FASHION.qxp:Maquetación 1
Transcription
FASHION.qxp:Maquetación 1
FASHION intro.qxp:Maquetación 1 26/7/10 16:54 Página 9 FASHION intro.qxp:Maquetación 1 26/7/10 16:54 Página 12 FAS HI ON index 3 Deep Design Scope Marka , 12 The Six Scents Fragrance Initiative , 28 Ana Clapés Xxxxxxxxxxxxxxx , 132 Anti Anti Sweden Visual Identity , 100 Boy Bastiaens Atelier LaDurance , 102 BVD Filippa K , 146 Checkland Kindleysides Levi’s , 34 Converse 1hund(RED) , 40 Corretjé Comunicación Gráfica Repost Collection , 92 Designers United Fenafresh , 172 Lotta Nieminen Anne Mette Fisker Langkjer , 88 Anni Kuan , 58 Anni Kuan , 76 m Barcelona Jules et moi , 96 Zueco , 98 Lollipop , 136 Salvatore Adduci Maax , 170 Mario Hugo Dolce & Galbana , 82 Sarah Nelson Habitat , 160 Mind Design Tess Management Identity , 18 Belmacz ‘Red’ , 64 Belmacz ‘Bauhaus’ , 68 Belmacz Collection , 69 Scandinavian DesignLab Paristexas II , 180 Mirinda Company Hazle , 56 Tous , 138 Mouse Graphics Walks Socks Underwear , 145 Draft Theatre products , 148 Pass the Baton , 166 MusaWorkLab Look Elite.Get to the top , 66 Look Elite. Looking for a star , 70 Lisbon Design Week , 190 El Paso, Galería de Comunicación Torch , 118 Narrow House boxes for Pasion for Fashion , 60 Espluga+Associates Clonography , 74 Circuit Luckystrike , 90 Sweater House , 91 Neosbrand Doble B , 89 Estudio Mariscal H&M , 182 EstudioFbdi Paula Cahen d'Anvers , 111 Jackie Smith , 112 Paula Cahen d'Anvers Niños , 122 Invista Apparel, fibra Lycra® , 134 GT Design Internacional T-Shirt design kit , 171 Karim Rashid Kenzo , 37 Hugo Boss , 43 Pati Nuñez Associats Magrit , 50 Petit Comité tuc tuc, 126 Puigdemont Roca design agency Naulover , 156 ruiz+company Camper , 26 Snook , 27 Sagmeister Inc. Anni Kuan , 16 Levi Strauss & Co , 24 Design Austria , 39 Anni Kuan , 44 Sánchez / Lacaste Farrutx , 84 Sonsoles Llorens Estudi Alagua , 62 del Carmen , 128 dos Mares , 130 la Peca de Lupe , 131 Steve Rura Hunter & Moss , 179 StormHand Pepe Jeans Advanced Products , 11 Pepe Jeans London , 106 SVIDesign Victoria Beckham , 46 Maks , 54 Ossie Clark , 72 Sandra Bugarin , 80 Thorbjørn Ankerstjerne Blaak , 42 Qasimi , 48 Wink American Eagle Outfitters , 120 Express , 121 X-House Brand Consultant Agency BSQT , 135 Karen Leidy , 165 You MGNERD , 32 U book 1 , 38 FASHION intro.qxp:Maquetación 1 26/7/10 16:54 Página 16 branding packaging FASHION.qxp:Maquetación 1 26/7/10 14:16 Página 11 Pepe Jeans Advanced Products StormHand worked in a close collaboration with Dutch photographer Bart Oomes on the Pepe Jeans London, Advanced Product projects. The first approach of the Advanced Products advertising campaign explains the ergonomic fit of the jeans and communicates craftsmanship by highlighting the details. Built around the idea of a classic 3D technical ‘exploded view’ illustration. The next Advanced Products campaign was based upon 'expressive poses'. Working the other way around, extensive digital sketchwork was prepared in finding unique angles and powerful stances for the shots to be taken. Only Ivo and Tamar, two professional dancers, seemed to be able to stay in the frozen dynamic pose for an extreme long time while Bart Oomes was shooting 16 photo’s within a complete circle of 360 degrees around each of them. StormHand worked in a close collaboration with Dutch photographer Bart Oomes on the Pepe Jeans London, Advanced Product projects. The first approach of the Advanced Products advertising campaign explains the ergonomic fit of the jeans and communicates craftsmanship by highlighting the details. Built around the idea of a classic 3D technical ‘exploded view’ illustration. The next Advanced Products campaign was based upon 'expressive poses'. Working the other way around, extensive digital sketchwork was prepared in finding unique angles and powerful stances for the shots to be taken. Only Ivo and Tamar, two professional dancers, seemed to be able to stay in the frozen dynamic pose for an extreme long time while Bart Oomes was shooting 16 photo’s within a complete circle of 360 degrees around each of them. StormHand. The Netherlands design & art direction: Boy Bastiaens / Albert Kiefer / Shari Lee Gumbs image manipulation: Albert Kiefer product photography: Bart Oomes client: Pepe Jeans London www.stormhand.com 11 FASHION.qxp:Maquetación 1 26/7/10 14:16 Página 12 SCOPE Markt 3 Deep Design. Melbourne. Australia designer: 3 Deep Design www.3deep.com.au 12 SCOPE is the largest and most global art fair in the world featuring galleries and artists from over 25 countries. The unique SCOPE experience expanded in 2010 with the addition of SCOPE Markt, SCOPE Film Program, the SCOPE Foundation’s Personal Development Auction. Scope: Markt 2010 featured a range of designers whose work cross-pollinates with the art world. In addition and to further support the creative positioning of SCOPE 2010 Markt, a series of installations were organized in collaboration with exhibiting designers and leading figures in art and fashion. Scope: Markt 2010 featured the following renowned designers: SCOPE is the largest and most global art fair in the world featuring galleries and artists from over 25 countries. The unique SCOPE experience expanded in 2010 with the addition of SCOPE Markt, SCOPE Film Program, the SCOPE Foundation’s Personal Development Auction. Scope: Markt 2010 featured a range of designers whose work cross-pollinates with the art world. In addition and to further support the creative positioning of SCOPE 2010 Markt, a series of installations were organized in collaboration with exhibiting designers and leading figures in art and fashion. Scope: Markt 2010 featured the following renowned designers: 1. Chicks on Speed 2. Graham Tabor & Miguel Villalobos 3. Hormazd Narielwalla 4. Lamija Suljevic 5. Sandra Backlund 6. Shari Pierce 7. Six Scents Parfums 8. Skyward/Annika Berger & Robert Knoke 1. Chicks on Speed 2. Graham Tabor & Miguel Villalobos 3. Hormazd Narielwalla 4. Lamija Suljevic 5. Sandra Backlund 6. Shari Pierce 7. Six Scents Parfums 8. Skyward/Annika Berger & Robert Knoke 13 FASHION.qxp:Maquetación 1 26/7/10 14:17 Página 14 SCOPE Markt 14 15 FASHION.qxp:Maquetación 1 26/7/10 14:17 Página 16 Anni Kuan Sagmeister Inc. New York. USA concept: Stefan Sagmeister illustration/photography/design: Julia Fuchs typography: Matthias Ernstberger www.sagmeister.com 16 Brochure for Anni Kuan, an Asian fashion designer working in New York. We bought 10 irons and utilized them like printing presses, an iron burns through the 16 pages of one brochure in 5 minutes. Brochure for Anni Kuan, an Asian fashion designer working in New York. We bought 10 irons and utilized them like printing presses, an iron burns through the 16 pages of one brochure in 5 minutes. 17 FASHION.qxp:Maquetación 1 26/7/10 14:17 Página 18 Tess Management Identity Mind Design. London. UK creative director: Holger Jacobs designers: Sara Streule / Johannes Höhmann collaboration: Simon Egli, Zurich www.minddesign.co.uk 18 Identity for a London based model agency. Tess represents well established names such as Naomi Campbell and Erin O'Connor in the UK. The identity uses several logo variations based on a modular system of Art Deco inspired elements. The same elements are being used for frames (which overlap images of the models) on various printed applications and on the website. Identity for a London based model agency. Tess represents well established names such as Naomi Campbell and Erin O'Connor in the UK. The identity uses several logo variations based on a modular system of Art Deco inspired elements. The same elements are being used for frames (which overlap images of the models) on various printed applications and on the website. 19 FASHION.qxp:Maquetación 1 26/7/10 14:17 Página 20 Tess Management Identity Tess Stationery 20 FASHION.qxp:Maquetación 1 26/7/10 14:18 Página 22 Tess Management Identity Tess Management Identity Tess model card 22 23 FASHION.qxp:Maquetación 1 26/7/10 14:18 Página 24 Levi Strauss & Co Sagmeister Inc. New York. USA creative director: Stefan Sagmeister design: Joe Shouldice, Richard The photography: Tom Schierlitz www.sagmeister.com 24 When Levi's asked us to design a poster for the 501, we simply took a picture of their jeans–but not before deconstructing them down to the individual threads and buttons, and then reforming the pair and incorporating the sentence "This is a pair of Levis, sewed with the strongest thread", conveniently found on the inside pocket of the jeans. When Levi's asked us to design a poster for the 501, we simply took a picture of their jeans–but not before deconstructing them down to the individual threads and buttons, and then reforming the pair and incorporating the sentence "This is a pair of Levis, sewed with the strongest thread", conveniently found on the inside pocket of the jeans. 25 FASHION.qxp:Maquetación 1 26/7/10 14:18 Página 26 Camper ruiz+company. Barcelona. Spain creative director: David Ruiz art director: Ainhoa Nagore designers: Jorge Alavedra / Vicente Ruiz client: Camper www.ruizcompany.com 26 Snook La nueva bolsa de Camper está diseñada acerca de los colores: los colores que representan las emociones, estados de ánimo e incluso sentimientos. De todos los colores, Camper está más asociado con el rojo: básico, apasionado e históricamente color corporativo de la marca. Un esquema conceptual, gráfica coherente con la identidad de todo el ser desarrollados para Camper. La nueva bolsa de Camper está diseñada acerca de los colores: los colores que representan las emociones, estados de ánimo e incluso sentimientos. De todos los colores, Camper está más asociado con el rojo: básico, apasionado e históricamente color corporativo de la marca. Un esquema conceptual, gráfica coherente con la identidad de todo el ser desarrollados para Camper. Los Snook se inspiran en un calzado tradicional inglés, los Plimsolls, que usaban los niños ingleses para la playa y para hacer deporte, desde mediados del siglo XIX. Son la perfecta expresión de una “easy elegance”, un concepto de calzado urbano confortable, que destaca por su fuerza y su simplicidad. Desde el principio el objetivo fue muy ambicioso, diseñar una marca para los Snook, tan coherente con el producto y tan potente que fueran un bloque indisoluble. Que el packaging y los catálogos sirvieran de herramientas de comunicación para llegar a las mejores tiendas del mundo. Los Snook se inspiran en un calzado tradicional inglés, los Plimsolls, que usaban los niños ingleses para la playa y para hacer deporte, desde mediados del siglo XIX. Son la perfecta expresión de una “easy elegance”, un concepto de calzado urbano confortable, que destaca por su fuerza y su simplicidad. Desde el principio el objetivo fue muy ambicioso, diseñar una marca para los Snook, tan coherente con el producto y tan potente que fueran un bloque indisoluble. Que el packaging y los catálogos sirvieran de herramientas de comunicación para llegar a las mejores tiendas del mundo. ruiz+company. Barcelona. Spain creative director: David Ruiz designer: Jorge Alavedra photography: Andrea Pérez Hita / Joan Miquel Horrillo client: Cock a Snook www.ruizcompany.com 27 FASHION.qxp:Maquetación 1 26/7/10 14:19 Página 28 The Six Scents Fragrance Initiative 3 Deep Design. Melbourne. Australia designer: 3 Deep Design www.3deep.com.au 28 What if a fragrance could be more than just sensuality, intrigue and allure? What if it could represent something that you stand for, something you believe in and hope for? What if a fragrance could be more than just sensuality, intrigue and allure? What if it could represent something that you stand for, something you believe in and hope for? Annually, the project presents a distinct group of six prominent artists and perfumers to develop a limited edition series of fragrances to help raise money for charity. The collection represents a worldwide spectrum of contemporary perspectives on creativity, culture and consciousness. Six Scents: Series Two features fragrances by the following renowned perfumers and designers in partnership with leading fragrance producer Givaudan. Annually, the project presents a distinct group of six prominent artists and perfumers to develop a limited edition series of fragrances to help raise money for charity. The collection represents a worldwide spectrum of contemporary perspectives on creativity, culture and consciousness. Six Scents: Series Two features fragrances by the following renowned perfumers and designers in partnership with leading fragrance producer Givaudan. 1. Phillip Lim & Natalie Gracia-Cetto 2. Damir Doma & Yann Vasnier 3. Henrik Vibskov & Louise Turner 4. House of Holland & Stephen Nilsen 5. Richard Nicoll & Rodrigo Flores-roux 6. Toga & Alexandra Kosinski 1. Phillip Lim & Natalie Gracia-Cetto 2. Damir Doma & Yann Vasnier 3. Henrik Vibskov & Louise Turner 4. House of Holland & Stephen Nilsen 5. Richard Nicoll & Rodrigo Flores-roux 6. Toga & Alexandra Kosinski 29 FASHION.qxp:Maquetación 1 26/7/10 14:19 Página 30 The Six Scents Fragrance Initiative 30 31 FASHION.qxp:Maquetación 1 26/7/10 14:19 Página 34 Levi’s Checkland Kindleysides. London. UK design: Checkland Kindleysides www.checklandkindleysides.com 34 The photography portrays a sense of character realism and focuses on individualism; capturing how people look and feel, not just what they are wearing. Levi’s® clothing becomes integral to their personality, helping the look to be relaxed and honest. Our modern take on Levi’s® two-horse image symbolises the strength and heritage of the brand. Reflecting the Levi’s® store interior which is texturally rich and uses a premium palette of materials, we created in-store packaging with a handcrafted feel. Carrier bags and gift wrapping were developed using raw materials, an embossed logo, handwritten fonts and simple black and white photography. Levi’s® ‘Revolution’ store concept reaffirms the brand as a denim specialist and original pioneer and authority in denim retailing. Interlacing brand and service at its core, our concept helps to guide the consumer through the complex range of fits, finishes and sizes in the clearest and most engaging way; offering a distinct choice between service and self-selection. Playing to the consumer’s rekindled love of the traditional rituals of service, a denim bar spans the length of the store, offering the customer specialist one-to-one advice, while providing a focal point for the overall environment. Self-selection is characterised by a ‘spinner unit’ which rotates 360º, locking into any desired position to create unlimited visual merchandising flexibility. The photography portrays a sense of character realism and focuses on individualism; capturing how people look and feel, not just what they are wearing. Levi’s® clothing becomes integral to their personality, helping the look to be relaxed and honest. Our modern take on Levi’s® two-horse image symbolises the strength and heritage of the brand. Reflecting the Levi’s® store interior which is texturally rich and uses a premium palette of materials, we created in-store packaging with a handcrafted feel. Carrier bags and gift wrapping were developed using raw materials, an embossed logo, handwritten fonts and simple black and white photography. Levi’s® ‘Revolution’ store concept reaffirms the brand as a denim specialist and original pioneer and authority in denim retailing. Interlacing brand and service at its core, our concept helps to guide the consumer through the complex range of fits, finishes and sizes in the clearest and most engaging way; offering a distinct choice between service and self-selection. Playing to the consumer’s rekindled love of the traditional rituals of service, a denim bar spans the length of the store, offering the customer specialist one-to-one advice, while providing a focal point for the overall environment. Self-selection is characterised by a ‘spinner unit’ which rotates 360º, locking into any desired position to create unlimited visual merchandising flexibility. 35 FASHION.qxp:Maquetación 1 26/7/10 14:20 Página 36 Kenzo Levi’s El perfume femenino Kenzo Summer by Kenzo plasma las notas sensuales y cálidas del verano. Había que reinventar el frasco original en forma de hoja, y mi intención era desarrollar un lenguaje de diseño holístico para una marca holística. Limpio, simple, cuidado, sobrio y diseñado para adaptarse a la época tecnológica actual. 36 Kenzo Summer by Kenzo perfume for women embodies warm sensual notes of summer. A re-envisioning of the original leaf packaging, my intention was to develop holistic design language for a holistic brand. Clean, simple, neat, understated, and designed to really perform in our contemporary technological age. Karim Rashid Inc. New York. USA designer: Karim Rashid client: Kenzo www.karimrashid.com 37 FASHION.qxp:Maquetación 1 26/7/10 14:20 Página 40 Converse 1hund(RED) Checkland Kindleysides. London. UK design: Checkland Kindleysides www.checklandkindleysides.com 40 We worked with Converse on their (RED) campaign to communicate to consumers some of the collaborative charity work that they are involved with. Converse commissioned one hundred artists from around the world to customise a pair of Chuck Taylor boots with the (RED) charity in mind. Each time consumers buy a (RED) product, the company that makes the product donates a percentage of their profits to buy and distribute antiretroviral medicine for AIDS sufferers in Africa. We created a dramatic exhibition which conveyed how Converse’s collaboration with artists connects creativity with change. Eye-catching product displays are set against artists’ statements expressing their hopes for what the charity might achieve. We commissioned an illustrator to create a piece of art to support the locality of the exhibition, with cues of St Paul’s and the surrounding area. The installation, made entirely from masking tape. We worked with Converse on their (RED) campaign to communicate to consumers some of the collaborative charity work that they are involved with. Converse commissioned one hundred artists from around the world to customise a pair of Chuck Taylor boots with the (RED) charity in mind. Each time consumers buy a (RED) product, the company that makes the product donates a percentage of their profits to buy and distribute antiretroviral medicine for AIDS sufferers in Africa. We created a dramatic exhibition which conveyed how Converse’s collaboration with artists connects creativity with change. Eye-catching product displays are set against artists’ statements expressing their hopes for what the charity might achieve. We commissioned an illustrator to create a piece of art to support the locality of the exhibition, with cues of St Paul’s and the surrounding area. The installation, made entirely from masking tape. 41 FASHION.qxp:Maquetación 1 26/7/10 14:21 Página 44 Anni Kuan Sagmeister Inc. New York. USA concept: Stefan Sagmeister design: Matthias Ernstberger, Eva Hueckman photo: Matthias Ernstberger www.sagmeister.com 44 Anni Kuan is an Asian fashion designer working in New York. Announcing the first collection in the year of the horse we sent out a shrink wrapped and crumbled piece of newsprint featuring the new collection as well as wrapping a little plastic horse. We looked for a cheap and quick solution: Plastic horse = 8 cents, crumbeling of paper = 4 seconds. Anni Kuan is an Asian fashion designer working in New York. Announcing the first collection in the year of the horse we sent out a shrink wrapped and crumbled piece of newsprint featuring the new collection as well as wrapping a little plastic horse. We looked for a cheap and quick solution: Plastic horse = 8 cents, crumbeling of paper = 4 seconds. 45 FASHION.qxp:Maquetación 1 26/7/10 14:22 Página 46 Victoria Beckham SVIDesign. London. United Kingdom creative director: Sasha Vidakovic designers: Sasha Vidakovic, Ian Mizon www.svidesign.com 46 First in line was the development of the logotype. Our sense was that the immediate recognition of the brand comes from the association of Victoria and Beckham – the two words separately carried a host of alternative connotations. In the process, we discovered an interesting rhythm to the word, with Victoria’s last A providing a subtle division between the name and surname while, at the same time, providing a unifying bridge, a harmonious centre point. The noted repetition of the triangular characters – V, A, M – was suitably striking and hinted at a graphic solution that was at once unique and subtle. The overall result is a subtle, effortless visual language which allows individuality across the divisions while ensuring a sense of unity through the graphic form of the logo and the light warm grey of the background colour. First in line was the development of the logotype. Our sense was that the immediate recognition of the brand comes from the association of Victoria and Beckham – the two words separately carried a host of alternative connotations. In the process, we discovered an interesting rhythm to the word, with Victoria’s last A providing a subtle division between the name and surname while, at the same time, providing a unifying bridge, a harmonious centre point. The noted repetition of the triangular characters – V, A, M – was suitably striking and hinted at a graphic solution that was at once unique and subtle. The overall result is a subtle, effortless visual language which allows individuality across the divisions while ensuring a sense of unity through the graphic form of the logo and the light warm grey of the background colour. 47 FASHION.qxp:Maquetación 1 26/7/10 14:22 Página 50 Magrit Pati Nuñez Associats. Barcelona. Spain design: Pati Nuñez photo: Pati Nuñez, kike Segurola, Alexis Taulé www.patinunez.com 50 Siempre se han visto los zapatos de Magrit como flores: osados, sensuales, coloridos, presumidos... son como las flores para las plantas: sus armas de seducción. Y son zapatos de cuento. Se pusieron en sus cajas imágenes fotográficas de pétalos, para obtener flores imaginarias, diferentes de las flores reales. El fondo es blanco, como la luz. Las bases e interiores de las cajas son de colores vivos y cálidos que explican su filosofía de marca: una eterna primavera. Magrit shoes have always seemed to be flowers: daring, sensual, colourful, presumptuous... they are what flowers are for their plants: weapons of seduction. Oh yes, they’re also shoes. Photos of petals were placed inside the shoeboxes to give the impression of imaginary flowers, rather than real ones. The photo backgrounds are white, as is light. Meanwhile, base and insides of the shoeboxes have rich warm colours that express the philosophy behind the brand: eternal spring. 51 FASHION.qxp:Maquetación 1 Magrit 52 26/7/10 14:22 Página 52 Magrit 53 FASHION.qxp:Maquetación 1 26/7/10 14:23 Página 54 Maks SVIDesign. London. United Kingdom creative director: Sasha Vidakovic designers: Sarah Bates, Sarah Bates illustration: Sasha Vidakovic, Sarah Bates www.svidesign.com 54 Hand made identity has been made to celebrate 25 years of the legendary family owned fashion label in Zagreb, Croatia. It reflects relaxed, comfortable style of clothes which are all made of top quality cotton, linen and other natural fabric. The identity is flexible and playful composition of dotted circles and could be easily applied onto the stationery, packaging and retail. Hand made identity has been made to celebrate 25 years of the legendary family owned fashion label in Zagreb, Croatia. It reflects relaxed, comfortable style of clothes which are all made of top quality cotton, linen and other natural fabric. The identity is flexible and playful composition of dotted circles and could be easily applied onto the stationery, packaging and retail. 55 FASHION.qxp:Maquetación 1 26/7/10 14:23 Página 56 Hazel Hazel. Guillermo Padellano Mirinda Company. Barcelona. Spain designer: Marina Company. www.mirindacompany.com 56 Cadena de tiendas de zapatos y complementos para mujer. El objetivo era crear unas piezas muy femeninas, que transmitieran la imagen de un vestidor. Para ello se recuperó la idea de cómo antaño se forraban los cajones con papeles de flores, muy “british”. De ahí que se dejara todo el packaging blanco por fuera y que se dibujasen flores por dentro. Se trataba de crear un envoltorio que fuera íntimo, huyendo de lo ostentoso, y en el que hubiera un factor de sorpresa: el descubrimiento de las flores dentro de cada elemento. La pieza se introduce en la caja, y ésta en el sobre dentado que tiene el tamaño de cada una de las bolsas. A la bolsa se le cuelga la etiqueta para poner el nombre del destinatario, en caso de que la compra sea para regalo. Cadena de tiendas de zapatos y complementos para mujer. El objetivo era crear unas piezas muy femeninas, que transmitieran la imagen de un vestidor. Para ello se recuperó la idea de cómo antaño se forraban los cajones con papeles de flores, muy “british”. De ahí que se dejara todo el packaging blanco por fuera y que se dibujasen flores por dentro. Se trataba de crear un envoltorio que fuera íntimo, huyendo de lo ostentoso, y en el que hubiera un factor de sorpresa: el descubrimiento de las flores dentro de cada elemento. La pieza se introduce en la caja, y ésta en el sobre dentado que tiene el tamaño de cada una de las bolsas. A la bolsa se le cuelga la etiqueta para poner el nombre del destinatario, en caso de que la compra sea para regalo. 57 FASHION.qxp:Maquetación 1 26/7/10 14:23 Página 58 Anni Kuan Sagmeister Inc. New York. USA art direction: Stefan Sagmeister illustration/photography/design: Izabella Bielawska www.sagmeister.com 58 Newsprint catalogue for New York fashion designer including pencil to completely complete the connect the dot images. Newsprint catalogue for New York fashion designer including pencil to completely complete the connect the dot images. 59 FASHION.qxp:Maquetación 1 Special edition boxes for Pasion for Fashion Narrow House. Madrid. Spain design: Narrow House client: Pasión for Fashion www.narrow-house.com 60 26/7/10 14:23 Página 60 Passion for Fashion es una tienda de moda online especializada en ropa y accesorios. En un primer momento, se dirigieron a nosotros para que diseñáramos su identidad de marca y les ayudáramos con el diseño de su página web. Acababan de abrir el negocio y su presupuesto era muy pequeño. De hecho, aceptamos bolsos, zapatos y joias como pago. A medida que nuestra relación y su negocio fueron creciendo, sugerimos que empezaran a “jugar” con la marca y, a modo de experimento, creamos una gama de packaging de edición especial. Ese primer año, creamos 3 cajas de edición especial que tuvieron un gran éxito, crearon un gran revuelo y les hicieron ganar publicidad gratuita en varios periódicos y revistas de moda. De ahí, la idea ha ido creciendo y ahora creamos de 5 a 10 cajas de edición especial a lo largo del año. Basamos los diseños de cada caja en un tema de moda/belleza, pero a veces podemos irnos por las ramas y ser bastante abstractos. Es muy divertido hacer estos diseños, y tenemos suerte de que a nuestro cliente le encanta lo que hacemos y nos da toda la libertad para hacerlo. Pasión for Fashion is an online fashion store specialising in clothes and accessories. They first came to us to design their brand identity and to help them with the design of their website. At that time they had just started their business and their budget was particularly small, in fact we accepted bags, shoes and jewellery as payment. As our relationship and their business grew, we suggested that they should begin to “play” with their brand and as an experiment we created a range of special edition packaging. In that first year we created 3 special edition boxes that proved to be an enormous success, creating a buzz and gaining free publicity in many newspapers and fashion magazines. From there, the idea has grown and now we create between 5 to 10 different special edition boxes throughout the year. We base the designs for each box on the fashion/beauty theme, but they can easily go off on a tangent, often becoming quite abstract. They are great fun to design and we are lucky that our client loves what we do and gives us freedom to do it. 61 FASHION 2.qxp:Maquetación 1 26/7/10 15:04 Página 74 Clonography espluga+associates. Barcelona. Spain client: Jofré www.espluga.net 74 Campaña de imagen para Jofré utilizando “clonografía”, un recurso que nació en el estudio casi por azar y el cual desarrollamos e investigamos tomando a la arquitectura como foco de atención. Jofré es una cadena de tiendas de ropa y complementos, tanto para hombre como para mujer, de alta gama. Cuenta con una destacada selección de marcas de lujo conocidas, así como de otras menos mediáticas, pero de igual calidad. Campaña de imagen para Jofré utilizando “clonografía”, un recurso que nació en el estudio casi por azar y el cual desarrollamos e investigamos tomando a la arquitectura como foco de atención. Jofré es una cadena de tiendas de ropa y complementos, tanto para hombre como para mujer, de alta gama. Cuenta con una destacada selección de marcas de lujo conocidas, así como de otras menos mediáticas, pero de igual calidad. 75 FASHION 2.qxp:Maquetación 1 26/7/10 15:04 Página 76 Anni Kuan Sagmeister Inc. New York. USA creative director: Stefan Sagmeister illustration/design: Richard The www.sagmeister.com 76 All illustrations are done with the fashion designer's everyday tools: pins and thread. With the mailer came 12 black pins to hang the newspaper sheets on the wall—one side of each sheet is part of a big poster— a snapshot of Anni Kuan the designer. All illustrations are done with the fashion designer's everyday tools: pins and thread. With the mailer came 12 black pins to hang the newspaper sheets on the wall—one side of each sheet is part of a big poster— a snapshot of Anni Kuan the designer. 77 FASHION 2.qxp:Maquetación 1 26/7/10 15:04 Página 78 Anni Kuan 78 79 FASHION 2.qxp:Maquetación 1 26/7/10 15:09 Página 100 Anti Sweden Visual Identity Anti. Oslo. Norway art direction: Kjetil Wold designers: Fredrik Melby, Martin Stousland illustration: Justin Bartlett photography: nom 100 Putting rebellion back to jeans. Identity work for the Norwegian apparell brand Anti Sweden. Combining the grim and dark cultural heritage from the darkside of Norwegian cult scene of True Norwegian Black Metal with a wellknown rivalery against the naighboring country of Sweden, it opened up a road of evil never seen before. The identity is purely black and white and uses a distinct and bold visual language mixed with grim illustrations from the most evil illustrator in the universe Justin Bartlett, well known from his influence on this sub culture. The only color is the distinct yellow who strangely have the same pms color as the Swedish flag. How to get hold of these jeans and more bold imagery in Black and white, visit www.antisweden.no Putting rebellion back to jeans. Identity work for the Norwegian apparell brand Anti Sweden. Combining the grim and dark cultural heritage from the darkside of Norwegian cult scene of True Norwegian Black Metal with a wellknown rivalery against the naighboring country of Sweden, it opened up a road of evil never seen before. The identity is purely black and white and uses a distinct and bold visual language mixed with grim illustrations from the most evil illustrator in the universe Justin Bartlett, well known from his influence on this sub culture. The only color is the distinct yellow who strangely have the same pms color as the Swedish flag. How to get hold of these jeans and more bold imagery in Black and white, visit www.antisweden.no FASHION 2.qxp:Maquetación 1 26/7/10 15:13 Página 112 Jackie Smith EstudioFbdi. Buenos Aires. Argentina client: Jackie Smith www.estudiofbdi.com 112 Jackie Smith es la marca de carteras y accesorios más sofisticada e interesante del mercado argentino. Fbdi comenzó a construir la experiencia Jackie Smith desde su nacimiento trabajando sobre un mundo femenino, internacional, romántico, atemporal y sofisticado. Un discurso de marca que transforma lo cotidiano en fantástico y que se revela en cada contacto con el universo de Jackie Smith. Dentro de este marco conceptual se definió y se diseñó su identidad visual, packaging y campañas de comunicación. Cada temporada se renueva la invitación a recorrer, explorar, descubrir y ser parte del estilo Jackie Smith en sus campañas gráficas. Jackie Smith es la marca de carteras y accesorios más sofisticada e interesante del mercado argentino. Fbdi comenzó a construir la experiencia Jackie Smith desde su nacimiento trabajando sobre un mundo femenino, internacional, romántico, atemporal y sofisticado. Un discurso de marca que transforma lo cotidiano en fantástico y que se revela en cada contacto con el universo de Jackie Smith. Dentro de este marco conceptual se definió y se diseñó su identidad visual, packaging y campañas de comunicación. Cada temporada se renueva la invitación a recorrer, explorar, descubrir y ser parte del estilo Jackie Smith en sus campañas gráficas. 113 FASHION 2.qxp:Maquetación 1 26/7/10 15:13 Página 114 Jackie Smith 114 115 FASHION 3.qxp:Maquetación 1 26/7/10 15:20 Página 138 Tous Mirinda Company. Barcelona. Spain designer: Marina Company client: Montse Novau. Directora de imagen de Tous www.mirindacompany.com 138 Tous Para el packaging de joyería Tous, se construyó una identidad basada en el color. Una gama cromática que se suma al combinar los diferentes elementos: bolsa, caja, papeles... En redondo, en 5 colores, las cajas se pueden superponer como si fueran pasteles. Se cierran con un elástico del que cuelga un cascabel. Las bolsas combinan el color en el exterior con el negro interior. Es un pack lúdico y honesto que huye del diseño tendencioso. Aunque se ha buscado transmitir una imagen particularmente femenina y chic, el uso del color permite tambien acercarse al público masculino y al mundo del bebé. Para el packaging de joyería Tous, se construyó una identidad basada en el color. Una gama cromática que se suma al combinar los diferentes elementos: bolsa, caja, papeles... En redondo, en 5 colores, las cajas se pueden superponer como si fueran pasteles. Se cierran con un elástico del que cuelga un cascabel. Las bolsas combinan el color en el exterior con el negro interior. Es un pack lúdico y honesto que huye del diseño tendencioso. Aunque se ha buscado transmitir una imagen particularmente femenina y chic, el uso del color permite tambien acercarse al público masculino y al mundo del bebé. Campaña internacional revistas: Joya San Valentín y Día de la madre. Campaña internacional revistas: Joya San Valentín y Día de la madre. 139 FASHION 3.qxp:Maquetación 1 26/7/10 15:20 Página 140 Tous Mirinda Company. Barcelona. Spain art director: Marina Company photography: Ellen Von Unwerth client: Montse Novau. Directora de imagen de Tous www.mirindacompany.com Tous Campaña internacional revistas joyas. Otoño-invierno 2009-2010. Concepto: Party Campaña internacional revistas joyas. Otoño-invierno 2009-2010. Concepto: Party Catálogo bolsos. Concepto: Party photography: Bèla Adler, Salvador Fresneda photography Kylie Minogue: Ellen Von Unwerth 140 141 FASHION 3.qxp:Maquetación 1 26/7/10 15:21 Página 142 Tous Mirinda Company. Barcelona. Spain art director: Marina Company client: Montse Novau. Directora de imagen de Tous www.mirindacompany.com Campaña revistas joyas y bolsos. Primavera-verano 2010. Concepto: Magia photography: Ellen Von Unwerth Catálogo bolsos primavera-verano 2010. Concepto: Magia photography: Ellen Von Unwerth, Leandre Escorsell 142 143 FASHION 3.qxp:Maquetación 1 26/7/10 15:21 Página 148 Theatre products DRAFT Co.,Ltd.. Tokyo. Japan art director: Ryosuke Uehara designers: Yuka Watanabe, Aya Iida photographers: Fumio Doi, Syunya Arai illustrator: Kei Hagiwara www.draft.jp 148 Clothing is made whole by the features that come into being when it is worn. Depending upon the delicate balance of various elements such as material, form, and color, the time and space around the person who wears the clothing are completed as well. In this way, clothing is a spatial and theatrical commodity that changes the continuity of our daily lives into a neverending performance. We at THEATRE PRODUCTS see operating a company that designs, produces, and sells clothing as being theatrical as well. Our reality as an organization that physically exists in a corner of the world the purpose of bringing “expressions of the body as media” into everyday life is in a way a living allegory of the structure of a theatre. By cutting something out of the world and putting it up for display on stage, we give our audience time to concentrate and think about its meaning. One by one, we out our offhand gestures as a fashion brand onto the stage and under the spotlight. Clothing is made whole by the features that come into being when it is worn. Depending upon the delicate balance of various elements such as material, form, and color, the time and space around the person who wears the clothing are completed as well. In this way, clothing is a spatial and theatrical commodity that changes the continuity of our daily lives into a neverending performance. We at THEATRE PRODUCTS see operating a company that designs, produces, and sells clothing as being theatrical as well. Our reality as an organization that physically exists in a corner of the world the purpose of bringing “expressions of the body as media” into everyday life is in a way a living allegory of the structure of a theatre. By cutting something out of the world and putting it up for display on stage, we give our audience time to concentrate and think about its meaning. One by one, we out our offhand gestures as a fashion brand onto the stage and under the spotlight. 149 FASHION 3.qxp:Maquetación 1 26/7/10 15:22 Página 150 Theatre products 150 151 FASHION 3.qxp:Maquetación 1 26/7/10 15:22 Página 152 Theatre products 152 153 FASHION 3.qxp:Maquetación 1 26/7/10 15:22 Página 154 Theatre products 154 155