in this issue - The Dowse Art Museum
Transcription
in this issue - The Dowse Art Museum
SUPPORTING THE DOWSE FOR OVER 40 YEARS ISSUE 47 / MARCH 2015 IN THIS ISSUE MUDLARK: BRONWYNNE CORNISH, CERAMICS 1982–2013 Later this year The Dowse will host a major survey exhibition of Bronwynne Cornish’s work. Katrina Smit talks to the artist about the exhibition and her iconic installation Home Is Where the Heart Is. WHAT’S ON AT THE DOWSE All the information you need about the exhibitions and events taking place at The Dowse in the coming months. 4 NUKU: SYMBOLS OF MANA 2014 Blumhardt/Creative New Zealand Curatorial Intern, Bridget Reweti tells us about her exhibition, Nuku: Symbols of Mana. 5 THE HORSES STAYED BEHIND We profile Cat Auburn’s latest project as the artist-in-residence at Tylee Cottage, Whanganui. 7 PLUS ALL THE LATEST INFO ABOUT UPCOMING EXHIBITIONS AND EVENTS ISSUE 47 / MARCH 2015 ON THE COVER Bronwynne Cornish, Frog Figure, 1979. Collection of Hawke’s Bay Museums Trust, Ruawharo Tā-ū-rangi, 79/216. Photo: David Frost. IN THIS ISSUE Pg 2 Greetings from Courtney Pg 3 Greetings from Heather Profile: Gerda Nana Pg 4 What’s on at The Dowse Pg 5 Nuku: Symbols of Mana 2014 Blumhardt/Creative New Zealand Curatorial Intern, Bridget Reweti tells us about her exhibition, Nuku: Symbols of Mana. Pg 6 Mudlark: Bronwynne Cornish, Ceramics 1982–2013 Later this year The Dowse will host a major survey exhibition of Bronwynne Cornish’s work. Katrina Smit talks to the artist about the exhibition and her iconic installation Home Is Where the Heart Is. Pg 7 The Horses Stayed Behind We profile Cat Auburn’s latest project as the artist-in-residence at Tylee Cottage, Whanganui. The Dowse gets Wiki-savvy Mackenzie Paton provides us with an update on The Dowse’s Wikipedia project. Pg 8 Upcoming Friends Events FRIENDS COMMITTEE 2015 SPECIAL OFFERS ARCHIBALD ART SUPPLIES, 95 MAIN STREET, UPPER HUTT 10% discount – except easels, pottery, magazines or commissioned work from an exhibition CACI LOWER HUTT, 119 QUEENS DRIVE, LOWER HUTT 15% off – excludes Appearance Medicine and current promotions GORDON HARRIS – THE ART & GRAPHIC STORE, 170 VICTORIA STREET, WELLINGTON 10% Discount – except books and magazines Open 7 days with parking – Wheelchair friendly www.gordonharris.co.nz HORIZON PAPER PLUS, 228 HIGH STREET, LOWER HUTT 10% off books, stationery and greeting cards LA BELLA ITALIA, 10 NEVIS STREET, PETONE 10% discount on divella products LIGHTHOUSE CINEMA, BEACH STREET, PETONE Free coffee when purchasing a movie ticket MINE: THE DOWSE SHOP 10% discount to Friends REKA CAFÉ, 45 LAINGS ROAD, THE DOWSE ART MUSEUM, LOWER HUTT 10% discount on food and drink until 5pm RONA (GALLERY AND BOOKS), 151 MURITAI ROAD, EASTBOURNE 10% discount on art books and art supplies VICTORIANA FLORIST, QUEENSGATE SHOPPING MALL & 496 FERGUSSON DRIVE, UPPER HUTT 10% discount on all flowers and loyalty card membership WITH WARM THANKS TO OUR BUSINESSES These discounts are exclusive to Friends members. Friends must show membership card to receive discounts. KEEP UP-TO-DATE WITH NEWS President Heather Crichton P 021 937 750 Please take a moment to send us your email or change of postal address so we can keep in touch: [email protected] Treasurer Jonathan Tomkins SUBSCRIBE TO E-NEWS @ Vice president Colin Kelly General committee Ann Montague, Bruce Sedcole, Kimberley Stephenson, Kirsty Stratford Patron Gillian Deane www.dowse.org.nz JOIN US ON FACEBOOK www.facebook.com/thedowseartmuseum FIND US ONLINE The Dowse Art Museum Friends liaison Katrina Smit www.dowse.org.nz/friends FRIENDS NEWSLETTER JOIN US MEETINGS For information about how to join the Friends of The Dowse visit: www.dowse.org.nz/friends email: [email protected] or phone: 021 937 750 Editor Kimberley Stephenson Designer Nicky Dyer The Friends committee normally meets on the last Tuesday of the month, 6pm at The Dowse Art Museum. Greetings from Courtney Welcome to a new year at The Dowse! My first highlight of 2015 was the opportunity to present on an innovative project we’ve been running here at The Dowse at the Fifth National Public Galleries Summit, held in Bendigo, Australia. The Bendigo Art Gallery, the Summit’s host, is regarded as a leader in cultural tourism, and a highlight of the visit was a chance to hear about how they have put art at the heart of the city’s promotion, as well as see their beautiful new collection storage space. Over summer, with funding provided by the craft trust Ngā Taonga a Hine-te-iwa-iwa, myself and two interns - Bridget Reweti and Mackenzie Paton - embarked on a vast learning curve in order to add 100 biographies of New Zealand craft artists to Wikipedia. The online encyclopedia is the world’s most commonly used reference tool, but New Zealand artists are poorly represented on it. The goal of the project is to increase the profile of New Zealand craft artists and history by putting accurate and plentiful information where people are most likely to find it. While other museums have undertaken projects linked to Wikipedia, this one - with its strong focus on artists, not the institution - is quite unusual. Work on the project continues, but the result so far is about 85 new articles, primarily on artists such as John Parker and Bronwynne Cornish, but also on organisations and events important to New Zealand’s post-war craft history, such as the Bone Stone Shell exhibition of 1989. This history, of course, is one that The Dowse is integrally part of. This Wikipedia project has increased our own knowledge about many of the artists represented in our collection, and takes a step closer to a digitisation project of our own. One of our core project principles is to be generous with our knowledge and time, and the Public Galleries Summit is just one of a number of public presentations we are making. We plan to run several workshops this year for people keen to learn how to contribute to Wikipedia, so keep an eye on our events calendar! NGĀ MIHI NUI, COURTNEY JOHNSTON, DIRECTOR 2 ISSUE 47 / MARCH 2015 Greetings from Heather Hello Friends! Big Day Dowse is very near and we are happy this year to have a Friends of The Dowse area where people can come and “slip, slop, slap” with sunscreen, and at the same time learn about The Friends. We look forward to seeing you there, and are sure it will be an exciting day for all. The Friends of The Dowse committee have some important goals for this year. Firstly, we aim to grow our membership to at least twice its current size. This is an audacious goal, but it is an important goal to have, and we would like to ask for the support of our current members to help us get there. One of the things you can do as a member, is to encourage a friend or family member to join. We would also like to hear your suggestions for good ways to help attract more members. Do you belong to other groups like ours and what can we learn from them? We have open ears, so if you have any ideas contact us by email or by phone (details at the back of this issue)… and we will listen. The next goal is to support at least 3 or 4 key exhibitions with specific activities for Friends members. Last year, for example, we hosted a very successful talk in conjunction with an exhibition of Barry Brickell’s work. We aim to hold more events of this calibre in the coming months, so watch out for more details in the next issue. Friends members will also always receive invitations to exhibition openings, which are great opportunities to meet with artists, The Dowse curators and other Friends members. The Friends would also like to get more tech-savvy with our membership database and online applications. We are looking at a number of ways that we can improve the management of our membership information, especially around membership renewal time (which is coming up very soon – at the end of March!). This is a big physical mail out process for us and if we can automate it with online payments for new and existing members, then that will save us a lot of time and save a few trees as well. Once again, if you have any experience with this type of thing, we would love to talk to you. The other two big events that are on our agenda is the ECC NZ Student Craft / Design Awards and the Architecture Tour. I’m pleased to say that the winner and runner-up of our 2014 Awards will be on display at the Urbis DesignDay in Auckland on 21 March. Thanks to our friends at Urbis for making this possible. Watch this space for more information about these events in 2015. Just a reminder… membership renewals are due by 31 March. We will send you the information regarding renewal and will advise of payment options soon. If you manage to join a friend up as well, we will be very grateful! ALL THE BEST UNTIL NEXT TIME HEATHER CRICHTON PROFILE GERDA NANA EXHIBITIONS & PROJECTS MANAGER Kia Ora, my name is Gerda Nana and I am the new Exhibitions and Projects Manager here at The Dowse. I have appreciated the warm welcome that I have received from The Dowse team and the assistance that I have been given to find my way as I settle into my new role. Prior to my appointment here I was the Exhibitions Manager at City Gallery Wellington for 8 years. Before that I worked at Te Papa Tongarewa Museum of New Zealand as an Exhibitions and Project Manager and was fortunate enough to be involved in the ‘Day One’ opening project - this is going back a bit now and might give a clue as to how old I am! I enjoy working with creative people and being involved in a creative environment and have been lucky enough to do this all of my working career. When time permits, I also enjoy being creative myself and have dabbled in many areas, including screen printing, painting, pottery and bronze casting to name a few. I am of Indian decent, born in Wellington and am married to Janine, who is an Acupuncturist. We have two teenage kids, Sabine and Jaeger. Big Day Dowse, 2014. Photo: Mark Tantrum. 3 ISSUE 44 47 / MAY MARCH 2014 2015 WHAT’S ON AT MARCH 2015 – MAY 2015 Exhibitions NUKU TEWHATEWHA NUKU: SYMBOLS OF MANA ONGOING Commissioned by Te Ātiawa chief Wī Tako Ngātata in the 1850s as a sign of support for the Kīngitanga (Māori King) movement, Nuku Tewhatewha is one of seven pātaka built around the North Island as ‘Pillars of the Kingdom’. UNTIL 26 APRIL 2015 Curated by the 2014 Blumhardt/Creative New Zealand Cuartorial Intern, Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi) this exhibition explores the concept of mana wāhine. Featuring work by Maureen Lander, Octavia Cook, Tui Emma Gillies, Denise Batchelor, Erena Baker, Pauline Bern, Candice Stock, Areta Wilkinson and Joanna Langford. MUDLARK: BRONWYNNE CORNISH, CERAMICS 1982 - 2013 11 APRIL 2015 – 2 AUGUST 2015 Mudlark is a major survey exhibition of over sixty works by Bronwynne Cornish, one of New Zealand’s most celebrated ceramic artists. The exhibition pays homage to an artist who has devoted her life to the ceramic medium. Bronwynne Cornish, Frog Figure (detail), 1979. Collection of Hawke’s Bay Museums Trust, Ruawharo Tā-ū-rangi, 79/216. Photo: David Frost. REWETI ARAPERE: RANGIMATUA Nuku Tewhatewha (detail). Areta Wilkinson (Ngāi Tahu), The Herbal Mixture, 2000. Collection of The Dowse Art Museum, purchased 2001. ALPHABET STREET FALLEN ROBOT ONGOING Commissioned by the E Tu Awakairangi Hutt Public Art Trust, Ronnie van Hout’s giant metal robot reclines in front of The Dowse. UNTIL 17 MAY 2015 Featuring an artwork for each letter of the alphabet, Alphabet Street is a curious neighbourhood where families will use the letter as the clue to solve the puzzle. 11 APRIL 2015 – 2 AUGUST 2015 Exploring customary whakairo (carving) with new materials, Reweti Arapere will build a giant poupou out of cardboard to represent a tiki. Inspired by Māoritanga and street art, this larger than life sculpture will be adorned with felt pens to depict the creation myth of the sons of Ranginui and Papatuanuku. MODERN REVIVALS: CONTEMPORARY NEW ZEALAND FURNITURE UNTIL 22 MAR 2015 Modern Revivals features award-winning furniture by New Zealand designers who draw inspiration from the sleek lines of modernist twentieth century design, while addressing twenty-first century values such as comfort, space and financial constraints and the environment. Reweti Arapere, Uenuku (detail), 2013. Courtesy of the artist. Alphabet Street installation shot, 2015. THE BOLD AND THE BEAUTIFUL UNTIL 5 JULY 2015 Stand-out necklaces from The Dowse’s rich collections will shine in The Bold and the Beautiful. The exhibition showcases larger-than-life necklaces, pendants and breastplates that offer a glimpse into the story of contemporary New Zealand jewellery. Simon James, Pick Up Sticks Chair, 2014. Courtesy of Simon James Design. SPACES UNTIL 22 MAR 2015 SPACES brings architecture, the background to our lives, to the forefront with works influenced and inspired by architectural spaces. Featuring work by artists Andrew Barber, Zac Langdon-Pole, Gavin Hurley, Kate Newby, Patrick Lundberg, Fiona Connor and Peter Peryer. Upcoming Exhibitions CUT + PASTE: THE PRACTICE OF COLLAGE 21 MARCH – 14 JUN 2015 Bright and satirical, political and dreamy: Cut + Paste traces the influence of international movements such as Dadaism, Surrealism, Pop art, abstraction and new media art on contemporary collage in New Zealand. Events LATE LOUNGE THURSDAR 2 APR – APRIL FISH THURSDAY 7 MAY – ANDRE MANELLA BIG DAY DOWSE SUNDAY 22 MARCH 2015 12PM – 6.30PM Save the date! With the Black Seeds as the headline act, this is going to be a great Big Day Dowse. Mark it in your diary now! TALK & TOUR: BRONWYNNE CORNISH, MUDLARK SATURDAY 11 APRIL 2015 11AM Join one of New Zealand’s most celebrated ceramic artists Bronwynne Cornish for a Talk & Tour of Mudlark, a survey show of her practice that spans over three decades of making. TALK & TOUR: REWETI ARAPERE SUNDAY 12 APRIL 2015 1PM Enjoy a lively discussion between Reweti Arapere and Kura Puke. Kura will explore how Arapere’s work blends customary and contemporary Māori art. LISA WALKER JEWELLERY WORKSHOP SPACES installation shot, 2014. Kate Woods, Forestry and Landscape, 2014. Courtesy of Bartley + Company Art. 4 SATURDAY 11 APRIL 2015 1PM -5PM | $20 Lisa Walker will run a workshop that draws upon the flotsam-and-jetsam we find in our everyday lives, teaching how these objects can be made into fascinating pieces of jewellery. Participants will need to bring a collection of objects to work with - they can be pieces of rubbish found on the street, the beach, things from a favourite shop or bits and pieces from the back of the couch – anything goes. Places strictly limited. ISSUE 47 / MARCH 2015 EXHIBITION PROFILE ABOVE: Denise Batchelor, Ruru, 2011. Still from moving image. NUKU: SYMBOLS OF MANA Tēnā koutou, my name is Bridget Reweti and I am from Tauranga Moana. Since June 2014, I have been the Blumhardt/Creative New Zealand Curatorial Intern. This means I have had the opportunity to curate an exhibition in the supportive environment of The Dowse. On my first day here, we had waiata practice in front of Nuku Tewhatewha, the carved pātaka (storehouse) that is housed at The Dowse. It is an amazing pātaka that portrays the fascinating history of the area. The show features work from The Dowse collection, such as Areta Wilkinson’s The Herbal Mixture and Pauline Bern’s Scrubber. I have sourced two moving image works from the valuable resource that is Circuit: New Zealand’s Artist Moving Image website as well as work from collections such as Te Papa Tongawera, Auckland Art Gallery and Anna Miles Gallery. There is also a new installation made by Joanna Langford from sticks and stones she collected during a visit we made to Brancepeth Station. Pātaka are regarded as a symbol of mana and one’s ability to provide and care. Wiremu Tako Ngātata of Te Ātiawa, Ngāti Ruanui and Taranaki iwi commissioned the building of Nuku Tewhatewha in 1856 to show support for the emerging Kīngitanga movement. Other Iwi leaders throughout Aotearoa New Zealand also showed their support for the Kīngitanga by building pātaka. These were known as the Pillars of the Kingdom. The theme of providing care has continued throughout the 150 year history of Nuku Tewhatewha as it was cared for by the Beetham family at Brancepeth Station in the Wairarapa before being gifted to The Dowse in 1992. Nuku Tewhatewha is the only remaining Pillar of the Kingdom. The kūwaha (door) of Nuku Tewhatewha features a carved woman breastfeeding and is the inspiration for my exhibition, Nuku: Symbols of Mana. This distinctive kūwaha acts as a portal into the all-women exhibition, providing the overall premise for the show, mana wāhine. Nuku Tewhatewha is a significant taonga from this rohe (area) and the mana of the pātaka with its portrayal of the importance of women became ABOVE: Tui Emma Gillies, Daughter of a Lost Dynasty, 2013. the entry point to exploring the notion of mana wāhine. For me, mana wāhine extends the capacity for women’s potential, communicating our integrity, influence, authority, prestige, power, and our ability to be a first rate version of ourselves. 5 The Blumhardt/Creative New Zealand Curatorial Internship has been a wonderful opportunity to curate an exhibition at The Dowse. I have felt empowered by the trust and support both The Dowse and the Blumhardt Foundation have extended to me during my time as an intern. BRIDGET REWETI NUKU: SYMBOLS OF MANA OPEN AT THE DOWSE UNTIL 10 MAY 2015 ISSUE 47 / MARCH 2015 COMING SOON MUDLARK BRONWYNNE CORNISH,CERAMICS 1982–2013 ABOVE: Bronwynne Cornish, Small Standing Figures (detail). Collection of the artist. BELOW LEFT TO RIGHT: Bronwynne Cornish, Baa Birds (detail), 2013. Collection of the artist. Bronwynne Cornish, Home Is Where the Heart Is installed at MTG Hawke’s Bay, 2014. Bronwynne Cornish, Pacific Sphinx (detail), 1993. Collection of the artist. PHOTOS: David Frost. In 1986, James Mack, the then director of The Dowse Art Museum, described Bronwynne Cornish’s installation Home Is Where the Heart Is as ‘one of the most important ceramic statements ever made in New Zealand’.1 It is fitting then, that this significant work (from The Dowse collection) should be the centrepiece of Mudlark: Bronwynne Cornish, Ceramics 1982–2013, a major survey of the artist’s work that will be on show at The Dowse from 11 April to 2 August this year. When asked if the exhibition is a ‘homecoming’ of sorts, Bronwynne Cornish says she has had various homes. She grew up in Napier, has spent a great deal of her adult life in Auckland and is enthusiastic about her connection to Lower Hutt. “I was born in Lower Hutt and as a child spent my holidays with my grandparents in Petone. Years later when I moved to Wellington to study I was the au pair for James and Jemi Coe2 in Melling, which was an influential time in my life”. Bronwynne has had a long relationship with The Dowse. Mudlark is the third solo exhibition of the artist’s work to be staged here. When asked about James Mack’s enthusiasm for Home Is Where the Heart Is, Bronwynne laughs and says: “He liked it enough to buy it for The Dowse collection! James Mack had a long-term view of collecting in that he saw the collection with a historical long view. He liked to collect throughout the career of an artist, not just a single work, to get a chronology of an artist’s practice and to get the bigger picture of craft in New Zealand”. The domestic references in Bronwynne Cornish’s work and the notion of home have continued throughout the artist’s career. Bronwynne says, “Most artists work from what they know - my own experience as a mother, of the mother figures I have had through my life and my studio at home have all been central elements to my work. I have always been interested in natural history and animals being emblematic through history. For instance, the seated cats that features in Home Is Where the Heart Is 6 reference seated cats that go back to the Egyptians and are very much guardians of the domestic space”. It is the connection between the domestic and historical elements and the magic of clay that resounds so strongly with audiences of Bronwynne Cornish’s work. Bronwynne describes working with clay as ‘very elemental’. “People love making things – firing turns the clay into something permanent, it’s magical. It is a material that should be treated with respect”. Visitors to The Dowse will experience the breadth of Bronwynne’s work through the many collectors and institutions that have lent works for Mudlark. On the theme of homecoming, Bronwynne says of the survey of her work, “It is great to see the works all together again. They have their own lives”. KATRINA SMIT 1. James Mack. Bronwynne Cornish. Exhibition catalogue, Govett Brewster Art Gallery, 1986. Unpaginated. 2. James Coe was an important art educationalist and the head of the Wellington Polytechnic School of Design and Jemi Coe was one of the founders of the Playcentre movement. The function rooms at The Dowse are named after James Coe. ISSUE 47 / MARCH 2015 THE DOWSE GETS WIKI-SAVVY Over summer Courtney Johnston, Bridget Reweti and I have been researching and writing Wikipedia entries for approximately 100 New Zealand craft and applied art practitioners. During the research stage we nestled down in The Dowse, Te Papa or Wellington Library with stacks of books, becoming familiar with the names and shapes that define these incredible people. Since starting this project in late November, we have had a real crash course in the world of Wikipedia and are quickly becoming much more Wikisavvy. Equipped with a list of artists, we’ve launched right into creating a series of ‘stubs,’ which are short, well referenced articles that include key details about the subject’s life. As we get deeper into this project, we realise how many other avenues of New Zealand art have yet to be explored and uploaded to Wikipedia. Every day our wish list of New Zealand artists, exhibitions and institutions is growing. The more research we do, the more we realize that this ‘100 New Zealand Craft Artists’ goal is simply the tip of the iceberg. There’s a great deal of room for growth and to get others excited and engaged about this wonderful, fact-rich project. Ngā Taonga a Hine-te-iwa-iwa: A Treasury of New Zealand Craft Resources is generously supporting this project. If you’d like to see some of the stubs and articles we’ve created, check out Maureen Lander, Kobi Bosshard and Bone Stone Shell. MACKENZIE PATON THE HORSES STAYED BEHIND ABOVE: Cat Auburn, Sample of horse hair rosettes, 2014. INSET: Frank the horse donating to the project at the Canterbury A&P show, 2014. Between November 2014 and February 2015 Cat Auburn, a Preparator at The Dowse, was the artist-in-residence at Tylee Cottage, Whanganui. Her residency project has focused on memory and mortality, reflecting on the thousands of horses who left New Zealand for service in World War One and never returned. Grief and the ways in which it affects an individual, a community, a nation – immediately and over the course of generations – is central to this project, as she creates a collaborative memorial to war, community and animals. Over the course of the residency Cat has received over 400 donations of horse hair from across New Zealand, which she is weaving into flowers in the style of a Victorian Hair Wreath to create a large memorial tapestry. For every donation she has gone through the incredibly time consuming process of washing, sterilising, sorting and weaving each donation into an intricate rosette. The resulting tapestry will form the centrepiece of her exhibition, which is scheduled to open on 20 June 2015 at Sarjeant on the Quay, 38 Tāupo Quay, Whanganui, the Gallery’s interim venue during the Sarjeant Gallery Redevelopment Project. Alongside the tapestry in the final exhibition will be an oud, a Middle Eastern string instrument, which a Whanganui luthier will be making out of donated horse hair. The instrument will be playable and performances will be an essential part of the exhibition as an exploration of the multisensory nature of grief. Two Lower Hutt-based musicians are also collaborating with Cat on this aspect of the project. The third aspect of the exhibition is the result of Cat’s research into the memorial to the ANZAC Mounted Rifles, Camel Corps FOLLOW THE PROJECT ONLINE and the Desert Mounted Corps, which was erected in Port Said in 1932. It was destroyed in the 1956 Suez conflict and the head of the statue is now on display at the Australian War Memorial. A fragment from the reins of the sculpture, the only other remaining piece from the original 1932 memorial sculpture, is being sent to Whanganui from the Australian War Memorial Museum for the exhibition. The inclusion of a bronze fragment of this historic monument confronts the idea that public memory is usually placed within giant bronze monuments that invoke might and glory. Cat seeks to subvert the traditional glorification of war within the medium of sculpture by displaying a tiny remnant of the original memorial monument as a relic and reminder of the realities of war. SARAH MCCLINTOCK Assistant Curator, Sarjeant Gallery Te Whare o Rehua Whanganui Another exciting opportunity has recently arisen for Cat, who has just been accepted into the prestigious Masters programme at Northumbria University held in association with The Baltic Gallery in Newcastle in the UK. Only ten people are accepted into this programme from around the world every year. A fantastic achievement congratulations Cat! @catauburn#horsesstayedbehind www.catauburn.com https://www.facebook.com/catauburnartist 7 CHECK OUT WWW.DOWSE.ORG.NZ/FRIENDS FOR UPDATES AND NEW EVENTS UPCOMING EVENTS Cat Auburn with Rest Cure, 2009. ARTIST TALK with Cat Auburn 6.30PM THURSDAY 16 APRIL THE DOWSE ART GALLERY Come along and hear artist Cat Auburn talk about her latest project, The Horses Stayed Behind. MATARIKI ART NIGHT SAVE THE DATE Thursday 2 July 2015 JOIN US IN WELCOMING IN THE MĀORI NEW YEAR WATCH THIS SPACE FOR MORE DETAILS AGM – 1ST NOTICE FRIENDS AGM TUESDAY 2 JUNE 2015 6PM – 8PM at The Dowse Art Museum All members welcome! Committee nominations and any General Business must be made in writing at least seven days before the AGM to: Friends of The Dowse PO Box 30 396 Lower Hutt or email [email protected] Nomination Forms can be collected from the front desk of the gallery. If you are interested or would like to put someone’s name forward please contact: Heather Crichton on 021 937 750. TREASURER WANTED The Friends Committee would especially welcome nominations for a person willing to take on the role of Treasurer. Become a friend of The Dowse You will receive our quarterly newsletter and keep up-to-date with the latest Friends news, exhibition openings, gallery events and insider info! We have regular organised visits to exhibitions, floor talks, private art collection visits and studio/gallery/architectural tours. There are opportunities to volunteer or assist on special Dowse projects if you wish. Become more closely involved with The Dowse and like-minded people. ANNUAL MEMBERSHIP SUBSCRIPTION RATES: STUDENTS/SENIOR CITIZENS $20 INDIVIDUAL $30 FAMILY $50 CORPORATE $250 NAME ........................................................................................................... PHONE.............................................................. EMAIL ............................................................... ADDRESS ....................................................................................................................................................................................................................................................................... Send your details & cheque to: FRIENDS OF THE DOWSE, PO BOX 30 396, LOWER HUTT or email: [email protected] or join online. www.dowse.org.nz/friends