TJ GRAND - Tech Specs - Updated Apr, 2016

1
Theatre junction GRAND
Technical Specifications
(Updated April, 2016)
LOCATION:
Theatre Junction GRAND, 608 1st Street SW, Calgary, AB, Canada T2P 1M6
CONTACT INFORMATION:
Mailing Address:
Theatre Junction GRAND
608 1st Street SW
Calgary, AB
Canada T2P 1M6
Website:
theatrejunction.com
Telephone:
Main Line:
Venue Rental Inquiries:
Technical Information:
Box Office:
403 205 2922
ext 210
ext 230
ext 1
Fax:
Administration:
Box Office:
403 263 3605
403 205 4515
THEATRE JUNCTION STAFF:
Artistic Director:
Executive Director:
Technical Director:
Mark Lawes, [email protected]
Guy de Carteret, [email protected]
Phil Cimolai, [email protected]
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CREW CALLS:
Theatre Junction proudly operates under a collective agreement with IATSE Local 212 and all
work performed on stage or on company equipment will be done by on call, permitted, IATSE
technicians within their corresponding departments. Crew calls are determined at the sole
discretion of the venue’s Technical Director based on an assessment of the productions
technical documents and needs. No third party technical staff will be allowed to work within the
venue other than exclusively on the equipment that they provide. Road crews will be permitted
to operate their show specific equipment only under the supervision of the venue’s house
technicians.
Artist’s sound and lighting technicians may operate the venue’s control consoles under the
supervision of the venue’s house crew. The final say on all sound and lighting levels will be at the
discretion of the venue’s house crew, no exceptions. In specific circumstances road crews may
be permitted to perform additional tasks within the venue but only as pre approved by the
venues Steward and Technical Director. In extreme cases, failure to comply with these
regulations may result in the termination of the performance with no fault or liability to Theatre
Junction.
VENUE MEASUREMENTS:
The theatre is a ‘black-box’ space capable of multiple stage configurations. There is no raised
stage (the stage area is the venue floor), but if needed a large stage can be built out of
portable risers.
Standard Stage Width & Depth:
Width:
Depth (varies with seating configuration):
54’
(16.46m)
29’- 36’ (8.84m - 10.97m)
Venue Width & Depth:
Wall-to-Wall (stage floor level):
Wall-to-fixed riser storage (seating collapsed):
54’
69’
(16.46m)
(21.03m)
Venue Height:
Stage Floor to Public Gallery Floor:
Stage Floor to Technical Gallery Floor:
Stage Floor to Underside of Grid (lowest point):
Stage Floor to Walking Surface of Grid:
Stage Floor to Underside of Structural Beams in Grid:
13’
25’
40’
40.2’
48’
(3.96m)
(7.62m)
(12.19m)
(12.25m)
(14.63m)
STAGE/SEATING CONFIGURATIONS:
Theatre Junction GRAND has eight different standard layouts offering configurations of
audience on one, two, or three sides of the stage, or an open space – i.e. a flat floor
with no seating. The audience seating system consists of a combination of permanently
installed and mobile banks of retractable seating.
Layout Type
‘Large Italian’
‘Small Italian’
Maximum Audience
Capacity
436
340
Theatre Junction GRAND – Technical Specifications
Approximate Stage Dimensions
(including wing space)
54’-0”W x 29’-0”D
54’-0”W x 29’-0”D
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3
‘Open Space’ (no seats)
441 persons total (including performers)
Please Note:
• Storage of the unused banks of seats is either along the sidewalls of the venue or
in the loading dock depending on the layout, as indicated on the technical
drawings.
• Setting and storing of the seating must be factored into the user’s set-up and
strike time.
• Audience egress and fire exits must not be obstructed at any time and a
minimum 4’ clear path must be maintained.
CROSSOVER:
There is a permanent crossover under the stage via stairs between the NE and SE
corners of the venue. The NW and SW corners of the venue may also be accessed
under the stage via the lobby vestibule. Otherwise, stage level crossovers and other
access requirements should be considered in the design of the scenery and masking
layout.
STAGE FLOOR:
The stage floor is composed of black battleship linoleum over two layers of 1” plywood
decking laid over 2” x 4” sleepers. No fixing to the floor will be allowed for any reason.
There are no traps in the floor. There is a shallow cable trough that follows the perimeter
of the room.
PORTABLE RISERS:
The venue has a stock of portable interlocking risers and step units. The surface of the
risers consists of one-inch plywood covered with battleship linoleum. It is not allowed to
screw into the risers. The maximum load is 100lb per square inch.
Platforms:
40
4’(1.2m) x 8’(2.4m)
10
3’(0.9m) x 8’(2.4m)
2
3’(0.9m) x 4’(1.2m)
Legs (4 per riser):
220
pcs for 1’(0.3m) H stage
220
pcs for 2’(0.6m) H stage
220
pcs for 3’(0.9m) H stage
Step Units:
8
pcs for 1’(0.3m) H stage - 3’(0.9m)
2
pcs for 2’(0.6m) H stage - 3’(0.9m) W (w/ handrails)
2
pcs for 3’(0.9m) H stage- 3’(0.9m) W (w/ handrails)
Skirting:
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Misc. Velcro-backed velour panels at 1, 2 and 3’high (0.3, 0.6 and 0.9m) by 4, 8 and
16’(1.2, 2.4 and 4.8m) lengths.
DANCE FLOOR:
Please consult the Technical Director regarding possible configurations and availability
of dance floor (Marley). The venue owns a ‘Harlequin Reversible’ brand dance floor in
black/grey. The venue does not have a portable ‘sprung’ floor system.
RIGGING:
The rigging of lighting, sound and scenery/soft goods within the venue is achieved by
trusses suspended from chain motors attached to the overhead fixed grid. Before any
movement of the rigging over the stage may be incorporated into the performance, a
formal documented risk assessment will have to be conducted and adequate safety
measures implemented. The Technical Director shall have final determination in such
matters. In no instance shall there be any moving rigging over the audience areas when
occupied. The venue’s Technical Director will have the final decision regarding all
rigging, no exceptions.
TRUSS INVENTORY:
12”W
35
12
20
18
x 12”H (0.3m x 0.3m):
pcs at 8’-0” (2.4m) L (w/ spigots)
pcs at 10’-0” (3m) L (w/ spigots)
corner sections
‘T’ sections
6” W x 12”H (0.15m x 0.3m):
90
pcs at 8’ (2.4m) lengths
02
pcs at 2’ (w/ spigots) - extension truss for Large Italian configuration
MOTOR INVENTORY:
The motors are located in the permanent grid and clamp to overhead structural beams.
39
24
CM lodestar – ½-ton chain hoists w/ 65’ chain, single-speed
CM lodestar – 1-ton chain hoists, w/ 65’ chain, single-speed
MOTOR CONTROL:
1
1
64-way analog controller
custom touch screen remote controller (on deck)
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SOFT GOODS / TRACKS:
Black Legs (without fullness):
2
9' W x 34' L (2.4m x 10.3m)
10
9' W x 27' L (2.4m x 8.2m)
8
6’-7” W x 27’ L (1.8m x 8.2m)
Black Borders (without fullness):
1
52' W x 18' L (15.8m x 5.4m)
3
48' W x 9' L (14.6m x 2.7m)
Black Backings: (w/ 50% fullness)
2
26' W x 33'-6” L (7.9m x 9.7m) (used as a house curtain in Italian config.)
2
26' W x 27' L (7.9m x 8.2m) (used as a traveler)
Traveler Tracks:
1
ADC 280 Series Track System - 52’-0” wide w/ 1’-0” overlap at centre
1
ADC 170 Series Track System - 48’-0” wide w/1’-0” overlap at centre
Cyclorama:
1
PVC rear projection cyc 48’-0” wide by 30’ high (14.6m x 9.1m)
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LIGHTING SYSTEM INFORMATION:
Control System:
Console / Data
1
ETC Gio 2K
240
control channels with electronic soft patch to dimmers
1
wireless remote control
1
designer monitor
DMX in and out (XLR 5) throughout venue with patch-bay in booth
2
DMX octo-splitters in booth
Ethernet (Ethercon) throughout venue with patch-bay in booth
Dimmers / Circuits
2
ETC Sensor+ 48 module dimmer racks
192
2.4 Kw dimmers, dimmer per circuit.
32
socapex circuit boxes distributed throughout venue
Each box has 1 socapex twofered with 6 – 20A twist lock connectors
Cable
12
100’ socapex extension cables (12 AWG/14 conductor)
20
50’ socapex extension cables (12 AWG/14 conductor)
18
25’ socapex extension cables (12 AW/14 conductor)
28
socapex to female 20A twist lock ‘break-out’ adaptors
107
20A twist lock extension cables (12 AWG SJOOW) in 10’, 25’, 50’and 100’ lengths
50
20A twist lock twofers
House Lights
Manual controller with 50’ extension cord
ETC Source Four Pars are permanently mounted in the grid to cover the entire venue
but are zoned to allow isolation of a given stage layout
(can be console controlled)
Lighting Instrument Inventory:
All with ‘New-style’ 20A twist lock connectors.
Please confirm what instruments are available for your show.
Fixed Profile Fixtures
6
19°
575w ETC Source 4
24
26°
575w ETC Source 4
24
36°
575w ETC Source 4
18
50°
575w ETC Source 4
TOTAL FIXED FOCUS ETC SOURCE 4’s = 72
Additional ETC Source 4 Barrels / Lenses
7
add’l 26˚barrels
ETC Source 4
8
add’l 36˚barrels
ETC Source 4
2
add’l 50˚barrels
ETC Source 4
Zoom Profile Fixtures
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6
6
15°-30°
25°-50°
Fresnel Fixtures
12
6”
PAR Fixtures
48
S4 Par
750w ETC Source 4
750w ETC Source 4
1Kw
Strand Fresnelite (w/ barn doors)
575w ETC Source Four Par
(w/ interchangeable lens set -VSNP, NSP, MFL, WFL)
Cyc/Flood:
15
1-cell cyc light/ground row 1Kw
4
3-cell cyc lights
L&E Broad Cyc
1Kw Strand Iris-3
Intelligent Inventory:
18
Chroma-Q Color Block DB4
1
Chroma-Q Color Block PSU30
4
Apollo Right Arm
Each mounted with:
26° ETC Source Four – 750W (not counted above)
Apollo Smartcolor PRO 7.25 colour scroller
Apollo EZ Iris
Smartcolor PRO 7.25 colour scrolls, in order:
R00, R132, R3206, R302, R305, R99, R16, R321, R23, R24, R33, R336, R54, R57, R63, R65, R84,
R388, R94, R26, R4390, R4790, R4290, R4590
Accessory / Hardware
58
ETC Source Four ‘A’ size gobo holder
4
Apollo glass gobo holder (only fits Apollo’B’ size glass gobos)
12
Strand Lekolite gobo holder
12
ETC Source Four drop-in Iris
12
6 ¼” gel extender (can be used as a top hat)
20
Floor plate
20
25lbs sandbags
10
50 lb boom base with 10x 5’ and 4x 10’ threaded vertical pipes
10
5’ Sched 40 Steel boom
6
10’ Sched 40 Steel Boom
18
Long Sidearm
22
Short Sidearm
24
Sliding T-Flange
ROAD POWER:
1
1
1
1
100 A, 3 phase, 120/208V disconnect switch in alcove in the east wall
200 A, 3 phase, 120/208V disconnect switch in alcove in the southeast corner
400 A, 3 phase, 120/208V disconnect switch beside the loading dock door
200 A, 3 phase, 120/208V disconnect switches on the south wall at grid level
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POWER TRANSFORMERS:
2
3
4
1500W Step Up Voltage Transformer to 220v – with universal socket
1000W Step Up Voltage Transformer to 220v – with universal socket
500W Step Up Voltage Transformer to 220v – with universal socket
SPECIAL EFFECTS:
Atmospherics:
Please inform the Technical Director of any atmospherics (haze, fog, snow, dry ice, etc.)
that you will be using. A copy of the ‘Material Safety Data Sheet for the fluids’ is
mandatory. Use of atmospherics requires the disabling of the venue’s fire alarm system
by the head stage carpenter, and approval by the venues Technical Director.
Absolutely no atmospherics may be run under any circumstances until explicit
clearance has been given. Failure to comply with this regulation may result in a
damages charge.
Pyrotechnics:
Pyrotechnic special effects may be used with the approval of the Technical Director
under the supervision of a licenced pyro-technician. The pyro-technician must show
proof of proper licensing. Handling, storage and preparation of pyrotechnic material will
be in compliance with the federal, provincial and local codes, and within the
manufacturer’s guidelines. Where applicable, nearby flammables (costumes and
scenery) will be properly flame proofed.
A detailed application will be submitted to the Technical Director two months before
the event. Upon approval, this application must then be submitted to the Calgary Fire
Department. Documentation will include: event approval form; proof of $1 million
liability insurance; copy of the pyrotechnician’s license; pyro effects plan; (with full
description of all effects); sketch of the theatre (with position of effects, pyro storage,
audience, exits).
There will be at least one dry run (demonstration) of all effects prior to the first
performance.
Miscellaneous:
The use of any other effects (strobes, firearms, gunshots etc.) requires the approval of
the Technical Director.
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SOUND SYSTEM INFORMATION:
Theatre Junction GRAND (TJG) is equipped with a highly versatile and adaptable sound
system designed to meet the needs of a wide array of configurations, clients, and artists.
The backbone of this system is its patch architecture, which is broken out at many
locations throughout the facility. This allows inputs and outputs to be routed fairly easily
to and from the tech booth, stage floor, third floor pin rail, grid, studio, and lobby. The
XLR patch architecture allows for 48 channels to the stage. Please note there is no
splitter system in house. TJG also features a distributed audio AC system with an
isolated ground. Audio AC are orange outlets throughout the facility in both twist lock 4
pin (60A) and standard North American U ground (15A) receptacles.
The Digico SD9 (40 channel) is the main control console for our system and offers a wide
array of EQ, Dynamics, and I/O routing options. Our second console (for use as a
monitor or alternative desk) is a Yamaha DM2000 (48 channel). Our Meyer speaker
system is comprised of 12 mid high cabinets (Meyer UPJ-1P), and 4 subwoofer cabinets
(USW-1P). We also have 6 self-powered monitor/full range speakers available for use as
monitors or main systems. Typically two are installed in our studio space as the main PA
but could be recovered if a total of 6 monitors are required and the studio is not in use.
The standard speaker configuration in the main theatre is made up of left (2 speakers),
right (2 speakers) and centre (3 speakers) clusters, which reside on line set #1 as well as
one mid high speaker per side flown on the pin rail as a delay fill for the back of the
house. In addition to the flown clusters there are 2 flown subwoofers. We have 2
additional mid high cabinets and 2 additional subwoofers that can be added on the
ground to provide extended front row coverage. Any request to relocate or modify this
speaker configuration will result in extra labor costs. The system is typically addressed by
a single stereo send distributed by our system processor however discrete addressing of
up to 8 separate zones/clusters can be achieved simply if this is required (please give
advanced notice).
It is a major concern of both our management and patrons that acceptable sound
levels be maintained. It is recommended that sound pressure levels should be no
greater than 95dB A-weighted on average.
Should you require additional information about our audio equipment or custom setups
please contact Technical Director Phil Cimolai ([email protected]).
Detailed Audio Equipment List:
Speakers/Amplification:
Self-powered bi-amp speakers
Self-powered subwoofers
Self-powered monitor/full range
speakers
Meyer Sound
Meyer Sound
UPJ-1P
USW-1P
12
4
JBL
PRX615M
6
Consoles/Processing:
40 channel digital console and Stage
input rack
Digico
Theatre Junction GRAND – Technical Specifications
SD9/32x8 Drack
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1 ea.
10
24 channel digital console
8 channel external preamp/AD
System processor (8-in, 8-out)
12 channel analog mixer
Stereo analog 15 band graphic eq
Yamaha
Yamaha
BSS Soundweb
Soundcraft
Ashly Audio
DM-2000 v2
AD8HR
3038
EFX12
MQX-2150
1
3
1
1
1
Playback:
Audio show control software
CD/cassette deck
CD recorder
Dual DJ CD player
Stage Research
Denon
Denon
Numark
SFX PA/SC
DN-T645
DN-C550R
CDN 25+G
1
1
1
1
Intercom:
Single channel belt-packs
Wired headsets (dual muff)
Wired headsets (single muff)
Wall mount stations
Wireless com (4-station)
Wireless com dual channel beltpack
Wireless headsets (dual muff)
Clear-com
Clear-com
Clear-com
Clear-com
Radiocom
Radiocom
Radiocom
RS-601
CC-260
CC-95
KB-211
BTR-800
TR 825
Telex 64437
5
2
3
2
1
4
4
Dynamic microphone
Dynamic microphone
Dynamic microphone
Condenser microphone
Condenser microphone
Condenser microphone
Condenser microphone (hanging)
Condenser microphone (plate)
Condenser microphone (plate)
Direct input box
Direct Input Box
Direct Input Box
Direct Input Box
Dual wireless receiver
Handheld microphone
Beltpack
Headset microphone
Lavallier microphone
Beige headset microphone
Podium microphone
Shure
Shure
Sennheiser
Sennheiser
Sennheiser
Audio Technica
Audio Technica
Shure
Crown
Klark Teknik
Radial
Radial
Radial
Shure
Shure
Shure
Shure
Shure
EV
Shure
SM-58
SM-57
MD-421 II
MKH-50
MKH-40
4051A
ES-933H
Beta 91
PCC-160
DN100
Pro DI
Pro D2
Pro AV
UR4D
UR2
UR1
Beta 53
WL-51
RE97S
MX418
6
6
4
4
4
4
1
2
2
6
4
2
2
4
4
8
4
4
8
1
Tall boom mic stand
Short boom mic stand
Straight stand with round base
KM
KM
KM
21090B
25900
26025
6
6
4
Self-powered studio monitors
M-Audio
BX5A
2
Microphones and Accessories:
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VIDEO/COMPUTERS:
Projectors:
8500 lumen 1080p Projector
3500 lumen 720p Projector
Panasonic
BenQ
PTDZ870uk
SP830
1
2
Screens:
22’x12’ 16:9 Front Projection Screen
9’x12’ 4:3 Front Projection Screen
5.5’x7.5’ 4:3 Front Projection Screen
Da-Lite
Draper
N/A
Da-Mat
Fast Fold
Pull Down
1
2
1
Cat5e Extenders:
VGA Cat5e Extender
HDMI Cat5e Extender
Gefen
Gefen
VGA LR
Gefen Toolbox
1
1
Computers:
Macbook Pro (Early 2011)
Mac Pro (Mid 2012)
Apple
Apple
8,2
5,1
1
1
LOADING DOCK:
The loading dock is located in the alley to the south of 608 1st Street SW. It can
accommodate up to 26’box 5-ton trucks. The Technical Director must be consulted
regarding load-in procedures and truck positioning. City permits may be required.
Dock Height: 3’-4” (1m) (Note: dock platform hinges down from in front of dock doors)
Loading Door Dimensions: 9’-1” W x 9’-8”H (2.8m x 3m) (Note: doors at 90˚ to edge of
dock)
LIFTS & LADDERS:
1
1
1
1
1
1
Genie AWP-36AC personnel lift
Genie AWP-25DC personnel lift
14’ A frame ladder
8’ stepladder
6’ stepladder
4’ stepladder
max platform height of 36’
max platform height of 25’
FREIGHT ELEVATOR:
Door Dimensions:
Interior Dimensions:
Load Capacity:
Levels Accessed:
Basement:
Level 1:
Level 2:
4’-1” W x 6’-8” H (1.25m x 2.1m)
10’-0”D x 6’-3”W x 7’-8” high (3.1m x 1.95m x 2.4m)
5000 pounds (2250 kg)
dressing rooms, wardrobe, production office, green room, storage,
restaurant kitchen
stage, loading dock, lobby, box office, and restaurant
upper lobby
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Level 3:
The Studio (rehearsal hall), technical booth, Theatre Junction admin.
Offices
DRESSING ROOMS/GREENROOM:
There are three dressing rooms on the basement level that can accommodate a total
of 22 people. Each room is equipped with hot and cold running water, showers, toilets,
sinks, makeup mirrors and lights, chairs and wardrobe racks. There is also a green room
in the basement with direct access to the stage. It contains a lounge area and a pantry
with a refrigerator, dishwasher and microwave oven.
WARDROBE:
A wardrobe maintenance room is located in the basement and is equipped with basic
equipment for maintenance including two domestic washers and dryers, an iron and
ironing board, and steamer. Access to this area and equipment is restricted and prior
arrangements must be made with the Technical Director for its use. Use of these facilities
for personal laundry is not permitted.
REHEARSAL HALL (THE STUDIO):
The Studio is located on the 3rd level and is 29’ x 43’ (8.8m x 13m). It has a lighting grid
at +18’-0” (5.4m) and is equipped with resilient floor (not directly on concrete) and basic
lighting and sound systems. Note that use of The Studio is not included in the rental of
the main theatre and it requires a separate booking. Haze, pyrotechnics or other
atmospheric effects may not be used in the Studio under any circumstances. For further
details on the studio’s technical specifications please contact the Technical Director.
PRODUCTION OFFICE:
There is one small production office for use by visiting management staff on the
basement level in the dressing room corridor. It is equipped with a desk, chairs, and
telephone. The telephone number is 403 205 2922 ext 216.
MUSICAL INSTRUMENTS:
There are no pianos or other musical instruments within the venue. Please consult the
Technical Director to have them rented on your behalf.
DRAWINGS:
For detailed drawings of the venue including standard lighting plots, audio
configuration, and masking layouts please contact the Technical Director. Drawings
can be rendered in .vwx or .dwg
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