The Portfolio of Patrick Spearnock
Transcription
The Portfolio of Patrick Spearnock
Patrick Spearnock Portfolio Patrick Spearnock Portfolio Kesem Technology Identity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Singles Cafe Identity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Singles Cafe Web Site . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Dwell Magazine Redesign . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Masters of Graphic Design Web Site . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 Ed Ruscha Book Redesign . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 UCLA Extension Entertainment Media Certificate Programs Booklet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 Concert Series Flyer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 Architects in Washington Poster Series . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 Various Logos . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 Corcoran Postcards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 Kesem Technology Identity Original Dimension: Various • Current Scale: Various 301.562.9339 877.808.4975 301.562.2887 kesem.net 8115 Fenton Street Suite 307 Silver Spring, MD 20910 AUfhm6`cW_ Chief Technical Officer 301.562.9339 877.808.4975 301.562.2887 kesem.net [email protected] 8115 Fenton Street Suite 307 Silver Spring, MD 20910 8115 Fenton Street Suite 307 Silver Spring, MD 20910 Singles Cafe Identity Original Dimension: Various • Current Scale: Various Singles Cafe Web Site Original Dimension: 750 x 550 • Current Scale: Various Dwell Magazine Redesign Original Dimension: 9" x 10.75" • Current Scale: Various %8,31)-28,)13()62;360( 5JNFGPSB$IBOHF 3FBM-JGF3FOPWBUJPOT 4EGO]SYVFEKW +VIEX(IWMKR'MXMIWXS:MWMX2S[ &I]SRH-/)% 97`'EREHE %JJSVHEFPI1SHIVR*YVRMXYVI 1EVGL [[[H[IPPQEKGSQ (ITEVXQIRXW 0IXXIVW 'SRXI\X ;L]HIR]]SYVQSHIVR GSRHMXMSR#,IVI«W[LEXXSVIEH ZMWMXERHFY]XSGYPXMZEXIMX 7[MX^IVPERH«W%VX&EWIPXEOIW MXWEZERXKEVHIEVXXS1MEQM &IEGLERH')7FVMRKWXLIFIWX MRGSRWYQIVIPIGXVSRMGWXS :IKEWFEF] -RXLI1SHIVR;SVPH 8LIHVEQEXMG7XVEMXSJ.YER HI*YGEWIXWXLIWXEKIJSVE 7IEXXPIGSYTPI«WMHIEPKIXE[E] 1],SYWI ;LIRFYMPHMRKEWIGSRH LSQIQSWXTISTPIHSR«X GSRWMHIVXVEZIPMRKJEVXLIV XLERYTWXEXI&YXXLI8EMXW FYMPXXLIMVWLSYVWE[E] SRXLIGSEWXSJ8EWQERME -RXLI«W&VMXW%PMWSR ERH4IXIV7QMXLWSRGEWX EWTIPP[MXLXLIMV FI[MXGLMRK,I\IRLEYW ;LIRTVIWIRXIH[MXLE WIPIGXMSRSJLMKLHIWMKRHIWOW &MPP7XYQTJTSRHIVW;LMGL[MPP KSFIWX[MXLQ]%IVSRGLEMV# ([IPP6ITSVXW 1EKRIXWGLSSPWEVIRSXLMRK RI[XSXLIEVXWERHWGMIRGIW FYX1MEQM«W(%7,PSSOWXS KMZILMKLWGLSSPIVWELIEH WXEVXMRHIWMKR 2MGI1SHIVRMWX -R)HMRFYVKL7GSXPERH EVGLMXIGX6MGLEVH1YVTL] KSIWYRHIVKVSYRHXS QIPHQSHIVRMWQ[MXL GIRXYVMIWSPHEVGLMXIGXYVI 1EVGL )PWI[LIVI )HMXSV«W2SXI 2I[&IKMRRMRKW 8LIVI«WQSVIXSTVIJEFXLERXLIJEGXSV] EWMPPYWXVEXIHF]XLIWIJSYV5 %WSRLMWXSV] TSPMG]IHYGEXMSRERHGSQQYRMX] 1ERGLIWXIVMWVIRS[RIHJSVMXWMRHYWXVMEP]IX GYPXYVEPP]TVSKVIWWMZIGLEVEGXIV-XWIIQW´XXMRK XLIRXLEXMX«WLSQIXSERMRRSZEXMZIVIWMHIRXMEP TVIJEFGSQTPI\ 8LI7SYPSJE,SVWI *SV'LEVPMI0E^SVFYMPHMRKLMWTVIJEFLSQI[EW EWIEW]EWEWWIQFPMRKE&PY(SXWLIPZMRKW]WXIQ 'SZIV 8[MWX]SYV[E]SYXSJXLIFS\%VXWERH'VEJXW LSQIWFPIRHFIEYXMJYPP][MXLXLIQSHIVRIHKI -RXLIHIQMPMXEVM^IH^SRI SJ/SVIESJEPPTPEGIW EWTIGXEGYPEVP]MQEKMREXMZI GSQQYRMX]MWFSVR (IWMKRIV1EWWMQS-SWE+LMRM XEOIWEQSQIRXXSVIµIGX SRXLILE^EVHWSJWTIIH ERHXLIQIVMXWSJ)YVSTI«W WXERHEVHSJPMZMRK ([IPP0EFW 3JJXLI+VMH JOTJEF %VGLMZI 3YXWMHI 9XMPMXEVMERHSIWR«XLEZIXS QIEREREGLVSRMWXMG,IVIE WIPIGXMSRSJLSYWIRYQFIVW XLEXSJJIVQSHIVRGYVFETTIEP ([IPP,SQI-)J´GMIRG]EJJSVHEFMPMX] ERHWX]PIEVIQEOMRKMX QSVITSTYPEVIZIV]HE] 7SMWQSHIVRTVIJEFSR MXW[E]XSFIGSQMRKXLI %TTPIGSQTYXIVSJXLI %QIVMGERLSYWMRKMRHYWXV]# 8VEZIP (SR«XJVIXFIGEYWI]SYGER«X ´RHXLEXREQIRYQFIVSV [IFWMXI;I«ZITVSZMHIHXLIQ JSV]SYLIVI 7SYVGMRK 7SQIXMQIWEPMXXPIWTEGIKSIW EPSRK[E]ERHWSQIXMQIWXLI SRP][E]XSKSMWYT 8LI7MQTPI0MJI *I[EVIFVE[R]IRSYKLJSVEVIQSXIQSYRXEMR I\MWXIRGIFYXJI[IVWXMPPLEZIXLIVIWSPZIXS FYMPHXLIVI 4YVWYMRK4IVJIGXMSR (SR«XJVIXFIGEYWI]SYGER«X´RHXLEXREQI RYQFIVSV[IFWMXI;I«ZITVSZMHIHXLIQ JSV]SYLIVI 8LMWTEKI.Y\XETSWMXMSRTPE]WEGVYGMEPVSPIMRX]MRKMXEPPXSKIXLIV 3TTSWMXITEKI%QM\SJXVEHMXMSREPERHQSHIVRXEWXIWGSRZIVKI IHIGMHIHXSREQI ¨7S[ LM© W9RMPMOIWIEYVGLMRWYW SYVWIPZI 8LMWTEKI8LIMRXIVMSVWTEGIMWSTIRERHERKYPEV 3TTSWMXITEKI%QM\SJXVEHMXMSREPERHQSHIVRXEWXIWGSRZIVKI &VERH2I[ ;,%883(3;,)2 -8©78-1)8378%683:)6 ;VMXXIR&] :MVKMRME+EVHMRIV ([IPP1EVGL 4LSXSW&] %HEQ*VMIHFIVK 5YSXMRK2MIX^WGLIVMKLXSJJXLIFEX-QMKLXEW [IPPFIEX[IIH[IEVMRKPYWLMRERSPH[SSH] EPMIRQSZMI&YXFIEX7GLIROERH'LEI[SR /MVR«WPMZI[SVOLSYWIMR'EQFVMHKI 1EWWEGLYWIXXWFVMRKWXSQMRHSRISJXLIQEH TVYWWMER«WETLSVMWQW¨[LIRSRILEW´RMWLIH FYMPHMRKSRI«WLSYWISRIWYHHIRP]VIEPM^IWXLEX MRXLITVSGIWWSRILEWPIEVRIHWSQIXLMRKXLEX SRIVIEPP]RIIHIHXSORS[MRXLI[SVWX[E]§ FIJSVISRIFIKER© 6IEHXLIEHEKIX[MGIERHEJXIV]SY«ZI XVMTTIHSZIVWM\YWIWSJ¨SRI©XLEXHSR«XI\EGXP] FPIWWXLIXVERWPEXMSRGSRWMHIVXLMWERXMHSXIXS MXWHIWGVMFIHJVYMXPIWWRIWW/IITVIRSZEXMRK ;LEXIZIV]SYVWYHHIRVIEPM^EXMSRW]SYEVG EP[E]WFIKMRRMRKEKEMR 7GLIROERH/MQXLIQEVVMIHTEMV[LS JSYRHIHXLIHIWMKRKVSYT9RM[MXLX[SJVMIRHW 8IH2WEMERH%'*IVRERHI^MRLEFMXXLIMV FMKKIWXTVSNIGXMRETIVTIXYEPWXEXISJ[LEX/MQ GEPPW¨VIRSZEXMSRQERME©8LI]FSYKLXEXMR] ]SSWUYEVIJSSXX[SWXSV]LSYWIMRERH ´RMWLIHVIRSZEXMRKMXPEWX]IEV2S[XLI]«VI [SVOMRKSREMSSWUYEVIJSSXEHHMXMSR%RH XLI]NYWXTYVGLEWIHXLILSYWIRI\XHSSV[LMGL XLI]TPERXSKYXVIFYMPHERHWIPPRI\X]IEV ;LIR/MQERH7GLIROFSYKLXXLI´VWXLSYWI VIRSZEXMSR[EWR«XXLIMVTPER¨;I[ERXIHXS FYMPHKVSYRHYTFYX´RHMRKERIQTX]PSXMR 'EQFVMHKI[EWMQTSWWMFPI©I\TPEMRW/MQ¨8LMW LSYWI[EWWQEPPFYXSREXFMKPSXWS-´KYVIH[I GSYPHIEWMP]XIEVMXHS[RXSFYMPHWSQIXLMRKRI[© &IKMRRMRKW ([IPP1EVGL ¨&YX;SR©§7GLIRO«WRMGOREQIJSV'LEI[SR§ ©XSSOQIXSWIIXLITPEGIERH-XLSYKLXMX[EW XSSGYXIXSXIEVHS[R©8LSYKLFSXL[IVI LSVVM´IHF]XLILSYWI«WMRXIVMSV§EHEVOGPYWXIV SJRSSOWERHGVERRMIWHEXMRKJVSQXLIPEXIMXL GIRXYV]§XLI][IVIMRXVMKYIHF]MXWMGSRMG TMXGLIHVSSJ¨LSYWI©WLETI8LIMVVIHIWMKR GPIEVIHSYXXLIGVERRMIWXSQEOIIEGLµSSVMRXS E[MHISTIRWTEGI8LI]FVSYKLXPMKLXMRXSXLI FEGO]EVHJEGMRKIEWXJEGEHI[MXLPEVKI[MRHS[W ERHXVERWPYGIRXTERIP[EPPW8LI]GSEXIHXLI I\XIVMSVMRGSVVYKEXIH'SVXIRWXIIPMXWFSPHVYWX GSPSVWYVVIEPP]MRXIRWM´IWXLILSYWI«WJSVQ 7GLIRO[LSMW7[MWWERH/MQ[LSMW /SVIERQIXEWWXYHIRXWEX7'-%VGMRXLIIEVP] ª7[LIVIFSXLWTIRXXLIMVJVIIXMQIFVS[WMRK EQSRKFYMPHMRKWYTTPMIWEXXLIHS[RXS[R0SW %RKIPIW,SQI(ITSX8LMW]IEVYTSR GSQTPIXMRKXLIMV´VWXLSYWIXLI]KSXEVSYRHXS REQMRKXLIMV´VQ[MXL*IVRERHI^ERH2KEM ¨;I[IVIKSMRKXSGEPPSYVWIPZIW9RMX©/MQ WE]W¨FIGEYWIMXGSYPHWXERHJSVª9ERH-TPYW 8IH«&YXXLIRTISTPIXSPHYWSXLIVMQTPMGEXMSRW SJXLI[SVH«YRMX«7S[IHIGMHIHXSREQI SYVWIPZIW9RMPMOIWIEYVGLMRWYWLM© 8LI]SYRKKVSYTMWRSXEFP]MRXIVREXMSREP 2KEMMW'LMRIWI*IVRERHI^MW*MPMTMRS&IX[IIR XLIJSYVSJPLIQXLI]WTIEOPERKYEKIWERH LEZI[SVOIHJSV6IQ/SSPLEEW/E^Y]S7INMQE 'SST,MQQIPFPEYERH*VERO+ILV]2SRIXLIPIWW XLIMV´VWXTVSNIGX[EWLYQFPI§XLISVMKMREP VIRSZEXMSRGSWX -RWXIEHSJLMVMRKEGSRXVEGXSV/MQERH7GLIRO YRHIVXSSOXLIMVS[RGSRWXVYGXMSR[MXLTIVMSHMG LIPTJVSQ*IVRERHI^[LSWXMPPPMZIHMR0SW %RKIPIW2KEM[EW´RMWLMRKEHIKVIIEX,EVZEVH (IWMKR7GLSSP¨3YVKSEP©7GLIROWE]W¨[EW XSWLS[XLEX[MXLXLIQSWXFEWMGFYMPHMRK QEXIVMEPWEGPIZIVTPERGERQEOIWSQIXLMRK I\GITXMSREP©;LMPII\IGYXMRKXLIVIRSZEXMSR /MQERH7GLRIOPMZIHMRXLILSYWIXLVSYKLHE]W [MXLRSVYRRMRK[EXIVE[MRXIV[MXLRSLIEX ERH¨EPSXSJFEGOEGLIW©&YXXLI]WXMPPQEREKIH XSIRNS]XLIRYQIVSYWGLEPPIRKIW¨8LIHE][I WXEVXIH[SVOMRK©/MQWE]WPEYKLMRK¨[IFSXL IRHIHYTMRXLIIQIVIKIRG]VSSQ-XVMTTIHERH WTVEMRIHQ]EROPI&IEXHMHR«X[IEVWEJIX] KSKKPIWERHKSXWE[HYWXMRLMWI]IW© ¨;LIR[IXSVIHS[RERSPHWLIHMRXLI FEGO]EVH©7GLRIOVIQIQFIVW¨-LEHXSKMZI LSYVRSXMGIXSXLIVIWMHIRXWOYRO,IHMHR«X [ERXXSPIEZI,IQEHIELSVVMFPIWXMRO-JIPXE FMXKYMPX]FIGEYWILIWIIQIHIPHIVP]ERH[MRXIV [EWSRXLI[E]© ¨(IQSPMXMSR[EWERMKLXQEVI©LIGSRXMRYIW ¨;IOITX´RHMRKPE]IVYTSRPE]IVSJ[EPPTETIV ERHTEMRX;ILEYPIHSYXIMKLXERHELEPJXSRW SJHIFVMW8LIRIMKLFSVWOITXWIIMRKHYQTWXIVW ERHXLI]GSYPHR«XMQEKMRILS[WSQYGLWXYJJ GSYPHGSQISYXSJWYGLEPMXXPILSYWI©8LILEVH [SVOGLERKIH7GLIROJVSQ[LEX/MQ EJJIGXMSREXIP]GEPPW¨ETIRGMPLSPHMRKWOMRR] EVGLMXIGX©XSEFVSEHWLSYPHIVIHSRI 8LSYKLXLIVIRSZEXMSR[EWEVMXISJTEWWEKIJSV EPPJSYVHIWMKRIVWJSV/MQMX[EWEPWSETIVMSH SJVIGSZIV]-RWLI«HFIIRHMEKRSWIH[MXL EREGYXIGEWISJFVIEWXGERGIV7LI[EWSRP] ]IEVWSPHERHXLSYKLXWLIQMKLXRSXVIEGL &YXEJXIVETEMRJYPX[S]IEVXVIEXQIRXWLI[EW GYVIH,IVRI[JSYRHLSTIJSVWYVZMZEPGSMRGMHIH [MXLXLIGSRWXVYGXMSRTVSGIWW¨8LITVSNIGX LIPTIHQI©WLIWE]W¨-XKEZIQIIRIVK]© 7GLIRO[LSLIPTW´RERGI9RM«WTVSNIGXW[MXL ENSFEX&SWXSR«W'ERRSR(IWMKRWXMPP´RHW LMQWIPJEX,SQI(ITSXQSWX[IIOIRHW,SYVW WTIRXXLIVITE]SJJ[MXLGSYRXPIWWQSRI]WEZMRK WXVEXIKMIW¨;ILEZIELYKIGSPPIGXMSRSJHSMX ]SYVWIPJFSSOWERH[IVIEPP]YWIXLIQ©LI WE]W*SVMRWXERGIXLI]GSZIVIHXLIµSSVW[MXL GSVO[LMGLGSWXTIVWUYEVIJSSXn Masters of Graphic Design Web Site uclaextension.edu/mastersofdesign 10 • Current Scale: Various 11 Ed Ruscha Book Redesign Original Dimension: 11.5" x 9.75" 12 • Current Scale: Various LIK>:= =HI>R MH;:<<HLM:BGLHGI:I>K*20, -+q*--bg*)/'0q,//\f I>G<BEHGI:I>K*22) ,)q++*(+bg0/'+q.0'+\f *) <HMMHGIN??L%J&MBIL % LFHD>:G=FBKKHKL3 MA>=K:PBG@LH?>=KNL<A: <hmmhgIn__l%J&Mbil %Lfhd^Zg]Fbkkhkl Ma^=kZpbg`lh_>]Knl\aZ 13 ** <HG M>GML <HGM>GML ), *0 +, ,0 ,2 *,* *,, - <hmmhgIn__l%J&Mbil %Lfhd^Zg]Fbkkhkl Ma^=kZpbg`lh_>]Knl\aZ ?hk^pZk] :\dghpe^]`^f^gml Bgmkh]n\mbhg :gBgm^kob^ppbma>]Knl\aZ Phkdlbgma^>qab[bmbhg L^e^\m^];bh`kZiar Bg]^q . UCLA Extension Entertainment Media Certificate Programs Booklet Original Dimension: 8.25" x 10.5" • Current Scale: Various 7296.qxp:Layout 4 1/16/08 2:08 PM Page cvr4 uclaextension.edu/espabook 14 7296-08 7296.qxp:Layout 4 1/16/08 2:08 PM Page 10 Certificate in Entertainment Media: Concentration in cinematography This certificate program is designed for those who want to become cinematographers or camera operators. After taking a series of four foundation courses in entertainment media, students gain skills in camera techniques and digital technologies while developing an individual aesthetic and artistic point of view. Domestic students may begin the program in any quarter. I-20 students are only eligible for entry in the fall. Approximate Program Cost: $7,000 Approximate Cost of Books and Materials: $500 Certificate Candidacy Fee: $200 Certificate Enrollment Number: CF543 Duration: one year (full-time course of study) to three years Unit Requirement: 48 Foundation Courses (16 units) Course No. Title X 404 � Pre-Production and Production for Film and Television X 404A � Post-Production for Film and Television X 403.31 The Business of Entertainment X 476.581 The Language of Filmmaking Units 4 Fall • Winter • Spring • Summer • 4 4 4 • • • • • • • • Winter Spring • • • 4 Required Cinematography Courses (22 units) Course No. X 478.27A � X 478.27B � X 478.27C � X 478.436 Title Units Cinematography I: Introduction 4 Cinematography II: Visualization and Exposure 6 Cinematography III: Lighting Workshop 8 Composition and Framing for the Motion 4 Picture Camera Fall • • 15 Summer • • • • Electives (10 units) Students complete another 10 elective units from other X 400 series courses from Entertainment Studies & Performing Arts and/or the Writers’ Program film and television writing curriculum. � Should be taken in first two quarters of study. � These courses should be taken in sequence. Course scheduling and fees subject to change without notice. A maximum of 8 internship credits may be applied to your certificate program. 10 11 7296.qxp:Layout 4 1/16/08 2:08 PM Page 4 7296.qxp:Layout 4 What Is Entertainment Studies & Performing Arts? Student Success Stories The most comprehensive university-related program of its kind in the country and located in the epicenter of the entertainment industry, Entertainment Studies & Performing Arts at UCLA Extension offers dynamic professional training in the art and business of entertainment. Our over 200 courses and specialized certificate programs in acting, directing, producing, cinematography, development, business and management of entertainment, music business and film scoring are designed for people who want a “real world” education combined with the integrity and quality of a curriculum approved by the UCLA Academic Senate. In addition to networking and internship opportunities and the deep industry experience of our instructors, UCLA Extension’s ability to respond quickly to changes in technology and the marketplace keep our students on the crest of what’s current. “UCLA Extension gave me the confidence to go out and build a film career. It was a great environment where you learned not only from the lecturers—people who worked in film— but also from the people in your class, because of the experience they had in other fields. “Whenever I feel insecure I have, and will, go back and take another course ... There’s something very exciting about feeling that an institution that gave you the confidence to go out into the world and make films is inviting you back when you’ve been able to go and implement what you have learned. I feel proud and excited and thankful to UCLA Extension for welcoming me back.” “I thought it would be worthwhile to take courses that show the other side of the film industry, hoping that would help me with screenwriting and also in business meetings. It’s good to know what directors and producers are thinking when they’re dealing with screenwriters.” Over 500 Guest Speakers Share Their Expertise throughout the Year Oscar nominee Iris Yamashita, writer, Letters From Iwo Jima (Best Original Screenplay). “I actually think UCLA Extension is better in many cases [than a four-year program] because you’re getting real-world instructors who’ve taught and who’ve actually written scripts. I went to film school, but when I went to UCLA Extension, it blew everything else out of the way. It really taught you the nuts and bolts of filmmaking. You can meet a lot of up and coming people who are going to be very powerful forces in the industry later on.” Tim Chey, filmmaker, The Genius Club, gave up law and chose UCLA Extension. Chey’s work has been seen on E! Entertainment, VIBE TV, MTV, TNT, USA Networks, the Dove Awards, and the MovieGuide Awards. New courses and instructors are added quarterly to provide the most current information and contacts within the entertainment industry. Many courses include field trips to professional production and post-production facilities. Flexible and Affordable Designed to accommodate the schedules of busy adults, our courses are primarily held in the evenings and on weekends. Students complete their studies at their own pace and can enroll in as many or as few courses as meet their needs. Those who wish to pursue certificate programs can complete their studies in as little as nine months or take up to three years. Our courses are “pay as you go,” with no large fees or deposits upfront. Complete certificate program tuition ranges from $5,000 to $10,000, well below comparable programs, and require a $200 candidacy fee. Accessible Open admission policy (no degrees or prior training required except for the Certificate in Film Scoring) A growing selection of online courses to serve those in and out of L.A. Students can preview course content before enrolling by attending the first meeting of courses scheduled for six or more sessions (some restrictions apply). 4 the business and management of entertainment This certificate program is designed for aspiring mainstream Hollywood executives, as well as those interested in the world of independent filmmaking. Students gain an understanding of industry business practices by taking overview courses that include pre-production, production, and post-production, as well as specific courses in business and legal affairs, finance and accounting, and marketing and distribution. Approximate Program Cost: $5,000 Entertainment Studies & Performing Arts at UCLA Extension gives adult students access to educational resources unparalleled by any other institution of its kind—either in Los Angeles or beyond. From overviews of the entire production process to small workshops, we offer approximately 80 courses each quarter in acting, directing, producing, development, cinematography, development, business and management of entertainment, music business and film scoring. Page 18 Domestic students may begin the program in any quarter. I-20 students are only eligible for entry in the fall. What Sets Us Apart: Program Highlights A Comprehensive Array of Courses Is Available Year-Round 2:08 PM Certificate in Oscar-winner Gavin Hood, writer/director, Tsotsi (Best Foreign Language Film), director of Rendition, and X-Man Origins: Wolverine. In addition to our current roster of instructors, hundreds of guest speakers from all facets of the industry visit our classes each and every quarter to offer their advice and insights to our students. 1/16/08 “Undergoing the Film Scoring Certificate Program at UCLA Extension has been very beneficial in helping me to succeed in my career as a composer for entertainment. The teachers’ expertise and professional advice helped me greatly. The courses were relevant to today’s industry and never once did I feel like I was learning anything useless. I definitely recommend the program to anyone interested in scoring music for entertainment.” Steve Mazzaro, composer for video games Force of Arms (Wardog Studios), The Wonderful Wizard of Oz (Injoy Games), Vantage (Crystal Dragon Studios), and the short films The Séance and Crawlspace. “We wouldn’t have gotten where we currently are without the help of the UCLA Extension Entertainment Studies. The networking opportunities are endless. Every instructor is an experienced working professional. The technical and aesthetic skills taught are essential to building a solid foundation for any entertainment-related career. UCLA Extension gave us exactly the right perspective to root our dream into reality.” Approximate Cost of Books and Materials: $500 Certificate Candidacy Fee: $200 Elective Curriculum (12 units) Students complete 12 elective units from the course listed below. Course No. Title Units X 403.33 Filmmakers and Financing: Business Plans 4 for Independents X 403.61 Marketing and Distributing Independent Films 4 across All Platforms X 479.471 The Business of Hollywood: 4 An Industry Role-Playing Game X 448.84 Copyright Law in the Entertainment Industry 4 X 402.32 Organizing, Financing, and Operating a 4 Start Up Entertainment Production Company X 499.2 Film, Television, and Digital Media Internship 4 X 405.2 Business Affairs for Television 2 X 406.1A Talent Representation: A Packaging Workshop 2 X 406 Talent Representation: Working as an Agent or 2 Personal Manager in the Entertainment Industry X 404.2 Production Accounting for Film and Television 2 Fall • Winter Spring • • • • • Summer • • • • • • • Certificate Enrollment Number: CF547 Course scheduling and fees subject to change without notice. Duration: three quarters (full-time course of study) to two years A maximum of 8 internship credits may be applied to your certificate program. • • • • • • Unit Requirement: 36 Foundation Courses (12 units) Course No. Title X 404 � Pre-Production and Production for Film and Television X 404A Post-Production for Film and Television X 403.31 � The Business of Entertainment Units 4 Fall • Winter • Spring • Summer • 4 4 • • • • • • Units 4 Fall Winter • Spring Summer • 4 • • 4 • • 3 Required Entertainment Business Courses (12 units) Course No. Title X 405.23 Digital and Interactive Entertainment: Issues, Technologies, and Opportunities X 403.34 Entertainment Financing: From First $ to Distribution of Profits X 476.99 Marketing Entertainment: Strategies for a Global Marketplace � Should be taken in first two quarters of study. Antony and Fulvio Sestito, writers, producers, directors of The Showdown. Winner: (Best Short Film) Omaha Film Festival; (Triple Play Award: Best Cinematography, Editing, and Original Score) Long Island Film Festival; (Best Short Drama) Eureka Springs Digital Film Festival; (1st Place-Best Narrative Short) First Glance Hollywood Film Festival. 5 18 19 Concert Series Flyer Original Dimension: 12" x 18" • Current Scale: 33% 16 Fri 4 Fri 11 Fri 18 room one room one room one WALL OF SOUND Present (Sic).: Plump DJs Stanton Warriors Ali B SCRATCH: Tim Westwood Blak Twang (live) DJ Yoda Edan The Deejay DJ Biznizz Richy Pitch Matt Smooth & Rob Mac Rolling Like Kingz room two BREAKBEAT KAOS: Adam F DJ Fresh Andy C Pendulum Artificial Intelligence Baron Wildchild TKO & Boom Tac MCs: GQ, Foxy, Verse room three Koma & Bones Joe Ransom Ali B Hyper entrance Friday as always 9:30pm - 5:00am Price £12 (£10 nus) Saturday as always 10:00pm - 7:00am Price £15 (£12 nus) Advance tickets available from Ticketweb Sat 5 room one KOMPAKT: Michael Mayer Superpitcher DJ Koze room two Billy Nasty Luke Slater Sid Le Rock (live) room three Terry Francis Chris Rhythm Doctor Danny M Erol Alkan Tom Vek (live) Diefenbach (live) Glimmer Twins Richard X room two DREAD RECORDS: Grooverider DJ Zinc DJ Die Peshay Addiction Nu:Tone MCs: Moose, Tali , SP:MC Ray Keith Nicky Blackmarket Bryan Gee Jumping Jack Frost Randall Brockie Maximus Lady Lena MCs: Fats, IC3, Shabba room three room three WALL OF SOUND Present BAD MAGIC: FABRICLIVE.20 ALBUM LAUNCH PARTY: Sat 12 Sat 19 room two The Herbaliser (DJ set) Shortee Blitz Jehst (live) Mark B & MC Honey Brown Harry Love Joe Ransom Scratch Perverts The Freestylers (DJ Set) Skitz & Rodney P Dynamite MC Thu 24 Special Event BREAKSPOLL room one Plump DJs vs Stanton Warriors Rennie Pilgrem & BLIM (feat MC Chickaboo) Krafty Kuts vs Atomic Hooligan Evil Nine (live) Atomic Hooligan (live) Tayo vs Ali B room two The Freestylers vs Deekline Radioactive Man vs KosmikNeil Will Saul vs Jay Cunning Splitloop (live) NAPT & The Breakfastaz (feat MC Ken Mac) Son of the Electric Ghost (live) LBJ (live) Lawgiverz (live) room three room one room one John Digweed Pete Moss Craig Richards Ricardo Villalobos Lusine (live) Meat Katie vs Elite Force Danny Mcmillan vs DJ Hyper Soul of Man vs Lee Coombs Santos vs Madox Kraymon (dex n FX) Influenza (dex n FX) Steelzawheelz vs Western Allstars room two entrance room two WIGGLE: Eddie Richards Terry Francis Nathan Coles room three Craig Richards Matt Tolfrey Kenny Larkin Brenda Russell Octave One feat. Ann Saunderson (live) room three The Amalgamation Of Soundz 9:00pm - 4:00am Price £10 Advance tickets available for £10 Fri 25 room one A NIGHT OF TRUE PLAYAZ: DJ Hype (2hr set) Pascal Fabio Friction Hazard Generation Dub MCs: GQ, Rage, Fats, AD room two Krafty Kuts Lee Coombs Ali B room three Joe Ransom Mr Thing DJ Blakey (UK DMC Champion) Sat 26 room one TYRANT: Craig Richards Lee Burridge Steve Bug room two BPITCH CONTROL CAMPING TOUR: Ellen Allien Tomas Andersson (live) Sylvie Marks Smash TV (live) room three Rub N Tug Idjut Boys Architects in Washington Poster Series Original Dimension: 16" x 20" • Current Scale: 24% 17 4E6;<G86GF\a J4F;<A:GBA 4HE7ORKAND)NmUENCEOF0ROMINENT!RCHITECTSIN7ASHINGTON$# =B;AEHFF8??CBC8 4HE7ASHINGTON#HAPTEROFTHE!MERICAN)NSTITUTEOF !RCHITECTSPRESENTSARETROSPECTIVESERIESONTHREEARCHITECTS ANDTHEIRWORKINTHE7ASHINGTONMETROPOLITANAREA 4HISOUTSTANDINGEXHIBITIONBRINGSTOGETHERFORTHElRSTTIME THEARCHITECTSTHATHAVEMADEADECISIVEMARKONTHECOURSE OFARCHITECTUREINOURCITY4HISEXHIBITIONWASORGANIZEDBY -S*OAN3ANDERSON0H$ANDHASBEENMADEPOSSIBLE INPARTTHROUGHAGRANTFROMTHE-OBIL#ORPORATION 4HE7ASHINGTON#HAPTEROFTHE!)!ISLOCATEDAT#HURCH 3TREET.7IN7ASHINGTON$#ANDISWITHINWALKINGDISTANCE OFTHE$UPONT#IRCLE-ETRO3TATION *OHN2USSELL0OPE !CCLAIMEDARCHITECT*OHN2USSELL0OPEHASAPOWERFUL IMPACTONTHE7ASHINGTONSKYLINE(EDESIGNEDMORE MONUMENTALBUILDINGSTHANANYARCHITECTOFHISTIME (EREVIVED'EORGIAN&EDERAL)TALIAN2ENAISSANCE THCENTURY&RENCHAND#LASSICALSTYLES*OHN2USSELL 0OPESHISTORICSTYLEEARNEDHIMTHENICKNAMEhTHELAST OFTHE2OMANSv 3EPTEMBERn$ECEMBER 'ALLERY(OURS 7EDNESDAYn3UNDAYAMnPM /PENING2ECEPTION 3UNDAY3EPTEMBERPM !DMISSION !DULTS 3TUDENTS !MERICAN)NSTITUTEOF!RCHITECTS &ORMOREINFORMATION 7ASHINGTON$##HAPTER PLEASECALL #HURCH3TREET.7 ORVISITOURWEBSITEAT 7ASHINGTON$# WWWDCAIAORG 4E6;<G86GF\a J4F;<A:GBA 4E6;<G86GF\a J4F;<A:GBA 9E4A>??BL7JE<:;G =4@8FE8AJ<6> 4HE7ASHINGTON#HAPTEROFTHE!MERICAN)NSTITUTEOF !RCHITECTSPRESENTSARETROSPECTIVESERIESONTHREEARCHITECTS ANDTHEIRWORKINTHE7ASHINGTONMETROPOLITANAREA 4HE7ASHINGTON#HAPTEROFTHE!MERICAN)NSTITUTEOF !RCHITECTSPRESENTSARETROSPECTIVESERIESONTHREEARCHITECTS ANDTHEIRWORKINTHE7ASHINGTONMETROPOLITANAREA 4HE7ORKAND)NmUENCEOF0ROMINENT!RCHITECTSIN7ASHINGTON$# 4HISOUTSTANDINGEXHIBITIONBRINGSTOGETHERFORTHElRSTTIME THEARCHITECTSTHATHAVEMADEADECISIVEMARKONTHECOURSE OFARCHITECTUREINOURCITY4HISEXHIBITIONWASORGANIZEDBY -S*OAN3ANDERSON0H$ANDHASBEENMADEPOSSIBLE INPARTTHROUGHAGRANTFROMTHE-OBIL#ORPORATION 4HE7ASHINGTON#HAPTEROFTHE!)!ISLOCATEDAT#HURCH 3TREET.7IN7ASHINGTON$#ANDISWITHINWALKINGDISTANCE OFTHE$UPONT#IRCLE-ETRO3TATION &RANK,LOYD7RIGHT &RANK,LOYD7RIGHTSPENTOVERYEARSOFHISLIFEDESIGNING (EHASOVERTOTALWORKSTOHISCREDIT!LTHOUGHAN AMAZINGARCHITECTHEWASALSOABRILLIANTDESIGNERAND AUTHOR-R7RIGHTWASKNOWNFORTHEINmUENCEOFNATURE INHISWORKANDHELPINGESTABLISHTHEOPENPLAN 3EPTEMBERn$ECEMBER 'ALLERY(OURS 7EDNESDAYn3UNDAYAMnPM /PENING2ECEPTION 3UNDAY3EPTEMBERPM !DMISSION !DULTS 3TUDENTS !MERICAN)NSTITUTEOF!RCHITECTS &ORMOREINFORMATION 7ASHINGTON$##HAPTER PLEASECALL #HURCH3TREET.7 ORVISITOURWEBSITEAT 7ASHINGTON$# WWWDCAIAORG 4HE7ORKAND)NmUENCEOF0ROMINENT!RCHITECTSIN7ASHINGTON$# 4HISOUTSTANDINGEXHIBITIONBRINGSTOGETHERFORTHElRSTTIME THEARCHITECTSTHATHAVEMADEADECISIVEMARKONTHECOURSE OFARCHITECTUREINOURCITY4HISEXHIBITIONWASORGANIZEDBY -S*OAN3ANDERSON0H$ANDHASBEENMADEPOSSIBLE INPARTTHROUGHAGRANTFROMTHE-OBIL#ORPORATION 4HE7ASHINGTON#HAPTEROFTHE!)!ISLOCATEDAT#HURCH 3TREET.7IN7ASHINGTON$#ANDISWITHINWALKINGDISTANCE OFTHE$UPONT#IRCLE-ETRO3TATION *AMES2ENWICK &ORMERENGINEERANDCELEBRATEDARCHITECT*AMES2ENWICK DESIGNEDCHURCHESHOTELSCOMMERCIALBUILDINGSAND HOMESFORTHERICH!LTHOUGHHISDESIGNSWEREBASED ONEARLIERSTYLESHEMAINTAINEDORIGINALITY(ISUSEOF INDIGENOUSICONOGRAPHYISAPPARENTINTHEDECORATION 2ENWICKALSODESIGNEDMANYBUILDINGSIN.EW9ORK 3TATEN)SLANDAND.EWPORT2) 3EPTEMBERn$ECEMBER 'ALLERY(OURS 7EDNESDAYn3UNDAYAMnPM /PENING2ECEPTION 3UNDAY3EPTEMBERPM !DMISSION !DULTS 3TUDENTS !MERICAN)NSTITUTEOF!RCHITECTS &ORMOREINFORMATION 7ASHINGTON$##HAPTER PLEASECALL #HURCH3TREET.7 ORVISITOURWEBSITEAT 7ASHINGTON$# WWWDCAIAORG Various Logos Original Dimension:Various • Current Scale: Various 18 ANdy Rivers and Tides Working With Time pistol pete’s P A S S I O N airlines Corcoran Postcards Original Dimension: 6" x 8" • Current Scale: 73% thesis_postcard_final.qxd 1/27/04 2:12 PM Page 1 19 2004 Student Awards Ceremony April 21, 2004