This Ring Cycle Comes With Gloves

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This Ring Cycle Comes With Gloves
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March 13, 2013, 10:09 p.m. ET
This Ring Cycle Comes With Gloves
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By AN D Y BATTAGL IA
Philip Montgomery for The Wall Street Journal
Cellist Dan Barrett at Gleason's Gym in Dumbo, where and his artist collective will stage a unique
event.
In this corner—weighing in at approximately 10 pounds, from parts unknown but
presumably in the trunk of a tree—a cello!
A recent afternoon at Gleason's Gym in Dumbo offered the unusual sight: musician
Dan Barrett in the ring, up against the ropes and working his hands, sending
sonorous notes from his cello into the combative clamor of the world­famous boxing
mecca.
On Saturday, Mr. Barrett will climb into the ring again for the occasion of "Strike!," a
unique performance event that will feature a mix of classical music, boxing and dance
at the 75­year­old facility that has seen legends like Jake LaMotta, Cassius Clay,
Gerry Cooney and Mike Tyson pass through its doors.
"I find a purity of function in a boxing ring," said Mr. Barrett, the mastermind of the
event and the leader of the ensemble International Street Cannibals—a New York­
based collective of musicians, composers, videographers, audio technicians,
dancers, puppeteers and visual artists. "When you go inside a gym, you see
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everything arranged not in any way toward decoration or symbolic function but toward
a very practical human function of usage. This, I think, is a very good guideline for
art."
Mingling the art of boxing with the art of art is the main objective of "Strike!," which
marries two of Mr. Barrett's aesthetic passions. "I'm an ardent student of boxing
analysis," he said. "So commonly we denigrate sports fans by saying they have low
attention spans, but if we watch them watch, their observations are highly nuanced.
Enjoyment of sports is commensurate with capacity to analyze."
Enlarge Image
Philip Montgomery for The Wall Street Journal
Gleason's Gym owner Bruce Silverglade and
cellist Dan Barrett at the Brooklyn boxing mecca.
The two are collaborating on a unique event.
Though he has trained a bit in the past
and follows the sport voraciously, Mr.
Barrett, who is 55, found a more
decorated boxing foil in Bruce
Silverglade, the 66­year­old fight­game
fixture who took over as owner of
Gleason's in 1982. These days the gym,
which was founded in the Bronx in 1937,
maintains 1,100 members who work out
there as aspiring professional boxers
and recreational hobbyists alike.
Gleason's also plays home to "Give a
Kid a Dream," a charitable program that offers free training to disadvantaged youth. "I
have kids who come to us from the projects, who are in a situation they didn't put
themselves in, and I like to do anything I can to expand their horizons or introduce
them to something they would not normally be introduced to," Mr. Silverglade said.
Staged as a benefit for the children's initiative, "Strike!" certainly expands horizons.
Stretching across three boxing rings, the event will feature bouts between youngsters
in the program, aged 11 to 17, with performances of classical music and dance
interspersed. Musical selections include a premiere of a piece by Mr. Barrett titled
"Technical Knock Out"—for French horn, bass trombone, violin, electric guitar and
percussion—and others reminiscent of work by Bartok and Wagner.
"They're not meant to draw attention but to galvanize," Mr. Barrett said of the
compositions, another of which bears the title "March of the Balonie Sandwiches."
"There's a certain turnover that happens to the arm in most punches, and that also
happens [to a musician] with a bow. There are physical parallels."
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The dance portion of the program was designed by choreographer Megan Sipe, who
took some lessons at Gleason's to get a feel for the movements and machinations of
boxing. "I went into this knowing nothing about boxing," Ms. Sipe said. "What's been
great about it is that the boxers have been really interested in what we're doing.
There's been real exchange. There's real artistry and rhythm to boxing. Some of the
footwork they do they even call 'dancing.'"
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Showcasing the more refined aspects of boxing is part of the purpose of "Strike!"—
and for Gleason's Gym in general. "Hollywood never gives a true presentation of a
boxing gym," Mr. Silverglade said. "When 'Raging Bull' came in here"—Martin
Scorsese shot portions of his classic film at Gleason's second location, in Manhattan
—"they used smoke and guys with fedoras and cigars. But in reality it's a clean place
and everybody is nice."
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Geniality, with the promise of exertion in and around the ring, appeals to Naisha
Santini, a young boxer enrolled in the "Give a Kid a Dream" program.
"When you have a lot of problems and a lot on your mind, once you walk through that
door, it's like everything goes away," said Ms. Santini, 19, who travels from her home
in Williamsburg to train at Gleason's. "Nothing else matters. When I'm on the bag, I
take out my stress and the world around me doesn't bother me no more."
Artists of all kinds often say the same about their own studios—they are places
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where skills are honed, dreams are realized, and appearances are irrelevant. Said Mr.
Silverglade of Gleason's, "You can sweat here and nobody cares what you look like."
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