survey of cardboard furniture
Transcription
survey of cardboard furniture
survey of cardboard furniture cardboard furniture | david durance 2009 | p why cardboard? Cardboard offers a good opportunity for the design of sustainable furniture products. Sustainability. In terms of a sustainable material cardboard is one of the best. The raw material of all paper products is cellulose fibre and this can come from a number of different plants. Cardboard ban be fully recycled and can be made from up to 100% of recycled paper and cardboard. McDonough & Braungart (2002 -p5) oppose this view: “the tree, among the finest of nature’s creations... is not a fitting resource to use in producing so humble and transient a substance as paper.” They go on to reinforce their point by talking about how their book is made from synthetic paper instead. I would respond first to suggest they might have mentioned that paper doesn’t have to come from trees. Hemp, for example, makes a superior paper, and has less than a year lead time rather than 15 or 20 years. Second, on practicalities, the paper industry is well established. In the study of social marketing “Choosing Green” (Durance, 2007), I concluded that social change was more likely to hap- pen step by step rather than by sudden large leaps. Perhaps paper may not be the ultimate material, but it is better than others, and the opportunities for improving our overall sustainable practices is in the realm of the here and now. Plastic, on the other hand, must be a lot worse. Plastic generally comes from non-renewable resources, and this in itself is is a long term problem, but the documentary Addicted to Plastic (2009) shows a very pressing immediate one - pollution of the worlds oceans. In some parts of the oceans, due to a combination of currents and atmospheric effects there are heavy concentrations of vast quantities of plastic. Bags and bottles float around, discarded fishing nets entrap marine life and it’s there to stay as plastic takes very long time to degrade. When it plastic finally breaks down, it forms very small particles. In some of the sea vortexes samples of water were shown to contain a concentration of these particles 10 times more than organic matter which serves to sustain marine life. Cardboard will not replace many of the current applications for which plastic is used, but there should be a conscious effort to replace as much as possible. Cardboard is ubiquitous. Paper and cardboard products are all around us. Paper and paper products are widely used as packaging in the home. ABS (2003) shows that 88% of paper and cardboard was either reused or put into the recycled waste stream. This has also been the case in surveys taken in 1996 and 2000. Paper can be recycled between 1 and 7 times, depending on the final use. (TAPPI 2001) Paper and cardboard products are all around us. It is a major product, produced by some of our biggest com- 41 panies, yet in some areas such us furniture it hardly seems to have made any impact. Cardboard furniture appears to be thought more as a fringe product, a material useful for student projects, or for temporary applications such as exhibitions, rather than the mainstream. New Technology. As paper products become more and more appreciated for their sustainability credentials, development is producing more technological advances, and more material formulations. There are opportunities for new technologies in the use of cardboard. Cardboard is ubiquitous - products in the home photo: David Durance cardboard furniture | david durance 2009 | p paper & cardboard commercial & industrial uses toothpaste* turpentine* vacuum cleaner bags wallpaper waxed paper wicker furniture from twisted paper window shades school & office home baking cups bibs carpeting & upholstery backsiding* cellulose sponges* cereal & other dried-food boxes chewing gum* coasters coffee filters combs & brush handles* coupons disposable diapers doilies drinking straws egg cartons emery boards fabric softener* facial & toilet tissue food thickeners* furniture polish* grease-proof meat wrapping paper grocery bags ice cream containers imitation leather* ink* labels for canned & bottled goods lamp shades lipstick & other cosmetics* liquid soap* luggage magazines, catalogs, & newspapers microwave-food containers milk cartons napkins paint & varnish* paper plates & cups paper towels pine oil & other household cleaners* pizza boxes place mats popcorn bags rayon clothing* sausage casings* shampoo thickeners* shoe boxes shoe polish* suntan lotion* tablecloths tea bags tool handles* tooth brush handles* bank checks banners books book marks business cards calendars cash register receipts construction & tracing paper crayons* crayon wrappers election ballots envelopes hair spray* index cards laminates for desk, counter & table tops library cards mailing tubes maps & world globes papier-mâché masking tape menus notebooks & notebook paper paper bags paper money photocopy & computer paper postage stamps poster board report cards shaving cream* shipping containers stationery tags & labels telephone directories medicine and technology bandages Braille paper coffins coveralls for nuclear power workers eyeglass frames* hospital & surgical gowns, hats, masks & shoe covers medical charts piping for irrigation systems* prescription paper gauze purifying filters surgical dressings sutures pollen & dust masks building materials and automotive caulk* car insulation car gaskets & filters car wax* cellophane* concrete mix* counter-top laminates fiber board flame-resistant paper flooring gypsum board insulation putty* roadside flares roofing paper roofing shingles* rust preventative* sandpaper spray paint* tar paper recreation and miscellaneous accordions animal bedding board games bumper stickers CD & audio tape inserts coloring books confetti doll houses flashlight batteries football, bicycle, & other sports helmets* greeting cards gum & candy wrappers jigsaw puzzles kites molded carry-out food trays paper airplanes paper dolls paper flowers party hats & favors photographs playing cards 42 ribbons & bows seedling planting pots stickers streamers tickets trading cards video cassette packaging wrapping paper *these products are made from cellulose, oils, and resins, the natural wood chemicals which are byproducts of the papermaking process. source: TAPPI (2001) cardboard furniture | david durance 2009 | p a typology of paper based furniture As part of this project survey of furniture and related products made from paper, cardboard or paper pulp was made and assembled into a typography. The initial classification is based on the type of material used. Subclasses are based on material variants and the main method of construction used. Material Classification There are six classes of material defined in this typology: corrugated cardboard, paperboard, tube, pulp, paper maché1, and paper cored board. Most or the exemplars surveyed fell easily into a a simple classification, a few were of mixed types, and some use a composites of cardboard and other material. These were provided for in classes 7 & 8. 1. Corrugated Cardboard. This is the material usually referred to by the term cardboard. It consists of a sheet of kraft paper which has been corrugated by passing it between a set of mated fluted rollers or corrugators. Either side of the corrugated sheet is glued a sheet of flat kraft paper. Sometimes just a single side only is covered, this is referred to as ‘single-face’. Cardboard 1 Strictly spelt should be pâpier maché, but paper maché is common. 43 can have two or three layers of corrugations - ‘double’ or ‘triple’ flute cardboard.2 These forms of cardboard have greater strength and stiffness and are often used to make larger cartons. Cardboard also varies in the size of fluting, and the type and quality of paper. Fluting size is denoted by the letters A, B, C, D & E - ‘A’ flute is the smallest. Larger flutes make the corrugated core thicker, giving greater stiffness but also making the board more prone to local crushing. Multi-fluted board often has a different flute size in each layer, for example B/C. The smaller flute side is placed on the outside of cartons to give give the best performance, ie stiffness and resistance to crushing. Cardboard with various flute sizes. Stronger paper will improve strength and appearance, but increase cost. image: http://upload.wikimedia.org/wikipedia/commons/f/fb/Cardboard_All_Flutes.jpg Coatings can be put on the outside layers of the cardboard to modify its behaviour. They can make improve water resistance, toughness and printability. sometimes the terminating sections are made from an alternate material–fine fluted board, mdf or plywood. There were four commonly used methods of constructing furniture from cardboard sheet found in the survey: folding, fabricating and laminating. 1.1 Folded. A sheet of cardboard (often a single sheet) is creased and folded into three dimensional forms and typically fastened with integral tab and slot methods, glue, adhesive tape or staples. Cardboard cartons are typical exemplars of this folding. 1.2 Laminated. Components are cut into a cross-section by laser, die cutter or knife (low volume). These cross-sections are assembled and fastened either mechanically or glued. To improve durability 2 I’ve also heard this referred to as double or triple ‘cushion’. Products are either entirely made from an assembly of laminations of the same shaped section (1.3.1 single section) or of several section (1.3.2). Either the sections vary throughout the product or components are made individually from laminated sections and then assembled. 1.3 Slotted Fabrication. Components are cut from a cardboard sheet with with laser, die cut or knife (low volume), and assembled in a grid. Slots the thickness of the cardboard are cut at grid intersections - so components of the grid are interlocked. Fabricated products either remain as an open grid structure (1.3.1) or covered by sheets of cardboard or paperboard (1.3.2) - and often painted. cardboard furniture | david durance 2009 | p 1.4 Mechanical fastening. Other methods of joining cardboard together to make furniture are theoretically possible but appear not to be well represented in the survey results. However, MakeDo, a new fastening system, has the potential to develop exemplars in this classification. At this stage the classification remains somewhat provisional. 2. Tube. Cardboard tubes are made from paper or paperboard which is wound onto a mandrel to form a cylindrical tube. These are typically used in the packaging industries to wind textiles paper, plastic sheet or foils onto. Large diameter tubes with water resistant coatings are used in the building industry to form concrete columns. 3. Paper cored board. These boards have a core that is made from paper or cardboard with a cellular structure. They can be faced with paper or mdf, plywood or other materials. They have the property of great strength and stiffness to weight ratios. ferred to as triangular cell, although the actual shape is more semi-sinusoidal. As the flutes are much more tightly packed than honeycomb cells the boards have better rigidity, crush strength, and structural integrity than paper hexagonal cell board. They are also heavier and more expensive. While EPH can be supplied as a core only triangular cell boards are always faced with paper or other board as the cells would delaminate without this support. 4.1 Pulp. Paper is made from a slurry of pulped paper, and this classification furniture is directly moulded from a similar paper pulp slurry. Egg cartons are a result of this process. 4.2 Pulp board. Pulp paper is moulded into a board with a honeycomb structure. The board can be used in a similar way to paper cored boards. This is generally used like cored boards but is made with a different process. 3.1 Expanded Paper Honeycomb (EPH). This is material made by fabricating paper strips and expanding them out to create a structure with a hexagonal cell. It is usually faced with plywood or mdf and typically used to make shelves or flush-panel doors. An exception is ‘void-former’ which is only faced with kraft paper and used in the building industry as a consumable material to form cavities in concrete structures. 5. Paper Maché. Paper Maché products are generally made by applying pieces of paper covered in adhesive paste onto a form. After several layers are made and dried, the form is removed. This process has been used for hundreds of years and is a traditional craft technique. The adhesive paste is usually made from flour and water, although other adhesives such as wallpaper paste and polyvinyl acetate (PVA wood working glue) can be used.4 3.2 Triangular cell. Instead of a hexagonal honeycomb cell the core is made from fluted cardboard which has been laminated and sliced into blocks to make a sheets in various thicknesses.3 This often re- The paper can be beaten to a pulp and having finer consistency can be used for finer details and for moulding. At this point there is a similarity between this form and that covered with the pulp classification, however 3 Xanita “X-Board, readily available in Australia comes in thicknesses of of 10, 16 and 20 mm. 4 http://ultimatepapermache.com/paper-mache-recipes 44 being a stiffer compound than the slurry the moulding process is generally different. 6. Paperboard. This is made from several layers of plain kraft paper. Applications for furniture are limited because unmodified it is not very strong. 7. Mixed. In the mixed category furniture was made from a material that has combined characteristics of more than one of the previously defined classes, or is a product assembled from components belonging to one or more different classes defined in the typology. 8. Composite. There are a few composite materials that include a paper component combined with another material such as plastic. Tea room by Shigeru Ban this shows a folded cardboard stool and a table with cardboard tube pedestal and honeycomb board top http://web.mac.com/selophane/BlogImages/ShigeruBanTeaRoom.jpg cardboard furniture | david durance 2009 | p a typology of cardboard furniture 1.1 folded 1.2.1 single section 1.2 laminated 1.2.2 multi section 1.1 3.1 1. Corrugated Cardboard other materials 1.3 fabricated 1.3.1 open structure 1.4 mechanically fastened 1.3.2 closed structure 1.2.1 2. TUBE raw cellulose fibre - wood fibre - jute - cotton - hemp paper pulp 3.1 hexagonal cell honeycomb (EPH) 3. paper core boards 4. PULP 3.2 triangular cell (inc. X-board) 1.2.2 2 4.2 pulp based board (gridcore/Sonoboard 4.1 moulded products paper 3.2 1.3.1 5. PAPER MACHÉ 4 6. PAPERBOARD 8. COMPOSITE 7. MIXED 1.3.2 1.4 5 45 cardboard furniture | david durance 2009 | p 46 right - models of children’s furniture by Foldschool. 1 cm 1/4 inch cardboard furniture foldschool Foldschool sells plans on the web (eg below) so the furniture has an educational role as well as a functional one. A www.foldschool.com 1/2 © foldschool 2007 A 1.1 folded cardboard http://www.foldschool.com/_gallery/gallery.html Shoe box & rack - Acerly International acerly.com.tw left - Children’s Furniture and a wine rack by Kroom. Note the use of graphics printed on the cardboard. The wine rack is made to look like timber - complete with screws. Perhaps it alludes to where cardboard comes from, perhaps it’s just kitsch. http://www.krooom.com/ cardboard furniture | david durance 2009 | p 47 David Graas: “This Side Up” - set of nested tables/stools http://www.treehugger.co above - Designframe, USA - “Pause stool” image: Brower, Mallory & Ohlman, (2009) Cardboard boat David Graas - not a lamp (2004) http://www.thecardboardboatbook.com http://www.davidgraas.com/products David Graas - not a box (2007) The design cleverly uses the “lumiere” as the packaging for all the components http://www.davidgraas.com/products cardboard furniture | david durance 2009 | p 48 1.2.1 laminated cardboard with single section Frank Gehry - Easy Edges Cardboard Furniture 1969-1973 The transformation of humble materials into elaborate and striking geometries–an intrinsic aspect of Gehry’s early buildings–exists in a more intimate scale in his Easy Edges furniture. The rough appearance appealed to Gehry’s informal design sense, and he discovered that while relatively malleable as a single sheet. It gains strength exponentially as it is laminated. Gehry added hardboard facing to the flat surfaces for increased strength and durability. Gehry - Rocker image: liveauction.com Gehry/Vitra 1972/2005 - ‘low table set’ -nesting tables - image: cite.co.nz http://www.1stdibs.com/archives/upload/8305/183/gehry.jpg Gehry -wiggle chair - image nova68.com http://www.1stdibs.com/archives/upload/8305/183/gehry.jpg cardboard furniture | david durance 2009 | p “Experimental Edges” a second series of cardboard furniture was introduced by Frank Gehry in 1979. Gehry’s intention was to make durable furnishings from throwaway material “to suit the homes of the young as well as old, as urban sophisticates as well as country dwellers” he has said. As the material wears it becomes suedelike, malleable and soft. ref: description accompanying Bubbles exhibit at MoMA above - “Curumba”, 1987 - image: sfmoma right -”Bubbles Chaise Longue”, 1987 - images: David Durance Corrugated cardboard with fire retardant below - “Red Beaver”, 1983 - image: hivemodern.com 49 cardboard furniture | david durance 2009 | p Giles Miller http://www.inhabitat.com Miller, who just received his masters degree from the Royal College of Art (RCA) where he studied product design under the tutelage of Ron Arad, has been exploring various applications of corrugated cardboard since his undergraduate days at Loughborough University. Several pieces from his collection, including a wardrobe, grandfather clock and sidetable, have already been picked up by brands such as Dovetusai and Skitsch. http://www.dwell.com/articles/live-from-london-giles-miller.html 50 cardboard furniture | david durance 2009 | p 51 N. Michelin 2005 - Caternary chair. Claimed to ustilize the tensile strength of paper. http://www.flickr.com/photos/nmichelin/48542115/ “SPLAT “ chair laminated seat from reused cardboard www. gomi.com http://www.therecyclewarehouse.com 4-petals coffee-table by Josh Levy http://www.hometone.org/tags/coffee-table/6/ cardboard furniture | david durance 2009 | p 1.3.1 laminated cardboard furniture with multiple sections Store mannequin laminated from varying shaped cardboard sections. Displayed in the Museum of Art and design store NY. photo: David Durance above - coffee table by Leo Kempf http://www.leokempf.com/cardboard.html stool by David Durance reused cardboard, laminated , sawn then glued 52 cardboard furniture | david durance 2009 | p 1.3.1 fabricated cardboard furniture with open structure Furniture by David Graas - corrugated cardboard parts are flatpacked and slide together for user assembly. http://www.davidgraas.com far right - the appropriately named “Don’t spill your coffee table” and “Don’t spill your dinner table” http://www.davidgraas.com/products 53 cardboard furniture | david durance 2009 | p The “Build Up” range by Philippe Nigro image: www.philippenigro.com Many designers surveyed had a range of furniture, and they appeared to specialize in just one type of technology 54 cardboard furniture | david durance 2009 | p Giles Miller Giles Miller uses a technique of cutting components “on the bias” - at 45deg to the fluting. This gives components a more uniform appearance as there isn’t one face showing a flute cross-sction and one showing flute edges. http://3rings.designerpages.com/2009/10/16/giles-millers-cardboard-world-and-beyond/ 55 cardboard furniture | david durance 2009 | p 1.3.2 fabricated cardboard furniture with covered structure right - Bertrande Durand-Jenny - various Instead of using multiple layers of cardboard for strength, the Cartonnistes use a tab and slot construction technique that requires a lot less cardboard, but is still sturdy and durable http://www.lescartonnistesassocies.com/index.html left - designer unknown http://www.compagnie-bleuzen. com/vignette1.htm 56 cardboard furniture | david durance 2009 | p 57 Mike Sheldrake 2008 - isogrid surfboard - cardboard, fiberglass & epoxy resin Sheldrake (2008) describes the process of making surfboards using a cardboard grid core. Ribs are laser cut and slotted together to form what he describes as a quarter isogrid, which is between a hexagonal honeycomb and true isogrid. He claims “The quarter isogrid is better suited than the conventional isogrid for a notched rib assembly, since ribs only intersect two at a time. Intersections are simpler and the average notch depth is shallower, retaining more of the ribs’ strength, and simplifying reinforcement efforts”. The outside is finished in fibreglass using an epoxy resin and the resulting surfboard is translucent. Children’s shelves by Miraki Note the joining system http://www.inhabitots.com/2009/11/17/mirakadi-paper-mache-and-cardboardfurniture/ Compared to a proper isogrid the ribs must be weaker because of the slots but the fibreglass skin would effectively close the section. Sheldrake was a web programmer but turned to making his own surfboards three years ago, (Hammond 2009) effectively becoming one of the a “Pro-Ams” that Leadbeater refers to. images: http://www.sheldrake.net/cardboards/ cardboard furniture | david durance 2009 | p 1.4 cardboard furniture with mechanical fastening The mechanical fastening system devised by Makedo is intended for a range of applications from prototyping to playing. It can be used for other materilas apart from cardboard, but has been primarily designed for it, as evidenced by the inserting and cutting tool - left centre. The company says “We love making. Not just making but making do - using the stuff we have, to make something new. makedo by name, ‘make do’ by nature”, so there is a connection to the tinkering ethos. left - the Makedo range below - ‘liquid city’ by cache -paperboard, makedo right - ‘stealth table’ by chris connell - x-board, makedo centre right - paper cup part sphere - creator unknown bottom right - cardboard bird - creator unknown images: www.makedo.com 58 cardboard furniture | david durance 2009 | p 2. cardboard tube below: bridge and tower made from cardboard tube by reknowned architect Shigeru Ban http://www.designboom.com/cms/images/andrea02/ban01.jpg right and below - Shigeru Ban 1998 cardboard tube furniture http://www.designboom.com http://zedomax.com/blog/wp-content/uploads/2007/08/cardboard-bridge.jpg 59 cardboard furniture | david durance 2009 | p 60 3.1 Expanded paper honeycomb (EPH) furniture half expanded sheet of EPH image - material connection a4a design -EPH bookstack http://www.a4adesign.it/ The paper lounge furniture by Molo Design is a series of seating elements in various materials and natural colours, all utilizing a honeycomb structure to fan open into various furniture such as, stools, benches, and loungers. http://www.inhabitat.com counter made from a stck of EPH board images: David Durance Honeycomb light by Molo -designed for indoor use it can accommodate LED or compact florescent lightbulbs. http://www.inhabitat.com cardboard furniture | david durance 2009 | p 3.2.2 Triangular cell board top - the system is made up from a single module bottom -shelving/room divider system by freefoldfurniture www.freefoldfurniture.com top centre - Jacky Downing & James Burns - childrens chair right - James Harris & Craig Artemiou -office table - 20mm X-board the strength of this was demonstrated with a student jumping up and down on it photo: David Durance below, right - display unit, note edging below, far right table with printed promotional material www.xanita.com image: material connection 61 cardboard furniture | david durance 2009 | p 62 Nick & Alex “Creator space” left child’s seat right - the same structure as the seat can be used for room dividers with 2 different configurations cardboard furniture | david durance 2009 | p 63 4.1 moulded pulp Cat Scratcher Lounger by Bergan a disposable product the cat can destroy http://www.berganexperience.com/scratchlounger/index.html Södra - “Parupu” Pulp chair made from paper pulp and PLA - poly lactic acid . PLA created a harder and more water resistant material photo: David Durance Katzutosh Amano & Shinichi Sasaki - “Mould Chair” mades from cardboard pulp Note the similarity to the Södra chair! image Brower, Mallory & Olman (2009) right - fruit punnet - New York the use of pulp in the packaging industry is well established photo: David Durance Tamago series, Tamago collection, Merci Design Tamago was conceived by the Latvian design team, Merci Design http://www.tamago.lv cardboard furniture | david durance 2009 | p 4.2 pulp board 64 GRIDCORE is “ a lightweight honeycomb panel manufactured using 100% recycled card and paper pulp. , as well as agricultural fibers. The panels themselves can also be recycled. The panels are formaldehyde free and will not offgas during fabrication or after installation. Standard 3/4 in. Gridcore Panels have the bending strength of low-density particleboard at less than half the weight. They can be painted, laminated, edge banded, even curved to custom radii. Product applications include furniture, cabinetry, exhibits, displays, stage sets, interior design and industrial components. Gridcore was originally developed by the US Department of Agriculture.” http://www.kingston.ac.uk/~kx19789/rematerialise/html_and_flash/index-application-wall-surfacing.htm Gridcore went out of production early 2002 but was then produced by Sonoco and marketed as Sonoboard up until about 2007. It is now no longer produced. http://www.oikos.com/esb/50/gridcore.html - viewed 18 August 2009 GridCore about to be used in a Montana State University designworkshop http://www.livearchitecture.net/blog/index.php?m=09&y=07&d=22&entry=entry0 70922-224842 cardboard furniture | david durance 2009 | p 5. paper maché Historical uses Paper maché has been a commonly used material in furniture since the mid 1800’s. It had begun to be used as early as the sixteen century for dolls’ heads in France. In the nineteenth century the invention of efficient pressing and molding machines made it possible to produce innovative furniture from papier-mâché. The piece was treated with numerous coats of heavy lacquer (often black) before being decorated with gild and inlaid mother-of-pearl, often in a chinoiserie style. Many large and elaborate papier-mâché pieces were shown at the London Crystal Palace Exhibition in 1851, including a grad piano. The major producer of papier-mâché furni- 65 ture in England at that time was the firm of Jennens & Bettridge. (Origin of Innovative furniture, 2007) One surprising use of paper maché was in train carriage wheels. There were introduced in 1870 and used without incident until 1915. Their benefit was they reduced noise inside the carriages. Pullman had introduced his luxury carriages at this time, but he suspension system was not very sophisticated. Timber had been tried but there were failures. Paper maché wheels performed without incident (Cupery 1997). bottom - Japanned table http://www.tudor-rose-antiques.co.uk/product.asp?itemid=3502 left - http://www.oneofakindantiques.com/catalog/6779_english_papier_mache_tray_table_1880_1.htm Paper maché railway wheels were used from 1870 to 1915 by US railways. They consisted of a steel hub and tyre with a paper maché infill covered by a protective metal disc. image : Cupery 1997) cardboard furniture | david durance 2009 | p 66 Contemporary uses of paper maché All of the surveyed paper maché artefacts are one-off or small batch produced items by craftspeople or amateurs. Many of the items produced are small - toys, ornaments and sculptures. They are usually decorated in a ‘handcrafty’ way - folksy, näive or kitsch style. right - This cube shaped coffee table, made in Haiti, has a more contemporary style. However, the sea-from motif on the front keeps it within the craft based paper maché vernacular http://www.vivaterra.com left -Flying Dog Throne by Miraki - paper Maché http://www.wedhorndesign.de/mirakadi.htmlmache-and-cardboard-furniture/ bottom - paer maché boat http://blog.makezine.com/archive/2006/08/paper_boat.html table by Suie Raskusin http://www.sudierakusin.com ‘Surfer Girl Clock’ by Allie Scott http://www.papiermache.co.uk/gallery/artist/391/ cardboard furniture | david durance 2009 | p 6. Paper board No exemplars of current furniture have been found during the survey for furniture made from plain paperboard, however there are some references to other products made from modified paperboard - Taylor Paper Glass and the paper boat technology developed by Waters and Sons in the 1860’s and 1870’s. Taylor Paper Glass (TPG) is a composite used in some light aircraft construction. It uses Kraft paper 0.1 to 0.2mm thick, which is laid out on wooden formers and coated with polyester resin to set it in shape. Layers of fibreglass and resin are then coated on either side of the paper layer. The advantages claimed for this are the low cost of the core, a rigid, strong and lightweight composite sandwich structure without the need for expensive tooling (Mini-IMP 2009). Other paper composites. Norplex-Micarta (2009) make a number of paper composites using phenolic, malamine and expoxy resins. These find use in electrical engineering due to their insulative properties. 1867 when John McKiel of Cold Spring, NY was defeated by Henry Coulter of Pittsburgh. The Waters catalog of 1871 proudly lists a total of 14 races won by paper boats during 1868. In 1869 the list grows to 26 races and the sites include distant cities such as Savannah, Pittsburgh, Boston, and Toronto. A typical 31 ft. shell weighed approximately 22 lbs., (compared with about 40 lbs. for a comparable wood hull.) The light weight resulted from using only three layers of 0.015” thick manila paper for the hull, and but one layer of paper for the deck as well as a minimalist approach to wood supporting structure. In many ways it was a precursor to modern composite hull construction. (Cupery 2009 - 1) 67 Beginning in 1878, E Waters and Sons constructed several observatory domes across the US from paper. Domes were constructed from paper over a wooden frame; it was felt that other materials would be too heavy, leading to complexities in construction.2 One of the domes was built at the West Point academy in 1881. It survived without incident until it was repaired1924, then eventually dismantled in 1958/9 - 77 years after initial construction. (Cupery 2009 -2) paper dome patent (Cupery 2009 - 2) The boats were made from several layers of jute fibre paper laid out over a mould. The thickness varied between 2.5 and 5mm. Waterproofing was achieved by coating with shellac (Bishop, N 1878).1 Paper Boats “George Waters’ first shell was built in 1867 and was formed using an old Josh Ward shell as a mold. Several large sheets of a high-quality manila paper were laminated over the mold to form the skin of the hull. Wood framework, a seat, oarlocks, & etc. were added after the hull was removed from the mold. By 1868 George had obtained a U.S. patent and was actively engaged in the commercial manufacture of paper shells in Troy, NY with his father Elisha and his brother Clarence. The first race won by a paper boat was on the 30th of October of The Nautilus paper hulled canoe 1 Nathanial Bishops book “the Journey of the paper canoe” recounts the author’s 1874 journey of two thousand miles from Delaware to the Gulf of Mexico in a paper canoe 2 Meanwhile in England the dome at Greenwich observatory was made from paper maché over an iron frame. (Cupery 2009 -2) cardboard furniture | david durance 2009 | p 7. furniture from mixed classifications below - furniture by Schmulb. Thiis is claimed to be made by the ‘Schmulb Process’ developed in the 1980s. This process is unspecified but it appears to be a combination of paper maché or similar technique over a structure of fabricated cardboard. http://schmulb.com right -334 bench by Oscar Lhermitte The newspapers aren’t glued, but mounted on 3 parallel steel bars. It is claimed to be able to support the weight of 5 people http://www.oscarlhermitte.com 68 cardboard furniture | david durance 2009 | p 8. furniture from paper/cardboard composites Armacel is an Australian developed product. It is a process of vacuum forming PET sheet over a core, and has the claimed advantages of toughening and strengthening the core, as well as providing weather resistance. Few exemplars of Armacel covered furniture exist, however it looks like a promising material especially for cardboard products. “Armacel is a high-impact vacuum-tensioning process that is used to manufacture totally unique product solutions engineered to suit any customer or user requirement. Predominantly, little or no specialized tooling is required in the product design or manufacturing process thus providing Armacel manufacturers and end users with maximum flexibility and cost-saving advantages. The Armacel technology allows the creation of low cost and lightweight furniture products ideal for many applications. The ability to use low cost substrates that could not normally be considered makes many new products possible. Lightweight convention furniture is one application that utilizes the lightweight construction properties of Armacel solutions very well. The unique AAPET plastic outer surface which results from the Armacel process is easy to clean, abrasion and chemical resistant, water resistant and can include fire retardant and UV protection agents suitable for outdoor use. Any number of separate and loose pieces can be combined and securely held together by the tensioning process itself; consequently eliminating the need to use fastener devices such as nails, staples, adhesive etc. Individual pieces can be hinged and the final product can also be drilled, heat welded and tapped if required.” www.Armacel, com. right - products from Armacel covered cardboard - bookshelves, bin, pallets, stool. bottom right - bicycle helmet, surfboard See also chapter on “Cardboard in Architecture” (Appendix 1). 69 cardboard furniture | david durance 2009 | p cardboard & engineering One of the main obstacles to overcome when building from cardboard is the method of connection of the elements. It is the Archilles heel of most cardboard structures, says Eekhout. He lists three general methods, gluing, bolted and ‘folding’ or ‘sleeving’. Various observations were made about these methods: methods of connection 30m span dome - image: Eekhout (2007) The Delft University department of Building Technology has a research team investigating architectural uses of cardboard from 2003. The results of the research, Cardboard in Architecture, has been written by Eekhout (2008). One of the major projects undertaken during the research was the design and construction of a 30m span dome from cardboard tube in collaboration with the Japanese architect Shiguru Ban. While Eekhout says that cardboard is a new material in the building industry and there is not a lot of data for its use, the result of this body of work has been a greater understanding of the technical aspects of working with cardboard. The dome itself was impressive. Gluing. Cardboard elements are joined together with adhesive. Glues can be either PVA or epoxy based1. Glued connections should aim to transfer the loads either in direct compression or shear along the sides of the connected elements. A problem observed when coating the cardboard with (water based?) adhesive is that it diffuses into the paperboard, the paperboard softens and loses its original form (due to loading). After drying the deformation is permanent. A solution was suggested to fix components in place while drying. Bolted connections. Cause stress concentration which can be lessened by using large diameter or sleeved bolts and/or large diameter washers. however it was noted that thick card (~12mm) chars like timber, protecting itself from further deterioration Engineering properties of cardboard. Cardboard is a non-homogeneous, anisotropic, nonlinear, visxoelastic and hygroscopic material. Non-homogeneous. It is composed of elements that are not of the same type. Fluted board for example has corrugated flues face with craft paper. The flutes behave differently to the faces. Anisotropic. It performs differently depending on the direction of loading. The greatest compressive strength is in the direction of loading. The paper from which cardboard is made is also anisotropic as a result of the manufacturing process. As paper is passed through rollers, paper fibres generally align in the direction of of rolling - machine direction (MD) rather than cross direction (CD). This has the consequence that paper is stronger in the MD rather than the CD. The MD/CD ratio depends on the type of paper. Young’s modulus E, for MD ranges between 2-20GPa, and CD is about 25-65% of MD. (Eekhout, 2007) Folding or sleeving. Connections can be made by mechanically linking elements together using tab and slot or other methods. This method avoids glues or bolts. The Delft research did not cover this method. (Examples of this method are listed in the ‘X-board’ study elsewhere in the appendix.) Surface applications. The surface can be coated with polymeric paint or laminated with building paper or metallic foil. It can also be coated with a fire retardant, typical stress/strain curve for cardboard (Eekhout 2007) 1 This is not a complete list as other adhesives can be used eg solvent based construction adhesive. 70 cardboard furniture | david durance 2009 | p Hygroscopic. Cardboard absorbs moisture from the atmosphere, and this impacts on its strength. If it becomes wet, cardboard degrades and ultimately turns into a pulp. Water resistant cardboard is manufactured with additives in the pulp. While this achieves water resistance it means that the cardboard cannot be as easily recycled. Beam testing To generate data sufficient for engineering calculations on architectural structures the Delft team designed, built and tested four test beams. The beams were built and tested in a four point loading test. The testing concluded that a cardboard beam would be feasibly strong enough to build with. However, the beams were not very stiff and showed large deflections. This could be improve by using a better class of material and by increasing the moment of inertia by making the beams deeper. Delft test rig - Eekhout 2007 Some faults can be found with the methodology of the testing. 1. The testing rig placed a load that was far too concentrated and didn’t take into account local crushing effects of the cardboard. The rig would be OK for steel there seemed to be a failure at the outset to appreciate the differences the cardboard would have. 2. No data provided for the amount of cardboard used. This makes it difficult to assess the efficiency of the beam, strength top weight ratio or relative cost. 3. While this was a reiterative process, with a consequent improvement for each test there are jumps between tests. Failure modes could have addressed, improving each beam, but instead each test, apart from beam 3 to 4 jumped to a new type of beam. 71 ented. I would also question if the edge-on orientation of honeycomb board in the webs is really the most efficient. A question of method To my eye there could have been better design of the beams - I have included my comments on the summary table. I wonder if this is a result of the methodology used. Eekhout’s diagram of the relationship to research and design shows some connections between the development stages, but it is still a very linear “scientific” approach. One might ask what would have been the result if there had been some ‘application design’ at the fundamental research stage. 4. In general there appears to be little consideration to board orientation, given its anisotropic nature. Between tests 3 to 4, the core honeycomb board is reori- The relationship to research and design in the Delft Cardboard research centre - Eekhout 2007 cardboard furniture | david durance 2009 | p Beam size/ final load failure load/deformation curve 72 comments Only solid board used. Central section filled with Zig-Zag to prevent buckling. Flange connected to web via tab & Slot and glue. 1 250 x 300mm 6kN Comments (DD): Flange looks too thin, and is not flat, reducing compression performance. Only solid board used with layers glued with PVA. Top flange 8 layers, bottom flange 1 layer, web 5 layers. Flange connected to web via comb type construc- 2 300 x 150mm 10kN tion, no glue. Webs were stiffened by triangle construction to prevent buckling. Comments (DD):. The comb interlock is an obvious weakness, and should have been predicted to not stop the flange buckling out. Triangle web stiffener also has no means of preventing web buckling outward. Only solid board used with layers glued with PVA. Top flange 8 layers, bottom 3 250 x 150mm 40kN flange 1 layer, web 5 layers. Flange connected to web via comb, no glue. Comments (DD): I question the use of EPH board on edge in the flange. Loading method causes local crushing & beam failure. Similar to beam 3, but with a tube to improve the compression characteristics. 4 250 x 150?mm 90kN The failure was a brittle fracture, which is considered somewhat undesirable because it gives not warning. Comments (DD): Orientation of the EPH board has been changed in the core, looks quite random. Summary of test results from cardboard beam testing. (Eekhout 2007) references cardboard furniture | david durance 2009 | p ABS 2003, 4602.0 - Environmental Issues: People’s Views and Practices, Mar 2003 , Australian Bureau of Statistics, Canberra Anderson, L & Jackson, S (eds) 2006, The design nexus: ICT changing demographics, and sustainability, Lab 3000, Melbourne Antonelli, Paola, 2005, Humble masterpieces - 100 everyday marvels of design, Thames & Hudson NY Antonelli ,Paola 2007-2, Paola Antonelli previews “Design and the Elastic Mind” Video on TED.com, http://www.ted.com/ talks/lang/eng/paola_antonelli_previews_design_and_the_ elastic_mind.html, viewed 8 Sept 2009 74 Cupery, Ken, 2009 -1, The Paper Rowing Shells of E. Waters & Sons, reprint from The Paper Boater, http://kcupery.home.ispdirect.com/PBArtic/shell.html, viewed 24 November 2009 Eames, Charles, 1972, What is design? transcript of film Design Q & A, 1972, in Coles ,A (editor), 2007, Design and Art, Whitechapel, london Cupery Ken, 2009 -2, Paper observatory domes, http://kcupery.home.isp-direct.com/dome.html, viewed 24 November 2009 Eekhou, M, Verheijen, F & Visser, R 2008,Cardboard in Architecture, IOS Press , Amsterdam Cupery, Ken 2009 -3, Paint - A Paper Boater’s Friend, http:// kcupery.home.isp-direct.com/PBArtic/flickslaw.html Forgács, E 1995, The Bauhaus idea and Bauhaus politics, Oxford University Press, UK Cupery, Ken 1997, Paper Railroad Wheels?, http://kcupery. home.isp-direct.com/wheels.html, veiwed 24 November Foster G (1997) “Boxes, Corrugated” in The Wiley Encyclopedia of Packaging Technology, eds. Brody A and Marsh K, 2nd ed, John Wiley & Sons, New York Daniel Libeskind: The Making Of An Architect, [TV documentary], ABC, 10:30pm Sunday, 18 Oct 2009 Friedman, M (ed) 2003, Architecture + Process: Gehry Talks, Thames & Hudson, London Davies R 1985, A Psychological Enquiry into the Origination and Implementation of Ideas, MSc Thesis, UMIST, Manchester, UK Gedenryd, Henry 1998, How designers work, PhD dissertation, pdf, http://www.lucs.lu.se/Henrik.Gedenryd/HowDesignersWork Bhaskaran, Lakshmi 2005, Designs of the times - using key moments and styles for contemporary design, Rotovision, SA Danko, Peter 2009, in Brower, C, Mallory, R & Ohlman, Z, 2009, Experimental eco-design : architecture, fashion, product, Mies, Switerland : Rotovision Gomi [2008], Gomi Manefesto, http://gomistyle.wordpress. com/about/, viewed 14 October 2009 Bishop, Nathaniel 1878, Voyage of the paper canoe, Lee & Shephard, Boston, published online http://www.eldritchpress.org/nhb/paperc/intro.html#contents Danko, Peter 2008, Eco_Modernism, A Manifesto for Sustainable Design, Pdf document, peterdanko.com, viewed 24 November 2009 Brown, John Seely, 2009 Tinkering as a Mode of Knowledge Production, YouTube 2009 http://www.youtube.com/ watch?v=9u-MczVpkUA, viewed 27 October 2009 Design Institute of Australia (2009), http://www.dia.org. au/content.cfm?id=35 , http://www.dia.org.au/content. cfm?id=35 , viewed 27 November Carlson, N & Buskin, W 1984, Psychology, The Science of Behavior, Allyn & Bacon, MA Demetrios, E. (2001), An Eames Primer, Thames & Hudson, London Clark, Michael 2007, Verbalising the Visual, Ava Publishing, Lausanne, Switzerland Douglas, M and Isherwood, B 1976, The World of Goods -Towards an Anthropology of Consumption, Allen Lane, London Cranz, Galen 1998, The chair : rethinking culture, body, and design, Norton, NY Douglas, M and Isherwood, B 1996, The World of Goods -Towards an Anthropology of Consumption, Routledge, London, (published online) eBooks.com Archer, Bruce 1965, Systematic Method for Designers, Design Council, London, UK. Reprinted in Cross, N 1984, Developments in Design Methology, Wiley & Sons, Chichester, UK Berman, David 2009, Do Good Design - How Designers can Change the World, New Riders, Berkley CA Crawford, B 2009, The Case for Working With Your Hands,NY Times, May 21, http://www.nytimes.com/2009/05/24/ magazine/24labor-t.html?_r=1, viewed 18 Nov Cross, Nigel 2008, Engineering Design Methods Strategies for Product Design - fourth edition, Wiley, UK Cross, Nigel 2006, Designerly Ways of Knowing, Dordrecht : Springer, (published online) eBooks.com Durance, D 2007, Choosing Green, unpublished research paper, Swinburne University Durance, D 2008, Sustainable Opportunities & Environmental Performance Labelling For Australian Furniture Manufacturers, unpublished research paper, Swinburne University Durance, D, Kahlid, A , Windahl, L 2008, The Splint, unpublished research paper, Swinburne University Gomi (2009), Gomi-style, Youtube video, http://www. youtube.com/watch?v=cOa1kHEiIpg&feature=related, Guignon, A 1998, Multiple Intelligences: A Theory for Everyone, Education World, http://www.education-world.com/a_curr/ curr054.shtml Hall, J 2005, Waterproofing paper maché, webblog, http:// www.papiermache.co.uk/articles/waterproofing-papiermache/6/, viewed 7December 2009 Hamilton, D & Watkins, D 2009, Evidence Based Design - For Multiple Building Types, John Wiley & Sons, New Jersey Hammond, K 2009, Cardboard shredder, Make. com, Vol 19, http://www.make-digital.com/make/ vol19/?pg=22&pm=1&u1=friend Hauffe, T 1998, Design, a concise history, Laurence King Publihing, London (Interview with Alex Pang), 2009, Radio Broadcast and podacst, Future Tense, ABC Radio National, Oct 21, http://rnfuturetense.posterous.com/, viewed Oct 21 Isenbegg, B (2009), Conversations with Frank Gehry, Alfred Knopf, New York cardboard furniture | david durance 2009 | p Jensen, B 1999, HexWeb™ Honeycomb Attributes and Properties - A comprehensive guide to standard Hexcel honeycomb materials, configurations, and mechanical properties, trade brochure, Hexcel Composites. Julier, Guy, 2008, The Culture of design, 2nd ed, Sage, LA Kuwano, S, Fastl, H, Namba, S, Nakamura4, S , Uchida, S 2002, Subjective evaluation of car door sound, symposium paper, SQS 2002 Sound Quality Symposium, Dearborn, Michigan Lahart, J 2009, Tinkering Makes Comeback Amid Crisis, Wall Street Journal, 13 November, http://online.wsj.com/article/ SB125798004542744219.html, viewed 18 November NASA 1973, Isogrid design Handbook, PDF document, Macdonell Douglas, http://femci.gsfc.nasa.gov/Isogrid/NASACR-124075_Isogrid_Design.pdf viewed 15 August 2009 Origin of Innovative furniture, 2007, EFI - Costarica, http:// www.efi-costarica.com/Innovative-Furniture.html, viewed 3 December 2009 Ottermo, V, Stavdahl, Ø, & Johansen, T, 1999, Design and performance of a prototype tactile design shape for minimally invasive surgery, pdf document, Haptics,e - the electronic journal of haptics research, http://www.haptics-e.org/, viewed 17 November Lawson, B 1980, How Designers Think, Architectural Press, London, in Cross (2006) Panero, J & Zelnik, M 1979, Human Dimension & Interior space, Pye D 1978, The Nature and Aesthetics of Design, Barrie and Jenkins, London, in Cross (2006) Leadbeater, Charles 2007, Charles Leadbeater on innovation, [video on TED.com], http://www.ted.com/talks/lang/eng/ charles_leadbeater_on_innovation.html ,viewed 20 November 2009 Pang, Alex 2008, Reflections on tinkering, Blog, http://askpang.typepad.com/relevant_history/2008/10/reflections-on. html, viewed 18 November 2009 Lindsay, Bruce 2001, Digital Gehry: Material Resistance,Digital Construction, Birkhauser, Berlin Pang, Alex 2009, Tinkering with the future, radio broadcast, ABC radio National, broadcast 29/10/2009 75 Sheldrake, M 2008, Cardboard surfboards, http://www.sheldrake.net/cardboards/, viewed 18 August 2009 Smith, K 2002, 2008, Howard Gardner, Multiple intelligences and education, http://www.infed.org/thinkers/gardner.htm, viewed 18 November 2009 Strasser, Josef 2009, 50 Bauhaus icons you should know, Prestel Verlag, Munich Sheldrake, M 2008, (Cardboard Surfboards), http://www. sheldrake.net/cardboards/background.html TAPPI 2001, Paper University, website, http://www.tappi.org/ paperu/all_about_paper/products.htm, viewed 14 September 2009 Tinkering School 2005, http://www.tinkeringschool.com/ blog/2005/about, viewed 20 Nov 2009 Tulley, Gever 2009, Gever Tulley teaches life lessons through tinkering, [TED online video], http://www.ted.com/talks/ gever tulley_s_tinkering_school_in_action.html#, viewed 18 Nov 2009 Masterchef, 2009, Television Series, broadcast 27 April 2009 to19 July 2009, Channel 10, Melbourne Pescovitz, D 2009, Alex Pang on Tinkering, Blog, 20 May, http://www.boingboing.net/2009/05/29/alex-pang-on-tinkeri.html, viewed 27 Oct 2009 The Concise Oxford Dictionary of Art Terms. Michael Clarke. Oxford University Press, 2001. Oxford Reference Online. Oxford University Press. Swinburne University of Technology. 1 December 2009 <http://www.oxfordreference.com.ezproxy. lib.swin.edu.au/views/ENTRY.html?subview=Main&entry=t4. e589> McDonough, W & Braungart, M 2002, Cradle to Cradle - remaking the way we make things, North Point Press, NY Pollack, S (2006), Sketches of Frank Gehry, [videorecording], SP Architecture Productions,[United States?] Ulrich, K & Eppinger, S 2004, Product design and development, Third edition, McGraw Hill, Boston Mini-IMP Aircraft Company, [unknown date], What is TPG?, http://www.mini-imp.com/taylor_paper_glass_%28tpg%29. htm, viewed 27 November 2009 Poynor, Rick 2005, Art’s little brother, in Coles ,A (editor), 2007, Design and Art, Whitechapel, london Wedding, Michael 2007, Advances in Paper Science, Gottstein Trust, Melbourne Pye D 1978, The Nature and Aesthetics of Design, Barrie and Jenkins, London, in Cross (2006) Wolf, R 2008, Study: Poor ballot designs still affect U.S. elections, USA Today 21 July, viewed online 20 Oct. 2009, http:// www.usatoday.com/news/politics/election2008/2008-07-20ballots_N.htm Lucas, C 2009, Car use driven by lack of trains, buses, The Age, 21 November Moses, A 2009, Aussie Googler hits the world stage for climate change, The Age 3 December, http://www.theage.com.au/ technology/technology-news/aussie-googler-hits-the-worldstage-for-climate-change-20091202-k54f.html , viewed 3 December 2009 Murtagh, 2005, Leonardo da Vinci: The Engineer, Ilumin - a review of engineering in everday life, Volume 8 , Issue i : Fall 2005, http://illumin.usc.edu/article.php?articleID=149, viewed 3 December 2009 Myers, J 1989, The language of Visual Art, Holt Rinehart & Winston Inc, Orlando Florida Park, Miles 2009, Adaptive design, in Best, K 2009 , Fundamentals of design management, book yet to be published Rapoult, Mark & Violette, Robert (eds) 2004, Gehry Draws, Violette Editions, London Rust, Chris 2009, In the Eating - Grounding the validation of investigative designing in the experience of stakeholders, Sheffield Institute of Arts, Sheffield Hallam University Scrapheap Challenge (1998- 2009), Television Series, first series aired 1998, series still in production, created by RDF Media for Channel 4 in the UK, aired in Australia on ABC1 and ABC2. Sheffield, England, Whitney Library of Design, NY Young, Ian 2006, in Anderson, L & Jackson, S, The New Design Nexus: ICT changing demographics and sustainability, Lab 3000, Leading by design, Melbourne
Similar documents
too sexy production manual
furniture. There is a stool, a coffee table and a children’s chair to choose from. But you are of course free to make them all. For all three pieces you need the same material: corrugated cardboard...
More information