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of Cyprus
Servises
f Education
Culture
Συνδιοργανωτές / Co-Organizers
Φεστιβάλ Όψεις του Κόσμου & Μουσείον Χαρακτικής Χαμπή
Animafest Cyprus - Views of the World & Hambis Printmaking Museum
Επίσημη Στήριξη / Official Support
Κυπριακή Δημοκρατία - Υπουργείο Παιδείας και Πολιτισμού
Republic of Cyprus - Ministry of Education and Culture
ASIFA Association International du Film d’Animation
Χορηγοί Βραβείων / Awards Sponsors
Ελληνική Τράπεζα / Hellenic Bank
Σε Συνεργασία / In Collaboration
Πανεπιστήμιο Λευκωσίας / University of Nicosia
Τεχνολογικό Πανεπιστήμιο Κύπρου / Cyprus University of Technology
Οι δράσεις του Φεστιβάλ εντάσσονται στο επίσημο πρόγραμμα
των εκδηλώσεων του Οργανισμού Πολιτιστική Πρωτεύουσα της
Ευρώπης ΠΑΦΟΣ 2017
Countryside Animafest Cyprus is part of the official program
of European Capital of Culture PAFOS 2017
EFFE Label 2015 - 2016 / European Festivals Association
Διεθνές Φεστιβάλ Ταινιών Animation Κύπρου
Ταχ. Κιβ. 20675, Λευκωσία 1662, Κύπρος
Animafest Cyprus
P.O. BOX 20675, Nicosia, 1662, Cyprus
[email protected] / www.animafest.com.cy
© 2002 - 2015 ΟΨΕΙΣ ΤΟΥ ΚΟΣΜΟΥ / VIEWS OF THE WORLD
ANIMA
FEST
CYPRUS
Views of the World
Republic of Cyprus
EUROPE FOR FESTIVALS
Servises
FESTIVALS Cultural
FOR EUROPE
Ministry of Education
EFFE LABEL
2015-2016
and
Culture
Association Internationale
du Film d' Animation
UNESCO - CICT
ANIMA
FEST
CYPRUS
Views of the World
EUROPE FOR FESTIVALS
FESTIVALS FOR EUROPE
EFFE LABEL 2015-2016
Association Internationale
du Film d' Animation
UNESCO - CICT
Επιμελητής προγράμματος Διεθνούς Διαγωνιστικού
International Competiton Film Program curator
Γιώργος Τσαγγάρης / Yiorgos Tsangaris
Επιμελητές προγράμματος Κυπριακού Διαγωνιστικού
Cyprus Competiton Film Program curators
Νίκος Σύννος / Nicos Sinnos
Φεστιβάλ / Festival 2015
Επιμέλεια αφιερώματος στον Piotr Dumala
Piotr Dumała Tribute
Piotr Dumala
Aneta Ozorek
Επιμέλεια έκθεσης Špela Čadež
Špela Čadež Exhibition
Špela Čadež
Συντονισμός για “Aγροτουριστικό Βασιλιάς Νικοκλής” /
Coordination for “Vasilias Nikokles venue”
Χριστίνα Κωνσταντίνου / Christina Konstantinou
Συντονισμός για Μουσείον Χαρακτικής Χαμπή /
Coordination for Hambis Printmaking Museum venue
Χαμπής Τσαγγάρης / Hambis Tsangaris
Helene Reeb Tsangaris
Συντονισμός για Τεχνόπολις 20 /
Coordination for Technopolis 20 venue
Μαρκέλλα Νεοκλέους / Markella Neokleous
Εκπρόσωπος Τύπου / Press Attaché
Τώνια Σταυρινού / Tonia Stavrinou
Φωτογράφος Φεστιβάλ / Official Photographer
Παναγιώτης Μηνά / Panagiotis Mina
Κινηματογράφιση Φεστιβάλ / Festival Filming
Χρίστος Αγιομαμίτης / Christos Ayiomamitis
Επιμέλεια Παιδικού Προγράμματος Ταινιών
Children’s Film Program curators
Igor Prassel
Εκτέλεση Παραγωγής / Production
Φεστιβάλ Όψεις του Κόσμου / Views of the World Festival
Επιμέλεια Προγράμματος Ταινιών Creepy Animation
Creepy Animation Program Curator
Mihai Mitrica
Επικοινωνία / Communication
Αγγελική Μιχαλακοπούλου - Καρρά / Aggeliki Michalakopoulou - Karra
Εργαστήρι Animation με Κούκλες / Puppet Animation Workshop
Špela Čadež
Μουσική Συναυλία Σαββίνας Γιαννάτου / Savvina Yiannatou concert
Οργανισμός Πολιτιστική Πρωτεύουσα της Ευρώπης - Πάφος 2017
Organisation European Capital of Culture - Pafos 2017
Αυτοσχεδιαστικό Εργαστήρι Animation /
Improvisational Animation Workshop
Tamas Patrovits
Παιδικό Εργαστήρι / Children’s Workshop
Παναγιώτα Μιχαήλ
Συντονισμός Εργαστηρίων / Workshops Coordinators
Αγγελική Μιχαλακοπούλου - Καρρά / Aggeliki Michalakopoulou - Karra
Θεόδωρος Κακουλλής / Theodoros Kakoullis
Γενικός Συντονισμός Παραγωγής / Project Management
Μαρία Τσαγγάρη / Maria Tsangari
Οργανωτικά & Οικονομική Διαχείρηση / Organisation & Finance
Μαρία Τσαγγάρη / Maria Tsangari
Α. Χρυσάνθου & Σια Λτδ / A. Chrysanthou & Co. Ltd
Τεχνική Υποστήριξη / Technical Support
Γιάγκος Χατζηγιάννης / Yiangos Hajiyiannis & Event Pro
Κωνσταντίνος Τερλικκάς / Constantinos Terlikkas
Φεστιβάλ / Festival 2015
Καλλιτεχνικός Διευθυντής / Artistic Director
Καθώς ετοιμαζόμαστε να γιορτάσουμε για ακόμα μια χρονιά την τέχνη του animation, στην
14η διοργάνωση του ∆ιεθνούς Φεστιβάλ - Όψεις του Κόσµου, γύρω μας δίνεται μια μεγάλη
μάχη.
Η μάχη αυτή σήμερα είναι η ίδια όπως σε κάθε γενιά: είναι η μάχη για ένα κόσμο
δίκαιο όπου ο κάθε άνθρωπος μπορεί να ζει με αξιοπρέπεια και όπου οι λίγοι δεν θα
καταδυναστεύουν τους πολλούς.
Μέσα σε αυτό το κλίμα, οι ανεξάρτητοι δημιουργοί του animation οπλίζονται με το πάθος
τους και το ταλέντο τους και δίνουν το παρόν τους σε μια δημιουργική αρένα φορτισμένη
από τις πολιτικές εξελίξεις στην Ευρώπη και τον κόσμο.
Οι καλλιτέχνες που παρουσιάζουν τη δουλειά τους φέτος στο φεστιβάλ, και οι νέοι και
οι ωριμότεροι, στρέφουν το βλέμμα προς το άνθρωπο και τη θέση του στη σύγχρονη
κοινωνία, καθώς η εύθραυστη δημοκρατία μας λυγίζει κάτω από την πλεονεξία, το φόβο
και την ανισότητα.
Το ανεξάρτητο σινεμά animation εκφράζει βέβαια τις κοινωνικές του ανησυχίες με το
δικό του ιδιαίτερο τρόπο, μέσα από ποίηση, σουρεαλισμό, όνειρα, και χιούμορ. Έτσι και
φέτος οι δημιουργοί πειραματίζονται με συνδυασμό διαφόρων μέσων, χειροποίητων και
ψηφιακών, πάντοτε στοχεύοντας να πάρουν τα πράγματα πιο μπροστά στην εξελισσόμενη
και πρωτοποριακή αυτή τέχνη.
Το πρόγραμμα φέτος είναι ίσως από τα πλουσιότερα που είχαμε ποτέ: περιλαμβάνει δύο
παγκόσμιες πρεμιέρες από πολύ σημαντικούς καλλιτέχνες: την ταινία Piano του Εσθονού
καλλιτέχνη Kaspar Jancis και την ταινία Work in Progress του Ούγγρου Tamas Patrovic.
Ο Kaspar Jancis είναι επίσης ο καλλιτέχνης που φιλοτέχνησε την αφίσα του φετινού
Φεστιβάλ. Τον ευχαριστώ πολύ!
Κορυφαίοι καλλιτέχνες με διεθνείς διακρίσεις είναι επίσης μαζί μας φέτος, όπως ο
Αμερικανός σκηνοθέτης Don Hertzfeldt (υποψήφιος για Oscar το 2000 για την ταινία
Rejected) με το World of Tomorrow, μια ταινία που μας ταξιδεύει με τα μάτια μιας μικρής
ηρωίδας στο μακρινό μέλλον της εικονικής πραγματικότητας όπως αυτό μεθοδικά
σχεδιάζεται από τον ίδιο τον άνθρωπο. Το We can’t live without Cosmos του επίσης
υποψήφιου για Όσκαρ στο παρελθόν Ρώσσου Konstantin Bronzit περιγράφει με τον πιο
ευαίσθητο τρόπο τα όνειρα για τον κόσμο και τις αξίες της φιλίας καθώς δυο κοσμοναύτες
εκπαιδεύονται καθημερινά σε ένα διαστημικό σταθμό. Η ταινία You Look Like Me του
Καναδού Pierre Herbert, γνωστού για τον αφηρημένο εξπρεσιονισμό στη δουλειά του
και τις έντονα πολιτικά φορτισμένες ταινίες του, αγγίζει ευαίσθητες χορδές καθώς
καταπιάνεται με θέματα όπως η απώλεια, η εξορία, η ταυτότητα και η μνήμη.
Ο ανατρεπτικός Theodor Ushev (Βουλγαρία – Καναδάς) παρουσιάζει την ταινία The Sleepwalker εμπνευσμένο από το ποίημα Sonámbulo του Federico Garcia Lorca.
Στο φετινό πρόγραμμα ξεχωρίζουν επίσης με πολλά βραβεία ήδη στις αποσκευές τους, οι
ακόλουθοι σκηνοθέτες και ταινίες: Michaela Pavlatova Different Kinds of People (Τσεχία),
Mirai Mizue Retro Future (Ιαπωνία), Gabriel Osorio Bear Story (Χιλή), Sarina Nihei Small
People with Hats (Ηνωμένο Βασίλειο), Dahee Jeong Man on the chair (Γαλλία), William
Garratt, Slaves of the Rave (Ηνωμένο Βασίλειο), Xaver Xylophon Roadtrip (Γερμανία),
NaiWei Liu Something Important (Taiwan), Jacky de Groen Eclipse (Ολλανδία), Aristotelis Maragkos Α Portrait (Ελλάδα), Natalia Chernysheva Two Friends (Γαλλία), Chintis
Chernyseva Life with Herman H. Rott (Εσθονία, Κροατία, Δανία), Frank Ternier 8 Bullets
(Γαλλία), Paul Cabon Storm Hits Jacket (Γαλλία), Nagata TakeshI και Kazue Monno, Track
(Ιαπωνία), Maryam Kashkoolinia, When I was a Child (Ιράν), Islam Ahmed Elsayed Oh La
Lah (Αίγυπτος), Max Porter και Ru Kuwahata, Between Times (Ολλανδία), Declan Byrne
Benjamin Goes to a Swingers Party (Αυστραλία)
Επίσης στο φετινό διεθνές διαγωνιστικό παρουσιάζονται οι τελευταίες ταινίες του Γερμανού
σκηνοθέτη Andreas Hykade Nuggets, My Self Smoke και My Self Universe.
Το παρόν τους στη φετινή 14η έκδοση του φεστιβάλ έρχονται να δώσουν με τις ταινίες της
μια ομάδα σκηνοθετών από γειτονικές μας χώρες με έντονη την πολιτική διάσταση στο
έργο τους.
Ο Jalal Maghout, ανεξάρτητος σκηνοθέτης από την Συρία, με την τελευταία του ταινία
Ντοκιμαντέρ, Suleima, περιγράφει την θαρραλέα ιστορία της Suleima που αναγκάζεται
να εγκαταλείψει την οικογένεια της για να ενταχτεί στη Συριακή επανάσταση. Προτιμά να
σκοτωθεί αντί να μένει απαθής μπροστά σε όλα όσα συμβαίνουν γύρω της.
Η Ιρανή σκηνοθέτης Sarah Saidan με την πολυταξιδεμένη της ταινία Beach Flags (Γαλλική
Παραγωγή) που παρουσιάστηκε σε φεστιβάλ όπως οι Κάννες, το Sundance, το Clermont
Ferrand κ.α. εστιάζει στα δικαιώματα της γυναίκας στο Ιράν. Ο Ιταλός σκηνοθέτης Simone
Massi ξεχωρίζει για την έντονα πολιτικοποιημένη δουλειά του που εκφράζεται με λυρισμό
και με στοιχεία που παραπέμπουν στο σινεμά της αντίστασης. Η τελευταία του ταινία έχει
τίτλο L’attesa del Maggio (περιμένοντας τον Μάη).
Παρουσιάζουμε επίσης από την Ιταλία δύο ακόμη σκηνοθέτες, τον Mario Addis που
συμμετέχει με την ταινία του Pene e Crudite και την Tess Martin με την ταινία Mario.
Tο Φεστιβάλ έχει στόχο να διευρύνει τους καλλιτεχνικούς ορίζοντες του Κυπριακού
κοινού προσελκύοντας ένα μεγάλο φάσμα θεατών και φέρνοντάς τους σε επαφή με τους
σύγχρονους προβληματισμούς, αισθητικές και τεχνικές του σινεμά Animation. Πριν τρία
χρόνια εγκαινιάστηκε το Κυπριακό Διαγωνιστικό Πρόγραμμα στο φεστιβάλ και παράλληλα
συνεχίζονται και ενδυναμώνονται αρκετές ακαδημαϊκές και εκπαιδευτικές δραστηριότητες
κατά την διάρκεια της χρονιάς. Ελπίδα μας είναι πως με αυτό τον τρόπο συμβάλλουμε όσο
μπορούμε στην ανάπτυξη του Κυπριακού πεδίου της τέχνης του Animation, το οποίο θα
διεκδικεί τη θέση του στον διεθνή χώρο του κινηματογράφου.
Φέτος στο Κυπριακό Διαγωνιστικό φιλοξενούνται τανίες των ακόλουθων Κυπρίων
δημιουργών: Παναγιώτη Μεσαρίτη, Αφροδίτης Κωνσταντίνου, Ζήνωνα Ιωάννου, Sholeh
Zahraei, Έλλη Κυριάκου, Κοσμά Νόνη, Maria Spivak, Ρεβέκκας Στυλιανού, Λιασσή
Καρασάββα, Χάρις Φράγκου, Πασχάλη Πασχάλη, Ελένης Χανδριώτου και Ανδρέα
Ιωάννου.
Πέρα από το Διεθνές και Κυπριακό διαγωνιστικό, το Φεστιβάλ προσφέρει στο κοινό ένα
πλούσιο πρόγραμμα παράλληλων αφιερωμάτων, εκθέσεων, εργαστηρίων και συναυλιών:
Το Μουσείον Χαρακτικής Χαμπή στα Πλατάνιστεια φιλοξενεί 8 αφίσες του μεγάλου
Πολωνού σκηνοθέτη και σεναριογράφου Piotr Dumala, ο οποίος κέρδισε το πρώτο βραβείο
στο φεστιβάλ μας το 2014 με την ταινία Hippopotami. Στην Μεσαιωνική Αγρέπαυλη
θα προβληθεί επίσης μια επιλογή απο ταινίες του φημισμένου δημιουργού σε μορφή
ρετροσπεκτίβας. Το Μουσείον θα φιλοξενήσει επίσης έκθεση σχεδίων και Puppets της
Σλοβένας σκηνοθέτιδας Špela Čadež από τις τανίες της Boles και Lovesick.
Σε μια ειδική μεταμεσονύχτια προβολή την Παρασκευή 17 Ιουλίου, η οποία εξερευνά τη
σκοτεινή πλευρά του animation, μπορείτε να απολαύσετε ένα αφιέρωμα στο Φεστιβάλ
Anim’est Romania, με τίτλο Creepy Animation Night.
Επίσης την Παρασκευή το κοινό θα έχει την ευκαρία να παρακολουθήσει την ταινία
ντοκιμαντερ-animation Seth’s Dominion του Luc Chamberland. Πρόκειται για ένα
αφιέρωμα στον διακεκριμένο Καναδό Graphic Novelist Seth.
Oι παράλληλες δραστηριότες περιλαμβάνουν επίσης δύο εξειδικευμένα εργαστήρια: Tο
πρώτο εργαστήρι θα καθοδηγήσει η πολυβραβευμένη σκηνοθέτης και παραγωγός Špela
Čadež. Πρόκειται για ένα Puppet Animation workshop και θα γίνει υπό μορφή residency
στον Αγροτουριστικό Ξενώνα Βασιλιάς Νικοκλής στη Νικόκλεια το τριήμερο 13 - 15 Ιουλίου.
Το δεύτερο εργαστήρι με τίτλο Αυτοσχεδιαστικό Εργαστήρι Animation θα καθοδηγήσει
ο πολυπράγμων Ούγγρος δημιουργός και ακαδημαϊκός Tamas Patrovic στο Μουσείον
Χαρακτικής Χαμπή στα Πλατανίστεια το τριήμερο 16 - 18 Ιουλίου.
Ευχαριστούµε το Τμήμα Αρχαιοτήτων για την δωρεάν παραχώρηση του χώρου διεξαγωγής
του Φεστιβάλ, το κοινοτικό συμβούλιο Κουκλιών, το Πανεπιστήμιο Λευκωσίας και το
ΤΕΠΑΚ για τη στήριξη που πρόσφεραν φέτος στη διοργάνωση. Θερµές ευχαριστίες
στους εθελοντές της φετινής διοργάνωσης και στο κοινό που μας στηρίζει κάθε χρόνο
με τη δυναµική συµµετοχή του. Τέλος ευχαριστούμε όλους τους σκηνοθέτες που μας
παραχώρησαν τις ταινίες τους.
Καλωσορίζουμε στο Φεστιβάλ μας την διεθνή κριτική επιτροπή αποτελούμενη από τους
Piotr Dumala, Špela Čadež και Τώνια Μισιαλή και τους ευχόμαστε δημιουργική και
ευχάριστη παραμονή.
Ευχαριστούμε το κοινό που εδώ και 14 χρόνια αγκαλιάζει το φεστιβάλ και δημιουργεί
την όμορφη αυτή ατμόσφαιρα γεμάτη από συγκινήσεις και δημιουργικά συναπαντήματα.
Ευχαριστούμε θερμά τους καλλιτέχνες, τους σκηνοθέτες, τους διανομείς και τους
παραγωγούς, που πίστεψαν στο φεστιβάλ και το έβαλαν στο διεθνή χάρτη της κοινότητας
του animation προσφέροντας το έργο τους στo Κυπριακό κοινό.
Καλό Φεστιβάλ σε όλους!
Φέτος δίνουμε ιδιαίτερη έμφαση στο παιδικό πρόγραμμα του φεστιβάλ, εμπλουτίζοντας
τις προβολές και διοργανώνοντας ένα παιδικό εργαστήρι storyboard / εικονογράφισης για
μικρά παιδιά υπό την καθοδήγηση της Παναγιώτας Μιχαήλ. Το πλούσιο παιδικό πρόγραμμα
και το εργαστήρι θα πραγματοποιηθούν στην Πάφο, στον Πολιτιστικό χώρο Τεχνόπολις 20
απο τις 13 - 15 Ιουλίου. Το παιδικό κοινό του φεστιβάλ θα παρακολουθήσει ταινίες όπως το
Prince Ki-Ki-Do της Grega Mastnak, The Elephant and the Bycycle της Olesya Shchukina,
Nikola Tesla’s Secret Laboratory του Bruno Razum, Ivan and the Wolf της Anna Levinson,
Caterpillar and Hen της Michela Donini, Children’s time της Nina Bisyarina, A little star της
Svetlana Andrianova, Bears on the Road της Nadia Meezen και άλλες.
Οι εκπληκτικοί Χριστίνα Παπακυριακού και Δημήτρης Σπύρου συναντιούνται στην έναρξη
του Φεστιβάλ στον Αρχαιολογικό χώρο Παλαιπάφου και αφηγούνται οπτικές και μουσικές
ιστορίες έχοντας κοινό στοιχείο τη χρήση αντικειμένων ως παράγωγα εικόνας και ήχου.
Φέτος έχουμε επίσης τη χαρά να φιλοξενούμε μια εξέχουσα προσωπικότητα της Ελληνικής
Μουσικής σκηνής, την Σαββίνα Γιαννάτου με το μουσικό της σχήμα Primavera en Salonico.
Η συναυλία διοργανώνεται σε συνεργασία με τον Οργανισμό Πολιτιστική Πρωτεύουσα
της Ευρώπης Παφος17 και θα δοθεί το Σαββατο 18 Ιουλίου (νύχτα λήξης του Φεστιβάλ),
στον κύριο χώρο του Φεστιβάλ, τη Μεσαιωνική Αγρέπαυλη στον Αρχαιολογικό χώρο
Παλαιπάφου, στα Κουκλιά.
Χαιρετίζουμε για δεύτερη συνεχή χρονιά την στρατηγική συνεργασία μας με τον Οργανισμό
“Πάφος 2017”. Ο θεσμός της Πολιτιστικής Πρωτεύουσας της Ευρώπης αποτελεί την
κορυφαία πολιτιστική διοργάνωση της χώρας μας. Η απο κοινού ανάπτυξη δράσεων των
δύο οργανισμών ευχόμαστε πως θα αποτελέσει ένα σημαντικό στάδιο ανάπτυξης του
κινηματογράφου animation στον τόπο μας και θα δώσει την ευκαιρία σε ένα μεγάλο αριθμό
κοινού να γνωρίσει περισσότερα για τις δυνατότητες της τέχνης του Animation και τις αξίες
του.
Νιώθουμε την ανάγκη να εκφράσουμε θερµές ευχαριστίες στο Υπουργείο Παιδείας και
Πολιτισµού για τη διαχρονική στήριξη. Ευχαριστούμε θερμά την Ελληνική Τράπεζα για τη
χορηγία των βραβείων του φεστιβάλ.
Γιώργος Τσαγγάρης
Καλλιτεχνικός Διευθυντής Φεστιβάλ
While we prepare to celebrate the art of animation at the 14th Edition of Countryside Animafest Cyprus - Views of the World, a great battle being waged all around us.
The battle today is the same as in every generation: it is a battle for a fair world in which
every person can live with dignity and in which the majority of the people will not be oppressed by the privileged few.
Independent animation filmmakers, armed with their passion and their talent, are as ever
sensitive to the global sociopolitical issues that galvanize the world’s creative arena.
This year the majority of the authors whose work is presented at our festival turn their
focus on human society, as our fragile democratic system is weighed down by greed, fear
and inequality.
Of course independent animation cinema expresses its socio-political commentary in its
own idiosyncratic way, through visual poetry, surrealism, humor and dreams.
Τhis year we will see once more how authors experiment with a combination of techniques, both handmade and digital, aiming as always to push the boundaries of this
innovative art form.
This year’s program includes two world premieres by two distinguished artists: Piano, by
Estonian director Kaspar Jancis (also the artist of this year’s festival poster) and Work in
Progress by Hungarian director Tamas Patrovits.
I would also like to mention some of the films that stand out in this year’s program: World
of Tomorrow, by Oscar-nominated American director Don Hertzfeldt, We can’t live without
Cosmos by Oscar-nominated Russian director Konstantin Bronzit, You Look Like Me by
Canadian director Pierre Herbert. The Sleepwalker by Theodor Ushev (Bulgaria-Canada).
This year’s line up also includes great filmmakers such as: Michaela Pavlatova (Different
Kinds of People), Mirai Mizoue (Retro Future), Gabriel Osorio (Bear Story), Sarina Nihei
(Small People with Hats), Dahee Jeong (Man on the chair), William Garratt, (Slaves of
the Rave), Xaver Xylophon (Roadtrip), NaiWei Liu (Something Important, Jacky de Groen
(Eclipse), Aristotelis Maragkos (Α Portrait), Natalia Chernysheva (Two Friends), Chintis
Chernyseva (Life with Herman H. Rott), Frank Ternier (8 Bullets), Paul Cabon (Storm Hits
Jacket, Nagata TakeshI και Kazue Monno, (Track), Maryam Kashkoolinia, (When I was a
Child, Islam Ahmed Elsayed (Oh La Lah), Max Porter και Ru Kuwahata, (Between Times),
Declan Byrne (Benjamin Goes to a Swingers Party).
We are proud to present an array of intensely political films by authors from neighboring countries. Independent Syrian director Jalal Maghout presents his latest animated
documentary Suleima, which tells the story of one a thousands of anonymous women that
fight against dependency and injustice in Syria. Iranian director Sarah Saidan, with her film
Beach Flags, well-received in many festivals including Cannes, Sundance, and Clermont
Ferrand, focuses on women’s rights in Iran. Italian director Simone Massi, whose work
stands out for its strong political message expressed with lyricism and references to the
cinema of resistance (cinema della rezistenza), participates in the festival with his latest
film L’attesa del Maggio. In this year’s festival we present the work of two more filmmakers
from Italy, Mario Addis with Pene e Crudite and Tess Martin with Mario.
One of the festival’s perennial goals is to reach and inspire a wide and diverse audience.
We aim to open a gateway of communication with current aesthetics, techniques and
themes from the international arena. Two years ago we inaugurated the National Competition Program. At the same time we continue to enrich our academic and educational activities throughout the year. We hope that in this way we may contribute to the development
of the field of animation here in Cyprus.
This year’s National Competition includes more than 10 films by the following authors,
professionals and students: Panagiotis Mesaritis, Afroditi Constantinou, Zinonas Ioannou,
Sholeh Zahraei, Elli Kyriakou, Kosmas Nonis, Maria Spivak, Reveka Stylianou, Liassis
Karasavvas, Charis Frangou, Paschalis Paschali, Eleni Chadriotou and Andreas Ioannou.
Parallel to the Cypriot program we present an animation video installation based on the
film “La Jetée” (1962) by Chris Marker made by students of the course “Animation Applications in Art” of the Cyprus University of Technology.
In addition to the competition programs we present a series of sidebar events which
include tributes, exhibitions, workshops and concerts.
The Hambis Printmaking Museum will host an exhibition of Posters by Piotr Dumala
(Grand Prix in last year’s Countryside Animafest Cyprus for the film Hippopotami). A retrospective of Piotr Dumala’s films will also be showing daily in the medieval hall at the main
festival venue (Manor House in Palaepaphos), from July 16 to 18. The Hambis Printmaking
Museum will also host an exhibition of puppets and drawings by Špela Čadež (Grand Prix
in 2013 edition of Countryside Animafest Cyprus for the film Boles)
In a special midnight screening on Friday at the main festival venue the audience will have
the opportunity to enjoy a tribute to Anim’est Romania: Creepy Animation Night a program
curated by the director and founder of Anim’est Mihai Mitrica is filled with beheadings,
alien invasions, ghosts and evisceration, morbid black humour and weird sex. The films in
this program explore the dark side of animation.
Also on Friday we present a special Documantary Screening about the renowned Canadian Graphic Novelist Seth, one of the world’s greatest storytellers in the form.
The sidebar events include two specialized workshops. Špela Čadež will lead a “Puppet
Animation Workshop” at the King Nikokles Inn in Nikokleia (July 13 -15) in the form of a
residency. The workshop will focus on the creation of Puppets through the use of simple
materials. The second workshop, entitled “Improvisational Animation Workshop” will be
lead by Tamas Patrovic at the Hambis Printmaking Museum in Platanisteia (July 16 to 18).
The workshops are addressed mostly to artists, professionals, teachers, and other creators with some knowledge of animation.
At this year’s children’s program, the young audience will enjoy films curated in collaboration with ANIMATEKA International Animated Film Festival in Slovenia and a children
animation workshop lead by Panayiota Michael.
.
We are also thrilled to be presenting two wondeful music events: At the opening of the
festival Dimitris Spyrou and Christina Papakyriakou will present a panorama of Visual & Oral
Stories and on closing night we host a concert by one of the most acclaimed artists of
the Ethnic Scene worldwide, Greek singer Savvina Yiannatou with her group Primavera
en Salonico. The closing concert is organized in collaboration with the European Cultural
Capital Pafos 2017.
We would like to express our warm gratitude to the Ministry of Education and Culture for
their continued support. We would also like to extend our thanks to the Hellenic Bank for
sponsoring the festival’s awards.
We thank the Cyprus Department of Antiquities, the Kouklia Community Council, the University of Nicosia and Cyprus University of Technology for their support.
We would like to extend our warm thanks to the volunteers and the festival audience for
continuing to encourage our efforts with their active participation. Finally we thank all the
filmmakers for participating with their films.
We welcome warmly our distinguished guests from Cyprus and abroad, whose presence
is an honour to our festival. A special welcome to our distinguished international jury members, Piotr Dumala, Špela Čadež and Tonia Mishiali. We wish them a happy and creative
stay in Cyprus.
Have a wonderful festival!
Yiorgos Tsangaris
Artistic Director
Διεθνής Κριτική Επιτροπή / International Jury Committee 2015
We salute our strategic collaboration with the organization “Paphos 2017”. The institution
of the Cultural Capital of Europe is the most distinguished cultural event in our country.
The festival is prepared to contribute to this important cultural institution in a variety of
ways. We hope that our combined efforts and joined activities will become an important
milestone in the development of animation in this country and will introduce a wide audience to this art’s potential to benefit society through its values and principles. For the
period 2014-2017 we plan a series of educational programs and several special tributes.
Piotr Dumała
Διεθνής Κριτική Επιτροπή / International Jury Committee
Γεννημένος το 1956 ο Πολωνός Σκηνοθέτης
και σεναριογράφος κινηματογράφου (Animation και live action), Εικονογράφος, Αφισίστας
και καθηγητής στο Film School του Lodz
(Πολωνία), στο Harvard University (ΗΠΑ) και
στο Konstfack Art College (ΣΟΥΗΔΙΑ) έχει
αποσπάσει περισσότερα από 90 σημαντικά
βραβεία διεθνώς και στη χώρα του.
Piotr Dumala, born 1956, animated and live
action scriptwriter and director, illustrator and
poster designer, professor of Film School
in Lodz (Poland), guest teacher of Harvard
University(USA) and Konstfack Art College
(Sweden). Winner of over 90 awards for his
film artworks, among them Grand Prix at festivals in Krakow, Espinho, Zagreb, Amsterdam,
Ottawa, Montreal, Cyprus.
Špela Čadež
Η Σλοβένα δημιουργός ταινιών puppet animation, εργάζεται ως ανεξάρτητη σκηνοθέτης
και παραγωγός. Η τελευταία της ταινία Boles
απέσπασε περισσότερα από 40 βραβεία
διεθνώς και επελέγη από την Ευρωπαϊκή
επιτροπή Κινηματογράφου να προβάλλεται στο
φημισμένο πρόγραμμα Cartoon d’Or.
Špela Čadež was born in Slovenia. After graduating in Graphic Design in 2002, she continued her studies at the Academy of Media
Arts Cologne, Germany. During her studies,
she made two puppet animations that gained
international recognition; Mate to Measure,
(2004) and Lovesick, (2007). Since 2008 Špela
Čadež has been working as an independent
animation film director and producer. Her latest film, Boles, has been screened worldwide,
receiving over 40 awards, distinctions and
nominations.
Τώνια Μισιαλή
Η αγάπη της για την μεγάλη οθόνη, ώθησε
τη Τώνια να πραγματοποιήσει το όνειρο της
και να γίνει Σκηνοθέτης. Το 1997, μετά από
σπουδές στην Αγγλία, επέστρεψε στην Κύπρο,
όπου άρχισε να δουλεύει ως σκηνοθέτης και
παραγωγός. Από τότε έχει «πειραματιστεί»
στον κινηματογράφο, το θέατρο, το
βίντεο και την τηλεόραση. Η δουλειά της
έχει παρουσιαστεί σε μεγάλα Φεστιβάλ
Κινηματογράφου και Παραστατικών τεχνών,
και εκθέσεις φωτογραφίας στην Κύπρο
και το εξωτερικό. Συγκεκριμένα, η μικρού
μήκους ταινία της Dead End (2013) έκανε
την Παγκόσμια της πρεμιέρα στο Φεστιβάλ
Κινηματογράφου του Λοκάρνο αποσπώντας
έτσι την υποψηφιότητα για το «Golden
Pardino – Leopards of tomorrow”. H ίδια
ταινία έχει επιλεγεί στα επίσημα διαγωνιστικά
τμήματα πάνω από 40 Διεθνών Φεστιβάλ
παγκοσμίως, κερδίζοντας 5 βραβεία, τα 2 για
«Kαλύτερη Σκηνοθεσία». Η τρίτη της ταινία
Το νανούρισμα της πεταλούδας (2014) έκανε
την Παγκόσμια της πρεμιέρα στο Φεστιβάλ
Κινηματογράφου του Σαράγεβο και έχει
κερδίσει 2 Βραβεία, Καλύτερης Κυπριακής
Ταινίας και Καλύτερης Φωτογραφίας, στο
Διεθνές Φεστιβάλ Ταινιών Μικρού Μήκους
Κύπρου. Τώρα βρίσκεται στο στάδιο
ανάπτυξης της πρώτη της ταινίας μεγάλου
μήκους με τίτλο Εμμηνόπαυση.
Είναι μια από τους καλλιτεχνικούς διευθυντές
του Διεθνούς Φεστιβάλ Κινηματογράφου
Cyprus Film Days και Εκπρόσωπος
Κινηματογράφου του Δ.Σ. της Ένωσης
Σκηνοθετών Κύπρου.
Tonia’s love for the moving image led her to
pursue her dream and become a filmmaker.
She studied in the UK and in 1997 she moved
to Cyprus to start working as a director and
producer “experimenting” in film, theatre,
video and television. She has exhibited her
work and participated in a big number of national and international film and performance
festivals and photography exhibitions in
Cyprus and abroad. Specifically, her short film
Dead End (2013) made its World Premiere at
Locarno Film Festival and achieved a nomination for the “Golden Pardino – Leopards of tomorrow”. The same film was officially selected
to compete in more than 40 International Film
Festivals around the world, winning 5 awards,
2 of which for Best Director. Her third short
film Lullaby of the butterfly (2014) made its
World Premiere at Sarajevo Film Festival and
won Best National Film and Best Cinematography Awards at The International Short FIlm
Festival of Cyprus. She is now developing her
debut feature film Menopause.
She is one of the Artistic Directors of Cyprus
Film Days International Film Festival and the
Film Representative in the Board of Directors
of the Directors Guild of Cyprus.
Πρόγραμμα Φεστιβάλ / Festival Program 2015
ΜΕΣΑΙΩΝΙΚΗ ΑΓΡΕΠΑΥΛΗ ΠΑΛΑΙΠΑΦΟΣ, ΚΟΥΚΛΙΑ
ANCIENT SITE OF PALAEPAPHOS, KOUKLIA
ΑΓΡΟΤΟΥΡΙΣΤΙΚΟ ΒΑΣΙΛΙΑΣ ΝΙΚΟΚΛΗΣ, ΝΙΚΟΚΛΕΙΑ
AGROTOURISTIC INN VASILIAS NIKOKLIS
13 - 15/7
Πέμπτη / Thursday 16/7
Puppet Animation Workshop with Špela Čadež
Visual & Oral Stories - Dimitris Spyrou, Christina Papakyriakou
Διεθνές Διαγωνιστικό 1A / International Competition 1A
Κυπριακό Διαγωνιστικό / Cyprus Competition
Διεθνές Διαγωνιστικό 1B / International Competition 1B
ΜΟΥΣΕΙΟΝ ΧΑΡΑΚΤΙΚΗΣ ΧΑΜΠΗ
HAMBIS PRINTMAKING MUSEUM
Παρασκευή / Friday 17/7
Εκθέσεις / Exhibitions: Piotr Dumała & Špela Čadež
Improvisational Animation Workshop with Tamas Patrovits.
Διεθνές Διαγωνιστικό 2A / International Competition 2A
Seth’s Dominion (Documentary)
Διεθνές Διαγωνιστικό 2B / International Competition 2B
Anim’est Romania - Creepy Animation Night
ΤΕΧΝΟΠΟΛΙΣ 20
TECHNOPOLIS 20
Σάββατο / Saturday 18/7
Παιδικό πρόγραμμα ταινιών / Children’s Films
Παιδικό εργαστήρι / Children’s workshop
Διεθνές Διαγωνιστικό 3 / International Competition 3
Τελετή λήξης και απονομή βραβείων / Award Ceremony
Συναυλία / Concert: Σαββίνα Γιαννάτου
Συνεργασία / in collaboration: Οργανισμός Πολιτιστική Πρωτεύουσα της Ευρώπης -Πάφος 2017
Organisation European Capital of Culture - Pafos 2017
17 - 19/7
Προβολή ταινιών (Αφιέρωμα) / Film screenings (Tribute): Piotr Dumała & Špela Čadež
Εσωτερική Μεσαιωνική Αίθουσα / Medieval Hall
16 - 18/7
13 - 15/7
Masters of Animation
Piotr Dumała
Aneta Ozorek
Επιμελήτρια
A bit of polish
We have the honor to present to you some of
the best animated films from the filmography
of Piotr Dumała. As one of the most important
filmmakers in Poland, Dumała created not only
a vivid style but also imprinted his works in a
landscape of our central european fragility. He
is famous mostly because of his sophisticated
technique, called “the destructive method”.
The artist used to scratch his frames on a
plaster one by one. Each of them had been
photographed and covered with pigment once
again. The only frame left as evidence of creative action was the last one.
The audience will have a chance to watch animations filmed during the majority of Dumała’s
filmography, hence everyone could see the
evolution of style, subjects and atmosphere
within his works, starting with humorous Little
Black Riding Hood, through his emotional and
poetic Gentle Spirit, to somehow new Fight,
love and work. In his latest works Piotr Dumała
started to use digital technology. Nevertheless,
none of them lost their picturesque class and
elegance.
A great appendix to his artistic heritage will
be a small exhibition of posters made by Piotr
Dumała. Each of them represents α Film or a
cultural event is its essential vibe - depressive
sometimes but always honest and drawn in the
tradition of the Polish school of poster.
As a curator and film expert I strongly recommend this small tribute to Piotr Dumała. He is
an artist who has remained firmly loyal to the
ideas he wanted to communicate through his
work and who shaped his craft from the beginning of his career.
Aneta Ozorek
Film Curator
Franz Kafka 1991
Έχουμε την τιμή να σας παρουσιάσουμε
μερικές από τις αξιολογότερες ταινίες animation από τη φιλμογραφία του Piotr Dumała.
Ένας από τους σημαντικότερους Πολωνούς
δημιουργούς, ο Dumała δημιούργησε ένα
έντονα δικό του στυλ, που εντάσσεται όμως
στο ευρύτερο τοπίο της κεντρο-ευρωπαϊκής
ευαισθησίας και παράδοσης. Έγινε διάσημος
κυρίως για την ιδιαίτερη τεχνική του που
αποκαλεί “η μέθοδος του χαμένου καρέ
(the destructive method), στην οποία χάρασσε
καρέ καρέ πάνω σε ασβέστη. Κάθε καρέ
φωτογραφιζόταν και έπειτα καλυπτόταν ξανά
με χρώμα. Το μόνο καρέ που παρέμενε ως
τεκμήριο της καλλιτεχνικής δημιουργίας ήταν
το τελευταίο.
Το κοινό θα έχει την ευκαιρία να
παρακολουθήσει μια επιλογή από ταινίες
από όλη τη διάρκεια της καριέρας του
Dumała, έτσι θα διακρίνει την εξέλιξη του
στυλ, των θεματικών και τις ατμόσφαιρας της
δουλειάς του. Το πρόγραμμα κάνει αρχή με
το χιουμοριστικό Little Black Riding Hood, θα
συνεχίσει με το συναισθηματικό και ποιητικό
Gentle Spirit και θα καταλήξει στο σχετικά
καινούργιο Fight, love and work. Στα τελευταία
του έργα ο Dumała άρχισε να χρησιμοποιεί
ψηφιακή τεχνολογία. Παρόλαυτά η δουλειά
του δεν έχασε το ευαισθησία και την ποιότητά
τους.
Η έκθεση με αφίσες είναι επίσης ένα
σημαντικό αφιέρωμα στην πολιτιστική
παρακαταθήκη του Piotr Dumała. H κάθε μια
από αυτές εκφράζει τον παλμό μιας ταινίας ή
ενός πολιτιστικού γεγονότος και είναι μερικές
φορές σκοτεινές αλλά πάντα ειλικρινείς και
σχεδιασμένες μέσα στην Πολωνική παράδοση
της τέχνης της αφίσας.
Ως επιμελήτρια και ερευνήτρια
κινηματογράφου σας συστήνω αυτό το
μικρό αφιέρωμα στον Piotr Dumała. Είναι
ένας καλλιτέχνης που παρέμεινε πιστός στο
ιδεολογικό υπόβαθρο της τέχνης του ενώ
παράλληλα δημιούργησε δικό του προσωπικό
στυλ από την αρχή της καριέρας του.
Αφίσες / Posters
Επιλεγμένες ταινίες / Selected films:
Μουσείον Χαρακτικής Χαμπή
Hambis Printmaking Museum
Μεσαιωνική Αγρέπαυλη, Παλαίπαφος - Κούκλια
Ancient Site of Palaepaphos - Κouklia
Franz Kafka - 1991
Makabra i współczucie - 1996
Zbrodnia i kara - 2001
Głos nadziei - 2002
Schron - 2005
Moje poprzednie życie - 2008
Las - 2009
LITTLE BLACK RIDING HOOD
1983 / 5
GENTLE SPIRIT
1985 / 12’
THE FREEDOM OF THE LEG
1988/ 10’
FRANZ KAFKA
1991 / 16’
8 KWARTER SMYCZKOWY DIMITRA
SZOSTAKOWICZA
2010 / 20’
FIGHT, LOVE & WORK
2009 / 8’
Špela Čadež
Έκθεση / Exhibition
Μουσειον Χαρακτικής Χαμπή
Hambis Printmaking Museum
Špela Čadež
μια ποιήτρια του puppet animation
από τη Σλοβενία
Špela Čadež
a puppet animation poet from Slovenia
When i first saw Špela’s student film Mate to
Measure, i couldn’t believe my eyes that a
Slovenian director made such a strong authorial debut. Špela fell in love with animation
by chance, attending a puppet animation
workshop during her study of interactive
design at the Academy of Media Arts in Cologne. With her diploma puppet animation film
Lovesick, based on her dream, she learned all
she needed. Her choice for the technique of
puppet animation proved to be the right one:
she followed a historical tradition of Slovenian
animation. Without knowing it, Špela brought
this tradition to the highest quality level. After
school, she spent 4 years carefully mastering her professional debut film Boles and
achieved the biggest international success
in the history of contemporary Slovenian cinema. It is an unbelievable story of persistence
of authorial vision, stubbornness and love
for cinema and the arts. There is so much
“stillness” in the stop motion animation of
Boles that only few masters have managed to
achieve before. The decision to use Slovenian
language to adapt Maxim Gorky’s short story
Her Lover to bring a distinctive melody to her
originally built characters was risky, but at the
end again proved right. During the production of Boles, Špela and her co-screenwriter
and life partner Grega had a baby, so it was
unbelievable how she managed to direct her
small team in order to bring the production to
a successful end. And I remember she was
not sure that the film would work during the
making of. Boles has been screened at over a
hundred festivals all over the world and won
more than 40 awards (among them many Audience Awards and even a Best Character Award
for the puppet Tereza with the jury explanation:
“For the voluminosity with which the character
is structured and the skill with which the animator was able to make it alive.”).
The last international recognition for Boles,
was the invitation from the Monstra festival
to present the scenery, props and puppets
at the Marionette Museum in Lisbon. The film
became alive again in another dimension. It is
with the quote from the exhibition catalogue
written by Fernando Galrito, that I will end this
introduction to the animation poetry of Špela
Čadež: “Art is always a way to see the world
and ourselves. Špela Čadež’ films offer a creative, sensitive and deep look over the human
relationships. About us and about others. And
the director knows how to perfectly use the
surrealistic and inventive capacities, that only
the art of animation makes possible.”
Igor Prassel
Director of ANIMATEKA
International Animated Film Festival, Slovenia
Όταν είδα για πρώτη φορά τη φοιτητική
ταινία της Špela Čadež Mate to Measure,
δεν πίστευα στα μάτια μου, δεν μπορούσα
να πιστέψω ότι μία Σλοβένα σκηνοθέτης
είχε κάνει ένα τόσο δυνατό σκηνοθετικό
ντεμπούτο. Η Špela ερωτευτηκε το animation
τυχαία, όταν παρακολούθησε ένα εργαστήρι
puppet animation ενώ σπούσασε διαδραστικό
design στο Academy of Media Arts στην
Κολωνία. Με την διπλωματική της ταινία
puppet animation Lovesick, που βασίστηκε
σε ένα όνειρό της, έμαθε ό,τι χρειαζόταν.
Η επιλογή της να δουλέψει την τεχνική του
puppet animation αποδείχθηκε σωστή:
ακολουθούσε έτσι μια ιστορική παράδοση
του Σλοβενικου animation. Χωρίς να το
ξέρει η Špela έφερε αυτή την παράδοση στο
υψηλότερο επίπεδο. Μετά τη σχολή πέρασε
4 χρόνια δουλεύοντας το επαγγελματικό της
ντεμπούτο, την ταινία Boles, και πέτυχε έτσι
τη μεγαλύτερη διεθνή επιτυχία στην ιστορία
του Σλοβενικου animation. Είναι μια απίστευτη
ιστορία επιμονής και σκηνοθετικού οράματος,
πείσματος και αγάπης για το σινεμά και την
τέχνη. Υπάρχει τόση “ακινησία” στην ταινία
stop motion Boles, που λίγοι κορυφαίοι του
είδους κατάφεραν να πετύχουν. Η απόφαση
να χρησιμοποιήσει τη Σλοβένικη γλώσσα
για να διασκευάσει το διήγημα του Μαξιμ
Γκόρκυ Ο Εραστής της, προσδίδοντας έτσι μια
ιδιαίτερη μελωδικότητα στους πρωτότυπους
χαρακτήρες της, ήταν ένα ρίσκο, αλλά
στο τέλος αποδείχθηκε και πάλι η σωστή
απόφαση. Κατά τη διάρκεια της παραγωγής
του Boles η Špela και ο συν-σεναριογράφος
και σύντροφός της Grega απέκτησαν παιδί, έτσι
φαίνεται σχεδόν απίστευρο το πώς κατάφερε
να καθοδηγήσει τη μικρή ομάδα της στο να
φέρει την παραγωγή σε πέρας με επιτυχία. Το
Boles προβλήθηκε σε περισσότερα από εκατό
φεστιβάλ σε ολόκληρο τον κόσμο και κέρδισε
περισσότερα από σαράντα βραβεία (μεταξύ των
οποίων πολλά βραβεία κοινού και ένα βραβείο
Καλύτερου Χαρακτήρα για την κούκλα Tereza,
για την οποία η κριτική επιτροπή σημειώνει: “για
την πλαστικότητα του όγκου του χαρακτήρα και
την δεξιοτεχνία με την οποία η animator την
έκανε να ζωντανέψει”.
Η πιο πρόσφατη διεθνής διάκριση του Boles
ήταν μια πρόσκληση από το φεστιβάλ Monstra
για να παρουσιάσει τα σκηνικά, το φροντιστήριο
και τις κούκλες στο Μουσείο Μαριονέττας στη
Λισαβόνα. Η ταινία ζωντάνεψε έτσι ξανά σε
μία άλλη διάσταση. Θα ήθελα να κλείσω αυτή
την εισαγωγή στο ποιητικό animation της Špela
Čadež με ένα απόσπασμα από τον κατάλογο
αυτής της έκθεσης, το οποίο έγραψε ο Fernando Galrito: “Η τέχνη είναι πάντα ένας τρόπος
για να δούμε τον κόσμο και τους εαυτούς
μας. Οι ταινίες της Špela Čadež περιέχουν μια
δημιουργική, ευαίσθητη και βαθειά θεώρηση
των ανθρώπινων σχέσεων. Των δικών μας και
των άλλων. Η σκηνοθέτις γνωρίζει πολύ καλά
πώς να χρησιμοποιήσει το σουρεαλισμό και την
εφευρετικότητα που μόνο η τέχνη του animation μπορεί να παρέχει στο δημιουργό.”
Igor Prassel
Διευθυντής του Διεθνούς Φεστιβάλ Αnimation
της Σλοβενίας ANIMATEKA
Guest Festival
Anim’est Romania
CREEPY ANIMATION
The Backwater Gospel
Anim’est international animation film festival is
the only international animation film festival in
Romania. Its main host is the city of Bucharest. Anim’est is celebrating its 10th edition
this October.
We started enthusiastically in 2006: in the first
edition we screened over 250 short films, 10
feature films and more than 3,500 spectators
attended the event. Last year we gathered an
audience of over 20,000 and screened around
350 short and feature films, remaining Bucharest’s most loved film festival.
From the second edition, Anim’est became a
competitive festival and year by year it joined
together animators, producers, animation
studios, film critics, famous names. It meant
a variety of films, more and more workshops,
presentations and round tables, children’s
screenings, live performances, a nice number
of international guests, plus the most famous
screening of each edition, the long awaited
Creepy Animation Night (inaugurated in 2009).
The Creepy Animation Night is an invitation
to explore the dark side of animation, in a
selection of bizarre, strange, unusual visual
improvisations, grotesque imagery, many of
them not selectable by other festivals precisely because of their extreme elements.
This short film programme is a travel into the
macabre, the bloody and the deeply bizarre,
a collection of stories, some of which you’ve
never dared to imagine. You are invited to
enter the atmosphere of a world dominated
by fear, terror and shadows. There’s no guarantee that you will be able to get out when the
show is over…
The dark side of animation is waiting for you!
Watch out!
Mihai Mitrica
Director of Anim’ est Romania
To διεθνές φεστιβάλ κινηματογράφου animation Anim’est είναι το μόνο διεθνές φεστιβάλ
animation στη Ρουμανία και λαμβάνει χώρα
κυρίως στο Βουκουρέστι. Το Anim’est θα
γιορτάσει τη 10η έκδοσή του τον ερχόμενο
Οκτώβριο.
Αρχίσαμε με πολύ ενθουσιασμό το 2006: στην
πρώτη έκδοση προβάλαμε περισσότερες από
250 ταινίες και είχαμε 3,500 θεατές. Πέρσι
είχαμε 20,000 θεατές και περίπου 350 ταινίες,
και παραμένουμε έτσι το πιο αγαπημένο
φεστιβάλ κινηματογράφου στο Βουκουρέστι.
Από τη δεύτερη έκδοσή του το Anim’est έγινε
διαγωνιστικό και κάθε χρόνο φέρνει μαζί
σκηνοθέτες, παραγωγούς, studio animation,
κριτικούς κινηματογράφους και διασημότητες.
Η πιο διάσημη προβολή είναι κάθε χρονιά το
πολυαναμενόμενο πρόγραμμα Creepy Animation Night, που άρχισε το 2009.
CHAINSAW MAID
THE BACKWATER GOSPEL
Takena Nagao
Bo Mathorne
japan / 2008 / 7’
Denmark / 2011 / 10’
THE ORIGIN OF CREATURES
ENDTRIP
Floris Kaayk, Koen De Mol, Olivier Ballast, Rick Franssen
The Netherlands / 2010 / 11’45’’
The Netherlands / 2013 / 5’00
THE TWINS FROM THE SUNSET STREET
THE PRIDE OF STRATHMOOR
Anna Solanas and Marc Riba
Einar Baldvin
Spain / 2010 / 13’
USA, Iceland / 2014 / 8’30’’
UNDERLIFE
THE OBVIOUS CHILD
Jaroslav Konopka
Stephen Irwin
Poland / 2010 / 8’30’’
UK / 2013 / 12’21’’
ABYSSUS ABYSSUM INVOCAT
“VENGEANCE RHYTHM” TWO FINGERS
Wes Simpkins
Chris Ullens
USA / 2012 / 10’
UK / 2012 / 3’13
DEMON COTTAGE INN
Boldizsar Peter
Hungary / 2012 / 4’40’’
Το Creepy Animation Night είναι μια
πρόσκληση/πρόκληση για εξερεύνηση της
σκοτεινής πλευράς του animation, με μια
επιλογή από ταινίες γεμάτες περίεργα και
μακάβρια στοιχεία, με ακραίους οπτικούς
πειραματισμούς, γκροτέσκ εικόνες και
ιστορίες που δεν θα τολμούσαμε ούτε να
φανταστούμε…Πολλές από αυτές τις ταινίες
δεν έχουν επιλεγεί για άλλα φεστιβάλ ακριβώς
εξαιτίας των ακραίων στοιχείων τους. Το
Creepy Animation Night είναι ο κόσμος του
λυκόφωτος και του τρόμου… Η σκοτεινή
πλευρά του animation σας περιμένει!
Mihai Mitrica
Διευθυντής του Anim’ est Romania
Abyssus Abyssum Invocat
Demon Cottage inn
Πρόγραμμα Παιδικών Ταινιών
Children’s Film Program
Τεχνόπολις 20
Technopolis 20
Μέσα από την τέχνη του animation τα παιδιά
µπορούν να ανακαλύψουν και να γευτούν την
µαγική δυνατότητα της τέχνης να συγκινεί
αλλά και να λέει ιστορίες, γνωρίζοντας
παράλληλα τις παραδόσεις των διαφόρων
λαών, και τις πολιτισµικές τους αξίες.
Αυτή η ξεχωριστή ενότητα του Φεστιβάλ
παρουσιάζει μια επιλογή με παιδικές
ταινίες απο κάθε γωνιά του πλανήτη μαζί
με ένα παιδικό εργαστήρι storyboard &
εικονογράφισης για μικρά παιδιά υπό την
καθοδήγηση της Παναγιώτας Μιχαήλ.
LUNE ET LE LOUP
IVAN AND THE WOLF
Toma Leroux , Patrick Delage
Anna Levinson
France / 2014 / 6’16’’
Germany / 2015 / 5’00’’
ASTRONAUT - K
PRINCE KI-KI-DO
Daniel Harisberger
Grega Mastnak
Switzerland / 2014 / 5’40’’
Slovenia / 2014 / 4’12”
A LITTLE STAR
SECRET LABORATORY OF NICOLA TELSA
Svetlana Andrianova
Bruno Razum
Russia / 2014 / 5’30’’
Croatia / 2014 / 11’06”
THE ELEPHANT AND THE BICYCLE
THREE KINGS
Olesya Shchukina
Anna Blaszczyk
France, Belgium / 2014 / 9’ 00’’
Poland / 2014 / 8’09”
CHILD’S PLAY
Through the art of animation children can discover and experience the magical ability of art
to stir the emotions and to tell stories through
various people’s traditions and cultural values.
This special new section of the festival
includes a small selection of children’s films
from all over the world. Panayiota Mihael will
lead a children animation Workshop
CHILDREN’S TIME
Nina Bisyarina
Britt Raes, Bert van Haute
Russia / 2014 / 5’40’’
Belgium / 2014 / 1’10”
THE CATERPILLAR AND THE HEN
DIMITRI IN UBUYU
Michela Donini, Katya Rinaldi
Agnès Lecreux, Fabien Drouet
Italy / 2013 / 9’59’’
France / 2014 / 26’00”
Bears on the Road
Παιδικό Πρόγραμμα / Children’s Program
The Elephant and the Bicycle
Dimitri in Ubuyu
BEARS ON THE ROAD
Nadia Meezen
The Netherlands / 2014 / 4’07’’
Ivan and the Wolf
Secret Laboratory of Nicola Telsa
Astronaut - K
Ντοκιμαντέρ / Documentary
Written and Directed by Luc Chamberland
Animation Luc Chamberland, Jo Meuris, Jonathan NG,
Hyun Jin Park Director of Photography John Minh Tran
Editing Oana Suteu Khitrian Original Music and Sound Design Luigi Allemano Producers Marcy Page, Gerry Flahive
Associate Producer Luc Chamberland Executive Producers
David Verrall, Roddy McManus, Michael Fukushima
Animation adapted from Seth’s personal and published
cartoon art.
To ντοκιμαντέρ του Luc Chamberland έχει θέμα
τον Καναδό καρτουνίστα Seth, γνωστό από τα
βιβλία του όπως το Palookaville. Πρόκειται για
έναν από τους σπουδαιότερους συγγραφείς
διεθνώς σε αυτή τη φόρμα. Στη δουλειά του ο
Seth μεταπλάθει τον εσωτερικό του κόσμο σε
διεισδυτικές και πνευματώδεις ιστορίες με μέσο
του το comic book. Εξαιρετικά δημιουργικός
και παραγωγικός, έχει στο ενεργητικό του
αυτοβιογραφικά κόμικς και βραβευμένα
εμπορικά project, καθώς και έργα που αποκαλεί
“μικρά χόμπι”.
Canadian cartoonist Seth, best known for comic
books such as Palookaville, is one of the world’s
great storytellers in the form. In his personal
projects he transforms his poignant inner life into
observant and witty graphic stories. He is also incredibly prolific, producing semi-autobiographical
comics and award-winning commercial work, as
well as what he calls his “little hobbies.” Director
Luc Chamberland sheds light on his articulate
subject, mixing insightful biography with vivid animation in an artful fusion of filmmaking techniques
that perfectly captures Seth’s manifold creative
universe. In this deft portrait of one of our most
unique artists, Seth proves to be a wry and engaging narrator of his life story and artistic process.
NATIONAL FILM BOARD OF CANADA PRODUCTION
Canada / 2014 / 42’06’’
Διεθνές Διαγωνιστικό Πρόγραμμα / International Competition Program
SETH’S DOMINION
ECLIPSE
TRACK
WORK IN PROGRESS
WHEN I WAS A CHILD
Jacky De Groen
Nagata TakeshI, Kazue Monno Tamas Patrovits
Maryam Kashkoolinia
Belgium, 2014, 05:40
Japan / 2014 / 04:00
Hungary, 2015, 02’50’’
Iran, 2014, 08’30’’
Director: Tamas Patrovits
Producers: Tamas Patrovits, Andras Muhi Gabor Ferenczy
Production: Reanimation Studio, Focus-Fox Studio Budapest
Music: Belamuhely Sound Art
Director / Screenwriter /Animation / Camera
Storyboard / Compositing / Editing: Maryam Kashkoolinia
Director’s assistant: Bahareh Kiamoghaddam
Original Music & Sound: Hami Haghighi / Voice: Maryam Kashkoolinia
Production Company: Kanoon
Synopsis
Graphic faces flare and
morph into one another
to the rising rhythm of the
music, which was played
on found and recycled
objects. The original charcoal drawings were made
by an artist collective who
were blindfolded.
Synopsis
A woman is reflecting on
her childhood memories
and nightmares and the
fact that parents often rely
on tales of monsters and
ghosts to scare their
children away from possible
dangers.Though such parents never mean to
cause harm, they may leave
fear and foreboding in the
minds of their offspring.
Director / Animation / Editing: Jacky De Groen
Production: KASK School of Arts
Music: Bart Maris / Sound: Bart Maris, Benjamin Cools
Sound Mix: Patrik Berx / Titling: Mario Debaene
Synopsis
A lunar eclipse is a night
within a night.
After sundown comes
moondown. After dark
comes the darkness,
where bodies lose their
boundaries.
International Competition I
Jacky De Groen
Jacky studied animation at
KASK Ghent. Her films are
painted in a crude, expressive
style, and explore the relation
between abstract and symbolic
images.
TOCHKA is an art duo by
Nagata Takeshi and Monno
Kazue. They invented new
method of making animation
called PiKA PiKA, which
is the combination of long
exposure and stop motion
animation technique. It
enables everyone to make
animation with drawings
by penlights in the air. Their
playing field is very wide
from experimental animations to contemporary art.
PiKA PiKA won some awards
including the Honorable
Mention in Ottawa International Animation Festival, the
Excellence Award in Japan
Media Arts Festival and the
Grand Prix in ClermontFerrand Film Festival.
Tamas Patrovits
Tamas is an animation film
director, cartoonist and animation professor. He graduated
from the faculty of Animation
of the Hungarian College of
Arts and Crafts (Moholy-Nagy
University of Art and Design
Budapest) in 1994. Since 2004
he has been the co-founder
and president of the association Manifeszt (Professional
and Interst Association of
Hangurian Animation Film
Makers) and ASIFA Hungary.
He is the head of the Illyes
Animation Academy, one of
Hungary’s leading animation
school. He is the co-founder
of Primanima World Festival of
First Animations.
Maryam Kashkoolinia
Born in 1966 in Shiraz. B.A. in
Graphic Design form Alzahra
University & M. A. in Animation
from Tehran University. She
begun her activities in graphic
and illustrating in 1993 and has
been making animated films
since 2003.
PIANO
L’ATTESA DEL MAGIO
SULEIMA
A PORTRAIT
Kaspar Jancis
Simone Massi
Jalal Maghout
Aristotelis Maragkos
Estonia / 2015 / 10’11’’
Italy / 2014 / 8’
Syria, Lebanon / 2014 / 15’
Director / Screenwriter / Art Director / Editing: Kaspar Jancis
Producer: Kalev Tamm / Production: Eesti Joonisfilm
Animation: Ülle Metsur, Maiken Silla, Tarmo Vaarmets
Background Artist: Vladimir Leschiov
Musical Performance: Kaspar Jancis, Madis Muul
Sound: Horret Kuus / Compositor: Marje-Ly Liiv
Director / Screenplay / Drawings: Simone Massi
Production: Simone Massi / Camera: Julia Gromskaya
Music: Stefano Sasso
Post Produaction: Lola Capote Ortiz
Director / Screenplay / Editor: Jalal Maghout
Producer: Estayqazat Project
Music & Sound: A.w. team
Synopsis
Marta hauls a piano home
from a shop that sells used
musical instruments. She
almost succeeds. Albert
tries for the thirtieth year
already to tell Paula that
he loves her. He almost
succeeds. Paula wants to
respond to Albert in the
same vein. She almost
succeeds. Police commissioner Kits has dreamed of
parachuting all his life. He
almost succeeds. Mirjam
wants to become a circus
artist. She almost succeeds.
A honeybee tries to get out
past a closed window. It
almost succeeds.
A film without main characters where the lives of
characters that have lost
their head intertwine in a
dramatic and less dramatic
way in an ordinary concrete
panel apartment building.
Kaspar Jancis
He has been interested since
childhood in drawing comic
strips and writing stories for
which he made illustrations
himself. His first moving pictures came into being in the
corners of his school notebooks. Later in his school
years, his brother’s friend, who
was a member of a film club,
helped him make a short plasticine puppet animated film.
Later he began working systematically with music. He has
been part of the creative core
of several rock groups, written
song lyrics, made arrangements
and created tunes.
He enrolled at the Tallinn Pedagogical University in 1996.
He completed his first films
at that school. In 1997 he
transferred from the Pedagogical University to the Turku Arts
and Media School in Finland.
At Turku he studyied animation
under the guidance of Priit Pärn.
Synopsis
The month of May, the
blackbird: they hide while
they sing.
Simone Massi
SImone was born in Pergola
(Italy) in the month of May.
As a fiercely independent
animator, he has conceived
and realized a dozen small
animation films that have been
shown in 60 Countries on 5
Continents and have collected
over 200 awards.
Synopsis
The portrait of Suleima, one
of thousands of anonymous
women that fight against
dependency and injustice
in Syria.
Greece / 2014 / 02’08’’
Jalal Maghout
Jalal is an independent
filmmaker from Syria who
started his film career after
receiving a bachelor’s degree
in visual communication from
Damascus University 2010.
He has produced and directed
a variety of short animated
films that played at festivals
around the world, including his
most recent film “Suleima”- an
animated documentary which
has been selected for: DokLeipzig, Carrefour Du Cinéma
d’Animation-Paris, Stuttgart International Festival of Animated
Film, Animafest Zagreb and
ANNECY International Animation Film Festival.
Currently, Jalal is preparing his
master-film in Berlin besides
developing other projects.
Director / Screenplay / Animation / Sound / Voice
Production: Aristotelis Maragkos
Synopsis
A drawing line exploring
the life and death of my
Grandfather.
Aristotelis Maragkos
After graduating from the
department of Architecture
in N.T.U.A. he decided to
continue his studies at he
London Film School. In 2011 he
won the best newcomer award
in Drama Film Festival with
his film “If You Have no Place
to Cry” He participted in the
Berninale Talent Campus 2013,
Locarno Film Academy 2013
and Toronto Talent Lab 2013.
He works as a director and
production designer in the UK
while preparing his first feature
film entitled “The Ark”
REMBERANCE OF TIME PAST
PENE E CRUDITE
Wu Zhi - Jing
Mario Addis
China / 2014 / 05’ 26’’
Director / Screenplay / Anmation / Production: Mario Addis
Editing / Compositing: Stefania Calatroni
Composers: Paolo F. Bragaglia / Matteo Ramon Arevalos
Director: Wu Zhi - Jing
Production: Studio Fantastic Sky
Screenplay: JLi Jia-yao
Storyboard / Sound / Music: Zhi-jing Wu
Compositing: Yan Jie
Synopsis
Fantastical Hallucinatory
moments of passion,
cruetly, loneliness,
disconnection and love,
sometimes dark meanings.
Hypnotic music accompanies a dance of lines that
reinvents itself with each
new squiggle of the
artist’s pencil.
Synopsis
Su San’s occupation is
teaching calligraphy. When
not in class, he spends
his spare time writing. The
butcher, Mr. Yang, intends
to marry his daughter to
Su San... After establishing
his own family, Su San’s
life changes. When seeking peace and quiet, after
writing, he often entrances
himself by gazing at the
flotsam in the river... Day
after day, year after year, life
is tranquil.
Islam Ahmed Elsayed
Mirai Mizue
Italy / 2014 / 03’31’’
Mario Addis
Mario is a cartoon film director, animator and illustrator.
In 1984 he began working in
the studio of Michel Fuzellier,
Walter Cavazzuti and Giovanni Ferrari. Over the years
he has worked for directors
such as Roberto Benigni,
Giulio Cingoli, Enzo D’ Alo,
Dario Fo, Carlo Nero and
Maurizio Nichetti.
His work includes the opening credits for the Roberto Benigni feature film The
monster (1994). Winner at
Annecy for Best Advertising
Film, the sequence Il sogno
di Nina for La gabbianella
e il gatto (1998). His comic
strip series The vampire Alef
was published by Oreste
Del Buono on the magazine
“Linus” for almost two years.
In May 2015 he receives the
“Diplomi Honoris Causa” by
the Centro Sperimentale di
Cinematografia.
OH LA LAH
RETRO FUTURE
Wu Zhi-jing
He has been working in stopmotion animation for 7 years.
His works are Find, Ink and
Feng Zi-kai.
Japan / 2015 / 06’55’’
Egypt / 2014 / 03’54
Director / Production: Mirai Mizue
Distribution: Tamaki Okamoto (CaRTe bLaNChe)
Director: Islam Ahmed Elsayed
screenplay / procuction: Mohanad Hassan
Music & Sound: Hamza Namira
Animation: Adel El Badrawy, Amgad Abdelmohsen
Mahmoud Magdy, Islam Mazhar, Ahmed Adel Abdelhamid
Mahytab Khaled
Synopsis
The world of the future
that I have imagined in
childhood, different
from the world of the
future to visit now.
Mirai Mizue
He is a representative figure
of the new generation of
abstract animation in Japan.
He is known by his high quality pictures drawn by hand on
paper in his non-narrative animation films. His films have
been nominated in some major animation festivals such as
Annecy, Zagreb, Ottawa and
Hiroshima. As an illustrator,
he provides his drawings to
some Japanese novelists. He
currently works as a member
of the selection committees in
several national/international
animation festivals. In Japan,
he actively works not only
as an independent animator
but also as an illustrator, a
teacher, and a trustee of
Japan Animation Association
(JAA).
Synopsis
“Oh La Lah” is an animated
music video celebrating the
New Year. It is a sarcastic
Egyptian adaptation of the
classical “Jingle Bells” song,
The song is performed by
three old cartoon characters
who are on a boat that floats
on sewage , and ironically,
they are the ones representing the voice of hope and
encouraging youth not to
give up and keep fighting
for their dreams, despite the
fact that all their surroundings are filled with despair
and corruption.
Islam Ahmed
Creative Director & co-owner
of Follk Creative solutions
that mainly specialises in
animation since 2012, after
more than 10 years experience in the animation field
in Egypt and arab region,
through character designing, storyboarding, Comic
books, illustrations and
animation directing, serving
many animation studios and
post production houses.
In 2004 he graduated from
the Academy of Arts - High
Institute of Cinema Animation
department.
WE CAN’T LIVE WITHOUT COSMOS
TWO FRIENDS
Konstantin Bronzit
Natalia Chernysheva
Netherlands, USA / 2015 / 14’20’’
Russia / 2014 / 15’20’’
France / 2014 / 4’
Director / Screenplay / Animation / Compositing / Editing:
Max Porter & Ru Kuwahata
Music / Sound Recording & Design: Bram Meindersma
Voice: Petra Schmidt - Schaller
Producer: Ton Crone / Netherlands Institute for Animation
Film & Tiny Inventions
Director / Screenplay / Storyboard / Compositing:
Konstantin Bronzit
Production: Melnitsa animation studio
Music: Valentin Vassenkov
Sound: Vladimir Golounin
Director : Natalia Chernysheva
Production: La Poudrière
Synopsis
In this fairytale about relativity, a cuckoo clock recounts
a day where bread was
sliced one second thick,
lovers fell in sync and time
rarely flowed at an even rate.
Synopsis
Two cosmonauts, two
friends, try to do their best
in their everyday training
life to make their common
dream a reality.
But this story is not only
about the dream.
LIFE WITH HERMAN H. ROTT
BETWEEN TIMES
Chintis Lundgren
Estonia, Croatia, Denmark / 2015 / 11’06
Director: Chintis Lundgren
Story Chintis Lundgren / Dasko Ivezic
Sound: Henrik Malmgren
Produced: Chintis Lundgreni Animatsioonistudio
Co-Producers: Adriatic Animation, GoodJobStudios
Synopsis
Herman is a rat who enjoys
heavy drinking, loud grind
music and chess.
He doesn’t care much for
cleaning and the disorder
in his apartment only
makes him feel more at
home. One day a very tidy
cat who has a weakness
for messy macho-men, decides to move in. She also
brings a vacuum cleaner,
a piano, and what’s worse
- a collection of classical
music records.
Chintis Lundgren
Chintis is and Estonian animation director. She started in
2008 as an independent author
and since 2011 she runs her
own animation studio called
Chintis Lundgreni Animatsioonistuudio. She is also a
cofounder of Adriatic Animation, a new animation studio
based on the coast of Croatia.
Max and Ru are award-winning
filmmakers and animation
commercial directors. Operating under the moniker “Tiny
Inventions,” they are known
for their unique mixed-media
animation, which combines
hand-crafted art and digital
techniques. Since they started
collaborating in 2007, Max and
Ru have directed and produced
TV commercials, music videos,
PSAs, a toy line and several
independent films. Their films
have screened in over 300 film
festivals worldwide, including
Sundance Film Festival and
Annecy Animation Festival, and
have received 25 international
awards. In 2011, Max and
Ru spent a year and a half as
artists-in-residence at the Netherlands Institute for Animated
Film where they developed a
14-minute animated film, “Between Times.” Currently Max
and Ru are working as facultie
members in the Animation department at Maryland Institute
College of Art, in Baltimore.
Konstantin Bronzit
Konstantin he graduated from
Art school in1983. In 1992 he
graduated from High institute
of Art and Design. In 1994
he graduated from the High
Courses for screenwriters and
directors in Moscow. During
his career he made about ten
short films which won over 150
different awards. In 2001 he
was nominated for French Film
Academy Award “Cezar” (for
the animated short film At the
Ends of the Earth) and in 2009
he was nominated for an Oscar
(for animated short film Lavatory - Lovestory). Member of
the French Film Academy and
the Academy of Motion Picture
Arts and Sciences.
Synopsis
Even the best of friends
can have trouble understanding each other when
they are from two different
worlds.
Natalia Chernysheva
Natalia graduated from the Ural
State Academy of Architecture
and Art, majoring in graphics
and animation. She worked
as an animator, character
designer and artist on several
animated films. International Competition II
BEAR STORY
SMALL PEOPLE WITH HATS
Gabriel Osorio
Sarina Nihei
Chile, 2014, 10’14’’
UK / 2014 / 06’51’’
Director: Gabriel Osorio Producer: Pato Escala
Production: Punkrobot Animation Studio
Screenplay: Daniel Castro Animation: Nicolás Canales
Art-Animation Director: Antonia Herrera
Music: Dënver Sound: Christian Cosgrove
Editing: Pato Escala
Director: Sarina Nihei
Producer: Joan Ashworth / RCA
Synopsis
An old bear goes out every
day to a busy street corner.
He sets up a small wooden
theater containing tin puppets of his own making.
International Competition II
Gabriel Osorio
Osorio majored in Fine Arts
at Universidad de Chile. Later
he specialized in 3D animation. After working in several
commercials, movies, and
television series, he decided
to form his own studio: Punkrobot. Since 2008 he has
been directing projects for
childrens’ television (Flipos,
Muelin y Perlita, Soccer Girls)
and television spots. Bear
Story is his first short film.
Synopsis
There are small people
wearing hats in the society.
Sarina Nihei
Sarina is an animator and
illustrator living in Tokyo. She
started animation at Tama Art
University in Tokyo where she
got a BA in graphic design in
2012. Specialising in handdrawn animation/illustration,
she makes surreal and absurd
stories. She moved to London
to start a Masters degree at the
Royal College of Art in 2012,
and graduated with an MA in
animation in 2014.
MY SELF UNIVERSE
SLAVES OF THE RAVE
Andreas Hykade
William Garratt
Germany / 2014 / 01’34’’
UK / 2014 / 02’40’’
Direction / Animation / Screenplay: Andreas Hykade
Animation, Art Work: Andreas Hykade, Angela Steffen
Music, Sound Design: Heiko Maile
Technical Direction: Ralf Bohde
Production Management: Bianca Just
Production: Thomas Meyer-Hermann, Studio Film Bilder
Director / Screenplay / Animation: William Garratt
Synopsis
My Self tries to remember
the secret of the universe
Andreas Hykade
Hykade was born in the Summer of Love in Altotting, center
of the Holy Mary cult. Since
he’s been grown-up, he’s created animated films for grownups. Now he’s a father, he creates animated films for children
as well. He is a professor of
animation at the Filmakademie
Baden-Wurttemberg.
Synopsis
A short animated comedy
(without dialogue), depicting
an audience’s reaction to
different types of music.
William Garratt
William is an award-winning
independent animator and filmmaker from Bristol in the UK.
NUGGETS
WORLD OF TOMORROW
STORM HITS JACKET
SOMETHING IMPORTANT
Don Hertzfeldt
Paul Cabon
Nai Wei liu
France / 2014 / 13’27’’
United States / 2015 / 07’ 13’’
Germany / 2014 / 05’17’’
Director / design / Storyboard /Animation: Paul E. Cabon
Backrounds: Benoît Audé, Paul E. Cabon
Animation: Paul E. Cabon, Antoine Maillère assistés de Marylou Mao
Compositing : Cyril Drouin, Caroline Lafarge Animation Editing: Hervé
Guichard Image Editing: Paul E. Cabon Original Music: Jukka Herva
Director / Production / Screenplay / Storybord
Compositing / Sound: naiwei liu
Music: Chris Zabriskie, Saito Koji
USA, 2015, 16’30’’
Director / Screenplay / Sound: Don Hertzfeldt
Production: Bitter Films
Synopsis
A little girl is taken on a
mind-bending tour of her
distant future.
Don Hertzfeldt
Hertzfeldt is an Academy
Award nominee whose popular
animated films have been featured at over a thousand film
festivals and venues around the
world. He received a BA in Film
Studies from UC Santa Barbara
in 1998, where he produced
his first four animated films:
Ah L’Amour (1995), Genre
(1996), Lily and Jim (1997)
and Billy’s Balloon (1998), the
latter receiving a nomination
for the Palm D’Or at the 1998
Cannes Film Festival. His
following film, Rejected (2000),
was nominated for an Oscar in
2001, and films The Meaning
of Life (2005), Everything will
be OK (2006), I am so proud
of you (2008) attracted large
audiences. Since 1995 his films
have collectively received over
150 international awards.
Synopsis
A storm reaches the
shores of Brittany. Nature
drives crazy. Two young
scientists who get caught
up in the chaos. Espionage,
romantic tensions and
mysterious events clash with
ethousiasm and randomness.
Paul Cabon
Cabon is a young french animator and director. His student
film, Sauvage, won the special
prize from the student’s films
jury in the international festival
of Annecy in 2010, a special
mention in Bruz and the Optical
Theater prize at the Fresh Film
Festival of Prague.
After finishing the university
he has worked as animator,
writer and layout man for the
series Michel at the Folumage
studios. He also collabores
as an illustrator with different
fanzines.Storm hits jacket is his
first professional short film.
Synopsis
Something Important presents the filmmaker’s
personal journey of self-discovery woven as a tapestry
of his memories. Liu uses
an abstract montage style
that combines hand-drawn
elements with composited
photo realistic scenes
in tandem with music to
express his life experiences
filtered through time and
remembrance.
The resulting film conveys
a positive perspective that
transforms psychologically
difficult occurrences into
a field of creative insights.
Andreas Hykade
Nai Wei Liu
Synopsis
Nai Wei Liu is a TaiwaneseKiwi tastes a golden nugget.
born artist and designer, who
It’s delicious
has been involved in the motion
graphics and graphic design
fields since 2006. He received
his BFA in Communication Design from Shih Chien University
in Taipei, Taiwan in 2009, and
his MFA in Computer Art with
a focus in Motion Graphics
in Japan. His work was also
selected by the Taipei Film
Festival (2009), Les Sommets
du Cinema d’Animation de
Montreal (2009), Cross-Straits
Student Animation Festival
(2010), and was a finalist in the
Taiwan International Student
Design Competition (2012).
Andreas Hykade
Hykade was born in the Summer of Love in Altotting, center
Baden-Wurttemberg.
8 BULLETS
BENJAMIN GOES TO A
SWINGERS PARTY
Frank Ternier
France / 2014 / 12’ 30’’
Declan Byrne
ROADTRIP
Xaver Xylophon
Germany / 2014 / 20’
Australia / 2015 / 05’48’’
Director / Screenplay / Compositing: Frank Ternier
Production: L’image d’après
Storyboard: Shih Han Shaw
Music: Zed
Synopsis
My name is Gabriel and I live
in Taipei. I lost my wife during an assault. A red-haired
man entered my home,
smelling of dried fish. He
was carrying a weapon. He
used it on my family. Since
then, I’ve been feeling a void,
a hole in my head.
Born in Tours (France) in 1975,
Frank Ternier is a film maker,
editor and graphic designer. He
is a “jack of all trades” in the
image sector. He has created
the association L’Astronef and
Neutron production in order to
work with other film directors
and technicians. With CharlesEric Petit, he co-produced two
short films, including La perle
fendue (The Split Pearl) starring
Jean Rochefort. Since 2006, he
has collaborated on creating
videos for the theater with the
troupe Théâtre à Cru. Following
these experiences, Frank made
his first animated film, Le di@
ble en bouche which received
the 2011 Special Credit for
professional movies at the
National Festival of Animated
Films of the AFCA.
Director / Production: Declan Byrne (Bigfish.tv)
Distribution: Sheidon Lieberman (Bigfish.tv)
Synopsis
Benjamin has just arrived
at his first swingers’ party
but – after eagerly stripping
off – has discovered he’s not
allowed in without a partner.
Determined not to go home
alone and unsatisfied,
our hero sets out to find a
mate.
Declan Byrne
Declan is an animator and
designer specialising in 2D
character animation and
motion graphics - ToonBoom,
Flash, After Effects, etc.
He graduated from the Queensland College of Art in 2012 with
a Bachelor of Animation, majoring in character animation. his
grad film, Barbouillageville,
won the People’s Choice
award at the school’s screening and went on to screen at
film festivals around the world
including the prestigious Festival de Cannes.
Since the beginning of 2012, he
has been at Bigfish - a Brisbane
design and animation studio
- working on animation and
motion graphics projects for a
variety of commercial clients.
Director / Producer / Editing / Animation / Camera:
Xaver Xylophon
Screenplay: Xaver Xylophon & Ariana Berndl
Music: Xaver Xylophon / Sound: OTO Studios
Sound Design: Christian Heiter, Martin Burkard
Kilian Teichgräber, Max Hachenmeister
Synopsis
Julius can’t sleep. To get
his head empty he decides
to go on a roadtrip, but
somehow he can’t manage
to leave.
A hand drawn film about
failure, insomnia, a red motorbike, pretty bargirls,
the desolateness of Berlin
(even in summer) and
waterproof socks.
Xaver Xylophon
Xavier is a 28 year old freelance animator, illustrator and
filmmaker. He studied visual
communication at the London
College of Communication and
the University of the arts Berlin
Weißensee. “Roadtrip” is his
graduation film. His work as a
freelance animator and director
includes projects for clients
such as the New York Times
and the British National Society
for the Prevention of Cruelty to
Children (NSPCC). Xaver uses
the off-time in between commercial projects to develop his
own animated short films. He
lives and works in Berlin.
YOU LOOK LIKE ME
DIFFERENT KINDS OF PEOPLE
BEACH FLAGS
MARIO
Michaela Pavlatova
Sarah Saidan
Tess Martin
Slovakia, Czech Republic / 2015 / 03’08’’
France / 2014 / 13’ 39’’
Italy / 2014 / 02’52’’
Canada / 2014 / 05’45
Director / Design / Animation: Michaela Pavlatova
Producer: Dominika Fricova
Music, lyrics, voice, guitar: Dominika Fricova
Editing: Marie Jarosova
Director: Sarah Saidan
Production: Sacrebleu Productions / Folimage
Producers: Ron Dyens / Corinne Destombes
Music: Yan Volsy
Sound: Lionel Guenoun
Editing: Hervé Guichard
Director / Animation: Tess Martin
Music: Jason Staczek
Direction and production: Pierre Hébert & René Lussier
Text and Narration: Paule Marier
Music : René Lussier
Animation : Pierre Hébert with complicity of Jim Corcoran
Sound mixing : Martin M. Messier
Tess Martin
Synopsis
Tess is an independent animaMario is a film based on a
tor who works with cut-outs,
song the director grew up
ink, paint, sand or objects. Her
singing in her elementary
most recent award-winning
school playground in Florence, Italy. The song goes films are The Lost Mariner, an
with a hand slapping game animated interpretation of an
that you can see kids playing Oliver Sacks case study, and
in the film. Even at the time Mario, a paint on glass film
the director thought it was a based on an Italian folk song.
bit of a dark song to be sing- Her films have been displayed
at galleries and festivals
ing, but if you think about
it, a lot of children’s games worldwide.
She curates touring programs
come from dark places.
Synopsis
I passed you by,
I only passed you by,
on the street, in the subway,
or rather I saw you,
I only saw you, on television,
in the newspapers,
I read the story of your life,
I saw photos of you,
I saw you passing by,
only passing by,
but I couldn’t forget your
eyes, they said to me :
“Little brother, little sister,
you look like me.”
Synopsis
There are different kinds
of people, someone wakes
up in the morning and
someone falls asleep.
There are different kinds
of people, someone is
terribly bored, someone
is playing with life.
Music video on song by
Dominika Fricova.
International Competition III
Michaela Pavlatova
Pavlatova makes short animation films since 1989. Her films
won a number of awards
including an Oscar nomination
for Reci, reci, reci (Words,
words, words) in 1993, Golden
Bear at Berlinale and Grand
Prix in Hiroshima for Repete
(1995), Annecy Crystal for Tram
(2012). Besides animation,
Michaela also directed two live
action feature films and collaborates with theatre productions. She teaches animation in
Prague and gives masterclasses all around the world.
Michaela lives and works in
Prague, Czech Republic.
Synopsis
Vida is a young Iranian
lifeguard. Popular on her
team, she is determined to
fight in order to be the one
to participate in an
international competition in
Australia. However, when
Sareh who is as fast and
talented as her, joins the
team, Vida will have to face
an unexpected situation.
Sarah Saidan
Sarah is an animation film
director. Iranian and born in
1978, she studied graphic
design at university then got
a master in animation. She
directed two films in Iran.
In 2009, she comes to France
to enter the animation film
directing school La Poudrière.
She directed three short films.
In 2011, she began to work on
“Beach Flags”, a film produced
by Sacrebleu Productions and
Folimage, with the support of
the channel Arte.
Pierre Hébert and René Lussier
of films from Seattle and the
Northwest and runs a monthly
The film was animated on
animation event in Rotterdam,
the director’s multi-plane
animation stand using paint the Netherlands. She also
and marker on glass. How- occasionally writes about the
ever, half way through pro- world of independent animaduction the director actually tion.
moved from Seattle to the
Netherlands, and was unable
to use her multi-plane. After
this the paint and marker
elements were animated
seperately and composited
together in After Effects in
post production.
Pierre Herbert
Formerly an employee of the
National film board of Canada
where he directed over twenty
animation shorts and a feature
(La Plante humaine, best Quebec feature award 1996), Pierre
Hébert is now an independent
artist and filmmaker. Since
2001, he traveled the world
with different musician to present live animation performances. He equally collaborated
with choreographers, published
books and articles on cinema
and animation and pursued a
carreer as a visual artist. His
current project is a new series
of films Places and Monuments
for which he received from the
conseil des arts et des lettres
du Québec the prestigious «career grant» for cinema. In 2005,
he was the recipient of the
“Albert Tessier” cinema award
from the Quebec government
for lifetime achievement.
MY SELF SMOKE
MAN ON THE CHAIR
Andreas Hykade
Dahee Jeong
Germany / 2014 / 01’36’’
Andreas Hykade
Synopsis
My Self tries to quit smoking Hykade was born in the Summer of Love in Altotting, center
Baden-Wurttemberg.
SONAMBULO
Theodor Ushev
France / 2014 / 06’55’’
Canada, 2015, 04’20’’
Production: Sacrebleu Productions
Co-production: CJ Culture Foundation (Coree du Sud)
Music: Sangwoo Ma
Sound: Lee Jusuk, Kim Won
Voice over: Seo Younghwa
Written, Directed & Animated: Theodor Ushev
Producer: Theodor Ushev
Production: Les Productions Unité centrale
Music: Kottarashky / Music composer: Nikola Gruev
Music Producer: Asphalt Tango / Henry Ernst, Nikola Gruev
Sound: Olivier Calvert / Distribution: Bonobostudio
Synopsis
Man on the chair is tormented, constantly
questioning his own existence. It is merely a picture
I created... Could I too be
an image created
by others?
Dahee Jeong
Dahee holds a BA in
Visual Communication from
the Hongik University in Seoul.
She went to Paris in 2008
where she received an MA in
Animation at École nationale
supérieure des Arts Décoratifs.
During her studies she directed
several short animation films,
directing Le temps de l’arbre
for her final project in 2012.
Synopsis
With the shade around her
waist / she dreams on her
balcony, […] Under the
gypsy moon, /
all things are watching her /
and she cannot see them.
A surrealist journey through
colours and shapes inspired
by the poem Romance
Sonámbulo by Federico
García Lorca. Visual poetry
in the rhythm of fantastic
dreams and passionate
nights.
Theodore Ushev
Theodore Ushev is an animator, graphic designer, illustrator
and multimedia artist. He
graduated from the National
Academy of Arts in Sofia and
moved to Montréal in 1999 to
explore new media and digital
animation. He is the director
of award winning films such as
Gloria Victoria, Lipsett Diaries,
Drux Flux, Tower Bawher and
many others.
VISUAL SYMPHONY
Elli Kyriakou
Κυπριακό Διαγωνιστικό Πρόγραμμα / Cyprus Competition Program
Eleni Chandriotou
Cyprus / 2014
Cyprus / 2015
Synopsis
The short film “Visual Symphony” is an experimental
animation based on musical
structures in order to visualize 2D and 3D graphics that
match what you hear and
what you see.
TRAVELING BACK: CHOIROKOITIA
My name is Elli Kyriakou and I
have completed a BA degree
in Multimedia and Graphic Arts
from the Cyprus University
of Technology. The short film
Visual Symphony is one of my
first experimental animation
films which is based on the
theory and research of the
theme “Visual Music”.
Synopsis
Time; time is an issue that
concerns me quite a bit
lately. Me and the whole
human race.
As I visited the ancient
site of Choirokoitia, I felt a
strange vibration through the
space. I had some kind of a
vision of how an inhabitant
of Choirokoitia would spent
his day in the same space I
came as a visitor. I was interested in the term of change;
What changed in this space
through the times and what
stayed the same?
Eleni Chandriotou is a 19 year
old Cypriot student at the
University of Nicosia. She is
graduated from the Pancyprian Gymnasium and studying
on scholarship in the 2nd year
in the course of Fine Arts. In
the last year of High School
she won in a poetry contest
and a competition of the Ministry of Education from which
she earned the scholarship
with an animation(1). What
interests her is animation,
photography,writing,film and
drawing but most of all life. As
a living being in this Earth her
real purpose is to live which
for her means to create. Cyprus Competition
BELIEVE
VIVERE TEMPUS MACHINA
37 000 FEET
Andreas Ioannou
Andreas Ioannou
Zenonas Ioannou
Cyprus / 2015
Cyprus / 2015
Cyprus / 2015
Synopsis
In her own mind world, a
girl comes face to face with
the negativity inside of her
and finds the determination
needed to turn the source of
her negativity into the source
of her strength.
Synopsis
Inspired and driven by the
ideas expressed in the movie
“La Jetèe” by Chris Marker,
events that might have been
going on in the backstage of
the character shown in the
original film. If Chris Marker
is showing the literal actions,
and the reality of each situation through his film, then
this animation is showing
what is going on during the
time travel with a much more
abstract narrative.
Andreas Ioannou
Antreas is a recent graduate
from Cyprus University of
Technology, from which he
graduated with sppecialization
in Multimedia. His interests
include animation, film making, special effects and photography, among other things.
He is drawn to dark and
scifi themes, which he tries to
implement in his work. Believe
was created for his Bachelor’s
Thesis, and was presented in
two different versions, each
one with a different staging.
The animation had as its
purpose to look into the effect
that staging has to the viewer
as far as 3D digital animation
is concerned, and how the
story is understood differently
with different staging.
Synopsis
Through the eyes of a flight
phobic person.
TIMESPACE
Liasis Karasavvas
Cyprus / 2015
Zenonas Ioannou
Zenonas is a Multimedia
and Graphic Arts student at
Cyprus University of Technology. Minimalist influences are
visible throughout his work.
This is his first experimental
animation film.
Synopsis
Time. A dimension in which
the spacial physical and tangible dimensions, according
to a human observer, exist
and change. The dimension
of time is characterised by
progression subsequent to
a one way direction. Test
subject XZ-42 thinks otherwise. With entanglement to
a past time point, XZ-42 is
finally able to desynchronize
from his timeline and dive
into a plane where past and
future are just as far as the
neighborhood’s convenience
store.
They say that love is the
greatest force in the universe, a force so powerful
that XZ-42 is willing to cross
his own timeline for. There
are, however, other forces
messing with the strings
of time.
This short animation is
inspired by the French film
“La Jetée” (1962).
Liasis Karasavvas
Liasis is a recent multimedia
artist graduate of Cyprus
University of Technology from
Paralimni, Cyprus. His work
ranges from animation, short
films, to motion graphics
and photography. Some of
the shorts he made include
Graphite, Flux and Glitch.
Other collaborative works
include Pendulum, Everything
under control!?, και Pseudo.
THE REDEMPTION
ZEN MORNING
PASSION BURNS IN TIME
24/7
Kosmas Nonis
Paschalis Paschali
Rebecca Stylianou
Cyprus / 2015
Cyprus / 2015
Afroditi Constantinou
The film presents a decadent society where
citizens seek redemption
from the wicked oppression. People are suffering and
begging for help.
So a traveler appears with
the purpose of putting an
end to tyranny. Kosmas Nonis
Kosmas is a multimedia
student at the school of Fine
an Applied Arts of the Cyprus
University of Technology.
“Exileosis” is his first animation film
Synopsis
The internal struggle of a
man trying to have a positive
start to his day while facing
familiar distractions of modern day life. The story can
also be seen as symbolising
the everyday challenges and
temptations of contemporary
lifestyle while one is trying
hard to keep calm, positive
and ultimately spiritual.
Cyprus / 2014
Cyprus / 2014
Paschalis Paschalis
Paschalis is an Associate
Professor at the Department
of Design and Multimedia,
University of Nicosia. He has
presented and published
papers in journals and
international conferences
on visual communication,
user interface design and
multimedia. He has served as
a member in various academic
and reviewing committees
and has been appointed by
the Hellenic Quality Assurance
& Accreditation Agency as a
member of the team for the
external evaluation of Greek
Universities. He also practices
animation, project management, art direction, graphic/
packaging and user interface
design professionally. He
has been teaching in tertiary
education since 1998 and he
is the founder and creator of
the BA program in multimedia.
He currently holds the position
of head of the Department of
Design and Multimedia.
This short animation is an
exploration and combination
of the three words Passion
– Burn – Time. The words
become characters of an old
film noir. Within a mystical
atmosphere, these words
are born and burned to send
us a secret: that Passion
Burns in Time.
Inspired from the old films
of the 20th century, this
one minute film deals with
nostalgic thoughts and lost
moments which dissolve our
passion(s) as time goes by.
*The film is covered with
the song of Billy Murray, a
famous American singer
from the ‘50s.
Afroditi Constantinou
Afroditi is a Graphic Designer
with a BA with distinction in
Multimedia and Graphic Arts.
She is focused on Branding,
Advertising and Motion. Her
greatest love is Typography
which it is incorporated in
most of her work. Exploration
and playfulness have a key
role in finding a concept and
visualization for each project
she undertakes. Looking forward to more creative motion
messages in the future.
The film describes the
everyday life of white-collar
worker who works nonstop
in a big city office . His job is
demanding and monotonous. The film emphasizes
es the fact that even a very
patient person can get upset
and lose his tolerance when
people take advantage of
him.
Rebecca Stylianou
Rebecca graduated this year
from the University of Nicosia,
with a bachelor degree in Applied Multimedia. She worked
as second assistant camera
in five TV commercials at MS
Viewpoint Company. In 2014
she created a stop motion
animation video, which was
selected to participate at the
13th countryside Animafest
Cyprus and in “ Creative Compass ” exhibition of the Design
and Multimedia department
of University of Nicosia. By
creating an interactive video
in 2014, she also won the third
prize in the contest of “The
Importance of Water” which
was organized by the Water
Development Department
(WDD) Ministry of Agriculture, Natural Resources and
Environment.
HTARMATA
Panayiotis Mesaritis
Maria Spivak
Cyprus / 2014
Cyprus / 2014
Ευχαριστίες / Acknowledgements
L’ ASSASIN
The animation takes a deeper look into the events of La
Jetée, focusing on the man
who led the time-traveling
protagonist to his tragic end.
The assassin didn’t reveal
himself to the audience until
the very end, but what was
a killer doing hiding among
scientists, and what exactly
led to the termination of the
subject? Through the comic
panels of “L’Assassin” unfolds the truth behind the assassin’s actions, his ultimate
purpose and motivation, as
well as his view of the double
edged blade that is the word
“justice”.
Panayiotis Mesaritis
Panayiotis is a recent multimedia graduate of the Cyprus
University of Technology, in
the field of Applied and Fine
Arts. His interests include art,
animation and video games,
and throughout his studies
in the field of Multimedia he
has often combined them into
a personal, unique style. His
work includes animations,
traditional, experimental
and 3D, as well as films and
photograhy.
Synopsis
A celluloid is projected onto
a cinema screen it is then
digitized, re-projected and
then re-manipulated. The
film plays with the application of digital and analog
amalgamation, the fragility
of image and sound within
the digital era and nostalgic
atmosphere of a dying
format. What distinguishes
the material from the sculpture, the canvas from the
painting the sound from the
symphony?
Maria Spivak
Maria has been creating
images and sounds in Cyprus
since she completed her architecture and media studies
in 2011. Her primary wok revolves around directing video
works and sculpting sound.
Ευχαριστούμε τους / Acknowledgements:
Υπουργείο Παιδείας & Πολιτισμού / Ministry of Education & Culture
Παύλο Παρασκευά, Διευθυντή Πολιτιστικών Υπηρεσιών ΥΠΠ /
Pavlo Paraskeva, Director of the Cultural Services of the MOEC
Έλενα Χριστοδουλίδου, Λειτουργό Α΄ Πολιτιστικών Υπηρεσιών ΥΠΠ /
Elena Christodoulidou, Cultural Services of the MOEC
Διομήδη Νικήτα, Λειτουργό Πολιτιστικών Υπηρεσιών ΥΠΠ /
Diomides Nikitas, Cultural Services of the MOEC
Δ.Σ. Οργανιμσού Παφος 2017, Πολιτιστική Πρωτέυουσα της Ευρώπης /
Board of Directors, Organisation Pafos 2017 European Capital of Culture
Γεωργία Ντέτσερ / Georgia Doetzer - Pafos 2017
Μαρίνα Βρυωνίδου / Marina Vrionides - Pafos 2017
Ερικα Χαραλάμπους / Erica Charalambous - Pafos 2017
Αναστάζια Αναστασίου / Anastazia Anastasiou - Pafos 2017
Νίκος Ζαβαλλής / Nicos Zavallis - Pafos 2017
Δέσπω Πυλίδου & Μαρίνα Σολομίδου - Despo Pilides & Marina Solomides
Aναπληρώτριες Διευθύντριες Τμήματος Αρχαιοτήτων
Deputy Directors at Cyprus Department of Antiquities
Φρύνη Χατζιηχριστοφή / Frini Hatzichristofi - Cyprus Department of Antiquities
Ευθυμία Άλφα / Efthimia Alfa - Cyprus Department of Antiquities
Μέλη κριτικής επιτροπής / Jury committee members
Špela Čadež
Piotr Dumala
Τώνια Μησιαλή / Tonia Mishiali
Τον Πρόεδρο και το Κοινοτικό Συμβούλιο, Κουκλιών
President Michalakis Solonos and the Community Council, Kouklia
Μαρία Λένου, Προϊσταμένη Αρχαιολογικού χώρου στα Κούκλια Παλαίπαφος
Maria Lenou, Ancient site of Palaepaphos supervisor
Ελισάβετ Πέτρου προσωπικό Αρχαιολογικού χώρου στα Κούκλια Παλαίπαφος
Elisavet Petrou, Ancient site of Palaepaphos staff
Γιώργος Χαραλάμπους πρωσοπικό Αρχαιολογικού χώρου στα Κούκλια Παλαίπαφος
Yiorgos Charalambous, Ancient site of Palaepaphos staff
Αβέρκιος Χατζηιωάνου προσωπικό Αρχαιολογικού χώρου στα Κούκλια Παλαίπαφος
Averkios Hatzioannou, Ancient site of Palaepaphos staff
Ελληνική Τράπεζα, Τζένη Σολωμονίδου και Στέφανη Θεοχάρους
Hellenic Bank, Jenny Solomonidou and Stefani Theocharous
Μουσειόν Χαρακτικής Χαμπή / Hambis Printmaking Museum
Aneta Ozorek
Ερικ Σαμοθράκη / Eric Samothrakis
Anna Ida Oroz & Tamas Patrovits
Eric Seguin - NFB
Igor Prassel
Mihai Mitrica & Ligia Soare
Vesna Dovnikovich (ASIFA Secretary General)
Vjera Matkovich
Gerben Schermer
Chris Robinsson
Arril Johnson
Τεχνολογικό Πανεπιστήμο Κύπρου / Cyprus University of Technology
Αλεξία Ηλιάδου Χατζηστεφάνου / Alexia Iliadou Hadjistefanou
Χριστίνα Κωνσταντίνου / Christina Constantinou
Χρίστο Αγιομαμίτη / Christo Ayiomamiti
Πανεπιστήμιο Λευκωσίας / Νicosia University
Γιάγκο Χαντζηγιάννη / Yiangos Handjigiannis
Μαρκέλλα Νεοκλέους / Markella Neokleous
Παναγιώτα Μιχαήλ / Panagiota Michael
Χριστίνα & Ηλία Ζήρα / Christina & Ilia Zira
Ευτυχία Αλευρά / Eftihia Alevra
Αντώνη Αντωνίου / Antoni Antoniou
Σαββίνα Γιαννάτου και το μουσικό της σχήμα Primavera en Salonico /
Savina Yannatou & Primavera en Salonico
Χριστίνα Παπακυριακού και Δημήτρης Σπύρου /
Dimitris Spyrou and Christina Papakyriakou
Olivier and Ileana - Two Little Chefs in a green Kitchen
Εθελοντές Φεστιβάλ / Festival Volunteers: Δημοσθένης Δημοσθένους / Demosthenis Demosthenous / Μυρτώ Θεοχαρίδου / Myrto Theocharidou / Αλεξάνδρα
Παμπούκα / Alexandra Pambouka / Ανδρέας Αυγουστή / Andreas Avgousti /
Βικτόρια Στυλιανού / Victoria Stylianou / Μαρία Θεοδοσίου / Maria Theodosiou /
Νικόλας Κυριάκου/ Nicolas Kyriakou / Ελένη Κυριάκου / Eleni Kyriacou / Στέφανος
Χρυσάνθου / Stefanos Chrysanthou / Ραφαέλα Μπακαλίδου / Rafaela Bakaliaou /
Ελένη Χανδριώτου / Eleni Chandriotou / Πολύμνια Τσιντή / Polymnia Tsinti.
Όλους τους σκηνοθέτες, διανομείς και δημιουργούς των ταινιών, καθώς και όλους
όσοι βοήθησαν με οποιονδήποτε τρόπο /
All the filmmamakers and film distributors. Αnd everyone who helped in any way.
ΕΝΤΥΠΑ - ΕΚΔOΣΕΙΣ ΦΕΣΤΙΒΑΛ /
FESTIVAL PRINTED MATERIAL - PUBLICATIONS
ΔΗΜΙΟΥΡΓΙΚO / CREATIVE:
Αφίσα / Poster: Kaspar Jancis
Λογότυπο Φεστιβάλ / Festival logo: Γιώργος Τσαγγάρης / Yiorgos Tsangaris
ΚΑΤΑΛΟΓΟΣ ΦΕΣΤΙΒΑΛ ΚΑΙ ΕΚΘΕΣΕΩΝ / FESTIVAL AND EXHIBITION CATALOGUE
Συντονισμός και επιμέλεια ύλης / Text editing & general Coordination:
Επιμέλεια και διορθώσεις ελληνικών κειμένων /
Editing and proof-reading of greek texts:
Μαγδαλένα Ζήρα / Magdalena Zira
Μετάφραση και επιμέλεια αγγλικών κειμένων /
Translation and editing of english texts:
Μαγδαλένα Ζήρα / Magdalena Zira
Σημείωμα για Piotr Dumala / Note on Piotr Dumala for Catalogue
Aneta Ozorek
Σημείωμα για Spela Cadez / Note on Špela Čadež for Catalogue
Igor Prassel
Καλλιτεχνική επιμέλεια και σχεδιασμός εκδόσεων /
Artistic direction and design of the editions:
Υλοποίηση ιστοσελίδας και διακίνηση ταινιών /
Web development and film traffic:
Κωσταντίνος Τερλικκάς / Constantinos Terlikas
Μεταξοτυπίες / Silkscreen Printing
Ελένη Παναγίδου / Eleni Panagidou
Ραφαέλα Μπακαλίδου / Rafaela Bakaliaou
Εκτύπωση / Printing: Cassoulides Masterprinters

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