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Καλλιτεχνικός Διευθυντής / Artistic Director
Γιώργος Τσαγγάρης / Yiorgos Tsangaris
Επιμέλεια και Επιλογή Διεθνούς Διαγωνιστικού Προγράμματος
International Competiton Film Program curator
Επιμέλεια και Επιλογή Κυπριακού Διαγωνιστικού Προγράμματος
Cyprus Competiton Film Program curators
Νίκος Σύννος / Nicos Sinnos
Πασχάλης Πασχάλη / Paschalis Paschali
Views of the World
EUROPE FOR FESTIVALS
FESTIVALS FOR EUROPE
EFFE LABEL 2015-2016
Republic of Cyprus
Association
Internationale
Cultural Servises
du
Film d' Animation
Ministry of Education
and Culture
UNESCO
- CICT
ANIMA
FEST
CYPRUS
Views of the World
EUROPE FOR FESTIVALS
FESTIVALS FOR EUROPE
EFFE LABEL 2015-2016
Συνδιοργανωτές / Co-Organizers
Φεστιβάλ Όψεις του Κόσμου & Μουσείον Χαρακτικής Χαμπή
Animafest Cyprus - Views of the World & Hambis Printmaking Museum
Επίσημη Στήριξη / Official Support
Κυπριακή Δημοκρατία - Υπουργείο Παιδείας και Πολιτισμού
Republic of Cyprus - Ministry of Education and Culture
ASIFA Association International du Film d’Animation
Χορηγοί Βραβείων / Awards Sponsors
Τράπεζα Κύπρου / Bank of Cyprus
Σε Συνεργασία / In Collaboration
Πανεπιστήμιο Λευκωσίας / University of Nicosia
Τεχνολογικό Πανεπιστήμιο Κύπρου / Cyprus Technological University
Γραφείο Δημιουργική Ευρώπη Κύπρου / Creative Europe Desk Cyprus
Πρεσβεία της Αυστρίας στην Κύπρο / Austrian Embassy in Cyprus
Στηρίζουν / With the support
Oργανισμός Νεολαίας Κύπρου / Youth Board of Cyprus
Τμήμα Αρχαιοτήτων Κύπρου / Department of Antiquities Cyprus
Κινηματογραφική Λέσχη Λεμεσού / Limassol Cine Club
EFFE Label 2015 - 2016 / European Festivals Association
Διεθνές Φεστιβάλ Ταινιών Animation Κύπρου
Ταχ. Κιβ. 20675, Λευκωσία 1662, Κύπρος
Animafest Cyprus
P.O. BOX 20675, Nicosia, 1662, Cyprus
[email protected] / www.animafest.com.cy
© 2002 - 2016 ΟΨΕΙΣ ΤΟΥ ΚΟΣΜΟΥ / VIEWS OF THE WORLD
Association Internationale
du Film d' Animation
UNESCO - CICT
Επιμέλεια και Επιλογή Ταινιών Παιδικού Προγράμματος
Children’s Film Program curator
Φεστιβάλ / Festival 2016
ANIMA
FEST
CYPRUS
Συντονισμός Cyprus Animation Forum
Cyprus Animation Forum Coordinators
Νίκος Σύννος / Nicos Synnos
Γιάννα Αμερικάνου / Yianna Americanou
Επιμέλεια Προγράμματος Ταινιών The Animation Workshop
The Animation Workshop film Program Selection
Lana Tankosa Nikolic
Επιμέλεια Έκθεσης και Αφιερώματος Ταινιών Theodore Ushev
Theodore Ushev’s Tribute Film Selection and Exhibition
Theodore Ushev
Επιμέλεια Προγράμματος Αφιερώματος Kaspar Jancis
Kaspar Jancis Tribute Film Selection
Kaspar Jancis
Σημείωμα για Theodore Ushev & Kaspar Jancis
Note on Theodore Ushev & Kaspar Jancis
Chris Robinson
Εργαστήρι Animation - Χαρακτική / Printmaking Animation Workshop
Thomas Renoldner & Federica Pagnucco
Συντονισμός Εργαστηρίων / Workshops Coordinators
Ειρήνη Στυλιανίδου / Irene Stylianides
Θεόδωρος Κακουλλής / Theodoros Kakoullis
Το Φεστιβάλ συμπληρώνει φέτος 15 χρόνια δυναμικής και ποιοτικής παρουσίας.
Συντονισμός για Μουσείον Χαρακτικής Χαμπή /
Coordination for Hambis Printmaking Museum venue
Χαμπής Τσαγγάρης / Hambis Tsangaris
Hélène Reeb - Τsangaris
Νιώθω πως αυτή η γιορταστική επέτειος σηματοδοτεί την αρχή μιας νέας εποχής για την
Κυπριακή παραγωγή animation. Το φετινό Κυπριακό διαγωνιστικό πρόγραμμα είναι το πιο
ώριμο που είχαμε ποτέ. Συμπεριλαμβάνει διεθνείς συμπαραγωγές και μια παραγωγή της
Συμβουλευτικής Επιτροπής Κινηματογράφου (Σ.Ε.ΚΙΝ). Επιπλέον, δύο ταινίες Κύπριων
δημιουργών συμμετέχουν ταυτόχρονα και στο διεθνές διαγωνιστικό πρόγραμμα, ενώ μια
Κυπριακή ταινία συμμετέχει στο διεθνές πανόραμα παιδικών ταινιών. Κι ακόμα, νεαροί
Κύπριοι καλλιτέχνες, που έλαβαν μέρος σε προηγούμενες διοργανώσεις, επιστρέφουν με
ωριμότερα έργα, ενώ πρωτοεμφανιζόμενοι δημιουργοί, που έλαβαν μέρος στο Animafest
ως εθελοντές ή παρακολουθώντας εργαστήρια, κάνουν το ντεμπούτο τους στο εθνικό
διαγωνιστικό πρόγραμμα. Αυτή είναι η μεγαλύτερη επιβράβευση για μας, γιατί πάντα είχαμε
την ανάπτυξη της Κυπριακής παραγωγής ως προτεραιότητα.
Συντονισμός για Τεχνόπολις 20 /
Coordination for Technopolis 20 venue
Μαρκέλλα Νεοκλέους / Markella Neokleous
Παιδικό Εργαστήρι / Children’s Workshop
Παναγιώτα Μιχαήλ / Panayiota Michael
Φωτογράφοι Φεστιβάλ / Official Photographers
Παναγιώτης Μηνά / Panagiotis Mina
Σοφοκλής Καρπασίτης / Sofoklis Karpasitis
Κινηματογράφιση Φεστιβάλ / Festival Filming
Χρίστος Αγιομαμίτης / Christos Ayiomamitis
Εκτέλεση Παραγωγής / Production
Φεστιβάλ Όψεις του Κόσμου / Views of the World Festival
Γενικός Συντονισμός Παραγωγής και Εθελοντών /
Project Management and Volunteers Coordinator
Μαρία Τσαγγάρη / Maria Tsangari
Επιμέλεια και Συντονισμός Συναυλίας Sandy Brour /
Sandy Brour Concert Coordination
Αντώνης Αντωνίου / Antonis Antoniou
Οικονομική Διαχείρηση / Finance
Μαρία Τσαγγάρη / Maria Tsangari
Α. Χρυσάνθου & Σια Λτδ / A. Chrysanthou & Co. Ltd
Τεχνική Υποστήριξη / Technical Support
Γιάγκος Χατζηγιάννης / Yiangos Hajiyiannis & Event Pro
Κωνσταντίνος Τερλικκάς / Constantinos Terlikkas
The Camassa Touch (Exhibition)
Φεστιβάλ / Festival 2016
Εκπρόσωπος Τύπου / Press Attaché
Τώνια Σταυρινού / Tonia Stavrinou
Φέτος στο Κυπριακό Διαγωνιστικό συμμετέχουν με ταινίες τους οι Κύπριοι δημιουργοί:
Κωνσταντίνος Τερλικκάς (συμπαραγωγή με την Ουγγαρία και Ρουμανία, συμμετέχει και
στο διεθνές διαγωνιστικό), Αλέξης Χαβιαράς (Συμπαραγωγή με Σ.Ε.ΚΙΝ, συμμετέχει και
στο παιδικό διεθνές πανόραμα ταινίων), Ρέα Λαζαρίδη, Χριστίνα Καρεκλά, Sholeh Zahraei, Κωνσταντίνος Σοφοκλέους, Μαρία Νικολάου, Κωνσταντίνος Γεωργίου (συμμετέχει
και στο διεθνές διαγωνιστικό), Ντίνος Συρίμης, Χαράλαμπος Μαργαρίτης, Σάββας
Θεοδοσίου, Γεωργία Νικολάου, Ελένη Χανδριώτου, Κοσμάς Νόνης, Περικλής Γεωργίου,
Χάρης Χριστοδουλίδης και Στέφανος Χρυσάνθου. Παράλληλα στο φετινό φεστιβάλ θα
συμμετέχουν με μια εγκατάσταση διαδραστικού χαρακτήρα με τίτλο «Hope with-in» οι
φοιτητές του Τεχνολογικού Πανεπιστημίου Κύπρου Γεωργία Νικολάου, Ειρήνη Παντέλα,
Ηρακλής Ιωάννου, Κάλια Παύλου, Μιχάλης Κωνσταντίνου, Μύρια Αδάμου, Νικολέττα
Κυριάκου, Παμελα Αντρέου, Φανουρία Παναγιώτου και Φίλιππος Αθηνοδώρου.
Το διεθνές διαγωνιστικό πρόγραμμα αποτελείται και φέτος από μια επιλογή ταινιών
διακεκριμένων καλλιτεχνών παγκοσμίως, που συνεχίζουν να μας γοητεύουν με την τεχνική
και την ευαισθησία τους. Το διεθνές πρόγραμμα είναι για ακόμα μια φορά ποικιλόμορφο
και πολύ επιλεκτικό, ενώ παρατηρούμε ότι, παρόλα τα τεχνολογικά επιτεύγματα της εποχής
μας, στο χώρο του ανεξάρτητου animation αυξάνονται οι καλλιτέχνες που αξιοποιούν τις
παραδοσιακές τεχνικές, όπως για παράδειγμα ζωγραφική σε γυαλί, κινούμενο σχέδιο, stop
motion animation κλπ.
Μεταξύ άλλων θα προβληθούν ταινίες των Koji Yamamura, Phil Mulloy, Igor Kovalyov,
Georges Schwizgebel, Vladimir Leschiov, Riho Unt, David Jansen, Lei Lei, Cordell Barker,
Reka Bucsi, Steve Socki, Janice Nadeau κ.α.
Μέσω της επαφής με τη δουλειά καλλιτεχνών τέτοιας εμβέλειας ενδυναμώνεται
και καλλιεργείται ο τομέας του animation στον τόπο μας. Μαζί με τα εργαστήρια, τα
αφιερώματα και τα masterclasses, το διεθνές διαγωνιστικό πρόγραμμα είναι το σχολείο στο
οποίο βασίζεται και η δική μας ανάπτυξη στην Κύπρο.
Ευχαριστούμε λοιπόν όλους τους διεθνείς καλλιτέχνες που συμμετέχουν στο φεστιβάλ με
τις ταινίες τους ή μέσα από εκπαιδευτικές δράσεις, στηρίζοντας έτσι την αποστολή του.
Οι παράλληλες εκδηλώσεις φέτος περιλαμβάνουν εργαστήρι υπό την καθοδήγηση των
καλλιτεχνών Thomas Renoldner και Federica Pagnucco με θέμα «Χαρακτική και το
Animation» στο Μουσείον Χαρακτικής Χαμπή στα Πλατανίστεια (18-20 Ιουλίου), έκθεση
βασισμένη στην ταινία τους «L’ alfabeto delle cose piccole» καθώς και ημερίδα / Animation Forum σε συνεργασία με το πρόγραμμα Creative Europe Desk Cyprus, το Τεχνολογικό
Πανεπιστήμιο Κύπρου και το Πανεπιστήμιο Λευκωσίας (Παρασκευή 22 Ιουλίου, ΤΕ.ΠΑ.Κ.),
η οποία θα περιλαμβάνει και παρουσίαση του αναπτυξιακού έργου του The Animation Workshop της Δανίας. Από τις 21 μέχρι τις 23 Ιουλίου, στον εσωτερικό χώρο της
Μεσαιωνικής Αγρέπαυλης καθ’ όλη τη διάρκεια της ημέρας το κοινό θα έχει την ευκαιρία
να παρακολουθήσει αφιερώματα στη δουλειά των καλλιτεχνών Theodore Ushev και Kaspar
Jancis.
Έχουμε επίσης την τιμή και τη χαρά να φιλοξενούμε έκθεση με τις αφίσες του Theodor
Ushev, στη Μεσαιωνική Αγρέπαυλη μεσα στον Αρχαιολογικό χώρο της Παλιπάφου στα
Κουκλια, κατά τη διάρκεια του φεστιβάλ. O Ushev, διεθνώς διακεκριμένος καλλιτέχνης
της αφίσας και του animation και γνωστός στο Κυπριακό φεστιβάλ τα τελευταία χρόνια,
φιλοτέχνησε επίσης τη φετινή αφίσα μας.
Το παιδικό πανόραμα ταινιών προβάλλεται στις 19 Ιουλίου στον πολιτιστικό χώρο
Τεχνόπολις 20 στην Πάφο.
Το Φεστιβάλ θα κλείσει το Σάββατο 23 Ιουλίου με την τελετή βράβευσης και ακολούθως
με μια συναυλία από το αγαπημένο Κυπριακό μουσικό σχήμα Sandy Brour. Οι Sandy Brour
ιδρύθηκαν το 2012 και το 2016 κυκλοφόρησαν τον πρώτο τους δίσκο. Τους ευχόμαστε να
είναι καλοτάξιδος και τους ευχαριστούμε που είναι μαζί μας φέτος, για να κλείσουν με τον
καλύτερο τρόπο αυτό το μαγικό τριήμερο!
Θα ήθελα να εκφράσω τις θερμές μας ευχαριστίες στους χορηγούς μας για τη σταθερή
τους στήριξη: Τις Πολιτιστικές Υπηρεσίες του Υπουργείου Παιδείας και Πολιτισμού, που
μας στηρίζει εδώ και 15 χρόνια, το Τμήμα Αρχαιοτήτων, για τη δωρεάν παραχώρηση του
αρχαιολογικού χώρου της Παλαιπάφου, τον Οργανισμό Νεολαίας Κύπρου, το Πανεπιστήμιο
Λευκωσίας και το Τεχνολογικό Πανεπιστήμιο Κύπρου καθώς και την Πρεσβεία της
Αυστρίας στην Κύπρο.
Φέτος τα βραβεία αθλοθετήθηκαν από την Τράπεζα Κύπρου. Την ευχαριστούμε και
προσβλέπουμε σε μία μακροχρόνια συνεργασία. Ευχαριστούμε επίσης το Creative Europe
Desk Κύπρου για τη συνδιοργάνωση των διαλέξεων και παρουσιάσεων.
Για άλλη μια φορά ευχαριστούμε τους εθελοντές μας που συμβάλλουν καθοριστικά στην
επιτυχία της διοργάνωσης.
Καλωσορίζουμε και ευχαριστούμε ιδιαίτερα τη διεθνή κριτική επιτροπή, Kaspar Jancis,
Theodore Ushev και Γιώργο Σαββινίδη.
Τέλος, ένα μεγάλο ευχαριστώ στο κοινό που εδώ και 15 χρόνια μας στηρίζει και έχει
αγκαλιάσει την τέχνη του animation.
Καλό φεστιβάλ σε όλους!
Γιώργος Τσαγγάρης
Καλλιτεχνικός Διευθυντής
This year we celebrate the 15th edition of Countryside Animafest Cyprus! For fifteen years
the festival has maintained a dynamic presence in our country’s cultural scene.
I feel that this joyful anniversary marks a turning point for Cypriot animation production.
This year’s National competition programme is the most advanced and artistically mature
we have ever had. It includes international co-productions, and one production by the
Cyprus Cinema Advisory Board. Furthermore, two films by Cypriot artists take part in the
international competition section, while one Cypriot film is included in the international
panorama of children’s films. Young Cypriot artists, who participated in the competition
in previous years, are returning with more mature work, while some, who in the past had
attended workshops or participated as festival volunteers, are making their debut in the
national competition section. This is the greatest reward for us, since we’ve always kept
the development of Cypriot animation production high up on the festival’s priorities.
This year the participants in the National Competition Section are: Constantinos Terlikkas
(with a co-production with Hungary and Romania, also participating in the international
competition), Alexis Chaviaras (Co-production with Cyprus Cinema Advisory Board, participating also at the Children’s film Panorama) Rhea Lazarides, Christina Karekla, Sholeh
Zahraei, Constantinos Sophocleous, Maria Nicolaou, Constantinos Georgiou, Dino Syrimis, Charalambos Margaritis, Savvas Theodosiou, Georgia Nicolaou, Eleni Chandriotou,
Cosmas Nonis, Periclis Georgiou, Charis Christodoulides and Stephanos Chrysanthou.
At the same time, the students of the Cyprus Technological University Georgia Nicolaou,
Irini Pantela, Iraclis Ioannou, Kalia Pavlou, Michalis Constantinou, Myria Adamou, Nicoletta
Kyriakou, Pamela Andreou, Fanouria Panayiotou and Philippos Athinodorou, will participate in the festival with an interactive installation entitled “Hope with-in”.
The exciting selection of films in the international competition will be a feast for the senses,
and will include work by several internationally acclaimed artists, who continue to enchant
with their technique and emotional depth. In curating this year’s diverse and highly selective programme we observed that, despite our era’s technological advances, an increasing
number of independent artists are using traditional animation techniques, such as painting
on glass, drawn animation, stop motion animation etc.
Among other artists, this year we will screen films by Koji Yamamura, Phil Mulloy, Igor Kovalyov, Georges Schwizgebel, Vladimir Leschiov, Riho Unt, David Jansen, Lei Lei, Cordell
Barker, Reka Bucsi, Steve Socki and Janice Nadeau.
One of our core beliefs is that the field of animation in Cyprus is enriched and cultivated
through contact with the work of international artists of such caliber. Along with workshops, tributes and masterclasses, the international competition section is an educational
tool for Cypriot animators.
So we’d like to thank all the international artists who are participating in the festival, either
in this year’s competition program or with educational side-bar events, thus supporting its
mission.
Side-bar events this year include a workshop by artists Thomas Renoldner and Federica
Pagnucco entitled “PrintmakingAnimation”, at the Hambis Printmaking Museum, Platanistia (July 18-23), as well as an exhibition based on their film «L’ alfabeto delle cose piccole»;
a Day conference /Animation Forum in collaboration with Creative Europe Desk Cyprus,
the Cyprus Technological University and the University of Nicosia, with keynote speakers
Morten Thorning and Lana Tankosa Nikolic from the Danish animation school The Animation Workshop; from the 21st to the 23rd July during the day the audience will be able to
watch tributes to the work of Theodore Ushev and Kaspar Jancis, screened indoors in the
Manor House at Kouklia.
We are also proud to host an exhibition of posters by Theodore Ushev, in the Medieval
Manor house, for the duration of the festival. Ushev, an internationally acclaimed director,
animator and poster artist, well known to the Cypriot public from previous festival editions,
has also created this year’s festival poster.
The festival will close on Saturday July 23rd with the award ceremony, followed by a concert by one of our most beloved Cypriot bands, Sandy Brour. Sandy Brour were formed
in 2012 and in 2016 their first album came out. We wish them the best of luck with their
album debut and we thank them for being with us this year, to bring these magical three
days to a close.
I would like to express our warmest thanks to our sponsors for their unwavering support:
the Cultural Services of the Ministry of Education and Culture, who have supported us for
fifteen years, the Department of Antiquities, for allowing us the use of the Palaepaphos
archaeological site free of charge, the Cyprus Youth Board, the University of Nicosia, the
Cyprus Technological University, and the Austrian Embassy in Cyprus.
This year the awards are sponsored by the Bank of Cyprus. We thank them and we look
forward to a long-term collaboration. We would also like to thank Creative Europe Desk
Cyprus for co-organizing the lectures and presentations. I would also like to thank our
volunteers whose contribution is invaluable.
I would like to welcome and thank our international jury, Kaspar Jancis, Theodore Ushev
and Yiorgos Savvinides.
Finally, a big thanks to our audience, who have supported the festival for 15 years, embracing the art of animation.
Have a wonderful festival!
Yiorgos Tsangaris
Artistic Director
Διεθνής Κριτική Επιτροπή / International Jury Committee 2016
The children’s film panorama will be screened on July 19 at Technopolis 20 Cultural Centre in Paphos.
Kaspar Jancis
Διεθνής Κριτική Επιτροπή / International Jury Committee
Γεννήθηκε στις 8 Μαΐου 1975 στο Ταλίν. Από
παιδί έγραφε και εικονογραφούσε ιστορίες.
Τα πρώτα του κινούμενα σχέδια γεννήθηκαν
στα περιθώρια των σχολικών του τετραδίων.
Νεαρός πέρασε ένα διάστημα κάνοντας
διάφορες δουλειές. Αυτή η περίοδος, αν
και χωρίς εκπαιδευτικό περιεχόμενο, ήταν
γεμάτη περιπέτεια. Τότε άρχισε να ασχολείται
συστηματικά με τη μουσική. Υπήρξε μέλος
της κεντρικής δημιουργικής ομάδας πολλών
συγκροτημάτων ροκ μουσικής, γράφοντας
στίχους, κάνοντας ενορχηστρώσεις και
δημιουργώντας μελωδίες. Το 1997 άρχισε
τις σπουδές του στο animation στο Turku
Arts and Media School στη Φιλανδία, με
την καθοδήγηση του Priit Pärn. Μετά την
αποφοίτηση άρχισε να φτιάχνει ταινίες, οι
οποίες έχουν προβληθεί και βραβευθεί σε
πολλές χώρες του κόσμου.
Kaspar Jancis was born on May 8, 1975 in
Tallinn. Since childhood he has been interested in writing stories, for which he made
his own illustrations. His first moving pictures
came into being in the corners of his school
notebooks. This was followed by a period as a
working youth, which was not particularly educational, but was brimming with adventures.
During that time he began working consistently with music. He has been part of the
creative core of several rock groups, written
song lyrics, made arrangements and created
tunes. In 1997 he began to study animation
under the guidance of Priit Pärn at the Turku
Arts and Media School in Finland. After graduation he started making films which have been
shown all over the world, receiving multiple
awards.
Theodore Ushev
Γεννημένος στο Kyustendil της Βουλγαρίας,
ο Theodore Ushev έγινε αρχικά γνωστός στη
χώρα του σαν καλλιτέχνης της αφίσας, πριν
μετακομίσει στον Μοντρεάλ το 1999. Εκεί
γρήγορα απέκτησε τη φήμη χαρισματικού και
εξαιρετικά παραγωγικού καλλιτέχνη, μέσα από
ταινίες όπως το Tzaritza (2006) και The Man
Who Waited (2006). Το 2010 ολοκλήρωσε
την διακεκριμένη ταινία Lipsett Diaries,
μια φανταστική βιογραφία του φημισμένου
Καναδού πειραματικού σκηνοθέτη Arthur
Lipsett. Η ταινία βραβεύθηκε με το Genie Award για Καλύτερη Ταινία Animation
Μικρού Μήκους στα τριακοστά πρώτα Genie
Awards. Δημιούργησε live show multimedia
και διαφημιστικά animation για το Βρετανικό
συγκρότημα Public Symphony και τον μουσικό
David Gilmour. Έκανε την εικονογράφηση για
το βιβλίο του Chris Robinson Ballad of a Thin
Man: In Search of Ryan Larkin (2008). To 2012
μια μουσική ταινία μικρού μήκους βασισμένη
στο τραγούδι Demoni του Βουλγαρικού
συγκροτήματος Kottarashky κέρδισε πάνω
από 10 βραβεία, συμπεριλαμβανομένης
μια υποψηφιότητας για τα Canadian Screen
Awards. Η τρίτη ταινία της Τριλογίας του
20ου αιώνα, Gloria Victoria, ανακυρήχθηκε
ως η πιο δημοφιλής ταινία animation μικρού
μήκους του 2013. Η πιο πρόσφατη ταινία του,
Blind Vaysha , μια παραγωγή του Εθνικού
Κέντρου Κινηματογράφου του Καναδά (NFB),
βραβεύθηκε με το Junior Jury Award (short
films) στο Annecy International Animation Film
Festival. Oι ταινίες του Ushev έχουν κερδίσει
περισσότερα από 80 βραβεία και εύφημους
μνείες διεθνώς, και έχουν παρουσιαστεί σε
πολλές ρετροσπεκτίβες, όπως για παράδειγμα
στο Short Film Festival του Clermont-Ferrand
στη Γαλλία. To 2011 το Barbican Centre
του Λονδίνου παρουσίασε έκθεση με τα
σχέδια και τους πίνακές του. Από το 2010
διδάσκει, δίνει εργαστήρια και master classes
σε περισσότερα από 15 πανεπιστήμια και
φεστιβάλ σε πολλές χώρες του κόσμου.
Born in Kyustendil, Bulgaria, Theodore Ushev
first made a name for himself as a poster
artist in his native country before settling in
Montreal, in 1999. There he quickly acquired
a reputation as a prolific and gifted animator
through films such as Tzaritza (2006) and The
Man Who Waited (2006). In 2010 he completed the critically acclaimed film, Lipsett Diaries, an imagined biography of the celebrated
Canadian experimental filmmaker, which
received the Genie Award for Best Animated
Short at the 31st Genie Awards. He created
live show multimedia and promo animations
for the British band Public Symphony and
David Gilmour, and illustrations for Chris Robinson’ book Ballad of a Thin Man: In Search
of Ryan Larkin (2008). In 2012 a short musical
film, based on Demoni, a song by Bulgarian
band Kottarashky, won more than 10 awards,
including Nomination for the newly inaugurated Canadian Screen Awards. The third film
from his 20th-century trilogy Gloria Victoria
was named Most Well Liked Animated Short
of 2013. His previews film Blind Vaysha produced by the National Film Board of Canada,
received the Junior Jury Award (short Films)
at the Annecy International Animation Film
Festival. Ushev’s films have won more than
80 awards and mentions, and been shown
in many retrospectives, including the Short
Film Festival in Clermont-Ferrand, France. In
2011, Ushev’s drawings and paintings were
exhibited in the Barbican Centre, London, UK.
Since 2010, Theodore Ushev has taught and
given workshops and master classes at more
than 15 universities and festivals around the
world, including Japan, France, Spain, Germany, Portugal, London, Budapest. His works
have been included in official selections and
received award in all the major international
forums for contemporary Graphic Design and
animation festivals.
Γιώργος Σαββινιδης / Yiorgos Savvinidis
Ο Γιώργος Σαββινίδης γεννήθηκε το 1977
στη Θεσσαλονίκη και μεγάλωσε στα
Γιαννιτσά. Ζει στην Κύπρο από το 1998.
Σπούδασε δημοσιογραφία στο Πανεπιστήμιο
Frederick στη Λευκωσία (1999-2003) από
όπου έλαβε το πτυχίο του (B.A.) με διάκριση.
Έχει υπογράψει εκατοντάδες άρθρα,
συνεντεύξεις και κριτικά σημειώματα πάνω
σε θέματα θεάτρου, κινηματογράφου,
χορού, λογοτεχνίας και εικαστικών κι έχει
δημοσιεύσει σχετικές έρευνες. Συμμετείχε
σε αρκετές δημοσιογραφικές αποστολές
πολιτιστικού ενδιαφέροντος στο εξωτερικό,
καλύπτοντας διοργανώσεις, όπως η 12η
Μπιενάλε Νέων Δημιουργών Ευρώπης
και Μεσογείου (Νάπολη, 2005) και η
Τριενάλε του Ρουρ (2012). Από το 2007
εργάζεται στον δημοσιογραφικό οργανισμό
«Ο Φιλελεύθερος» ως συντάκτης και
αρθρογράφος πολιτιστικών θεμάτων στην
εφημερίδα και τις ηλεκτρονικές εκδόσεις.
Εργάστηκε ως δημοσιογράφος στην
εφημερίδα «Χαραυγή» (2001-2006).
Για περίπου 18 μήνες (2006-2007) εργάστηκε
ως κειμενογράφος και σεναριογράφος σε
διαφημιστικές εταιρείες.
Διετέλεσε μέλος της Κριτικής Επιτροπής των
Βραβείων Θεάτρου Κύπρου για τις θεατρικές
περιόδους 2011-12 και 2012-13. Την άνοιξη
του 2016 διορίστηκε αριστίνδην μέλος της
Συμβουλευτικής Επιτροπής Κινηματογράφου.
Yiorgos Savvinides was born in 1977 in
Thessaloniki and grew up in Yiannitsa. He has
been living in Cyprus since 1998. He studied
journalism at Frederick University in Nicosia
(1999-2003) and he received his BA with
distinction. He has written hundreds of articles, interviews and critiques on theatre, film,
dance, literature and the visual arts and he
has published research on these subjects. He
has taken part in various press delegations on
cultural matters abroad, reporting on events
and institutions, such as the 12th Biennale of
Young Creators from Europe and the Mediterranean (Naples, 2005) and the Ruhrtriennale
(2012). He has been working in the media
group Phileleftheros since 2007, as an arts
and culture reporter for the newspaper and
the electronic publications. He has worked as
a journalist in “Haravgi” newspaper (20012006). For 18 months (2006-2007) he worked
as a script writer for advertising companies.
He has been a member of the Jury for the
State Theatre Awards in Cyprus for 2011-12
and 2012-13 seasons. In the spring of 2016
he was appointed by merit on the Cinema
Advisory Committee of Cyprus.
Πρόγραμμα Φεστιβάλ / Festival Program 2016
Πρόγραμμα / Schedule
ΕΝΑΡΞΗ ΠΡΟΒΟΛΩΝ 20:45 / SCREENINGS STARTS AT 20:45
ΜΕΣΑΙΩΝΙΚΗ ΑΓΡΕΠΑΥΛΗ, ΠΑΛΑΙΠΑΦΟΣ, ΚΟΥΚΛΙΑ
ANCIENT SITE OF PALAEPAPHOS, KOUKLIA
ΜΟΥΣΕΙΟΝ ΧΑΡΑΚΤΙΚΗΣ ΧΑΜΠΗ
HAMBIS PRINTMAKING MUSEUM
Πέμπτη / Thursday 21/7
18 - 20/7 Εργαστήρι / Workshop
The Animation Workshop - Πρόγραμμα Ταινιών / Film Program
Κυπριακό Διαγωνιστικό Ι / Cyprus Competition Ι
Printmakinganimation Thomas Renoldner & Federica Pagnucco
Παρασκευή / Friday 22/7
Διεθνές Διαγωνιστικό Ι / International Competition Ι
Κυπριακό Διαγωνιστικό ΙΙ / Cyprus Competition ΙΙ
Διεθνές Διαγωνιστικό ΙΙ / International Competition ΙΙ
Σάββατο / Saturday 23/7
Διεθνές Διαγωνιστικό ΙΙΙ / International Competition ΙΙΙ
Τελετή λήξης και απονομή βραβείων / Award Ceremony
Συναυλία / Concert: Sandy Brour
21 - 23/7 Μεσαιωνική Αίθουσα / Medieval Hall
Προβολή ταινιών (Αφιέρωμα) / Film screenings (Tribute):
Theodore Ushev & Kaspar Jancis
Έκθεση Αφίσας / Poster Exhibition
Theodore Ushev
18 - 23/7 Έκθεση / Exhibition: L’alfabeto delle cose piccole
ΤΕΧΝΟΠΟΛΙΣ 20
TECHNOPOLIS 20
19/7 Παιδικό Πρόγραμμα Ταινιών / Children’s Films
Παιδικό Εργαστήρι / Children’s Workshop
ΤΕΧΝΟΛΟΓΙΚΟ ΠΑΝΕΠΙΣΤHΜΙΟ ΚΥΠΡΟΥ
CYPRUS TECHNOLOGICAL UNIVERSITY
22/7 Cyprus Animation Forum #3
Κτήριο “Τάσσος Παπαδόπουλος”, οδός Θέμιδος και Νικόλα Ξιούτα, Λεμεσός
Tassos Papadopoulos Building, Themidos and Nicola Xiouta street, Limassol
ΕΝΑΡΞΗ ΚΑΙ ΔΙΑΡΚΕΙΑ ΠΑΡΟΥΣΙΑΣΕΩΝ 10:00 - 15:00
PRESENTATIONS ARE FROM 10:00 - 15:00
Αφιέρωμα / Tribute
Επιλεγμένες Tαινίες / Selected Films:
Kaspar Jancis
Μεσαιωνική Αγρέπαυλη, Παλαίπαφος - Κούκλια
Ancient Site of Palaepaphos - Κouklia
Piano, 2015
The films of Estonian animator Kaspar Jancis
are understated, absurdist, comic-melodramas
featuring misguided characters struggling to
connect with their fellow humans. Their tragedy
is that they fear genuine, intimate connection
yet desperately crave it.
In the Hitchcock- influenced, Weitzenberg
Street (2002), the man performs an assortment of inane magic tricks to get his lover’s
attention. Bored, she finds erotic solace in the
touch of a mosquito. Touch is all she craves,
not tricks.
We see it again at the end of Marathon (2006),
when a flirting, deceitful mother, having forgotten her daughter, races to a playground to find
her. As they make eye contact and wave, a
train passes between them and leads into the
end credits.
In the Cartoon d’or winning, Crocodile (2009),
a one time Opera star turned boozy, crocodilecostumed kid’s entertainer would rather suffer
and remain alone than accept an imperfect
love.
Jancis’ most recent film, Piano (2015) is arguably the only time we get some semblance of a
happy ending when the gaggle of disconnected and lonely characters briefly rise above their
self-induced miseries when a piano begins
playing. For one brief moment, the characters
are aware and truly alive. In unison they gently
smile and quietly emit unfiltered, harmonic joy.
In a world suffocating from facile distractions,
perhaps these fleeting, momentary connections are the best we can hope for.
If so, that truly is tragic.
Morten on the Ship of Fools, 2016 (working title)
Οι ταινίες του Kaspar Jancis είναι ελαφρώς
αποστασιοποιημένα κωμικο-μελοδράματα
με στοιχεία παραλόγου. Οι μπερδεμένοι
χαρακτήρες του παλεύουν να δημιουργήσουν
δεσμούς με τους συνανθρώπους τους. Η
τραγωδία τους έγκειται στο ότι φοβούνται την
ουσιαστική, βαθειά σύνδεση, ενώ ταυτόχρονα
την ποθούν απελπισμένα.
Στην εμπνευσμένη από το Χίτσκοκ ταινία
Weitzenberg Street (2002), ο άντρας κάνει
διάφορα ανιαρά ταχυδακτυλουργικά κόλπα
για να τον προσέξει η αγαπημένη του. Αυτή,
βαριεστημένη, βρίσκει ερωτική παρηγοριά στο
άγγιγμα ενός κουνουπιού: αυτό που λαχταρά
πραγματικά είναι η σωματική επαφή, κι όχι τα
μαγικά κόλπα.
Το ίδιο μοτίβο βλέπουμε στο τέλος της ταινίας
Marathon (2006), όταν μια άπιστη μητέρα που
έχει το νου της στο φλερτ, έχοντας ξεχάσει
την κόρη της στην παιδική χαρά τρέχει για να
τη βρει. Καθώς βλέπουν η μια την άλλη και
χαιρετιούνται από μακριά, ένα τρένο περνάει
ανάμεσά τους, οδηγώντας μας στους τίτλους
τέλους.
Στην ταινία Crocodile (2008), που βραβεύθηκε
με Cartoon d’or, ένας αλκοολικός ξεπεσμένος
σταρ της Όπερας, που δουλεύει ως
διασκεδαστής παιδιών με στολή κροκόδειλου,
προτιμά να υποφέρει και να μείνει μόνος,
παρά να δεχτεί μια ερωτική σύντροφο με
ελαττώματα.
Η τελευταία ταινία του Jancis, Piano (2015),
είναι ίσως η μόνη που καταλήγει σε κάποιου
είδους happy end: οι αποξενωμένοι και
μοναχικοί χαρακτήρες του για μια στιγμή
ξεπερνούν τη μιζέρια που προκάλεσαν οι
ίδιοι στον εαυτό τους όταν ένα πιάνο αρχίζει
να παίζει. Για μια φευγαλέα στιγμή, οι
χαρακτήρες αντιλαμβάνονται τον κόσμο γύρω
τους και είναι πραγματικά ζωντανοί. Όλοι μαζί
χαμογελούν απαλά και σιγανά εκπέμπουν σε
αρμονία την ειλικρινή χαρά τους.
Σε ένα κόσμο που ασφυκτιά λόγω της
πληθώρας ανούσιων περισπασμών, ίσως
αυτές οι εφήμερες, στιγμιαίες συναντήσεις
είναι το καλύτερο που μπορούμε να ελπίζουμε.
Αν είναι έτσι, τότε η ζωή μας είναι πραγματικά
τραγική.
Chris Robinson
WEITZENBERG STREET
2002 / 17’
MARATHON
2006 / 15’
CROCODILE
2009 / 17’
VILLA ANTROPOFF
2012 / 13’ (Co-directed with Vladimir Lechiov)
PIANO
2015 / 10’
Αφιέρωμα / Tribute
Επιλεγμένες Ταινίες & Έκθεση Αφίσας / Poster Εxhibition & Selected Films:
Theodore Ushev
Παρόλες τις τεχνολογικές εξελίξεις που
επιτρέπουν στους καλλιτέχνες να δημιουργούν
το ίδιο αποτελεσματικά αλλά πολύ πιο
γρήγορα απ’ ό,τι πριν δέκα χρόνια, πολλοί
animators εξακολουθούν να παίρνουν το
χρόνο τους, καμιά φορά μέχρι και δεκαετία!
για να φτιάξουν μια ταινία. Είναι δύσκολο να
παραμένεις επίκαιρος όταν δουλεύεις με τόσο
αργό ρυθμό, κι αυτό πιθανόν να έχει οδηγήσει
σε ένα από τα μειονεκτήματα της τέχνης του
animation: συχνά του λείπει η αμεσότητα και η
σχέση με το κοινωνικό πλαίσιο, με το τώρα.
Γιατί τόση βραδύτητα; Η κοινότητα του
animation είναι γεμάτη από φορμαλιστές
που έχουν τέτοια εμμονή με την τεχνική
ώστε το εννοιολογικό περιεχόμενο του
έργου να καταντά δευτερεύουσας σημασίας,
σχεδόν μια «κακή» λέξη. Το αποτέλεσμα
είναι εξεζητημένα, τεχνικά άψογα έργα που
βασίζονται στο όμορφο οπτικό αποτέλεσμα,
χωρίς όμως να έχουν κάτι να πουν για τον
κόσμο γύρω τους.
Η προσέγγιση του Ushev στο animation είναι
ωμή, χαοτική, ακατέργαστη: δεν υπάρχει
τίποτα υπερβολικά τέλειο ή ραφιναρισμένο
στη μεθοδολογία του. Οι ταινίες του, που
μερικές φορές ολοκληρώνονται μέσα σε λίγες
βδομάδες, στόχο έχουν να εξαπολύσουν
το δικό του χάος και το δικό μας. Αυτή η
σπάνια και τραχιά ειλικρίνεια είναι αυτό που
ξεχωρίζει τον Ushev από κάποιους από
τους συναδέλφους του, που πολύ συχνά
προσεγγίζουν το animation σαν να επρόκειτο
για ένα εύθραυστο γυάλινο ζωάκι της Λώρα
Γουίγκφηλντ από το Γυάλινο Κόσμο.
Οι ταινίες του Ushev είναι μια βρωμερή
πνοή ανανέωσης και ένα αναγκαίο χαστούκι
πραγματικότητας σε ένα τομέα όπου
κυριαρχούν έργα με φτηνό συναισθηματισμό
γεμάτα τεχνολογικά πυροτεχνήματα.
Theodore Ushev is a freewheeling animation
artist with an almost feverish compulsion to
create as fast and as often as he wants to.
Fast and prolific are generally not the way
things are supposed to be done in animation.
Despite technological advancements that now
enable animators to create quicker and just as
effectively as they could ten years ago, a good
many animators still like to take their sweet
ol’ time sometimes as long as 10 years! when
creating their films. Working at such a slow
pace can make it difficult for animators to craft
relevant art that speaks to the moment and
has, arguably, led to one of the drawbacks of
animation: the genre often lacks urgency and
immediacy.
Why so slow? Animation is littered with formalists so fixated on technique and craft that
“concept” is virtually an afterthought, a dirty
word. The result is precious, polished works
that look nice can have very little to say about
the surrounding world.
Ushev’s handling of animation is raw, rough
and chaotic; there’s nothing polished,
pristine or precious about his methods. His
films, some made in mere weeks, seek to
unpack the chaos of his moment—and ours.
It’s this rare and raw honesty that separates
Ushev from some of his animation peers who
too often treat animation like one of Laura
Wingfield’s glass figurines from The Glass
Menagerie.
Ushev’s films are a refreshing bad breath
and a sorely needed slap of reality in a field
dominated by works of faux angst and technological gumdrops.
Chris Robinson
The Man Who Waited, 2006 / Poster by Theodore Ushev
Ο Theodor Ushev είναι ένας καλλιτέχνης
του animation με ελεύθερο πνεύμα και μια
πυρετώδη ανάγκη να δημιουργεί όσο γρήγορα
και όσο συχνά θέλει. Όμως η παραγωγή στο
animation δεν χαρακτηρίζεται συνήθως από
ταχύτητα και πληθώρα.
3RD PAGE FROM THE SUN
NIGHTINGALES IN DECEMBRE
2014 / 5 ’
2011 / 3 ’
DRUX FLUX, I
YANNICK NÉZET-SÉGUIN:
NO INTERMISSION
2008 / 4 ’
GLORIA VICTORIA
2010 / 5’
2013 / 7 ’
BLOOD MANIFESTO
TOWER BAWHER
2015 / 2 ’
2006 / 3 ’
THE MAN WHO WAITED
LIPSETT DIARIES
2006 / 7 ’
2010 / 14 ’
DEMONI
TZARITZA
2012 / 3’,43 ’’
2006 / 6 ’
SONAMBULO
2015 / 4’,20 ’’
Guest School
The Animation Workshop
Selected Films
Black Tape
Το Animation Workshop (TAW) βρίσκεται στο
Viborg της Δανίας. Υπάγεται στο School of
Business, Technology and Creative Industries
του VIA University College, και ειδικεύεται
στους τομείς της εκπαίδευσης, του πολιτισμού,
της επικοινωνίας και της επιχειρηματικότητας.
Για το σκοπό αυτό επωφελείται από ένα
δυνατό διεθνές δίκτυο καλλιτεχνών,
επαγγελματιών, εταιρειών, χορηγών και
σχολών.
Οι στόχοι του ΤΑW είναι να παρέχει υποδομή
και πόρους σε καλλιτέχνες και projects· να
εγκαθιδρύει και να συντηρεί δομές στην
ανώτερη και επαγγελματική εκπαίδευση, οι
οποίες να εξασφαλίζουν υψηλού επιπέδου
παιδεία και ανάπτυξη ταλέντων·να προάγει την
πολιτιστική καλλιέργεια, σε τοπικό και διεθνές
επίπεδο, μέσα από τη βιομηχανία του animation και των comic.
To ΤΑW είχε επίσης καθοριστικό ρόλο σε
πολλά διεθνή projects, τα οποία στόχο έχουν
να προάγουν το ρόλο του animation και των
comic στο δημόσιο διάλογο, στην παιδεία και
στη σύγχρονη επικοινωνία.
Το TAW έχει δημιουργήσει μια άριστη διεθνή
φήμη ως θεσμός ανώτερης εκπαίδευσης
στους τομείς που σχετίζονται με την οπτική
αφήγηση. Το 2016 συμπεριλήφθηκε στις 20
καλύτερες σχολές από το Animation Μagazine
και ήρθε επίσης πέμπτο παγκοσμίως στα CG
Student Awards 2015. Κατατάσσεται επίσης
ανάμεσα στις 100 καλύτερες σχολές Animation, Gaming and Design και 14ο ανάμεσα στις
Διεθνείς Σχολές Animation από το Animation
Career Review το 2014.
The Animation Workshop (TAW) is located in
Viborg, Denmark. It is a part of VIA University
College’s School of Business, Technology
and Creative Industries and has expertise in
the areas of education, culture, communication and business development. To this effect,
it benefits from a strong international network
of artists, professionals, companies, funding
institutions and partner schools.
The objectives of TAW are to provide facilities and resources for projects and artists to
grow; to establish and maintain structures for
higher education and professional training that
secures the best learning and talent development; and to generate cultural understanding,
both nationally and internationally, through the
animation and comic book industries. TAW
has also played a vital role in many international projects, which seek to improve and
create an understanding of the role functional
animation and applied comics can play in
public discourse, learning and modern communication processes.
THE SAGA OF BIORN
TIGER
Benjamin Kousholt
Pernille Kjær
2011 / 7’
2015 / 5’,51’’
PLASTIC
ABUELA GRILLO
Chintis Lundgren
Denis Chapon
2013 / 3’,60’’
2010 / 13’
ROB`N`RON
OCEANS APART
Magnus Igland Møller & Peter Smith
Adrian Dexter, Hans Frederik Jacobsen
2013 / 3’,60’’
2015 / 2’
TSUNAMI
MELLEM VÆGGENE
Sofie N. Kampmark
Sara Jespersen Holm
2015 / 7’
2016 / 8’
BACKWATER GOSPEL
NO, THANK YOU
Bo Mathorne
Adrian Dexter, Hans Frederik Jacobsen
2011 / 9’,30’’
2015 / 1’,20’’
THE REWARD
BLACK TAPE
Mikkel Mainz Elkjær & Kenneth Ladekjær
Uri & Michelle Kranot
2012 / 9’
2014 / 3’
TAW has built an excellent and wide-reaching
reputation as an institution of higher education
in areas associated with visual storytelling. In
2016, the institution was featured among the
Top 20 Schools to Hire From as selected by
the Animation Magazine and has furthermore
been honoured with the 5th place worldwide
in the CG Student Awards in 2015. TAW
also ranked among the Top 100 Schools
for Animation, Gaming and Design and 14th
among International Animation Schools by the
Animation Career Review in 2014.
Rob`n`Ron
Abuela Grillo
Cyprus Animation Forum #3
Παρασκευή / Friday 22/7
Τεχνολογικό Πανεπιστήμιο Κύπρου - Λεμεσός
Cyprus Technological University - Limassol
ΔΗΜΙΟΥΡΓΙΚΗ ΕΥΡΩΠΗ 2014-2020
CREATIVE EUROPE 2014-2020
ΤΗΕ ΑΝΙΜΑΤΙΟΝ WORKSHOP
ΧΑΙΡΕΤΙΣΜΟΣ / WELCOME
Ο διευθυντής του Animation Workshop Center,
Morten Harpøth Thorning, θα παρουσιάσει τη
μεθοδολογία και οργανωτική δομή του Animation Workshop και η συντονίστρια εκπαιδευτικών
προγραμμάτων Animation και CG Arts, Lana
Tankosa Nikolic, θα παρουσιάσει το πρόγραμμα
Bachelor, με έμφαση στις ταινίες (commissioned
films) του δεύτερου έτους. Ανάμεσα στις δύο
παρουσιάσεις θα προβληθεί μία μικρή επιλογή
ταινιών από το Animation Workshop.
NENAD BOGDANOVIC
Επικεφαλής Γραφείου Δημιουργική Ευρώπη
Κύπρου / Head of Creative Europe Desk Cyprus
Εκτελεστικός Διευθυντής Ιδρύματος Συμφωνική
Ορχήστρα Κύπρου / Executive Director, Cyprus
Symphony Orchestra Foundation
MORTEN THORNING & LANA TANKOSA NIKOLIC
The Animation Workshop Center Director,
Morten Harpøth Thorning and Educational
Coordinator within Animation and CG Arts, Lana
Tankosa Nikolic, will respectively present the
practice and organizational structure of the Animation Workshop and the Bachelor Education
with focus on the 2nd year Commissioned Films.
Between the two presentations a small selection
of films from The Animation Workshop will be
screened.
SUBFRAME ANIMATION
ΜΙΑ ΨΗΦΙΑΚΉ ΠΕΙΡΑΜΑΤΙΚΉ
ΠΡΟΣΈΓΓΙΣΗ ΤΗΣ ΚΑΡΈ-ΚΑΡΈ ΔΙΑΔΙΚΑΣΊΑΣ
A DIGITAL EXPERIMENTAL APPROACH
OF THE FRAME BY FRAME PROCESS
ΝΙΚΟΣ ΣΥΝΝΟΣ / NICOS SYNNOS
Μήπως η ψηφιακή τεχνολογία έχει τυποποιήσει
την παραγωγή animation, ή άραγε ο animator
έχει πιο ευέλικτα εργαλεία στα χέρια του όσο
ποτέ πριν; Η παρουσίαση θα επικεντρωθεί σε
πειράματα που αποτελούν μέρος μελέτης της
ψηφιακής καρέ - καρέ διαδικασίας παραγωγής
animation. Εξερευνώντας τον ψηφιακό χώρο
ως ένα αχανές μεταφυσικό πεδίο, η έρευνα έχει
ως στόχο να ανακαλύψει τρόπους παραγωγής
οπτικών ψευδαισθήσεων της κίνησης που θα
προτείνουν νέα κινηματογραφικά είδη προβολής
ενσωματωμένα σε μεμονωμένες μονάδες της
ταινίας. Θα παρουσιαστούν πειράματα στη
συναρμολόγηση του φιλμικού χρόνου αλλά και
του κινηματογραφικού καρέ, όπως επίσης και
παραδείγματα της εφαρμογής των πειραμάτων
αυτών σε φιλμ και βίντεο.
Has digital technology standardized animation
filmmaking, or does the animator have more flexible tools in his/her hands than ever before?
This presentation will focus on experiments as
part of a study of the digital frame by frame animation process. By exploring the digital space
as a vast metaphysical field, this research aims
to discover ways of producing optical illusions of
motion that will suggest new cinematic viewing
integrated in the very individual units of film.
Experiments on the compositing of the filmic
time and the film frame will be presented, as well
as examples of the application of these experiments in film and video.
MORTEN ON THE SHIP OF FOOLS
KASPAR JANCIS
Ο Μόρτεν στο πλοίο των τρελών (Morten on
the Ship of Fools) είναι μια ταινία stop motion από Εσθονούς, Ιρλανδούς και Βέλγους
δημιουργούς, βασισμένη στο ομώνυμο βιβλίο
και θεατρικό έργο του Kaspar Jancis. Κεντρικός
ήρωας είναι ο οχτάχρονος Μόρτεν, ο οποίος
παίρνει το μέγεθος εντόμου από το ξόρκι
κάποιου αδέξιου μάγου. Έτσι παγιδεύεται πάνω
στην ψεύτικη βαρκούλα του. Εκεί όμως πρέπει
να αντιμετωπίσει κάποια τρομακτικά έντομα τα
οποία έχουν καταλάβει το πλοίο του. Η ταινία
δημιουργήθηκε με την κλασική τεχνική stop motion και απευθύνεται σε παιδιά όλων των ηλικιών!
Το μεταφορικό της περιεχόμενο την κάνει
κατάλληλη και για ενήλικες. Είναι μια περιπέτεια
δοσμένη με παραδοσιακό τρόπο, ένα homage σε αγαπημένες ιστορίες όπως Η Αλίκη στη
Χώρα των Θαυμάτων, ο Τζέημς και το τεράστιο
ροδάκινο, ο Μάγος του Οζ, κλπ.
Morten on the Ship of Fools is a stop motion
feature made by Estonian, Irish and Belgian
animators. It’s based on the book and theatre
play by Kaspar Jancis. The film is about Morten
who, after being magically shrunken to the size
of an insect, gets trapped on his toy boat. There
he has to prove himself to cannibalistic insects
who have control over his ship. The film is made
in classical stop motion technique. It will be a
story for children of all ages! Its metaphorical
content can speak to an adult audience. It is an
adventure film told in the old-school way, a homage to stories like Alice in Wonderland, James
and the Giant peach, Wizard Oz etc.
MAGIC MOLLY
ΜΑΡΙΑ ΠΑΥΛΟΥ / MARIA PAVLOU
Το “Magic Molly” είναι μια τηλεοπτική σειρά
animation 26 X 7 λεπτά για παιδιά προσχολικής
ηλικίας (προ-δημοτικής). Διηγείται τις περιπέτειες
μια νεαρής μαθητευόμενης μάγισσας και
των δυο φίλων της, του δράκου Vigor και
της κουκουβάγιας Sophia. Χρησιμοποιώντας
καθημερινά αντικείμενα με μαγικό τρόπο,
ψάχνουν για απαντήσεις που βοηθούν το νεαρό
ακροατήριο να κατανοήσει συναισθήματα, να
εξασκήσει τη φαντασία του και να αναπτύξει την
επιθυμία για γνώση. Το project βρίσκεται σε προαναπτυξιακή φάση και πρόκειται να υποβληθεί
για χρηματοδότηση από το Creative Europe
(Development Fund).
“Magic Molly” is a 26 x 7 minute animated TV
series for upper preschool (preschool plus). It
follows the adventures of a young apprentice
witch and her two friends, Vigor the dragon and
Sophia the owl. Through the use of everyday
objects with a magical twist, they search for answers that help our young audience understand
emotions, exercise their imagination and develop
a thirst for knowledge. The project is in its predevelopment phase and will soon be submitted
for a Creative Europe development fund.
H ΑΝΑΠΤΥΞΗ ΠΑΡΑΓΩΓΗΣ ANIMATION
ΜΕΣΑ ΑΠΟ ΤΟ SINGLE PROJECT
ΤΟΥ ΥΠΟ-ΠΡΟΓΡΑΜΜΑΤΟΣ MEDIA
ΕΥΚΑΙΡΙΕΣ ΧΡΗΜΑΤΟΔΟΤΗΣΗΣ ΑΠΟ ΤΟ
ΥΠΟΠΡΟΓΡΑΜΜΑ ΠΟΛΙΤΙΣΜΟΣ
DEVELOPING AN ANIMATION PROJECT
UNDER MEDIA’S SINGLE PROJECT CALL
FUNDING OPPORTUNITIES UNDER
THE CULTURE SUBPROGRAMME
ΔΡ. ΑΝΤΡΗ ΧΑΤΖΗΑΝΔΡΕΟΥ / DR. ANDRI HADJIANDREOU
ΓΙΑΝΝΑ ΑΜΕΡΙΚΑΝΟΥ / YIANNA AMERICANOU
Η παρουσίαση αυτή θα σας οδηγήσει μέσα από
το ταξίδι κατανόησης της προκήρυξης του Single
Project για τα κινούμενα σχέδια, διερευνώντας
τις διαθέσιμες ευκαιρίες χρηματοδότησης, και
πώς να ξεκινήσει κανείς την εφαρμογή της
αίτησης. Απευθύνεται σε εταιρείες παραγωγής
ή δημιουργούς που ενδιαφέρονται για την
παραγωγή Κινουμένων Σχεδίων.
This presentation will lead you through the journey of understanding the Single Project Call for
ANIMATION, exploring the available funding opportunities, and how to start putting together an
application. It is aimed at production companies
and creators who are interested in Animation or
have a project in development.
Πρόκειται για μια σύντομη παρουσίαση
όλων των ευκαιριών χρηματοδότησης από
το υποπρόγραμμα Πολιτισμός, με έμφαση
στα Έργα Διασυνοριακής Συνεργασίας
και στα Δίκτυα που χρηματοδοτούνται από
το Πρόγραμμα Δημιουργική Ευρώπη. Η
παρουσίαση απευθύνεται σε πολιτιστικούς
φορείς, οργανισμούς, εταιρείες, μουσεία,
γκαλερί, εκπαιδευτικά ιδρύματα, θέατρα,
καλλιτέχνες, ομάδες καλλιτεχνών, κτλ, που
δραστηριοποιούνται στον πολιτιστικό και
δημιουργικό τομέα και που επιδιώκουν να
διευρύνουν τις συνεργασίες και τη δικτύωση τους
τόσο εντός όσο και εκτός Κύπρου.
This will be a flash session of all available funding
opportunities under the Culture subprogramme,
with special focus on Cooperation Projects and
on Networks that are being funded by Creative
Europe Programme. The presentation is aimed
at cultural institutions, organizations, companies,
museums, galleries, educational institutions, theatres, artists, artist groups, etc., that are active in
the cultural and creative sector and are seeking
to expand their partnerships and networking
both within and outside Cyprus .
Έκθεση & Εργαστήρι / Workshop & Exhibition
l’ alfabeto delle cose piccole
Μουσείον Χαρακτικής Χαμπή
Hambis Printmaking Museum
Δύο εξέχουσες προσωπικότητες της διεθνούς
καλλιτεχνικής κοινότητας, ο Αυστριακός
σκηνοθέτης και Ακαδημαϊκός Thomas Renoldner και η Ιταλίδα εικονογράφος Federica Pagnucco θα ηγηθούν ενός τριήμερου πρακτικού
εργαστηρίου το οποίο θα εξερευνήσει τις
δυνατότητες συνδυασμού Χαρακτικής και
Αnimation. Η ιδέα του εργαστηρίου βασίζεται
στην πρόσφατη ταινία των Renoldner και Pagnucco με τίτλο l’ alfabeto delle cose piccole.
Παράλληλα, έκθεση με τα έργα που
δημιουργήθηκαν για την ταινία l’ alfabeto delle
cose piccole θα παρουσιάζεται στο Μουσείον
Χαρακτικής Χαμπή από τις 18 μέχρι τις 23
Ιουλίου.
Austrian fine artist, musician and experimental
Animation filmmaker Thomas Renoldner and
Italian illustrator Federica Pagnucco will lead a
three-day workshop exploring the combination
possibilities between printmaking and Animation. The printmakinganimation workshop is
based on their recent film: l’ alfabeto delle cose
piccole.
An exhibition with the artworks produced
for the film l’ alfabeto delle cose piccole will
be held at the Hambis Printmaking Museum
between 18 - 23 of July.
Thomas Renoldner
Thomas Renoldner studied psychology and
education theory at the University of Innsbruck
and Salzburg; he studied painting and animation films at the Academy of Applied Arts in Vienna. Since the age of sixteen, he has worked
in the sectors of music, painting, film, installation and performance. He has made numerous
personal experimental and animated films and
some commercials. Leader of the animations
studios at the Vienna Art School and at the
Academy of Fine Arts in Vienna. He has been
Curator of the Animation Avantgarde programs
at the Vienna Independent Shorts Film Festival
and director of the One Day Animation Festival
in Vienna.
O Thomas Renoldner σπούδασε ψυχολογία και
θεωρία της παιδαγωγικής στο Πανεπιστήμιο
του Ίνσμπρουκ και Σάλτσμπουργκ. Σπούδασε
επίσης ζωγραφική και κινηματογράφο
animation στην Ακαδημία Εφαρμοσμένων
Τεχνών στη Βιέννη. Από την ηλικία των
δεκαέξι ετών δούλεψε στους τομείς της
μουσικής, ζωγραφικής, κινηματογράφου,
εγκατάστασης και των παραστατικών τεχνών.
Έχει στο ενεργητικό του ένα μεγάλο αριθμό
πειραματικών ταινιών και ταινιών animation,
καθώς και επίσης αρκετές διαφημίσεις. Είναι
επικεφαλής των animation studios στη Σχολή
Καλών Τεχνών της Βιέννης και στην Ακαδημία
Καλών Τεχνών της Βιέννης. Υπήρξε επιμελητής
των προγραμμάτων πειραματικού animation
στο Φεστιβάλ Ανεξάρτητων Ταινιών Μικρού
Μήκους της Βιέννης και του φεστιβάλ One Day
Animation Festival της Βιέννης.
Federica Pagnucco
Federica Pagnucco works on illustration and
crafts. She has obtained numerous acknowledgements; she has been selected as the
Illustrations Exhibition at the Bologna Children
Books Fair; she has exhibited in Japan and
Korea and in various personal exhibitions.
She has to her credit various publications with
Italian and foreign publishers and has realized
various illustrated albums. She designs and
makes pieces of furniture, objects d’art and
games using mainly paper, wood and fabric.
She collaborates with schools and organizations in planning creative programs and she
holds courses on illustration and expressive
workshops for young people and adults.
She lives in Valvasone (Pordenone).
Η Federica Pagnucco ασχολείται με την
εικονογράφηση και τις κατασκευές. Η
δουλειά της έχει κερδίσει πολλές διακρίσεις.
Έχει επιλεγεί για έκθεση Εικονογράφησης
στη διεθνή έκθεση παιδικού βιβλίου στη
Μπολόνια. Η δουλειά της έχει παρουσιαστεί
σε προσωπικές εκθέσεις στην Ιαπωνία
και στην Κορέα. Έχει στο ενεργητικό της
πολλές εκδόσεις με Ιταλικούς και διεθνείς
εκδοτικούς οίκους και έχει φιλοτεχνήσει πολλά
εικονογραφημένα λευκώματα. Σχεδιάζει και
κατασκευάζει έπιπλα, διακοσμητικά αντικείμενα
και παιχνίδια χρησιμοποιώντας κυρίως χαρτί,
ξύλο και ύφασμα. Συνεργάζεται με σχολεία
και οργανισμούς στο σχεδιασμό δημιουργικών
προγραμμάτων και παραδίδει μαθήματα
εικονογράφησης και εργαστήρια δημιουργικής
έκφρασης για παιδιά και ενήλικες. Ζει στο
Valvasone (Pordenone).
Πρόγραμμα Παιδικών Ταινιών
Children’s Film Program
Perfect Houseguest
Μέσα από την τέχνη του animation τα παιδιά
µπορούν να ανακαλύψουν και να γευτούν την
µαγική δυνατότητα της τέχνης να συγκινεί
αλλά και να λέει ιστορίες, γνωρίζοντας
παράλληλα τις παραδόσεις των διαφόρων
λαών, και τις πολιτισµικές τους αξίες.
Αυτή η ξεχωριστή ενότητα του Φεστιβάλ
παρουσιάζει μια επιλογή με παιδικές
ταινίες απο κάθε γωνιά του πλανήτη μαζί
με ένα παιδικό εργαστήρι storyboard &
εικονογράφισης για μικρά παιδιά υπό την
καθοδήγηση της Παναγιώτας Μιχαήλ.
AGRINOUI
Through the art of animation children can discover and experience the magical ability of art
to stir the emotions and to tell stories through
various people’s traditions and cultural values.
This special new section of the festival
includes a small selection of children’s films
from all over the world. Panayiota Mihael will
lead a children animation Workshop.
Elena Walf
Alexis Chaviaras
Cyprus / 2015 / 19’40’’
OTTO
Job, Joris & Marieke
Nederland / 2015 / 10’
PERFECT HOUSEGUEST
Ru Kuwahata - Max Porter
USA / 2015 / 1’35’’
NEIGHBOURWOOD
Fynn Grosse-Bley - Eddy Hohf
Germany / 2016 / 4’
SOMETHING
Germany / 2015 / 7’
THE CHIMNEY SWEEP
Nicolas Bianco-Levrin
France / 2015 / 1’32’’
FOX TALE
Doosun Shin
USA / 2015 / 2’18’’
DUST BUDDIES
Beth Tomashek
USA / 2016 / 4’4’’
PRINCE KI KI DO; THE BALLOON
Grega Mastnak
Slovenia / 2015 / 4’56’’
MARS 3752
France / 2015 / 1’32’’
MOROSHKA
Polina Minchenok
Russia / 2015 / 7’40’’
HUGO BUMFELDT
Eva Katinka Bognar
Hungary / 2016 / 12’02’’
THE TOTS (EPISODE TRIP)
Nova Bana - Michal Struss
Slovakia / 2015 / 8’
Something
Διεθνές Διαγωνιστικό Πρόγραμμα / International Competition Program
Τεχνόπολις 20
Technopolis 20
PARADE DE SATIΕ
THE EMPTY
VELODROOL
BIRD FLU
Koji Yamamura
Dahee Jeong
Sander Joon
Priit Tender, Hefang Wei
Japan / 2016 / 14’
Production: Yamamura Animation
South Korea, France / 2016 / 10’
Production: Sacrebleu Productions, Between The Pictures
Estonia / 2015 / 6’11’’
Production: Estonian Academy of Arts
Estonia, 2016, 09’40’’
Production: Eesti Joonisfilm
In the woman’s room, memories constantly accumulate
and disappear like dust.
The man spends his time
in this room creating futile
little games with woman’s
memories.
Synopsis
An addicted biker runs out
of cigarettes. He joins a
race to get more, but has
to take help from some
peculiar people in the
audience to stay in the
competition.
Synopsis
A woman is reflecting on
Story about a man and
a snake, an alcoholised
penguin and the disappearance of birds. Story
about an apple tree and
apples, about roots and
rootlessness. Story about
a paradise and about being expelled from it.
Synopsis
A Parade for 3 managers
& 4 performers. Mixing
quotes from French composer Erik Satie’s essays
with the music Parade,
this is an animated recreation of realist ballet
images going beyond
reality.
International Competition I
Koji Yamamura
Koji Yamamura was born in
1964 in Japan. He graduated
from Tokyo Zokei University
in 1987. His works have won
more than 80 prizes around
the world. He is currently a
sub-chairman of the Japan Animation Association (JAA) and
a member of the board of directors of the Japanese branch of
the International Animated Film
Association (ASIFA). He is also
a professor of Tokyo University
of the Arts.
Dahee Jeong
Dahee Jeong got a Bachelor of
Arts in Visual Communication
at Hongik University in Seoul.
She went to Paris in 2008
and got a Master’s degree in
Animation at École
Nationale Supérieure des
arts Décoratifs. She directed
several short animation films
for her school works and also
directed Le temps de l’arbre
for her final project in 2012.
Her short film Man On The
Chair has been awarded many
prizes, including the Cristal
at the Annecy Animation Film
Festival in 2014.
Sander Joon
Sander Joon is an animator and VJ artist who lives,
studies and works in Tallinn.
He received a BA degree in
animation at Estonian Academy
of Arts. He concentrates on
coherent design and uses
animation to create surrealistic
world spiced with humour.
Priit Tender
Priit Tender was born in 1971
in Tallinn, Estonia. He graduated from Tallinn Pedagogical
University as an art-teacher.
His first job was as one of the
artists for Priit Pärn and Janno
Põldma’s film “1895” (1995).
His debut as director came in
1996 with the film “Gravitation”. He has participated in
several art-exhibitions. Recent
films include Message for the
Neighbours, 2006 (Special
Mention for Animation from
International Film Festival
DaKINO, Romania 2007),
A Vegetated Director, 2007
(Estonian Cultural Endowment
award for best film of the year),
Kitchen Dimensions, 2008
(Honourable Mention Ottawa
Animation Festival, Canada
2010, Special Jury prize Hiroshima International Animation
Festival, Japan 2010).
HOW LONG, NOT LONG
PETER’S FOREST
VERY LONELY COCK
BEFORE LOVE
Michelle and Uri Kranot
Martina Meštrović
Leonid Shmelkov
Igor Kovalyov
Denmark / 2016 / 5’32’’
Production: TinDrum animation
Synopsis
A visual journey that challenges us to think about
a universal belonging that
doesn’t confine itself to
a city, region or national
boundary in an age where
xenophobia, nationalism and intolerance are
ubiquitous.
Croatia / 2016 / 8’25’’
Production: Kreativni sindikat
Michelle and Uri Kranot
Michelle and Uri Kranot are
independent filmmakers,
interdisciplinary artists and immigrants. Their films have won
numerous international prizes
and participated in numerous
film festivals. For the past
eight years they have been
working as artists in residence
at “The Animation Workshop”
in Viborg, Denmark, where
they also teach and guide
the bachelor projects of the
school.
Synopsis
A universal parable about
differences, told in three
colours. A story about the
natural and the excluded,
the normal and the uncommon; a duel between
learned binary oppositions. The film reflects on
an important issue: If our
nature isn’t a threat to
anyone then who or what
prevents us from living our
life – possibly the only one
we have - to the fullest?
Russia / 2016 / 19’15’’
Production: Irina Fomchenko, Alexey Bondar, Elena Malenkina / Bazelevs
Russia / 2015 / 6’
Production: Soyuzmultfilm film studio
Martina Meštrović
Martina Meštrović (1974)
graduated in Sculpture from
the Academy of Fine Arts in
Zagreb. She has held several
solo and group exhibitions. In
2004, she ventured into the
world of animated film, working
as a 2D and 3D set designer,
animator and director. She
lives and works in Zagreb.
Filmography: Peter’s Forest
(2016), Bla (2013).
Synopsis
It was a hard day for the
very lonely cock. Perhaps
tomorrow it’ll be better.
Leonid Shmelkov
Director of animation, scriptwriter, artist and illustrator
Leonid Shmelkov was born in
Moscow in 1982. In 2005, he
graduated from the Moscow
State University of Printing,
Graphic Arts Department.
Since 2005 he has been
participating in exhibitions,
making pictures for children’s
magazines, illustrating books.
Since 2007, he is a member of
the association of illustrators
Magic Saw. In 2009 he graduated from the school-studio
SHAR in Moscow in animation
directing. Currently he is working as a director, designer and
animator, as well as drawing illustrations for children’s books
and mentoring workshops for
children.
Synopsis
Before Love deals with
solitude, misunderstanding and disunity in our
life. The title suggests
that everything happening to the characters is
not yet true love. Human
shortcomings tie the dramatic knot of the story.
Everybody finds his or
her way to unhappiness.
Everybody is looking
for love.
Igor Kovalyov
Igor Kovalyov is an internationally
acclaimed filmmaker, designer,
animator, and director. His short
films Andrei Svislotski, Hen, His
wife, Bird in the Window, Flying
Nansen and Milch have received
numerous awards and accolades
throughout the animation and
film community.Born in Kiev,
Ukraine, Igor Kovalyov was the
co-founder of Moscow’s legendary Pilot School of Animation.
The studio also housed some of
the most brilliant artists in Russia
including many of the current
Klasky Csupo designers and
animators.
In 1991, Kovalyov accepted
an invitation to work at Klasky
Csupo’s studio in Hollywood.
In his time there, Kovalyov
co-directed Klasky Csupo’s first
feature film, The Rugrats Movie
and has directed the television
series, Aaahh!!! Real Monsters
as well as episodes of Duckman
and Rugrats, commercials and
Internet shorts.
LOVE
Réka Bucsi
Hungary / 2016 / 14’
Production: BODDAH
Synopsis
LOVE is a short film
describing affection in 3
different chapters, through
an impact on a distant
solar system. Abstract
haiku-like situations reveal
the change in atmosphere
on one planet, caused by
the change of gravity and
light. This pulsing planet
makes the inhabitants
become one with each
other in various ways.
Réka Bucsi
Réka Bucsi, born in 1988, is
a Hungarian independent animation filmmaker. From 2008
to 2013 she attended MOME
(Moholy-Nagy University of
Art and Design Budapest),
animation department. Her
graduation film Symphony no.
42 was selected in the 64th
Official Shorts Competition at
Berlinale and Sundance Film
Festival 2015, and was Shortlisted for the 87th Academy
Awards. From 2011-2012 she
attended Essemble, a Digital
filmmaking training program.
In 2013/2014 she attended
Animation Sans Frontiéres
(ASF), the European Animation Production Workshop.
She was participant of the
Artist in Residency program
of Open Workshop, in Denmark. Réka is represented as
a director by Passion Pictures
Paris.
THE ONE WHO TAMED THE CLOUDS
INK MEETS BLANK
Julie Rembauville
Tymon Albrzykowski
France / 2015 / 4’30’’
Production: Nicolas Bianco-Levrin / Prototypes Productions
Poland / 2016 / 5’11
Production: FUMI Studio
Synopsis
At the top of a canyon
the old Indian Flying
Shadow teaches the
young Nayati the
ancient art of smoke
signals. This is the
meeting of two opposite
characters. The boy’s
hyperactivity upsets the
calm of the old shaman,
soon causing disaster.
Julie Rembauville &
Nicolas Bianco-Levrin and
Julie Rembauville are prolific
animation filmmakers and
children’s book authors who
have worked together regularly since 2003. They have
co-directed 27 short films
using various techniques
(stop-motion, paper cut-out
and drawings). These include
[R] (2010) and Ben Hora
(2010), It’s a dog’s life (2012),
Minoule (2014), all of which
made their mark at several
international festivals.
Synopsis
The movie is black and
white, rythmic metamorphosis of abstract geometric
forms. Its dramaturgy is
built by pure form and
evocative music. It has
been fully implemented
cameraless, directly on a
35mm film tape.
Tymon Albrzykowski
I was born in 1988 at Gdańsk,
Poland. I finished a secondary
School of Arts in Gdynia,
at the artistic photography
department . From 2009 to
2015 I studied Animation Film
and Special Effects Direction
at the Film School in Łódź.
International Competition II
SO RED AND A LITTLE BLUE
BOOKS ON BOOKS
Sijia Luo
Lei Lei
China / 2015 / 4’
Production: Sichuan Fine Arts Institute Film-Video-Animation School
China / 2016 / 7’14’’
Production: Raydesign
Synopsis
The fragments of information scatter among the
computer and Internet,
and constitute the world
of Red and Blue. When
they meet each other
their faces look so red,
but are their moods a little
blue?
Sijia Luo
Sijia Luo (1993), Chinese
Animation Filmmaker. Bachelor
Degree from Sichuan Fine Arts
Institute Film-Video-Animation
School in 2015. She is lives in
Guangzhou city.
Synopsis
The cutout patterns are from
my father’s book ”Book
cover collection in the West“,
which was published in 1988.
Driven by the idea of “revisiting through returning”, beginning in May 2013 I have been
collecting, cutting out and
collaging those book cover
prints from the “Book cover
collection in the West” back
on to Western secondhand
books that I acquired over
the years.
COMPOSITION
AMORE D’INVERNO
Mitja Manček
Isabel Herguera
Slovenia / 2015 / 3’34’’
Production: Mitja Mancek
Lei Lei
In 2010, his film This is LOVE
was shown at Ottawa International Animation Festival and
awarded the 2010 Best Narrative Short. In 2013 his film Recycled was selected by Annecy
festival and was the Winner of
Grand Prix shorts - non-narrative at Holland International
Animation Film Festival. In 2014
he was a member of the Jury at
Zagreb International Animation
Film Festival. He was awarded
an Asian Cultural Council Grant
in 2014.
Synopsis
Two audiovisual and film
basics- sound and imageare created by the same
lines engraved directly on
primary audiovisual medium- film track- in order to
trigger the most harmonic
relationship that is possible
between them. In this film
you can see the sound and
hear the image.
Spain, Italy / 2015 / 8’
Production: Isabel Herguera, Geronimo Carbonó
Mitja Manček
Mitja Manček, born in 1987 in
the Slovenian town Postojna,
started animating his first film
at the age of 10. He received
a Specialist Diploma in the
field of animation at Film
school Zlín in Czech republic
in 2009. Since March 2010 he
has worked as a freelancer in
Slovenia, in various cultural
fields. He shoots independent
films, makes graphic designs
for books and runs workshops.
He has made 16 animated films
in 16 years, which have been
screened at various festivals
from New York to Tokyo.
Synopsis
While a couple walks along
the river, hunters hide
behind a hill, and friends in
the forest recall the Dancer
of Clavesana, a metaphor
of free love. She slowly
vanishes into the winter
landscape.
Isabel Herguera
Isabel Herguera studied Fine
Arts at the Kunstakademie
Duesseldorf and received her
MFA at Calarts, California.
Afterwards, she worked in
several animation studios in
Los Angeles before returning
to Spain, where she has
been making films that have
been selected in festivals like
Annecy, Leipzig, Rotterdam
and Ann Arbor, among others.
Currently she juggles between
making films and teaching at
the National Institute of Design
in Ahmedabad, India and the
Central Academy of Fine Arts
(CAFA) in Beijing, China.
ONCE UPON A LINE
WAITIN FOR THE NEW YEAR
Alicja Jasina
Vladimir Leschiov
Synopsis
A man leads a monotone,
humdrum existence until
he suddenly falls in love.
His world turns upsidedown after he meets a
red-haired woman who
manages to break his
established routine. What
follows is a short portrait
of a difficult relationship
marked by a struggle for
control and preserving
one’s identity, and finally
loss and depression.
The ending gives hope
for a new beginning and
a change of perspective.
David Jansen
Latvia / 2016 / 8’11’’
Production: LUNOHOD
Poland, USA / 2016 / 7’
Alicja Jasina
Alicja Jasina is a Polish filmmaker who has recently graduated with a Master’s degree
in Animation and Digital Arts
from University of Southern
California in Los Angeles.
Before that, she obtained a
Bachelor’s degree in Illustration
and Animation at Kingston
University in London. Her
short films have won awards
at festivals worldwide. In 2014
she won the Royal Television
Society Student Award for her
graduation film “Light Bulb”.
Alicja tells intriguing stories
about daily dilemmas and
captures the everyday life in
unusual ways.
Synopsis
A lonely woman street
cleaner’s letter to an
unknown person, written
on the first day of the
New Year: a year spent
observing the seasons and
dreaming of a miracle for
the following New Year.
DAEWIT
Germany / 2015 / 14’50’’
Production: Fabian&Fred
Vladimir Leschiov
Born in 1970. Artist, animator,
film director and producer.
Founder of animation studio
Lunohod in 2007. Animated
short films: The Letter, (2002)
Grandad’s Honey (2002)
Insomnia (2004), Lost in Snow
(2007), Wings and Oars (2009)
96 (2010), Villa Antropoff (2012)
Rainy Days (2014), Waiting For
the New Year (2016).
Synopsis
A wolf child, an angel, a
cat. The film animated in
the tradition of wood cut
technique, tells the story
of an abandoned child,
who grows up with wolfs
after his mother rescued
him from his violent father.
After an enigmatic journey
full of privations and in
quest for identity he finds
his peace in forgiveness.
David Jansen
David Jansen (* January
7th 1981 in Wipperfuerth,
Germany) became a mechanic
for plastic and caoutchouc
technologies after school.
Afterwards he did an internship
at Columbia Tristar in script
development followed by work
for Sony Pictures. From 2006
to 2012 he studied animation
at Academy for Media Arts,
Cologne in the film class of Raimund Krumme and Stéphanie
Beaugrand.
ERLKONIG
THE MASTER
JAZZ ORGIE
IF I WAS GOD
Riho Unt
Irina Rubina
Cordell Barker
Germany / 2016 / 1’15’’
Production: Filmakademie Baden-Württemberg
Canada / 2015 / 7’
Production: National Film Board of Canada
Estonia / 2015 / 18’
Production: Nukufilm OÜ
Synopsis
A dog named Popi and a
monkey named Huhuu are
waiting for their Master
to come home. But one
day the master is just not
coming back any more...
From this particular day
there starts their mutual
life. Popi, even though he
is actually smarter and
stronger, succumbs to
monkey’s whims. Popi is
a symbol of obedience
and subservience. On
the other hand, Huhuu
symbolises licentiousness
and silliness. This is an allegory, more phantasmal
than a dream and more
dreadful than truth. Based
on the short story “Popi
and Huhuu” by Friedebert
Tuglas.
International Competition III
Riho Unt
Riho Unt was born in 1956.
From 1979 to 1982 he attended
the Estonian State Institute
of Arts, in the Department of
Interior Design. He has written,
directed and art directed more
than 20 animated films. Recent
works include Miriam`s Kite
(2013), Happy Birthday (2012)
Lili (2008) and North Dragon
(2007), Miriam and the flood
(2006), Miriam`s nestbox
(2006), Brothers bearhearts
(2005), The Penguin Parade
(2002), Having Soul (2001).
Synopsis
Dots, Lines, Planes and
Forms set themselves in motion and get drawn into their
own choreographic world.
Irina Rubina The swirl of life brought
Irina Rubina to this world as
a Muscovite. But the smell
of fresh pretzels drew her to
Germany. She jumped into art
in Brunswick, Germany, then
pushed off and dove into the
mathematical ocean in Berlin.
But beneath the surface she
realized that the deeper she
delved, the darker it became.
She was afraid to end up in the
Black Square, so she decided
to make another 180-degree
turn. On the way back she
came across a school of fish.
It was so colorful and had
moved so elegantly that she
simply had to swim behind it.
She tried to retain its bright
colors and graceful plasticity.
When she turned her eyes
away from the fish, she found
herself in the Animationinstitut
at the Filmakademie BadenWuerttemberg. And till this
day she swims happily with
her animation swarm there...
If she is not in Paris looking for
other fish...
Synopsis
Have you ever been
twelve years old? Did
you ever daydream in
school? Would God-like
omnipotence have been
the solution to all your
childhood troubles?
Georges Schwizgebel
Cordell Barker
Cordell Barker is a Canadian
animator based in Winnipeg,
Manitoba. He began animating
in his late teens after taking
on an apprenticeship at Kenn
Perkins Animation. A two-time
Academy Award nominee,
Barker is an animation filmmaker with the National Film
Board of Canada (NFB).
Switzerland / 2015 / 05’28’’
Production: Studio GDS
Synopsis
A father rides with his son
through the forest. The
sick child thinks he sees the Erlking who both
charms and frightens him.
Georges Schwizgebel
2012 Chemin faisant / 2011
Romance / 2008 Retouches
/ 2006 Jeu / 2004 L’homme
sans ombre / 2000 La jeune
fille et les nuages / 1998 Fugue
/ 1996 ZigZag / 1995 L’année
du daim / 1992 La course à
l’abîme / 1989 Le sujet du tableau / 1986 Nakounine / 1985
78 tours / 1982 Le ravissement
de Frank N. Stein / 1977 Horsjeu / 1975 Perspectives / 1974
Le vol d’Icare
MAMIE
SPARROW DUET
Janice Nadeau
Steve Socki
Canada, France / 2016 / 6’ 20’’
Production: Folimage Studio, National Film Board of Canada
USA / 2016 / 3’54’’
Production: Steve Socki Productions
Synopsis
Mamie lives in a seaside
home on the Gaspé Peninsula. When she receives
an expropriation notice, her
cloistered world crumbles.
Her granddaughter witnesses this uprooting and
starts to question the lack of
real ties between them.
Janice Nadeau
Janice Nadeau (1977
Gatineau, Canada) worked
as the artistic director for
various organisations. She
has illustrated many books
and is a three-time recipient
of the prestigious Governor
General’s Award for her
illustrations. In 2014, she
co-directed her first animated
film with Nicola Lemay,
No Fish Where to Go. Her
latest project, Mamie, is a
very personal film and a coproduction between Folimage
and The National Film Board
of Canada.
Synopsis
Animated abstract shapes
and gestures dance
together with repeating
patterns of motion. The
images developed from
pastel sketches of crows
and sparrows interacting
with each other. Their
playful hops and leaps
suggested a secretive
kind of ballet to me, as if
they were performing a
ritualistic dance.
Steve Socki
Steve Socki is currently an
Assistant Professor at DePaul
University in Chicago, teaching
animation courses. He also
taught for 3 years at California
Institute of the Arts.
For over 25 years he worked
as an animation director
& producer in Hollywood
on animated TV series at
studios including Nickelodeon,
Cartoon Network, Disney TV,
Universal Animation, Warner
Bros, Bento Box, and Klasky
Csupo. Steve was nominated
by the Television Academy for
5 Emmy Awards, and won 1.
Steve Socki received an MFA
in animation from Cal Arts,
where he studied under mentor
Jules Engel.
AFTER THE END
ENDGAME
Sam Southward
Phil Mulloy
United Kingdom / 2015 / 11’6’’
Production: National Film and Television School
United Kingdom / 2015 / 7’20’’
Production: Spectre Films, Phil Mulloy
Synopsis
For René Fustercluck life
was bad, the Apocalypse
was awful, and then Gordon
arrived … After The End
explores the possibility that
the only thing worse than
being the last man on earth,
is being the second to last
man on earth.
Sam Southward
Sam Southward is a London
born director, screenwriter and
animator. He is known for his
distinct character design and
the combination of live action
and CG techniques that he
uses to tell stories. Professionally he has worked on a wide
variety of projects, from films
and commercials to computer
games and performance pieces. A common thread in Sam’s
work is his sense of humour
and the way he uses it to tackle
poignant subject matter and to
create immersive worlds.
Synopsis
After a tough week at the
office, Richard and George
like to play war games over
the weekend to relax. The
dispassionate atmosphere
and minimalist style with
which the growing brutality
is handled slowly wipes
the smile from your face,
before making sure that it
doesn’t return.
Phil Mulloy
Born in Wallasey, Merseyside.
Studied painting at Ravensbourne College of Art, then
attended the Royal College of
Art Film School. Worked as a
freelance writer/director. Began making animation in 1989.
Since that time he has made
over fifty short films. Awards
include Grand Prix—Zagreb,
Best British—London Animation
Festival, Grand Prix-Ottawa
Animation Film Festival, Jury
Award-Annecy, Critics AwardZagreb, McClaren Award, Jury
Award-Berlin InterFest.
LARGE SCALE ABSURDITIES VOL. 1
ENSLAVED
Constantinos Sophocleous
Εθνικό (Κυπριακό) Διαγωνιστικό Πρόγραμμα / National (Cyprus) Competition Program
Cyprus, UK / 2016 / 1’53’’
Production: University of Westminster
Synopsis
The unfortunate sequence
of events that occur to an
unsuspected young girl
in her process to escape
prostitution.
Constantinos Sophocleous
During my time at University I have worked with three
companies, as well as on many
personal projects. I collaborated with game development
students, always trying to
better my skills. I have worked
with Bullion Productions Ltd
London producing the music
video Electric Love-Borns. Also
worked with The Cypriot Puzzle
producing four animation films
for the history and culture of
Cyprus. Furthermore, I worked
with the production team at
Sigma TV, providing audio
and video support for Cypriot
TV series. Finally I worked
with Ignite Oxford for my
graduation film to produce a
short animated film for human
trafficking.
Charalambos Margaritis
Cyprus / 2015 / 1’44’’
Production: Charalambos Margaritis
Synopsis
This is a short film.
A very short film.
It is in black and white
and we should specify
that it is an animated film.
Frankly, there is nothing much one can say
about it.
was born in 1985 in Paphos,
Cyprus.
He graduated from the École
Nationale Superieure de
Beaux Arts de Paris in 2012.
His film “Workhouse” (2012)
participated among others in
the London Greek Film Festival, the International Motion
Festival in Nicosia, the Sarmat
International Independent Film
Festival the Blow-Up Chicago
International Art House Film
Fest. For “Workhouse” he
received the Best Animator Award in the Anim8fest
International Animation Film
Festival.
His film “Large Scale
Absurdities, Vol. 1” received
the Award of Recognition at
the IndieFest Film Awards. He
currently lives and works in
Paphos, Cyprus.
National Competition I
TO REACH A SOUL
I, THE EYE
SERAFIM
Stefanos Chrysanthou
Eleni Chandriotou
Charis Christodoulides
Cyprus / 2015 / 2’21’’
Cyprus, UK / 2016 / 1’
Cyprus, UK / 2016 / 2’54’’
Production: Arts University Bournemouth
Synopsis
The film follows Kido, a
child struggling to escape an untypical ‘coma
world’. As his family and
doctors lose hope for
his recovery, his brother,
Brodo, does everything
in his power to keep
them from switching off
his life support machine
as he hopes for Kido to
wake up.
Stephanos Chrysanthou
Stefanos Chrysanthou is
a Greek-Cypriot born on
October 18, 1992. Graduating from school in 2010, he
joined the compulsory Cypriot
National Guard for 2 years as
a Sergeant. After completing
his military service he took the
Art and Design Foundation
Diploma with Distinction at Aigaia School. He then pursued
the BA Animation Production
course at Arts University
Bournemouth. During his second year he joined internship
opportunities and volunteered
in Cyprus’ animation festival.
For his graduation year he
directed, co-produced and
lead animated the hybrid film
‘To Reach a Soul’. Currently,
Stefanos is a freelance Character Animator and seeking
job opportunities mainly in the
CG & Cut-out/Puppet area.
Synopsis
The eyes say what the mouth
does not. After researching,
thinking and experimenting,
I created this short animation
trying to understand the
fundamentals of visual perception. We have a journey
to make in order to create
our own perception of the
world around us and then to
discover the world within us.
The eye, which represents
everyone’s eyes, unconsciously or consciously
chooses what to save from
the journey and with whom
to interact. There is a whole
universe hidden behind our
eyes...
Eleni Chandriotou
Eleni is in her final year in the
Fine Arts Department of the
University of Nicosia. Her
work includes photography,
video, collages, drawing and
animation. She is passionate about animation, and is
experimenting with different
techniques both handmade
and digital.
Synopsis
In a planet of free will,
dominated by war and
hatred, the source of all
that exist is incarnated in
a person called Serafim.
His purpose is to help the
people achieve the highest
of their abilities, in order to
stop the never ending war.
He explains the reason for
his arrival while telling the
story of the creation of all
that is. He states that the
origin of light and darkness
is the same. Both created
from the divine to coexist,
and maybe the reason
for their existence is not
to fight each other, but to
work together.
BÉBER’ LE DROMADAIRE
Rhea Lazarides, Christina Karekla
Cyprus, France / 2015 / 4’20’’
Production: Thomas Gauthier
Charis Christodoulides
Charis Christodoulides was
born in 1993 with a passion
towards all the forms and
expressions of art. He is currently a fourth year student in
Scotland (UWS) undertaking
the Computer Animation
course. Completed a two year
portfolio building course in
Fine arts, and attended acting
and dance lessons since the
age of seven. Worked as an
art teacher and as an interior
designer-painter for selected
clients. Successfully participated in three animation competitions, winning first place in
two of them. Throughout his
academic and spiritual evolution he also gained multiple
skills on photography, acting,
dancing, singing, directing and
filming.
Synopsis
Beber the dromedary is
desperatly looking for water
in the desert...
Rhea Lazarides
Graduate from the London
College of Communication
with a 2D animation degree
and Animation Mentor graduate in 3D character animation.
Has experience in postproduction houses in London
and Cyprus for advertising
and short films and is currently
putting together a 2D & 3D
animation studio in London.
She is currently creative
director of the Greenhouse
London (N16 9BU) which is a
co working space for creative
people in North London.
Christina Karekla
Visual artist with a background
in sculptural ceramics and
visual research.
Current work includes sculpture, painting and illustration.
Teaching experiences at art
workshops for children and
adults. Beber, during which
I was more of an assistant
director, is my first experience
with animation.
HAIRY HARRY-THE FIRST INCIDENT
MONEY POLLUTION
THE GLITCH
FROGO
Dino Syrimis
Periklis Georgiou
Georgia Nicolaou
Cyprus / 2016 / 1’4’’
Production: Dinosaurius Animation
Cyprus / 2016 / 1’14’’
Maria Nicolaou
Synopsis
A very hairy character tries
to stop the evil created by
3D printers.
Dino Syrimis
Dino Syrimis is an award winning Animator who is now
working at Zedem Media as
an animator.
His carreer includes work for
television with Green Olive
Films, for the internet with
Gnosysoft and Opium Works
and for video games with Flix
Interactive.
During his Masters course, he
completed a short film which
was screened at Animated
Exeter, Flatpack, CYIFF and
CIFF where he won the award
for best animated short film.
His education includes a Masters in Animation from the
University of Glamorgan and a
BA in Animation from the
University of Wolverhampton.
Synopsis
Money Pollution is a short
animation that in one way
or another showcases the
control of money over our
life and its consequences.
Cyprus / 2014 / 1’3’’
Production: Canterbury Christ Church University
Periklis Georgiou
Periklis Georgiou hails from
Larnaca, Cyprus and is a student at the Cyprus University
of Technology in Multimedia
and Graphic Arts department.
Since his baby steps in arts
and graphics he has been
interested in movement, color,
shape and everything related.
He has the tendency to approach what is happening in
this world with a sometimes
large or small dose of irony
and humor. Money Pollution is
his first short animation movie.
Synopsis
The story is about a female
hostage that is kept
captive by a man. A short
animation connecting and
glitching reality and the
dream world.
Maria Nicolaou
I currently study Film
Radio and Television at
Christ Church University
as a second year student,
majoring in film, animation
and cinematography. I was
nominated for an award at
my University for the short
animation “The Glitch”
(2016). I also directed a
short film called “Catch Me
If You Can’t” (2015) and
drawn a storyboard for it. I
was the Director of Photography (DOP) and the camera
operator to another short
film called “Biff” (2015) and
was the camera operator
to a short film called “The
Reverse” (2016). I speak
both Greek and English.
Cyprus / 2016 / 0.44’’
Synopsis
This short animation
follows a frog as it jumps
around on a lake and lands
on water lily leaves until it
suddenly lands on a plastic
water bottle and it sinks
with it on top. This animation focuses mainly on the
visual experimentation with
animation techniques and
material aesthetics created
for my thesis at Cyprus University of Technology. However, the short story has an
environmental message at
the end: people should not
litter nature.
Georgia Nicoalou
I have just completed my
studies of Multimedia &
Graphic Arts at Cyprus
University of Technology. My
work experience includes
creating animations for Rialto
Theatre and HDR Timelapses
for the ICT Lab. My passion
for experimentation is evident
in my films and animations. In
addition, my team and I have
created two experimental
films that included animated
sequences for the Pharos Art
Foundation.
LARGE SCALE ABSURDITIES VOL. 2
Cyprus / 2015 / 8’16’’
Production: Kimonos Art Center
Synopsis
This is a short film.
Not as short as others may
be! And it’s in color, which
is quite a surprise given the
animator’s style.
We should specify that it
is an animated film as well.
That’s about it.
Interactive Instalation / Out of Competition
National Competition & Children’s Film Panorama
HOPE WITH - IN
AGRINOUI
FROM HEAVEN
Alexis Chaviaras
Sholeh Zahraei
Cyprus / 2016
Cyprus Technological University
Art Directors:
Michalis Constantinou
Philippos Athinodorou
Hologram Supervisors:
Myria Adamou
Graphics Directors:
Kalia Pavlou
Nicoletta Kyriakou
Pamela Andreou
Fanouria Panayiotou
Projection Mapping
Supervisors:
Iraclis Ioannou
Irini Pantela
Multimedia Directors:
Iraclis Ioannou
Video/Animation
Directors:
Irini Pantela
Iraclis Ioannou
Myria Adamou
Georgia Nicolaou
Cyprus / 2015 / 19’40’’
Production: A. Chaviaras Productions ltd. /
Financial Support: Cyprus Ministry of Education and Culture C.C.A.C.
Technical Directors:
Philippos Athinodorou
Nicoletta Kyriakou
Pamela Andreou
Fanouria Panayiotou
Promotional Videos:
Georgia Nicolaou
Synopsis
A young mare visits Cyprus to take part in races.
Frustrated from failure, she
abandons the racetrack
after confronting her strict
father. The mare will meet
new friends who will try
to help her find her lost
courage.
Alexis Chaviaras
Alexis was born in Antwerp
in 1978. He has been teaching animation at Universities in Cyprus since 2009.
Alexis has been generating
media animation material
since 2002 and is currently
researching the field of scenic design for 3D computer
animated films.
In 2011 he produced and
directed the animated short
“Struthio”.
Cyprus / 2016 / 1’9’’
Production: Lupa Pictures
Synopsis
A video art about the
abandoned Nicosia International Airport, based on the
events of 1974 in Cyprus
and their tragic aftermath.
Sholeh Zahraei
Sholeh Zahraei was born in
Tehran/Iran, grew up in Berlin,
and studied Digital Filmmaking
in Amsterdam. She graduated
with a BA with High Honors
from the Department of Radio,
Television and Film and
pursued her Master’s degree
in the Department of Visual
Arts & Visual Communication
in Cyprus. Since 2010, she
also works on underwater
photography and film. Sholeh
has participated as a talent in
the Berlinale Talent Campus
2016. In January 2016, Sholeh
participated in a filmmaking
workshop with maestro Abbas
Kiarostami in Cuba where she
made a short film mentored
by him.
National Competition II
National & International Competition
National & International Competition
CLUSTER
140 000 - 1
UNITED UROPA
THE MAN AND THE TREES
Constantinos Georgiou
Savvas Theodosiou
Constantinos Terlikkas, Dani Pucz
Cyprus / 2015 / 3’39’’
Production: Northumbria University
Cyprus / 2016 / 1’13’’
Production: Cyprus University of Technology
Cosmas Nonis
Synopsis
Cluster is a short animated
film about the life of a
young adult suffering from
cluster headaches. He
struggles not only with his
pain but also with loneliness
and depression. This also
illustrates the isolated life
and detached being of an
individual with a serious
problem. The problem
is defined and judged
by a world that does not
understand, and labelled
as ‘a headache’. It shows
how the demon cluster has
taken everything he loves
away and stripped him of
his desire to live. Finally, he
confronts the demon the
only way he feels he can.
National Competition II
Constantinos Georgiou
Recent BA Animation
graduate from Northumbria
University specialising in 3D
Animation and Visual Effects.
Contracted by The Cypriot
Puzzle in July 2015 to produce 4 high quality short
motion graphics/info graphics videos about the citizens
of Cyprus. My responsibilities were to bring life to the
drawings I received from the
graphic designers and illustrators and make the videos
interesting by using different
animation techniques.
Synopsis
To be or not to be? But
what’s happening when
“not to be” is not a choice?
2001; A bomb falls down,
scattering death to hundreds. A “tele-witness”,
was scattering plague to
hundreds million days ago;
a black rat. Not any black
rat! Pierre is immune to
death. 1945; A bomb fell
down scattering death to
140.000. One Hundred
Forty Thousand Minus
One...
Savvas Theodosiou
I come from Nicosia and I
was born in 1994. I currently
study Graphic Arts at Cyprus
University of Technology,
with first class honours. I’m
highly motivated about Art
and Design and I’m interested
in Fine Arts, Graphic Design,
Animation and Web Design.
Cyprus / 2016 / 1’7’’
Production: Cyprus University of Technology
Synopsis
This artistic animated film
attempts to reveal the concepts related to the totalitarian and autocratic methods
of Europe elite classes that
strive to unite Europe under
one authority for the benefit
of the economic purposes
of bankers, stock-markets
and big corporations. The
semiotics of the film guide
the viewer to consciously
or subconsciously create
connections between the
E.E (European Union) with
the Nazis that carried out the
same idea of an inhumane
United Europe.
Cosmas Nonis
Cosmas Nonis is a thirdyear student at the Cyprus
Technological University in
the Multimedia Department
of the Fine Arts School.
In 2015 I participated in
Animafest Cyprus with my
film Atonement.
Cyprus, Romania, Hungary / 2015 / 1’50’’
Production: Filmtett.ro
Synopsis
One minute animated short,
based on a one minute
short tale by hungarian folk
writer Gaspar Heltai. A story
of a man, who goes out to
the forest to ask for a stick,
a story about true nature of
manhood.
Constantinos Terlikkas
Born in Nicosia in 1986. In October 2011 he graduated from
the Department of Graphic
Design, in the Faculty of Fine
Arts and Design, at Technological Educational Institute of
Athens (ΤΕΙ). In October 2011
he finished his final university
project, which consisted of
two sections: the design of
his personal branding and
the creation of his second
personal animation, short
film, entitled Nannourisman
which has screened at the
11th Countryside Animafest
Cyprus, Views of the World
and at the 5.0 αniμasyroς International Animation Festival
+ Forum.
Dani Pucz
Animation film maker and
graphic designer from
Hungary. Former Illyés
Akadémia student. His first
film was Karawane (2015),
his first exhibition was held
at Mika Tivadar, titled “now
you see daddy, finally i got an
exhibition!”
Ευχαριστούμε τους / Acknowledgements:
Υπουργείο Παιδείας & Πολιτισμού / Ministry of Education & Culture
Παύλο Παρασκευά, Διευθυντή Πολιτιστικών Υπηρεσιών ΥΠΠ /
Pavlo Paraskeva, Director of the Cultural Services of the MOEC
Έλενα Χριστοδουλίδου, Λειτουργό Α΄ Πολιτιστικών Υπηρεσιών ΥΠΠ /
Elena Christodoulidou, Cultural Services of the MOEC
Διομήδη Νικήτα, Λειτουργό Πολιτιστικών Υπηρεσιών ΥΠΠ /
Diomides Nikitas, Cultural Services of the MOEC
Nenad Bogdanovic, Creative Europe Desk Cyprus
Γιάννα Αμερικάνου / Yianna Americanou, Creative Europe Desk Cyprus
Αντρη Χατζιαντρέου /Andri Hadjiandreou, Creative Europe Desk Cyprus
Μαρίνα Σολομίδου - Ιερωνυμίδου / Marina Solomides - Ieronimidou
Διευθύντρια Τμήματος Αρχαιοτήτων
Director at Cyprus Department of Antiquities
Φρύνη Χατζηχριστοφή / Frini Hatzichristofi - Cyprus Department of Antiquities
Ευθυμία Άλφα / Efthimia Alpha - Cyprus Department of Antiquities
Οργανισμό Νεολαίας Κύπρου / Youth Board of Cyprus
Αυστριακή Πρεσβεία στην Κύπρο / Austrian Embassy
Ελένη Αγκαστινιώτου / Eleni Angastiniotou
Μέλη κριτικής επιτροπής / Jury committee members
Kaspar Jancis
Theodore Ushev
Γιώργο Σαββινίδη / Yiorgo Savvinidi
Lana Tankosa Nikolic and Morten Thorning - The Animation Workshop
Thomas Renoldner and Federica Pagnucco
Τον Πρόεδρο και το Κοινοτικό Συμβούλιο Κουκλιών
President Michalakis Solonos and the Community Council, Kouklia
Μαρία Λένου, Προϊσταμένη Αρχαιολογικού χώρου στα Κούκλια, Παλαίπαφος
Maria Lenou, Ancient site of Palaepaphos supervisor
Ελισάβετ Πέτρου, προσωπικό Αρχαιολογικού χώρου στα Κούκλια Παλαίπαφος
Elisavet Petrou, Ancient site of Palaepaphos staff
Γιώργος Χαραλάμπους, προσωπικό Αρχαιολογικού χώρου στα Κούκλια Παλαίπαφος
Yiorgos Charalambous, Ancient site of Palaepaphos staff
Αβέρκιος Χατζηιωάνου, προσωπικό Αρχαιολογικού χώρου στα Κούκλια Παλαίπαφος
Averkios Hatzioannou, Ancient site of Palaepaphos staff
Τράπεζα Κύπρου, Μιχάλη Περσιάνη / Bank of Cyprus, Michalis Persianis
Μουσειόν Χαρακτικής Χαμπή / Hambis Printmaking Museum
Χαμπή Τσαγγάρη / Hambi Tsangari
Hélène Reeb-Tsangaris
Ειρήνη Στυλιανίδου / Irene Stylianides
Ελένη Παναγίδου / Eleni Panagidou
Annaida Orosz & Tamas Patrovits
Vesna Dovnikovich (ASIFA Secretary General)
Vjera Matkovich
Chris Robinson
Arril Johnson
Τεχνολογικό Πανεπιστήμιο Κύπρου / Cyprus University of Technology
Ερασμία Κολά / Erasmia Kola
Μαρία Παύλου / Maria Pavlou
Κατερίνα Παντέλα / Katerina Pantela
Κινηματογραφική Λέσχη Λεμεσού / Limassol Cine club
Αντώνη Αντωνίου / Antoni Antoniou
Το μουσικό σχήμα Sandy Brour / Music Band Sandy Brour
Ευθυμία Άλφα / Efthymia Alphas / Μέμνων Αρέστη / Memnon Arestis / Χαριτίνη
Κυριάκου / Xaritini Kyriakou / Βερόνικα Αλωνεύτου / Veronika Aloneftou / Σάββα
Θωμά / Savvas Thoma / Σύμη Σουκιούρογλου / Simis Soukiorouglou
Χρίστο Αγιομαμίτη / Christos Ayiomamitis
Σοφοκλή Καρπασίτη / Sofokli Karpasiti
Πανεπιστήμιο Λευκωσίας / Νicosia University
Κατερίνα Ατταλίδου & Τζον Μαυρή / Katerina Attalidou and John Mavris
Γιάγκο Χαντζηγιάννη / Yiangos Handjigiannis
Μαρκέλλα Νεοκλέους / Markella Neokleous
Παναγιώτα Μιχαήλ / Panagiota Michael
Χριστίνα & Ηλία Ζήρα / Christina & Ilias Ziras
Ευτυχία Αλευρά / Eftihia Alevra
Χριστίνα Κωνσταντίνου / Christina Constantinou
Φύτο & Δημήτρη / Fitos & Dimitris
Εθελοντές Φεστιβάλ / Festival Volunteers: Δημοσθένης Δημοσθένους / Demosthenis
Demosthenous / Μυρτώ Θεοχαρίδου / Myrto Theocharidou / Νικόλας Κυριάκου
Nicolas Kyriakou / Ελένη Χανδριώτου / Eleni Chandriotou / Κατερίνα Σιαμμά / Katerina Shiama / Λούης Λοΐζου / Louis Loizou / Μικαέλα Popovic / Michaela Popovits
Αντρέας Ρωσσίδης / Andreas Rossides / Μάγια Πάρπα / Mayia Parpa / Μαρία
Αδάμου / Maria Adamou / Κλειώ Κραμβή / Kleio Kramvi / Ελένη Κραμβή / Eleni
Kramvi / Αντρέας Κακουλής / Andreas Kakoullis / Χριστιάνα Γεωργιάδου / Christiana
Georgiadou / Χάρης Χριστοδουλίδης / Charis Christodoulides
Όλους τους σκηνοθέτες, διανομείς και δημιουργούς των ταινιών, καθώς και όλους
όσοι βοήθησαν με οποιονδήποτε τρόπο /
All the filmmamakers and film distributors. Αnd everyone who helped in any way.
ΕΝΤΥΠΑ - ΕΚΔOΣΕΙΣ ΦΕΣΤΙΒΑΛ /
FESTIVAL PRINTED MATERIAL - PUBLICATIONS
ΔΗΜΙΟΥΡΓΙΚO / CREATIVE:
Αφίσα / Poster: Theodore Ushev
Λογότυπο Φεστιβάλ / Festival logo:
ΚΑΤΑΛΟΓΟΣ ΦΕΣΤΙΒΑΛ / FESTIVAL CATALOGUE
Συντονισμός ύλης / Text general coordination:
Μαγδαλένα Ζήρα / Magdalena Zira
Επιμέλεια και διορθώσεις ελληνικών κειμένων
Editing and proof-reading of greek texts:
Μετάφραση και επιμέλεια αγγλικών κειμένων
Translation and editing of english texts:
Καλλιτεχνική επιμέλεια και σχεδιασμός εκδόσεων
Artistic direction and design of the editions:
Υλοποίηση ιστοσελίδας / Web development:
Κωσταντίνος Τερλικκάς / Constantinos Terlikas
Εκτύπωση / Printing: Cassoulides Masterprinters

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