Lie is food for soul -- Marina Anna Eich
T
he German film The Truth
of Lie, (2011/90 mts/col)
which is the latest film of
Roland Reber had its International
premier at Inox I on 24 Nov, when
the lead character of the film Marina Anna Eich, was also present.
Ronald Reber had a Retrospective
of 6 films during 40th IFFI in Goa,
when he had come along with actresses Maria Anna Eich and Antje
Nickola Monning. Angel With
Dirty Wings had rocked 40th IFFI.
The second screening of the film
The Truth of Lie shall be held at
Kala Academy at 10.15 p.m. on
27th October 11 when Marina will
be there for the presentation.
How many times have you visited
India?
It is my 5th time in India. The
last time I came to Goa was in 2009
along with a package of six films of
Roland Reber.
Can you tell me something about
the title of the film, The Truth of
Lie?
It is the human tendency in our
daily life to lie. But in every lie,
there is a tiny truth. This film tries
to depict philosophy of life.
In this film, women are put to
physical and mental torture by the
writer, who is the main character of
the film.
Do you have any experience of
having been being tortured physically?
The most scaring torture was
water boarding, which is used by
the Americans to torture terrorists.
It was a very difficult experience
for me, as after 10-15 seconds, I
immediately felt that that death is
PIFF TO BE HELD FROM JANUARY 12 to 19, 2012
Santosh Unecha
T
he 10th Pune International Film Festival is
being held from 12th
to 19th January, 2012 and is
being organized by Pune
Film Foundation jointly with
Government of Maharashtra
which has given it recognition as the official festival of
Maharashtra.
Santosh Unecha, Associate
Director, PIFF and Joint Secretary, Pune Film Foundation,
who is attending IFFI in Goa
this year, says “This is the
tenth year that the PIFF is
being held under the able
guidance of the Dr. Jabber
Patel, Director PIFF and it is
a milestone. It is an indication
of how far we have come in
our aims at providing a common platform for the
cineastes of the world to proj-
ect excellence in film art; contributing to an understanding
and appreciation of film cultures of various nations in the
context of their social and cultural ethos; and promoting
friendship and co-operation
among peopled of the world.
Santosh, who is all praises
for IFFI as well Director
Shankar Mohan for his cinematic vision, continued,
“This year too we have sections such as World Cinema,
Indian Cinema, Retrospectives, the Competition Sections in World & Marathi
films which are judged by the
International Juries who are
eminent personalities from
around the world, Director
Focus or Evergreen Classics
and the Tribute section which
pays homage to people who
have made an outstanding
contribution to Indian And
World cinema. We will also
be continuing the Student
Film Competition Section,
constituted by Whistling
Woods International, one of
the premier institutions imparting training in filmmaking, founded by eminent
filmmaker; Subhash Ghai”.
PIFF , which is also celebrating 60 years of Indo German friendship, has decided to have Germany As
The Country Focus for the
10th PIFF, 2012 and will be
showcasing 43 films from
Germany, with an exclusive
venue for screening the films,
to give an ambience and
essence of Germany. PIFF
also has the proud privilege
of honoring luminaries of the
Indian film industry with the
Life Time Achievement
Award for their valuable contribution to cinema and S. D.
Burman International Award
for creative Music & Sound.
PIFF will be focusing this
year mainly on relations with
different countries and their
cultures. Films from more
than 60 countries will be
screened in 6 major venues
having world class screening
facilities. PIFF will be
screening more than 200
films in 11 auditoriums in
different areas of Pune, with
more than 10,000 delegates
attending the festival. There
are workshops, seminars, exhibitions, Interactions with
film makers and lots more.
-- J. V.
ber 2011.
very close to me.
Can you tell me something about How was the response?
your mental torture?
The response was very good. It
The writer asks the women to also had a very controversial disbe naked and answer his questions cussion which I really liked. We do
honestly. According to the direc- not believe in making normal / routor of the film, being naked is the tine style of films. This film is
food for soul.
symbol of pure soul and
TODAY
the writer is trying to
This film appears to be difclear the soul in this AT Kala Academy ferent from your last film
AT 10.15 P.M.
film.
Angel With Dirty Wings.
In how much time the film
It is a totally different philowas shot and completed?
sophical film and tries to approach
The film was shot in two weeks one’s inner soul as per the direcin Germany and completed in two tor’s vision.
months. All the indoor shootings What are your views on IFFI &
were done in an abandoned factory Goa?
in Germany. It had its German preI like the soil of Goa very much
mier on 27th October at Hof Inter- and aspire to come to Goa for the
national Film Festival held in IFFI every year.
-- Satinder Mohan
Germany from 23rd to 29th Octo-
A film should not set out to cater only
to the elite -- Pravin Dabas
How would you describe your film Sahi Right from shot taking to camera placeDhande Galat Bande?
ments, we had planned everything well in
My film deals with the clash between advance, because we had in place a protwo different ideologies and how four peo- duction side as well as a creative side.
ple get trapped in a situation where their How tough was it for you as a director?
conscience pricks them. It
To direct myself
is a character- centric film
even while I was actand not a typical hero ing in front of the camheroine project. I have alera was difficult for
ways held the belief that a
me as a director and
film should be entertaining
hence to call for the
and not set out to bore peolunch break was the
ple to death. I do not at all
easiest of all the chores
believe in making pseudo
for me. It was not easy
intellectual cinema which
for me to direct bewill only cater to the elite.
cause you are evaluatDid you set out to proing yourself all the
duce the film just to
time. I had a story
launch yourself as a diboard ready and I
rector?
knew how each shot
Though I should conwould be taken. The
fess that when I was working in
subject
dictated
the style of shootTODAY
Mira Nair’s Monsoon Wedding I
ing that my film needed. I just
AT INOX II
did think in terms of starting a protried to be spontaneous and use
AT 3.30 P.M.
duction house of my own, when I
my judgment. You make out by instarted writing the subject, forget about acttuition and instinct
ing, I did not even think in terms of direct- How happy are you with the way your caing my film since only production was in reer has progressed as an actor?
my mind. However, after I finished writing
I have had a good experience as an
the subject, I felt that I should direct my film, actor. I should say that I am happy with the
because after all, it was my vision that I kind of roles that I have managed to get all
wanted to bring onto celluloid as a director. through my career. Every actor has his
Was it easy for you to get your break as a own ups and downs as far as his career is
director?
concerned. I am no exception to the rule.
I had to literally go through the casting Actors are always very greedy for good
couch to get my break as a director, since roles. Sometimes my greed has been satisPreeti, who is the producer of my film hap- fied in the form of good roles. I have to my
pens to be my wife. (Laughs). Jokes apart, credit diversified roles as an actor like
ever since I narrated my subject to Preeti, Mira Nair’s Monsoon Wedding and
she has been my bouncing board. We shot Dibakar Banerjee’s Khosla Ka Ghosla.
the entire film in a span of just thirty days.
-- Jyothi Venkatesh
TODAY’s eNgAgeMeNT
Press conference
11.00 AM :`Press conference by Australian film director Phil
Noyce
12 Noon : Rajesh Pinjani (Director), Milind shinde,
Mitali Jagtap-- Team
members of the film
Babu Band Baaja
12.45 PM : Press conference by
Padmini Kolhapuri,
Inderjit and V.K.
Prakash (Director)-Team members of the
film Karmayogi (Malayalam)
03.00 PM : Foreign film delegates
Tanu Rai with Padmini Kohapure at the Red Carpet of Karmayogi at Inox
oPen forUM
Venue
Time
: Inox Courtyard
: 12.45 pm Release of book ‘Cinema Ka Jadhui Safar’ authored by
Mr Pratap Singh by Shankar
Mohan
Time
: 1:00 pm
Topic
: Recent rage in cinema : Football
speakers : Oscar Maron Filho, Filmmaker
Brazil, Luis h.s.Ribeiro Baez
Producer, Brazil, Juan P Rombio, Filmmaker Argentina, Enzo
Porcelli, Producer, Italy, Jan
Tilman, schwab, German film
historian.
Moderator : Faizal Khan
Curator : Soccer in India
All are welcome
AT FI
AT
PAGE 4_Layout 1 11/26/2011 9:24 PM Page 1
4
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fQYe cktkj esa vkbZa funsZ”kd
tks;k v[rj vius firk tkosn
v[rj dh rjg gh Li’Voknh gSaA
og dgrh gSa fd gj fQYe
def”kZ;y gksrh gS D;ksafd mlls
iSlk vkrk gSA ;g ckr vkSj gS fd
dksbZ fQYe de pyrh gS vkSj
dksbZ T;knkA esjh gh fQYe ^yd
ckbZ pkal* ugha pyh vkSj ^ftanxh
uk feysxh nksckjk* us fjdkWMZ rksM+
fn;kA blfy, fQYe fctusl dks
nwljs fctusl ls vyx djds
ns[kus dh t:jr gSA
vfHkus=h dfYd Dospfyu us
dgk fd ikbjslh us fQYe
fctusl dks dkQh ?kkVk igqapk;k
gSA foKku ftl rsth ls
fodflr gks jgk gS mlesa ;g
xaHkhjrk ls lkspuk gksxk fd dSls
mldk fo/oald mi;ksx u gksA
ge [kqn gh fQYesa MkmuyksM
djrs gSaA gesa vius&vki dks Hkh
lq/kkjuk gksxkA
vfHkusrk vHk; ns;ksy us dgk
fd fQYe cktkj flQZ O;olk;
ds fu;eksa ls ugha pyrkA fQYe
,d laosnukRed ek/;e gS
blfy, mls Hkkouk ds Lrj ij
le>uk vkSj cktkj esa ykuk
?kwerk vkbuk
QksVks % nhid
b
fa M;u MkWD;weVaS jh izkM
s ;
~ l
w j ,lksfl,”ku
¼vkbZ-Mh-ih-,- vFkkZr bMik½ }kjk yacs
le; ls pyk;k tk jgk la?k’kZ lQy
gqvk gSA bMik ds v/;{k fQYedkj ekbd
ikaMs; us crk;k fd ljdkj bl ckr ds fy,
rS;kj gks xbZ gS fd og gj jfookj dks nwjn”kZu
ij lqcg 10 cts MkWD;weSaVjh fQYesa fn[kk,xhA
blds fy, vk/ks ?kaVs dk LykWV fn;k x;k gSA
MkWD;weSaVjh vkSj NksVh fQYesa cukus okyksa ds
fy, ;g vPNh lwpuk gSA
Jh ikaMs; us dgk fd bMik izlkj Hkkjrh
dks MkWD;weSaVjh vkSj “kkWVZ fQYe nsxk ftls og
us”kuy pSuy] Mh-Mh-U;wt] Mh-Mh- Hkkjrh rFkk
baVjus”kuy Mh-Mh- bafM;k ij fn[kk,xhA ikap
lkyksa ds fy, ,slh lgefr cuh gSA
Jh ikaMs; us crk;k fd bMik “kkWVZ vkSj
MkWD;weSaVjh fQYesa bl lky b¶Qh esa Hkh fn[kk
ldrk gSA mUgksaus dgk fd mUgsa vk”kk gS fd
dqN fQYesa fn[kkus dk ekSdk mUgsa t:j
feysxkA
bMik ds lfpo laLdkj nslkbZ us dgk fd
November 27 2011
loky iwNrh gS ^jax jfl;k^
19oha lnh ds fo[;kr o fooknkLin fp=dkj jktk
jfo oekZ ds thou ij yacs vlsZ ls cu dj iM+h dsru
esgrk dh fQYe ^jax jfl;k^ ds vkus dh vkgV “kq#
gks pqdh gSA b¶+Qh esa vk, dsru crkrs gSa fd vxys
lky Qjojh esa og bls insZ ij ys vk,axsA bl fQYe
ds fookfnr daVSaV ds ckjs esa dsru dk dguk gS&^vxj
bl fQYe dks ysdj fookn gksrs gSa rks eq>s dksbZ vk”p;Z
ugha gksxkA eSa flQZ bruk tkurk gwa fd ;g fQYe
vkt ds nkSj esa Hkh izklafxd gSA vkt Hkh yksxksa dh
ekufldrk igys tSlh gh gSA ,e-,Q- gqluS tSls egku
fp=dkj dks flQZ blfy, vius oru ls nwj jguk
iM+k gS D;ksafd dyk ds tfj, og tks dguk pkgrs Fks]
dqN yksxksa dks og ilaan ugha FkkA vkt ls lkS lky
igys jfo oekZ dks Hkh ,sls gh gkykr dk lkeuk djuk
iM+k FkkA dqN ugha cnyk gS bu lkS lkyksa esaA HkhM+ dh
ekufldrk lekt dh laosnuk ij yxkrkj gkoh gksrh
tk jgh gSA ;g fQYe lekt ls loky iwNrh gS vkSj
dqN dgus dh dksf”k”k Hkh djrh gSA^
fQYe cktkj esa mEnk fQYesa
t+ks;k v[rj
dfYd Dospfyu
lat; lwjh
gksxkA
lat; lwjh us dgk fd lLrs
fo’k;ksa ij cuh fQYesa cqjh rjg
vHk; nsvksy
¶ykWi gksrh gSa] ;g ckj&ckj
lkfcr gks pqdk gSA tks fQYe
gekjs eu dks Nwrh gS ogh vPNk
fctusl djrh gS] bls ges”kk ;kn
j[kuk gksxkA
&uezrk “kqDyk
tyok fn[kk jgk gS Hkkjrh; iSuksjek
42osa b¶+Qh Hkkjrh; iSuksjek dh Li’V
Nki fn[kkbZ ns jgh gSA Hkkjrh; fQYesa
Hkkjrh; n”kZdksa ds lkFk fons”kh n”kZdksa dks
Hkh vkdf’kZr dj jgh gSaA vkt fn[kkbZ xbZa
Hkkjrh; fQYeksa us n”kZdksa esa csgn mRlkg dk
lapkj fd;kA
bafM;u iSuksjek
jfo tk/ko }kjk funsZf”kr ejkBh fQYe
^ckyxa/koZ* us tgka Dykfldy laxhr dh
Åapkb;ka fn[kkbZa mlh ds lkFk ejkBh Hkk’kk
dh fQYe ^ckcw cSaM cktk* us n”kZdksa dks
dkQh izHkkfor fd;kA jkseh ekbrh dh
b¶Qh ds led{k yxk, tkus okys ^fQYe cktkj*
esa dbZ mEnk fQYeksa
dk izn”kZu fd;k
tk jgk gSA pfpZr
ejkBh fQYedkj
mTToy oh- FksaxM+h
viuh igyh fgUnh
fQYe ^bu n use
vkWQ rkbZ* ;gka
ysdj vk, gSaA ;g
fdlkuksa ds fy,
la?k’kZ djus okyh
,d efgyk odhy dh dgkuh gSA mTToy mEehn
trkrs gSa fd blh eqn~ns dks mBkus okyh uoyhu dqekj
dh ftanxh ls izsfjr bl fQYe ls yksx bl fo’k; ij
lathnxh ls lkspsaxsA i=dkj ls fQYedkj cus gjh”k
“kekZ dh igyh fQYe ^2 ukbV~l bu n lksy oSyh* Hkh
,d vyx gh eatj c;ka djrh gSA gjh”k crkrs gSa fd
;g ,d lPph ?kVuk ij vk/kkfjr gS vkSj cgqr tYn
og bls fjyht dj nsaxsA bl fQYe ds vfHkusrk gsear
ikaMs; crkrs gSa fd ;g dgkuh fo”okl vkSj vfo”okl
dh gSA
&nhid nqvk
ef.kiqjh “kkVZ&fQYe ^uwax vkekMh ;s:e* us
14 feuV esa gh okrkoj.k dh lqanjrk fn[kk
nhA c-o- dkjar dh ^pkSeuk nwnh* dks ns[k
dj n”kZdksa us cgqr ljkguk dh D;ksafd ;g
fQYe thou ds lp dks lkeus ykrh gSA
ogha funsZ”kd ds- ckypanj Hkh rfey fQYe
^vpk feykbZ vpk feykbZ* us viuh
laosnukRedrk ds fy, dkQh iz”kalk cVksjhA
fgUnh Hkk’kk dh y?kq&fQYe ^[kqys njokts*
njvly fo/kokJeksa esa vius ifjokj }kjk R;kx
nh xbZa o`) fL=;ksa dh euksfLFkfr dks n”kkZrh
gSA oh-ds- izdk”k dh ey;kye fQYe
^deZ;ksxh* “ksDlfi;j ds ukVd ^gseysV* ij
vk/kkfjr “kkunkj fQYe gSA ef.k dkSy dh
^bZfM;V* dkQh yach gksus ij Hkh vlj NksMr+ h
gSA
&cztHkw’k.k prqo sZn h
“kgj&nj&”kgj fQYe
QsfLVoy
pkSFkk ^t;iqj varjjk’Vªh; fQYe QsfLVoy* vxys
lky 27 ls 31 tuojh rd jktLFkku dh xqykch uxjh
t;iqj esa gksus tk jgk gSA blesa 70 ns”kksa ls 900
izfof’V;ka vkbZ gSaA fQYe QsMjs”ku vkWQ bafM;k ds Vhih- vxzoky us dgk gS fd QsfLVoy fQYe dYpj rS;kj
djus esa egRoiw.kZ Hkwfedk fuHkkrk gSA
cky fQYeksa dh /kwe
i.kth esa fiNys fnuksa fpYMªu fQYe lkslk;Vh dh
vksj ls rhu fnu rd cky&fQYeksa dh /kwe jghA bl
nkSjku 14 fQYeksa ds izn”kZu gq,A buesa larks’k floku
dh ^gsyks*] lq/khj xqIrk dh ^dBiqryh* rFkk vt; dkfrZd dh ^djkekrh dksV* dks dkQh ljkguk feyhA bl
nkSjku ,d odZ”kkWi Hkh gqvkA
vksiu Qksje esa yksdkiZ.k
vkt nksigj 12-45 cts] vksiu Qksje esa b¶+Qh
funs”kd Jh “kadj eksgu flus&ys[kd Jh izrki flag
dh iqLrd ^flusek dk tknqbZ lQ+j* dk yksdkiZ.k
djsaxsA
Edited by: Jyothi Venkatesh on behalf of IFFI Secretariat, Ministry of Information & Broadcasting, New Delhi
Hindi Editor: Suresh Sharma, Co-ordinator: Tanu Rai, Deputy Director and Jagjit Singh Bindra
Asst. Editor: Satinder Mohan, Photographer : S Kumar, Printed at: Herald Publication Pvt. Ltd. Verna, Goa