A detailed guide to using your IHearYou software
Transcription
A detailed guide to using your IHearYou software
H A detailed guide to using your IHearYou ® software ® Contents IHearYou® allows you to set things up to your preferences, so feel free to use it as soon as you wish. If you prefer to take it slowly, then owning IHearYou® is a great way to future-proof your hearing aids, should your hearing or preferences change. IHearYou® gives you the capability to tune your hearing aid, making it sound exactly the way you want in every situation. 1.0 Getting Connected How to install IHearYou® DIY software before first connection Connect hearing aids to your computer 6 10 2.0 Adjusting the programming Prof Peter Blamey and Dr Elaine Saunders Almost all of our clients are completely satisfied after they have completed the basic equaliser and volume adjustment steps. A few require further fine tuning. You can easily perform these steps yourself, should you need to. IHearYou® software 12 Balancing loudness 14 Adjusting volume 17 Try it out 19 Undoing changes 20 3.0 Fine Tuning When to use fine tuning 22 Problem solver 22 Special programs 28 Advanced fine tuning 32 4.0 If your hearing levels change 36 5.0 Getting help 38 IHearYou® is a registered trademark of Blamey & Saunders Hearing Pty Ltd. 1.0 Getting Connected HOW TO INSTALL IHEARYOU® DIY SOFTWARE BEFORE FIRST CONNECTION Install software before connecting programmer. If you see the message below (Figure 1.2), it means: • You have typed the address into a search box (e.g. Google), not into the address box. • Or you have misspelled the address. Figure 1.2 To install IHearYou® from our website, type this URL into Internet Explorer and click the install button: www.blameysaunders.com.au/ihearyou/download If you have a DVD or USB stick, run the file “setup.exe” straight from the disc. This will install IHearYou®, and you may go straight to the next section. We can mail discs upon request. If you are using Internet Explorer, you will be able to choose run: Figure 1.3 If you are online, it is generally better to use the download link rather than using a disc. The web is up-to-date with the latest version. Both versions will routinely update themselves from the internet anyway, but with the download you are sure to have the very latest version from day one. Figure 1.1 You must enter the address into the URL box as above (Figure 1.1). 6 Section 1.0 Getting Connected If there is no “Run” option, you may need to choose save, and then run the setup file yourself. This icon may be saved to the desktop if you save the online installer. Section 1.0 Getting Connected 7 HOW TO INSTALL IHEARYOU® DIY SOFTWARE BEFORE FIRST CONNECTION continued You may be asked to authorise the installation of prerequisites libraries and programmer drivers. These are technologies necessary to allow IHearYou® to work properly and to communicate with your hearing aids. Please allow these to install (Figure 1.4). Some processes may pause for a while - this is normal. Figure 1.4 This is the icon for IHearYou®. In future you can run IHearYou® by double-clicking on this icon on your computer desktop. After installation, connect the programmer box to the USB port on your computer. On some machines, it may take a moment for Windows to recognise the programmer box for the first time. This sometimes occurs with Windows 7, and affects many devices including webcams, card readers and other plug in items. After a few minutes the green circle in the system tray will stop moving (lower-right of screen) and indicate everything is ready. Once installation is complete, IHearYou® will launch automatically after a few moments. Please be patient if it seems like nothing is happening for a moment. 8 Section 1.0 Getting Connected Section 1.0 Getting Connected 9 Connect hearing aids to your computer When the previous step has finished, you may connect the programmer box to the computer with the USB cable (if you have not already done so). A demonstration video showing how to attach your hearing aid is available on our website. 1 Open the battery door slightly to create a space in the hinge. 2 Gently insert ribbon connector into the slot created in the hinge. The gold side of the ribbon faces up (remember – gold always goes up), the dark side faces down. 3 Close the battery door until it clicks securely, in order to secure the cable into place. Figure 1.5 Now attach your hearing aid(s) to the programmer box (Figure 1.5). To attach the hearing aids to the programmer box, note the colour conventions: 1A 2A 3A 1B 2B 3B 1C 2C 3C RED is for the Right hearing aid, BLUE is for the Left hearing aid. • Batteries: You can connect the ribbon cable with or without batteries in the hearing aid. The programmer box supplies power to the hearing aids. • When connected, the hearing aids will turn on and you can hear sound from them. • The blue and red lights on the box only flash while data is transferring, not when idle. 1. Gold side up 2. Insert cable into open battery door hinge 3. Close battery door Inserting the cable: the hinge insertion location differs depending on your model of hearing aid. 10 Section 1.0 Getting Connected Section 1.0 Getting Connected 11 2.0 Adjusting the programming IHEARYOU® SOFTWARE If the hearing aids are not connected, IHearYou® will show a diagram and offer a video clip to guide you through the connection process, and a big green “connect” button will be visible. Figure 2.1 Navigation frame (list of settings) Main view (make adjustments) When IHearYou® starts and the hearing aid(s) are connected, the screen should look like (Figure 2.1). Take a moment to familiarise yourself with this diagram. Navigation frame The navigation frame allows you to navigate to the item you wish to adjust, such as volume. Some items have a play button. All items have a save button to save changes. Main view frame The main view frame displays the selected item. In this picture, it is a row of sliders. This is where you make adjustments. Uh-oh button The “uh-oh” button (lower-left) is in case things go wrong and you wish to undo all your changes. Uh-oh button Left hearing aid on/off Right hearing aid on/off Hearing aid buttons Hearing aid buttons (lower right) turn the instruments mute or active for listening. Most items display helpful tips if you hover the mouse over them. 12 Section 2.0 Adjusting the programming Section 2.0 Adjusting the programming 13 BALANCING LOUDNESS The first step is to balance loudness with the IHearYou® loudness equaliser. The aim is to make the different chimes sound equal in loudness in each ear separately. Ensure you are wearing your hearing aid(s). To begin, press play once (Figure 2.2) to listen to the series of chimes: Figure 2.2 Press play again (Figure 2.2). Continue adjusting until the chimes sound equally loud and comfortable overall. Some tips for balancing loudness: • Does any chime sound uncomfortable or stand out from the rest? If so, turn it down. • Does any chime sound much softer than the rest? If so, turn it up. • The sliders need not be level in height. Try to focus on loudness (you can close your eyes). • If the task gets difficult, you probably already have the levels fairly balanced. When you have finished, press the save button (Figure 2.4) in order to update the hearing aid. It takes a moment to communicate with the hearing aid(s). Figure 2.4 Then adjust the sliders (Figure 2.3) to make the chimes sound equal in loudness and comfortable overall. As you will see, each slider corresponds to a different sound. Figure 2.3 14 Section 2.0 Adjusting the programming Section 2.0 Adjusting the programming 15 BALANCING LOUDNESS continued Adjusting Volume After you have saved these comfortable and balanced levels, a tick will appear next to the item (Figure 2.5). The second (and final) task is to adjust the volume. Figure 2.5 Volume is a personal preference. You may return to this anytime, as often as you wish. Click on the volume item (Figure 2.7): Figure 2.7 If you have two hearing aids, you should repeat this for the other ear (Figure 2.6): Figure 2.6 After a moment, you may notice your hearing aids turning on. • The light on the programmer box on your desk may blink. • The instrument you are wearing will sound “on”. • The hearing aid buttons will light up (Figure 2.8): Figure 2.8 The loudness equaliser is used to balance your “equal-comfort” levels. This is a characteristic of your own hearing. Unlike other settings, it is typically only measured once, unless you feel your hearing has changed over time. You can turn the hearing aids on and off by clicking on their respective buttons. Try this now for fun. 16 Section 2.0 Adjusting the programming Section 2.0 Adjusting the programming 17 Adjusting Volume continued TRY IT OUT You can adjust the volume with the up/down arrows (Figure 2.9). Each click corresponds to a 2 decibel change. You have successfully adjusted the programming on your hearing aids and that is all for the first fitting. We recommend that you venture outside to put them to the test and start accustoming yourself to a world of clear, natural and exciting sounds. Figure 2.9 • Close IHearYou®. • Disconnect the hearing instruments from the computer. • Insert batteries and try them out. • If your hearing aid has a manual volume control, you may use it to boost or attenuate the loudness as needed. This will act in tandem with the automatic volume control in your hearing aids. What to expect: While you are adjusting the volume, listen to your own voice and any other sounds on hand. When you are satisfied, press the save button (Figure 2.10) to update the hearing aids: Figure 2.10 18 Section 2.0 Adjusting the programming • Allow about 30 minutes to adjust to a new volume and sound quality. • Ordinary noises that you may not have heard for a while will be quite noticeable: -Birds -Water -Your footsteps -Clothes rustling and keys jingling -A generally noisy world. Section 2.0 Adjusting the programming 19 UNDOING CHANGES Changes saved to the hearing aids can be un-done at any time, in a number of ways. The first option (Figure 2.13) restores the hearing aid to its initial settings as it arrived in the post. Figure 2.13 Option A: Reverting to earlier settings You can undo any saved changes along the way, by clicking on the ‘Restore Past Fitting’ menu item (Figure 2.11): Figure 2.11 Option B: Undoing all changes There is a button in the lower-left corner of IHearYou®, called the “uh-oh” button (Figure 2.12). This can be used to return the hearing aids to the state in which it first arrived in the post. Figure 2.12 20 Section 2.0 Adjusting the programming Section 2.0 Adjusting the programming 21 3.0 Fine Tuning WHEN TO USE FINE TUNING The other items in IHearYou® are optional fine tuning modules. You might consider making these fine tuning changes if you have set up your hearing aids with loudness equalisation and volume, tried them out, and you have any of the following requests: • A particular sound was not right: –Your own voice –Environmental sounds –Whistling (feedback) during ordinary use. • A particular situation was unsatisfactory: –Music –Windy weather –Noisy places. When not to use it Do not use the problem solver if you are generally satisfied with your hearing aid(s) in most situations, but wish to change your settings for different situations (such as noisy places). This is what Special Programs are for. Do not use the problem solver if you have not yet balanced loudness and set the volume. How to use it Select the problem solver control by clicking on Problem Solver (Figure 3.1). Figure 3.1 Problem solver What it does The problem solver offers fast and simple automatic adjustments to your hearing aid for the most common requests. It is based upon the experience of our hearing aid clinic. The hearing aids will automatically turn on (active) if they were not already live (Figure 3.2): When to use it Figure 3.2 If you have performed the basic loudness equalisation and volume set up steps. And if you have tried the hearing aid(s) for a period of acclimatisation. And if your hearing aid is not yet comfortable in everyday situations. 22 Section 3.0 Fine Tuning Section 3.0 Fine Tuning 23 Problem solver continued The problem solver screen looks like this (Figure 3.3): Figure 3.3 Steps for use 1 Begin by selecting an information link for guidance. 2 To proceed with a solution, click the corresponding button. – The hearing aids are automatically adjusted while you listen. 3 Listen to the new settings live. 4 You can click the blue undo/redo arrows to compare sound quality before and after. – For example, if sharp sounds such as dish clatter are too loud, you can tap a spoon in an empty glass while you are performing this tune up. Remember that some sounds are simply loud for everyone. 5 Press save when you are done (Figure 3.5). Figure 3.5 Each of the four solutions has a link to offer guidance, a button to execute the automatic adjustment, and undo/redo arrows to compare sound before and after (Figure 3.4). 6 Then disconnect and allow yourself time to relax into your new settings. It is important to perform fine-tuning sparingly and slowly, to avoid over-correction and getting muddled. Figure 3.4 24 Section 3.0 Fine Tuning Section 3.0 Fine Tuning 25 PROBLEM SOLVER continued Whistling or feedback • The largest maximum gains are reduced. • Feedback canceller is also checked to ensure it is always on. • All other settings remain unchanged to avoid compromising sound quality. Own voice hollow • All ADRO® parameters below 1000 Hz (Maximum Gains, Comfort Targets, Maximum Output Limits) are reduced. • All other settings remain unchanged to avoid compromising sound quality. Sharp sounds too loud • Maximum output limits below 1500 Hz reduced by a small amount, and maximum output limits at and above 1500 Hz reduced by a larger amount. • Gap between Maximum Output Limits and Comfort Targets is maintained. • All other settings remain unchanged to avoid compromising sound quality. For special environments such as background noise (rather than every-day listening), see Special Programs. Soft sounds too loud • Maximum gains at and below 2000 Hz are reduced a small amount, and maximum gains above 2000 Hz are reduced a larger amount. • ADRO® gains adapt up and down. Maximum gains are the upper limit when sound is very soft, and so correspond mostly to the amplification of soft sounds. • All other settings remain unchanged to avoid compromising sound quality. 26 Section 3.0 Fine Tuning Section 3.0 Fine Tuning 27 Special Programs What is a special program? If you are having difficulty tuning the everyday program for every situation, one or more special purpose programs may be useful. In many ways, they are like presets on a stereo system. How to use it Select Special Programs (Figure 3.6): Figure 3.6 When to use it We find that most users of our hearing aids don’t require special programs. The reason is that our instruments employ a technique known as Adaptive Dynamic Range Optimisation (ADRO®), which continuously monitors the auditory environment and adjusts its own settings to maintain clear and comfortable sound. New programs are always derived from your everyday settings. Nonetheless, some users have special needs or preferences. Examples are: Figure 3.7 Choose a program from the list (Figure 3.7), by clicking on the drop-down arrow: • Users with a fluctuating hearing loss. • Users with a particular situation that just doesn’t seem quite right: –Rock concerts –Cycling in strong wind –Telecoil program (some models). • Avid listeners, who love to tinker with custom settings, but wish to maintain their everyday program. ADRO® is a registered trademark of Wolfson Dynamic Hearing Pty Ltd. 28 Section 3.0 Fine Tuning Section 3.0 Fine Tuning 29 Special Programs continued If you point to each of the programs (without clicking), a tip will pop-up explaining that program. When you have chosen a special program, the corresponding button will light up, indicating the program is now live. To adjust different programs you can change the active program with this “listen” button. Any changes (e.g. volume) from now on will apply only to the live program. This is indicated below the hearing aid buttons (Figure 3.8): New programs are always created and selected in both hearing aids at the same time (automatically). The “custom” program is initially no different to the everyday program. It exists as a starting point for experimentation and unorthodox settings. For example, some clients wish to have a “loud” program for attending sports. In this case, a custom program could be chosen, selected as live, and then given a volume boost. A person with a fluctuating hearing loss may set up several custom programs for use on different days, for example on a good hearing day, a bad hearing day, and an average hearing day. Lastly, choose save to update the hearing aids (Figure 3.9): Figure 3.8 Figure 3.9 30 Section 3.0 Fine Tuning Section 3.0 Fine Tuning 31 ADVANCED FINE TUNING What it does Advanced fine tuning allows you complete control over the levels in your hearing aids. When to use it Advanced fine tuning really is advanced. It would typically be used in the following situations: • By a clinician or an audiologist. • By yourself, under the guidance of Blamey Saunders hears or another expert. How to use it Select Advanced Fine Tuning (Figure 3.10): Figure 3.10 Important Concept The A in ADRO® stands for adaptive. This means that the gains in the hearing aid are not fixed, but are automatically moving up and down all the time to maintain comfortable loudness. If the hearing aid output is too soft (e.g. if the room goes quiet), the gains will go up until your comfort targets are reached. Conversely if the hearing aid output is too loud (e.g. if you enter a loud environment), the gains go down until the output reaches your comfort targets. Adjustable parameters Maximum Output Levels in red (dB SPL) are the upper limits for protection. These limits are applied instantly within each frequency band and are never exceeded by sudden loud sounds. The gap between these levels and the Comfort Targets should be maintained (usually about 10 decibels). Your hearing aid automatically adjusts the frequency-band gains such that the output remains below the Comfort Targets in green (dB SPL) 90% of the time. Mostly, these comfort target levels correspond to the loudness of sustained everyday sounds. The gap between these levels and the maximum outputs should be maintained (usually about 10 decibels). Maximum Gains in blue (decibels, plotted using the same axis) are used to limit the amplification of background noise. Mostly these gains correspond to amplification of soft sounds. Remember, when you are listening in soft environments, the gains will go up. That is, until these limits are reached. 32 Section 3.0 Fine Tuning Section 3.0 Fine Tuning 33 ADVANCED FINE TUNING continued The targets and limits can be adjusted as follows Multiple frequency bands can be adjusted together. To do so, right-click on each of the arrows you wish to group; these will be highlighted and will then move together when left-clicked. There are “all” and “none” shortcut buttons too. By default, hearing aids are on (active) when fine tuning is selected. This way, the listener can hear changes live, as they are made. Older computers, however, may respond faster with the hearing aids off. If you find the graphics sluggish, simply click on the hearing aid buttons to switch them off while you change the levels. Save when you are done (Figure 3.12): Figure 3.12 A typical fine tuning screen looks like this (Figure 3.11). We recommend only making fine changes here and using the other modules for bigger changes. Figure 3.11 34 Section 3.0 Fine Tuning Section 3.0 Fine Tuning 35 4.0 If your hearing levels change 1. Then you should re-balance your sliders 2. You should not change the audiogram data What is an audiogram? Balancing the sliders for equal loudness is used because these are the levels that the hearing aid operates at during day-to-day listening. This is why you can jump straight into the sliders and arrive at a comfortable output quickly and easily. An audiogram is a chart showing measurements of a person’s hearing levels for very soft sounds compared to a standard defined for a normal hearing young person. We enter audiograms by enabling “clinic mode” in the clinic menu as a diagnostic record in our hearing aids. This reflects the value of the audiogram as a diagnostic tool for the clinician. IHearYou® can use an audiogram to set the initial position of the loudness equaliser sliders. Once you have made a modification to these settings based on your comfort levels, then the audiogram becomes a diagnostic label and has no further impact on the hearing aid performance. When to use audiograms with IHearYou® An audiogram is a useful diagnostic tool; however listening in dayto-day ambient loudness is a personal preference that varies from predictions based on one’s threshold of hearing. Our IHearYou® software balances the loudness of sounds (using the sliders) to get straight to your comfortable hearing aid output levels. If you feel your hearing levels or your listening preferences have changed, and you decide to adjust your hearing aids, then the best place to re-start is the loudness equaliser. The loudness of the chimes should sound balanced. Then the volume can be adjusted to be comfortable to you. 36 Section 4.0 If your hearing levels change You are not required to adjust audiograms. These should only be changed if you wish to update audiogram data for recording purposes and you would like help choosing a new starting point for the equaliser sliders. Remember to check for wax build-up and other device troubleshooting if you think sound has become quiet. Summary: Our hearing aids are usually tuned to your comfortable levels rather than a prescription from your audiogram. Your audiogram is an important diagnostic tool. We use it as a guide to the initial position of the sliders in the IHearYou®. You can go straight to the loudness equalisation sliders if you feel your hearing has changed over time and would like to re-fit your hearing aids. You should always consult a medical professional without delay if you notice a sudden loss of hearing or dizziness. If your listening preferences have changed: you should re-balance loudness using the loudness equaliser. Section 4.0 If your hearing levels change 37 5.0 Getting Help Blamey Saunders hears can help you in the following ways: Helpdesk Contact our helpdesk for assistance directly. Blamey Saunders hears 364 Albert Street East Melbourne, VIC 3002 T +61 3 9008 6371 [email protected] Remote hands-on If necessary, we can securely connect to your computer and help you through the process. For in-depth remote support relating to hearing, tuning and other tele-audiology, we offer a fee for consultation service - for extra support in our clinic or your own living room. 38 Section 5.0 Getting help blameysaunders.com.au