Renaissance and Baroque Bronzes from the Hill Collection January

Transcription

Renaissance and Baroque Bronzes
from the Hill Collection
January 28 through June 15, 2014
The Frick Collection, New York
PRESS IMAGE LIST
Digital images are available for publicity purposes. Please contact the Press Office at 212.547.6844 or [email protected].
1a.
Andrea Briosco, known as Riccio (Trent, 1470–1532, Padua)
Strigil Bearer, cast ca. 1515–20
Bronze
H: 32 cm
Collection of Mr. and Mrs. J. Tomilson Hill
Maggie Nimkin Photography
1b.
Andrea Briosco, known as Riccio (Trent, 1470–1532, Padua)
Strigil Bearer (detail), cast ca. 1515–20
Bronze
H: 32 cm
2a.
Attributed to Maso Finiguerra (Florence, 1426–64)
Hercules and Antaeus, cast ca. 1460
Brass
H: 25.2 cm
2b.
Hercules and Antaeus (detail), cast ca. 1460
Brass
H: 25.2 cm
2c.
Hercules and Antaeus (detail), cast ca. 1460
Brass
H: 25.2 cm
3a.
Giambologna (Douai, ca. 1529–1608, Florence)
Astronomy, cast early 1570s
Bronze
H: 38.8 cm
3b.
Astronomy (detail), cast early 1570s
Bronze
H: 38.8 cm
4a.
Bull, cast 1573
Bronze, with original oval base
21.7 x 26 cm
4b.
Bull (detail), cast 1573
Bronze, with original oval base
21.7 x 26 cm
5a.
Pacing Horse, cast ca. 1573–77
Bronze
25.1 x 28.7 cm
5b.
Pacing Horse (detail), cast ca. 1573–77
Bronze
25.1 x 28.7 cm
6a.
Antonio Susini (Florence, 1558–1624)
Rape of a Sabine, after Giambologna’s marble group of 1583,
cast ca. 1585
Bronze
H: 59 cm
6b.
Rape of a Sabine (detail), after Giambologna’s marble group of
1583, cast ca. 1585
Bronze
H: 59 cm
7a.
Cristo Morto (The Dead Christ on the Cross), after a model by
Giambologna of ca. 1588, cast ca. 1590–1615
Gilt bronze
H: 31 cm
7b.
Detail of Cristo Morto (The Dead Christ on the Cross), after a
model by Giambologna of ca. 1588, cast ca. 1590–1615
Gilt bronze
H: 31 cm
8.
Gianfrancesco Susini (Florence, 1585–1653)
Hercules and Antaeus, after a model by Giambologna, cast ca.
1625–50
Bronze
H: 41 cm
9.
Ferdinando Tacca (Florence, 1619–1686)
Ceres and Bacchus, cast probably ca. 1635–40
Bronze
H: 45.3 cm
10a.
Giuseppe Piamontini (Florence, 1664–1742)
Prince Ferdinando di Cosimo III on Horseback, cast by 1717
Bronze
H: 62.5 cm
10b.
Prince Ferdinando di Cosimo III on Horseback (detail), cast by
1717
Bronze
H: 62.5 cm
10c.
Prince Ferdinando di Cosimo III on Horseback (detail), cast by
1717
Bronze
H: 62.5 cm
11a.
Seated Hercules and Cerberus, cast ca. 1715–25
Bronze
53 x 34 x 28 cm
11b.
Seated Hercules and Cerberus (detail), cast ca. 1715–25
Bronze
53 x 34 x 28 cm
11c.
Seated Hercules and Cerberus (detail), cast ca. 1715–25
Bronze
53 x 34 x 28 cm
12a.
Hercules and Iolaus Slaying the Hydra, after a model by
Alessandro Algardi of ca. 1630, cast ca. 1700–20
Bronze
32.5 x 23 cm
12b.
Hercules and Iolaus Slaying the Hydra (detail), after a model by
Alessandro Algardi of ca. 1630, cast ca. 1700–20
Bronze
32.5 x 23 cm
13a.
Alessandro Algardi (Bologna, 1598–1654, Rome)
Cristo Vivo (The Living Christ on the Cross), model dated ca.
1646; a life-time cast
Bronze
H: 73 cm
13b.
Detail of Cristo Vivo (The Living Christ on the Cross), model
dated ca. 1646; a life-time cast
Bronze
H: 73 cm
13c.
Detail of Cristo Vivo (The Living Christ on the Cross), model
dated ca. 1646; a life-time cast
Bronze
H: 73 cm
14a.
Willem Danielsz. van Tetrode (Delft?, ca. 1525–80,
Wedinghausen)
Mars Gradivus, cast probably late 1560s
Bronze
H: 39.5 cm
14b.
Wedinghausen)
Mars Gradivus, cast probably late 1560s
Bronze
H: 39.5 cm
14c.
Wedinghausen)
Mars Gradivus (detail), cast probably late 1560s
Bronze
H: 39.5 cm
15a.
Adriaen de Vries (The Hague, ca. 1545–1626, Prague)
Bacchic Man Wearing a Grotesque Mask, cast ca. 1578–80
Bronze
H: 89.5 cm
15b.
Adriaen de Vries (The Hague, ca. 1545–1626, Prague)
Bacchic Man Wearing a Grotesque Mask (detail),
cast ca. 1578–80
Bronze
H: 89.5 cm
16a.
Caspar Gras (Bad Mergentheim, 1585–1674, Schwaz)
Roaring Lion, Pouncing, model dated ca. 1630s, cast before 1674
Bronze
21.6 x 23.7 cm
16b.
Caspar Gras (Bad Mergentheim, 1585–1674, Schwaz)
Roaring Lion, Pouncing (detail), model dated ca. 1630s,
cast before 1674
Bronze
21.6 x 23.7 cm
17a.
Circle of Ponce Jacquiot (Rethel, before 1536–70, Paris)
Diana, model created after 1556, cast before 1585
Bronze
H: 34.8 cm
17b.
Circle of Ponce Jacquiot (Rethel, before 1536–70, Paris)
Diana (detail), model created after 1556, cast before 1585
Bronze
H: 34.8 cm
18.
Hubert Le Sueur (Paris, ca. 1580–1660)
Venus, cast ca. 1641–60
Bronze
H: 45.4 cm
19a.
François Girardon (Troyes, 1628–1715, Paris)
Sleeping Hermaphrodite, cast after a terracotta model attributed
to François Duquesnoy, 1699–1709
Bronze, on original carved gilt-wood base attributed to GillesMarie Oppenord
21 x 23.2 x 43.5 cm
19b.
François Girardon, (Troyes, 1628–1715, Paris)
Reclining Venus, cast after a terracotta model attributed to
Thibault Poissant, 1699–1709
Bronze, on original carved gilt-wood base attributed to GillesMarie Oppenord
24 x 23.5 x 42.5 cm
20a.
Wedinghausen)
Samson Slaying a Philistine, probably modeled in Florence in
1562
Bronze
H: 37.5 cm
20b.
Wedinghausen)
1562
Bronze
H: 37.5 cm
20c.
Wedinghausen)
1562
Bronze
H: 37.5 cm
21.
Giovanni di Paolo (Siena, active ca.1420–82)
Christ as the Man of Sorrows with Two Angels, mid-15th century
Gold ground and tempera on panel, in an engaged frame
38.4 x 19.7 cm
Photo: Michael Bodycomb
22.
Peter Paul Rubens (Siegen 1577–1640, Antwerp)
Assumption of the Virgin, ca. 1620
Oil on panel
44.5 x 29.2 cm
23.
Lucio Fontana (Rosario, 1899–1968, Varese)
Crocifisso (Christ on the Cross), 1950–52
Glazed terracotta
49.8 x 31.4 x 12.7 cm
© Fondazione Lucio Fontana, Milan
24.
Cy Twombly (Lexington, Virginia, 1928–2011, Rome)
Untitled, 1959
Oil paint, wax crayon, and lead pencil on canvas
97.5 x 136.5 cm
© Cy Twombly Foundation
25.
Cy Twombly (Lexington, Virginia, 1928–2011, Rome)
Untitled, “Chalkboard” series, 1970
Oil paint and oil stick on canvas
155.3 x 189.9 x 5.1 cm
© Cy Twombly Foundation
26.
Ed Ruscha (Omaha, Nebraska, b.1937)
Seventeenth Century, 1988
Acrylic on canvas
142.2 x 340.3 cm
© Ed Ruscha
27.
Installation view at The Frick Collection showing Giuseppe
Piamontini’s Prince Ferdinando di Cosimo III on Horseback with
Ed Ruscha’s, Seventeenth Century, © Ed Ruscha, both works
from the Collection of Mr. and Mrs. J. Tomilson Hill; photo:
Michael Bodycomb
28.
Installation view at The Frick Collection showing Adriaen de
Vries’s, Bacchic Man Wearing a Grotesque Mask and Giuseppe
Ed Ruscha’s, Seventeenth Century, © Ed Ruscha, from the
Collection of Mr. and Mrs. J. Tomilson Hill; photo: Michael
Bodycomb
29.
Vries’s, Bacchic Man Wearing a Grotesque Mask with Ed
Ruscha’s, Seventeenth Century, © Ed Ruscha, from the
Bodycomb
30.
Vries’s, Bacchic Man Wearing a Grotesque Mask with Cy
Twombly’s, Untitled, 1959, © Cy Twombly Foundation, both
works from the Collection of Mr. and Mrs. J. Tomilson Hill;
photo: Michael Bodycomb
31.
Installation view at The Frick Collection showing Giuseppe
Cy Twombly’s Untitled (detail), “Chalkboard” series, 1970, © Cy
Twombly Foundation, both works from the Collection of Mr. and
Mrs. J. Tomilson Hill; photo: Michael Bodycomb
32.
Installation view at The Frick Collection showing the Labors of
Hercules works from the Hill Collection, photo: Michael
Bodycomb
33.
Installation view at The Frick Collection showing reclining figures
commissioned by François Girardon in the foreground and, in the
background, animal sculptures by Caspar Gras and Barthélemy
Prieur, from the Collection of Mr. and Mrs. J. Tomilson Hill;
photo: Michael Bodycomb
34.
Installation view at The Frick Collection showing Antonio Susini’s
Rape of a Sabine in the foreground, and in the background,
Riccio’s Strigil Bearer and other early Italian bronzes from the
Bodycomb
35.
Vries’s, Bacchic Man Wearing a Grotesque Mask and Giuseppe
Ed Ruscha’s, Seventeenth Century, © Ed Ruscha, both works
from the Collection of Mr. and Mrs. J. Tomilson Hill; photo:
Michael Bodycomb
36.
Installation view at The Frick Collection showing bronzes from
the Collection of Mr. and Mrs. J. Tomilson Hill; photo: Michael
Bodycomb
37.
Installation view of bronzes and other works in the Frick's
Cabinet gallery, © Fondazione Lucio Fontana, Milan, from the
Bodycomb
38.
Installation view showing a pairing in the Frick's Cabinet gallery:
Alessandro Algardi's Cristo Vivo (The Living Christ on the
Cross), juxtaposed with Lucio Fontana's Crocifisso (Christ on the
Cross), © Fondazione Lucio Fontana, Milan; photo: Michael
Bodycomb
These jpegs are on loan exclusively for publicity purposes in conjunction with this exhibition. Please return any
distributed disks to the Media Relations & Marketing Department/The Frick Collection/1 East 70th Street/New
York, NY 10021. Permission for any other use of this material must be sought separately.
* These photo materials may not be lent or used again for publication without prior permission.
* Reproductions may not run off the edge of the paper.
* Reproductions may not be superimposed with type matter or in any way defaced or altered.
* The word “detail” must appear in the caption with the complete credit line in the event that a detail is used.
* Required for publication: with each image, the collection and photo credits as indicated above must be included in print.
* Publisher shall furnish a complimentary copy of the issue of the periodical or book in which the reproduction(s) appears.

Renaissance and Baroque Bronzes from the Hill Collection January

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