the centaur`s kitchen
Transcription
the centaur`s kitchen
THE CENTAUR’S KITCHEN A Blue Funnel Line postcard of TSMV Centaur, from a painting by Laurence Dunn. THE CENTAUR’S KITCHEN a book of french, italian, greek & catalan dishes for ships’ cooks on the blue funnel line by PATIENCE GRAY with illustrations by MIRANDA GRAY prospect books 2009 First published in this form in Great Britain in 2009 by Prospect Books, Allaleigh House, Blackawton, Totnes, Devon TQ9 7DL. A hardback edition was published by Prospect Books in 2005. Copyright text © 2005, 2009, the estate of Patience Gray. Copyright foreword © 2005, 2009, Tom Jaine. Copyright illustrations © 2005, 2009, Miranda Gray. The authors and illustrator assert their moral right to be identified as authors and illustrator in accordance with the Copyright, Designs & Patents Act 1988. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright holders. The text is set in Hoefler Text. Typesetting and design by Tom Jaine. ISBN 978-1-903018-73-6 Printed and bound in Great Britain by the Cromwell Press Group, Trowbridge. TABLE OF CONTENTS Foreword, Tom Jaine 13 Introduction 23 Batterie de cuisine 31 Hors d’œuvre and salads Vinaigrette Anchovy dressing Cream dressing Mayonnaise Avocado sauce Salsa verde Sauce remoulade Aubergine salad Celeriac mayonnaise Haricot beans Stuffed bacon rolls Stuffed vine leaves Vegetables cooked à la grecque Leeks à la grecque White cabbage mayonnaise Beetroot in burgundy Cucumber salad (1), (2), (3) Pimento salad Potato salad à la mayonnaise Potato salad à la vinaigrette Rice and tomato salad Salt cod salad Tomato salad à la catalane Chicken liver pâté Hare pâtés the centaur’s kitchen 35 35 36 37 37 39 39 40 41 41 42 43 43 45 46 46 47 48 49 50 50 50 50 51 53 55 7 Pâté of smoked cod’s roe Tunnyfish pâté 56 56 Soups Basic beef stock Chilled clear consommé Basic fish broth Bortsch Cherry soup Chilled creamy soups Greek fish soup Leek soup Minestrone alla Genovese Mulligatawny soup Prawn soup Spinach soup (Italian) Tomato soup 57 60 61 62 63 63 64 64 65 66 67 68 69 70 Potato and vegetable dishes Italian whipped potatoes Potatoes à la dauphinoise My simplified version of pommes dauphinoises Potatoes à la savoyarde Cucumber with cream Egg plant Gratin of tomatoes alla parmigiana Gratin of mushrooms alla parmigiana Leeks alla salza bianca Leeks cooked in the oven Okra and potatoes Spinach à la catalane 71 73 73 75 76 76 77 79 79 81 81 81 82 Fish How to poach fish Court-bouillon for poaching fish 83 85 85 8 the centaur’s kitchen Greek fish soup Fillets of sole aux tomates Haddock in Madeira Matelote of eels Neapolitan method of serving poached fish Oysters Plaice Rainbow trout baked in foil Red mullet in white wine sauce Salmon trout A Venetian method of baking fish Salt cod à la catalane Tunnyfish à la bonne femme Turbot à la crème Meat, poultry and game Daube of beef à la provençale Beef rolls Ox tongue with cherry sauce Ham cooked in cider Calves’ liver sauté Rolled loin of veal (1) Rolled loin of veal (2) Veal goulash Le coq au vin Roast chicken Chicken sauté Chicken à la crème Chicken sauté fines herbes Chicken sauté au basilic Chicken sauté ‘Castelpoggio’ Paprika chicken Civet of hare Roast saddle of hare ‘bourguignon’ the centaur’s kitchen 87 88 89 89 90 90 90 91 92 92 93 94 95 96 97 99 100 101 102 103 104 105 105 106 107 108 109 109 110 110 110 113 114 9 Sweets Apricots cooked in the oven Chocolate mousse Fools: apricot, apple, gooseberry Mantuan cake Melon filled with fruit Pears in red wine Salads of fresh fruit Open fruit tarts: apple, apricot, peach Summer pudding Water ices 10 115 117 117 118 119 120 120 121 122–123 123 124 the centaur’s kitchen FOREWORD P atience Gray, the author of this book, died at the age of 87 in March 2005, before she was able to review its production, correct its errors or contribute an explanatory foreword that would identify the participants in its genesis. She was a woman of manifold gifts and considerable energy and such an account would have been memorable, as was every other thing she wrote. Patience was much more than a writer or, less sententiously, not only a writer, but for the purposes of this foreword it is her books that will mostly occupy us. Her first, Plats du Jour, or Foreign Food appeared as a Penguin Handbook in 1957, being actually written in 1954–55 in collaboration with Primrose Boyd, with whom she had worked in the studio of the designer F.H.K. Henrion. Her second book, Honey from a Weed: Fasting and Feasting in Tuscany, Catalonia, the Cyclades and Apulia, was published (by Prospect Books) in 1986 and the success that it enjoyed was perhaps the spur to the rapid appearance of her third, Ring Doves and Snakes, from Macmillan, in 1989 although it was in fact composed in the 1960s, ‘when no-one wanted to print it’. Finally, there was Work Adventures Childhood Dreams, published in 1999 under her own guidance by Rolando Civilla at the Levante Arti Grafiche in Presicce, the small town in the Salento on the heel of Italy nearest to the Masseria Spigolizzi, the centaur’s kitchen 13 Patience Gray’s kitchen at La Barozza, near Carrara, 1963. 14 the centaur’s kitchen where she had settled with her sculptor (and later husband) Norman Mommens in the early 1970s. There is, of course, an omission from this catalogue, the book now published. But it had never been printed at all, merely issued as a typescript to the personnel of its client-creator, the Blue Funnel Shipping Line in 1964. Its existence has never been in doubt, Patience refers to it in all her subsequent works, but I remarked when visiting her at Spigolizzi in 2004 that I had never seen the text. She produced it with a flourish from her substantial archive (which I and many another outsider might have thought muddled but which always produced the goods). It appeared then, and still today, that each page was perfect Patience: distilled, undiluted. I implored her permission to take it back to England, transcribe it, ask her daughter Miranda for allusive illustration, and then send it to the press. In the early 1960s Patience ran away to southern Europe with the artist and sculptor Norman Mommens. That Mills-andBoon-like statement needs a million qualifications but it does allow us to make the jump from Patience Gray, the mother of two, a denizen of Hampstead and north London, until recently looking after the women’s page of the Observer newspaper in London, and a freelance designer and journalist, to Patience Gray, a maker of jewellery, living among sculptors, artists and quarrymen in Carrara. For those who wish to muse on those qualifications, Work Adventures Childhood Dreams is essential: it is a complex self-portrait of a remarkable woman. The quest of the sculptor for different sites and stones led the couple to plan the expedition to Naxos in the Greek Cyclades in 1963. They were not rich; paying commissions were not just welcome, they ensured survival. Two such, both literary, financed their year-long stay on the island. The first was this book; the second was one for children, Baldur the Car Basher, written and illustrated by Norman for a firm in Rotterdam. Patience described their situation in Ring Doves and Snakes: the centaur’s kitchen 15 We went for marble. We were for another kind of life. The things were packed, what we thought we’d need, marble tools, a sheet of railway glass for monotypes, Catesby’s linoleum [for lino-cuts], engraving tools, rugs, plates, a copper pan, cups, bedrolls, paper, handmade and Japanese, ink black and ink Gestetner, candles, a peppermill, working clothes, some decent clothes, portable Olivetti, spare plugs, pen-nibs, Robert Graves and other indispensables; Racine, because on an island one might need him, and reference works for when I start to write a book of advice to Chinese cooks, plying their course between the Antipodes and Singapore, a sterling prop to underpin the letter of credit, made out and addressed to bankers of the world to honour it. The Holt family’s Ocean Steam Ship Company, called the Blue Funnel Line, founded by the engineer Alfred Holt and his brother Philip in 1865, was based in Liverpool. Its two trademarks – the blue funnels and the invariably classical names of the ships themselves – seem both the product of happenstance. The blue funnels arose from barrels of paint of this colour being left on the deck of the very first vessel with which the family was involved. They had been used to paint a thin blue line round the hull of the vessel, ‘ a mark of respect’ for the lately-dead previous owner. Economy decreed they should be used in the refurbishment that followed. The classical names were sign that the brothers recognized ‘they were setting out on the greatest adventure of their lives,’ inspired, you might say, by Homer’s Odyssey. Their first three ships were Agamemnon, Ajax and Achilles. Later, the fleet was to include Agapenor, Autolycus, Laertes, Polyphemus, Eurymedon, Telemachus and many others including, of course, Centaur. To the outsider, there were several singular characteristics to the Blue Funnel Line beyond colour and nomenclature. First, it was a family firm which insisted its members should be 16 the centaur’s kitchen engaged and intelligent. It did not quite fall victim to the threegeneration cycle of ‘up, down and out’ provoked by faulty genes, although after little more than a century the original concept was fatally wounded and Blue Funnel was no more. Second, its engineering prowess was great. The founder Alfred Holt was by training a marine engineer. Blue Funnel ships, therefore, were built to the highest specification. Technical innovation allowed them to break into the China trade – their commercial bedrock. Third, many of their ships from the 1920s onwards combined passenger and cargo operations. While the China trade had been the foundation of Blue Funnel’s fortunes, the line had expanded into many other zones: they took emigrants to Australia and pilgrims to Mecca; traded throughout south-east Asia; ran to the United States, through the Panama Canal and beyond. Centaur was herself a passenger and cargo vessel. Plying between Fremantle in Western Australia and Singapore, she took 4,500 sheep in the hold and 190 passengers above decks. It was the link between Liverpool and China at the start of Blue Funnel’s history that lay behind the arrival of the first Chinese immigrants in the Lancashire port. Sailors who had manned Alfred Holt’s initial voyages decided to settle near the docks rather than returning home. By 1871, there were 200 Chinese in the town, many living in boarding houses provided by the Ocean Steam Ship Company. Blue Funnel’s reliance on Chinese crew continued for decades, a signal factor in Liverpool’s Chinatown being among Britain’s best and earliest. The friendly connection between the Holt company and its employees was enshrined in a rhyme that went, ‘Paint my funnels tall and blue, and make sure you look after my Chinese crew.’ Relations between the two communities were marred after the Second World War with the forcible and sudden repatriation of many Chinese sailors by the Home Office. On Blue Funnel ships, however, particularly those operating in Asian waters, the crews remained Chinese, including, of course, the cooks. the centaur’s kitchen 17 ‘Resurrection’, carved by Norman Mommens, at Spigolizzi. 18 the centaur’s kitchen At the outbreak of the Second World War, the Blue Funnel fleet numbered 77 vessels, of which only 36 remained in 1945. Many new ones were commissioned to return to strength and the last under the old regime (there was to be considerable change and reorganization from 1966) was TSMV (Twin-Screw Motor Vessel) Centaur. She was built by John Brown & Co. of Clydebank in 1963, measured 481 feet and had a gross tonnage of 8,262 (these facts and more come from Ships in Focus: Blue Funnel Line by John Clarkson, Bill Harvey and Roy Fenton). As I mentioned, she carried 190 passengers and many, many sheep (or 700 cattle) from Fremantle to Singapore, presumably for the halal meat trade. She sailed out of Liverpool to commence service in January 1964. The name Centaur had a proud yet tragic history. Our Centaur’s predecessor, a cargo liner too, was built at Greenock in 1924 and also made the trip between Singapore and Australia. Come the war, she was requisitioned by the British, being passed to the Australians in 1943. Shortly after that, in service as a hospital ship, she was running from Sydney to Cairns and thence to New Guinea. Off Brisbane, she was torpedoed by a Japanese submarine and most souls were lost. The new Centaur was a fine vessel, as can be seen from her postcard portrait, but quite why she should have been privileged with this remarkable set of culinary instructions (remarkable for the South Seas at least) cannot be precisely reconstructed. A close friend of Patience in the ’50s, and for many years after that, was Ariane Nisberg (now Castaing). They both worked as journalists, for instance on House & Garden magazine, and Mrs Castaing was to earn honourable mention in the acknowledgements to Honey from a Weed for ‘bracing criticism some years ago [which] spurred me to fresh exertions’. Mrs Castaing was also a friend of Ronnie Swaine (later Sir Ronnie), a colleague of the Holt family, and later chairman of Overseas Containers Ltd, by which the firm of Alfred Holt & Co. was absorbed in 1967. He had been mightily impressed by Plats du Jour the centaur’s kitchen 19 and asked Mrs Castaing to introduce him to Patience. They got on extremely well and it is from this connection that stemmed the commission to write a full set of recipes for the Chinese cooks of the glorious new addition to the Blue Funnel fleet. The text was called ‘A Book of French, Italian, Greek & Catalan Dishes for Blue Funnel Ships’. I have taken a small liberty with this in the present sub-title and have had no qualms about naming it for Centaur. When first I heard of it, I had imagined it was a set of recipes distributed throughout the fleet, but a short acquaintance makes plain that it was written with Centaur in mind. If for no other reason, look at the recipe for Paprika chicken. Patience notes, ‘As I have evolved this way of cooking a chicken myself, and it has met with approval, this might well be the chicken recipe to name chicken centaur. A request for such a recipe came to me from the Chief Super intendent.’ She had, in fact, done quite a lot of homework before her exile on Naxos. The text is peppered with remarks on the state of play in the galley, on the normal stores available to the chefs, and most significantly, on the size of party for which everything is cooked. A note at the beginning reads, ‘the recipes in this book are calculated to serve 8 passengers,’ a small but necessary detail. Although there was much of the ‘artist’ in Patience, that character with which we so irritatingly stereotype the creative or unfamiliar, she was also devastatingly practical. Another misapprehension that I needed swiftly to discard was that this text was a mere abbreviated rerun of Plats du Jour. There is certainly a common tone and approach, but the recipes are not repeats. It is indeed that approach, short of hectoring but indubitably firm, that makes it so delicious. The idea of an English writer instructing Chinese cooks in the proper manner of cooking civet of hare as they steam at 20 knots through tropic seas is somehow piquant. For our part, however, as modern readers and cooks ourselves, the unabashed good taste of the recipes, the profound common sense of the recommendations, are reasons enough to rejoice in the work. 20 the centaur’s kitchen What I present here is very nearly an exact transcription of the original typescript. A few corrections have been made, some pettifogging editorial decisions enacted for the sake of consistency, but nothing to change Patience’s prose and expression. The big alteration has been to include the handsome illustrations by Miranda Gray, Patience’s daughter. These reflect the classical themes of the Blue Funnel Line’s own ships, or they bring us closer to Patience’s life with Norman on Mediterranean shores. In any event they bring lustre to an already luminous text. I am most grateful to Nicolas Gray and Maggie Armstrong for their hospitality and support at Spigolizzi when visiting Patience; to Miranda Gray; and to Mrs Ariane Castaing for the light she shed on the inception of the book. Tom Jaine. the centaur’s kitchen 21 NOTE where not otherwise specified, the recipes in this book are calculated to serve 22 8 passengers. the centaur’s kitchen INTRODUCTION Olive jars in Patience Gray’s kitchen. the centaur’s kitchen 23 M any of the ingredients required to achieve the recipes in this book will be normal ship’s stores. But the book also contains certain items which may have to be specially ordered. oil . There is, for instance, a considerable emphasis on olive oil, not only in the Hors d’oeuvre and Salad section used for salad dressings, but throughout the book as a cooking medium for vegetable, fish and meat dishes. One could say that olive oil is the very basis of cooking in Mediterranean countries. The oil I buy in Greece is remarkably good for salads and for cooking. It tastes of olives, is greenish-gold in colour and costs 18 drachmas a litre which is 4s. 6d. The price of oil in England has risen steeply recently, partly because a bad winter has ruined many crops and the Spaniards in particular have raised the price of their excellent oil to make up for this. I strongly recommend an attempt to buy Greek oil at its source en route for Fremantle. If it is thought expedient to substitute vegetable oil in preparing these dishes in the name of economy, already one of their basic and most characteristic �avours will be lost. butter. I have made no extravagant recommendation in the use of butter, but I would like to remind chefs that only unsalted butter should be used in sauté-ing or cooking fish in the oven. Salted butter inevitably burns in the pan. And nor do I think in any circumstances that margarine can be substituted in these recipes for butter. salt. There is a considerable emphasis here on the use of coarse salt. In my opinion the use of refined salt is to be entirely ignored in cooking. I am not going to enlarge on the virtues of sea salt 24 the centaur’s kitchen (gros sel) which is normally used in France both for cooking and at table, and which has a far greater pungency (and higher iodine content) than rock salt. But I do recommend the use of unrefined rock salt in the galley. pepper. I constantly stress the use of freshly ground pepper. The powdered pepper which appears on every restaurant table is far too strong. Peppercorns require a pepper mill, this at least should be commonplace in the galley. vinegar. I must say again that the use of malt vinegar should be abandoned once and for all on board ship. It is far too strong. French and Italian wine vinegar is good. Italian is cheaper. Red wine and white wine vinegar are both required, and tarragon vinegar is sometimes stipulated. herbs, fresh and dried. I am concerned about the question of fresh herbs, which seem unlikely, even when obtainable, to retain their freshness in the steamy atmosphere of the galley. Basil, I note, is included in the ship’s list of available herbs. This lasts at least a week in water, even in a hot climate, if kept in a cool place. Fresh parsley means fresh, not wilted, parsley, and this applies to all fresh herbs. Herbs in dried form, including basil, chervil, fennel, marjoram, tarragon, thyme are best produced from an Italian importer, because herbs grown in the Mediterranean have seven times the taste and pungency compared with those grown and dried, however professionally, in English herb farms. parmesan cheese. Parmesan is a cheese which, when young, is an excellent eating cheese, but it is more economical to buy the mature cheese which is hard as a rock and grates very fine. The addition of only a tablespoon of Parmesan to, say, a purée of potatoes or two tablespoons to a gratin of tomatoes makes the world of the centaur’s kitchen 25 difference. A minestrone without grated Parmesan served at table is unthinkable, and the Genoese preparation pesto does not exist without it. salt pork. Salt breast of pork occurs in several meat recipes as the foundation for the braise. A supply of this should be available. The pork needs to be steeped in brine for at least a week. This is specifically required because it is an excellent and economical browning medium and because it imparts a particular unctuous quality to the sauce which can be provided by nothing else. lemons. In some of the fish, soup and sweet recipes lemons frequently occur. The juice of a freshly cut lemon is always preferable to the lemon essence which is often used in kitchens as a substitute. vanilla sugar. Fresh vanilla pods are required to make vanilla sugar, which is simply done by inserting a fresh pod in a two pound jar of castor sugar and keeping the jar closed. pine kernels (pinoli) and pistachio nuts. Pine kernels are imported from Italy; they are expensive, about 11s. a lb, but the flavour they impart when used in small quantities, for instance in making Stuffed Vine Leaves (Dolmádes), in the Catalan method of cooking spinach, and in the Mantuan cake, justify the expense. Pistachio nuts are also dear, they cost £1 per kilo in Athens. But the one dish of roast veal where I recommend their use is worth it. tinned food. I am as a rule predisposed against tinned goods. There are however a few invaluable exceptions. Italian tinned tomatoes and tomato purée (Cirio is the biggest supplier) somehow manage to retain the flavour of fresh picked fruit. Tuna fish in oil, Spanish and Italian brands, is a far better product than 26 the centaur’s kitchen tinned salmon. Filleted anchovies in olive oil have several uses. Tinned roasted pimentos in olive oil are also mentioned, as are tinned morello cherries. onions and shallots. Several of the recipes in this book contain the mention of sweet white onions grown in Mediterranean countries. These are far less sharp than English onions. If these are unobtainable, I recommend the use of Breton onions which are mild, imported from Roscoff. Nowadays it is quite difficult to obtain either shallots or the small variety of onion which in England seemed only to be used in autumn for pickling. These are required for inclusion in several meat and chicken recipes. wine. Quite a number of the meat and fish dishes require the use of wine. I do not consider any wine which is not fit to drink is fit to cook in. In a few recipes a wine of superior quality to mere drinkability is specified, the three that come to mind are the Matelote of eels, the Coq au vin, and the Bœuf en daube. Where white wine for cooking fish is concerned, a certain dryness is essential, or the resulting sauces will have a sweetish (undesirable) taste. Quantities of wine are measured in wine glasses. There are 6 wine glasses in a bottle (English), and 7 in a litre bottle. cognac. I have never been an enthusiast for indiscriminate use of cognac in cooking. The practice of setting light to things which have been soaked in brandy in front of the eyes of astonished guests always seems to be a kind of posh restaurant hocus pocus. Cognac does occur in a few of the recipes, in Paprika chicken for instance, in the Civet of hare, and in the Matelote of eels, where it has the specific function of removing a certain oiliness which attaches to eels. the centaur’s kitchen 27 fortified wines. I propose a recipe for fresh haddock which is cooked in Madeira, and mention port, sherry and Madeira to be used in moderation in chilled consommés. liqueur. Various liqueurs occur in the sweet section used in very small quantities, peach brandy, apricot brandy, kirsch, Anis (in the Mantuan Cake), Grand Marnier, Calvados. aluminium foil. This is required for cooking trout and red mullet ‘en papillote’, i.e. wrapped in buttered foil and baked in the oven, for wrapping salmon trout for baking, and for shielding roasting chickens. oven temperatures. I have nowhere specified exact oven temperatures, relying on the experience of the chef who will know the precise performance of his ovens when roasting, baking, for gratin dishes and casseroling, or braising. I use the terms very hot, hot, fairly hot, moderate and low. A low oven temperature is between 280 and 320º F. A moderate oven temperature is between 320 and 370º F. A fairly hot oven temperature is between 370 and 400º F. A hot oven temperature is between 400 and 440º F. A very hot oven temperature is between 440 and 480º F. There is nothing in this book that I have not cooked at some time in the last few years. If it seems that I am making too precise demands on the chef who has to prepare food for not 8, but 100 or 200 people, I can only say that the dish as described, with its specific ingredients and precise method of preparing them, is the only one to achieve the described result. If ingredients are changed or modified and the method diverged 28 the centaur’s kitchen from, the dish will inevitably emerge as something else. I can only hope that the book, in which I have put a great deal of thought, effort and research and which is the outcome of living and cooking abroad in France, Italy, Greece and Spain, will be an inspiration to the Blue Funnel chefs. While I was preparing it, it struck me that only a person who really loves their fellowmen is capable of taking the endless pains and paying the attention which the preparation of food requires, if it is each time to be appetizing, perfectly cooked, delicious. I thought how I, faced with the prospect of twice daily satisfying the appetites of one or two hundred strangers, might after a week at sea, flag in my endeavour towards perfection. Because, in cooking, perfection is what one is always aiming at, even if only a dish of potatoes and a poached fish are in question. If the ship is to acquire a real reputation for good food it can only emerge from scrupulous attention to detail. the centaur’s kitchen 29 30 the centaur’s kitchen BATTERIE DE CUISINE I understand that the batterie de cuisine of S.S. Centaur consists of stainless steel. This is an enormous improvement on aluminium for stockpots, boiling vegetables, etc., but it may have to be supplemented with some other types of vessel in order to achieve some of the dishes in this book. braising pans. Ideally, covered braising pans should be made of fairly heavy copper lined with tin. This type of pan is capable of standing the fierce heat which is applied at the beginning when browning the braise, and when the prolonged simmering phase completes the cooking copper holds the heat so well that simmering can proceed steadily with very little applied heat. Failing copper, enamelled cast-iron pans are the next best thing for braising. hard porcelain ovenware is practically unbreakable and far better for baking fish in the oven than any kind of metal, particularly with recipes which involve the use of wine and cream. I also recommend in the meat section the use of hard porcelain ovenware for roasting specially dressed joints such as Rolled loin of veal. These produce a delicious meat glaze which easily burns in a metal pan. fairly deep earthenware casseroles are required for cooking some of the potato recipes in this book, and those for haricot beans. shallow earthenware cocottes are needed for my simplified version of Pommes dauphinoises. Stainless steel is not suitable for oven dishes which contain milk or cream. is required for pounding various ingredients, for which there is no known substitute. a mortar the centaur’s kitchen 31 salad bowls. The effective way of making salad dressings is in the capacious wooden bowl in which the salad should be served. chinese hard glaze earthenware plates which are manufac tured in Hong Kong (and imported by the Chinese Emporium, Rupert Street, Soho) are the perfect dishes in which to serve the Greek fish soup and the Matelote of eels, and various fish dishes such as Turbot à la crème. They should be obtainable out there for next to nothing. In Soho they cost 1s. 9d. the universal slicer is the name of the adjustable slicer which is required to shave potatoes paper thin for the simplified version of Pommes dauphinoises and for Cucumber salad recipes. braising pan for ham. There should be a pan either of tin-lined copper or enamelled cast-iron which is just large enough to contain a ham. terrines. Small earthenware or stoneware terrines are needed for the recipes for Hare pâté and Chicken liver pâté. pickling jars . Earthenware or stoneware pickling jars are required for pickling Beetroot in burgundy. In London, Madame Cadec, Greek Street, Soho is the best authority on copper, hard porcelain and earthenware utensils. 32 the centaur’s kitchen HORS D’ŒUVRE AND SALADS The Naxian sphinx at Delphi guarding a caduceus, the wand of Hermes, messenger of the gods. hors d’œuvre and salads 33 Vinaigrette Anchovy dressing Cream dressing Mayonnaise Avocado sauce Salsa verde Sauce remoulade Salad dressings Three useful sauces Hors d’œuvre Aubergine salad Celeriac mayonnaise Haricot beans Stuffed bacon rolls Stuffed vine leaves Vegetables cooked à la grecque Leeks à la grecque White cabbage mayonnaise Beetroot in burgundy Cucumber salad (1), (2), (3) Pimento salad Potato salad à la mayonnaise Potato salad à la vinaigrette Rice and tomato salad Salt cod salad Tomato salad à la catalane Chicken liver pâtés Hare pâtés Pâté of smoked cod’s roe Tunnyfish pâté 34 Salads Pâtés the centaur’s kitchen T he idea of hors d’œuvre is not so much to titivate the eye as to stimulate or sharpen the appetite. These preparations should not only look appetizing, they should have piquancy. Salads, like hors d’œuvre, are too often regarded as merely a decorative and colourful addition to a meal. Their true function is to refresh the palate after some substantial dish of meat or fish. This is more than ever the case in a hot climate. It is essential to prepare appetizing hors d’œuvre and salads with first-class ingredients. Green salads should be well dressed and served adequately in a wooden salad bowl for six or eight people. It is only in a bowl of some capacity that a salad can be properly turned, this is a detail which is constantly overlooked. Green salads must only be dressed at the moment of serving. Raw salads should be given time to imbibe the dressing. This also applies to cooked vegetable salads which are best served in porcelain or earthenware dishes. The hors d’œuvre and salads proposed here are intended for a table of six or eight people. Their use, as a first dish, as an accompaniment to certain meat or fish dishes, or following the meat or fish course, is indicated. SALAD DRESSINGS First it is necessary to draw attention to a few basic salad dressings. They only require excellence in their ingredients, a nice sense of proportion in their use. Vinaigrette The basic dressing for green salads is vinaigrette, in which good olive oil, wine vinegar, salt and ground pepper are employed. hors d’œuvre and salads 35 Half a garlic clove is sometimes crushed in the salt and rubbed round the salad bowl before the other ingredients are added. To season a green salad for six or eight people put half a teaspoon of coarse salt in the bottom of a wooden salad bowl, grind on some pepper, stir in two tablespoons of olive oil, and a thread of wine vinegar. Malt vinegar should never be used; it is too strong. The salad is washed, dried, put in on top of the dressing, and only mixed, i.e. turned about in the dressing, at the moment it is to be served. Otherwise the salad gets limp and bruised immediately. Good for lettuce, endive, chicory, cucumber, watercress. Vegetables which have already been cooked such as artichoke hearts, broad beans, haricots verts, white or red haricot beans can also be dressed with vinaigrette and served as an hors d’œuvre. The taste of such vegetable salads is improved if the dressing is applied while the vegetables are hot. When fresh herbs such as parsley, thyme, marjoram, chives and onion sprouts are available they can be chopped and added. They very much enhance the taste. Failing herbs, one or two finely hashed shallots can be used. Anchovy dressing Vinaigrette dressing can be varied sometimes by taking two anchovy fillets, pounding them in the salad bowl, and then proceeding with the application of olive oil, pepper and wine vinegar. Very little, if any, salt is used. A squeeze of garlic improves this dressing. Anchovy dressing is particularly good for a salad of raw celery hearts, curly endive, grated celeriac, and cooked salads such as haricot beans. It is also recommended for dressing a green salad when served with boiled ox tongue. 36 the centaur’s kitchen Cream dressing Mix four or five tablespoons of cream with a teaspoon of lemon juice. Add salt and pepper. For cooked broad beans, raw salads of cos and cabbage lettuce, cucumber. Mayonnaise Mayonnaise is an invaluable sauce whose excellence depends on the freshness of the egg yolks and quality of the olive oil employed. A variety of accent derives from the use of wine vinegar, lemon juice, mustard and garlic in its preparation. Carefully separate two egg yolks and put them in a bowl with a pinch of salt, a little pepper and the juice of half a lemon (or a thread of wine vinegar). Stir with a wooden spoon and begin adding drop by drop the olive oil, stirring continuously in the same direction. Two egg yolks are capable of absorbing about a pint of oil. To prevent the sauce becoming too thick, a few drops of water should be added once or twice, without interrupting the stirring, and the juice of half a lemon (or a little more wine vinegar). As the sauce proceeds the oil can be added in a thin thread, rather than drop by drop. If by some misfortune the sauce separates, it can be restored by beginning again with another egg yolk in a clean basin, and transferring the separated mixture little by little into it. In a hot climate this can occur because the oil is too warm. The basin should be chilled before starting. If the mayonnaise is flavoured with garlic, a clove is crushed with salt in the basin before putting in the egg yolks. If mustard is to be incorporated a very little ready-made French mustard is incorporated with the egg yolks before applying the oil. This is a classic sauce to hors d’œuvre and salads 37 38 the centaur’s kitchen serve with salmon trout, turbot and other poached fish. As an hors d’œuvre it is used to dress hard-boiled eggs, for Celeriac mayonnaise, White cabbage mayonnaise and, thinned with a little milk, for Potato salad. THREE USEFUL SAUCES Avocado sauce Take the pulp of three ripe avocados, whip the pulp to a cream, add a little salt, a thread of wine vinegar, and enough oil to make it light and unctuous, similar to a light mayonnaise. For an hors d’œuvre, shrimps or prawns can be served in this sauce, which is much better than serving half an avocado pear with prawns perched in it, as sometimes occurs in restaurants. One should not prepare this sauce long in advance or it may discolour. Lemon or fresh lime juice can be substituted for the wine vinegar. (See Salmon trout with avocado sauce.) Sufficient for eight people. Salsa verde Chop the following ingredients as finely as possible: 1 dessertspoon of capers; 2 anchovy fillets; 1 shallot; 1 garlic clove. Put this into a sauce-boat and add to it a tablespoon of finely hashed parsley and basil. Dilute with 3 tablespoons of good olive oil, and the juice of a lemon. This is an excellent accompaniment for cold roast beef, hot boiled beef, cold boiled chicken, cold veal, and any fish on the tasteless side. hors d’œuvre and salads 39 Sauce remoulade Crush 3 yolks of hard-boiled eggs to paste with a few drops of wine vinegar, add salt, pepper, and stir in enough olive oil to make a fairly thick creamy sauce, say ¹⁄₄ pint oil. Stir in some freshly chopped herbs, a few capers and a chopped sweet gherkin. When fresh parsley and chives are not available, use a finely minced shallot. This is good for curly endive, raw celery hearts, chicory. Also excellent served with poached fish. The texture of the sauce is improved if the egg yolks are only soft-boiled. In this case the whites can be chopped and put in the sauce. 40 the centaur’s kitchen HORS D’ŒUVRE Aubergine salad This is a Greek hors d’œuvre. For eight people you need: 4 aubergines; 4 finely chopped shallots; salt; black pepper; 2 tablespoons olive oil; half a lemon. Bake 4 aubergines in their skins in the top of a moderate oven (like baked potatoes). When they are soft, cut them in half, scoop out the pulp and discard the skins. Mash the pulp in a bowl with 4 finely chopped shallots, a little salt, and pepper. Blend in the oil and lemon juice. Chill this purée, and serve as an hors d’œuvre with very crisp toast, rye bread or wine biscuits. It has a very delicate flavour. Do not put the purée on the toast or biscuit beforehand or it will go soggy. Celeriac mayonnaise Céléri-rave à la mayonnaise This is a favourite hors d ’œuvre in Paris bistros. Celeriac is a variety of celery with a large edible root. In England it is available throughout the winter and stores well. One large celeriac root; 8 oz mayonnaise (see Mayonnaise); a lemon; salt; pepper; squeeze of garlic; chopped parsley. Make the mayonnaise in advance, using lemon juice rather than wine vinegar. Pare the hard brown outer part of the celeriac root and excrescences. Cut into four, and roughly grate into a bowl. Squeeze some lemon juice over the contents of the bowl while doing this, otherwise the celeriac tends to discolour. Sprinkle with salt. Squeeze the rest of the lemon into the mayonnaise and a pressed clove of garlic. Pour the mayonnaise over the celeriac and mix with a wooden spoon, sprinkle with chopped parsley, and chill. hors d’œuvre and salads 41 Haricot beans White haricot beans make a good hors d’œuvre if given some flavour while cooking. They can be dressed à la vinaigrette and served with tuna fish, black olives, and, for instance, Leeks à la grecque. ¹/₂ lb haricot beans; a bacon bone; garlic clove; a few peppercorns; one bayleaf. Soak the beans for at least 12 hours. Drain and cook them in salted water with a bacon bone, a garlic clove, a bayleaf and a few peppercorns. Simmer for one hour. Drain and dress while hot with a vinaigrette dressing and chopped parsley or, also good, with an anchovy dressing. Red haricots, Italian marbled beans and brown beans all require rather more cooking. They can be soaked and preliminarily cooked like white haricots. Then an aromatic concoction should be prepared in which they can simmer slowly for another hour or so. Melt two or three finely sliced onions in a pan in a little olive oil, empty into it the contents of a ¹⁄₂-pint tin of Italian peeled tomatoes, add salt and a bouquet garni. Pour in two glasses of red wine and a dash of wine vinegar. Put in the beans, add a very little of their cooking liquor and cook very slowly. Add a little more oil, when they are cooked, and serve cold with raw celery hearts à la vinaigrette, sliced root fennel (finocchio) à la vinaigrette, tuna fish, or a Salad of salt cod. All beans cook better in earthenware because it is a slow heat conductor. In stainless steel, they tend to break and dry up very easily. Enamelled iron pots are quite good. 42 the centaur’s kitchen Stuffed bacon rolls The same stuffing as for Stuffed Vine Leaves q.v., can be used to make an appetizing hot hors d’œuvre. Little portions of stuffing are rolled up in pared slices of good back bacon. These are sprinkled with thyme and cooked in a fairly hot oven for about 25 minutes, until the bacon is nicely crisp. These stuffed bacon rolls are an excellent accompaniment to Calves’ liver sauté, which then constitutes a main dish. Stuffed vine leaves Dolmádes Stuffed vine leaves make a delicate hot or cold hors d’œuvre. The stuffing is composed of boiled rice, onion, herbs, pine kernels and minced chicken livers or minced lean lamb. Small handfuls of stuffing are placed on blanched vine leaves, which are then made into neat little ‘parcels’ by folding and pressing in the palm of the hand. The dolmádes are put in a sauté-pan with a little stock and olive oil and simmered for 20 minutes. The sauce is thickened with egg yolks and lemon juice, and poured over the dolmádes which are very good hot or cold. For eight people: 24 vine leaves (from Cyprian suppliers in large tins); 1 onion chopped and softened in butter, but not browned; ¹/₂ lb boiled rice moistened while hot with a little olive oil; 4 oz chicken livers (sautéd for a moment in butter, then chopped); 2 tablespoons chopped parsley, thyme and celery tops; 1 tablespoon of pine kernels; salt and pepper; 2 egg yolks; juice of a lemon; beef or chicken stock to cover; tablespoon olive oil. Blanch the vine leaves for five minutes in boiling water, rinse in cold water and lay them out flat. Mix the chop ped onion, boiled rice, sautéd chicken livers, herbs, pine hors d’œuvre and salads 43 Folding a vine leaf for dolmádes. 44 the centaur’s kitchen kernels, and season. Place a little mound of stuffing on each leaf. Fold the leaves round the stuffing to make neat little parcels, they should be about 2 inches long, and ³⁄₄ inch wide and high. Give each a little squeeze and put them in a shallow sauté pan, tightly packed. Sprinkle with a little oil and lemon juice and cover with a good beef or chicken stock. Simmer very gently for about 20 minutes. Remove the dolmádes into a dish and pour the liquor in which they have cooked onto the beaten yolks of two eggs thinned with a little lemon juice. Stir till this thickens a little and pour over the dolmádes. The sauce should not be heated up or it may curdle. (The best dolmádes I ever made were cooked in some still champagne.) Vegetables cooked à la grecque The classical way of cooking vegetables à la grecque, for instance, cauliflower florets, celery hearts, young artichoke hearts, root fennel (finocchio), tender white mushrooms, small pickling onions, leeks, is to prepare an aromatic court-bouillon consisting of: three parts water to one part olive oil, with lemon juice, salt, coriander seeds, peppercorns and a bouquet garni of parsley, thyme, fennel, celery, bayleaf. The liquor is boiled for five minutes, the selected vegetable is thrown in and cooked rapidly till tender. The vegetable is then strained, set on a dish and served with a little of the reduced cooking liquor, garnished with chopped parsley, cold as an hors d’œuvre. hors d’œuvre and salads 45 Leeks à la grecque Use the white part of 24 leeks. (The green part can be finely chopped for use as a soup garnish.) Prepare the cooking liquor with: ³/₄ pint water; ¹/₄ pint olive oil; juice of one lemon; 10 coriander seeds; 10 peppercorns; a tied bunch of parsley, thyme, celery top, bayleaf. Boil the cooking liquor for 5 minutes to extract the flavours. Put the cleaned leeks into a shallow sauté-pan, strain the infusion over them, and boil rapidly till tender without a lid. In this way the liquor reduces considerably. Use some of it to lubricate the leeks, which should be well chilled before serving. Fresh cauliflower should be separated into neat little florets. Cook for 8 minutes. Celery hearts must be trimmed, quartered and cooked for 15 minutes. Cucumbers should be peeled, quartered lengthwise, and cut into two-inch lengths. Cook for 8 minutes. Mushrooms when small and fresh can be cooked whole with only the stalk removed. Larger mushrooms can be sliced. Cook for 10�15 minutes. Old mushrooms are absolutely no good. Pickling onions should be plunged in boiling water for a few moments, drained, plunged in cold water, peeled, and then cooked for 8 minutes in the cooking liquor. White cabbage mayonnaise The method of preparing Celeriac mayonnaise q.v. can be applied to the hard type of white cabbage, sometimes 46 the centaur’s kitchen called Dutch cabbage. The cabbage is stripped of its outer leaves and coarse ribs. If one is not particular about this the salad will be indigestible. Then it is very finely shredded and dressed with mayonnaise. It can be served as an hors d’œuvre with a garnish of black olives and sliced hard-boiled eggs. See Mayonnaise and Celeriac mayonnaise. SALADS Beetroot in burgundy Beetroot too often features as a colourful and tasteless vegetable which stains and soils a green salad. As it keeps well and is readily available it can be made into an appetizing accompaniment to cold meats, ham and chicken by pickling it in wine. But it must be prepared at least a fortnight in advance. Freshly boiled beetroots; 1 heaped tablespoon of Demerara sugar per beetroot; salt; ground black pepper; red wine; 1 wineglass of wine vinegar per jar; 2 lb pickling jars. Have ready some 2 lb stoneware pickling jars or glazed earthenware pots. When the beetroots are cool, rub off their skins, and slice them neatly and evenly across in ¹⁄₁₆-inch slices into a basin. Sprinkle the slices with a little salt, Demerara sugar, and ground pepper. Allow 1 heaped tablespoon of sugar per beetroot. Pack the sprinkled slices into the pickling jars, cover with red wine, and a tablespoon of wine vinegar for each jar. Cover with muslin or aluminium foil and store for at least a fortnight in a cool place. When the beetroot has been used up a fresh lot can replace it in the same liquor, topped up with more wine. When very small young beetroot are available, this pickling hors d’œuvre and salads 47 process is unnecessary. The freshly cooked little beetroot should be peeled and quartered while still warm, put in a deep dish, sprinkled with a little salt, ground pepper, Demerara sugar, a dash of wine vinegar and a little good olive oil. This makes a delicious chunky salad, with a good glistening colour. Be careful not to bruise the beetroot before cooking, or the colour drains into the cooking water. Cucumber salad There are three ways of making a good cucumber salad which is a suitable accompaniment to fish like turbot, halibut and salmon trout. 1. Wash but do not peel the cucumber. Slice it as finely as is humanly possible into a bowl. This can be done with a very finely set potato slicer. Sprinkle copiously with salt and leave for ¹⁄₂ an hour. Drain the liquor from the slices, and toss the cucumber in a little oil and tarragon vinegar. Chill before serving. 2. Wash and peel the cucumber. Cut it lengthwise into four segments, and chop these into pieces 3 inches long. Sprinkle with salt, leave for ¹⁄₂ an hour. Drain off the liquor, and dress as above. 3. Slice two large cucumbers paper thin, sprinkle with coarse salt. Leave for ¹⁄₂ an hour, drain. Then mix a teaspoonful of sugar, a teaspoon of tarragon vinegar, add a small cup of cream, ground pepper, a dash of salt. Stir in two tablespoons of olive oil and some chopped chives and pour this dressing over the cucumber. In each of these recipes the cucumber is first salted in order to extract the bitter juice that it contains. Coarse salt should be used. I believe that the reason why many English people find cucumber indigestible is because they do not bother first to extract the bitter juice. 48 the centaur’s kitchen Pimento salad This is an Italian speciality which can be served as an hors d’œuvre, or as a salad after a meat course. When available, green, red and yellow peppers should be used. 12 peppers, red, green and yellow; a garlic clove; a wineglass of oil; 1 onion; 4 tomatoes; 2 wineglasses red wine; 1 tablespoon wine vinegar; salt. Take 4 fine peppers of each colour, halve them lengthways, and remove the core and seeds. Put them in a large sauté-pan with a clove of garlic, a wineglass of olive oil, a large finely sliced onion and 4 tomatoes peeled and quartered. Put the pan on a moderate heat, sweat the peppers with the lid on for a few minutes until they soften, then add two wineglasses of red wine, a tablespoon of wine vinegar, a little salt, and replace the lid. Cook them slowly for 45 minutes. Then lay them out neatly on a flat dish, in three colour groups. If there is time, the thin outer skins should be rapidly peeled off. Grind a little black pepper over the dish, chill and serve. Sufficient for eight. When fresh peppers are not available a refreshing salad can be made of the tinned variety, which are already roasted and peeled. These can be cut into ¹⁄₂-inch strips and dressed with a simple vinaigrette dressing. Potato salad There are two ways of making potato salad to serve with cold meat or fish. For both methods it is essential to use firm waxy potatoes, or they crumble, and the dressing, either a thin mayonnaise or vinaigrette, must be applied while the potatoes are still hot, i.e. when they are capable of absorbing flavour. hors d’œuvre and salads 49 potato salad à la mayonnaise Scrub and boil 4 lb potatoes. When they are only just cooked, drain and peel them. Slice them neatly into a bowl, in ³⁄₈-inch slices, season with coarse salt and pepper and chopped chives or green onion sprouts. While they are still warm, pour over a ¹⁄₂ pint of mayonnaise thinned with a little milk, and mix carefully so that all the slices are coated with the dressing. Sprinkle with chopped parsley and chill. potato salad à la vinaigrette Scrub and boil 4 lb potatoes. When just tender, drain and peel them. Slice them neatly into a bowl while hot, season with coarse salt, pepper and sprinkle with a wineglass of white wine. Season with chopped chives (failing these, use three or four chopped shallots), and add ¹⁄₄ pint of vinaigrette dressing. Mix carefully and sprinkle with chopped parsley. Rice and tomato salad Boil 8 handfuls of rice in salt water, drain as soon as tender. Put the rice in a basin and while still hot stir in a ¹⁄₂ cupful of olive oil, a squeeze of garlic, very little tarragon vinegar, black pepper and a grate of nutmeg. Mix in some finely chopped celery, fresh basil leaves when available, and 8 tomatoes which have been peeled and quartered. Add 16 stoned black olives. Chill. This is a good hors d’œuvre to serve before fish. (For 6 to 8 people.) Salt cod salad Morue en salade The thin parts of salt cod which are unsuitable for deep frying (see Salt cod aux tomates), after de-salting, i.e. steeped for 12 hours 50 the centaur’s kitchen in cold water, are put in a shallow pan with cold water to cover, a bayleaf and some peppercorns, and brought very slowly to the boil. This is done gradually or the fish will be tough. As soon as the water boils, take it off the fire, strain off the liquor, and flake the fish, removing skin and bones carefully. Put the flaked fish while still hot in a dish, dress with olive oil, lemon juice and chopped parsley, turn about with a wooden spoon, and chill. Alternatively a not-too-thick garlic-flavoured mayonnaise can be used as the dressing. Serve this fish salad with a few black olives and Potato salad à la vinaigrette. Tomato salad à la catalane Salade de tomates à la catalane This salad is made with very large firm tomatoes of the Mediterranean type often more green than red, and large white Spanish onions, which are much less sharp in taste than, for instance, English onions. If Italian immigrants are cultivating Italian tomatoes in Australia, large and firm, they may well be growing this type of sweet white onion. The tomatoes are cut transversely into three thick slices, put on a large flat dish, and marjoram, pepper and one or two large onions, cut into very thin rounds, are distributed over them. Salt and a little olive oil is poured over them. This salad is always made just before the meal, or the tomatoes lose their crispness. It is often served with unfilleted anchovies in brine, which are well washed to remove the salt. hors d’œuvre and salads 51 Antipasto at Spigolizzi. 52 the centaur’s kitchen PÂTÉS Chicken liver pâté A pound of chicken livers will make sufficient pâté for four or five people. For each pound of chicken livers you need: 4 oz butter; 1 small glass of brandy; 1 small glass of sherry; black pepper; salt; a pinch of allspice and a pinch of powdered herbs (thyme, marjoram, basil). Melt 2 oz butter in a pan and very gently sauté the chicken livers for barely 3 minutes. They should still be pink inside. Remove them and add the glass of sherry and the glass of cognac to the juices in the pan. Cook for a few moments. Mash the livers to a fine paste with salt, pepper, spice and herbs, the squeezed juice of a garlic clove and the remaining 2 oz of butter. Add the liquor from the pan and put this composition into a small earthenware terrine. Chill. This would be an excellent thing to serve with toast melba before a Coq au vin. It is perfectly possible to use deep-frozen chicken livers, which are now available, for this pâté, provided they are given sufficient time to de-freeze. This can take as long as 5 to 6 hours at normal room temperature. If they are de-frozen by artificial means they lose all taste and are tough. hors d’œuvre and salads 53 Looking out from the terrace at Spigolizzi. 54 the centaur’s kitchen Hare pâté Pâté de lièvre When the saddles of a number of hares have been roasted, the rest of the hare meat can be used to make a pâté. Hare being a very dry animal, it needs quite a lot of fat bacon to lubricate it. For the remains of each hare the following ingredients are required. Half a bottle of red wine; 2 sliced onions; 2 garlic cloves; bayleaf; teaspoon of marjoram and thyme; salt and pepper; 1 ¹/₂ lb fat bacon cut in 1 inch squares; ¹/₂ lb fat bacon in slices; pinch of powdered mace; strip of orange zest; 1 liquor-glass of cognac. Joint the legs and shoulders of the hare, and put them in a pan with the bacon squares, the red wine, sliced onion, garlic and seasoning. Simmer on the stove for 45 minutes. Take out the meat, remove the bones, and put meat and bacon fat through the mincer. Season some more with marjoram, crushed garlic, black pepper and at this stage add more salt if necessary. Grate in a little orange zest and sprinkle on some powdered mace. Put a layer of the fat bacon slices in the bottom of a 1-pint capacity terrine (earthenware or stoneware) and put in the hare mixture. Sprinkle with cognac. Put more rashers on top and pour over the cooking liquor to reach nearly to the top. Cover the terrine with silver foil, and stand it in a pan of water in a low oven. Cook for nearly 2 hours. When cool cover with melted lard or clarified butter and store in the refrigerator. This is served as an hors d’œuvre with onions sliced thinly. hors d’œuvre and salads 55 Pâté of smoked cod’s roe A 1 ¹/₂ lb cod’s roe will make enough pâté for 6 or 8 people. The other ingredients are a lemon; 3 tablespoons of olive oil; ground pepper; four eggs chopped; parsley. Scrape the roe out of the membrane which contains it, and mash it in a bowl. Squeeze the juice of a lemon over it. Work in 3 tablespoons of olive oil. Add a little ground pepper. Spread this mixture about ¹⁄₂ inch thick on the bottom of a white porcelain fish dish. Grate on top of it the yolks of four hard-boiled eggs. Chop the whites finely and sprinkle on top. Finish with freshly chopped parsley and garnish with lemon segments. Serve the pâté with finely sliced packaged pumpernickel or Vollkornbrod (German rye bread). Tunnyfish pâté Pâté de thon 2 lb best tunny fish in olive oil (Italian brands are best, ventresca, breast of tunny); ¹/₂ wineglass wine vinegar; 4 eggs; 4 oz butter; salt; ground pepper; clove of garlic. Pound a garlic clove in a mortar, add the contents of the 2-lb tin of tunny fish and the oil in which it was tinned. Pound smooth, and add 4 oz of softened butter. Pour in a thread of wine vinegar, work in the raw yolk of four eggs, salt, ground pepper. When the preparation is quite smooth, fold in the egg white beaten very stiff. This should have a fairly solid consistency. It is dressed in the form of a raised mould, the exterior of which is decorated with slices of hard - boiled eggs, rolled anchovies, and the dish surrounded with small sweet gherkins and black olives. Chill and serve very cold with crisp toast. Sufficient for 16 people. 56 the centaur’s kitchen