katalog - Minikino

Transcription

katalog - Minikino

KATALOG
INDONESIA RAJA is an inter-cities/areas collaboration in Indonesia in a form of
short films program exchange.
Now on its second year MINIKINO “INDONESIA RAJA 2016” collaborates
with 17 programmers from 15 different area in Indonesia
http://minikino.org
[email protected]
@minikinoevents
HALAMAN INI SENGAJA DIKOSONGKAN
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INDEX
FOREWORD FROM COORDINATOR INDONESIA RAJA 2016: ACEH INDONESIA RAJA 2016: BALI INDONESIA RAJA 2016: BANDUNG INDONESIA RAJA 2016: DEPOK INDONESIA RAJA 2016: GRESIK INDONESIA RAJA 2016: JAKARTA INDONESIA RAJA 2016: JATIWANGI INDONESIA RAJA 2016: MALANG INDONESIA RAJA 2016: MEDAN INDONESIA RAJA 2016: PEKANBARU INDONESIA RAJA 2016: PURBALINGGA INDONESIA RAJA 2016: SEMARANG INDONESIA RAJA 2016: SURABAYA INDONESIA RAJA 2016: TANGERANG INDONESIA RAJA 2016: YOGYAKARTA PENGHARGAAN / ACKNOWLEDGEMENTS page 3
page 4
page 5
page 9
page 12
page 15
page 17
page 20
page 22
page 24
page 27
page 29
page 31
page 33
page 35
page 38
page 41
HALAMAN INI SENGAJA DIKOSONGKAN
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PENGANTAR DARI KOORDINATOR / FOREWORD FROM COORDINATOR
INDONESIA RAJA on its second year is collaborating with 17 programmers from
15 cities from all around Indonesia. Obviously a growing in number compared
to last year.
INDONESIA RAJA was initiated by MINIKINO in 2015 as an annual collaboration
project with programmers from various film community and organization all
around Indonesia, to bring Indonesia’s short films to its audience by compiling it into programs
that is designed and considered based on a specific theme, under a big theme; the annual
exchange of short film programs from various regions / cities in Indonesia.
The entire process is carried out based on voluntary work of MINIKINO working team, selected
programmers, and the filmmakers that submit their short films for selection and programming.
The next stage is to working together with screening organizers in each area/cities; to create a
meeting space, watch film together and stimulate the exchange of information, knowledge and
cultural background that would be made possibile from public screenings. Discussions that are
triggered becomes a priceless token of appreciation for all parties involved.
Everyone is working with the same spirit, stimulating social awareness and critical thinking
through the course of watching the film. MINIKINO, together with the Indonesia Raja 2016
programmer, invites us all to watch the films and research INDONESIA RAJA from various point
of view.
Thank you all my friends, let’s celebrate diversity and continue this work together.
Denpasar, 11 May 2016
Fransiska Prihadi - MINIKINO
Program Coordinator INDONESIA RAJA 2016
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INDONESIA RAJA 2016: ACEH
Programer: Abdullah Syatari | Aceh Documentary
Duration: 47:45
Age Rating: 13+
Film is a mean of communication to convey a message through audio
visual. Information submitted through film medium considered more
effective. The three selected documentary short films are directed
by Aceh young generation revealing an anxiety witnessing social
phenomena that occurs in Aceh.
PAKAIANKU TINGGAL KENANGAN tells story of a young man natural dialog
concerning about Aceh traditional clothes. Meanwhile SANG KOLEKTOR MUDA
shows a student collecting Aceh manuscripts. PELANGI DI TEPIAN SAMUDRA on
the other hand tells a diverse unified society regardless their different religions.
# Point of Discussion
1.Audience response about all three films
2.Which is more memorable out of these three films, and why?
PAKAIANKU TINGGAL KENANGAN
Maria Ulvadan Muhammad Rizki | 2013 | Documentary | 19:46
Story of a young man cares about Aceh traditional clothes.
PELANGI DI TEPIAN SAMUDRA
Mukhlas SyahWalad & Fuad Ridzqi | 2014 | Documentary | 15:11
In a diverse unified society despite the different religion.
SANG KOLEKTOR MUDA
Muhammad Hendri & Ricky Bowo| 2015 | Documentary | 12:48
A student collects Aceh Manuscripts.
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INDONESIA RAJA 2016: BALI
KONTEMPLASI
Programmer: Tria Nin | MINIKINO
Duration: 57:28
Age Rating: 13+
Watching films is like placing ourselves in front of a mirror, listening to
a single conversation, reading social reality, watching political events
and observing little things around us which stimulates the audience’s
imagination.
Besides an observation image of the society reality, a film also reflects
the filmmaker’s soul. The short films selected for Indonesia Raja 2016 Bali
bring the audience freely to a contemplative place straight to a sterile silent
space. As illustrated in the visualization collage SILENT, the anxiety depicted in
REVENGE, smells rotten corruption and random emotions of procrastinating in
BIRU.
While the contemplation might just be limited in the film medium, at least
the audience would be able to have new point of views that had been missed.
Such a pause, like the spaces in the rows of sentences. It will be difficult to
understand the meaning without these spaces. Without a pause then life will
just rushes leaving no chance to turn around. All these shorts in Indonesia Raja
2016 Bali program could be some sort of a respite in life.
1. Audience responses after watching the program
2. Did you learn anything from these shorts? What are the messages in these
films? Do you agree or disagree with some of the messages?
3. Do these films remind you of your own life experience or other events?
SILENT
Wicitra Pradnyaratih | 2015 | Experimental | 2:25
Visualization of the different public opinion regarding Benoa Bay
reclamation.
Director’s Statement:
The silent animation is designed without tone or sound, just a
collage of different images visualizing different public opinion in response to the reclamation
project. It is not a form of rejection or supporting statement but merely an expression of
collective public opinion about the local culture and the economic growth.
Director’s profile:
24 years old Multimedia Design graduate nowadays a Graphic Designer that often cooperated
in experimental animation videos production with artists & musician friends.
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SINAMPURA (Apologize)
I Putu Oka Sudarsana | Trax Video | 2015 | Documentary | 11:30
In a once every forty years ceremony “wrspatikalpa” in Pura
Nataran, Br. Belang Desa Sembung-Mengwi-Badung, there are few
acts commited by the villagers that are displeasing for the Gods.
The force of nature worshiped there fell and notify these mistakes.
The Balinese are very close to their Gods, the problems occur in the universe are negotiable.
I Putu Oka Sudarsana, born 3 April 1988 is a Son of I Nyoman Godig Sugiasa & Ni Made Murtini.
He loves performance art since child and created skits for his school anniversaries since junior
high (SMPN 10 Denpasar 2000-2003). He was also a member of Teater Angin SMAN 1 Denpasar
(2003-2006). With a diploma certificate in computer animation from New Media ICC (20072008), he started his career by joining a local TV Dewata Tv (2008-2010), and BMCTV /Lintas
Bali MNCTV (2010-2012), Baliradio (2013-2014). Together with his best friend I Gusti Agus
Wiranata, created TRAXVIDEO Production House (2009) handles video & film project. Recently
started musiklik.com (2016). Several shorts produced: Hanya Air (2015), Besok Saya Tidak
Masuk Sekolah! (2014)
RANTAU DI BALI
Agung Yudha | 2015 | Documentary | 4:29
Through the eyes of outsiders in Bali, there is a major change that
are not realized by the Balinese themselves. The transformation is
often complained by the people but some of us choose to close our
eyes. It is a reflection of Bali island in the eye of outsiders.
This short documentary #rantaudibali is my point of view to criticize development and social
problems in Bali. It’s a blow for Balinese people to take a better care of the island when
outsiders realize Bali is a place that must be maintained.
Director’s Profile:
Anak Agung Ngurah Bagus Kesuma Yudha (Agung Yudha) resides in Bali. He’s a film director,
musician and teacher. Since 2005 actively producing audio-visual works (documentaries and
fiction) with Dread Team, Manikamerta and Studi_yo Films.
In 2016, he chose horror theme works.
PENGEN HP ( Desiring a smartphone)
I Made Suarbawa | Parum Media | 2015 | Fiction | 14:00
A 16 years old SEKAR wanted to have a new, more powerful up-todate smart-phone in order to stay cool. But her mother who works
as an ironing lady and taking Hindu Bali offerings orders is unable
to fulfill SEKAR wish. Between the mother & daughter conflict, a
school friend-AYU kindly gives a cellphone that can be repaid at
any time when SEKAR has money. In a desperate effort to pay off the cellphone, SEKAR seeks
various ways including a short cut attempt offered by AYU.
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I believe that film is an art form and a medium of expression that can speak in his own way as a
tool of learning and discussion after it was released by the creator. PENGEN HP is an expression
of anxiety for underage sex crimes phenomenon happening around us. Therefore I feel a push
to say something acknowledging it and open chances for discussions and introspection .
Award:
Acffest 2015 Pitching Forum Bali winner for Production
I Made Suarbawa learn video & film making from various training and TV programs production
work, Music Video and PSA in Bali. In 2015, he wrote and directed two shorts and one webseries.
NEGERI PENJARA(H)
I Gusti Agus Wiranata | Trax Video | 2015 | Fiction | 02:30
Corruption depicted in semiotics. A man wears two garments
symbolizing duality of interest. He is in charge of watering the
plants. But...
Director’s Statement: The root of coruption is conflict of interest.
I Gusti Ngurah Wiranata love audio-visual and feels comfortable speaking with this medium. He
is just a regular guy trying to make his unusual dreams comes true.
BALAS DENDAM
Putu Kusuma Widjaja | 2016 | Documentary | 13:00
Desmond wants a revenge for the incident which he witnessed.
Could it be that one day he would do it ? Could his villager friend,
Albert, who wants to be a policeman help him ?
Saporkren is a village in Raja Ampat where only two people work as government officials. The
rest are fisherman and farmers. Children try to achieve their highest goals and one encounter
was inspired by his ideal revenge.
BIRU (BLUE)
Maria Rosiana Sedjahtera
Besok Syuting Production | 2015 | Animation | 9:34
Biru always finds way to procrastinate his homework.
Awards:
- 2016 Official Selection 27th MICE – Mostra Internacional Cinema
Educatiu, February 2016 (World Premiere)
- Screening in Mostra, Valencia, Spain 2016
- Finalis Short Animation – XXIShort Film Festival 2016.
- L’Inconnu Film Festival, official selection, France, April 2016
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A young 17 years old director starts to get known from her directed debut short documentary
“Besok Syuting Hari Ini Kakek Meninggal” that was produced as part of a four months
International workshop My Life My Dreams run by MINIKINO and Jönköpings Kultur Kummon,
Swedia. It was nominated as best documentary shorts at Erasmus Indocs 2013, XXI Shorts
Film Festival 2014 best documentary finalist and awarded best sound & music design in
Madyapadma Jurnalistic Students Film Award 2015 – Denpasar. BIRU is her 2nd film, its
premiered as an Official Selection in 27th MICE – Mostra Internacional Cinema Educatiu, and
continued its journey to some European countries and also once again as finalist of XXI Short
Film Festival 2016.
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INDONESIA RAJA 2016: BANDUNG
ON JOURNEY
Programmer: Albertus Wida Wiratama | Liga Film Mahasiswa ITB
Duration: 38:36
Age Rating: 13+
Shorts have been expanded to an open medium of storytelling and
ideas, freeing the creativity of the maker. In the so-called stopover
city Bandung, various filmmakers create diverse kinds of shorts. They
explore the flexibile possibilities with shorts medium and deliver their
very own personal & contextual language.
PULANG, the first film uses only a single still image with voice-over to tell a
memory. LAPAR explore a static long shot accompanied by monologue and slow
pacing. MONTAGE OF EDELWEISS is a contrast to the two first films, exploring
camera moves
and a dynamic new composite whole from fragments of pictures, text, and
music to deliver its messages and ideas. LIE=PRAY is a highlight of seventh
art, combining various art as the language. The closing film in the program is
ANGAN, opening a free personal subjective interpretation for the audience.
These short films might be an incomplete on their way to perfecting
themselves. I believe they need you to join them in their journey of deeper and
wider cinema. Don’t you think so? Enjoy the ride and be careful, just don’t get
lost!
a.How do you see current Bandung cinema scene within the films? (compare to
other films from Bandung you might have seen.)
b.How do you compare the films to other films from other cities (e.g. from the
city where this program is screened)?
c.What is your comment to improve the films, what to focus on in Bandung
cinema scene (e.g. film production: ideas, techniques, researches, etc.)?
PULANG
Putri Rienda Haifa | Jarak Production | 2014 | Fiction | 5:34
After sixteen years livng abroad, a woman decides to come back to
home country. A deep longing drives her to collect her childhood
memories that she has left behind in her hometown. A movie
theatre is a very special place for her, a place she used to spend her
time with her beloved ones.
Award:
1. Top 5 film Sinemars 2014
2. Bandung youth short film competition 2014 : Best Story Nominee
3. Official selection brawijaya movie exhibition 2014
4. Official selection Psychology Film Fest 2014
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5. Official selection pesta film airlangga 2014
6. Official selection Moviekom 2015
7. Official Selection Sewon Screening 2015
8. Official selection Ganffest 2016
Director’s bio:
Putri Rienda Haifa was born in Bandung, June 3, 1991. Her love for “behind the scene” world
began when she was a kid, in which she “played” with camera, directed casts, and recorded
it as a story. The design, film, and photography lover completed her bachelor degree in Visual
Communication Design at Harapan Bangsa Institute of Technology, Bandung. JARAK is her first
directed film that successfully achieved numerous awards.
LAPAR
Dendie Archenius | Loper Film | 2014 | Fiction | 16:37
A lawn mower and a horse eating grass spend their time together
in a meadow at dusk.
Award:
1. Official selection Ganffest 2016
2. Official selection Psychology Film Fest
Director’s bio:
Dendie Archenius was born 24 years ago in Medan, Indonesia. He moved to Bandung and
started making short films in 2010.
MONTAGE OF EDELWEISS
Irvan Aulia | Rasamala Film | 2015 | Fiction | 10:43
Montage of Edelweiss is telling stories about a journey to a
mountain, by a couple
Director’s bio:
Irvan Aulia has a bachelor degree graduated from Faculty of Art
and Design Bandung Institute of Technology (2014). He is a freelancer in videography, graphic
design, and mural (wall painting) area while developing a digital media startup in Bandung.
LIE=PRAY
Pria Yudi Pamungkas | Semart Production | 2014 |
Experimental | 3:12
Feelings must be sorted out. We will never know which one is good
or bad when we have no clue of what to choose.
Director’s bio:
Pria Yudi Pamungkas was born in Jakarta, September 12, 1992. His filmmaking career emerges
from music and theatre.
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ANGAN
Shadiq Hassan Heyder | Liga Film Mahasiswa ITB | 2016 |
Fiction | 2:30
A man tries to cheer up a lonely girl.
Director’s statement:
This film symbolizes the deeply sad soul of a seemingly hilarious person.
Director’s bio:
Shadiq Hassan Heyder was born in Jakarta, January 30, 1998. He is a student in Bandung
Institute of Technology and a member of Liga Film Mahasiswa ITB. Making films, cycling, and
playing ping-pong are his hobbies.
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INDONESIA RAJA 2016: DEPOK
UFO-UNIDENTIFIED FILMING OBJECT
Programmer: Caren R Sabatina | Sinematografi UI
Duration 48:00
Age Rating: 13+
Depok is a small municipality located in between two big cities with
similarly rich cultures yet different at some points, which are Jakarta
metropolitan and Bogor-a tourism city. Jakarta is packed with rushing
people and Bogor with its public transportation honking horns all day
and night.
It is never easy to be in between. This creates an assumption that there is
an identity crisis in the city of fancy cafes and banner printing houses come in
abundant, more than the amount of high schools. The aforementioned crisis
is the tendency to imitate another city so as to have the same impression of
it. PEMAIN KE-12, a documentary by Selly Melinda, represents this in obvious
way. It is a story of Persija, a football club which Jakartans are proud of. Jakarta
is not the only one; Java also contributes its culture to Depok filmmakers. In
SIUL SIAL, Dimaz Sri Junanta retells a Javanese tribe belief of a prohibition in
whisting at night. Menunggu Malam by Jeffri Minggar shows an exhausting
night trip in a small town with all of its social dynamics. This might be the
closest representation to Depok.
The program ends with GADIS BERKERUDUNG HITAM DAN MANUSIA SERIGALA
(A Black Veiled Girl and A Werewolf) by Orizon Astonia, which presents a story
about a curios girl who does not obey her mother, sneaking out from home at
night. This film is a conclusion that culture biases that will always exist among
our society. No need to be fearful of this, as in the end, spatial things will never
end in a harmony.
1.Audience’s comments about the film.
2.Wish to get Q&A with filmmakers (if possible)
3.Filmmakers’ response to identity crisis in Depok
PEMAIN KE 12
Selly Melinda | Broadcasting UI | 2015 | Documentary | 12:00
In the chaotic Indonesia’s football world, the Jakmanias consistently
prove their existence in Jakarta. Locals respond to them in various
comments, from the positive to the negative ones. The Jaks keep
its identity on, trying to break their negative stigma growing among
the society. What are their efforts to rebuild their reputation in
the society? And are their efforts acceptable among other Jakartans? This film answers those
questions.
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Not every football supporter is an anarchist; there is a deep loyalty behind their high pride.
This film was made to present a new taste, story, and view of The Jakmanias, a group of
football supporters.
Screening & Award
The first public screening: Taman Ismail Marzuki, 28 November 2015
Best 10 Nomination Documentary Days
Director’s bio
I’m a Vocation Broadcasting student at University of Indonesia. This film began from an
assignment on documentary.
SIUL SIAL
Dimaz Sri Junanta | Broadcasing UI | Depok | 2016 | Fiction | 8:00
Don’t whistle or you’ll have bad luck!
Tells a story of a guy haunted by ghost for violating whistling
prohibition at night.
MENUNGGU MALAM
Jeffri Minggar | Sinematografi UI | Depok | 2014 | Fiction | 8:00
Mr.Tono is an administrative staff at a private school in the outskirts
of Jakarta on his way home from a wedding with his wife and son.
The wife endlessly discuss their economic problems. That night, he
wants to get home as quickly as possible to have a rest.
Everyone must have experienced some sort of restlessness. In 2012, when I was jobless, the
most anxious time are in the evenings.
But strange as it might seem, every night we always have chance to forget problem
temporarily. Through this film,I would like to invite people to be more grateful for live despite
the problems.
Awards :
1st Public Screening: Darmajaya Lampung Film Festival 2015
Born in Jakarta 24 November 1987 and starts making short films since 2008.
MENUNGGU MALAM is his 5th shorts.
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GADIS BERKERUDUNG HITAM DAN MANUSIA SERIGALA
Orizon Astonia | IKJ | Depok | 2015 | Fiction | 20:00
Norma’s mother keeps forbidding her to have a relationship with
boys, until one night, Norma tries to change her fate.
Director Statement :
This film is our interpretation of the children fairytale Little RedRiding Hood. We blurred the story changed the girl’s point of view seeing adults life.
Award:
- In Competition Jogja-Netpac Asia Film Festival (2014)
Director’s bio:
Orizon Astonia was born in Surabaya and has been enjoying films since little.Orizon studied film
in Institut Kesenian Jakarta and will never leave filmmaking out as it is how one learns many
things about life.
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INDONESIA RAJA 2016: GRESIK
MEMAHAMI KEHENDAK
Programmer: Shandy Anata MT | Gresik Movie
Duration : 50:26
Age Rating: 17+
Gresik filmmakers present stories inspired from their surroundings. The
limited duration doesn’t limit their free-style storytelling.
RENGASDENGKLOK: ESENSI KEBEBASAN departs from the desire to
remind us about independence from student’s point of view despite
the truth or falsity of the event. KETIKA GARAMKU MELUKIS NAMAMU
illustrates salt farmers in the industrial town. SEKOLAH BAWAH POHON
is an attempt to bring out discourse about learning method outside the formal
institution while PELUPA SHOLAT reminds fulfillment of obligation.
These four shorts are attempts of understanding surroundings desire in
different narrative style story-telling.
1. Audience responses about all the films
2. The ideas perceived by the audience after watching these four shorts.
3. What is the appropriate audience target for these kinds of films?
KETIKA GARAM MELUKIS NAMAMU
Yoga Febrian Maulana | 2012 | Documentary | 11:16
A short documentary about the life of salt farmer in the town of
Gresik.
Award:
1st Festival Film Dokumenter, Gresik 9 (2013)
The salt farmers in Gresik are underestimated. I hope this film will give better understanding
about the profession and people appreciate them more.
Yoga Febrian Maulana is now still learning at SMA 15 Bandung highschool. He directed this film
when he was in 8th grade SMP Muhammadiyah 12 GKB-Gresik. He learned filmmaking from
his junior high school teacher.
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INDONESIA RAJA 2016: GRESIK
PELUPA SHOLAT
Friday Angeline Adna | Ekalaya Production | 2014 | Fiction | 3:50
A teenage boy is more interested in playing than praying.
Awards :
1.Special Awards of Me Awards Indie Movie 2015
2.Official selection Festival Film Surabaya 2015
We should not leave prayers even though we are busy playing.
Friday Angeline is 11th grade student in SMA Muhamadiyah. PELUPA SHOLAT is the first
directed short film.
RENGASDENGKLOK : ESENSI KEBEBEBASAN
Al Dinar Abnan | LG Production | 2016 | Fiction | 18:42
Rengasdengklok incident occurred because of disagreements
between young and old generation. They disagree about when the
independence proclamation should took place.
I hope this film improve our understanding of the Indonesian history and figures that fight for
the independence.
Al Dinar Abnan (born in Gresik-14 Sept’1998) is a student of SMAN 1 Gresik. Dinar like films
and starts to make films after attending a screenwriter seminar by Salman Aristo.
SEKOLAH BAWAH POHON
Irfan Akbar | 2013 | Fiction | 16:38
Siska continues to uphold his long separated boyfriend’s promiseJoni. Creating a learning space that is not restricted by place and
time. Joni’s presence is a complimentary when she kidnaps a
teacher for SEKOLAH BAWAH POHON students.
Award:
Special Screaning Pesta Film Unair 2015
Sekolah Bawah pohon is our interpretation of Gresik education where it always been
associated with a place and formality.
Joining Gresik Movie in 2011 and still searching for his identity through cinema.
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INDONESIA RAJA 2016: JAKARTA
KISAH RAHASIA
Programmer: Septa Yudhistira Pratama & Siti Anisah
SINEMA 60 & Sinema Kopi Hitam
Duration: 53:49
Age Rating: 18+
Communication is an important aspect of social interaction with other
human beings . There are messages, hope and often secret to talk
about.
When the things you want to talk about is a difficult subject then the
expression, sense and action become victims of concerns and obscurity.
These four shorts are a glimpse of overview when conversation about
things that can not be discussed or should be kept a secret become an
important matter.
JANGAN TIDUR is a picture of child ignorance towards the parents and
communication between them become very expensive. The married couple in
SETELAH KITA BICARA shows the importance of discussion. PINTU SAMPING
tells the story of supposedly secret relationship between mother and her child
applying the famous proverb ‘fruits fall not fall from tree’. Meanwhile THE
FLOWER AND THE BEE set in the past trying to reveal adults that are too afraid
to tell their under age children about taboo matters.
1. Audience response about all four films that were just shown.
2. Which are the most memorable film out of four and why?
3. What’s the audience opinion about the program theme related with the
films?
4. How does the audience react about the openness of the similar topics in
their life compared to these shorts?
5. Any feedback and comments from the audience related with the program.
JANGAN TIDUR
Fauzhyana Sharifa | 2015 | Fiction | 19:32
A couple of grandparents that had been married for 47 years in
having a difficult time. Grandpa is very depress seeing the sick
grandma but doesn’t want to leave her. Their son who live apart
with his own family is difficult to contact. An event occur brings
grandpa’s bad memory of the past. Then suddenly the electricity
power is out.
Awards
-The best script Festival Film Pelajar Sukabumi 2016
-The best actor Festival Film Pelajar Sukabumi 2016
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-Official Selection Malang Film Festival 2016
-Best Poster Youth Sineas Award 2016
I am concern about the ignorance of a child towards the parents.
Fauzhyana Sharifa (born in Jakarta 28 January 1999). Initially he was a ooster designer in
SINEMA 60, JANGAN TIDUR is his first directed short film.
SETELAH KITA BICARA
Fazrie Permana | 2015 | Fiction | 5:23
Sepasang suami istri yang baru menikah ini tak pernah
mendiskusikan kehidupan seksual mereka. Sang istri ketakutan
setelah mendengarkan gosip mengenai suami yang tak setia
dan mengidap HIV AIDS dari temannya. Hubungan mereka pun
terancam bubar, namun mereka akhirnya menyelesaikannya setelah
membicarakannya, satu sama lain.
Statement Sutradara
Ingin membicarakan tentang hak seksual bagi perempuan. Yang masih tabu untuk dibicarakan
di Indonesia. Seperti sesederhana untuk menolak berhubungan suami istri, bila istri merasa
tidak aman.
Biodata Sutradara
Lulusan FFTV-IKJ dengan peminatan penyutradaraan.
PINTU SAMPING
Vici P. Simanjuntak | 2016 | Fiction | 19:54
A newly wed couple never discussed their sexual life. The wife
is fearful after listening to friends gossiping about an unfaithful
husband infected by HIV-AIDS. Their relationship is threatened until
finally the couple talks about it.
I want to talk about women sexual rights that are still considered taboo in Indonesia. As simple
as refusing to have intercourse if the wife does not feel safe.
graduated from FFTV-IKJ Directing major.
THE FLOWER AND THE BEE
Monica Vanesa Tedja | 2015 | Fiction | 9:00
Callie is a 10 years old curious boy. One day he sees two teenagers
joking with their hand movements. Callie doesn’t understand the
meaning and can’t stop thinking about it.
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Award
- Special Mention, Drama|Comedy category, XXI Short Film Festival 2016.
Sex is taboo subject to be talked about in Indonesia especially for school-age children. Adults
are afraid to explain and tend to shy away from the conversation. As a result, little information
available to answer the children’s curiosity about sex. There are a lot of cases in which children
were given incomplete knowledge about sex and sexually transmitted disease and try to keep
the children stay away from sex.
This topic has come to my attention in a long time. I have always been hindered to talk about
sex openly in society. Starting from feeling uncomfortable and my childhood memory, I decided
to raise this issue in a short film THE FLOWER AND THE BEE set in 1990s where most children
seek information from their peer-friends in contrast to the present where most information
is accessible in the internet. This is a period in which obtaining information would require an
active act.
Monica Vanesa Tedja (born in Jakarta- 1991) graduated from Universitas Multimedia
Nusantara. She directed several shorts such as “How to Make a Perfect Xmas Eve” (best short
film-IFDC pada XXI Short Film Festival 2013) and “Konseptor Kamuflase” screened at various
festival including Scream Queen Film Festival 2014 in Tokyo-Japan.
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INDONESIA RAJA 2016: JATIWANGI
Programmer: Bunga Siagian & Ismal Muntaha | JATIWANGI ART FACTORY
Duration: 53:49
Age Rating: 13+
Retrospecting on previous Indonesia Raja programs, one overlooked
and unpresented element is the film & video production aesthetic
development. In our opinion it is important to make notes of digital
medium usage in film and video production, the aesthetic output of
it, and any emerging possible movements. These would contribute
to the discourse of Indonesian contemporary cinema discussion.
Therefore as programmers we feel the urge to contribute a program from
Jatiwangi as an observation of works produced from Village Video Festival.
It’s an effort to participate in Indonesia Raja, one of the relatively militant and
consistent short-film program that observes film production development
involcing a lot of programmers and wide coverage of Indonesia areas outreach.
Village Video Festival is a residency-based festival that invites artists to stay
in Jatiwangi for several weeks and to produce artworks related to Jatiwangi
contextually, either for an individual or collaborative work with locals. VVF
produced artworks are digital medium based, which is, as we all know, more
democratic than film medium. Among the implications of digital camera
technology is that it’s technically dynamic, so that it has experimental
possibility for filmmakers, either in choosing the form or in the activism
context. Another essential thing is an ability to remove the boundary between
camera reality and behind the scene reality, so that many daily problems can
be exposed. These three films in this program represent digital spirit, both in
terms of aesthetic choice and a movement.
UUDARAN
Carda Arifin | 2015 | Documentary | 20:00
Digital camera as a highly dynamic medium is used to record
locals’ comments on a rumour of Kertajati airport being built near
their neighborhood. Playfully, the camera is handed over to one
person to another by themselves. The result is, the film is not
only exposing the locals’ perspective on modernity (represented
by an airport with all impacts it brings economically and socially), but also showing locals’
sovereignity and autonomy to deliver their stories to wider public. The locals’ autonomy in this
practical-medium field by VVF and JaF (Jatiwangi Art Factory) is manifested in JaF TV program,
a TV channel intended to pirate national TV program which is dominated by mainstream
media. The premise being, locals create their own TV program content as an alternative or
even as a substitution to the programs produced by mega media.
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INDONESIA RAJA 2016: JATIWANGI
WARUNG KOPI
Mahardhika Yudha & Mohammad Fauzi (Forum Lenteng) | 2011 |
Documentary | 14:53
One of JaF TV programs, Warung Kopi is a video output of artist
residency in VVF 2011. Warung kopi, or coffee shop in English, has
its social function as a place where people meet up and discuss
issues, be it local gossips, football matches, or nationally hot issues.
“Warung Kopi” pirates news program we often see in national TV (such as TV One), which
usually presents experts to debate on hot issues. Located in a coffee shop, it shows news clips
of national issues within a set-up TV and people discussing it. In this video, locals replace “the
experts” to respond and to discuss big issues.
TONG KOSONG NYARING BUNYINYA
Komunitas Ciranggon | 2015 | Documentary | 20:00
This video offers another aspect of digital medium, which is
archiving. Created by Ciranggon Community, a community aiming
for a media center in their region. This film presents footages
of various social activities among locals which are consistently
recorded in fast month right before Eid Al-Fitr day in 2015. These
were recorded with many devices, from handycam to handphone. It is interesting not only
because of the archiving, but also the documentary approach seen from the minimal shots and
duration length of every shot to keep an activity objective. It is also how certain montages in
arranging the film indicates narrative awareness that the film is (they are) shooting arranges its
own narration and zone.
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INDONESIA RAJA 2016: MALANG
ANEKA RUPA WAJAH KOTA PENDIDIKAN
Programmer: Lizya Oktavia Kristanti | Omah Film
Duration: 45:43
Age Rating: 17+
As an education city, Malang produces hundreds of films every year.
Stating from school/college assignments, film lovers are emerging,
creating films and striving to keep their existence.
These four shorts in Indonesia Raja 2016 - Malang reflect the
situation and condition of short filmmaking in Malang, where most
of the filmmakers consist of students and film production communities.
In ENTHONG SQU4D, I’d like to show the achievement of technical quality
in films made by students: special effects have taken part as their training.
POS KAMLING, a college student’s assignment film, presents Malang’s local
culture and language, with prominent message implied. PUTIH has unusual
storytelling that highlights movie scene in this city.
TINUK is the most recent achievement of Malang recognized in a national level
competition. It’s a surprising first film work of a young director. Yes, this is
Malang, showing various faces of short films representing the face of the city in
general.
1. Audience response
2. Which one of the films is the most interesting than the others and why?
3. Suggestions for Malang films
ENTHONG SQU4D
Sahabul Ashfari | 2015 | Fiction | 14:52
A group of gangsters and a group of superheroes are fighting for a
suitcase.
Director’s bio:
Sahabul is a student in SMK Terpadu Al Ishlahiyah Singosari Malang.
His hobbies include making animation, graphic designing and gaming.
POS KAMLING
Bagus Sabda Nur Huda | 2016 | Fiction | 6:32
Two people’s conversation in a guard post discussing their
neighborhood security and corruption.
Award: Nominee of Best Shorts in in Malang Film Festival 2016
Director’s statement: We get what we try to fight for.
Director’s bio:
Bagus is majoring at communication at The State University of Malang, and one of the owners
of Satu Audio Malang.
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INDONESIA RAJA 2016: MALANG
PUTIH
Mochammad Ibnu Hernanda | 2016 | Experimental | 9:19
Two sides of modern living, where nothing is inaccessible with our
hands connecting to networks and media.
Director’s bio:
Memo is majoring at communication at Muhammadiyah University,
Malang. Putih is his sixth film, in which he tries to make a semi-experimental film that
hopefully will be acceptable by Indonesian audience.
TINUK
Aprilingga Dani | 2015 | Fiction | 15:00
Tinuk has always been desiring a handphone. Everyday, she
persuades her husband to buy her one with the money he earns
from being a parking man.
Award: Best Film ACFest 2015 in Making Films with KPK Category
Director’s Statement: The idea of Tinuk evolved from my everyday experiences at home.
Nowadays, the biggest problem people have to face takes place at home, involving family. I’m
sure all of us have gone through the same problems, too. Unconsciously, we use our own way
to solve the problems.
Director’s bio:
Lingga was born in Malang, 1991. He is currently a student in Muhammadiyah University,
Malang. Tinuk (2015) is his first film he writes and directs.
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INDONESIA RAJA 2016: MEDAN
SHORT FILMS VARIETY TODAY
Programmer: Ignasius Loyola W.S. | KOFI SUMUT
Duration: 47:36
Age Rating: 17+
Film is a moving picture or imaginary events that convey the authors idea with
creativity. Film can be used as “a place to vent thoughts”, expression,
and learning media. A good film would be capable in finding its own
audience.
Filmmakers must understand clearly the ideas to be conveyed to the
audience. However, not all films can enter the realm of thought of
their audience. Short films today want to present films not only about
things outside the maker & audience environment. A film idea should
start from the closest milieu.
The three selected films all started from ideas from the surrounding
environment and can be felt by everyone. The simple real ideas formed through
the filmmaker sensitivity.
SEPOTONG PISANG GORENG tells about two brothers condition struggle to live
in an honest and simple storyline. Meanwhile GUNA-GUNA story of a man who
helped his friend from black magic presented in an art-house style. TANDA,
with a similar style with the second film tells a story about a father’s longing for
his son. The black & white film flaunts boredom, loneliness and lonesome.
1. Comments/ Appreciation about the films
2. What is a good film in the audience opinion?
3. Sharing about short films
SEPOTONG PISANG GORENG
Embart Nugroho | Oneto Films | 2015 | Fiction | 15:06
Images of two young child Bayu & Ari abandoned by their parents.
Being orphans and abandoned are not their choice. They live in an
old empty house starving and cold every day. Bayu, the oldest tries
to feed his younger brother. One afternoon he asked the seller for a
piece of banana fritter but he didn’t give it away. Bayu stole it, got
chased and beaten.
Award:
1. 100 Best ISFF SCTV 2015
2. Best Film Medan 2015
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In my opinion, a good film is an easy-digest and could be well accepted by a lot of people.
Nowadays, many people do not care about starving children in the streets. The story idea are
inspired by simple and real events in the society.
Embart Nugroho, born in artist family and develop his passion in the world of writing. Start
writing since junior high school, Embart the Aquarius guy had never dream of becoming a
writer. He wanted to be an entrepreneur and office worker. However since his writings sold in
bookstores he dreams of becoming a famous writer. Among his works are “GUARDIAN ANGEL”
( Media Pressindo 2011), “LOVE HURTS ( Media Pressindo 2012)” , NENEK GALAU (EazyNook
2013,)”WHEN I FALL IN LOVE” (Media Pressindo 2013), CINTA MASIH ADA (Media Pressindo
2013). HANTU RUMAH BELANDA (Media Pressindo 2014), BANYAK HANTU DI CASABLANCA
(Makam 2014), GOODBYE SINGAPORE (BIP 2015), SCARY MOVIE ON (Grasindo 2015),upcoming
novel: MENARA CAWANG, LANTAI 13 ) Besides writing, he’s also into film-making.
GUNA-GUNA
Narindro Aryo Hutomo | FFTV IKJ | 2015 | Fiction | 13:18
A man tries to save his dying friend attacked by invisible black
magic power in a slow far journey.
Award:
1. Official Selection / Jogja-NETPAC Asian Film Festival 2015 Light of
Asia Competition
2. Diorama Program / Ganesha Film Festival 2016
3. Official Selection / XXI Short Film Festival 2016 – Finalis Kompetisi Short Fiction (Action/
Thriller/Fantasy)
Guna-guna is black magic culture in Indonesia to control nature, human and physical
phenomena through mystical paranormal and supernatural means. It is beyond human logic.
For example, when we see possessed people, we would only see human screaming in pain with
a slow pace. Guna-guna usually used when breaking up. During a break-up each moments felt
slow and the screaming might only be heard inside the heart.
Through this film I would like to suggest not using illogical revenge when you broke up. I
suggest trying a natural simple loving experience.
I used black and white visual to present black magic could only be countered by white magic.
This film is actually open for your interpretation.
TANDA
Angellin Wijaya | Limazua Ruang Kreasi | 2015 | Fiction | 19:12
An old man waits for the return of his child.
Award:
1. Silver Awards UI Film Festival 2015
2. Best Short Category UMN UCIFEST 06 2016
3. Official Selection IFF Australia 2016
4. Official Selection 3rd Chennai Int’l Short Film Festival 2016
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I made this film to describe feelings of lonesome very long and useless wait which is a
phenomenon around me.
Angellin Wijaya (22) graduated from Universitas Multimedia Nusantara majoring in
cinematography (2011). She produced several shorts Nilai, Box, Perception and Pel. Her short
documentaries are “Kami”(2013) and “Jalan Pulang”.
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INDONESIA RAJA 2016: PEKANBARU
HOBBIES GET RESULT
Programmer : Sania Septiani | Nonton Runaway
Duration: 36:10
Age Rating: 13+
These short films is a result of Pekanbaru young generation with similar
hobbies. The low public interest in short-films making in this area does
not hamper their enthusiasm.
Only one director in Pekanbaru submit his films to the programmer.
Therefore I selected several from his works. It’s a pity that there are
not so many filmmakers in Pekanbaru and perhaps the others are still shy
submitting their works to a programmer.
Themes in these selected films can not be separated from local cultural and
community problems. All could be seen in “The Last Civilization” about the
rescue of stolen culture, as well as “Polisi” which tells about traffic culture in
Pekanbaru and a story of child with two different personalities in “Heran?”.
1. Audience response with these three films
2. Which of the film that they like best?
3. strong and weakness points of these films
4. What do the audience think about short films?
5. If the audience is given chance to make a short film, what kind of theme
would be choose?
THE LAST CIVILIZATION
Andy Saputra | MINDSET Pictures | 2015 | Fiction | 20:00
Saving Riau stolen cultural arts stolen by a culture seller.
1st Public Screening: Raystar Café, Pekanbaru
POLISI
Andy Saputra | MINDSET Pictures | 2015 |Fiction | 7:11
Traffic urban culture.
*premiere in Indonesia Raja 2016 Pekanbaru screening
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HERAN?
Andy Saputra | MINDSET Pictures | Fiction | 8:59
A student with two personalities.
*premiere in Indonesia Raja 2016 Pekanbaru screening
Andy Saputra is a student of Universitas Negeri - Pekanbaru majoring in Communication
Studies. At first he learn photography and finally multimedia when he began to direct these
short films. “Film is an expression to convey message through art that touch the heart”
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INDONESIA RAJA 2016: PURBALINGGA
FROM STUDENTS FOR EVERYBODY
Programmer: Bowo Leksono | CLC Purbalingga
Duration: 51:20
Age Rating: 13+
Various themes is presented by students in documentary and fiction
styles. This compilation is produced in one year long production
workshop assisted by CLC Purbalingga to join a competition
in Purbalingga Film Festival (FFP). For the students, the actual
competition has already started since they first enter pre-production
stage and pitch the idea to audience.
1. How do Purbalingga (and vicinity) students raising the issue in the stories of
the film?
2. How do you think the character, both documentary and fiction films made by
Purbalingga’s students and surrounding areas?
3. What are their achievements?
WAKTU MAKAN
Erika Filiyani & Ikhwanto | Banjarnegara | 2016 |
Documentary | 03:32
Every afternoon, Sahid butchered dozens of chickens to feed
carnivorous animals. He has this habbit for more than 15 years in
Serulingmas Zoo, Recreation Park in Banjarnegara.
About Erika Filiyani & Ikhwanto
Both are student in 11th grade Production Engineering & Television Broadcasting program
(TPPPP) at SMK Darunnajah Banjarnegara. Erika Filiyani born in Banjarnegara on May 31, 1999.
Ikhwanto was born on the hill of Ardilawet District, Rembang Purbalingga. Erika began working
in film production during an internship at CLC Purbalingga. “WAKTU MAKAN” is their first
documentary film working together as directors.
PENGANTEN SUNAT
Indri Yani | Purbalingga | 2016 | Fiction | 04:31
For the villagers, circumcised is the ceremonial sign of adulthood.
However, it does not apply to Birin. Despite the circumcision, Birin
still considered as children by Siti.
About Indri Yani
Veiled girl with a mole on his chin is still in grade XI Office Administration major in SMK
Muhammadiyah Bobotsari Purbalingga. Before plunging in the film production, he briefly into
theater for a year at her school. PENGANTEN SUNAT is the first fictional film she directed.
29
GALIAN C
Wely Alfian | Purbalingga | 2016 | Documentary | 13:35
Excavation C always being debated endlessly, so does occurred in
the district of Purbalingga. The unclear mining rules & licensing is
resulting in environmental damage.
About Wely Alfian
Born in Purbalingga, 17 April 1999. Attended Kutasari Purbalingga high school and active in
cinematography Papringan Pictures as an after school activity since 2014. Together with other
members of the activity, he made short films and documentaries, as an editor and director.
SIMALAKAMA
Cindy Jovita | Purwokerto | 2016 | Fiction | 06:54
When honesty used by another person to act dishonestly. It turns
out that we are surrounded by dishonest people.
About Cindy Jovita
Enter the world of cinematography through an after school activity,
in Bruderan high school, Purwokerto. Born in Purwokerto, March 12, 2000 she founded a film
community in the school called Deust Caritas Cinema. SIMALAKAMA is her first film, tells story
about dishonesty among students.
KAMI HANYA MENJALANKAN PERINTAH, JENDERAL!
Ilman Nafai | Purbalingga | 2016 | Documentary | 12:48
Three ex-Cakrabirawa from Purbalingga recounts the events of the
tragedy and the days afterward. Wounds that kept buried unhealed
to this day.
About Ilman Nafai
Born in Purbalingga, August 24, 1999. Now he is sitting in the class X SMA Rembang
Purbalingga. “KAMI HANYA MENJALANKAN PERINTAH, JENDERAL!” Is his first documentary
film.
IZINKAN SAYA MENIKAHINYA
Raeza Raenaldy Sutrimo | Purbalingga | 2016 | Fiction | 10:00
Suryati’s Happiness torn down because her marriage license denial
letter from Suryono’s employer, her future husband, The reason is
that Suryati’s grandfather’s ID is labeled ET. As a soldier, Suryono
must obey his leader.
About Raeza Raenaldy Sutrimo
a football enthusiast, born in Purbalingga, March 15, 1999. He enters the world of film when
joining an after shool activity Pak Dirman Film Cinematography at his school, Rembang
Purbalingga High School. “IZINKAN SAYA MENIKAHINYA” is the second film he directed, right
after the film “Kampung Buruh Migran”.
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INDONESIA RAJA 2016: SEMARANG
THE MARBLES
Programmer: Desmira Margi Utami|Ruang Film Semarang
Duration : 01:05:12
Age Rating: 17+
In the making of a film, filmmakers has his own idealism in deciding
which ideas will be brought to their films.
The majority of filmmakers developed socially acceptable themes ,
such as social issues, love, and children subjects. Our everyday life
can be one of these ideas too, furnished with interesting conflicts and
beautiful cinematography and editing.
These four selected shorts (three fictions and one documentary) bring about
stories of a child, a teenager, and a widow, with their own conflicts telling their
past and humble dreams.
1. Audience appreciation of the films (all four).
2. Which one of the films is the most interesting than the others and why?
3. What do the audiences think about fiction and documentary?
4. What kind of themes would the audiences like to choose if they make their
own films?
SUPIT
Haris Yuliyanto | 2016 | Fiction | 12:43
When his friends make fun of him, a little boy Maman feels pushed
to be circumcised. He also wants something his friends already
have. Maman forces his mother out of his envy to take him to
circumcision ritual.
Award :
Favorited Film Award in Festival Film Polines 2016
ABORC
Fajar Tri Hatmoko | 2016 | Fiction | 20:00
A daughter writes about her step mother’s dark past when she was
younger.
Director statement:
A free sex awareness for young generation.
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INDONESIA RAJA 2016: SEMARANG
INDONESIA DI HENINGKU
Rheza Kurnia Nugraha | 2015 | Fiction | 14:57
A story about Indonesia Independence day - August 17, 1945
celebration meaning.
Filmmaker’s short bio:
Rheza Kurnia Nugraha (20) studies broadcasting at UDINUS, is a
member of Lunatic Work and the director of “Indonesia di Heningku” (Indonesia in My Silence).
He originally comes from Semarang.
BIBI SITI SWITI
Cynthia Natalia | 2015 | Documentary | 17:32
Bibi Siti is a housemaid and a widow who had been married more
than once. Her previous marriage gave her bitter experiences, but
she never learns her lesson, as she is about to be married once
again.
Award:
- Best Short Documentary – General Category, UMN Cinema Festival 6, 2015
- Nominee of Short Documentary – Jogja Documentary Film Festival 2015
- Grand Jury Selection of Best Documentary – XXI Short Film Festival 2016
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INDONESIA RAJA 2016: SURABAYA
TELISIK RELUNG BATIN
Programer: Habibah Melyna | INFIS (Independen Film Surabaya)
Duration: 01:01:51
Age Rating: 13+
These five short films in the program are selected from many
submissions received and are considered representative films
development of the Surabaya & surrounding area.
The filmmakers have their own unique point of views in delivering
their stories. EVICTED tells story about Lapindo mudflow victims. The
latest popular issue about rampant promiscuity is the idea of ALAS KAKI
BERCERITA. Meanwhile a mystery fiction film THE LOST BLOGGER is about the
dissappearance of a blogger. PHANTASMAGORIA is trying to show imagination
freedom while SINESTESIA focuses on nowadays internet phenomenon. This is
an experience of seeing, feeling, and scrutinizing the inner soul.
1. The audience response about these five films.
2. Which is the most interesting out of these five shorts?
3. What is a good short film, in your opinion?
4. How do you define short film?
EVICTED
Danang Sudrajat | CLICK ITS | 2016 | Documentary | 18:40
Sri, Ali and Sulastri, are victims of the Lapindo Sidoarjo mudflow
tragedy nine years ago that were forced to leave their own village
because of a gas drilling fault. The 9-year journey is a struggle and
they must strive demanding their rights so they could go back living
normal as they used to before the tragedy happened.
Award : Official Selection Malang Film Festival 2016
Director’s statement :
I want to devote stories and facts behind the incredible tragedy to the public with victim’s
point of view who felt oppressed having their rights taken for 9 years.
Director’s profile :
A high spirit filmmaker grow in Film Students Unit of Activity in ITS Surabaya. This is the first
directed short film since 2012 that were screened in festival such as MAFI 2016. He would keep
on making films from the heart for all the people out there.
ALAS KAKI BERCERITA
Aditya Aprilianto | Wong Gendeng | 2015 | Fiction | 04:55
It’s a symbolic film about an innocent woman’s journey seeing
different couples having casual sex. She’s astonished and intrigued
to try doing it with a stranger. Finally she’s destroyed.
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INDONESIA RAJA 2016: SURABAYA
If you break it, your dreams and hope will be destroyed and only regrets awaiting.
THE LOST BLOGGER
Aldino Kamaruddin Santoso | Sinematografi Airlangga,Pooreque
Squad Prod., Dargano Enterprise & MKJ’s Film | 2015 |
Fiction | 13:53
Joni is trying to investigate the disappearance of his favorite
blogger.
Award: Official Selection Semarang Film Exhibition 2015
The first film as writer, director and main actor.
Director’s profile :
Aldino Kamaruddin (born 21 March 1994) is UNAIR biology major student that like films.
PHANTASMAGORIA (Rentetan Mimpi)
Mohkamad Adi Sucipto | AdiSucipto Production | 2015 |
Fiction | 08:05
A story of Hilman (19) who meet someone that looks like him. He
follows him and seeing his past events in life with a woman-Aindra
(19). He keeps following until he finally wakes up.
Award :
Nominated in Festival Film Surabaya 2015
This film gives a new expression freedom through the film medium.
SINESTESIA
Bagas Tio Rizki | Mufis Production | 2016 | Fiction | 16:18
A teenage girl,Laras Cahyaning, is trying to prove the real meaning
of internet in life to everyone.
Award :
- Best Movie Komifest Film Festival at Widya Mandala
- Best Cameraman Festival Film Pelajar Sukabumi 2016
- Best Editor Festival Film Pelajar Sukabumi 2016
As Indonesian citizen with intellectual quality, we should be selective in filtering what is good
or bad.
34
INDONESIA RAJA 2016: TANGERANG
SOCIAL PHENOMENON IN SHORT FILMS
Programmer: Noval Badanzie | Alumni Film
Duration: 56:34
Age Rating: 13+
Living in the digital age today demands people to be more sensitive with
the surrounding environment. From technological developments,
fashion and communication, human do not only take advantage
of the phenomenon but also benefit for a purpose of interaction
between other human beings.
With today’s technological development, people’s freedom of expressing
their thought and public debate shine in public media. At the same time people
also become more individualistic and feel hesitant to communicate with one
another.
These selected shorts reflect how human behaving today, especially in the
city of Tangerang and nearby area. We should appreciate these directors and
producers sensitivity and creativity observing the social phenomenon into
works that reflect their community.
As portrayed in RAJAWALI, when someone wish does not comes true then
it becomes just an eccentric small simple light chat. BERDUA SAJA tells the
contrast in the perspective of a big city icon-MONAS as glamor icon for the
hard working busy ignorant society while it’s supposedly a symbol of unity.
SCRIPTEDD is a satire of people in power that led with big lie for the sake
of public image. Meanwhile TANGERANG, KEMARIN is about a busy person
forgetting his obligations at home. Another a short documentary CHILI-CHILIan, showing people’s different opinion about popular social phenomenon.
While some people try their best to improve their life, few seem don’t care at
all and look down on others.
RAJAWALI
Zidny Nafian
Uncle Head | 2015 | Fiction, Experimental | 4:34
In a high place, two boys are talking in the afternoon about the
reason buying motorbike plan is canceled.
Parents-children relationship in Indonesia are depicted through a brief ordinary conversation
with a reverse urban life point of view of how they try to live and enjoy relaxing moments. This
is an experiment on film-making itself, trying to make it automatic and reflexes. Everything
happens in this film is part of a true story.
35
Zidny Nafian grew up in Tangerang and dream of becoming a great artist.
BERDUA SAJA (JUST THE TWO OF US)
Yosafat Disti | WAY pictures | 2014 | Fiction | 10:30
A couple of Papuan student get lost, hypnotized by the dynamics
sparkling of the capital.
Awards:
-Nominated - UCIFEST 2014
-Nominated - Malang Film Festival 2014
-Best film - Brawijaya Movie Exhibition 2014
Inspired by a real-life story of a friend named Elthon about her Eastern Indonesian friend
when they went to Jakarta. They got lost because they tried to memorize their location by
the highrise buildings (which are many in Jakarta). It’s difficult to determine which one is the
highest. I try to picture Indonesia as a vast country with each unique character.
Yosafat Disti Okkaviano
is a student in Universitas Multimedia Nusantara cinematography major. He’s busy with lots of student project and finishing his study.
SCRIPTED
Jethro | Satu Lensa | 2015 | Fiction | 15:18
A girl follows singing competition to change the fate of her parents
after an accident.
Award:
-Best Final Project, UCIFEST UMN (UMN Cinema Festival) 2015
Jethro was born on May 6th, 1992, in Jakarta. He is currently studying Visual Communication
Design in Universitas Multimedia Nusantara (UMN). He got few achievements such as the Best
Editor and Favorite Award in Festival Film Anak 2008, Indonesia, Best Sound Mixer and 2nd
place at Festival Film Anak 2009, Indonesia, Best Editor at Ucifest 4, and some more official
screenings at local festivals At local festivals such as Festival Film Malang, Anti Corruption
Film Festival, etc.. He likes to create shorts which are mostly adopted from social and political
issues.
TANGERANG, KEMARIN
Andrie Sasono Soedibio | IKJ | 2014 | Fiction | 17:00
Rio’s father works out of town. The time when he comes home are
precious time and Rio makes the best of it to be closer to his father
and his environment.
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Award:
-Nominated for Best Film, Ganesha Film Festival 2016
The absence of a father figure in the family is the central theme of why a child is distant with
lots of things including his own family and the surroundings. I am observing this distance to
see how father’s role in bringing up his son to thrive amid dense, modern and consumptive
environment.
Andrie Sasono, born in 1992 starts watching films since a child and fell asleep most of the
time. He starts watching a lot of film in cinema and studied at Film & Television Faculty Institut
Kesenian Jakarta. He’s working as copywriter now, still watches film and write his future shorts
projects.
CHILI-CHILI-AN
Idris | Rabu Senja | 2015 | Documentary | 09:12
Chili-Chilian-an is a social phenomenon according to someone that
claimed as the inventor of the phrase ‘cabe-cabean’ (a group of girls
like to hang out in groups with minimum clothing, overdose make
up, and quasi intelectual style with the latest gadgets, frequently
spotted in the streets and wild race).
Award:
-Best Poster, Presslist, Denpasar 2015
Chili-chilian is not the Indonesian young generation identity.
Profile sutradara:
Idris is a student, born in Jakarta and lives in Tangerang.
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INDONESIA RAJA 2016: YOGYAKARTA
FREQUENTLY HAPPENED, BUT RARELY REALIZED
Programmer: Maria Rosiana Sedjahtera | MINIKINO
Duration : 56:51
Age Rating: 7+
All four short films selected in this program have powerful storytelling
quality. SEMALAM ANAK KITA PULANG with eldery viewpoint tells
about parents and their working far from home child while the other
three films takes children point of view. NILEP tells social issues from
children point ov view, SASI TAKON focus on life & feelings of a child
in modern life and BAWANG KEMBAR pass on moral message not only
suitable for children but also for teenager and adults.
All the different reactions of the characters in these films are caused by their
surrounding stimulation which then psychologically affected their behavior.
SEMALAM ANAK KITA PULANG
Adi Marsono | Four Colours Films | 2015 | Fiction | 12:41
A mother longed for the return of her child. Since the child left
home to work in far away place, mother never hears from her.
Longing ultimately brings shadow of the past and memories of the
child.
Award : Best Short Film, Comedy/Drama Category XXI Short Film Festival 2016
Director’s Statement :
Inspired by stories of Indonesian Migrant Workers that lost touch for years with their familyi.
Some reunited after they’re much older and even become homeless.
How about the families that were left behind? Day by day hoping for news from their loved
one.
Through this film, I am capturing a life of a mother that’s waiting for her child. Her wait and
memories for the child finally creates her own shadow.
Adi Marsono was born in Jogjakarta and studied Antrophology in Cultural & Literature Faculty
UGM. He’s active in theater since highschool & university and start involved in short films
production becomo actor. He learns to make films autodidact by involved as director assistant.
SEMALAM, ANAK KITA PULANG is his first short film as writer and director.
38
NILEP
Wahyu Agung Prasetyo | Ravacana Films | 2015 | Fiction | 9:10
A group of children are gathering in the guard post. They argue
about one child that stole toys until finally they blame each other.
Award :
- Favourite Film Film Pos Indonesia 2015
- Jury Official Selection of Anti Corruption Film Festival 2015
- The Best Short Fiction Anti Corruption Film Festival 2015
- Finalist Short Films Festival Indonesia 2015
- Media Jury Choice of Best Short Drama/ Comedy XXI Short Film Festival 2016
I hope NILEP can meet it’s audience as much as possible through INDONESIA RAJA screenings.
Wahyu Agung Prasetyo (Koclak) born in Jakarta - 5 August 1993. First introduced to films in
komunitas Cinema Komunikasi UMY, he is setting up Ravacana Films.
SASI TAKON
Wawan Sumarmo | Syahdu Film | 2015 | Fiction | 17:00
Sasi, an eight year old child has lice problem. Sasi has difficult
question for mother and with the imagination improves on any
answers given.
Director Statement :
‘Petan’ is an intimate activity of lice removal from other people’s head. Special closeness
between people might not be realized is brought by Petan. A redefinition of touch as a form
of parents-child love. Touch that gives comfort and safe feeling for children to ask freely about
whatever bothering them.
Wawan Sumarmo (1981, Wonogiri, Indonesia) made shorts, music videos, and films for
television since college. His documentary had been screened in several Indonesia & Asia
Festivals. For him, films are not merely duration and genre but a reflection of human world and
how the story is told.
BAWANG KEMBAR
Gangsar Waskito | Studio Kasat Mata | 2015 | Animation | 8:00
Two loving siblings Rara and Puput are playing in the jungle when
they find a giant house. Rara enters and finds a lot of toys and
unique items that they had never seen before including a giant
statue in the middle of a room. Rara accidentally breaks the statue
and upset the giant home owner Nini Buto Ijo gets.
Rara is willing to accept the punishment, but Nini cast a spell on Puput and change the face
into gecko. Nini demand the statue be repaired before sunset or else Puput will be forever ugly.
39
Director’s Statement :
Indonesia has rich folklore stories which most are less relevant with the current situation.
Inspired by Disney, I try to work on a folklore and turns it into a modern version fairy tale with
a hip values.
BAWANG KEMBAR adapted BAWANG MERAH BAWANG PUTIH with reversed character,
BAWANG MERAH (Rara) and BAWANG PUTIH (Puput). Rara is a brave, confident and smart
child while Puput is completely the opposite fearful, naive and dumb. A conflict rises when
Nini Buto Ijo the antagonist character is not actually an evil one. Her most precious statue was
damaged by Rara, obviously she’s angry.
The approach for these antagonist characters are inspired by Ghibli’s conflict without involving
bad guys.
Gangsar Waskito born in Jakarta and grew up in Jakarta. He started active in komunitas film
indie (live shoot), then animation world and was the first feature animation film in Indonesia.
40
PENGHARGAAN / ACKNOWLEDGEMENTS
COORDINATOR
Fransiska Prihadi (Cika)
TECHNICAL & DESIGN
Edo Wulia
PUBLICIST
Tria Nin
LOGO CONCEPT
Andrew Linggar
WEB DESIGN
I Made Suarbawa
ASSISTANT
Retno Mumpuni
Agung Dewanto
Olwin Aldila Perry
PROGRAMMERS
ACEH | ACEH DOCUMENTARY
Abdullah Syatari (Syatari)
BALI | MINIKINO
Tria Nin (Tria)
BANDUNG | LFM ITB
Albertus Wida Wiratama (Obe)
DEPOK | SINEMATOGRAFI UI
Caren R Sabatina (Caren)
GRESIK | GRESIK MOVIE
Shandy Anata M. T. (Shandy)
JAKARTA |
SINEMA 60 & SINEMA KOPI HITAM
Septa Yudhistira Pratama (Septa) &
Siti Anisah (Anis)
JATIWANGI | JATIWANGI ART FACTORY
Bunga Siagian (Bunga) &
Ismal Muntaha (Ismal)
MALANG | OMAH FILM
Lizya Oktavia Kristanti (Lizya)
MEDAN | KOFI SUMUT
Ignasius Loyola W. S. (Ino)
PEKANBARU | NONTON RUNAWAY
Sania Septiani
PURBALINGGA | CLC PURBALINGGA
Bowo Leksono (Bowo)
SEMARANG | RUANG FILM SEMARANG
Desmira Margi Utami (Mira)
SURABAYA | INFIS SURABAYA
Habibah Melyna Elfiani (Habibah)
TANGERANG | ALUMNI FILM
Noval Badanzi (Noval)
YOGYAKARTA | MINIKINO
Maria Rosiana Sedjahtera (Ana)
MINIKINO THANKS TO
Sofia Setyorini
Tintin Wulia
Zakiah
Varadila
Agung Dewanto
Irama Indah, Denpasar
INFORMATION & CONTACT
www.minikino.org
[email protected]
Instagram/twitter
@minikinoevents #indonesiaraja2016
fb page
facebook.com/minikinoindonesiaraja
SUPPORTED BY

katalog - Minikino

Transcription

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