Polaroid Automatic 103

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This creation is copyright© by M. Butkus, NJ, U.S.A.
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CONTENTS
GettingAcquainted
lntroduction
H o wt o o p e n t h e c a m e r a ' . u - u r u .
H o w t o c l o s e a n d c o v e rt h e
.
H o wt o h o l d t h e c a m e r a
H o wt o u s e t h e v i e w f i n d e r
H o wt o f o c u s t h e c a m e r a
P r a c t i c et h e 1 , 2 , 3 s y s t e m
Operation
Page
2
: : : : : : i
5
6
7
8
C h e c kt h e t e m p e r a t u r e! l t ' s i m p o r t a n t
H o w t o m a k e d a y l i g h t p i c t u r e sl i g h t e r o r d a r k e r
.
B l a c ka n d w h i t e p r i n t s m u s t b e c o a t e d
H o wt o u s e t h e C o l d - C l i pw i t h c o l o rf i l m
T r o u b l e s o m el i g h t i n gs i t u a t i o n st o a v o i d .
U s i n g3 0 0 0 s p e e db l a c ka n d w h i t e f i l m i n d i m d a y l i g h t.
F a s tf o c u s i n gf o r p i c t u r e sm a d e w i t h 3 0 0 0 s p e e d f i l m .
F l a s hp i c t u r e s
.
2L
22
23
24
26
27
28
29
Miscellaneous
)
How to load a film pack
H o wt o s e t t h e c a m e r af o r 3 0 0 0 s p e e df i l m
T i p s f o r g o o d d a y l i g h tb l a c k a n d w h i t e p i c t u r e s
H o w t o s e t t h e c a n r e r af o r c o l o r p i c t u r e s
T i p s f o r g o o d d a y l i g h tc o l o r p i c t u r e s
H o wt o t a k e a p i c t u r e
H o wt o d e v e l o pt h e p r i n t
l f n o y e l l o wt a b p o p s o u t
12
L3
L4
15
16
18
, 20
S o m e h e l p f u l a c c e s s o r i e s.
A f i l t e r c a n p e p u p b l a c ka n d w h i t e s c e n i c s .
D e v i c e sf o r c l o s e - u p sa n d p o r t r a i t s.
You must take care of your camera
P i c t u r et r o u b l e s ,t h e i r c a u s ea n d c u r e
P r o t e c tf i l m a n d c a m e r af r o m h e a t .
W h e r et o w r i t e f o r i n f o r m a t i o n
Warranty
L i s t o f r e p a i rs t a t i o n s
www.orphancameras.com
30
31
32
33
35
39
39
39
40
F o l d i n g v i e w l r a n g e fi n d e r
{\
i
I
R a n g e fi n c j e r p u s h b u t t o n
Shutter release
R a n g e fi n d e r p u s h b u t t o n
Smallwhite tab slot
Film Selector
L a r g ey e l l o w t a b s l o t d o o r
L i g h t e n , ' da r k e n c o n t r o l
Shuttercocking lever
flectric eye
Flashoutlet
HOWTO GET THE MOSTOUT OF THIS CAMERA
T h i s i s o n e o f t h e w o r l d ' s e a s i e s t - t o - u s ec a m e r a s , o n c e
y o u u n d e r s t a n d a f e w s i m p l e t e c h n i q u e s . H o w e v e r ,i t i s
v e r y i m p o r t a n t t h a t y o u l e a r n t h e b a s i c o p e r a t i n gs t e p s o r
y o u ' r e b o u n d t o w a s t ef i l m a n d m o n e ya n d b e d i s a p p o i n t e d
w i t h y o u r p i c t u r er e s u l t s .
With this camera, snap all your outdoor pictures in bright
daylight, shoot all indoor pictures with flash.
Before you load your camera with film, please be sure to
r e a d c a r e f u l l yt h e f i r s t t w o s e c t i o n si n t h i s b o o k l e t : G e t t i n g
Acquainted, and Operation (the red edged pages). As you
r e a d t h e t e x t a n d l o o k a t t h e p i c t u r e s ,g o t h r o u g h a l l t h e
m o t i o n so f u s i n g t h e c a m e ? a- w i t h o u tf i l m .
O n c ey o u g e t t h e s i m p l e o p e r a t i n gr o u t i n e d o w n p a t , l o a d
a f i l m p a c k . W e s u g g e s tt h a t y o u s t a r t w i t h 3 0 0 0 s p e e d
b l a c k a n d w h i t e f i l m . P l e a s er e m e m b e rt h a t e v e n t h e f i n e s t
c a m e r a a n d f i l m n e e d s o m e h e l p f r o m t h e p h o t o g r a p h e ri f
t h e y a r e t o p r o d u c eg o o d p i c t u r e s . T h a t h e l p c a n b e s u m m e d
u p i n o n e s e n t e n c e :P l a n a n d t h i n k b e f o r e y o u s h o o t . A s a
starter, read carefully the instruction sheet packed with your
f i l m . T h o s ei n s t r u c t i o n sm a y c h a n g ef r o m t i m e t o t i m e , s o i t ' s
a g o o d i d e a t o r e v i e wt h e f i l m i n s t r u c t i o ns h e e t o c c a s i o n a l l y .
A s a q u i c k g u i d e t o h e l p y o u g e t a g o o d p i c t u r ee v e r yt i m e ,
h e r e a r e s e v e n h e l p f u l h i n t s . T h e y ' r ei m p o r t a n t .
1 . l n d a y l i g h t p i c t u r e sa l w a y sh a v e t h e l i g h t o n t h e s u b j e c t
coming from behind you. For best color pictures place yoqr
'
g u b j e c t si n b r i g h t s u n s h i n e .
2 . M o v e i n c l o s e ,t o g e t a b i g i m a g e i n t h e p r i n t .
3. Ghoosecolorful subjects for your color pictures.
4. Pick a good background, particularlywith f lash.
5. Pull the tab correctly.
6. Time development carefully,
7. Keep an eye on the temperature.
A s y o u g o t h r o u g ht h i s b o o k l e t y o u ' l fl i n d t h e s es e v e np o i n t s
e x p l a i n e di n d e t a i l . T h e y c a n m a k e t h e d i f f e r e n c eb e t w e e n
getting good pictures and poor ones.
www.orphancameras.com
.....t,..
II
I . { O WT O O P E N T H E C A M E R A
c l o v ronr
2 . Y o uc a nl e i c c v e ri r a n Q
I [ : i t f i n c i er rrp a i r chi a c k ;n r a g r t w
e tr l lg r t n
5 . R i r s i1 ; u 1 1 \s6r , I t l r r su n l o c l lcsa r n e rfar o l t .
P H O T O6 . I M P O R T A N T :B e s u r e t o p u l l t h e c a m e r a f r o n t o ' 1 1
r r l i t l t h e r er s a c l e f r n i t ce l i c k a n d t h e l o c k i n gb a r ( a r r o w )s n a [ ] s
6 . P u ! lc a n t e i -f rao n to L rat sf a r a s i t w i l lg o .
i n t o p l a c e . i f t h e f r o n t i s n ' t f u l l y o u t a r t d l o c k e c,l y o L r rp r i n t s
w i l l b e b a c l l yb l u r r e c ia n c l n r a y h a v e l a r g e b l a c l <a,r e a s .
T h i s b o o k l e ti s d e s i g n e dt o f i t n e a t l y i n s i d e t h e c o v e r . u n d e r a s p r i n g c l i p ( p h o t o 2 ) .
H O W T O C L O S EA N D C O V E RT H E C A M E R A
P r e s sd o v r no n t h e l o c k i n g b a r . T l i i s
r e l e a s e st i r e f r o n t o f i h e c a r n e r a . P u s l t
t i l e f r o l t i r r a l l i l i e w a i / L ; n t ! lt t l c c k s .
A m a g n e . th o l i s t t r e f i n d e r L r p ) . F o l d
t h e f i r i d e r c l o w ng e n t l y . T r y n o t t o b a n g
i t o n t h e c ar r e r a .
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lf you have removed the cover: to
r e p l a c e i t s l i d e t h e h i n g e d o w n o ' . , e trh e
l o c k s p r i n g u n t i I i t s n ap s i n t o i r l a c e( t o p ) .
S u ; i n gt h e c o v e r u p a n , - jo v e r ; t l - r e r n a g net on top of tlre canrera '*rillholcj it.
W h e n s t o r i n g t h e c a m e r a b e E u r e t h a t n o t h i n g p r e s s e so n t h e N o . 2
button; if it's depressece
l ven sllghtly,the battery may be drained.
H O W T O H O L DT H E C A M E R A
H O R I Z O N T A LG
: r i p t h e t w o e i r c j s .P l a c ey o u r f c r e fi n g e r so n
: i r , " i. . ' J o1 b u t t o n s ; y c ' r tc a i r e a s i l y 's i r i f t t i - i ei ' r g h tf c r e f i n g e r t o
i , i . 2 b u t t c n . T o s t e a c J tvh e c a m e r a , p r e s s y o u r e l b o ' , r yi sn t e
, , . r i . i; l[L : s ; r e : ; i t i i e c i l n l e r a . ] E a l r r svi o L j rn o s r :
I G ACQUA!NT
GE T T N
ED
V E R T I C A L :G r i p t h e c a n r e r a a s ) , ' c L lw c u l c j f o r a i t o r i z a n | a l
p i c t L r r et,r ; r n i t s o y o u f r i g i t t h a n c l i s b e l o w . B r a c e t l i e c a n r e r a
; l s a in s t v o i t r -f o r e h e a r iz i n c i f a c e .
H O WT O U S ET H E V I E W F I N D E R
-,,w't"f
L o o k i n gt h r o u g ht l r e v i e w f i n d e rv r i n d o i v( a r r o w )y o u ' l l s e e a
b r r g h t , w f ri t e b r o k e n I i n e F r a m e t i r e s c e n e v ' r r t ht t t i s l i r t e .
A i w a y s t r v t c l o o k t i r r o u g ht h e c e n t e r o l t h e w i n d o w a n d
c o n c e i r l r a t eo r y o L ri s u r - r J e cnt ,o t o n t h i : w h i t e l r r i e l f y o u r
6
s L t b l e c it s v e r y c l o s e ( 3 i ' : ,f t , f o r e x a r n p l e ) ,a l l o r , a
tr littleextra
s L ) a c eb e t w e e n v o r l r s u b l e c t a n d t h e t o p f r a m e l i n e ( a b o v e ) .
l f n o t , y o u r n a y a c c i d e n t a l l yc u t o f f t f r e t o p o f s o m e o n e ' s
h e a c li n v o u r o i c t u r e
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G ETTI NG ACQUAINTED
I - I O WT O F O C US T H E C A ME R A
L l c kt h r c u g if re r e a t i i t eb , i p h si 0 o t A
V P u s hN o 1 b u t i o r t s
H o l c il n g t h e c a r n e r a h o r i z o n i a l , p l a c e y o r , r rf o r e f i n g e r s o n
lrothNo. 1 buttons as shown anclpush them all the wav to
y o u r l e f t . L o o k t h r o u g h t h e F o c u s w i n c ol v r a n c l : i i m t h e b r i g h t
srrotin tlre center at a nearbv subject (about 5 ft. away,
f o r e x a n r p l e ) . Y o u s h o u l d s e e t v ' ; oi m a g e s o f y o u r t a r g e t i r r
t h e b r i g h t s p c - r tt :h i s m e a n s t h a t t h e c a m e r a i s n o t f o c Lst e c l
f o r t l r a t d i s t a n c e . P u s h i h e N o . I b u i t o n s b a c l <a n d f o r t l r
u n t i l t l - i et w o i m a g e s b e c o m e o n e - - s l r a r p a n c i c l e a r . N o t v
t h e c a m e r a i s f o c i r s e d . F o r v e r t i c a l l t i c t u r e s ,f o c t r sv ' r i t l tt l t e
c a r n e r a h o r i z o n t a l :t u tr n i t t o a i m a n c l s h o o t .
B E F O R EL O A D I N GF I L M - P R A C T I C E
THE 1, 2,3 SYSTEM
,tf
#t
i
O N E r s f o r f o c u s i n g . L o o k t h r o u g l rt f r e
I o c u s w i r r d o wa l c i a i m t h e b r r g h t s ; r o t
a t i , ; t r r o rsr s r ,br r j e c t s . P r : s h t h e i \ l r _ 1
,. butt O n s ; . r n cp-rla c t r c eb r i r r g i n gt o g e t h e r t i t e
t w o i r l r a i g e so f _ V o u sr r _brl e c t i n t l t e b r r g h t
s p r o tt o n r a k e o n e c i e a r i r n a g e . I ' h e r r
s l r i f t y o L r re y e t o t l t e V r e w w i r r C o l ra : n r i
l r a i l e y o r t r s u i , r l e citl t l t e v , r i t i t e
line.
B
T W O i s f r . t sr h o o t r n g . P r a c t i c ep r e s s i r r l l
t l r e N o . 2 b u i t o n s l o u r l ; , u n t itlh e s h u t t e r
c l i c k s . l n r l i n rl r g h th o l d N o . 2 c l o w na n d
s t a y v e r y s t i l l u n t i i y o u h e a r t ft e s e c o n c l
c l i c k a s t h e s h u t t e rc l o s e s . T h e n y o u
can move and let No.2 up. lf notlrirrg
f r a p p e n sw h e n y o u p r e s sN o . 2 , p e r l t a l : s
y c u 1 o r 5 4 ot o
t reset f.lo.3 (rrglrt)
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THREE is for resetting. Right after
s n a p p t n g a p r c t u r e ,a l w a y s p u s h c l o w n
N o . 3 b u t t o n f i r n r l y u r r t i li t l o c k s a n c
s t a y s d o w n . T h r s r e s e t si l r e s h u t t e r f o r
t h e n e x t p i c t r : r e . l f y o u c io n , t r e s e r
N o . 3 b u t t o n ,y o u w o n ' t b e a b l e t o s l r o o t
y o u r r r e x tp i c t u r e ; n o t i r i n gw i l l h a . r p p e n
w h e n y c l u p r e s s I ' 1 o . 2b u t t o n .
L C I A D l N:GO P E N T H E F I L M P A C K A G
E
operi tire top of tlre bc;<. With color filrn there's a sei of
i i r o L . r n tw
s ;i t l r b l a c k a n d v r h i t ef i l r n t h e r e ' s a c o a t e r . R e m o v e
i l t e s ei - r r dt l t e i r i s t r u c t i o rst h e e t ( g t l e a s er e a r Ji t ) . P u l l o u t t i r r :
i i i r r r p r ; r c ; k a E eH. e r n c l l ei t g e r i t l y , c B r e f u l l y . S a v e t l r e b o x t r . r
t : : i i ( yp r i r r t s i n s a f e l y . l t a l s o c a n b e v e r y u s e fu l ' l , , , l r ecnc a t r i r g
; i i a c k a n c l v ^ ; l r i t pe r i r i t s "
F { o i ct jh e p a c k a g en e a r t h e e d g e s . D o n ' t p r e s s h a r d o n t h e
OPIRATION
n r i d d l eo f t h e p a c k a g e . S t a r t i n ga t t h e c o r n e r ,t e a r o p e n i l r e
e n t i r e s i c l e o f t h e p . r c k a g ea l o n g t h e C o t t e c ll i n e . W h e n t l ' r e
s i d e i s r r p e n , r i p a ; l a r t i i r e f r o n t a r i < lL r a c ko f t l r e p a c k a g e .
L i f t o u t t l r e p ; r c k . D i s p o s eo f t l r e l i t t l e p a c k a g e o f s i l r c ag , r : 1 .
A l r v a y sf r a n c j l et h e p i , l c kb y t l r e e d g e s o n i , " - .
Always open the package and lcad film in the shade, not
i n d i r e c t s u n l i q h t . t o a v o i c tf o g g i n g t h e f i l m .
L O A D I N G( C o n t . )
1.Push
t h eb a c idi o o lra t c h: t i i ec i o owr i i ip o pu p .
2 . 0 p e r ri t a i l t h e w a y . A r e t h e r c l l e r s( a r r o w )
i l e a r r ?l f n o t .c l e a nt h e r na s s h o w nr i np a g e3 3 .
< o v ui n t ot i r ec a r n e r aY. o u ' l l
4 . P u s ht h ep a c iC
i r c l r t s r r a rpn i op a c c .
5 . & 6 . B e s u r et l r ew l r i t et a l l sa r c f r e ea n c n
l o tf o l d e du n d e r . C l o s et l ; eb a c kd o o r . P r e s sb o t l rs i c l e s
f i r r l l ; ,t o b e s L r r teh a tb o t hs r d e sl a t c h .T h eb l a c kt a bo f t l r es a f e t yc o v e r n u s st t i c ko u to f t l r es m a l ls i o t .
l I n o t ,r e c l i c nI i i e b a c k ,i e l d t l r ct a b o u t .
I.0
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3 . H o l dt h e f i l m p a c kb y t h e e d g e sa s s h o w n ,
a n d p u s ht h e c l o s e cein do f t h e p a c ku n d e rt h e
d o o rh i n g ea g a i r r sstp r i n gt e n s i o n .
7 ' & 8 . P u l rt h es a f e t cv o v e a
r i l t h e r v a yo u to f t h ec a m e r w
a i t l r o r sr t o p p i n gD o nt r i p i t
IF I'iOWHITE TAB APPEARS
0 p e nt h , : b a c ko f t h e c a n r e r pa a r t w a , i a r i d l v i i h o u i
.lisluiliri0
t Er 'n t o v r n t! l r ef i l n r1 . r a r : l1i ; l r s i tt i t e l , * , l l f r t
f ; h o i r lu r i ot i t r ' c r p e r r
9 . V / i t l ri h e s a f e t yc o r r eor u t t h e w h i l e
t a b( a r r o w s) h o u l ds t r c ko u t c ; tt h e s n r a l l
s l o t( l i o 4 ) ) o r rt p u t l t i r ew h r t et a b
Y o ur e l o w r c a d yf o r i h e f r r s tp i c t u r e
C l c s et h e b a c ko f t h ec a m e r an.i a k r n g
s r d i : as r r ri o i : k e d
secirrea
l yr t r ti h ey ; l t i t el ; r f r so u t s r r J r
r t ii i r cN o I s l o l
H O W T O S E T T H E C A M E R AF O R 3 O O OS P E E DF I L M
S e t t h e F i l n i S el e c t o r a s S N O W N f o r c i c t u r e s m a d e w i t h
3 0 0 0 s p e e c lb l a c k . a n dw h i t e f i i m
'12
S e t t h e w h it e d o t c n t l r e L i g h t e i r D a r k e n ( L ' D ) c o n t r o l n e x t
. h i s i s t h e N o r n r a ip o s i t i o n .
t o t h e a r r o w ,a s s l r o v , , n T
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TIPSFORGOODDAYLIGHTBLACKAND WHITEPICTURES
U S EB R I G H T ,E V E NL I G H T ,C O M I N GF R O MB E H I N DY O U :
P l a c ey o u r s e l fs o t h e l i g h t o n t h e s u b l e c ti s c o m i n g o v e r y o u r
s h o u l d e r . D o n ' t h a v e t h e s u b j e c t b e t w e e ny o u a n d t h e s u n .
F o r p o r t r a i t sy o u ' l l g e t b e s t r e s u l t sw h e n a c l o u d b l o c k st h e
d i r e c ts u n , o r o n a n o v e r c a s tb u t b r i g h t d a y ,o r i n o p e n s h a d e .
F o r s c e n i c p i c t u r e s ,a v o i d h i g h o v e r h e a ds u n , s h o o t w i t h
t h e l i g h t c o m i n gf r o m b e h i n dy o u a n d f r o m t h e s i d e .
AVOID DIM LIGHT:The shutter moves slowly and your
picture may be blurred. But if you are using 3000 spe.ed
iilm and must make a picture without flash in dim light,
foflow the suggestionson page 27.
W A T C HT H E B A C K G R O U N DT: h e l i g h t o n t h e b a c k g r o u n d ,
b e h i n d y o u r s u b j e c t ,s h o u l d b e i u s t a b o u t a s b r i g h t a s t h e
l i g h t o n t h e s u b j e c t . D o n ' t p h o t o g r a p hs o m e o n ei n t h e s h a d e
i f l h e b a c k g r o u n di s o u t i n t h e o p e n a n d b r i g h t l y l i t . S t r _ o n g
l i g h t b e h i n dt h e s u b j e c tw i l l " f o o l " t h e e l e c t r i ce y e ( p a g e2 6 ) .
M O V El N G L O S E :T h e b i g g e r y o u r s u b j e c t i s i n t h e p r i n t ,
t h e m o r e d e t a i l sy o u ' l l b e a b l e t o s e e . F o r s c e n i c p i c t u r e s ,
OPERATION
t r y t o g e t s o m e t h i n gb i g a n d s o l i d l o o k i n gi n t o t h e f o r e g r o u n d
t o h e l p f i l l t h e p r i n t a n d a d d a f e e l i n go f d i s t a n c e .
T A R E F U L L YF: o l l o wt h e r e c o m m e n T I M E D E V E L O P M E NC
d a t i o n s i n t h e f i l m i n s t r u c t i o ns h e e t . T h e s e m a y c h a n g e
from time to time. With black and white film no harm is
done if you overdevelopfor a few extra seconds; in fact, it
m4y improve some pictures. However,if you developfor less
t h a n t h e r e c o m m e n d e dt i m e , y o u r p i c t u r e s w i l l b e o f p o o r
q u a l i t y ,w i t h a g r a y ,w a s h e d - o u tl o o k .
K E E PA N E Y EO N T H E T E M P E R A T U R EC: o l d w e a t h e rc a n
affect the quality of your pictures. Be sure to read page
2 1 , w h i c h e x p l a i n sh o w t h e t e m p e r a t u r ea f f e c t sy o u r p i c t u r e s
and whatto do about it.
l F Y O U R P I C T U R El S T O O D A R K O R T O O L I G H T : U s e t h e
L / D c o n t r o l a s s h o w no n p a g e 2 2 t o m a k e t h e n e x t o n e o f t h e
s a m e s u b j e c t , i n t h e s a m e l o c a t i o na n d l i g h t i n g c o n d i t i o n s ,
come out exactly as you want it to.
Never try to use flash with daylight pictures.
H O W T O S E T T H E C A M E R AF O R C O L O RP I C T U R E S
S e t t h e F i l m S e l e c t o ra s s l t o w n a b o v e f o r a l l c o l o r p i c t u r e s .
S e t t h e L i g h t e n D a r k e n c o n t r o l ( r r g h t )t o N o r m a l , a s s h o w n ,
w i t h t h i s e x c e p t r o n .o n s o m e c o l o r f i l m p a c k s y o u ' ! l f i n d a
p r r r r t e dt n s t r u c t i o nt e l l i n gy c r i t o s e t t h e L D c o n t r o io n e m a r k
t o w a r d L i g l r t e nf o r a l l p i c t u r e sm a d e w i t h t h a t p a c k . P l e a s e
f o l l o w t l ' r o s ei n s t r u c t i o n s w l r i c h m a y v a r y f r o r r rp a c k t o p a c k ;
t h e y a r e i m p o r t a n t . T l r e n e w p o s i t i o no f t h e L I D c o n t r o l t h e n
b e c o m e st h e N c r m a l s e t t i n gf o r a l l p i c t u r e sm a d e w i t h t h a t
pack You can still nrake your pictures lighter or darker
( p . 2 2 ) w i t h t h e L / D c o n t r o l . l f t i r e r e ' sn o s p e c i a l i n s t r u c t i o n
on the pack, set the LiD control to Nornralas shororn.
C h e c k a l l c o l o r p a c k s f o r s p e c i a l L I D c o n t n o li n s t r u c t i o n .
r4
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;
TIPSFORGOODDAYLIGHTCOLORPICTURES
A ;' OPERATION
ilu
U S E B R I G H TS U N , C O M T N GF R O M B E H T N Dy O U : y o u , t l
g e t s t r o n g e s tc o l o r s i f y o u r s u b j e c t i s i n b r i g h t s u n ( b u t y o u
c a n a l s o g e t p l e a s i n gr e s u l t s o n a n o v e r c a s tb u t v e r y b r i g h t
day). Standso the light on the subjectis comingoveryour
s h o u l d e r . D o n ' t h a v e t h e s u b j e c t b e t w e e ny o u a n d t h e s u n .
A V O I D D I M L I G H T :T h e s h u t t e r m o v e s s l o w l y a n d y o u r
p i c t u r em a y b e b l u r r e d .
M O V El N C L O S E :T h e b i g g e r y o u r s u b j e c t i s i n t h e p r i n t ,
t h e m o r e c o l o r a n d d e t a i ly o u ' l l b e a b l e t o s e e . F o r s c e n i c
p i c t u r e s ,t r y t o g e t s o m e t h i n gb i g , s o l i d l o o k i n g ,a n d c o l o r f u l
intothe foreground.
F O C U SC A R E F U L L YF: o c u so n t h e m a i n s u b j e c t . l t w i l l b e
s h a r p , b u t o b j e c t s m u c h f a r t f i e r o r n e a r e rt h a n t h e s u b j e c t
may be fuzzy.
W A T C HT H E B A C K G R O U N DT: h e l i g h t o n t h e b a c k g r o u n d
should be just about as bright as the light on the subject.
D o n ' t p h o t o g r a p hs o m e o n e i n t h e s h a d e i f t h e b a c k g r o u n d
i s o u t i n t h e o p e na n d b r i g h t l yl i t . T h e s t r o n gl i g h t b e h i n dt h e
s u b j e c tw i l l " f o o l " t h e e l e c t r i ce y e ( s e e p a g e2 6 ) .
H A V E P L E N T YO F C O L O R :L o o k f o r s u b j e c t s a n d b a c k g r o u n d sw i t h s t r o n g , b r i g h t c o l o r s i n b i g , s o l i d c h u n k s . l f
t* ''
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'*''
y o u r s u b j e c t i s n ' t w e a r i n gc o l o r f u l c l o t h e s ,a d d c o l o r w i t h a
b r i g h t s h i r t , s c a r f ,o r j a c k e t . O r , f i n d a c o l o r f u l b a c k g r o u n d
- a n y t h i n gt h a t w i l l f i l l a t l e a s t o n e - t h i r do f t h e p i c t u r e a r e a
w i t h s t r o n g ,s o l i d c o l o r .
T A R E F U L L YF: o l l o wt h e r e c o m m e n T I M E D E V E L O P M E NC
d a t i o n s i n t h e f i l m i n s t r u c t i o ns h e e t . T h e s e m a y c h a n g e
f r o m t i m e t o t i m e . U s e a n a c c u r a t et i m e p i e c e . l f y o u h a v e a
P o l a r o i d D e v e l o p m e n tT i m e r , c h e c k i t o c c a s i o n a l l ya g a i n s t
a w a t c h w i t h a s e c o n d h a n d ; i f i t ' s f a s t o r s l o w , a l l o wf o r t h i s
w h e n d e v e l o p i n gy o u r p i c t u r e s . A f e w s e c o n d so v e r d e v e l o p m e n t i s n o t h a r m fu l , b u t p r i n t s t h a t a r e m u c h o v e r d e v e l o p e d
m a y l o o kt o o b l u i s h ;t h o s et h a t a r e n ' td e v e l o p e dl o n ge n o u g h
w i l l h a v ea p i n k i s hc a s t a n d t h e c o l o r sw i l l b e w e a k .
K E E P A N E Y E O N T H E T E M P E R A T U R EC: o l d w e a t h e r o r
e x c e s s i v eh e a t c a n a f f e c t t h e q u a l i t y o f y o u r p i c t u r e s . B e
sure to read page 21, which explainshow the temperature
a f f e c t sy o u r p i c t u r e sa n d w h a t t o d o a b o u t i t .
l F Y O U R P I C T U R El S T O O D A R K O R T O O L I G H T : U s e t h e
L / D c o n t r o la s s h o w no n p a g e 2 2 t o m a k e t h e n e x t o n e o f t h e
s a m e s u b j e c t ,i n t h e s a m e l o c a t i o na n d l i g h t i n gc o n d i t i o n s ,
c o m e o u t e x a c t l ya s y o u w a n t i t t o .
N " u " , t l y ' t o u s e f l a s h w i t h d a y l i g h tc o t o r p i c t u r e s .
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OPERATION
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S H O O T : F i r - r r l yb u t s r n o o t h l yp r e s s b u t t o n N o . 2 , t h e
s h u t t e r r e l e a s e ,u r i i i l y o u h e a r a l o u r j c i r c k D o n ' i
- y o L r n r a y s l ' r a k ei h e c a n - r e r a . W i r e n t a k i n g
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aylight. hold No.2 clc.rwn
i r C t u r e s I n t l l e s i i a c i eo r i n c ji r r c 1
. r n a i ( i o n ' t m o , ; e u n t i l y o u l r e , , rar s e c o n d c l i c k ; - i st h e s h u t t e t
' ( r S , e S ^I l r e n l e t N o 2 b L r t t o nc o m e L J
[)
T l ' r i sr e s e t st h e s h r - r t t esro y o u ' l l b e r e a d y f o r t i r e n e x t o i c t u r e .
A i w a y s r e s e t N o . 3 r i g h t . j v / a y ; i f y o u c l o n ' t ,n o i i : i n g w i l l
i r a p p e nn e x t t i n r e y o u ; l r e s s N o 2 b u t t o n t o s l r o o t .
I7
I - I O WT O D E V E L O PT H E P R i N T
F t r s tt,h es r t r a w
l l h i t et a l t . P u l lt t a l l t h ev ; a yo u to f t h ec a m e r a D o l ' t b l o c kt h ed o o r( a r r o w )
s m a l l w h i t e t a b b e t w e e nt h e t h u m b a n d f o r e f i n g e ra n d p u l i
it straightoui of the camera, all tire way, without stopping.
V / l r e ny o u p r r l l t h e w h i t e t a b o u t , a c o n c e a l e d d o o r ( a r r o w )
o p e n s a n d a y e i l o r , vt a b p o p s o u t . D o n ' t b l o c k t h i s c l o o r i n
a n y w a y w f r i l ep u l l i n gt h e t a b s .
Pulling the small white tab does not start development.
I t o n l y p r e p a r e st h e f l i m f o r t h e n e x t s t e p , w l r i c h i s p u l l i n g
the yellow tab. Grip the yellow tab in the center so it urill
c o m e o u t s t r a i g l r tw h e n y o u p u l l i t o u t o f t l r e c a m e r a . l f y o u
p u l l t h e y e l l o v ;t a b o u t a t a n a n g l e , o n e e d g e o f y o u r p ; i c t u r e
may not developproperly.
18
N e x t ,t h e l a r g ey e l i o wt a b .
l f n o y e l l o wt a b p o p s o u t w l r e ny o u p u l l t h e w h i t e t a b , s r o p .
D o n ' t p u l l a n o t h e r w h i t e t a b . P a g e 2 0 s l - r o v r ys o u w h a t t o c l o
in this situation.
Never pull a white tab when you can see a yellow tab. lf
you do so accidentallyd
, o n ' t p u l l t h e y e l l o wt a b s t h a t a p p e a r
or you'll spread developerall over the rollers. Instead,as
s l t o w no n p a g e 2 0 , c a r e fu l l y o p e n t h e c a m e r a b a c k , d i s e n g a g e
t h e t a b s f r o m t h e t a b s l o t a n d r o l l e r s ,r e m o v e r n e c r u m p l e c J
p r c t u r ea s s e m b l i e s ,a n d c l o s e t h e b a c x .
W h e n y o u p u l l t h e y e l l o w t a b , h o l c lt l r e c a n r e r a s o t h e l e n s
f a c e s s t r a i g h t a h e a d o f y o u , r r o t p o i n t i n g d o r a r n .T h i s , p l u s
g r i p p r n g t h e c e n t e r o f t l r e t a b , h e l p s y o r rt o p u l l i t o u i s t r a i g h t .
www.orphancameras.com
P U L LS T R A I G H TP, UL L S W I F T L Y
OFERATION
'€*a,,
"\*
f
P L r rl it s t r a r g ior tu to f t h ec a m e r as,v ' i i f t l yB. e g i nt i m i n gd e v e l o p m e n t .
L i f to f f t h e w h r t ep r i n tq u i c k i y .
Pull the yellow tab straight out of the camera aiI the u/ay,
s w i f t l y , w i t h o u t n e s i t a t i n g . T h i s s t a r t s d e , y e l o p m e n to f y o u r
p i c t L r r es, o b e g i n t i m i n g a s s o o n a s y o u g e t t h e t a b o u t . H o w
f a s t i s a s w i f t p u l l ? l t s h o u l d t a k e a D o u ta s l o n g a s i t t a k e s
y o u t o s a y " P U L L l l " b r i s k l y ,e a c h t i m e y o u p u l l t h e t a b . l f
V o L r pr i c t u r e i s f u l l o f r , n r h i st ep e c k s , p u l l a b i t s l o w e r .
The picture develops outside the camera. while it's dev e i o p i n g ,h o l r l t l r e t a b b y t i r e y e l l o w t i p , o r l a y t h e p i c t u r e
; i s s e n i b l yd o w n f l a t . [ J o n ' tt o u c h o r b e n d t h e w h i t e p a p e r o r
l r l t i t o f f . O u t d o o r s ,d o n ' t l e t t h e p i c t u r e a s s e m b l yf l a p i n t f i e
b r e e z e . D e v e l o pt h e p i c t u r e f o r t h e f u l l t i m e r e c o m m e n d e d
r r rt l i e f i l m i n s t r i r c t i o ns h e e t .
A f t e r t h e r e c o m m e n d e dd e v e l o p m e n t i m e , q u i c k l ys t r i p t h e
w h i t e p r i n t o f f t l r e b r o u / np a p e r s t a r t i n g f r o m t h e e n d n e a r e s t
t o t h e y e l l o wt a b . A c o l o r p r i n t w i l l l o o k n e a r l y d r y , b u t d o n ' t
touch the face for a few minutes. lt will harden to a rough,
g l o s s yf i n i s l t . W l r e n i t i s d r y , r n o u n t i t o n a c o l o r p r i n t r r r o u n t ,
w h i c h i s s u p p l i e dw i t h t h e f i l n r .
D c n ' t t o u c h t h e f a c e o f b l a c k a n c l r r i hi t e p r i n t s . Y o u m u s t
c o a t t h e m t o p r e v e n t f a d i n g a n c jo t l r e r d a n r a g e ( s e e p a g e 2 3
for how to coat prints).
T o a v o i d c o n t a c t w i t l - rc l r e m i c a l s l e f t a f t e r t h e p r i n t i s r e m o v e c i ,f o l d u p t i r e n e g a t i v e w i t h t h e m o i s i s i d e i r i . P l e a s e
put it in a waste basl<eo
t r fiirn bcx. Don't be a littertrug.
F o l cuj p t l r er i e g a t i v e .
I F N O Y E L L O WT A B P O P SO U T W H E N Y O U P U L L T H T W h I T E T A B , S T O P !
D o n ' t p u l l a n o t h e r v ; h i t e t a b . I n s t e a d ,g e r i t l y o p e n t h e
camera back iust enoughto get one finger under it to fiold
down the film pack and keep rt in place. Do thrs indoors
o r i n t h e s h a d e . W h i l e h o i d i n gt h e p a c k d c w n l i g h t l yw i t h a
f i r r g e r t i p( p ; i c t u r ea t l e f t ) s l o w l yo p e n t i - r eb a c k a l l t h e w a y a n d
t a k e h o l d o f t h e t o p m o s t y e i l o u . rP U L L t a b , a s s h o r r u na b o v e .
G e n t l y p u l l t h e e n t i r e p i c t u r e a s s e m b l y a l l t l - r ew a y o u t o f
tire 5;ackand discarci rt Don't trv to save it \ / h i l et h e b a c k
r - i c t o r s o p e n c l t e c k t i r a t t h e r o l l e r sa r e c i e a n ( p 3 3 )
C l o s e t l r e h a c k o f t h e c a m e r a , n r a [ < i n gs u r e t h a t t h e n e x t
w h i t e t a b s t i c k so u t o f t h e s n r a l ls l o t n e x t t o N c . 4 . C h e c k t l r a t
b o t l i s i c j e so f t h e b a c k l a i c h s e c u r e l V .
,,,,'ili'
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IT'S IMPORTANT
CHECKTHE TEMPERATURE!
Cold and heat have a great effect on the way your picture
d e v e l o p sa n d o n t h e p r i n t q u a l i t y . E v e n m o d e r a t ec o l d c a n
r u i n y o u r p i c t u r e su n l e s sy o u t a k e p r e c a u t i o n s .
The important factor is the temperature of the camera
and film at the time you're developingthe picture.
A l o a d e dc a m e r a c a r r i e d o u t d o o r si n c o l d w e a t h e rf o r h a l f
a n h o u r g e t s t h o r o u g h l yc h i l l e d . l f y o u t h e n e n t e r a w a r m
h o u s ea n d a f e w m i n u t e s l a t e r s h o o t a f l a s h c o l o r p i c t u r e
t h e r e s u l t sa r e l i k e l y t o b e b a d . l t t a k e s a l o n g t i m e f o r a
c o l d c a m e r aa n d f i l m t o w a r m
$p.
H o w e v e r ,i f c a m e r a a n d f i l m a r e i n d o o r s a n d w a r m , y o u
c a n s t e p o u t s i d et o s n a p t h e c h i l d r e n i n t h e s n o w , p o p b a c k
i r i a g a i n i n a m i n u t e a n d d e v e l o pt h e p i c t u r e n o r m a l l y .
I n c o o l w e a t h e r , d e v e l o p m e n tt i m e s m a y h a v e t o b e a d j u s t e d a c c o r d i n gt o t h e t e m p e r a t u r e . T h e i n s t r u c t i o ns h e e t
w i t h e a c h f i l m p a c k c o n t a i n sd e t a i l e d i n f o r m a t i o na b o u t d e v e l o p m e n tt i m e s a n d t e m p e r a t u r e s . B e s u r e t o r e a d t h e s e
r e c o m m e n d a t i o n st ;h e y m a y c h a n g ef r o m t i m e t o t i m e .
I n v e r y h o t w e a t h e rt h e r e i s a g r e a t e rt e n d e n c yf o r c h e m i c a l st o b e s q u e e z e do u t o f t h e e d g e so f t h e p i c t u r ea s s e m b l y
as you pull the yellowtab to begin development. lf these
c h e m i c a l sc o l l e c to n t h e s t e e l r o l l e r st h e y c a n c a u s e d e f e c t s
i n y o u r p r i n t s . S o , w h e n i t ' s h o t , b e e x t r a c a r e f u lt o k e e p t h e
r o l l e r sc l e a n ( p a g e3 3 ) .
OPERATION
HOW TEMPERATUREAFFECTSCOLORFILM
T h e n o r m a l d e v e l o p i n gt i m e s f o r c o l o r f i l m a r e s e t f o r
t e m p e r a t u r e so f 7 0 ' F a n d w a r m e r . W h e n i t ' s a b i t c o o l e r
t h e a c t i o n o f t h e d e v e l o p e rc h e m i c a l ss l o w s d o w n a n d y o u
must developfor a longertime. See the film instruction
s h e e tf o r m o r e d e t a i l s .
W h e nt h e t e m p e r a t u r eg e t st o 6 5 ' F a n d b e l o w ,t h e c h e m i c a l
action is so sluggish that the picture won't develop well
w i t h o u t h e l p . T h a t h e l p i s t h e C o l d - C l i p( p a g e 2 4 ) . P r i n t s d e v e l o p e di n c o l d w e a t h e rw i t h o u t u s i n g t h e C o l d - C l i pw i l l
be dark,with muddycolors.
Whenever it's cool enough so that you must wear warm
clothes, use the Cold-Glipfor all color pictures.
Y o u ' l l g e t y o u r b e s t c o l o r s i n p i c t u r e sm a d e i n p l e a s a n t l y
warm weather.
B u t w h e n y o u ' r e s w e l t e r i n ga n d c a n t h i n k o n l y o f a c o o l
d r i n k a n d a s w i m , i t m a y b e t o o h o t f o r b e s t r e s u l t sw i t h c o l d r
film; your prints may show weak colors.
E F F E C T SB L A C KA N D W H I T E F I L M
H O W T E M P E R A T U RA
T h e f i l m ' s n o r m a l r a n g e o f d e v e l o p i n gt i m e s g i v e s g o o d
r e s u l t s i n t e m p e r a t u r e so f 6 O ' Fa n d a b o v e .
When the temperature of film and camera is below 6OoF,
develop for a longer-than-normaltime. For details see the
f i l m i n s t r u c t i o ns h e e t .
Never use the Cold-Clipwith black and white film.
HOWTG MAKT DAYLIGF{P
T fC T U R T SL I G H T T RO R D A R K E R
,&r
,
'ii:'),'
*
,:t'€
':lit'
,
T l i r st su r e iei x p o s e.c. j i e a v e
i h eL Dc o i r t r ohie r e .
*a
lf il'q tnn liohf
( v v
r r t ) ' r r
s e tt h e L D c o n t r ohl e r e
l f r t ' st o od a i - k
rc
i \ 4 o s tp i c t i - r r e rsn a c J ew i t h f - h el i g h t c o m i n g f r o m b e h i n d y o u
{ ) r { r c . , nt ri r e s i c l ew i l l i ; e w e l i e x D o s e c w
- li t h t h e L D c o n t r o l a t
N o r m a l p o s ! t i c . r(rl re f t . a b o v e ) , b u t s o r n e t i m e sy o u m a y p r e f e r
a l i g l i t e ro r d a r k e r p r i n t T o l i g l r t e no r d a r k e n t h e n e x t p r i n t
o f t l r e s a r - n es u b j e c t , i n t l i e s a r y r el i g h t i r r gc o n c l i t i o n s a, d j u s t
s e tt h e L D c o n t r ohl e r e .
re
tfreL D corrtroa
l s s l r o w n .T o r n a k e a s n r a l l c h a n g e , t u r n o n l y
t o t i t e f i r s t s m a l l r n ar k . O n s o m e c o l o r f i l r n p a c k sy o u m a y f i n r l
a p r i n t e d i n s t r r : c t i o na d v i s i n gy o u t c ; s e t t h e L D c o n t r o l o n e
mark towarcL
i i g h t e nf o r a l l p i c t u r e sm a d e w i t l r t h a t f i l m p a c k .
P l e a s ef o l l o w t i r o s e s u g g e s t i o n s
www.orphancameras.com
To lighten or darken flash pictures: see the instructionsheet for the flashgun.
B L A C KA N D W I - I N T E
P R I N T SM U S T B E C O A T E D
t l l a c k a n d w h i t e p r - i n t ss h o u l d b e c o a t e d a s s o o n a s i t i s
coTrveirien
t ot c io s o - w i l h i n i w o h o u r s , i f p o s s i b l e . c o a t i n g
l r r o t c c t st i - r e f a c e o f t h e t r r r i i l tf r o r r i s c r i i t c h e s , f i n 5 : e r p r i n t s ,
; r n r 1f a c li n g .
I r i e a c h c l a c k a n d w h i t e f i l m b o x t h e r e ' sa t u b e c o n t a i n i n g
a c o a t e r . T h r s i s a w a d o f a b s o r b e n t m a t e r i a l s o a k e c iw i i i r
a c l e ; r rl r q u i d ;r t ' s i n a p l a s t i ch a n d l e .
L a v t t r e p r r n t , f a c e u p , o n a c l e a n s m o o t h s u r f a c e ,s u c h a s
p r e s si t f l a t
f l e n r o v et h e c c i a t e rf r o r n t l r e t r -br e . s p r e a d t h e r i q u i d s t r a i g h t
a w a yt r o m y o u o v e r i l r e f N T I R E p r i n t , i n c l u d i n gt h e b o r c i e r s .
l l s e 6 i o 8 s t r a i g h t o v e r i a p r ; - . r rsntgr o K e s a n d n r o c j e r a t ep r e s _
s r r r e . D o n ' t s c r a t c ht h e p r i n t w i t h t h e e c l g eo f i l r e c o a t e r . T o
g e t r n o r e l i c l u i c lo r i t o f a p a r i l y u s e d c o a t e r . p r e s s i t c lo w n o n
t l r e n e a r e n r l o f t l i e p r r n t , t fr e n s p r e a d t h e s q u e e z e d _ o u t
r cu1i d a c r o s st h e f : : c e o f t i r e p r i n t .
T i r ec o a t i n gd r i e s q u i c k l y a n d f o i - m sa t o u g h p r o t e c t i v el a y e r
o , " , e i - t hi er n a g e , F o r m o r e d e t a r l s a b o u t c o a t i n g s e e t h e f i l m
r r r s t r u c t r osnh e e t . K e e p f r . e s h l yc o a t e d p r i n t s a r w a V
from eacfi
o t l r e r ,o r t h e y v ; r l ls t i c k t o g e t h e r .
N E V E RT R Y T O C O A T C O L O RP R I N T S!
frPHRATION
' . ' |. ' ,
_
,.:
,.,
",'';.
'l;';
;.
. , ..
W I T H C O L O RFI LM
H O WT O U S ET H E C O L D - C L I P
l - h e C o l d - C l i pw, h i c h c a n b e s t c r e d i n
your canlera cover urirennot in use,
r n ak e s r t p o s s i b l e t o g e t g o o d c o l o r
prcturesin low temperatures (65 F.
o r b e l o w ) l f y o u a r e L l n s u r ec f t h e
t e n r p e r a t u r e ,u s e t h e C o l d C l r p a n y l t m a y m a k e a n o t i c e a b l ei m way
p r o v e m e n ti n t l r e c o l o r o f y o u r F r i c t u r e s
and it can do no harm even if the
t e r n p e r a t r t r ei s s o r n e w h a ta b o v e 6 5 F .
Tc use it, take rt out of the camera
c o v er a n d p u t r t i n a w a r m i n s i d e p o c k e t
f o r f i v e n r i n u t e sb e f o r ey o u s t a r t t a k i n g
p i c t u r e ss o t h a t t h e C o l d C l i p w i l l b e
v / ar m e d b y b o d y h e a t
www.orphancameras.com
24
l f t h e t e m p e r a t u r eo f t l r e c a m e r a a n d
f r l n ri s 6 5 F . o r b e l o w w h e ny o u d e v e l o p
t h e p i c t L l r e ,u s i n g t h e C o l d C l i p , y o u
s l r o u l de x p o s e y o u r c o l o r p i c t u r e sw i t l t
t h e L D c o n t r o l s e t t w o m a r k s t o w ar d
L r g h t e n ,a s s h o w n h e r e . l f t h e N o r m a l
position of the L D control for that
film pack alreadyis one mark toward
L i g l r t e n ,s e t t f r e L D c o n t r o l t w o a d d i tiorral marks toward Lighten for the
concJitrord
r se s c r ib e d a b o v e .
OPERATION
l*l
A s s o o n a s y o u h a v e p u i l e c Jt i - r ey e l l o w
tab to remove ihe picture assembly
from the camera ancl start develop
ment, p;lace tlre assembly rnsrde tf-re
Cold Clrpr v,rith the tab hanging out
Tliis must be done within 10 seconds
P u t t i r eC o l d C l r p b a c k r n a w a r n r s p o t :
an inside pocket next to body heat
w h e n t l r et e m p e r a t u r er s 6 5 F t c ; 4 0 F
T o g e t e f f e c t i v ew a r m i n g a t n e a r f r e e , : i n g t e m p e r a t u r e s( 4 0 F o r b e l o w ) i r o l d
the ColdClrp betweenbcdy and Arm,
b o t i r t o p r e h e a t t h e C l i p a r r c tJo c l e v e l o p t
t l - r ep r c t L r r e s
D e v e l o pt h e p r c t u r e f o r 6 0 s e c o n d s
i n s i d e t h e C o l d - C l i p t, h e n r e m o v e t h e
picture assembiy and separate the
printfrom the negative.
Never use the Cold-Clip for black and white pictures.
lnstead" follow tlre
cold weather directions on the instruction sheet packed with each box of film.
T R O UB L E S O M
E L I G H T I N GS I T U A T I O N ST O A V O I D
:. r.; | .)1tta..:It!:^
i:a:... " .'
...::.
S u b ; e ci tn s h a d eb, r i g h st u nb e h i n c i
W f - r e ny o u a i m V o u r c a m e r a a t a s u b j e c t , t h e e i e c t r i c e y e
m e a s u i ' e st h e b r - i g h t n e sos f t h e e n t i r e s c e n e a n d s e t s t h e e x p o s u r ef c r w h a t i t " s e e s " t f r e r e A s l o n g a s t h e l i g h t o n t h e
r r a i n s u b l e c t i s 1 r , i sat b o u t a s b r i g f r ta s t h e l i g h t o n t h e r e s t o f
t i r e s c e n e ,t h e p i c t u r ew i l l b e w e l l e x p o s e d
H o w e v e r ,i f m o s t o f t h e l r g h t c o m e s f r o r n b e f - r i n cy lo u r s u i : 1 e c t ,o r i f t h e l i g h t o n t h e b a c k g r o u n d i s m u c i r b r i g l ' i t e tr l - r a n
t h e l i g h t o r i t h e s u b l e c t ,t h e e i e c t r i ce y e w i l l b e " f o o l e d " a r i t j
y o L r rp i c t L r r €v r i r lci o n r e o L r t o o d a r k . T h a t ' s w h a t h a p i l e n e c lr n
F a c et u r n e do u t o f h r t g hst u n
t h e t h r e e p i c t u r e s i t u a t i o n ss h o w n a b o v e . T h e s u b J e c t ' sf a c e
i s i n t h e s l r a d e ,b u t t h e b a c k g r o u n di s b r i g h t l y l i t R e s u l t .
e x p o s u r et r o u b l e
T r y t o a v o i d t h e s e t r o u b l e s o r n el r g h t i i - rcgo n d i t i o n s l f y o u
h a v , et o s h o o t a s h a d e d s u b l e c t a g a i n s t a b r i g h t b a c k g r o u r r d
o r a s t r o n g l i g f t t ,t u r n t h e L D c o n t r o l a i l t l r e w a y t o L i g l i t e n
T h e b e s t w a y t o b e a t t h i s p r o b l e m i s t c a r r a n g ey o u r s u b ; e c t s s o t l r e l i g h t o n t h e m c o n r e sf r o m b e h i n d y o L ro r f r o n r t h e
s i c l e T h e n s e t t h e L D c o n t r o l t o N o r r n al p o s i t i o n
www.orphancameras.com
U S I N G3 O O OS P E E DB L A C KA N D W H I T E F I L M I N D I M D A Y L I G H T
SPHRATION
:**"';#ii'
or c]oor"
S e tt h ec a m e r a
0 n a s o l i ds u r f a c ep,r e s st i i e i : a c i i
o f i t d o ' , ^ fi ri ri n i l yt c p r e v e nnt i o v e m e n t .
R e s ty o u re l b c v . o
r si t s c r l e i l l f t !
In dim light hold No. 2 button down and stay very still until you hear the
seeond click as the shutter closes. Then you can rnove anti let No. ? up.
w i t l t 3 0 0 0 s p e e c ib l a c k a n c i w h i t e f i l r n y o u c a n s h o o t p i c
i u t r e sw i t h o u t f l a s l r i n t h e s h a c i e o r o n a d a r k , c l o u d y c j a y .
P r o v i d e dt h a t t h e l i g h t o n t h e s u b j e c t i s e r . r e n
and there are
n o c e e p s h a c o w s c r b r i g h t l r g h t s o u r c e s i n t h e s c e n e ,t h e
e l e c t r i c e ' y ec a n r r a k e a i c n g i : u t c o r r e c t e x p c s L r r e- i t m a y
b e 1 7 ' 1 0s e c . o r a s m L t c l ta s a f u : i l s e c c n c j .W h a t e r . , ei rt i s , t i r e
c a m e r a m u s t b e r c l c k s t e a c l yo r p i c t u r e s v ; i l l b e l : l u r i ' e d .
H e r e a r e s h o w n s o m e w a y s c t s t e a d y i n g t t - i ec a n t e r a .
F o r b e s t r e s t : l t sw i i l t c o l o r f i i r r ry o u s l r o u i , Ja l ! r , ' o ! lsi a v e y o u r
s u b j e c t si n b r i g h t d a y l i g h t .
F A S TF O C U S I N GF O R
P6rl13itS
u p c i o 5 3j
s " t t i i e s c a l eh e r e V
ic 5 fi.
3 O O OS P E E DF IL M
S c e n r c es v, e r y t h i nbge y - c ni iCl f t .
s e tt h es c a l el t k et l t t s V
G r o u P sc t i r e rs u i - i l r i i s
u s et h i ss e t t i n q Y
l f t h e r e ' s 3 O O Os p e e d b l a c k a n d v ; h i t ef i l m ! n t h e c a m e r a
: i n c jy o u ' r e s h o o t i n g o u t d o o r s i n d a y l i g h t . i t ' s n o t a i w a y s
l e c e s s a r yt o l o o k a t y o u r s u b j e c tt h r o u g h t l r e F c c u sv . z i n c i o w
i l o r d e r t o g e t s h a r p p r c t u r e s . i u s t i r u s ht i i e N o . 1 b t t t t o n s
i o p l e s e t t h e F a s t F o c u s S c a l e ( a s s h o v . r n f) c r t i i e k i n c l o f
s r r i t l e cyt c u a r e s n a p p i n g - T h e n a i m t i t r o L r g tl rh e V i e w w i r r c l o w
a n d s l - t o o t .I t ' s h a n c l yf o r p i c t u r e s o f c h i l d r e n , p e t s , e t c . i n
a c t i o r rn e a r b y , c r i f y o u w a n t t o g e t b o t h n e a r a n d d i s t a n t
subjects in focttsin tlre same picture (top, riglrt).
L J s et i i e F a s t F o c u s S c a l e o n l y w i t h 3 0 0 0 s p e e C b l a c k a n c J
w i r i t e f i l m o u t d o o r s o n a b r i g t r t d a y . D o n ' t L t s ei t w i t l t c c ; l o r
f i l n i a t a n y t i n r e ; y o u ' lI g e t f u z z y p t c t u r e s '
www.orphancameras.com
# FLASH
PrcruREs
Many of your most interesting and appealing picture
s i t u a t i o n sw i l l o c c u r i n d o o r s a n d f o r t h e s e y o u m u s t u s e
f l a s h f o r b o t h b l a c k a n d w h i t e a n d c o l o r . F l a s h p i c t u r e sa r e
e a s yt o m a k e w i t h y o u r c a m e r a a n d w i t h a l i t t l e p r a c t i c ey o u
w i l l b e a b l e t o s n a p t h e m a s s i m p l y a s y o u s n a p p i c t u r e si n
the sunshine.
T h e P o l a r o i df l a s h g u n c l i p s t o t h e c a m e r a a n d f i r e s w h e n
y o u p r e s st h e s h u t t e r b u t t o n . Y o u j u s t f o c u s t h e c a m e r a o n
y o u r s u b j e c t ;t h e c a m e r at h e n s e t st h e e x p o s u r ef o r y o u a u t o m a t i c a l l y .W h e t h e ry o u s t a n d 6 f t . f r o m y o u r s u b j e c to r m o v e
, i nt o 4 f t . , o r b a c k u p t o 8 f t . , t h e p i c t u r ew i l l b e w e l l e x p o s e d .
C o m p l e t ei n s t r u c t i o n sf o r m a k i n gf l a s h p i c t u r e sa r e p a c k e d
with each flashgun. Your camera dealerwill be glad to
d e m o n s t r a t et h e f l a s h g u nf o r y o u .
OPERATION
! - A C CE S S O REI S
S O MT H H L P F U
e r : ? ? a i s of i t s o i ' e rN c 2 b u t t o ni e t s
i n t o ) i o u ro \ i v rp. ri c t u r e s F a r t i i i s , t 0 o ,
n r u sD
t co n s c i r csiu p i r c i i .
Devel0pn.iT
e i rntr e r 1 2 8f t t s o r rc a m e r as t r a p ,
. orrect
n fi y o u r p i c i u r e sC
t i n r e sd e v e l o p n t e o
s v e r yI n r p o r t a fnoi r c o l o r .
t i r n r r ri g
'W"/W4;
U V F - r l t e5r 8 5r e d u c eesx c e s s i vbel u er r rs i r a c J o r , v s P r c i u r A
s 2 b l a c ka n d l v l r i t e
e i b u r r ,r5 1 9l r o l d 7
i r ro u t c j o o
co
r i o rp r c t u r e s
o r m 0 u n t e cd c l o rp" r r i t t si r t l a c l l e i s
\i,.l
l
l r'
p i c t t t r eP i e a s L l r - eO. r i t i r e f o l i o w r l g p a g e s a r e o t h e r s . \ , v i t he x a - r n r p l eosf r ' v f i a lt ti r e y c l c .
www.orphancameras.com
A F I L T E RC A N P E P U P B I - A C KA N D W H I T E S C E N I C S
MISCELLAN
E O US
P r e s st h e f i l t e r o n o v e r t h e l e n s m o u n t( c o l l a p s r ntgl r el e n sh o o d a
) n dt h e e l e c t r i e
c ye.
! V r t h o ut tl . r ef i l t e r a b l a n k s k y
B l a i c ka t r d w f - r i t es c e n r c ; ; i c t r : r e s a r e o f t e n c l i s a p ; . ; c t i r r t i nl tgr : L - i u s e f , r r t g l r lt r l u e s k i e s a n d f l e e c v w l r r t e c l o u d s c o r n e o u t a s
. r d u l l w i t i t i s l ' tn o t i r i n g i n t h e p r i n t T h e P o l a r o r d C l o u d F i l t e r
516 darkens clear blue skies, makes wfriteclouds stand out
DeautifLlliy The darkened skies also make firrecontrasting
b a c k i l r o L l r l c j sf o r l i g h t c o l o r e c - js t . r b y e c ; t os f r t l r e p r o u n c l . s u c f t
W r t ht h e f i l t e r d
, r a n r a t isck v e f f e c t s
. l s i l l t l o t r c . ll et e a c l w
, i r i t e b u i l d i n g , e t c T l " t e# 5 1 6 f i l t e r h a s r ) ( l
e f f e c t o n g r a y s k i e s , i n t h e f c l go r r a i r r ,o r a t n i g t r t . D o n ' t L r s e
i t w i t h c o l o rf i l m a t a n y t i m e .
W i t h t h e f i l t e r i n p l a c e , s e t t h e L ' ' D c o n t r o l t o N o r m al p o sition. lf your print comes out too lrghtor too dark, adjirst
t i r e L - D c o n t r o l ; r s s l - r o w no n S s t i g e
2?_,
SN D
D E V I C E SF O RC L O S E - U P A
,:ih;].:
194'
C l o s eu p L e n s 5 8 3w r t hr t sv i e w f, o c u sa d a p t e r .
,iiiti?te
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C l o s eu p L e n s 5 8 3 t ; o u * i ia r e a sf r ont al-rout
6 " x 8 " t o 8 I, " x 1 1 "f o r r i i c t u r ei isl i et i i i s .
y o L i c a n c o r l r e r . , v i t l i i!nl i n . t o m a k e p i c t L r r e so f f i o w c r s , b r - r o k
ririrnr.rl ciosest pictitre-takirrg clistance with yoLlr
p a g e s , e t c . , u p t o 5 t ' , , :x, ,7"\ i t " i n s i z e . T h e c l o s e - u p L e n s # 5 8 3
\n/ith the PolaroiC Portrait Lens tr58i
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Y O U M U S T T A K E C A R EO F Y O U RC A M E R A
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c a n c o l l e c to n t l i e r o l l e r s ,p a r t i c u l a r l ya t t h e e n d s , a n d i n t h e
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TOO DARK: DAYLIcHTPICTURES
T O O L I c H T : D A Y L I G H TP I C T U R E S
MANY WHITE SPECKS
P r o b ab l y t h e L D c o n t r o i w a s s e t i r r c o r r e c t l y F o r m o s t p i c t u r e s ,s e t i t t o
N o r n r a l p o s i t i o n l f t f r a t ' s ' , v i r e r pt t w a s
t o b e g l nw i t h ,t u r n r t t o w a r c L r g h t e n .
O v e r e x p o s e c lp, r o b a b l y b e c a u s e t h e
L D control was set incorrectly. For
m o s t p r c t L i r e ss,e t i t t o N o r m a l p o s i t i o n ,
lf thar's where rt was to begin rryith,
t r t r r ti t t o w a r i JD a r k e r i
They are a sign that you pulled the
y e Il o w t a b t o o s w i f tl y ; s l o w d o w n a b i t .
Daylightpictures will be badly exposed it the flashgun is plugged in.
C h e c kt h a t t h e f l a s h g u ni s n o t p l u g g e di n w h e n m a k i n g d a y l i q h t p i c t u r e s .
P I C T U R ET R O U E L E S( C o n t . )
WHII'8. FAINT IMAGE OR NONE
BLACK, FAINT IMAGI OR NONT
U - S H A P E DW H I T E A R E A , A N Y S I Z E
r i l n r v r a , s ' . - r e a t i ;ovv e r e x p o s e . J o r l i g h t : , t i u c K l f r t h a p p e n s ' , r i r t h3 0 0 0 s p e e d
i i i a c k a r n cw
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s h u t t e r c j i d r t ' ot p e n . P e r h a p sy o u d i d n ' t
reset Nlo.3 buiton. Or, the camera
b a t t e r y i s c l e a i l . O t " ,i l r e s h L r t t e r l t a s
l ; e e r ti l i i r n a g e t l .
l f a c o i c r p r i n t s i r o w s a f e w f a i i r r tr J e t a i i s , t l r e F i l m S e l e c t o r ; t r o b a b l yw a s
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; . r u l l e dt h e y e l l o w t a b t o o s i o w i y ( p a g e
1 9 ) . O r , t h e r e m a y b e c j i r to n t h e e n d s o f
t h e r o i i e r s ; k e e p t l r e r nc i e a n ( p a g e 3 3 ) .
O r , i n s c m e w a y y o u s c l u e e z e dt h e t a l :
slot end of the camera back while
p u l l i n gt l r e y e l l o wt a b ( s e e p a g e 1 9 f o r
t i r e c o r r e c t w a y t o f r o l c lt h e c a n r e r a ) .
tire Filrn Seiector set to CIOLOFi. Botlr
i : i - . i o r ; , r i r br il a c k a n t i w l ' r i t e f i i n t s w i i ! l i e
, 1 g i i t - s t r r i c ki f y o L r i , , u l it i r e s a f e t y c o v e r
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i f tfre p;ick
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M U DDY LOOKING PRINT
S U B J E C T F U 7 7 - Y, R I S T
It wasrr't developed iong enough
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r n t h e f i l m i n s t r u c t i o r - rs h e e t S e e F J a g e
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c l e v e l o p l o n g e n o r _ i g l i ,c o l o r p r i n t s w i l l
be brownis[r pink over aril,black and
w i t r t e s w r l l l ' ; e n r u c J c l ' yg'r : l ; ,
lf the subiect ciirin't rnove itut is Lrns h a r p y o u d i d n ' i l o c u s ,c a r e f u l l v C l ' r e c k
p a E l e 7 t o L ; e s r l - e t , l t a : t , v o l i , t i - ef o c u s ing irrtire pro[)ef nti]nner
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U N D E V E L O P E DE D G E S O R C O R NE R S
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i ; r c t u r e Y c u c i i d n ' t p u l l t h e \ l ' ' h r t et a b
As a
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ifie v,'iiitetab vras draggecl back tnto
iire canlera and spoiled tire prcture
A l w a y s p - ; u ltl f i e v ; h i t e t a b a l l t f i e r ' ; a y
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a t a n a n g l e I n t h r s e x a m p l et l r e t a b
w a s p u l l e d c j o w n , t r rs t e a d c f s t r a i g h t
W h e n t h i s h a p p e n s t l r e d e v e l o p e ri s
n o t s p r e a d e v e nl v o v e r t h e p r c t t l r ea n d
edges and corners may rrot develoP
P u l l b o t h t a b s c L r ts t r a i g i ' rat n c l s w i f t l y ,
allthe way
Drreci developer cirenlcals at the
e n C so f t h e s t e e l r o l l e r sa l s o n r a yc a u s e
t i - r r s K e e p t h e r o l l e r sc l e a t t
iike titese
Reddish'orange marks
along tfre eclge ancl or in tlre corners
of tlre print gerterally indicate that tl-re
y e l l o w t a b w a s [ ) ul l e d o u t o f t h e c a m e r a
P u l l t l - r ey e l l o w t a b o u t
at an angle
strargitt,ali tlre way'
;;ltt cf tlie cairrteral.
www.orphancameras.com
PROTECTFILM AND CAMERAFROMHEAT
repair stations listed on the next page. This guarantee
c o v e r st h e c a m e r af o r o n ey e a r f r o m d a t e o f o r i g i n a lp u r c h a s e .
T h e g u a r a n t e ed o e s n o t c o v e r ( a n d c h a r g e sw i l l b e m a d e
for) batteries or repairs required to correct damage from
b a t t e r y l e a k a g e ,a c c i d e n t ,d r o p p i n g , m i s h a n d l i n g ,w e a r a n d
tear, or rough or heavy use. Only authorized repair
stations have the properly-trained staff, and the approved
tools, testing equipment and parts to repaii these
c a m e r a s . N o r e i m b u r s e m e n ct a n b e m a d e f o r r e p a i rc h a r g e s
m a d e b y n o n - a u t h o r i z e dr e p a i r s t a t i o n s . T a m p e r i n g w i t h
WHERETO WRITEFORINFORMATION
t
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o pc ,a m e r a ,o r h a v i n gi t r e p a i r e db y a n o n - a u t h o i i z e dr e p a i r
v o i d st h e g u a r a n t e ea n d c h a i g e sw i l l b e m a d e f o r a n y
l f y o u h a v ea n y q u e s t i o n sa b o u tt h e o p e r a t i o na n d p e r f o r m s u b s e q u e n tw o r k t h a t m a y b e r e q u i r e d .
a n c e o f t h e c a m e r a , f i l m s , a n d a c c e s s o r i e sw
, rite to CUST O M E RS E R V I C EP, O L A R O I D
N o l i a b i l i t yi s a s s u m e df o r f i l m o r f l a s h b u l b sw h i c h m a y
CORPORATION
C ,A M B R I D G E ,
M A S S .0 2 1 3 9 . l f y o u h a v e a n y p i c t u r e d i f f i c u t t i e sw h i c h a r e
be spoiled by a camera failure. Any operatingdifficulty
not explained in this booklet,send samples to Customer
s h o u l d b e r e p o r t e d a t o n c e t o p r e v e n t n e e d l e s sf i l m w a s t e .
S e r v i c ew i t h d e t a i l sa b o u t h o w y o u m a d e t h e p i c t u r e . p l e a s e
l f i t b e c o m e sn e c e s s a r yt o r e t u r n y o u r c a m e r a f o r r e p a i r ,
i n c l u d ea c l e a r l y p r i n t e d o r t y p e w r i t t e nr e t u r n a d d r e s s .
y o u r d e a l e rc a n d o s o f o r y o u , o r y o u m a y s h i p i t d i r e c t t o t h e
s t a t i o n l o c a t e d n e a r e s tt o y o u . p a c k t h e c a m e r a c a r e f u l l y
WARRANTY
i n i t s o r i g i n a l p r o t e c t i v eb o x f o r s a f e t r a v e l , a n d m a i l i t b y
l f , t h r o u g h a n y h u m a n o r m a c h i n ee r r o r a t t i m e o f m a n u p r e p a i d I N S UR E Dp a r c e lp o s t . E n c l o s ea n o t e d e s c r i b i n gt h !
facture, any part or workmanship in this camera proves
r e a s o nf o r t h e r e t u r n a n d / o r p i c t u r e si l l u s t r a t i n gt h e p r o b l e m .
defectivew
, e w i l l r e p a i r i t a t n o c h a r g ep r o v i d i n gt h e c a m e r a
l f t h e p r o b l e m c o n c e r n sf l a s h p i c t u r e s ,b e s u r e t o r e t u r n
i s s h i p p e d b y p r e p a i dt r a n s p o r t a t i o nt o o n e o f t h e a u t h o r i z e d
t h e f l a s h g u nw i t h t h e c a m e r a a n d i n t h e s a m e p a c k a g e .
E x t r e m eh e a t a n d h i g h h u m i d i t y c a n d a m a g e y o u r f i l m s ,
e s p e c i a l l ya f t e r t h e f i l m p a c k h a s b e e n p l a c e di n t h e c a m e r a .
D o n ' tl e a v ea l o a d e dc a m e r ao r p a c k a g e so f f i l m l y i n gi n d i r e c t
s u n . R e m e m b e rt h a t t h e g l o v e c o m p a r t m e n to r t r u n k o f a
car can get as hot as an oven. lf you storefilm or a loaded
c a m e r a i n a c l o s e t ,k e e p i t n e a r t h e b o t t o m w h e r et h e a i r i s
c o o l e r . D o n ' t r e m o v e a f i l m p a c k f r o m i t s s e a l e df o i l i n n e r
w r a p p i n gu n t i l y o u a r e r e a d yt o u s e i t .
**ad
LIST OF REPAIRSTATIONS
CALIFORNIA
Polaroid Corp.
333 W. Miision Drive
San Gabriel 9L776
Cudabac Camera RePairs
182 Second Street
San Francisco 94105
COLORADO
Rocky Mountain Camera
Repa ir
rOO E. 2Oth Ave.
Denver 80205
DISTRICT OF COLUMBIA
SPTS, Inc.
930 F St., N. W.
Washington 2OOO4
MINNESOTA
ILLINOIS
Northwest Camera RePair
Polaroid Corp.
415 First Ave. N.
2041 N. Janice Ave'
Minneapolis 55401
Melrose Park 6O160
lnternational Camera CorP.
844 West Adams St.
MISSOURI
Chicago 60607
Newton J. Draper
Photograph ic Equi pment
IOWA
Services, Inc.
2915 S. Brentwood Blvd.
Polaroid Corp.
St. Louis (Brentwpod)
28O1 Bell Ave.
63L44
Des Moines 50321
KENTUCKY
Camera Service, Inc.
445 South Fifth St.
Louisville 4O2O2
FLORIDA
LOUISIANA
SPTS. Inc.
Murphy's Camera &
24 Second St., S.
Prbiector Repairs
St. Petersburg 33701 or'
2320-22 Tulane Ave.
Suite 417,
New Orleans 7O119
A
v
e
.
N
.
E
.
3
r
d
10
Miami 33132
MASSACHUSETTS
GEORGIA
Polaroid Corp.
Polaroid Corp.
640 Memorial Drive
1325 Logah Circle, N. W.
Cambridge O2L39
Atlanta 3O318
MICHIGAN
HAWAII
Photocine Servicenter, I nc. Midwest Camera RePair
318 Oak St.
1354 Kapiolani Blvd.
Wyandotte 4AL92
Honolulu 96814
PENNSYLVANIA
Mack Camera Service
121 I Arch St.
Phifadelphia l9lO7
ENGLAND
Polaroid (U.K.) Ltd.
Rosanne House
Welwyn Garden CitY
Hertfordsh ire
TEXAS
Polaroid Corp.
89 19 Diplomacy Row
Dalfas 75247
FRANCE
Polaroid (France) S.A.
118 Rue des ChamParons
Colombes (Seine) Paris
GERMANY
WASHINGTON
Polaroid GMBH
Koenigslacher Strasse
Photo-Tronics. lnc.
t5-21
N
.
223 Westla(e Avenue,
Frankf u rtl Ma in
Seattle 98109
NEW JERSEY
Mack Camera Service
1O25 Commerce Ave.
Union 07083
'i.
NEW YORK
Photo Tech Repair
Service, lnc.
78 East l.3th St.
New York 10003
oHto
Polaroid Corp.
4640 Mandfacturing Rd.
Cleveland 44L35
Mack Camera Service
15504 Industrial PkwY.
Cleveland 44135
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ITALY
Polaroid (ltalia) S.P.A.
Via dei Cignoli 9
Milan
AUSTRALIA
JAPAN
Polaroid Australia PtY. Ltd. Nippon Polaroid Kabushit<i
ll Smail Street
Kaisha
Ultimo, N.S.W.
No.22-8,2-chome
Shiba, Minato-ku
Tokyo
BELGIUM
Polaroid (Beleium) S.A.
THE NETHERLANDS
12-16 Rue cle la Victoire
Polaroid (Nederland) N'V.
Brussels 6
Haspelsstraat 2
Amsterdam - Slotermeer
CANADA
SWITZERLAND
Polaroid Corp.
Polaroid A. G.
of Canada. Ltd.
Hardturmstrasse 175
24 Plvwood Place
Zurich 5
Tororito 1.8
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