Dias nummer 1
Transcription
Dias nummer 1
Event Date Speaker DFI WHO WE ARE Main objective stated in the National Film Act: to promote film art and film & cinema culture in Denmark • Government agency under Min. of Culture • New DFI founded 1997 – three into one: Danish Film Institute (feature films) National Film Board (shorts & docs) Danish Film Museum (archives) • Landmark in Danish film policy: 75% increase in government appropriations from 1999 DFI WHAT WE DO DFI handles all aspects of Danish film – economic, cultural and film educational • Support programmes for development, production and distribution of films • Teaching resources • Strategy and statistics • Venue for film events • Research library and national archives • Cinematheque FILM PRODUCTION SUPPORT Many ways to film support – to ensure variety, volume, quality and audience appeal in Danish film production • Moving images on all platforms: cinema, TV, computer, internet, mobile phone • From experimental and cutting edge to the broadly appealing • Focus on talent development and international collaboration FILM PRODUCTION SUPPORT INNOVATIVE FILMS • • • • • Film commissioner scheme Artistically ambitious films Assessed by six film commissioners Feature films, shorts & documentaries From development to post production SEX, DRUGS & TAXATION by Christoffer Boe THE HUNT by Thomas Vinterberg AI WEIWEI THE FAKE CASE by Andreas Johnsen FILM PRODUCTION SUPPORT MAINSTREAM FILMS • Market scheme (former 60/40) • For films with broad audience potential • Assessed by an editorial board of five members – 2 from DFI, 3 outside advisers • Responsive to changing market conditions • Only feature films THE KEEPER OF LOST CAUSES by Mikkel Nørgaard THE SHOOTER by Annette K. Olesen CATCH THE DREAM by Anne-Grethe Bjarup Riis FILM PRODUCTION SUPPORT TALENT DEVELOPMENT New Danish Screen: • To further the dynamics of Danish film • Manifest talents may try out new ideas • Operated jointly by DFI, DR and TV 2 Film Workshop: • Promotes experimental film art • Main focus on young directors • Initiates and seeks out new projects MOON RIDER by Daniel Dencik / documentary / New Danish Screen DAIMI by Marie Grahtø Sørensen / short fiction / Film Workshop TABOO by Bo Mikkelsen / short fiction / New Danish Screen FILM PRODUCTION SUPPORT INTL. CO-PRODUCTIONS • Support to co-productions with a non-Danish producer (6-9 features a year) • To contribute to the development of the Danish film industry • Inspires long-term partnerships • Strengthens the opportunities of Danish producers for obtaining international financing for their films • Assessed by an editorial board which includes DFI's international producer KON-TIKI by Joachim Rønning and Esben Sandberg / Norway HOTEL by Lisa Langseth / Sweden SONG OF THE SEA by Tomm Moore / Ireland FILM PRODUCTION SUPPORT TV PRODUCTION • • • • • Public Service Fund Supports development and production of: Danish TV drama and TV documentaries Programmes for children Radio programmes • Only for commercial TV stations • Priority to original and innovative projects HEARTLESS by Fridthjof Film / drama series / Kanal 5/SBS THE SEASIDE HOTEL by SF Film / drama series / TV 2 THE ABDUCTED CHILDREN by Dokumentar Kompagniet / documentary series / TV 2 FILM PRODUCTION SUPPORT COMPUTER GAMES • Supports the development of computer games for children • To encourage diversity and originality in Danish computer games • To strengthen Denmark's position globally CHRONOLOGY by Progressive Media / Puzzle adventure platformer KEYBOARD WIZARD by Pixel Juice / Music game – edutainment KOGAMA by Multiverse / Building game DISTRIBUTION DFI works to ensure a rich cinema culture and to make Danish films widely accessible – at home and abroad • Support programmes for all windows: cinema, TV, festivals, streaming • Always in close collaboration with production companies and distributors • Facing new challenges and opportunities with digitization DISTRIBUTION FILM LAUNCH • Support programme for cinema distribution • Integral to the overall support system: planned in connection with production support assessment • Support to the production of prints • Statistics and analysis of the theatrical market DISTRIBUTION FILM FESTIVALS • • • • Promote Danish films at intl. festivals Support to festival prints and travels Plan retrospective film series abroad Support to Danish festivals DISTRIBUTION CINEMA CULTURE • Support programmes to encourage a diverse cinema market • Renovation and establishing of cinemas • Import of films of artistic merit • Support to art-house cinemas DISTRIBUTION FILMCENTRALEN / EDUCATION Streaming for elementary and high school Easy access to 1300 shorts and docs 400 teaching materials To encourage students to work analytically and creatively with films in the classroom • For digital whiteboards, computers, tablets and smartphones • Bookmarks, playlists, screenshots • • • • BLOOD TIES by Christian Sønderby Jepsen, Pernille Bervald Jørgensen KAREN BLIXEN STORYTELLER by Christian Braad Thomsen ARMADILLO by Janus Metz SPECIAL FOCUS CHILDREN AND YOUTH DFI supports the production, distribution and teaching of children and youth films – to ensure their quality and availability • • • • 25% of subsidy funds earmarked Teaching guides and courses School and pre-school cinema programmes Support to film festivals, organisations and international cultural exchange projects ANTBOY by Ask Hasselbalch RITA AND CROCODILE by Siri Melchior BELINDA BEAUTIFUL by Marianne Blicher DFI IN COPENHAGEN A venue for film activities, bringing together professional filmmakers, researchers and film buffs of all ages • The Cinematheque screens Danish and international films in three theatres • Hosts exhibitions, gala-screenings and debates • Runs a Videotheque, a book & video store and a restaurant DFI IN COPENHAGEN FILM-X • Computerbased film studio for children and youth • To explore the medium from within • Studios for shooting, sound recording and editing • Actual sets plus green-screens • 10,000 scholars and 4,000 individuals per year • A mobile version: FILM-Y DFI IN COPENHAGEN LIBRARY • A public research library with one of the world's largest collections of books and periodicals on film and TV • Holds press material and film programmes • Special collections: festival catalogues, scrapbooks, musical scores and unpublished scripts DFI IN COPENHAGEN STILLS & POSTER ARCHIVE • One of the world's largest • 2 million stills and portraits plus more than 20,000 posters • Material from nearly every film with Danish release since the early 1900s • Special collections: Carl Theodor Dreyer, Asta Nielsen, Benjamin Christensen, Fy & Bi CARL THEODOR DREYER / 1,769 stills from 17 films ASTA NIELSEN / 1,839 stills from 69 films BENJAMIN CHRISTENSEN / 1,929 stills from 17 films FILM ARCHIVE Safeguards the national film heritage From 1896 to the latest releases 30,000 titles or more than 120,000 reels New 2.000 m2 underground nitrate archive Films are screened at the Cinematheque Loaned to organisations and festivals Secures old reels through restoration, scanning and digitization • DVD releases with Danish silent classics • • • • • • • 2012 PRODUCTION SUPPORT • 18 feature films (DK majors) • 27 documentary films • 5 short films • 12 New Danish Screen productions • 10 international minor co-productions Of 18 feature films (DK majors): • 6 were children and youth films • 7 had international co-financing • 18 were co-financed by a Danish TV station THE HOUR OF THE LYNX by Søren Kragh-Jacobsen / film commissioner MAX EMBARRASSING GOES TO THE FESTIVAL by Lotte Svendsen / market scheme WALTZ FOR MONICA by Per Fly / minor co-production 2012 BOXOFFICE • • • • • • • 5.6 m inhabitants in Denmark 154 cinemas in Denmark 2.4 tickets were sold per inhabitant 13.6 m tickets were sold in all 21 Danish feature films were released 10 Danish documentaries were released 29% was the national market share MARIE KRØYER by Bille August / release 27 September 2012 FATHER OF FOUR – AT SEA by Claus Bjerre / release 4 October 2012 THE ACT OF KILLING by Joshua Oppenheimer / release 7 November 2012 2012 DANISH TOP-10 1. This Life • market scheme 2. Love Is All You Need • 60/40 3. A Royal Affair • 60/40 4. Father of Four – At Sea • market scheme 5. My Sister’s Kids Home Alone • 60/40 6. Marie Krøyer • film commissioner 7. Almost Perfect • market scheme 8. Jelly T • market scheme 9. A Hijacking • film commissioner 10. Park Road – The Movie • market scheme THIS LIFE by Anne-Grethe Bjarup Riis / 754,000 tickets LOVE IS ALL YOU NEED by Susanne Bier / 631,000 tickets A ROYAL AFFAIR by Nikolaj Arcel / 514,000 tickets